|Sonic's Rendezvous Band|
|Origin||Ann Arbor, Michigan, United States|
|Genres||Rock and roll, punk rock|
|Associated acts||MC5, The Stooges, The Rationals, The Up|
|Past members||Fred "Sonic" Smith
Sonic's Rendezvous Band came from the ashes of four Michigan rock bands:
They remained virtually unknown, but their one and only single retained high interest among fans of Detroit rock. The band had had only enough money to mix one song, "City Slang", so it was pressed on both sides of the single. One side was labeled mono and one side stereo although both sides were identical. A lo-fi bootleg LP composed of various radio appearances called Strikes Like Lightning was traded in the 1980s.
Interest in the band was kindled in the late 1990s when Alive / Total Energy Records released a studio recording of the then-unheard song "Electrophonic Tonic", the song that was to have been the B-side of "City Slang". In 1999, Mack Aborn Rhythm Arts released Sweet Nothing, a compact disc compilation of rare live and recorded SRB tunes. A second compilation called City Slang was released in 2000.
This in turn sparked a renewed interest in Scott Morgan, who was critically acclaimed in the 1980s with bands like Scots Pirates and the Scott Morgan Band who were largely successful only in the Midwest. SRB disciples, Sweden's Hellacopters recorded five Scott Morgan/ SRB compositions ("City Slang", "16 With a Bullet", "Downright Blue", "Heaven", "Slow Down [Take A Look]") which further popularized the group. Scott Morgan went on to record with the Hellacopter's Nicke Royale, releasing two Hydromatics albums as well as two soul albums by The Solution.
The band has enjoyed renewed interest, along with mainstream critical acclaim in the music press, with the September 2006, release of a six-disc box set, Sonic's Rendezvous Band, by UK label Easy Action. The record was reviewed by Rolling Stone, October 19, 2006, by David Fricke, as one of "Fricke's Picks," saying of the band's 1978 single (included in the set), "City Slang" "5:15 of assault guitars, railroad drumming and Smith's determined-rebel call - has all you need to know why SRB were masters of their domain." That domain, as Fricke put it was "the Detroit Church of High Energy Rock," where Sonic's "holy rank" secured "forever." Said Fricke: "I just want as much of the best of this band as I can get, in good faith and quality. Right now, this is what I have. And I am playing it. Loud." Among other notable cuts in the set, Fricke, says, "a highlight is the sixteen-minute "American Boy," on which Smith plays a long, heated-raga solo on saxophone, evoking the MC5's earlier forays into the music of Sun Ra and Pharoah Sanders."
Fricke repeatedly cited Scott Morgan's influence, describing the two concert discs from 1975 and 1976 as having that "manic-white-Motown streak that Morgan in particular brought to SRB." Fricke mentioned that record "comes with its own controversy" over whether it was approved by all involved, but Easy Action asserts on its website that the release was approved by the surviving band members, and by Fred Smith's children and wife, Patti Smith.