John Michael Stipe (born January 4, 1960) is an American singer, songwriter, musician, film producer, music video director, visual artist, and philanthropist. He is best known as the lead singer and main lyricist of the alternative rock band R.E.M. from their formation in 1980 until their dissolution in 2011.
Possessing a distinctive voice, Stipe is noted for the "mumbling" style of his early career as well as his social and political activism. He was in charge of R.E.M.'s visual aspect, often selecting album artwork and directing many of the band's music videos. Outside the music industry, he owns and runs two film production studios, C-00 and Single Cell Pictures.
John Michael Stipe was born in Decatur, Georgia, on January 4, 1960, the second of four children. Stipe was a military brat; his father was a serviceman in the United States Army whose career resulted in frequent relocations for his family. His younger sister, Lynda Stipe, was born in 1962 and became the vocalist of her own band Hetch Hetchy. Stipe and his family moved to various locales during his childhood, including Germany, Texas, Illinois, Alabama and Georgia. He was raised Methodist.
Stipe graduated from high school in Collinsville, Illinois, in 1978. (His senior photo is pictured in the album art work of Eponymous.) He enrolled at the University of Georgia in Athens, Georgia, as an art major, studying photography and painting.
While attending college in Athens, Stipe frequented the Wuxtry record shop, where he met store clerk Peter Buck in 1980. "He was a striking-looking guy and he also bought weird records, which not everyone in the store did", Buck recalled. The two became friends and eventually decided to form a band. Buck and Stipe started writing music together; at the time Stipe also spent time in a local group named Gangster. The pair were soon joined by Bill Berry and Mike Mills and named themselves R.E.M., a name Stipe selected at random from a dictionary.
All four members of R.E.M. dropped out of school in 1980 to focus on the band. Stipe was the last to do so. The band issued its debut single, "Radio Free Europe", on Hib-Tone, which was a college radio success. The band signed to I.R.S. Records for the release of the Chronic Town EP one year later. R.E.M. released its debut album Murmur in 1983, which was acclaimed by critics. Stipe's vocals and lyrics received particular attention from listeners. Murmur went on to win the Rolling Stone Critics Poll Album of the Year over Michael Jackson's Thriller. Their second album, Reckoning, followed in 1984.
In 1985, R.E.M. traveled to England to record its third album Fables of the Reconstruction, a difficult process that brought the band to the verge of a break up. After the album was released, relationships in the band remained tense. Gaining weight and acting eccentrically (such as by shaving his hair into a monk's tonsure), Stipe later said of the period, "I was well on my way to losing my mind". They toured in Canada and throughout Europe that year; Stipe had bleached his hair blond during this time.
In September 1983, a few months after the release of the R.E.M.'s debut album, Stipe participated in a low-budget, forty-five-minute Super-8 film called Just Like a Movie, shot in Athens by New York Rocker magazine photographer Laura Levine, who was a friend of the band. Those with acting roles in the film included Levine, Stipe, Lynda Stipe (Michael's sister), Matthew Sweet (who co-formed the short-lived duo, Community Trolls, with Michael Stipe), and R.E.M.'s Bill Berry. The film remains unreleased.
Stipe had planned a collaboration with friend, Kurt Cobain, lead singer of Nirvana, in 1994, partly in an attempt to lure Cobain away from his home and his drug addiction. However, they did not manage to compose or record anything before Cobain's death. Stipe was chosen as the godfather of Cobain and Courtney Love's daughter, Frances Bean Cobain. R.E.M. recorded the song "Let Me In" from the 1994 album Monster in tribute to Cobain.
Stipe was once very close to fellow alternative rock singer Natalie Merchant and has recorded a few songs with her, including one titled "Photograph" which appeared on a pro-choice benefit album titled Born to Choose, and they appeared live with Peter Gabriel singing Gabriel's single "Red Rain" at the 1996 VH1 Honors and a few other times.
Stipe and Tori Amos became friends in the mid-1990s and recorded a duet in 1994 called "It Might Hurt a Bit" for the Don Juan DeMarco motion picture soundtrack. Both Stipe and Amos decided not to release it.
In 1998, Stipe published a collection called Two Times Intro: On the Road with Patti Smith. In 2006, Stipe released an EP that comprised six different cover versions of Joseph Arthur's "In The Sun" for the Hurricane Katrina disaster relief fund. One version, recorded in a collaboration with Coldplay's Chris Martin, reached number one on the Canadian Singles Chart. Also in 2006, Stipe appeared on the song "Broken Promise" on the Placebo release Meds. Continuing his non-R.E.M. work in 2006, Stipe sang the song "L'Hôtel" on the tribute album to Serge Gainsbourg titled Monsieur Gainsbourg Revisited and appeared on the song "Dancing on the Lip of a Volcano" on the New York Dolls album One Day It Will Please Us to Remember Even This. He recorded a song with Miguel Bose on the album Papito "Lo que ves es lo que hay".
In 2011, Stipe participated in a live online Facebook chat with fans following the premiere of a new R.E.M. video on Dazed & Confused's website, Dazed Digital. The video for "Walk It Back" was taken from R.E.M.'s 15th album, Collapse into Now.
On April 10, 2014, Stipe inducted the American grunge band Nirvana into the Rock and Roll Hall of Fame.
With the success of the albums Out of Time (1991) and Automatic for the People (1992), R.E.M. became mainstream music stars. Around 1992, rumors that Stipe had contracted HIV began to circulate. He responded with:
Not that I can tell. I wore a hat that said "White House Stop AIDS". I'm skinny. I've always been skinny, except in 1985 when I looked like Marlon Brando, the last time I shaved my head. I was really sick then. Eating potatoes. I think AIDS hysteria would obviously and naturally extend to people who are media figures and anybody of indecipherable or unpronounced sexuality. Anybody who looks gaunt, for whatever reason. Anybody who is associated, for whatever reason – whether it's a hat, or the way I carry myself – as being queer-friendly.— Michael Stipe
In 1994, with questions remaining, Stipe described himself as "an equal opportunity lech", and said he did not define himself as gay, straight, or bisexual, but that he was attracted to, and had relationships with, both men and women. In 1995, he appeared on the cover of Out magazine. Stipe described himself as a "queer artist" in Time in 2001 and revealed that he had been in a relationship with "an amazing man" for three years at that point. Stipe reiterated this in a 2004 interview with Butt magazine. When asked if he ever declares himself as gay, Stipe stated, "I don't. I think there's a line drawn between gay and queer, and for me, queer describes something that's more inclusive of the grey areas."
In 1999, author Douglas A. Martin published a novel, Outline of My Lover, in which the narrator has a six-year romantic relationship with the unnamed lead singer of a successful Athens, Georgia–based, rock band; the book was widely speculated, and later confirmed by its author, to have been a roman à clef based on a real relationship between Martin and Stipe. The two had previously collaborated on two books, both in 1998: The Haiku Year (for which the two had both contributed haiku) and Martin's book of poetry Servicing the Salamander (for which Stipe took the cover photograph).
Stipe's role in the songwriting process for R.E.M. was to write lyrics and devise melodies. While each member was given an equal vote in the songwriting process, Peter Buck has conceded that Stipe, as the band's lyricist, could rarely be persuaded to follow an idea he did not favor. Stipe sings in "wailing, keening, arching vocal figures" that R.E.M. biographer David Buckley compared to Celtic folk artists and Muslim muezzin. Stipe often harmonizes with Mills in songs; in the chorus for "Stand," Mills and Stipe alternate singing lyrics, creating a dialogue. Early articles about the band focused on Stipe's singing style (described as "mumbling" by The Washington Post), which often rendered his lyrics indecipherable. Stipe commented in 1984, "It's just the way I sing. If I tried to control it, it would be pretty false."
"That voice. It's an extraordinary voice," said U2's lead singer Bono in 2003. "I often tell him I think he's a crooner, and he doesn't like that very much. But it is sort of one part some sort of Bing Crosby '50s laid-back crooner, and one part Dolly Parton," he added, laughing.
Stipe insisted that many of his early lyrics were "nonsense", saying in a 1994 online chat, "You all know there aren't words, per se, to a lot of the early stuff. I can't even remember them." In truth, many early R.E.M. songs had definite lyrics that Stipe wrote with care. Stipe explained in 1984 that when he started writing lyrics they were like "simple pictures", but after a year he grew tired of the approach and "started experimenting with lyrics that didn't make exact linear sense, and it's just gone from there." In the mid-1980s, as Stipe's pronunciation while singing became clearer, the band decided that its lyrics should convey ideas on a more literal level. Mills explained, "After you've made three records and you've written several songs and they've gotten better and better lyrically the next step would be to have somebody question you and say, are you saying anything? And Michael had the confidence at that point to say yes . . ." After what Stipe has referred to as "The Dark Ages of American Politics [The Reagan/Bush Years]", R.E.M. incorporated more politically oriented concerns into his lyrics on Document and Green. "Our political activism and the content of the songs was just a reaction to where we were, and what we were surrounded by, which was just abject horror," Stipe said later. "In 1987 and '88 there was nothing to do but be active." While Stipe continued to write songs with political subject matter like "Ignoreland" and "Final Straw", later albums have focused on other topics. Automatic for the People dealt with "mortality and dying. Pretty turgid stuff", according to Stipe; Monster, meanwhile, critiqued love and mass culture, and Reveal dipped into mysticism.
In early 1987 Stipe co-founded C00 Films with Jim McKay, a mixed-media company that was "designed to channel its founder's creative talents towards the creation and promotion of alternative film works." Stipe and his producing partner, Sandy Stern, have served as executive producers on films including Being John Malkovich, Velvet Goldmine, and Man on the Moon. He was also credited as a producer of the 2004 film Saved!
In 1998 he worked on Single Cell Pictures, a film production company which released several arthouse / indie movies.
Stipe has made a number of acting appearances on film and on television. Stipe appeared in an episode of The Adventures of Pete & Pete as an ice cream man named Captain Scrummy. Stipe has appeared as himself with R.E.M. on Sesame Street playing a reworked version of "Shiny Happy People" called "Furry Happy Monsters", and appeared in an episode of The Simpsons titled "Homer the Moe", where R.E.M. was tricked into playing a show in Homer Simpson's garage. He also appeared as a guest on the Cartoon Network talk show spoof Space Ghost Coast to Coast in the episode 'Hungry'. More recently, Stipe has made several short appearances on The Colbert Report, playing himself.
In addition to co-producing most of R.E.M.'s output, Stipe has also produced the following:
Stipe, whose on-stage behavior was always slightly strange, entered his most bizarre phase, as he put on weight, dyed his hair bleached blonde, and wore countless layers of clothing.
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