Young adult fiction

Young adult fiction (YA) is a category of fiction written for readers from 12 to 18 years of age.[1] While the genre is targeted to teenagers, approximately half of YA readers are adults.[2]

The subject matter and genres of YA correlate with the age and experience of the protagonist. The genres available in YA are expansive and include most of those found in adult fiction. Common themes related to YA include: friendship, first love, relationships, and identity.[3] Stories that focus on the specific challenges of youth are sometimes referred to as problem novels or coming-of-age novels.[4]

Young adult fiction was developed to soften the transition between children's novels and adult literature.[5]

History

Beginning

The history of young adult literature is tied to the history of how childhood and young adulthood has been perceived. One early writer to recognize young adults as a distinct group was Sarah Trimmer, who, in 1802, described "young adulthood" as lasting from ages 14 to 21.[6] In her children's literature periodical, The Guardian of Education, Trimmer introduced the terms "Books for Children" (for those under fourteen) and "Books for Young Persons" (for those between fourteen and twenty-one), establishing terms of reference for young adult literature that still remains in use.[6] Nineteenth century literature presents several early works, that appealed to young readers,[7] though not necessarily written for them, including The Swiss Family Robinson (1812), Walter Scott's Waverley (1814), Charles Dickens' Oliver Twist (1838), Alexandre Dumas' The Count of Monte Cristo (1844), Tom Brown's Schooldays (1857), Dickens' Great Expectations (1860), Alice in Wonderland (1865), Mark Twain's The Adventures of Tom Sawyer (1876), and Adventures of Huckleberry Finn (1884), Robert Louis Stevenson's Kidnapped (1886), Rudyard Kipling's The Jungle Book (1894), and Moonfleet (1898) by J. Meade Falkner.

20th century

In the 1950s, two influential adult novels, The Catcher in the Rye (1951) and Lord of the Flies (1954), which were not initially marketed to adolescents, still attracted the attention of the adolescent demographic.[6]

The modern classification of young-adult fiction originated during the 1950s and 1960s, especially after the publication of S. E. Hinton's The Outsiders (1967). The novel features a truer, darker side of adolescent life that was not often represented in works of fiction of the time, and was the first novel published specifically marketed for young adults as Hinton was one when she wrote it.[8] Written during high-school and published when Hinton was only 17, The Outsiders also lacked the nostalgic tone common in books about adolescents written by adults.[9] The Outsiders remains one of the best-selling young adult novels of all time.[9]

The 1960s became the era "when the 'under 30' generation became a subject of popular concern, and research on adolescence began to emerge. It was also the decade when literature for adolescents could be said to have come into its own".[10] This increased the discussions about adolescent experiences and the new idea of adolescent authors. In the late 1960s and early 1970s, what has come to be known as the "fab five"[11] were published: I Know Why the Caged Bird Sings (1969), an autobiography of the early years of American poet Maya Angelou; The Friends (1973) by Rosa Guy; the semi-autobiographical The Bell Jar (US 1963, under a pseudonym; UK 1967) by poet Sylvia Plath; Bless the Beasts and Children (1970) by Glendon Swarthout; and Deathwatch (1972) by Robb White, which was awarded 1973 Edgar Award for Best Juvenile Mystery by the Mystery Writers of America. The works of Angelou, Guy, and Plath were not written for young readers.

As publishers began to focus on the emerging adolescent market, booksellers and libraries began creating young adult sections distinct from children's literature and novels written for adults. The 1970s to the mid-1980s have been described as the golden age of young-adult fiction, when challenging novels began speaking directly to the interests of the identified adolescent market.[6]

In the 1980s, young adult literature began pushing the envelope in terms of the subject matter that was considered appropriate for their audience: Books dealing with topics such as rape, suicide, parental death, and murder which had previously been deemed taboo, saw significant critical and commercial success. A flip-side of this trend was a strong revived interest in the romance novel, including young adult romance. With an increase in number of teenagers the genre "matured, blossomed, and came into its own, with the better written, more serious, and more varied young adult books (than those) published during the last two decades".[12]

The first novel in J.K. Rowling's seven-book Harry Potter series, Harry Potter and the Philosopher's Stone, was published in 1997. The series was praised for its complexity and maturity, and attracted a wide adult audience. While not technically YA, its success led many to see Harry Potter and its author, J.K. Rowling, as responsible for a resurgence of young adult literature, and re-established the pre-eminent role of speculative fiction in the field,[13] a trend further solidified by The Hunger Games trilogy by Suzanne Collins. The end of the decade saw a number of awards appear such as the Michael L. Printz Award and Alex Awards, designed to recognize excellence in writing for young adult audiences.

The category of young adult fiction continues to expand into other media and genres: graphic novels/manga, light novels, fantasy, mystery fiction, romance novels, and even subcategories such as cyberpunk, techno-thrillers, and contemporary Christian fiction.

Themes

Many young adult novels feature coming-of-age stories. These feature adolescents beginning to transform into adults, working through personal problems, and learning to take responsibility for their actions.[14] YA serves many literary purposes. It provides a pleasurable reading experience for young people, emphasizing real life experiences and problems in easier-to-grasp ways, and depicts societal functions.[14]

An analysis of YA novels between 1980 to 2000 found seventeen expansive literary themes. The most common of these were friendship, getting into trouble, romantic and sexual interest, and family life.[15] Other common thematic elements revolve around the coming-of-age nature of the texts. This includes narratives about self-identity, life and death, and individuality.[16]

Genre

There are no distinguishable differences in genre styles between YA fiction and adult fiction. Some of the most common YA genres include contemporary fiction, fantasy, romance, and dystopian.[17] Genre-blending, which is the combination of multiple genres into one work, is also common in YA.[18]

New adult fiction

New adult fiction (also known as NA) is a genre, generally written about and aimed towards young adults between 18 and 30 years old.[19] Many publishers specifically target the genre towards the 18 to 24 age range.[20] The term "new adult" was popularized in 2009 when St. Martin's Press ran a contest requesting stories about "a sort of older YA or new adult."[21]

There are some disparities in defining new adult, but it generally focuses on characters exploring the challenges of adult life.[21] Common themes include: relationships, college life, self-identity, new responsibilities, and issues like abuse.[19][20][21] Often, new adult is seen as a subcategory of romance as many books feature themes like sexual exploration.[20] Critics of the new adult genre claim that the terminology is condescending because it implies that readers need "training wheels" before reading adult fiction.[22] It is believed that New Adult bridges the gap between Young Adult and Adult Fiction by detailing how to adjust to life after adolescence.[21]

Popular new adult authors include Jennifer L. Armentrout, Jamie McGuire, Colleen Hoover and Tammara Webber.[23]

Problem novels

The outsiders 1967 first edition
Front cover of The Outsiders by S.E. Hinton

"Social-problem" novels or problem novels are a sub-genre of literature focusing and commenting on overarching social problems.[24] They are a type of realistic fiction that characteristically depict contemporary issues such as poverty, drugs, and pregnancy.[25] Published in 1967, S.E. Hinton's The Outsiders is often credited as the first problem novel.[26][27] Following this release, problem novels were popularized and dominated during the 1970s.

Sheila Egoff described three reasons why problem novels resonate with adolescents:[28]

  • They depict real situations that the readers are experiencing so they have "therapeutic value"
  • They are interesting, new and foreign to those not experiencing these issues,
  • They feature mature story lines which appeals to a child's desire to grow up.

A classic example of a problem novel and one that defined the sub-genre is Go Ask Alice by Anonymous (pseudonym for Beatrice Sparks) published in 1971. Go Ask Alice is written in first-person as the diary of a young girl who experiences a lot of problems while growing up. In order to cope with her problems, the protagonist begins experimenting with drugs. Modern examples of problem novels include Speak by Laurie Halse Anderson, Crank by Ellen Hopkins, and The Perks of Being a Wallflower by Stephen Chbosky.[29]

Boundaries between children's, young adult, and adult fiction

The distinctions among children's literature, young adult literature, and adult literature have historically been flexible and loosely defined. This line is often policed by adults who feel strongly about the border.[30] At the lower end of the age spectrum, fiction targeted to readers age 9 to 12 is referred to as middle-grade fiction. Some novels originally marketed to adults are of interest and value to adolescents, and vice versa, as in the case of books such as the Harry Potter series of novels.[31]

Some examples of middle grade novels and novel series include the Percy Jackson and the Olympians series by Rick Riordan, The Underland Chronicles by Suzanne Collins, and Diary of a Wimpy Kid by Jeff Kinney. Some examples of young adult novels and novel series include the Harry Potter series by J.K. Rowling, The Hunger Games trilogy by Suzanne Collins, and the Mortal Instruments series by Cassandra Clare.

Middle grade novels are typically for the ages of 8–12. They tend to have an ATOS level of 5.0 or below, have a smaller word count, and are significantly less mature and complex in theme and content than YA, NA, or adult fiction. Young adult novels are for the ages of 12–18. They tend to have an ATOS level of 5.0 or above, have a larger word count, and tackle more mature and adult themes and content. Middle grade novels usually feature protagonists under the age of 13, whereas young adult novels usually feature protagonists within the age range of 12–18.

Sometimes, a variety of subcategories are recognized. These include early readers and picture books (If You Give a Mouse a Cookie, Magic Tree House series), chapter books (The Boxcar Children), lower middle grade (Charlotte's Web, Roald Dahl's works), upper middle grade (Percy Jackson and the Olympians, the first two Harry Potter installments), new young adult (The Golden Compass, Harry Potter and the Prisoner of Azkaban), young adult (The Hunger Games, Catching Fire, Harry Potter numbers four, five, and six), and edgy young adult (Twilight: Breaking Dawn, Mockingjay, Harry Potter and the Deathly Hallows, Go Ask Alice).

Uses in the classroom

Rick riordan 2007
Rick Riordan, author of the Percy Jackson and the Olympians books

YA has been integrated into classrooms to increase student interest in reading. There is a common misconception that YA lit is solely for "struggling" or "reluctant" readers and should only be used in remedial classes. Studies have shown that YA can be beneficial in classroom settings.[32] YA fiction is written for young adults so often it is more relevant to students' social and emotional needs than classic literature.[33] Use of YA in classrooms is linked to:[34]

  • higher levels of engagement and motivation among students
  • increased levels of self-confidence, personal development and self-identification
  • increased desire to read similar books

Students who read YA are more likely to appreciate literature and have stronger reading skills than those that don't.[33] YA also allows teachers to talk about "taboo" or difficult topics with their students. For example, a 2014 study shows that using Laurie Halse Anderson's novel Speak aided in discussions on consent and complicity. Those who read about tough situations, like date rape, are more emotionally prepared to handle the situation if it arises.[34] It is important to use diverse literature in the classroom, especially when discussing taboo topics, to avoid excluding minority students.[34]

Literature written for young adults can also be used as a stepping stone to canonical works that are traditionally read in classrooms, and required by many school curriculums. In Building a Culture of Readers: YA Literature and the Canon by Kara Lycke, Lycke suggests pairing young adult literature and canon works to prepare young adults to understand the classic literature they will encounter.[35] YA can provide familiar and less alienating examples of similar concepts than those in classic literature.[33] Suggested pairings include Rick Riordan's Percy Jackson series with the Iliad or the Odyssey, or Stephenie Meyer's Twilight with Wuthering Heights. When discussing identity, Lycke suggests pairing Hawthorne's The Scarlet Letter with Sherman Alexie's The Absolutely True Diary of a Part Time Indian.[35]

Diversity

English language young adult fiction and children's literature in general have historically shown a lack of books with a main character who is a person of color, LGBT, or disabled. In the UK 90% of the best-selling YA titles from 2006 to 2016 featured white, able-bodied, cis-gendered, and heterosexual main characters [36] The numbers of children's book authors have shown a similar lack of diversity.[37] Between 2006-2016, eight percent of all young adult authors published in the UK were people of colour [36]

Diversity is considered beneficial since it encourages children of diverse backgrounds to read and it teaches children of all backgrounds an accurate view of the world around them.[38] In the mid-2010's, more attention was drawn to this problem from various quarters.[39] In the several years following, diversity numbers seem to have improved: One survey showed that in 2017, a quarter of children's books were about minority protagonists, almost a 10% increase from 2016.[37]

See also

References

  1. ^ "Young Adult Book Market Facts and Figures". The Balance. Retrieved 2018-03-26.
  2. ^ Kitchener, Caroline. "Why So Many Adults Read Young-Adult Literature". The Atlantic. Retrieved 2018-03-26.
  3. ^ Wells, April (2003). "THEMES FOUND IN YOUNG ADULT LITERATURE: A COMPARATIVE STUDY BETWEEN 1980 AND 2000" (PDF).
  4. ^ Lamb, Nancy, Crafting Stories for Children. Cincinnati: Writer's Digest Books, p. 24
  5. ^ Dunning, Stephen (1962). "Criticism and the "Young Adult Novel"". The High School Journal. 45 (5): 208–213. JSTOR 40366769.
  6. ^ a b c d Owen, Mary, "Developing a Love of Reading"
  7. ^ (Garland 1998, p. 6)
  8. ^ Michaud, Jon (2014-10-14). "S. E. Hinton and the Y.A. Debate". The New Yorker. ISSN 0028-792X. Retrieved 2018-05-02.
  9. ^ a b Dale Peck, 'The Outsiders': 40 Years Later, New York Times, 23 September 2007
  10. ^ Cart, p. 43,
  11. ^ Cart, p. 77.
  12. ^ Tomlinson and Lynch-Brown, p. 5.
  13. ^ Grady, Constance (26 June 2017). "The Outsiders reinvented young adult fiction. Harry Potter made it inescapable". Vox. Retrieved 21 June 2018.
  14. ^ a b "Qualities of Young Adult Literature | Education.com". www.education.com. Retrieved 2018-04-01.
  15. ^ Wells, April (2003). "Themes Found in Young Adult Literature: A comparative study between 1980 and 2000" (PDF).
  16. ^ Risku, Johanna. ""We Are All Adolescents Now" The Problematics of Categorizing Young Adult Fiction as a Genre" (PDF).
  17. ^ "Explore the Themes and Genres of Young Adult Books". blog.whsmith.co.uk. Retrieved 2018-04-01.
  18. ^ "YA Genre-Blending | Focus On | School Library Journal". www.slj.com. Retrieved 2018-04-01.
  19. ^ a b Wetta, Molly. "What is New Adult Fiction, Anyway? | NoveList | EBSCOhost". www.ebscohost.com. Retrieved 2018-03-25.
  20. ^ a b c What Is New Adult Fiction?, by Gillian Engberg | Booklist Online.
  21. ^ a b c d Naughton, Julie (2014). "New Adult: A Book Category For Twentysomethings by Twentysomethings". PublishersWeekly.com. Retrieved 2018-03-25.
  22. ^ Sarner, Lauren (2013-08-14). "The Problem With New Adult Books". Huffington Post. Retrieved 2018-03-25.
  23. ^ Donahue, Deidre (2013). ""New Adult" is growing up and finding its way". libproxy.highpoint.edu. Retrieved 2018-03-25.
  24. ^ "Social problem novel | literature". Encyclopedia Britannica. Retrieved 2018-04-04.
  25. ^ Gallo, Donald (1989). "Problem Novels". Children's Literature Review. 142 – via Gale.
  26. ^ Cart, Michael (2016). "Young Adult Literature: The State of a Restless Art". Youth Services. 5.
  27. ^ Nichols, Kristen (2005). "Teen pregnancy in young adult literature". Iowa State University Digital Repository.
  28. ^ Sturm, Brian; Michel, Karin (Winter 2008). "The Structure of Power in Young Adult Problem Novels". Young Adult Library Services. 7.
  29. ^ "Popular Problem Novels Books". www.goodreads.com. Retrieved 2018-04-04.
  30. ^ Richard Flynn, Boundary Issues, Children's Literature Association Quarterly, Volume 33, Number 2, Summer 2008
  31. ^ Backes, Laura Backes. "The Difference Between Middle School and Young Adult". Children's Book Insider. Archived from the original on 6 January 2002.
  32. ^ Hays, Alice (2016-07-08). "Using Young Adult (YA) Literature in a Classroom: How Does YA Literature Impact Writing Literacies". Study and Scrutiny: Research on Young Adult Literature. 2 (1): 53–86. doi:10.15763/issn.2376-5275.2016.2.1.53-86. ISSN 2376-5275.
  33. ^ a b c Ostenson, Jonathan; Wadham, Rachel (Fall 2012). "Young Adult Literature and the Common Core: A Surprisingly Good Fit". American Secondary Education. Bowling Green. 41: 4–13.
  34. ^ a b c Scherff, Lisa; Groenke, Susan (April 2009). "Young Adult Literature in Today's Classroom". English Leadership Quarterly. 31: 1–3.
  35. ^ a b Lycke, Kara (Summer 2014). "Building a Culture of Readers: YA Literature and the Canon". SIGNAL Journal: 24–29.
  36. ^ a b Ramdarshan Bold, Melanie (2018). "The Eight Percent Problem: Authors of Colour in the British Young Adult Market (2006–2016)". Publishing Research Quarterly. 34 (3): 385–406. doi:10.1007/s12109-018-9600-5.
  37. ^ a b "Children's Books by and About People of Color". ccbc.education.wisc.edu. Retrieved 2018-03-26.
  38. ^ "Frequently Asked Questions". We Need Diverse Books (WNDB). Retrieved 4 November 2018.
  39. ^ Charles, Ron (3 January 2018). "'We need diverse books,' they said. And now a group's dream is coming to fruition". Washington Post. Retrieved 4 November 2018.

External links

Amazon Breakthrough Novel Award

The Amazon Breakthrough Novel Award (ABNA) was a contest sponsored by Amazon.com, Penguin Group, Hewlett Packard, CreateSpace and BookSurge to publish and promote a manuscript by an unknown or unpublished author. The first award was given in 2008 and in 2015 Amazon announced that they would not be continuing the award and would instead focus on the Kindle Scout program.

Black

Black is the darkest color, the result of the absence or complete absorption of visible light. It is an achromatic color, literally a color without hue, like white and gray. It is often used symbolically or figuratively to represent darkness, while white represents light. Black and white have often been used to describe opposites; particularly truth and ignorance, good and evil, the Dark Ages versus Age of Enlightenment. Since the Middle Ages, black has been the symbolic color of solemnity and authority, and for this reason is still commonly worn by judges and magistrates.Black was one of the first colors used by artists in neolithic cave paintings. In the 14th century, it was worn by royalty, clergy, judges and government officials in much of Europe. It became the color worn by English romantic poets, businessmen and statesmen in the 19th century, and a high fashion color in the 20th century. In the Roman Empire, it became the color of mourning, and over the centuries it was frequently associated with death, evil, witches and magic. According to surveys in Europe and North America, it is the color most commonly associated with mourning, the end, secrets, magic, force, violence, evil, and elegance.Black ink is the most common color used for printing books, newspapers and documents, as provides the highest contrast with white paper and thus the easiest color to read. Similarly, black text on a white screen is the most common format used on computer screens.

Gayle Forman

Gayle Forman (born June 5, 1970) is an American young adult fiction author, best known for her novel If I Stay, which topped the New York Times best sellers list of Young Adult Fiction and was made into a film of the same name.

Juno Dawson

Juno Dawson is a British author of young adult fiction and non-fiction on LGBT issues including This Book is Gay, Margot & Me, and The Gender Games.

New Zealand Post Children's Book Awards

The New Zealand Post Children's Book Awards were, until 2014, a series of literary awards presented annually to recognise excellence in children and young adult's literature in New Zealand. The awards were in 2015 changed to be the New Zealand Book Awards for Children and Young Adults. The awards were administered and organised by Booksellers New Zealand, an industry organisation which represents over 90% of New Zealand booksellers. The awards were presented at the end of a 10-day festival organised by the New Zealand Book Council celebrating children's literature and literacy, held annually in May.These awards, sponsored by New Zealand Post, were established in 1997, though they have had three incarnations since they were first created in 1982. Prior to 1997, they were known as the AIM Children's Book Awards, which were created in 1990. Before that, the awards were known as the New Zealand Government Publishing Awards, which ran from 1982 to 1988. In 2003 their name was changed to the New Zealand Post Book Awards for Children and Young Adults, this became the case once again in 2014.

New adult fiction

New adult (NA) fiction, also rendered as new-adult fiction, is a developing genre of fiction with protagonists in the 18–30 age bracket. St. Martin's Press first coined the term in 2009, when they held a special call for "...fiction similar to YA that can be published and marketed as adult—a sort of an 'older YA' or 'new adult'". New adult fiction tends to focus on issues such as leaving home, developing sexuality, and negotiating education and career choices. The genre has gained popularity rapidly over the last few years, particularly through books by self-published bestselling authors like Jennifer L. Armentrout, Cora Carmack, Colleen Hoover, Anna Todd and Jamie McGuire.The genre was originally faced criticism, as some viewed it as a marketing scheme, while others claimed the readership was not there to publish the material. In contrast, others claimed that the term was necessary; a publicist for HarperCollins described it as "a convenient label because it allows parents and bookstores and interested readers to know what is inside".Examples of books in the new adult genre include Sarah J. Maas' A Court of Thorns and Roses and Throne of Glass, Jennifer L. Armentrout's Wait For You, Jamie McGuire's Beautiful Disaster, Colleen Hoover's Slammed, Cora Carmack's Losing It, and Kendall Ryan's The Impact of You.

Pat Schmatz

Pat Schmatz (born ca. 1960) is an American author of young adult fiction and middle grade fiction.

Prime Minister's Literary Awards

The Australian Prime Minister's Literary Awards (PMLA) were announced at the end of 2007 by the incoming First Rudd Ministry following the 2007 election. They are administered by the Minister for the Arts.The awards were designed as "a new initiative celebrating the contribution of Australian literature to the nation's cultural and intellectual life." The awards are held annually and initially provided a tax-free prize of A$100,000 in each category, making it Australia's richest literary award in total. In 2011, the prize money was split into $80,000 for each category winner and $5,000 for up to four short-listed entries. The award was initially given in four categories – fiction, non-fiction, young adult and children's fiction – as selected by three judging panels. In 2012, a poetry category was added and the former Prime Minister's Prize for Australian History was incorporated into the award. "The awards are open to works written by Australian citizens and permanent residents. Authors, publishers and literary agents are eligible to enter works, first published in the calendar year prior to the awards."

Scott Westerfeld

Scott David Westerfeld (born May 5, 1963) is an American writer of young adult fiction, best known as the author of the Uglies and the Leviathan series.

The Billionaire of Dismal Downs

The Billionaire of Dismal Downs is a Scrooge McDuck comic by Don Rosa. It is the ninth of the original 12 chapters in the series The Life and Times of Scrooge McDuck. The story takes place from 1898 to 1902.

The Buckaroo of the Badlands

The Buckaroo of the Badlands is a Scrooge McDuck comic by Don Rosa. It is the third of the original 12 chapters in the series The Life and Times of Scrooge McDuck. The story takes place in 1882.

The Cowboy Captain of the Cutty Sark

The Cowboy Captain of the Cutty Sark is a Scrooge McDuck comic by Don Rosa. The story takes place between The Buckaroo of the Badlands and Raider of the Copper Hill in the series The Life and Times of Scrooge McDuck making it part 3B.

The Richest Duck in the World

The Richest Duck in the World or The Recluse of McDuck Manor is a Scrooge McDuck comic by Don Rosa. It is the twelfth of the original 12 chapters in the series The Life and Times of Scrooge McDuck. The story takes place on the Christmas Day, 1947.

The Shadowhunter Chronicles

The Shadowhunter Chronicles is a media franchise based on the writings of American young adult fiction writer Cassandra Clare, which encompasses three novel series, two short-story collections, four graphic novels, one film, a television series, and other media.

These works are set in a universe where fairy tales and mythologies, both pagan and Judeo-Christian, exist with its figures existing alongside the mundanes (normal humans). A race of humans who possess angel blood, the Nephilim or Shadowhunters, is organized to patrol the Shadow World and prevent demons as well as Downworlders, including warlocks, faeries, werewolves, and vampires from attacking the mundanes. There is an uneasy peace, a treaty known as The Accords, between the governing body of the Nephilim, known as the Clave, and the Downworlders, not all of whom want peace or respect the Clave's authority.

The Sky Is Everywhere

The Sky Is Everywhere is a young adult fiction novel by author Jandy Nelson. Published in March 2010, it was Nelson's debut novel and helped to launch her career as an author. It tells the story of an American high school girl, Lennie Walker, struggling to cope with the sudden death of her older sister. Lennie becomes romantically involved both with her sister's former fiancé, who shares Lennie's grief and loss, and with a new boy in town, who shares Lennie's love of music. Ultimately, Lennie must choose between the two relationships.

In August 2015, it was announced that Warner Bros. had optioned the movie rights for The Sky Is Everywhere, after previously optioning Nelson's 2014 young-adult fiction bestseller, I'll Give You the Sun.

Young adult fiction awards

Young adult fiction awards recognize outstanding works of young adult fiction.

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