Western comics

Western comics is a comics genre usually depicting the American Old West frontier (usually anywhere west of the Mississippi River) and typically set during the late nineteenth century. The term is generally associated with an American comic books genre published from the late 1940s through the 1950s (though the genre had continuing popularity in Europe, and persists in limited form in American comics today). Western comics of the period typically featured dramatic scripts about cowboys, gunfighters, lawmen, bounty hunters, outlaws, and Native Americans. Accompanying artwork depicted a rural America populated with such iconic images as guns, cowboy hats, vests, horses, saloons, ranches, and deserts, contemporaneous with the setting.

Western comics
Charlton Comics' Billy the Kid #9 (November 1957). Cover art by Dick Giordano and Vince Alascia.
This topic covers comics that fall under the Western fiction genre.
PublishersMarvel Comics
Charlton Comics
DC Comics
Fawcett Comics
Magazine Enterprises
PublicationsKid Colt Outlaw
Billy the Kid
All-Star Western
Two-Gun Kid
Rawhide Kid
CreatorsTom Gill
Fred Guardineer
Paul S. Newman
Carl Pfeufer
Pete Tumlinson
This type of comic can be broken down into:
Weird West


Western novels, films, and pulp magazines were extremely popular in the United States from the late 1930s to the 1960s.

Western comics first appeared in syndicated newspaper strips in the late 1920s. Harry O'Neill's Young Buffalo Bill (later changed to Buckaroo Bill and then, finally, Broncho Bill), distributed by United Feature Syndicate beginning in 1928, was about a group called The Boy Rangers, and was a pioneering example of the form.[1] Starting in the 1930s, Red Ryder, Little Joe, and King of the Royal Mounted were syndicated in hundreds of newspapers across the United States. Garrett Price's White Boy (later changed to Skull Valley) was another syndicated strip from the 1930s.[2]

The first Western stories to appear in the comics were in the mid-1930s: National Allied's New Fun Comics #1 (Feb. 1935) ran the modern-West feature "Jack Woods" and the Old West feature "Buckskin Jim"; Centaur Publications' The Comics Magazine #1 (May 1936) ran the feature "Captain Bill of the Rangers"; and David McKay Publications's Feature Book #1 (May 1937) and a single issue of King Comics (also 1937) featured King of the Royal Mounted reprints before Dell took over licensing of the character. Dell Comics' The Funnies published a run of short adaptations of B-movie Westerns starting in vol. 2, issue #20 (May 1938). Whitman Comics' Crackajack Funnies ran regular Western features (including Tom Mix stories) beginning with issue #1 in June 1938.

The first stand-alone Western comics titles were published by Centaur Publications. Star Ranger and Western Picture Stories[3] both debuted from the publisher in late 1936, cover-dated Feb. 1937. Star Ranger ran for 12 issues, becoming Cowboy Comics for a couple of issues, and then becoming Star Ranger Funnies. The series ended in October 1939. Western Picture Stories ran four issues in 1937. Dell Comics published Western Action Thrillers #1 shortly thereafter (cover-date Apr. 1937), and began publishing Red Ryder Comics,[4] initially reprinting the long-running comic strip, in 1941.

"Golden Age": 1948–1960

Western comics became popular in the years immediately following World War II, when superheroes went out of style. Adult comics readership had grown during the war years, and returning servicemen wanted subjects other than superheroes in their books. The popularity of the Western genre in comic strips and other media gave birth to Western comics, many of which began being published around 1948.[5][4]

Most of the larger publishers of the period jumped headfirst into the Western arena during this period, particularly Marvel Comics and its forerunners Timely Comics and Atlas Comics. Kid Colt Outlaw debuted in 1948, running until 1979 (though it was primarily a reprint title after 1967). The company soon established itself as the most prolific publisher of Western comics[6] with other notable long-running titles, including Rawhide Kid, Two-Gun Kid, and Wild Western.

The six-issue 1950 Harvey Comics series Boys' Ranch, by Joe Simon and Jack Kirby, was a seminal example of the Western comics genre. DC Comics published the long-running series All-Star Western and Western Comics. Charlton Comics published Billy the Kid, Cheyenne Kid, Outlaws of the West, Texas Rangers in Action, and the unusual title Black Fury, about a horse that roamed the West righting wrongs. Both Dell Comics and Fawcett Comics published a number of Western titles, including The Lone Ranger (Dell) and Hopalong Cassidy (Fawcett, later continued by DC after Fawcett folded in 1953). Many issues of Dell's Four Color featured Western stories during the 1950s. Avon Comics published a number of Western comics, the most notable titles being based on historical figures like Jesse James and Wild Bill Hickok. Youthful published the Western titles Gunsmoke, Indian Fighter, and Redskin (later known as Famous Western Badmen). And Toby Press published its own Billy the Kid Adventure Magazine.


The first Western hero to have his adventures published in the comics was the Masked Raider, published by Timely Comics beginning in 1939.

Timely/Atlas/Marvel favored Western characters with the word "Kid" in their name, including the Apache Kid, Kid Colt, the Outlaw Kid, the Rawhide Kid, the Ringo Kid, the Two-Gun Kid, and the Western Kid—as well as the more obscure heroes the Prairie Kid, the Arizona Kid, and the Texas Kid. Other companies followed suit, with DC's Stuff the Chinatown Kid and the Wyoming Kid; Charlton Comics' Billy the Kid and the Cheyenne Kid; and Dell's the Cisco Kid.

Black Rider and Phantom Rider were two other Marvel company characters from the genre's peak. Other early DC Comics Western characters included Johnny Thunder, Nighthawk, Pow Wow Smith, Tomahawk, the Trigger Twins, and Vigilante. Dell Comics featured the Lone Ranger, and Dell's Lobo (debuting in 1965) was the medium's first African-American character to headline his own series.

Cowboy actor comics

The years 1946–1949 saw an explosion of titles "starring" Western film actors and cowboy singers. Almost every star, major or minor, had their own title at some point; and almost every publisher got in on the action: Fawcett published Allan Lane, Monte Hale, Gabby Hayes, Lash LaRue, Tex Ritter, and Tom Mix comics; Dell published Gene Autry, Rex Allen, Roy Rogers, and Wild Bill Elliott comics; Magazine Enterprises published Charles Starrett and Tim Holt comics; Toby Press published a John Wayne title; and DC produced short-lived Dale Evans and Jimmy Wakely titles. (Dale Evans and Reno Browne were the only two Western actresses to have comics based on their characters.) Most of the cowboy actor titles featured photo covers of the stars; most series had been canceled by 1957.


Since Westerns were such a popular genre in the 1950s, many of the period's notable creators spent at least some time doing Western comics.

Writer Paul S. Newman and artist Tom Gill had an 11-year stretch on Dell's The Lone Ranger, a 107-issue run that marks one of the longest of any writer/artist team on a comic-book series. Larry Lieber spent nine years as writer-artist of Marvel's Rawhide Kid. France Herron and Fred Ray were the long-time writer and artist of DC's Tomahawk. Gaylord DuBois excelled in writing Western comics featuring realistic animals: he wrote the entire run of The Lone Ranger's Famous Horse Hi-Yo Silver, the entire run of National Velvet under both the Dell and Gold Key imprints, and many other animal stories for a number of publishers.

Carl Pfeufer was the longtime artist of Fawcett's Tom Mix comics. Artist Fred Guardineer had a long run on Magazine Enterprises' The Durango Kid. Pete Tumlinson illustrated most of Kid Colt's early stories. Later, Tumlinson drew Western stories for Atlas Comics' Outlaw Fighters, Two-Gun Western, and Wild Western. Russ Heath drew a corral-full of Western stories for such Marvel titles as Wild Western, All Western Winners, Arizona Kid, Black Rider, Western Outlaws, and Reno Browne, Hollywood's Greatest Cowgirl. Vic Carrabotta worked on such Marvel Westerns as Apache Kid, Kid Colt: Outlaw, The Outlaw Kid, and Western Outlaws. Artist John Severin was known for his 1950s Western comics art for Atlas. Artist Mike Sekowsky drew such characters as the Apache Kid, the Black Rider, and Kid Colt for Atlas; he later freelanced for other companies, drawing the TV-series spin-offs Gunsmoke and Buffalo Bill, Jr. for Dell Comics.

Artist Rocke Mastroserio specialized in Western stories for such Charlton Comics series as Billy the Kid, Black Fury, Jim Bowie, Rocky Lane's Black Jack, Sheriff of Tombstone, Six-Gun Heroes, Texas Rangers in Action, and Wyatt Earp, Frontier Marshal. Pat Boyette worked on such Charlton Western series as Billy the Kid, Cheyenne Kid, and Outlaws of the West.

1960s decline

The Western genre in general peaked around 1960, largely due to the tremendous number of Westerns on American television. Increasingly, the genre reflected a Romantic view of the American West—and American history in general. As the country grappled with the cultural issues of the 1960s and the Vietnam War, the genre seemed increasingly out of touch.

As the American public's interest in the genre waned, Western literature—including comics—began to lose its appeal as well. At the same time, the comics industry was shifting back to superheroes (entering its "Silver Age") and away from some of the other genres which had flourished during the 1950s. In fact, of the original Western comics series begun in the late 1940s and early 1950s, only a handful of titles survived the 1950s. Charlton's low production costs enabled it to continue producing a number of Western titles, but otherwise Dell's The Lone Ranger, and Marvel's Gunsmoke Western, Kid Colt Outlaw, and Rawhide Kid were the only Western titles to make it through the 1960s.

Gary Friedrich, Mike Esposito, and Ogden Whitney are three of the few notable Western comics creators from the 1960s.

Weird West and continuing appeal

The late 1960s and early 1970s saw the rise of revisionist Western film. Elements include a darker, more cynical tone, with focus on the lawlessness of the time period, favoring realism over romanticism, and an interest in greater historical authenticity. Anti-heroes were common, as were stronger roles for women and more-sympathetic portrayal of Native Americans and Mexicans. The films were often critical of big business, the American government, and masculine figures (including the military and their policies).

Reflecting the trend, in 1968 DC debuted the new character Bat Lash, who starred in a short-lived series. They also revived the All-Star Western title, starting volume two of the series in 1970. In 1972, All-Star Western changed its name to Weird Western Tales, with many stories featuring the newly created Western antihero Jonah Hex (debuting in 1975 in his own title). Weird Western Tales (sister title of Weird War Tales) defined a new multi-genre form: "Weird West," a combination of the Western with another literary genre, usually horror, occult, or fantasy. Other Western characters DC created during this period include the heroes Scalphunter and El Diablo, and the villains El Papagayo, Terra-Man, and Quentin Turnbull.

Marvel also attempted to capitalize on the renewed interest in the Western with two mostly reprint titles, The Mighty Marvel Western (1968–1976) and Western Gunfighters vol. 2 (1970–1975).

The short-lived publisher Skywald Publications attempted a line of Western titles in the early 1970s, but nothing came of it.

Weird Western Tales survived until 1980, and Jonah Hex until 1985. By then no major publishers were producing Western titles, though iconic characters from the DC and Marvel canons would occasionally make cameo appearances in other books.

The DC Comics imprint Vertigo reintroduced the Western genre in 1995 with Preacher, set in a contemporary version of the West. In the 1990s and 2000s, the Western comic leaned toward the Weird West subgenre, usually involving supernatural monsters. However, more traditional Western comics are found throughout this period, from Jonah Hex to Loveless. Series like Desperadoes, High Moon, and Scalped demonstrate the genre's continuing appeal. Creators like Joe R. Lansdale, Michael Fleisher, and Tony DeZuniga were notable contributors to Western comics from this period.

In addition, publishers like America's Comics Group and AC Comics have reprinted a number of Western comics from the genre's "Golden Age."

Outside of the United States

The Western genre's overall popularity in Europe spawned a Western comics trend, particularly in Italy, France, Belgium, and England. Many European countries published reprints of American-made Western comics (translated into the respective country's native language). The Italian publishers Sergio Bonelli Editore and Editorial Novaro led the field—Editorial Novaro's Gene Autry title ran 424 issues from 1954–1984. The Norwegian publisher Se-Bladene and the British publisher L. Miller & Son were also particularly known for their Western comics reprint titles. Se-Bladene's Texas ran 606 issues between 1954–1975. The Australian publishers Ayers & James, Cleland, Federal Publishing, Gredown, and Horwitz Publications all published reprints of American Western comics during the 1950s and 1960s.


The most popular and long-running Italian-produced Western comic is Gian Luigi Bonelli and Aurelio Galleppini's Tex (starring Tex Willer), first published in 1948. Tex is among the most popular characters in Italian comics, and has been translated into numerous languages, including Portuguese, Finnish, Norwegian, Turkish, Slovenian, Croatian, Serbian and Hebrew.

Captain Miki, by the trio EsseGesse, was published in Italy (and translated into many other languages) throughout the 1950s. Characters in the comic were inspired by Gabby Hayes and the popular 1939 Western film Stagecoach. EsseGesse also produced the popular series Il Grande Blek. Benito Jacovitti's Cocco Bill is a Western humor comic produced since the mid-1950s.

Sergio Bonelli and Gallieno Ferri's Zagor was first published in Italy by Sergio Bonelli Editore in 1961. Carlo Boscarato and Claudio Nizzi's Larry Yuma was a popular character in the Italian magazine Il Giornalino throughout the 1970s. Giancarlo Berardi and Ivo Milazzo's Ken Parker is a popular Western hero appearing in Italian comics since 1977.

In the late 1990s and early 2000s, writer Gianfranco Manfredi's Magico Vento was a popular title from Sergio Bonelli Editore. Since the late 1990s, Enrico Teodorani's Djustine has been featured in erotic "Weird West" stories in Italy and the United States.

Franco-Belgian Western comics

The Western humor comic Lucky Luke, published since 1946, debuting in Spirou magazine, is one of the most popular and best-selling comics series in continental Europe. Popular in Canada, about half of the series' adventures have been translated into English. Lucky Luke comics have been translated into 23 languages, including many European languages, and some African and Asian languages.

Tintin magazine featured Western-themed comics starting in 1947 with Le Rallic's various series, and later, between 1955 and 1980 the humor-based Chick Bill by Greg and Tibet. The competing magazine Spirou published Jijé's Jerry Spring, in a realistic vein, beginning in 1954. Albums from the Jerry Spring series were published until 1990.

Jean-Michel Charlier and Jean Giraud's Blueberry is a Western series published beginning in 1963 and continuing until 2005. The series were inspired by Jerry Spring, and the artist Giraud had been mentored by Jijé. Charlier and Giraud created the Jim Cutlass series in 1981; subsequent volumes were written by Giraud and drawn by Christian Rossi.

Greg and Hermann Huppen's Comanche was published from 1972–1983 (with the series being continued by Rouge for four more stories). The Belgian publisher Le Lombard produced the title Buddy Longway, by Swiss comics creator Derib, from 1972–1987, and from 2002–2006.

Durango is a western series created by the belgian Yves Swolfs in 1981. Currently 17 tomes are available.

Other countries

England's L. Miller & Son's original Western comics titles included Colorado Kid, Davy Crockett, Kid Dynamite Western Comic, Pancho Villa Western Comic, and Rocky Mountain King Western Comic, all published in the 1950s. Jim Edgar and Tony Weare's "Matt Marriott" was a daily strip which ran in the London Evening News from 1955 to 1977.

Spanish cartoonist Manuel Gago Garcia's The Little Fighter was a popular series of Western comics between 1945 and 1956. Yuki the Bold (debuting in 1958) is another popular Spanish series, as were the shorter-lived series Apache and Red Arrow. Other Spanish Western comics include Sheriff King (beginning in 1964), Sunday (1968), and Kelly Hand (1971).

Hugo Pratt and Héctor Germán Oesterheld's Sergeant Kirk was a popular Western comics title in Argentina during the 1950s. Additional Sergeant Kirk stories were published into the early 1970s.

Western comics were popular in Japan in the early 1950s, both translations of American titles like Straight Arrow, the Durango Kid, and Tim Holt; and original Japanese manga. The story goes that during the American occupation of Japan directly after World War, General Eisenhower forbade Japanese publishers to publish samurai comics, and that the next best thing were Western stories of adventure.[7]

Hyung Min-woo's manhwa series Priest was published in Korea and the U.S. from 1998–2007.

Notable American Western comics

Golden Age of Comic Books

Title Publisher Issues published Publication dates Notes
All-Star Western DC 62 1951–1961 vol. 1 (vol. 2, published from 1970–1972, became Weird Western Tales)
Billy the Kid Charlton 145 1957–1983 Mostly a reprint title from issue #125 (Jan. 1979) onward
Black Fury Charlton 57 1955–1966
Gunfighter EC 9 1948–1950 Continued as The Haunt of Fear
Cheyenne Kid Charlton 92 1957–1973
The Cisco Kid Dell 41 1951–1958
Crack Western Quality 22 1949–1953 took over the numbering of Quality's Crack Comics
Gene Autry Comics Dell 121 1946–1959 title changed to Gene Autry and Champion with issue #102
Gunsmoke Western Marvel 46 1948–1963 began as All Winners Comics, vol. 2, before being retitled and reformatted as the Western anthology All-Western Winners (#2–4), Western Winners (#5–7), Black Rider (#8–27), Western Tales of Black Rider (#28–31), and, finally, Gunsmoke Western (#32–77), the last primarily starring Kid Colt, Outlaw
Hopalong Cassidy Fawcett/DC 134 1946–1959 DC takes over titles in 1953 after Fawcett's demise
Kid Colt Outlaw Marvel 225 1949–1979 Mostly a reprint title from issue #130 (Sept. 1966) onward
The Lone Ranger Dell 145 1948–1962 Gold Key picked up the character, sporadically publishing 28 issues from 1964–1977, making heavy use of reprint material from the Dell comics, adding in new material toward the end of the run.
The Lone Ranger's Famous Horse Hi-Yo Silver Dell 34 1952–1960
Outlaws of the West Charlton 71 1957–1980 numbering continues in 7-issue reprint series published in 1979–1980
Prize Comics Western Prize 51 1948–1956
Rawhide Kid Marvel 151 1955–1957
Mostly a reprint title from issue #116 (Oct. 1973) onward
Red Ryder Dell 151 1941–1956 Initially reprints of the long-running syndicated newspaper strip. With issue #47 (June 1947), began producing original material.[8]
Straight Arrow Magazine Enterprises 55 1950–1956 Adapted from a popular radio program
Texas Rangers in Action Charlton 75 1956–1970
Tomahawk DC 140 1950–1972
Two-Gun Kid Marvel 126 1948–1962 Mostly a reprint title from issue #93 (July 1970) onward
Western Comics DC 85 1948–1961
Wild Western Marvel 55 1948–1957 Published by the Marvel forerunner Atlas
Wrangler Great Moments in Rodeo American Comics Group 50 1955–1966

Cowboy actor comics

Contemporary titles



  1. ^ Markstein, Don. "Broncho Bill," Don Markstein's Toonopedia. Accessed Nov. 23, 2011.
  2. ^ Markstein, Don. "Whiteboy," Don Markstein's Toonopedia. Accessed Nov. 23, 2011.
  3. ^ Sexton, Lansing and Sexton, Andrea. "Cowboy Comic Books - an Overview: Tim Holt," The Old Corral. Accessed July 25, 2011.
  4. ^ a b Schelly, Bill and Keith Dallas. American Comic Book Chronicles: The 1950s (TwoMorrows Publishing, 2013), p. 17.
  5. ^ Rhoades, Shirrel (2008). A Complete History of American Comic Books. New York: Peter Lang Publishing, p. 47.
  6. ^ Markstein, Don. "Two-Gun Kid," Don Markstein's Toonopedia. Accessed Dec. 19, 2011.
  7. ^ FALK, RAY. "Howdy! Pardner-San," New York Times (May 3, 1953, p. 296.
  8. ^ Sexton, Lansing and Sexton, Andrea. "Cowboy Comic Books - an Overview: Red Ryder," The Old Corral. Accessed July 25, 2011.


  • Grand Comics Database
  • Horn, Maurice. Comics of the American West (New Win Publishing, 1977) ISBN 9780876911907

External links

1948 in comics

Notable events of 1948 in comics. See also List of years in comics.

1950 in comics

Notable events of 1950 in comics. See also List of years in comics.

Copperhead (Image Comics)

Copperhead is a Space Western comic book series written by Jay Faerber and illustrated by Scott Godlewski, published monthly by American company Image Comics.

The first issue of Copperhead was published on September 10, 2014, to positive reviews and a sold-out first printing. The first five-issue story arc was published in trade paperback form in March 2015.

Copperhead returned to the stands with issue 11 on March 8, 2017. Jay Faerber was joined by artist Drew Moss.

Fusion (Eclipse Comics)

Fusion was an American comic book series published from 1987–1989 by Eclipse Comics, whose creative team included the writer Steven Barnes, the artists Lela Dowling and Steve Gallacci, conceptual editor Lex Nakashima and many more.

The world of Fusion is centuries in our future, when a series of galactic wars have led to a spiraling arms race between "tekkers and splicers" — that is, between those who take a technological and technocratic route to improving humanity, and those who have abandoned humanity altogether through genetic engineering. The story involves the exploits of a group of space mercenaries in an era when humans who have not been enhanced either genetically or cybernetically, are becoming extremely rare.

From the first issue, the book included two back up series featuring Dr. Watchstop, and the Weasel Patrol, a comic stemming from doodles "drawn" of Tan.

Weasel Patrol had an animated pilot that was produced by Nickelodeon in 1991. It was never picked up as a series.In 2014, the first five issues were reprinted in a collection titled Fusion: The Soulstar Commission.

Ghost Rider (Robbie Reyes)

Ghost Rider (Roberto "Robbie" Reyes) is a fictional superhero appearing in American comic books published by Marvel Comics. He is the fifth Marvel character to use the name Ghost Rider, after Carter Slade (the Western comics hero later known as the Phantom Rider), Johnny Blaze, Danny Ketch, and Alejandra Jones.

The character is portrayed by Gabriel Luna in the televisions series Agents of S.H.I.E.L.D., set in the Marvel Cinematic Universe.

Howard Larsen

Howard Larsen was an American comic book illustrator for EC Comics and other publishers during the 1940s and 1950s.

Jerry Spring

Jerry Spring is a Franco-Belgian Western comics series created by the Belgian comics creator Jijé. Originally published in Spirou magazine, the series made its debut on March 4, 1954.

John Severin

John Powers Severin (; December 26, 1921 – February 12, 2012) was an American comics artist noted for his distinctive work with EC Comics, primarily on the war comics Two-Fisted Tales and Frontline Combat; for Marvel Comics, especially its war and Western comics; and for his 45-year stint with the satiric magazine Cracked. He was one of the founding cartoonists of Mad in 1952.

Severin was inducted into the Will Eisner Award Hall of Fame in 2003.

Little Plum

Little Plum (full name revealed to be Little Plum Stealing Varmint) is a British humoristic western comics series about a little Native American, originally created by Leo Baxendale and published in the magazine The Beano.

New York Comic Con

The New York Comic Con is an annual New York City fan convention dedicated to Western comics, graphic novels, anime, manga, video games, cosplay, toys, movies, and television. It was first held in 2006.

Nighthawk (DC Comics)

Nighthawk is a fictional character, a cowboy in the DC Comics universe. His real name is Hannibal Hawkes and he first appeared in Western Comics #5. In his secret identity, he worked as a traveling repairman. He had a sidekick named Jim Peyton.

Created by Joe Millard and Charles Paris, his later adventures were handled by writers France Herron, Don Cameron, and Gardner Fox; and artists Gil Kane and Carmine Infantino.

No. 5 (manga)

No. 5 (Japanese: ナンバーファイブ, Hepburn: Nanbā Faibu) is a Japanese fantasy adventure seinen manga created by Taiyo Matsumoto. Originally serialized in Shogakukan's Ikki manga magazine. It ran for eight volumes.

Viz Media, who beforehand had published Matsumoto's Black & White (and later Blue Spring), released the first English-translated volume in a dust-jacket format closer to Western comics standards. The second volume was released in 2003, but due to bad sales (roughly less than 1000 copies of both volumes together sold), the series was instantly discontinued. Neither volume received a second printing run, and so is believed to be a rare manga in today's market. It was published in French by Kana.

Pow Wow Smith

Ohiyesa "Pow Wow" Smith is a fictional Western hero published by DC Comics. Created by writer Don Cameron and penciler Carmine Infantino, he is a Sioux who is the sheriff of the small Western town of Elkhorn, where he is known as a master detective. He prefers to be addressed by his proper name, Ohiyesa, but the white citizenry take to calling him "Pow Wow" so stubbornly that he eventually gives up and accepts the nickname among them.

Originally, the Pow Wow Smith character was located in the modern West. Later stories were set in the 19th century. It was eventually retconned that the Old West character was the ancestor of the modern-day character. Since then, Smith has remained a generation legacy, and a historical figure in the DC Universe, meeting other heroes in their occasional time travel stories.

Sergeant Kirk

Sergeant Kirk or Sgt. Kirk (Spanish: El Sargento Kirk) is the title and main character of a western comics series by Italian comic book creator Hugo Pratt and Argentine author Héctor Germán Oesterheld.

Werner Roth (comics)

Werner Roth (January 27, 1921 – June 1973) was an American comic book artist, perhaps best known for immediately succeeding Jack Kirby on Marvel Comics' The X-Men.

Roth's work began appearing in Marvel Comics, then known as Atlas Comics, in 1953. Atlas editor Stan Lee has described being impressed with Roth's portfolio, particularly his drawings of women, "So I took his samples to show [then-publisher] Martin Goodman. I suggested we should use Werner, even create a comic for him. Which we did, and that was how Lorna, the Jungle Girl was born." Roth drew the first dozen issues of Lorna. He drew a number of other features for Atlas, including most of the stories of the Apache Kid. He later drew romance stories for DC Comics.

Roth returned to Marvel to work on the X-Men in 1966, initially using the pseudonym Jay Gavin, taken from the names of his two sons, to conceal his Marvel work from his editors at DC. His true name was revealed in the "Bullpen Bulletins" page of Fantastic Four #54. X-Men series writer Roy Thomas later commented that Roth, though a talented artist, was a poor fit for the X-Men, being more oriented towards character interactions and relationships than action.Roth later drew more Western comics for Marvel, and penciled issues of Superman's Girl Friend, Lois Lane for DC Comics.

Western (comics)

Western is a Franco-Belgian one shot comic written by Jean Van Hamme, illustrated by Grzegorz Rosinski and published by Le Lombard in French and Cinebook in English.

Western fiction

Western fiction is a genre of literature set in the American Old West frontier and typically set from the late eighteenth to the late nineteenth century. Well-known writers of Western fiction include Zane Grey from the early 20th century and Louis L'Amour from the mid 20th century. The genre peaked around the early 1960s, largely due to the popularity of televised Westerns such as Bonanza. Readership began to drop off in the mid- to late 1970s and has reached a new low in the 2000s. Most bookstores, outside a few west American states, only carry a small number of Western fiction books.

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.