Weird Tales #2 is an anthology edited by Lin Carter, the second in his paperback revival of the American fantasy and horror magazine Weird Tales. It is also numbered vol. 48, no. 2 (Spring 1981) in continuation of the numbering of the original magazine. The anthology was first published in paperback by Zebra Books in December 1980, simultaneously with the first volume in the anthology series.
The book collects fourteen novelettes, short stories and poems by various fantasy authors, including both new works by various fantasy authors and reprints from authors associated with the original Weird Tales, together with an editorial and introductory notes to the individual pieces by the editor. The pieces include a "posthumous collaboration" (the story by Smith and Carter).
|Weird Tales #2|
Cover art from the first edition
|Author||Lin Carter (editor)|
|Cover artist||Tom Barber|
|Genre||Fantasy short stories|
|Media type||Print (paperback)|
|Preceded by||Weird Tales #1|
|Followed by||Weird Tales #3|
Eric Wight (born November 15, 1974) is an American professional artist, illustrator and animator. He graduated from the School of Visual Arts and currently lives in Eastern Pennsylvania.Jason Pearson
Jason Pearson is an American comic book writer/artist, known for his work on books such as Legion of Super-Heroes, The Dragon: Blood & Guts, Global Frequency, and his own creator-owned series, Body Bags.
Pearson is also one of the original members of the Atlanta, Georgia-based Gaijin Studios, and has participated in several Gaijin Studios-related projects.Joe Casey
Joe Casey is an American comic book writer. He has worked on titles such as Wildcats 3.0, Uncanny X-Men, The Intimates, Adventures of Superman, and G.I. Joe: America's Elite among others. As part of the comics creator group Man of Action Studios, Casey is one of the creators of the animated series Ben 10.Jon Kline
Jonathan David Kline (born May 22, 1980 in Corvallis, Oregon, United States) is an American cinematographer and filmmaker, known for his work on television, commercials, and films.Joseph Payne Brennan
Joseph Payne Brennan (December 20, 1918 – January 28, 1990) was an American writer of fantasy and horror fiction, and also a poet. Of Irish ancestry, he was born in Bridgeport, Connecticut and he lived most of his life in New Haven, Connecticut, and worked as an Acquisitions Assistant at the Sterling Memorial Library of Yale University for over 40 years. Brennan published several hundred short stories (estimates range between four and five hundred), two novellas and reputedly thousands of poems. His stories appeared in over 200 anthologies and have been translated into German, French, Dutch, Italian and Spanish. He was an early bibliographer of the work of H.P. Lovecraft.
Brennan's first professional sale came in December 1940 with the publication of the poem "When Snow Is Hung", which appeared in the Christian Science Monitor Home Forum, and he continued writing poetry up until the time of his death. As a fiction witer, Brennan started out writing westerns stories for the pulps, then switched to horror stories for Weird Tales in 1952. He began publishing his own magazine Macabre, which ran from 1957 to 1976. Several of his short story collections concern an occult detective named Lucius Leffing in the vein of Carnacki and Algernon Blackwood's John Silence.
His 1958 collection Nine Horrors and a Dream, containing the stories "Slime" (which has been reprinted at least fifty times) and "Canavan's Back Yard", is celebrated in an essay by Stephen Gallagher in the book Horror: 100 Best Books, edited by Stephen Jones and Kim Newman. Stephen King has called him "a master of the unashamed horror tale". Don D'Ammassa considers that "His stories were noteworthy for their effective development of suspense and terror without the excesses of violence which characterise modern horror fiction".Brennan's personality was described in an interview as "reserved: he is friendly but not flamboyant. He is most comfortable with his wife (Doris) and his dog (Chaucer). He is a gentle, softspoken, modest man. But beware, for beneath that ordinary exterior lurks the mind of a modern master of fright."Lin Carter
Linwood Vrooman Carter (June 9, 1930 – February 7, 1988) was an American author of science fiction and fantasy, as well as an editor, poet and critic. He usually wrote as Lin Carter; known pseudonyms include H. P. Lowcraft (for an H. P. Lovecraft parody) and Grail Undwin. He is best known for his work in the 1970s as editor of the Ballantine Adult Fantasy series, which introduced readers to many overlooked classics of the fantasy genre.Robert E. Howard bibliography (poems P–Z)
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Weird Tales was a series of paperback anthologies, a revival of the classic fantasy and horror magazine of the same title, published by Zebra Books from 1980 to 1983 under the editorship of Lin Carter. It was issued more or less annually, though the first two volumes were issued simultaneously and there was a year’s gap between the third and fourth. It was preceded and succeeded by versions of the title in standard magazine form.
Each volume featured thirteen or fourteen novelettes, short stories and poems, including both new works by various fantasy authors and reprints from authors associated with the original Weird Tales, together with an editorial and introductory notes to the individual pieces by the editor. Authors whose works were featured included Robert Aickman, James Anderson, Robert H. Barlow, Robert Bloch, Hannes Bok, Ray Bradbury, Joseph Payne Brennan, Diane and John Brizzolara, Ramsey Campbell, Mary Elizabeth Counselman, August Derleth, Nictzin Dyalhis, Lloyd Arthur Eshbach, Robert E. Howard, Carl Jacobi, David H. Keller, Marc Laidlaw, Tanith Lee, Frank Belknap Long, Jr., H. P. Lovecraft, Robert A. W. Lowndes, Brian Lumley, Gary Myers, R. Faraday Nelson, Frank Owen, Gerald W. Page, Seabury Quinn, Anthony M. Rud, Charles Sheffield, Clark Ashton Smith, Stuart H. Stock, Steve Rasnic Tem, Evangeline Walton, Donald Wandrei, and Manly Wade Wellman, as well as Carter himself.
Carter habitually padded out the volumes he edited with a few his own works, whether written singly or in collaboration (the latter generally "posthumous collaborations" with Clark Ashton Smith in which he wrote stories on the basis of unused titles or story ideas from Smith’s notebooks).