Walter "Walt" Whitman (/ˈhwɪtmən/; May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. A humanist, he was a part of the transition between transcendentalism and realism, incorporating both views in his works. Whitman is among the most influential poets in the American canon, often called the father of free verse. His work was very controversial in its time, particularly his poetry collection Leaves of Grass, which was described as obscene for its overt sexuality.
Born in Huntington on Long Island, Whitman worked as a journalist, a teacher, a government clerk, and—in addition to publishing his poetry—was a volunteer nurse during the American Civil War. Early in his career, he also produced a temperance novel, Franklin Evans (1842). Whitman's major work, Leaves of Grass, was first published in 1855 with his own money. The work was an attempt at reaching out to the common person with an American epic. He continued expanding and revising it until his death in 1892. After a stroke towards the end of his life, he moved to Camden, New Jersey, where his health further declined. When he died at age 72, his funeral became a public spectacle.
Walt Whitman, 1887
May 31, 1819
West Hills, Long Island, New York, U.S.
|Died||March 26, 1892 (aged 72)|
Camden, New Jersey, U.S.
Walter Whitman was born on May 31, 1819, in West Hills, Town of Huntington, Long Island, to parents with interests in Quaker thought, Walter (1789–1855) and Louisa Van Velsor Whitman (1795–1873). The second of nine children, he was immediately nicknamed "Walt" to distinguish him from his father. Walter Whitman Sr. named three of his seven sons after American leaders: Andrew Jackson, George Washington, and Thomas Jefferson. The oldest was named Jesse and another boy died unnamed at the age of six months. The couple's sixth son, the youngest, was named Edward. At age four, Whitman moved with his family from West Hills to Brooklyn, living in a series of homes, in part due to bad investments. Whitman looked back on his childhood as generally restless and unhappy, given his family's difficult economic status. One happy moment that he later recalled was when he was lifted in the air and kissed on the cheek by the Marquis de Lafayette during a celebration in Brooklyn on July 4, 1825.
At age eleven Whitman concluded formal schooling. He then sought employment for further income for his family; he was an office boy for two lawyers and later was an apprentice and printer's devil for the weekly Long Island newspaper the Patriot, edited by Samuel E. Clements. There, Whitman learned about the printing press and typesetting. He may have written "sentimental bits" of filler material for occasional issues. Clements aroused controversy when he and two friends attempted to dig up the corpse of Elias Hicks to create a plaster mold of his head. Clements left the Patriot shortly afterward, possibly as a result of the controversy.
The following summer Whitman worked for another printer, Erastus Worthington, in Brooklyn. His family moved back to West Hills in the spring, but Whitman remained and took a job at the shop of Alden Spooner, editor of the leading Whig weekly newspaper the Long-Island Star. While at the Star, Whitman became a regular patron of the local library, joined a town debating society, began attending theater performances, and anonymously published some of his earliest poetry in the New-York Mirror. At age 16 in May 1835, Whitman left the Star and Brooklyn. He moved to New York City to work as a compositor though, in later years, Whitman could not remember where. He attempted to find further work but had difficulty, in part due to a severe fire in the printing and publishing district, and in part due to a general collapse in the economy leading up to the Panic of 1837. In May 1836, he rejoined his family, now living in Hempstead, Long Island. Whitman taught intermittently at various schools until the spring of 1838, though he was not satisfied as a teacher.
After his teaching attempts, Whitman went back to Huntington, New York, to found his own newspaper, the Long-Islander. Whitman served as publisher, editor, pressman, and distributor and even provided home delivery. After ten months, he sold the publication to E. O. Crowell, whose first issue appeared on July 12, 1839. There are no known surviving copies of the Long-Islander published under Whitman. By the summer of 1839, he found a job as a typesetter in Jamaica, Queens with the Long Island Democrat, edited by James J. Brenton. He left shortly thereafter, and made another attempt at teaching from the winter of 1840 to the spring of 1841. One story, possibly apocryphal, tells of Whitman's being chased away from a teaching job in Southold, New York, in 1840. After a local preacher called him a "Sodomite", Whitman was allegedly tarred and feathered. Biographer Justin Kaplan notes that the story is likely untrue, because Whitman regularly vacationed in the town thereafter. Biographer Jerome Loving calls the incident a "myth". During this time, Whitman published a series of ten editorials, called "Sun-Down Papers—From the Desk of a Schoolmaster", in three newspapers between the winter of 1840 and July 1841. In these essays, he adopted a constructed persona, a technique he would employ throughout his career.
Whitman moved to New York City in May, initially working a low-level job at the New World, working under Park Benjamin Sr. and Rufus Wilmot Griswold. He continued working for short periods of time for various newspapers; in 1842 he was editor of the Aurora and from 1846 to 1848 he was editor of the Brooklyn Eagle.
He also contributed freelance fiction and poetry throughout the 1840s. Whitman lost his position at the Brooklyn Eagle in 1848 after siding with the free-soil "Barnburner" wing of the Democratic party against the newspaper's owner, Isaac Van Anden, who belonged to the conservative, or "Hunker", wing of the party. Whitman was a delegate to the 1848 founding convention of the Free Soil Party, which was concerned about the threat slavery would pose to free white labor and northern businessmen moving into the newly colonised western territories. Abolitionist William Lloyd Garrison derided the party philosophy as "white manism".
In 1852, he serialized a novel titled Life and Adventures of Jack Engle: An Auto-Biography: A Story of New York at the Present Time in which the Reader Will Find Some Familiar Characters in six installments of New York's The Sunday Dispatch. In 1858, Whitman published a 47,000 word series called Manly Health and Training under the pen name Mose Velsor. Apparently he drew the name Velsor from Van Velsor, his mother's family name. This self-help guide recommends beards, nude sunbathing, comfortable shoes, bathing daily in cold water, eating meat almost exclusively, plenty of fresh air, and getting up early each morning. Present-day writers have called Manly Health and Training "quirky", "so over the top", "a pseudoscientific tract", and "wacky".
Whitman claimed that after years of competing for "the usual rewards", he determined to become a poet. He first experimented with a variety of popular literary genres which appealed to the cultural tastes of the period. As early as 1850, he began writing what would become Leaves of Grass, a collection of poetry which he would continue editing and revising until his death. Whitman intended to write a distinctly American epic and used free verse with a cadence based on the Bible. At the end of June 1855, Whitman surprised his brothers with the already-printed first edition of Leaves of Grass. George "didn't think it worth reading".
Whitman paid for the publication of the first edition of Leaves of Grass himself and had it printed at a local print shop during their breaks from commercial jobs. A total of 795 copies were printed. No name is given as author; instead, facing the title page was an engraved portrait done by Samuel Hollyer, but 500 lines into the body of the text he calls himself "Walt Whitman, an American, one of the roughs, a kosmos, disorderly, fleshly, and sensual, no sentimentalist, no stander above men or women or apart from them, no more modest than immodest". The inaugural volume of poetry was preceded by a prose preface of 827 lines. The succeeding untitled twelve poems totaled 2315 lines—1336 lines belonging to the first untitled poem, later called "Song of Myself". The book received its strongest praise from Ralph Waldo Emerson, who wrote a flattering five-page letter to Whitman and spoke highly of the book to friends. The first edition of Leaves of Grass was widely distributed and stirred up significant interest, in part due to Emerson's approval, but was occasionally criticized for the seemingly "obscene" nature of the poetry. Geologist Peter Lesley wrote to Emerson, calling the book "trashy, profane & obscene" and the author "a pretentious ass". On July 11, 1855, a few days after Leaves of Grass was published, Whitman's father died at the age of 65.
In the months following the first edition of Leaves of Grass, critical responses began focusing more on the potentially offensive sexual themes. Though the second edition was already printed and bound, the publisher almost did not release it. In the end, the edition went to retail, with 20 additional poems, in August 1856. Leaves of Grass was revised and re-released in 1860 again in 1867, and several more times throughout the remainder of Whitman's life. Several well-known writers admired the work enough to visit Whitman, including Amos Bronson Alcott and Henry David Thoreau.
During the first publications of Leaves of Grass, Whitman had financial difficulties and was forced to work as a journalist again, specifically with Brooklyn's Daily Times starting in May 1857. As an editor, he oversaw the paper's contents, contributed book reviews, and wrote editorials. He left the job in 1859, though it is unclear whether he was fired or chose to leave. Whitman, who typically kept detailed notebooks and journals, left very little information about himself in the late 1850s.
As the American Civil War was beginning, Whitman published his poem "Beat! Beat! Drums!" as a patriotic rally call for the North. Whitman's brother George had joined the Union army and began sending Whitman several vividly detailed letters of the battle front. On December 16, 1862, a listing of fallen and wounded soldiers in the New-York Tribune included "First Lieutenant G. W. Whitmore", which Whitman worried was a reference to his brother George. He made his way south immediately to find him, though his wallet was stolen on the way. "Walking all day and night, unable to ride, trying to get information, trying to get access to big people", Whitman later wrote, he eventually found George alive, with only a superficial wound on his cheek. Whitman, profoundly affected by seeing the wounded soldiers and the heaps of their amputated limbs, left for Washington on December 28, 1862, with the intention of never returning to New York.
In Washington, D.C., Whitman's friend Charley Eldridge helped him obtain part-time work in the army paymaster's office, leaving time for Whitman to volunteer as a nurse in the army hospitals. He would write of this experience in "The Great Army of the Sick", published in a New York newspaper in 1863 and, 12 years later, in a book called Memoranda During the War. He then contacted Emerson, this time to ask for help in obtaining a government post. Another friend, John Trowbridge, passed on a letter of recommendation from Emerson to Salmon P. Chase, Secretary of the Treasury, hoping he would grant Whitman a position in that department. Chase, however, did not want to hire the author of such a disreputable book as Leaves of Grass.
The Whitman family had a difficult end to 1864. On September 30, 1864, Whitman's brother George was captured by Confederates in Virginia, and another brother, Andrew Jackson, died of tuberculosis compounded by alcoholism on December 3. That month, Whitman committed his brother Jesse to the Kings County Lunatic Asylum. Whitman's spirits were raised, however, when he finally got a better-paying government post as a low-grade clerk in the Bureau of Indian Affairs in the Department of the Interior, thanks to his friend William Douglas O'Connor. O'Connor, a poet, daguerreotypist and an editor at The Saturday Evening Post, had written to William Tod Otto, Assistant Secretary of the Interior, on Whitman's behalf. Whitman began the new appointment on January 24, 1865, with a yearly salary of $1,200. A month later, on February 24, 1865, George was released from capture and granted a furlough because of his poor health. By May 1, Whitman received a promotion to a slightly higher clerkship and published Drum-Taps.
Effective June 30, 1865, however, Whitman was fired from his job. His dismissal came from the new Secretary of the Interior, former Iowa Senator James Harlan. Though Harlan dismissed several clerks who "were seldom at their respective desks", he may have fired Whitman on moral grounds after finding an 1860 edition of Leaves of Grass. O'Connor protested until J. Hubley Ashton had Whitman transferred to the Attorney General's office on July 1. O'Connor, though, was still upset and vindicated Whitman by publishing a biased and exaggerated biographical study, The Good Gray Poet, in January 1866. The fifty-cent pamphlet defended Whitman as a wholesome patriot, established the poet's nickname and increased his popularity. Also aiding in his popularity was the publication of "O Captain! My Captain!", a relatively conventional poem on the death of Abraham Lincoln, the only poem to appear in anthologies during Whitman's lifetime.
Part of Whitman's role at the Attorney General's office was interviewing former Confederate soldiers for Presidential pardons. "There are real characters among them", he later wrote, "and you know I have a fancy for anything out of the ordinary." In August 1866, he took a month off in order to prepare a new edition of Leaves of Grass which would not be published until 1867 after difficulty in finding a publisher. He hoped it would be its last edition. In February 1868, Poems of Walt Whitman was published in England thanks to the influence of William Michael Rossetti, with minor changes that Whitman reluctantly approved. The edition became popular in England, especially with endorsements from the highly respected writer Anne Gilchrist. Another edition of Leaves of Grass was issued in 1871, the same year it was mistakenly reported that its author died in a railroad accident. As Whitman's international fame increased, he remained at the attorney general's office until January 1872. He spent much of 1872 caring for his mother who was now nearly eighty and struggling with arthritis. He also traveled and was invited to Dartmouth College to give the commencement address on June 26, 1872.
After suffering a paralytic stroke in early 1873, Whitman was induced to move from Washington to the home of his brother—George Washington Whitman, an engineer—at 431 Stevens Street in Camden, New Jersey. His mother, having fallen ill, was also there and died that same year in May. Both events were difficult for Whitman and left him depressed. He remained at his brother's home until buying his own in 1884. However, before purchasing his home, he spent the greatest period of his residence in Camden at his brother's home in Stevens Street. While in residence there he was very productive, publishing three versions of Leaves of Grass among other works. He was also last fully physically active in this house, receiving both Oscar Wilde and Thomas Eakins. His other brother, Edward, an "invalid" since birth, lived in the house.
When his brother and sister-in-law were forced to move for business reasons, he bought his own house at 328 Mickle Street (now 330 Dr. Martin Luther King Jr. Boulevard). First taken care of by tenants, he was completely bedridden for most of his time in Mickle Street. During this time, he began socializing with Mary Oakes Davis—the widow of a sea captain. She was a neighbor, boarding with a family in Bridge Avenue just a few blocks from Mickle Street. She moved in with Whitman on February 24, 1885, to serve as his housekeeper in exchange for free rent. She brought with her a cat, a dog, two turtledoves, a canary, and other assorted animals. During this time, Whitman produced further editions of Leaves of Grass in 1876, 1881, and 1889.
While in Southern New Jersey, Whitman spent a good portion of his time in the then quite pastoral community of Laurel Springs, between 1876 and 1884, converting one of the Stafford Farm buildings to his summer home. The restored summer home has been preserved as a museum by the local historical society. Part of his Leaves of Grass was written here, and in his Specimen Days he wrote of the spring, creek and lake. To him, Laurel Lake was "the prettiest lake in: either America or Europe".
As the end of 1891 approached, he prepared a final edition of Leaves of Grass, a version that has been nicknamed the "Deathbed Edition". He wrote, "L. of G. at last complete—after 33 y'rs of hackling at it, all times & moods of my life, fair weather & foul, all parts of the land, and peace & war, young & old." Preparing for death, Whitman commissioned a granite mausoleum shaped like a house for $4,000 and visited it often during construction. In the last week of his life, he was too weak to lift a knife or fork and wrote: "I suffer all the time: I have no relief, no escape: it is monotony—monotony—monotony—in pain."
Whitman died on March 26, 1892. An autopsy revealed his lungs had diminished to one-eighth their normal breathing capacity, a result of bronchial pneumonia, and that an egg-sized abscess on his chest had eroded one of his ribs. The cause of death was officially listed as "pleurisy of the left side, consumption of the right lung, general miliary tuberculosis and parenchymatous nephritis". A public viewing of his body was held at his Camden home; over 1,000 people visited in three hours. Whitman's oak coffin was barely visible because of all the flowers and wreaths left for him. Four days after his death, he was buried in his tomb at Harleigh Cemetery in Camden. Another public ceremony was held at the cemetery, with friends giving speeches, live music, and refreshments. Whitman's friend, the orator Robert Ingersoll, delivered the eulogy. Later, the remains of Whitman's parents and two of his brothers and their families were moved to the mausoleum.
Whitman's work breaks the boundaries of poetic form and is generally prose-like. He also used unusual images and symbols in his poetry, including rotting leaves, tufts of straw, and debris. He also openly wrote about death and sexuality, including prostitution. He is often labeled as the father of free verse, though he did not invent it.
Whitman wrote in the preface to the 1855 edition of Leaves of Grass, "The proof of a poet is that his country absorbs him as affectionately as he has absorbed it." He believed there was a vital, symbiotic relationship between the poet and society. This connection was emphasized especially in "Song of Myself" by using an all-powerful first-person narration. As an American epic, it deviated from the historic use of an elevated hero and instead assumed the identity of the common people. Leaves of Grass also responded to the impact that recent urbanization in the United States had on the masses.
Whitman was a vocal proponent of temperance and in his youth rarely drank alcohol. He once stated he did not taste "strong liquor" until he was 30 and occasionally argued for prohibition. One of his earliest long fiction works, the novel Franklin Evans; or, The Inebriate, first published November 23, 1842, is a temperance novel. Whitman wrote the novel at the height of popularity of the Washingtonian movement though the movement itself was plagued with contradictions, as was Franklin Evans. Years later Whitman claimed he was embarrassed by the book and called it "damned rot". He dismissed it by saying he wrote the novel in three days solely for money while he was under the influence of alcohol himself. Even so, he wrote other pieces recommending temperance, including The Madman and a short story "Reuben's Last Wish". Later in life he was more liberal with alcohol, enjoying local wines and champagne.
Whitman was deeply influenced by deism. He denied any one faith was more important than another, and embraced all religions equally. In "Song of Myself", he gave an inventory of major religions and indicated he respected and accepted all of them—a sentiment he further emphasized in his poem "With Antecedents", affirming: "I adopt each theory, myth, god, and demi-god, / I see that the old accounts, bibles, genealogies, are true, without exception". In 1874, he was invited to write a poem about the Spiritualism movement, to which he responded, "It seems to me nearly altogether a poor, cheap, crude humbug." Whitman was a religious skeptic: though he accepted all churches, he believed in none. God, to Whitman, was both immanent and transcendent and the human soul was immortal and in a state of progressive development. American Philosophy: An Encyclopedia classes him as one of several figures who "took a more pantheist or pandeist approach by rejecting views of God as separate from the world."
Though biographers continue to debate Whitman's sexuality, he is usually described as either homosexual or bisexual in his feelings and attractions. Whitman's sexual orientation is generally assumed on the basis of his poetry, though this assumption has been disputed. His poetry depicts love and sexuality in a more earthy, individualistic way common in American culture before the medicalization of sexuality in the late 19th century. Though Leaves of Grass was often labeled pornographic or obscene, only one critic remarked on its author's presumed sexual activity: in a November 1855 review, Rufus Wilmot Griswold suggested Whitman was guilty of "that horrible sin not to be mentioned among Christians".
Whitman had intense friendships with many men and boys throughout his life. Some biographers have suggested that he may not have actually engaged in sexual relationships with males, while others cite letters, journal entries, and other sources that they claim as proof of the sexual nature of some of his relationships. English poet and critic John Addington Symonds spent 20 years in correspondence trying to pry the answer from him. In 1890 he wrote to Whitman, "In your conception of Comradeship, do you contemplate the possible intrusion of those semi-sexual emotions and actions which no doubt do occur between men?" In reply, Whitman denied that his work had any such implication, asserting "[T]hat the calamus part has even allow'd the possibility of such construction as mention'd is terrible—I am fain to hope the pages themselves are not to be even mention'd for such gratuitous and quite at this time entirely undream'd & unreck'd possibility of morbid inferences—wh' are disavow'd by me and seem damnable", and insisting that he had fathered six illegitimate children. Some contemporary scholars are skeptical of the veracity of Whitman's denial or the existence of the children he claimed.
Peter Doyle may be the most likely candidate for the love of Whitman's life. Doyle was a bus conductor whom Whitman met around 1866, and the two were inseparable for several years. Interviewed in 1895, Doyle said: "We were familiar at once—I put my hand on his knee—we understood. He did not get out at the end of the trip—in fact went all the way back with me." In his notebooks, Whitman disguised Doyle's initials using the code "16.4" (P.D. being the 16th and 4th letters of the alphabet). Oscar Wilde met Whitman in America in 1882 and told the homosexual-rights activist George Cecil Ives that Whitman's sexual orientation was beyond question —"I have the kiss of Walt Whitman still on my lips." The only explicit description of Whitman's sexual activities is secondhand. In 1924, Edward Carpenter told Gavin Arthur of a sexual encounter in his youth with Whitman, the details of which Arthur recorded in his journal. Late in his life, when Whitman was asked outright whether his "Calamus" poems were homosexual, he chose not to respond. The manuscript of his love poem "Once I Pass'd Through A Populous City", written when Whitman was 29, indicates it was originally about a man.
Another possible lover was Bill Duckett. As a teenager, he lived on the same street in Camden and moved in with Whitman, living with him a number of years and serving him in various roles. Duckett was 15 when Whitman bought his house at 328 Mickle Street. From at least 1880, Duckett and his grandmother, Lydia Watson, were boarders, subletting space from another family at 334 Mickle Street. Because of this proximity, Duckett and Whitman met as neighbors. Their relationship was close, with the youth sharing Whitman's money when he had it. Whitman described their friendship as "thick". Though some biographers describe him as a boarder, others identify him as a lover. Their photograph [pictured] is described as "modeled on the conventions of a marriage portrait", part of a series of portraits of the poet with his young male friends, and encrypting male–male desire. Yet another intense relationship of Whitman with a young man was the one with Harry Stafford, with whose family Whitman stayed when at Timber Creek, and whom he first met when Stafford was 18, in 1876. Whitman gave Stafford a ring, which was returned and re-given over the course of a stormy relationship lasting several years. Of that ring, Stafford wrote to Whitman, "You know when you put it on there was but one thing to part it from me, and that was death."
There is also some evidence that Whitman may have had sexual relationships with women. He had a romantic friendship with a New York actress, Ellen Grey, in the spring of 1862, but it is not known whether it was also sexual. He still had a photograph of her decades later, when he moved to Camden, and he called her "an old sweetheart of mine". In a letter, dated August 21, 1890, he claimed, "I have had six children—two are dead". This claim has never been corroborated. Toward the end of his life, he often told stories of previous girlfriends and sweethearts and denied an allegation from the New York Herald that he had "never had a love affair". As Whitman biographer Jerome Loving wrote, "the discussion of Whitman's sexual orientation will probably continue in spite of whatever evidence emerges."
Whitman reportedly enjoyed bathing naked and sunbathing nude. In his work Manly Health and Training, written under the pseudonym Mose Velsor, he advised men to swim naked. In A Sun-bathed Nakedness, he wrote,
Never before did I get so close to Nature; never before did she come so close to me ... Nature was naked, and I was also ... Sweet, sane, still Nakedness in Nature! – ah if poor, sick, prurient humanity in cities might really know you once more! Is not nakedness indecent? No, not inherently. It is your thought, your sophistication, your fear, your respectability, that is indecent. There come moods when these clothes of ours are not only too irksome to wear, but are themselves indecent.
Whitman was an adherent of the Shakespeare authorship question, refusing to believe in the historical attribution of the works to William Shakespeare of Stratford-upon-Avon. Whitman comments in his November Boughs (1888) regarding Shakespeare's historical plays:
Conceiv'd out of the fullest heat and pulse of European feudalism—personifying in unparalleled ways the medieval aristocracy, its towering spirit of ruthless and gigantic caste, with its own peculiar air and arrogance (no mere imitation)—only one of the "wolfish earls" so plenteous in the plays themselves, or some born descendant and knower, might seem to be the true author of those amazing works—works in some respects greater than anything else in recorded literature.
Whitman opposed the extension of slavery in the United States and supported the Wilmot Proviso. At first he was opposed to abolitionism, believing the movement did more harm than good. In 1846, he wrote that the abolitionists had, in fact, slowed the advancement of their cause by their "ultraism and officiousness". His main concern was that their methods disrupted the democratic process, as did the refusal of the Southern states to put the interests of the nation as a whole above their own. In 1856, in his unpublished The Eighteenth Presidency, addressing the men of the South, he wrote "you are either to abolish slavery or it will abolish you". Whitman also subscribed to the widespread opinion that even free African-Americans should not vote and was concerned at the increasing number of African-Americans in the legislature. George Hutchinson and David Drews have argued, without providing textual evidence from Whitman's own early writings or other sources, that what little that "is known about the early development of Whitman's racial awareness suggests that he imbibed the prevailing white prejudices of his time and place, thinking of black people as servile, shiftless, ignorant, and given to stealing, although he would remember individual blacks of his youth in positive terms".
Walt Whitman is often described as America's national poet, creating an image of America for itself. "Although he is often considered a champion of democracy and equality, Whitman constructs a hierarchy with himself at the head, America below, and the rest of the world in a subordinate position." In his study, "The Pragmatic Whitman: Reimagining American Democracy", Stephen John Mack suggests that critics, who tend to ignore it, should look again at Whitman's nationalism: "Whitman's seemingly mawkish celebrations of the United States ... [are] one of those problematic features of his works that teachers and critics read past or explain away" (xv–xvi). Nathanael O'Reilly in an essay on "Walt Whitman's Nationalism in the First Edition of Leaves of Grass" claims that "Whitman's imagined America is arrogant, expansionist, hierarchical, racist and exclusive; such an America is unacceptable to Native Americans, African-Americans, immigrants, the disabled, the infertile, and all those who value equal rights." Whitman's imaginative "mawkish" nationalism avoided issues concerning the genocide of Native Americans. As George Hutchinson and David Drews further suggest in an essay "Racial attitudes", "Clearly, Whitman could not consistently reconcile the ingrained, even foundational, racist character of the United States with its egalitarian ideals. He could not even reconcile such contradictions in his own psyche." The authors concluded their essay with:
Because of the radically democratic and egalitarian aspects of his poetry, readers generally expect, and desire for, Whitman to be among the literary heroes that transcended the racist pressures that abounded in all spheres of public discourse during the nineteenth century. He did not, at least not consistently; nonetheless his poetry has been a model for democratic poets of all nations and races, right up to our own day. How Whitman could have been so prejudiced, and yet so effective in conveying an egalitarian and antiracist sensibility in his poetry, is a puzzle yet to be adequately addressed.
Walt Whitman has been claimed as America's first "poet of democracy", a title meant to reflect his ability to write in a singularly American character. A British friend of Walt Whitman, Mary Smith Whitall Costelloe, wrote: "You cannot really understand America without Walt Whitman, without Leaves of Grass ... He has expressed that civilization, 'up to date,' as he would say, and no student of the philosophy of history can do without him." Modernist poet Ezra Pound called Whitman "America's poet ... He is America." Andrew Carnegie called him "the great poet of America so far". Whitman considered himself a messiah-like figure in poetry. Others agreed: one of his admirers, William Sloane Kennedy, speculated that "people will be celebrating the birth of Walt Whitman as they are now the birth of Christ".
The literary critic, Harold Bloom wrote, as the introduction for the 150th anniversary of Leaves of Grass:
If you are American, then Walt Whitman is your imaginative father and mother, even if, like myself, you have never composed a line of verse. You can nominate a fair number of literary works as candidates for the secular Scripture of the United States. They might include Melville's Moby-Dick, Twain's Adventures of Huckleberry Finn, and Emerson's two series of Essays and The Conduct of Life. None of those, not even Emerson's, are as central as the first edition of Leaves of Grass.
In his own time, Whitman attracted an influential coterie of disciples and admirers. Some, like Oscar Wilde and Edward Carpenter, viewed Whitman both as a prophet of a utopian future and of same-sex desire – the passion of comrades. This aligned with their own desires for a future of brotherly socialism.
Whitman's vagabond lifestyle was adopted by the Beat movement and its leaders such as Allen Ginsberg and Jack Kerouac in the 1950s and 1960s as well as anti-war poets like Adrienne Rich and Gary Snyder. Lawrence Ferlinghetti numbered himself among Whitman's "wild children", and the title of his 1961 collection Starting from San Francisco is a deliberate reference to Whitman's Starting from Paumanok. Whitman also influenced Bram Stoker, author of Dracula, and was the model for the character of Dracula. Stoker said in his notes that Dracula represented the quintessential male which, to Stoker, was Whitman, with whom he corresponded until Whitman's death. Other admirers included the Eagle Street College, an informal group established in 1885 at the home of James William Wallace in Eagle Street, Bolton, to read and discuss the poetry of Whitman. The group subsequently became known as the Bolton Whitman Fellowship or Whitmanites. Its members held an annual "Whitman Day" celebration around the poet's birthday.
Whitman's poetry has been set to music by a large number of composers; indeed it has been suggested his poetry has been set to music more than that of any other American poet except for Emily Dickinson and Henry Wadsworth Longfellow. Those who have set his poems to music have included John Adams; Ernst Bacon; Leonard Bernstein; Benjamin Britten; Rhoda Coghill; Ronald Corp; George Crumb; Frederick Delius; Howard Hanson; Karl Amadeus Hartmann; Hans Werner Henze; Paul Hindemith; Ned Rorem; Robert Strassburg; Ralph Vaughan Williams; Kurt Weill; and Roger Sessions. Crossing, an opera composed by Matthew Aucoin and inspired by Whitman's Civil War diaries, premiered in 2015.
In 2014, German publisher Hörbuch Hamburg issued the bilingual double-CD audio book of the Kinder Adams/Children of Adam cycle, based on translations by Kai Grehn in the 2005 Children of Adam from Leaves of Grass (Galerie Vevais), accompanying a collection of nude photography by Paul Cava. The audio release included a complete reading by Iggy Pop, as well as readings by Marianne Sägebrecht; Martin Wuttke; Birgit Minichmayr; Alexander Fehling; Lars Rudolph; Volker Bruch; Paula Beer; Josef Osterndorf; Ronald Lippok; Jule Böwe; and Robert Gwisdek. In 2014 composer John Zorn released On Leaves of Grass, an album inspired by and dedicated to Whitman.
The Walt Whitman Bridge, which crosses the Delaware River near his home in Camden, was opened on May 16, 1957. In 1997, the Walt Whitman Community School opened, becoming the first private high school catering to LGBT youth. His other namesakes include Walt Whitman High School (Bethesda, Maryland), Walt Whitman High School (Huntington Station, New York), the Walt Whitman Shops (formerly called "Walt Whitman Mall") in Huntington Station, Long Island, New York, near his birthplace, and Walt Whitman Road located in Huntington Station and Melville, New York.
|Booknotes interview with Reynolds on Walt Whitman's America: A Cultural Biography, April 28, 1996, C-SPAN|
Now, Whitman's self-help-guide-meets-democratic-manifesto is being published online in its entirety by a scholarly journal, in what some experts are calling the biggest new Whitman discovery in decades.
THE LATER years of the last century found the Van Velsor family, my mother's side, living on their own farm at Cold Spring, Long Island, New York State, ...
a quirky document full of prescriptions that seem curiously modern
And there are lots of other tidbits that, with a little modern rewording, would be right at home in the pages of a modern men's magazine—or even satirizing modern ideas about manliness because they're so over the top.
a pseudoscientific tract
SitesA Noiseless Patient Spider
"A Noiseless Patient Spider" is a short poem by Walt Whitman, published in an 1891 edition of Leaves of Grass. It was originally part of his poem "Whispers of Heavenly Death", written expressly for The Broadway, A London Magazine, issue 10 (October 1868), numbered as stanza "3". It was retitled "A Noiseless Patient Spider" and reprinted as part of a larger cluster in Passage to India (1871).Academy of American Poets
The Academy of American Poets is a national, member-supported organization that promotes poets and the art of poetry. The nonprofit organization was incorporated in the state of New York in 1934. It fosters the readership of poetry through outreach activities such as National Poetry Month, its website Poets.org, the syndicated series Poem-a-Day, American Poets magazine, readings and events, and poetry resources for K-12 educators. In addition, it sponsors a portfolio of nine major poetry awards, of which the first was a fellowship created in 1946 to support a poet and honor "distinguished achievement," and more than 200 prizes for student poets.
In 1984, Robert Penn Warren noted that "To have great poets there must be great audiences, Whitman said, to the more or less unheeding ears of American educators. Ambitiously, hopefully, the Academy has undertaken to remedy this plight." In 1998, Dinitia Smith described the Academy of American Poets as "a venerable body at the symbolic center of the American poetry establishment." In 2013, Carolyn Forché described the Academy of American Poets as "the most important organization in our country helping to keep poetry alive and in our culture."I Sing the Body Electric (poem)
"I Sing the Body Electric" is a poem by Walt Whitman from his 1855 collection Leaves of Grass.
Its original publication, like the other poems in Leaves of Grass, did not have a title. In fact, the line "I sing the body electric" was not added until the 1867 edition. At the time, "electric" was not yet a commonly used term.Leaves of Grass
Leaves of Grass is a poetry collection by the American poet Walt Whitman (1819–1892). Although the first edition was published in 1855, Whitman spent most of his professional life writing and re-writing Leaves of Grass, revising it multiple times until his death. This resulted in vastly different editions over four decades—the first, a small book of twelve poems and the last, a compilation of over 400.
The poems of Leaves of Grass are loosely connected, with each representing Whitman's celebration of his philosophy of life and humanity. This book is notable for its discussion of delight in sensual pleasures during a time when such candid displays were considered immoral. Where much previous poetry, especially English, relied on symbolism, allegory, and meditation on the religious and spiritual, Leaves of Grass (particularly the first edition) exalted the body and the material world. Influenced by Ralph Waldo Emerson and the Transcendentalist movement, itself an offshoot of Romanticism, Whitman's poetry praises nature and the individual human's role in it. However, much like Emerson, Whitman does not diminish the role of the mind or the spirit; rather, he elevates the human form and the human mind, deeming both worthy of poetic praise.
With one exception, the poems do not rhyme or follow standard rules for meter and line length. Among the poems in the collection are "Song of Myself", "I Sing the Body Electric", and "Out of the Cradle Endlessly Rocking". Later editions included Whitman's elegy to the assassinated President Abraham Lincoln, "When Lilacs Last in the Dooryard Bloom'd".
Leaves of Grass was highly controversial during its time for its explicit sexual imagery, and Whitman was subject to derision by many contemporary critics. Over time, however, the collection has infiltrated popular culture and been recognized as one of the central works of American poetry.List of winners of the Walt Whitman Award
The Walt Whitman Award is a poetry award administered by the Academy of American Poets. Named after poet Walt Whitman, the award is based on a competition of book-length poetry manuscripts by American poets who have not yet published a book. It has been described as "a transformative honor that includes publication and distribution of the book though the Academy, $5,000 in cash and a one-month residency at the Vermont Studio Center." The Library of Congress includes the Award among distinctions noted for poets, as does The New York Times, which also occasionally publishes articles about new awards.The award was established in 1975. In a New York Times opinion piece from 1985, the novelist John Barth noted that 1475 manuscripts had been entered into one of the Whitman Award competitions, which exceeded the number of subscribers to some poetry journals. Since 1992, Louisiana State University Press has published each volume as part of its "Walt Whitman Award Series"; the Academy purchases and distributes copies to its associate members, along with copies of the winning volume for the James Laughlin Award. Since the academy buys 6,000 copies for its members, and the average print run for a poet's first book is 3,000 copies, a Whitman Award guarantees a best seller in the tiny poetry market.O Captain! My Captain!
"O Captain! My Captain!" is an extended metaphor poem written in 1865 by Walt Whitman, about the death of American president Abraham Lincoln. The poem was first published in the pamphlet Sequel to Drum-Taps which assembled 18 poems regarding the American Civil War, including another Lincoln elegy, "When Lilacs Last in the Dooryard Bloom'd". It was included in Whitman's comprehensive collection Leaves of Grass beginning with its fourth edition published in 1867. The poem emphasizes grief and sorrow.Patrolling Barnegat
"Patrolling Barnegat" is a poem by Walt Whitman, first published in Leaves of Grass.Song of Myself
"Song of Myself" is a poem by Walt Whitman (1819-1892) that is included in his work Leaves of Grass. It has been credited as "representing the core of Whitman’s poetic vision."South Huntington, New York
South Huntington is a hamlet and census-designated place (CDP) within the Town of Huntington in Suffolk County, New York, United States. The population was 9,422 at the 2010 census. Residents have a Huntington Station postal address.
South Huntington is the birthplace of Walt Whitman, and the Walt Whitman Shops mall is nearby. It is also home to St. Anthony's High School, Walt Whitman High School and the South Huntington Public Library.
The Walt Whitman Shops were previously known as the Walt Whitman Shopping Center. The department store chain Abraham & Straus purchased 45 acres in South Huntington in 1956 to build a shopping mall and parking lot. An A & S store would be built as the centerpiece of the mall. The groundbreaking ceremony for the shopping center took place on April 20, 1961. The first store to open, on March 28, 1962, was Abraham & Straus, followed by Macy's on Sept. 18, 1962. The official opening for the entire shopping center was in November 1962. It was the first enclosed shopping center on Long Island. The mall had 75 stores, lighted fountains and a reflecting pool. The parking lot had spaces for 5,000 cars.Renovations at the mall took place in 1998 including changes to the main concourse and an elevated parking deck. Also in this time period, three new department stores were added. Bloomingdale's opened on Aug. 5, 1998 followed by Lord & Taylor on November 11, 1998. Saks Fifth Avenue opened its doors on March 11, 1999. A second renovation was completed in November 2013. This included adding 70,000 square feet to the facility as well as doing exterior remodeling. A statue of Walt Whitman was also added.Walt Whitman Shops is currently owned by the Simon Property Group.St. Anthony's High School opened on Sept. 12, 1984 at the former site of Holy Family High School. Formerly an all-boys high school in Smithtown, St. Anthony's student body was moved to the new location in South Huntington when the Diocese of Rockville Centre decided to close Holy Family High School. The major factor for the closure of Holy Family was declining enrollment. The move of St. Anthony's to South Huntington sparked protests by parents and students.Funding for the 48 classroom Walt Whitman High School was approved in February 1950. A new high school was needed because of the large population growth in the school district. The cost of over $3,100,000 included purchasing 32 acres in South Huntington. Capacity for the school was set at 1,500. Groundbreaking took place on March 14, 1955. The school opened on Sept. 6, 1956.Enrollment for the 2015-16 school year for Walt Whitman High School was 1,898.The 49,000 square foot South Huntington Public Library, located at 145 Pidgeon Hill Road, opened to the public on July 24, 2004. The construction of the library was funded by an $11.9 million bond referendum passed on December 5, 2000 by a margin of 1,532 to 1,493. Reasons for construction of the new library included need for additional space to house the library's collections, additional computers and updated technology for patrons and a larger community room for programs. An added feature on the grounds of the library is an outdoor garden with patio seating.The library was built on the site of the former Pidgeon Hill Elementary School.Walt Whitman (Davidson)
Walt Whitman is a statue by Jo Davidson of which there are several castings.
Davidson began working on a depiction of Walt Whitman after entering a competition for one in 1925. Although that statue was never realized, Davidson continued to refine what he had started.When working on the statue Davidson first made a life-sized clay nude, then had a special armature created that allowed him to independently move the arms and legs, allowing him to get the exact movement that he was seeking. Davidson stated, "Nothing in my statue of Walt Whitman could be static and finally, I got the rhythm I was after."The statue was first exhibited at the New York Worlds Fair in 1939. Then, also in 1939 Averell Harriman (whom Davidson had already done a bust of) suggested to Davidson that the work be placed in the Bear Mountain State Park. Whitman inspected the site, found it acceptable and the statue was placed there. At the statue’s unveiling New York Park Commissioner Robert Moses quipped, "I am not sure if this is a statue of Walt Whitman by Jo Davidson or a statue of Jo Davidson by Walt Whitman."
Another casting of the statue was done in 1957, purchased by the Fairmount Park Art Association and placed at the intersection of Broad Street and Packer Avenue, near the approach to the Walt Whitman Bridge.Walt Whitman Birthplace State Historic Site
The Walt Whitman Birthplace State Historic Site is a state historic site in West Hills, New York, listed on the National Register of Historic Places. The site preserves the birthplace of American poet Walt Whitman.Walt Whitman Bridge
The Walt Whitman Bridge is a single-level suspension bridge spanning the Delaware River from Philadelphia to Gloucester City, in Camden County, New Jersey, United States. Named after the poet Walt Whitman, who resided in nearby Camden toward the end of his life, the Walt Whitman Bridge is one of the larger bridges on the east coast of the United States. The bridge is owned and operated by the Delaware River Port Authority.Walt Whitman Community School
The Walt Whitman Community School (WWCS) was a private alternative school in Oak Lawn, Dallas, Texas that catered to youth who identified as LGBT. It opened in 1997 and closed in 2004.
It was the United States's first LGBT-oriented private school, and by 2003 it remained the country's only LGBT-oriented private school not in Manhattan or Los Angeles. It was co-founded by Becky Thompson and Pamala Stone. The former is lesbian, while the latter is straight. The school was named after Walt Whitman.Walt Whitman High School
Walt Whitman High School may refer to:
Walt Whitman High School (Bethesda, Maryland)
Walt Whitman High School, South Huntington in Huntington Station, New York
Walt Whitman Community School in Dallas, TexasWalt Whitman High School fictional high school in the television drama comedy Room 222 that ran from 1969 through 1974Walt Whitman High School (Bethesda, Maryland)
Walt Whitman High School is a public secondary institution serving roughly the western part of Bethesda—an unincorporated suburban area of Washington, D.C., in Montgomery County, in Maryland. The school is named in honor of the American poet, Walt Whitman. Thomas W. Pyle Middle School feeds into Walt Whitman High School.Walt Whitman High School (Huntington Station, New York)
Walt Whitman High School is a four-year public secondary school located at 301 West Hills Road, in Huntington Station, New York. It is South Huntington Union Free School District's only high school, serving students in Huntington Station, South Huntington, Melville, and West Hills. Ranging from year to year, the school typically has around 2,000 students in grades 9–12.Walt Whitman House
The Walt Whitman House is a historic building in Camden, Camden County, New Jersey, United States, which was the last residence of American poet Walt Whitman, in his declining years before his death. It is located at 330 Dr. Martin Luther King Jr. Boulevard, known as Mickle St. during Whitman's time there.Walt Whitman Rostow
Walt Whitman Rostow (also known as Walt Rostow or W.W. Rostow) (October 7, 1916 – February 13, 2003) was an American economist and political theorist who served as Special Assistant for National Security Affairs to US President Lyndon B. Johnson from 1966 to 1969.Prominent for his role in the shaping of US foreign policy in Southeast Asia during the 1960s, he was a staunch anti-communist, noted for a belief in the efficacy of capitalism and free enterprise, strongly supporting US involvement in the Vietnam War. Rostow is known for his book The Stages of Economic Growth: A Non-Communist Manifesto (1960), which was used in several fields of social science.
His older brother Eugene Rostow also held a number of high government foreign policy posts.Walt Whitman Shops
Walt Whitman Shops (formerly known as Walt Whitman Mall) is a shopping mall located in South Huntington, New York. The mall's main anchors include Bloomingdale's (originally Macy's), Lord & Taylor, Macy's (originally Abraham & Straus) and Saks Fifth Avenue. The mall is owned and managed by Simon Property Group, one of the largest developers of shopping malls in the United States and owner of Long Island's largest mall, Roosevelt Field in Garden City. Suffolk County Transit, Nassau Inter-County Express and Huntington Area Rapid Transit all have bus routes that service the mall.
The mall is named for the poet Walt Whitman due to the close proximity to his birthplace, a National Historic site located near the mall.