She was a successful novelist, poet, and journalist, as well as a prolific letter writer and diarist. She published more than a dozen collections of poetry during her lifetime and 13 novels. She was twice awarded the Hawthornden Prize for Imaginative Literature: in 1927 for her pastoral epic, The Land, and in 1933 for her Collected Poems. She was the inspiration for the androgynous protagonist of Orlando: A Biography, by her famous friend and lover, Virginia Woolf.
Vita Sackville-West in 1924
|Born||Victoria Mary Sackville-West|
9 March 1892
Knole House, Kent, England
|Died||2 June 1962 (aged 70)|
Sissinghurst Castle, Kent, England
|Occupation||Novelist, poet, garden designer|
Harold Nicolson (m. 1913)
|Relatives||Lionel Edward Sackville-West, 3rd Baron Sackville (father)|
Victoria Sackville-West (mother)
Knole, the home of Vita's aristocratic ancestors in Kent, was given to Thomas Sackville by Queen Elizabeth I in the sixteenth century. Vita was born there, the only child of cousins Victoria Sackville-West and Lionel Edward Sackville-West, 3rd Baron Sackville. Vita's mother, raised in a Parisian convent, was the illegitimate daughter of Lionel Sackville-West, 2nd Baron Sackville and a Spanish dancer, Josefa de Oliva (née Durán y Ortega), known as Pepita. Pepita's mother was an acrobat who had married a barber.
Although the marriage of Vita's parents was initially happy, shortly after the child's birth, the couple drifted and Lionel took an opera singer for a mistress and she came to live with them at Knole.
Christened Victoria Mary Sackville-West, the girl was known as "Vita" throughout her life to distinguish her from her mother, also called Victoria. The usual English aristocratic inheritance customs were followed by the Sackville-West family, preventing Vita from inheriting Knole on the death of her father, a source of life-long bitterness to Vita.[a] The house followed the title, and was bequeathed instead by her father to his nephew Charles, who became the 4th Baron.
Vita was initially home-schooled by governesses and later attended Helen Wolff's school for girls, an exclusive day school in Mayfair, where she met first loves Violet Keppel and Rosamund Grosvenor. She didn't befriend local children and found it hard to make friends at school. Her biographers characterise her childhood as one filled by loneliness and isolation. She wrote prolifically at Knole, penning eight full-length (unpublished) novels between 1906-1910, ballads, and many plays, some in French. Her lack of formal education led to later shyness with her peers, such as those in the Bloomsbury Group. She felt herself to be sluggish of mind and she was never at the intellectual heart of her social group.
Vita's apparently Roma lineage introduced a passion for 'gypsy' ways, a culture she perceived to be hot-blooded, heart-led, dark and romantic. It informed the stormy nature of many of Vita's later love affairs and was a strong theme in her writing. She visited Roma camps and felt herself to be at one with them.
Vita's mother had a wide array of famous lovers, including financier J P Morgan and Sir John Murray Scott (from 1897-1912, until his death). Scott, secretary to the couple who inherited and developed the Wallace Collection, was a devoted companion and Lady Sackville and he were rarely apart during their years together. During her childhood, Vita spent a great deal of time in Scott's apartments in Paris, perfecting her already fluent French.
Vita debuted in 1910, shortly after the death of King Edward VII. She was wooed by Orazio Pucci, son of a distinguished Florentine family; by Lord Granby (later 9th Duke of Rutland); and by Lord Lascelles (later 6th Earl of Harewood), among others. In 1914, she had a passionate affair with historian Geoffrey Scott. Scott's marriage collapsed shortly thereafter, as was often the fallout with Vita's affairs, all with women after this point.
Vita fell in love with Rosamund Grosvenor (1888–1944), who was four years her senior.[b] In her journal, Vita wrote "Oh, I dare say I realized vaguely that I had no business to sleep with Rosamund, and I should certainly never have allowed anyone to find it out," but she saw no real conflict.:29–30 Lady Sackville, Vita's mother, invited Rosamund to visit the family at their villa in Monte Carlo (1910). Rosamund also stayed with Vita at Knole House, at Murray Scott's pied-à-terre on the Rue Laffitte in Paris, and at Sluie, Scott's shooting lodge in the Scottish Highlands, near Banchory. Their secret relationship ended in 1913 when Vita married.
Vita was more deeply involved with Violet Keppel, daughter of the Hon. George Keppel and his wife, Alice Keppel. The sexual relationship began when they were both in their teens and strongly influenced them for years. Both later married and became writers.:148
Sackville-West was courted for 18 months by young diplomat Harold Nicolson, whom she found to be a secretive character. She writes that the wooing was entirely chaste and throughout they did not so much as kiss.:68 In 1913, at age 21, Vita married him in the private chapel at Knole. [c] Vita's parents were opposed to the marriage on the grounds that "penniless" Nicolson had an annual income of only £250. He was the third secretary at the British Embassy in Constantinople and his father had been made a peer only under Queen Victoria. Another of Sackville-West's suitors, Lord Granby, had an annual income of £100,000, owned vast acres of land and was heir to an old title, the Duchy of Rutland.:68
The couple had an open marriage. Both Sackville-West and her husband had same-sex relationships before and during their marriage, as did some of the Bloomsbury Group of writers and artists, with whom they had connections.:127 Sackville-West saw herself as psychologically divided into two: one side of her personality was more feminine, soft, submissive and attracted to men while the other side was more masculine, hard, aggressive and attracted to women.
Harold had a series of relationships with men who were his intellectual equals, but the physical element in them was very secondary. He was never a passionate lover. To him sex was as incidental, and about as pleasurable, as a quick visit to a picture-gallery between trains.
Following the pattern of his father's career, Harold Nicolson was at various times a diplomat, journalist, broadcaster, Member of Parliament, and author of biographies and novels. After the wedding the couple lived in Cihangir, a suburb of Constantinople (now Istanbul), the capital of the Ottoman Empire. Sackville-West loved Constantinople, but the duties of a diplomat's wife did not appeal to her. It was only during this time that she attempted to don, with good grace, the part of a "correct and adoring wife of the brilliant young diplomat", as she sarcastically wrote.:97:95 When she became pregnant, in the summer of 1914, the couple returned to England to ensure that she could give birth in a British hospital.
The family lived at 182 Ebury Street, Belgravia and bought Long Barn in Kent as a country house (1915 - 1930). They employed the architect Edwin Lutyens to make improvements to the house. The British declaration of war on the Ottoman Empire in November 1914, following Ottoman naval attacks on Russia, precluded any return to Constantinople.:131
Sackville-West continued to receive devoted letters from her lover Violet Keppel. She was deeply upset to read of Keppel's engagement.:131 Her response was to travel to Paris to see Keppel and persuade her to honour their commitment. Keppel, depressed and suicidal, did eventually marry her fiancée Major Trefusis, under pressure from her mother, though Keppel made it clear that she did not love her husband.:62 Sackville-West called the marriage her own greatest failure.:65
Sackville-West and Keppel disappeared together several times from 1918 on, mostly to France. One day in 1918 Vita writes that she experienced a radical 'liberation', where her male aspect was unexpectedly freed. She writes: "I went into wild spirits; I ran, I shouted, I jumped, I climbed, I vaulted over gates, I felt like a schoolboy let out on a holiday ... that wild irresponsible day".
The mothers of both women joined forces to sabotage the relationship and force their daughters back to their husbands. But they were unsuccessful. Vita often dressed as a man, styled as Keppel's husband. The two women made a bond to remain faithful to one another, pledging that neither would engage in sexual relations with their husband. [d]
Keppel continued to pursue her lover to great lengths, until Sackville-West's affairs with other women finally took their toll. In November 1919, while staying at Monte Carlo, Sackville-West wrote that she felt very low, entertaining thoughts of suicide, believing that Nicolson would be better off without her. In 1920 the lovers ran off again to France together and their husbands chased after them in a small two-seater aeroplane. Sackville-West heard allegations that Keppel and her husband Trefusis had been involved sexually, and she broke off the relationship as the lesbian oath of fidelity had been broken. Despite the rift, the two women stayed devoted to one another.
From 1925 to 1927, Nicolson lived in Tehran where Sackville-West often visited him. Sackville-West's book A Passenger to Tehran recounts her time there.:30 The couple were involved in planning the coronation of Rezā Khan and got to know the six-year old Crown Prince Mohammad Reza well.:31 She also visited and wrote about the former capital of Isfahan to see the Safavid palaces.
Her relationship with the prominent writer Virginia Woolf commenced in 1925 and ended in 1935, reaching its height between 1925-28.:195–214 The American scholar Louise DeSalvo wrote that the ten years between 1925-35 were the artistic peak of both women's careers as the two had a positive influence on one another: "neither had ever written so much so well, and neither would ever again reach this peak of accomplishment".:195–214 [e]
In December 1922 Sackville-West first met Virginia Woolf at a dinner party in London.:197 Though Sackville-West came from an aristocratic family that was far richer than Woolf's middle class background, the women bonded over their confined childhoods and emotionally absent parents.:198 Woolf knew about Sackville-West's relationship with Keppel and was impressed by the free spirit at play. [f] [g]
Sackville-West greatly admired Woolf's writings, considering her to be the better author, telling Woolf in one letter: "I contrast my illiterate writing with your scholarly one, and I am ashamed".:202 Though Woolf envied Sackville-West's ability to write quickly, she was inclined to believe that the volumes were created too much in haste: "Vita's prose is too fluent".:202 [h]
The two grew close and Woolf disclosed how, as a child, she had been abused by her step-brother. [i] It was largely due to Sackville-West's support that Woolf began to heal the damage, allowing her for the first time to have a satisfying erotic relationship. [j] Woolf purchased a mirror during a trip to France with her lover, saying she felt she could look in a mirror for the first time in her life. Sackville-West counselled her to have greater confidence in her many strengths and to cast off the self-image of the sickly semi-recluse. She persuaded Woolf that her nervous ailments had been misdiagnosed, and that she should focus on her own varied intellectual projects; that she must learn to rest. [k]:199:200:201
To help the Woolfs, Sackville-West chose their Hogarth Press to be her publisher. Seducers in Ecuador, the first Sackville-West novel to be published by Hogarth, did not sell well, selling only 1500 copies in its first year, but the next, The Edwardians, was a huge success and sold 30000 copies in its first six months. The boost helped Hogarth financially, though Woolf did not always value the books' romantic themes. The increased security of the Press's fortunes allowed Woolf to write more experimental novels such as The Waves:201 Though Woolf is generally considered today to be the better writer, in the 1920s Sackville-West was viewed by the critics as the more accomplished author and her books outsold Woolf's by a large margin.:66–67 [l]
Sackville-West loved to travel, frequently going to France, Spain and to visit Nicolson in Persia, and these trips were emotionally draining for Woolf, who missed Sackville-West intensely. Woolf's novel To the Lighthouse with its theme of longing for someone who is not there was inspired partly by the frequent absences of Sackville-West. Woolf was inspired by Sackville-West to write one of her most famous novels, Orlando, featuring a protagonist who changes sex over the centuries. This work was described by Sackville-West's son Nigel Nicolson as "the longest and most charming love-letter in literature.":204
There were, however, tensions in the relationship. Woolf was often bothered by what she viewed as Sackville-West's promiscuity, charging that the great need for sex led her to take up with anyone who struck her fancy.:213 In A Room Of One's Own (1929), Woolf attacks patriarchal inheritance laws, which was meant to be an implicit criticism of Sackville-West, who never questioned the leading social and political position of the aristocracy to which she belonged. She felt that Sackville-West was unable to critique the system she was both a part of and, to a certain extent, a victim of.:209–210 In the 1930s they clashed over Nicolson's "unfortunate" involvement with Oswald Mosley and the New Party (later renamed the British Union of Fascists) [m] and they were at odds over the looming war. Sackville-West supported rearmament while Woolf remained loyal to her pacifism, leading to an end of their relationship in 1935.:214
In 1927 Sackville-West had an affair with Mary Garman, a member of the Bloomsbury Group and between 1929 and 1931 with Hilda Matheson, head of the BBC Talks Department. In 1931, Sackville-West was in a ménage à trois with journalist Evelyn Irons and Irons's lover, Olive Rinder. Irons had interviewed Vita after her novel The Edwardians had become a best-seller.
In 1930 the family acquired and moved to Sissinghurst Castle, near Cranbrook, Kent. It had once been owned by Vita's ancestors. This gave it a dynastic attraction as she was excluded from inheriting Knole and a title. Sissinghurst was an Elizabethan ruin and the creation of the gardens would be a joint labour of love that would last many decades, first entailing years of clearing debris from the land. Nicolson provided the architectural structure, with strong classical lines, which would frame his wife's innovative informal planting schemes. She created a new and experimental system of enclosures or rooms, such as the White Garden, Rose Garden, Orchard, Cottage Garden and Nuttery. She also innovated single colour-themed gardens and design principles orientating the visitors' experience to discovery and exploration. Her first garden at Long Barn (Kent, 1915-1930) was experimental, a place of learning by trial and error and she carried over her ideas and projects to Sissinghurst, utilising her hard won experience. Sissinghurst was first opened to the public in 1938.
Sackville-West took up writing again in 1930 after a six-year break as she needed money to pay for Sissinghurst. Nicolson, having left the Foreign Office, no longer had a diplomat's salary to draw upon. She also had to pay tuition for her two sons to attend Eton College. She felt she had become a better writer thanks to the mentorship of Woolf.:204 In 1947 she began a weekly column in The Observer called "In your Garden", although she was not a trained horticulturalist or designer. She continued the very popular column until a year before her death, and writing helped to make Sissinghust one of the most famous and visited gardens in England. In 1948 she became a founder member of the National Trust's garden committee. The grounds are now run by the National Trust. She was awarded the Veitch Memorial Medal from the Royal Horticultural Society.
In the early 1920s Sackville-West wrote a memoir of her relationships. In it she sought to explain both why she had chosen to stay with Nicolson and why she had fallen in love with Violet Keppel. The work, titled Portrait of a Marriage, was not published until 1973. In the book she uses metaphors from nature to present her account as truthful and honest, describing her life a "bog" and a "swamp", suggesting that her personal life was naturally unappealing and unpleasant. Sackville-West stated that she wanted to explain her sexuality, which she presented as being at the core of her personality. She wrote that in the future "it will be recognized that many more people of my type do exist than under the present-day system of hypocrisy is commonly admitted".:128
Reflecting a certain ambivalence about her sexuality, Sackville-West presented her sexual desires for Keppel as both "deviant" and "natural", as if she herself was uncertain of whether her sexuality was normal or not, though the American scholar Georgia Johnston has argued that Sackville-West's confusion on this point was due to her wish to have this memoir published one day. In this regard, Sackville-West wrote of her deep desire and love for Keppel while at same time declaring her "shame" about this "duality with which I was too weak and too self-indulgent to struggle". At various times, Sackville-West called herself a "pariah" with a "perverted nature" and "unnatural" " feelings for Keppel, who was portrayed as a tempting, if degrading, object of her desire. Sackville-West called for a "spirit of candor" in society that would allow for tolerance of gay and bisexual people. Much influenced by the theories promoted by sexologists like Magnus Hirschfeld, Edward Carpenter, Richard von Krafft-Ebing, Havelock Ellis and Sigmund Freud, Sackville-West sometimes wrote of her sexuality as abnormal and wrong and due to some psychological flaw she was born with, portraying heterosexuality as the norm that she wanted, but failed to live up to.
Several times, Sackville-West stated that she wrote Portrait of a Marriage for scientific purposes so people would be able to understand bisexual people, which would thus allow her, despite her self-condemnation, to present her sexuality as in some way normal. Several of the sexologists Sackville-West cited, most notably Carpenter and Ellis, had argued that homosexuality and bisexuality were in fact normal, and despite her condemning herself, her use of a "scientific" approach backed up with quotes from Ellis and Carpenter allowed her to present her bisexuality as implicitly normal.:127–128 Writing in the third person, Sackville-West declared "she regrets that the person Harold married wasn't entirely and wholly what he had thought of her, and that the person who loves and owns Violet isn't a second person, because each suits each other".:128–129 Sackville-West presented her sexuality as part of the personality she had been born with, portraying herself as an accursed woman who should be the object of sympathy, not condemnation.
In 1973, when her son Nigel Nicolson published Portrait of a Marriage, he was uncertain if he was going to be charged with obscenity, going to considerable lengths to stress the legitimacy of a love for a person of the same sex in his introduction.:130–131 Despite portraying herself as some way "deviant" because of her feelings for women, Sackville-West also wrote in Portrait of a Marriage of the discovery and acceptance of her bisexuality as a teenager as the joyous "liberation of half my personality", suggesting that she did not really see herself as a woman with "deviant" sexuality, as this statement contradicted what she had written at the beginning of the book about her "perverted" sexuality.:131 Johnson wrote that Sackville-West, in presenting the lesbian side of herself in terms that depicted Keppel as evil and Nicolson as good, was the only way possible at the time to express this side of her personality, writing "even if annihilating herself seemed the only way she could present any type of acceptable self.":131
Sackville-West's novel Challenge (1923) also bears witness to her affair with Keppel: Sackville-West and Keppel had started writing this book as a collaborative endeavour. It was published in America but banned in the UK until 1974.
The male character's name, Julian, had been Sackville-West's nickname when passing as a man. Challenge (first entitled Rebellion, then Enchantment, then Vanity and at some point Foam), is a roman à clef with the character of Julian being a male version of Sackville-West and Eve, the woman he desires so passionately is Keppel.:133 Notably, Sackville-West in Challenge defends Keppel against several of the insults Nicolson had applied to her in his letters to her; for example Nicolson often called Keppel a "swine" and a "pig", and in the book Julian goes out of his way to say that Eve is neither a swine nor a pig.:134 In the book, Julian says that "Eve is not a 'little swine', she just has the weaknesses and faults of femininity carried to the 9th degree, but is also redeemed by a self-sacrifice, which is very feminine".:134
Reflecting her obsession with the Romany people, Eve is portrayed as a seductive Romany woman with an "insinuating femininity" that Julian cannot resist, calling him away from his political mission of winning independence on a fictional Greek island during the Greek war of independence.:153–154 Nicolson wrote in a letter to his wife: "Don't please dedicate it to Violet, it would kill me if you did".:134 When Challenge was published in 1924, the dedication was written in Romany reading: "This book is yours, honoured witch. If you read it, you will find your tormented soul changed and free".:134 Throughout their relationship, Keppel was given to threatening suicide if Sackville-West left her, a character trait shared by Eve, who finally attempts to drown herself in the sea while Julian tries to come to her rescue.:134 As Eve changes her mind about taking her life and tries to swim ashore as Julian swims out to her, it is too late and she is swept away by the tide to drown.:134 The book's ending reflected Sackville-West's guilt about breaking her relationship with Keppel.:134
Her mother, Lady Sackville, found the portrayal obvious enough to refuse to allow publication of the novel in England; but Vita's son Nigel Nicolson praises his mother: "She fought for the right to love, men and women, rejecting the conventions that marriage demands exclusive love, and that women should love only men, and men only women. For this she was prepared to give up everything ... How could she regret that the knowledge of it should now reach the ears of a new generation, one so infinitely more compassionate than her own?"
Sackville-West was fascinated with and often wrote about the Roma people. As the British scholar Kirstie Blair noted, for her: "Gypsies represent liberation, excitement, danger and the free expression of sexuality".:141 In particular, the Roma women, especially Spanish Romany women, served as a symbol for lesbianism in her writings.:141–142 As with many other women writers in this period, for Sackville-West, the Romany represented a social element both familiar and strange; a people perceived and admired as flamboyant romantics while at the same time viewed and hated as shifty, dishonest types; a rootless people who belonged nowhere yet could be found everywhere in Europe, serving as a symbol for a sort of unconventional femininity.:142–143 The picture Sackville-West held of the Romany was much influenced by "Orientalism", as the Romany were believed to have originated from India. The idea of a people who belonged nowhere, existing outside of the values of "civilization", held genuine appeal to her as it offered up the possibility of gender roles different from those held in the West.:144 Sackville-West was English, but she invented Romany ancestry for herself on the Spanish side of her family, explaining her bohemian behavior as due to her alleged "Gypsy" descent.:142
Woolf was inspired by Sackville-West to write her most famous novel, Orlando (1928), featuring a protagonist who changes sex over the centuries. [n] [o] Reflecting Sackville-West's interest in the Romany, when Orlando goes to bed as a man and mysteriously wakes up as a woman in Constantinople (which is implied might have been the result of a spell cast by a Romany witch whom he married), it is at a Romany camp in the Balkans that Orlando is first welcomed and accepted as a woman, as the Romany in the novel make no distinctions between the sexes.:157 Ultimately Woolf satirizes Sackville-West's Romany fetish, as Orlando, an English aristocrat, prefers not to live in poverty as part of wandering Romany caravan in the Balkans, because the call of a settled life of the aristocracy at a country house in England proves to too strong for her, just as in real life Sackville-West fantasised about living the nomadic life of a Romany, but in reality preferred the settled life in the English countryside.:158 Orlando, which was intended as a fantasy where the character of Orlando (a stand-in for Sackville-West) inherits an estate not unlike Knole (which Sackville-West would have inherited as the eldest child if she had been a man) ironically marked the beginning of a tension between the two women.:206 Sackville-West often complained in her letters that Woolf was more interested in writing a fantasy about her than in returning her gestures of affection in the real world.:206 [p]
Sackville-West's 1932 novel Family History tells the story of Evelyn Jarrold, a rich widow who married into a family which owes its recent wealth and social position to the ownership of coal mines, and her ill-fated love affair with Miles Vane-Merrick, a much younger man with progressive social ideas. Evelyn Jarrold's husband, Tommy, died in the Great War, and she has nothing to occupy her apart from her son Dan, the Jarrolds' heir, who is away at Eton, social events and visits to her dressmaker. Vane-Merrick is a farming landowner and Member of Parliament, and is writing a book on economics. He represents new, progressive values and the male world of work and economic activity, and Evelyn Jarrold represents traditional values and the female world of family ties and social engagements.
The characters of Viola and Leonard Anquetil in Family History are socialists, pacifists and feminists, thinly veiled versions of Virginia and Leonard Woolf.:212 In Orlando, Woolf allowed Vita to finally "own" Knole, and in Family History, Vita returns the gesture, as the Anquetils have children who turned out to be intelligent and decent people.:212 Woolf had never had children and was afraid that she would have been a bad mother. In casting her fictional alter-ego as an excellent mother she was offering a "gift" to Woolf.:212
Most of the novels were an immediate success (except Dark Island, Grand Canyon and La Grande Mademoiselle). All Passion Spent (1931) and Seducers in Ecuador (1924) sold especially well. Somewhat Ironically Seducers overtook her mentor's novel Mrs Dalloway at the top of the sales charts.
The Edwardians (1930) and All Passion Spent are perhaps her best-known novels today. In the latter, the elderly Lady Slane courageously embraces a long suppressed sense of freedom and whimsy after a lifetime of following convention. This novel was dramatised by the BBC in 1986 starring Dame Wendy Hiller. All Passion Spent appears to reflect Woolf's influence. The character of Lady Slane begins to truly live only after the death of her husband, a former prime minister. She befriends the servants of her estate, discovering the lives of people she had previously ignored.:211 At the end of the novel Lady Slane persuades her granddaughter to break off an arranged marriage in order to pursue her career as a musician.:211
Grand Canyon (1942) is a science fiction "cautionary tale" (as she termed it) about a Nazi invasion of an unprepared United States. The book takes an unsuspected twist, however, that makes it something more than a typical invasion yarn.
The poetry remains the least known of Sackville-West's work. It encompassed epics and translations of volumes such as Rilke's Duino Elegies. Her epic poems The Land (1926) and The Garden (1946) reflect an enduring passion for the earth and family tradition.The Land may have been written in response to the central work of Modernist poetry The Waste Land (also published by Hogarth Press). She dedicated her poem to her lover Dorothy Wellesley. A recording of Sackville-West reading it was released by Columbia Records.  Her poem won the Hawthornden Prize in 1927. She won it again in 1933 with her Collected Poems, becoming the only writer to do so twice. The Garden won the Heinemann Award for literature.
Her epic poem Solitude, published by the Hogarth Press in October 1938 contains references to the Bible, Paracelsus, Ixion, Catullus, Andromeda, the Iliad and a Sabine bride, all of which were quite acceptable in the early 20th century, but were seen as anachronistic by 1938.:409 The narrator of Solitude has an ardent love of the English countryside. Though the sex of the narrator is left ambiguous, implied at various points to be a man or a woman, it is made clear the narrator loved intensely a woman who is no longer present and who is deeply missed.:409 At one point, the narrator's horror and disgust at Ixion, a brutal rapist, implies that she is a woman. At another point in the poem, her desire to free Andromeda from her chains and to make love suggests that she is a lesbian.:412–413 The narrator compares the love of nature to the love of books, as both cultivate her mind. She thinks of herself as superior to the farmers who merely work the land without the time or the interest for poetry, all of which make it possible for her to have a deeper appreciation of nature.:414
She not well known as a biographer. The most famous of those works is her biography of Saint Joan of Arc in the work of the same name. Additionally, she composed a dual biography of Saint Teresa of Ávila and Thérèse of Lisieux entitled The Eagle and the Dove, a biography of the author Aphra Behn, and a biography of her maternal grandmother, the Spanish dancer known as Pepita.
Despite being a shy woman, Sackville-West often forced herself to participate in literary readings before book clubs and on the BBC in order to feel a sense of belonging.:408 Her love of the classical traditions in literature put her out of favour with modernist critics and by the 1940s, she was often dismissed as a dated writer, much to her chagrin. In 1947 Sackville-West was made a Fellow of the Royal Society of Literature and Companion of Honour.
Sissinghurst Castle is owned by the National Trust. Her son Nigel Nicolson lived there after her death, and following his death in 2004 his own son Adam Nicolson, Baron Carnock, came to live there with his family. With his wife, the horticulturalist Sarah Raven, they committed to restore the mixed working farm and growing food on the property for residents and visitors, a function that had withered under the aegis of the Trust.
The film Vita & Virginia began filming in September 2017. Its current cast include Elizabeth Debicki and Isabella Rossellini. It is directed by Chanya Button and based on a play by Eileen Atkins, created from the love letters between Sackville-West and Woolf. The play was first performed in London in October 1993 and off Broadway in November 1994.
Baron Carnock, of Carnock in the County of Stirling, is a title in the Peerage of the United Kingdom. It was created in 1916 for the former Permanent Under-Secretary in the Foreign Office, Sir Arthur Nicolson, 11th Baronet.
The Nicolson family descends from Thomas Nicolson. In 1636 he was created a Baronet, of Carnock in the County of Stirling, in the Baronetage of Nova Scotia. His great-grandson, the fourth Baronet, succeeded as the Fourth Lord Napier of Merchistoun in 1683. However, on his death three years later the barony passed to his maternal aunt Margaret Brisbane, while he was succeeded in the baronetcy by his cousin and heir-male, the fifth Baronet. He was succeeded by his son, the sixth Baronet. On the death of his younger son, the eighth Baronet, this line of the family failed. The latter was succeeded by his cousin, the ninth Baronet. He was a major-general in the Army, while his son, the tenth Baronet, was an admiral in the Royal Navy.
The latter was succeeded by his son, the eleventh Baronet. In 1916 he was raised to the peerage as Baron Carnock, of Carnock in the County of Stirling. His two eldest sons succeeded as second and third Baron, in 1928 and 1952; the fourth Baron succeeded his father in 1982. In 1984 Lord Carnock was recognised as thirteenth Baronet of that Ilk and of Lasswade and as Chief of Clan Nicolson by the Lord Lyon with the undifferenced arms of Nicolson. He was separately recognised in this title by the Registrar of the Baronetage. For earlier history of this title, see Nicolson Baronets. As of 2017 the titles are held by his cousin once removed, the fifth Baron. He is the son of the writer Nigel Nicolson and grandson of the famous diplomat Sir Harold Nicolson, who was the third son of the first Baron and husband of Vita Sackville-West.
The family seat is Perch Hill Farm, near Robertsbridge, East Sussex.Baron Sackville
Baron Sackville, of Knole in the County of Kent, is a title in the Peerage of the United Kingdom. It was created in 1876 for the Honourable Mortimer Sackville-West, with remainder, failing heirs male of his body, to his younger brothers the Hon. Lionel and the Hon. William Edward. Sackville-West was the fourth son of George Sackville-West, 5th Earl De La Warr and Elizabeth Sackville-West, Countess De La Warr and 1st Baroness Buckhurst, younger daughter and co-heir of John Sackville, 3rd Duke of Dorset. On the death of the latter's cousin, Charles Sackville-Germain, 5th Duke of Dorset, in 1845, the dukedom and its subsidiary titles became extinct and the Sackville estates passed through Elizabeth to the West family who assumed the additional surname of Sackville by Royal licence. By arrangement, Mortimer Sackville-West succeeded to a substantial part of the estates, including Knole in Kent, which is still the seat of the Barons Sackville.
He was succeeded in the barony according to the special remainder by his brother Lionel, who became the second Baron. He had no legitimate male issue and, on his death, the title passed to his nephew, the third Baron. He was the son of the aforementioned William Edward. He was succeeded by his younger brother, the fourth Baron. He was a major-general in the army. On his death the title passed to his son, the fifth Baron, and then to the latter's cousin, the sixth Baron. He was the eldest son of the Hon. Bertrand George Sackville-West, youngest brother of the fourth Baron. As of 2015 the title is held by his nephew, the seventh Baron, who succeeded in 2004. He is the son of Hugh Rosslyn Inigo Sackville-West, younger brother of the sixth Baron.
As a descendant of the 5th Earl De La Warr, the holders of this barony are in distant remainder to that peerages and its subsidiary titles.
The poet Vita Sackville-West was the daughter of the third Baron and his wife Victoria Sackville-West, daughter of the second Baron.Color garden
The term color garden has in popular use two contradictory interpretations. A color garden has a variety of colors in it so that it is more attracting. In the first sense, a color garden is a garden specially planted in order to display a wide variety of colors, often in a particular season (for example a fall color garden). In the second sense, a color garden may more accurately be labeled a single-color garden. Such a garden is planted so that it overwhelms the observer with a single color. While this may seem a rather bland approach at first, such gardens were made popular by the work of famous garden designers such as Gertrude Jekyll and Vita Sackville-West. Sackville-West, for example, created what may have been one of the most famous single-color gardens, the Sissinghurst Castle's all-white garden.Eliot Bliss
Eliot Bliss (12 June 1903 – 10 December 1990) was a Jamaican-born English novelist and poet of Anglo-Irish descent, whose literary friendships encompassed Anna Wickham, Dorothy Richardson, Jean Rhys, Romer Wilson and Vita Sackville-West.Garman sisters
The Garman sisters were members of the bohemian Bloomsbury set in London between the wars. The complex lives of Mary, Kathleen and Lorna included affairs with the writer Vita Sackville-West, the composer Ferruccio Busoni, the painter Bernard Meninsky, the sculptor Jacob Epstein (whom Kathleen married), the poet Laurie Lee and the painter Lucian FreudHarold Nicolson
Sir Harold George Nicolson, (21 November 1886 – 1 May 1968), was a British diplomat, author, diarist and politician. He was the husband of writer Vita Sackville-West.Lionel Sackville-West, 3rd Baron Sackville
Lionel Edward Sackville-West, 3rd Baron Sackville (15 May 1867 – 28 January 1928), was a British peer.
Sackville-West was the son of the Honourable William Edward Sackville-West, sixth son of George Sackville-West, 5th Earl De La Warr and Lady Elizabeth Sackville. His mother was Georgina, daughter of George Dodwell. He inherited the barony in 1908 on the death of his uncle, the diplomat Lionel Sackville-West, 2nd Baron Sackville. In April 1912, Lord Sackville was appointed a deputy lieutenant of Kent. He married his first cousin Victoria Sackville-West (1862–1936) in 1892, illegitimate daughter of the second Baron, in 1890. Their daughter was the novelist and poet Vita Sackville-West.Long Barn
Long Barn, located in the village of Sevenoaks Weald, Kent, is a Grade II* listed property and the former home of Vita Sackville-West and Harold Nicolson. The house is also notable for having famous residents such as Douglas Fairbanks and Charles Lindbergh at various times.Mary Garman
Mary Margaret Garman Campbell (1898–1979) was the eldest of seven sisters known for their glamorous, bohemian lifestyles and their many love affairs with famous artists, writers and musicians of interwar London. She was a member of the Bloomsbury Group and the wife of the radical South African poet Roy Campbell, who attacked the group in The Georgiad (1931), a response to his wife's lesbian affair with Vita Sackville-West.Nicolson
Nicolson is a patronymic surname meaning "son of Nicholas". There are alternate spellings. Notable people with the surname include:
Adam Nicolson, British writer, son of Nigel Nicolson
Adela Florence Nicolson, British poet writing as "Laurence Hope"
Arthur Nicolson, 1st Baron Carnock, British diplomat and politician
Benedict Nicolson, British art historian and author, son of Harold Nicolson and Vita Sackville-West
Dan Henry Nicolson, American botanist
David Nicolson, 4th Baron Carnock, British peer and solicitor.
Eric James Brindley Nicolson, Royal Air Force officer
Gerda Nicolson, Australian actress
Harold Nicolson, British diplomat, politician and writer, son of Arthur Nicolson
James Nicolson (bishop) (died 1607), Moderator of the General Assembly of the Church of Scotland & Bishop of Dunkeld.
John Nicolson (disambiguation), multiple people
Marjorie Hope Nicolson (1894-1981), American literary scholar
Mark Nicolson, American tenor and voice teacher
Nigel Nicolson, British publisher, writer and politician, son of Harold Nicolson and Vita Sackville-West
Phyllis Nicolson, mathematician
William Nicolson, British bishopNigel Nicolson
Nigel Nicolson (19 January 1917 – 23 September 2004) was an English writer, publisher and politician.Portrait of a Marriage
Portrait of a Marriage: Vita Sackville-West and Harold Nicolson is the 1973 biography of writer and gardener Vita Sackville-West compiled by her son Nigel Nicolson from her journals and letters.Portrait of a Marriage (TV series)
Portrait of a Marriage is a British television miniseries detailing the real-life love affair between Vita Sackville-West and Violet Keppel, as well as the strength of Vita's enduring marriage to the diplomat Harold Nicolson. Based on the biographical novel of the same name by Nigel Nicolson, it features Janet McTeer as Vita, and Cathryn Harrison as Violet.
The series was adapted by Penelope Mortimer, directed by Stephen Whittaker and produced by Colin Tucker. It was first aired on BBC Two in four parts in 1990; a three-part edited version aired in the United States on PBS in 1992 as part of the Masterpiece Theatre strand.Saint Joan of Arc (Sackville-West)
Saint Joan of Arc is a biography of Joan of Arc by Vita Sackville-West first published in New York and London in 1936. The Grove Press (New York City) re-issue of 2001 runs to 395 pages including appendices which collate the events of Joan's life, present a chronological table and give a bibliography of related pre-1936 works.Sevenoaks Weald
Sevenoaks Weald is a village and civil parish in the Sevenoaks District of Kent, England. The parish is located on the Low Weald, immediately south of Sevenoaks town, with the village of Sevenoaks Weald at its centre. It was formed in 1894 from part of the ancient parish of Sevenoaks.
The village was originally named simply Weald.
The parish church is dedicated to St George. It was built in 1821 and was provided as a chapel of ease so that parishioners did not have the long climb to St. Nicholas, the parish church of Sevenoaks. Land and funds were given for the chapel and churchyards by the Lambarde family. Architect Thomas Graham Jackson added a chancel in 1871; the funds were provided by the Hodgson family. Weald Methodist Church on the village green opened in 1843; and also in the village is a former Brethren Gospel Hall dating from 1875 and the former St Edward the Confessor's Roman Catholic Church.
Long Barn is a property with a historic garden, begun in 1915 by Harold Nicolson and Vita Sackville-West and further developed by Edwin Lutyens in 1925. The nearest train station is Sevenoaks.Sissinghurst
Sissinghurst is a small village in the county of Kent in England. Originally called Milkhouse Street (also referred to as Mylkehouse), Sissinghurst changed its name in the 1850s, possibly to avoid association with the smuggling and cockfighting activities of the Hawkhurst Gang. It is in the civil parish of Cranbrook and Sissinghurst.
The nearest railway station is at Staplehurst.Sissinghurst Castle Garden
Sissinghurst Castle Garden, at Sissinghurst in the Weald of Kent in England, was created by Vita Sackville-West, poet and writer, and her husband Harold Nicolson, author and diplomat. It is among the most famous gardens in England and is designated Grade I on Historic England's register of historic parks and gardens. It was bought by Sackville-West in 1930, and over the next thirty years, working with, and later succeeded by, a series of notable head gardeners, she and Nicolson transformed a farmstead of "squalor and slovenly disorder" into one of the world's most influential gardens. Following Sackville-West's death in 1962, the estate was gifted to the National Trust for Places of Historic Interest or Natural Beauty. It is one of the Trust's most popular properties, with nearly 200,000 visitors in 2017.
The gardens contain an internationally respected plant collection, particularly the assemblage of old garden roses. The writer Anne Scott-James considered the roses at Sissinghurst to be "one of the finest collections in the world". A number of plants propagated in the gardens bear names related to people connected with Sissinghurst or the name of the garden itself. The garden design is based on axial walks that open onto enclosed gardens, termed "garden rooms", one of the earliest examples of this gardening style. Among the individual "garden rooms", the White Garden has been particularly influential, with the horticulturalist Tony Lord describing it as "the most ambitious ... of its time, the most entrancing of its type."The site of Sissinghurst is ancient and has been occupied since at least the Middle Ages. The present-day buildings began as a house built in the 1530s by Sir John Baker. In 1554 Sir John's daughter Cecily married Thomas Sackville, 1st Earl of Dorset, an ancestor of Vita Sackville-West. By the 18th century the Baker's fortunes had waned, and the house, renamed Sissinghurst Castle, was leased to the government to act as a prisoner-of-war camp during the Seven Years' War. The prisoners caused great damage and by the 19th century much of Sir Richard's house had been demolished. In the mid-19th century, the remaining buildings were in use as a workhouse, and by the 20th century Sissinghurst had declined to the status of a farmstead. In 1928 the castle was advertised for sale but remained unsold for two years.
Sackville-West was born in 1892 at Knole, the ancestral home of the Sackvilles. But for her sex, Sackville-West would have inherited Knole on the death of her father in 1928. Instead, following primogeniture, the house and the title passed to her uncle, a loss she felt deeply. In 1930, after she and Nicolson became concerned that their home Long Barn was threatened by development, Sackville-West bought Sissinghurst Castle. On purchasing Sissinghurst, Sackville-West and Nicolson inherited little more than some oak and nut trees, a quince, and a single old rose. Sackville-West planted the noisette rose 'Madame Alfred Carrière' on the south face of the South Cottage even before the deeds to the property had been signed. Nicolson was largely responsible for planning the garden design, while Sackville-West undertook the planting. Over the next thirty years, working with her head gardeners, she cultivated some two hundred varieties of roses and large numbers of other flowers and shrubs. Decades after Sackville-West and Nicolson created "a garden where none was", Sissinghurst remains a major influence on horticultural thought and practice.Violet Trefusis
Violet Trefusis (née Keppel; 6 June 1894 – 29 February 1972) was an English socialite and author. She is chiefly remembered for her lengthy affair with the poet Vita Sackville-West, which the two women continued after their respective marriages. This was featured in novels by both parties, in Virginia Woolf's novel Orlando: A Biography, and in many letters and memoirs of the period, roughly 1912–1922. She was also the inspiration for Lady Montdore in Nancy Mitford's Love in a Cold Climate and Muriel in Harold Acton's The Soul's Gymnasium.
Trefusis published many novels of her own, as well as non-fiction, both in English and French. Although some of her books sold well, others were unpublished, and her overall critical heritage remains lukewarm.Vita and Virginia
Vita and Virginia is a 2018 British biographical romance drama film directed by Chanya Button. The screenplay, written by Button and Eileen Atkins, is adapted from the 1992 play Vita & Virginia by Atkins. The film stars Gemma Arterton, Elizabeth Debicki, and Isabella Rossellini. Set in the 1920s, Vita and Virginia tells the story of the love affair between Vita Sackville-West and Virginia Woolf.
The film had its world premiere as a Special Presentation at the Toronto International Film Festival on 7 September 2018.