The Vatican Apostolic Library (Latin: Bibliotheca Apostolica Vaticana, Italian: Biblioteca Apostolica Vaticana), more commonly known as the Vatican Library or informally as the Vat, is the library of the Holy See, located in Vatican City. Formally established in 1475, although it is much older, it is one of the oldest libraries in the world and contains one of the most significant collections of historical texts. It has 75,000 codices from throughout history, as well as 1.1 million printed books, which include some 8,500 incunabula.
The Vatican Library is a research library for history, law, philosophy, science and theology. The Vatican Library is open to anyone who can document their qualifications and research needs. Photocopies for private study of pages from books published between 1801 and 1990 can be requested in person or by mail.
Pope Nicholas V (1447-1455) envisioned a new Rome with extensive public works to lure pilgrims and scholars alike to the city to begin its transformation. Nicolas decided that he wanted to create a 'public library' for Rome that was meant to be seen as an institution for humanist scholarship. His death prevented him from carrying out his plan of a public library, but his idea lived on with his successor Pope Sixtus IV (1471-1484) who established what is now known as the Vatican Library.
In March 2014, the Vatican Library began an initial four-year project of digitising its collection of manuscripts, to be made available online.
The Vatican Secret Archives were separated from the library at the beginning of the 17th century; they contain another 150,000 items.
|Vatican Apostolic Library|
|Bibliotheca Apostolica Vaticana|
Pope Sixtus IV Appoints Bartolomeo Platina Prefect of the Vatican Library, fresco by Melozzo da Forlì, 1477, now in the Vatican Museums
|Director||Archbishop José Tolentino Mendonça|
Location on a map of Vatican City
Scholars have traditionally divided the history of the library into five periods, Pre-Lateran, Lateran, Avignon, Pre-Vatican and Vatican.
The Pre-Lateran period, comprising the initial days of the library, dated from the earliest days of the Church. Only a handful of volumes survive from this period, though some are very significant.
The Lateran era began when the library moved to the Lateran Palace and lasted until the end of the 13th century and the reign of Pope Boniface VIII, who died in 1303, by which time he possessed one of the most notable collections of illuminated manuscripts in Europe. However, in that year, the Lateran Palace was burnt and the collection plundered by Philip IV of France.
The Avignon period was during the Avignon Papacy, when seven successive popes resided in Avignon, France. This period saw a great growth in book collection and record keeping by the popes in Avignon, between the death of Boniface and the 1370s when the Papacy returned to Rome.
The Pre-Vatican period ranged from about 1370 to 1446. The library was scattered during this time, with parts in Rome, Avignon and elsewhere.
In 1451, bibliophile Pope Nicholas V sought to establish a public library at the Vatican, in part to re-establish Rome as a destination for scholarship. Nicholas combined some 350 Greek, Latin and Hebrew codices inherited from his predecessors with his own collection and extensive acquisitions, among them manuscripts from the imperial Library of Constantinople. Pope Nicholas also expanded his collection by employing Italian and Byzantine scholars to translate the Greek classics into Latin for his library. The knowledgeable Pope already encouraged the inclusion of pagan classics. Nicolas was important in saving many of the Greek works and writings during this time period that he had collected while traveling and acquired from others.
In 1455, the collection had grown to 1200 books, of which 400 were in Greek language.
Nicholas' death in 1455 prevented the completion of his vision of a public library, but it was finished in 1475 by his successor Pope Sixtus IV, and named the Palatine Library. During the papacy of Sixtus IV, acquisitions were made in "theology, philosophy and atristic literature". The number of manuscripts is variously counted as 3,500 in 1475 or 2,527 in 1481, when librarian Bartolomeo Platina produced a signed listing. At the time it was the largest collection of books in the Western world.
During his reign, Pope Julius II commissioned the expansion of the building. Around 1587, Pope Sixtus V commissioned the architect Domenico Fontana to construct a new building for the library, which is still used today. It was after this the library became known as the Vatican Library.
During the Counter-Reformation, access to the library's collections was limited following the introduction of the Index of banned books. Scholars' access to the library was restricted, particularly Protestant scholars. Restrictions were lifted during the course of the 17th century, and Pope Leo XIII formally reopened the library to scholars in 1883.
In 1995 art history teacher Anthony Melnikas from Ohio State University stole three leaves from a medieval manuscript once owned by Francesco Petrarch. One of the stolen leaves contains an exquisite miniature of a farmer threshing grain. A fourth leaf from an unknown source was also discovered in his possession by the U.S. Customs agents. Melnikas was trying to sell the pages to an art dealer, who then alerted Father Leonard E. Boyle, the librarian director.
The Library is located inside the Vatican Palace, and the entrance is through the Belvedere Courtyard. When Pope Sixtus V (1585-1590) commissioned the expansion and the new building of the Vatican Library, he had a three-story wing built right across Bramante's Cortile del Belvedere, thus bisecting it and changing Bramante's work significantly. At the bottom of a grand staircase a large statue of Hippolytus decorates the La Galea entrance hall.
In the first semi-basement there is a papyrus room and a storage area for manuscripts. The first floor houses the restoration laboratory, and the photographic archives are on the second floor.
The Library has 42 kilometres (26 mi) of shelving.
The Library closed for renovations on 17 July 2007 and reopened 20 September 2010. The three year, 9 million euro renovation involved the complete shut down of the library to install climate controlled rooms.
In the Sala di Consultazione or main reference room of the Vatican Library looms a statue of St Thomas Aquinas (c. 1910), sculpted by Cesare Aureli. A second version of this statue (c. 1930) stands under the entrance portico of the Pontifical University of St Thomas Aquinas, Angelicum.[a]
The collection was originally organized through notebooks used to index the manuscripts. As the collection grew to more than a few thousand, shelf lists were used. The first modern catalogue system was put in place under Father Franz Ehrle between 1927 and 1939, using the Library of Congress card catalogue system. Ehrle also set up the first program to take photographs of important works or rare works. The library catalogue was further updated by Rev. Leonard E. Boyle when it was computerized in the early 1990s.
Historically, during the Renaissance era, most books were not shelved but stored in wooden benches, which had tables attached to them. Each bench was dedicated to a specific topic. The books were chained to these benches, and if a reader took out a book, the chain remained attached to it. Until the early 17th century, academics were also allowed to borrow books. For important books, the pope himself would issue a reminder slip. Privileges to use the library could be withdrawn for breaking the house rules, for instance by climbing over the tables. Most famously Pico della Mirandola lost the right to use the library when he published a book on theology that the Papal curia did not approve of. In the 1760s, a bill issued by Clement XIII heavily restricted access to the library's holdings.
While the Vatican Library has always included Bibles, canon law texts and theological works, it specialized in secular books from the beginning. Its collection of Greek and Latin classics was at the center of the revival of classical culture during the Renaissance age. The oldest documents in the library date back to the first century.
The library was founded primarily as a manuscript library, a fact reflected in the comparatively high ratio of manuscripts to printed works in its collection. Such printed books as have made their way into the collection are intended solely to facilitate the study of the much larger collection of manuscripts.
The collection also includes 330,000 Greek, Roman, and papal coins and medals.
Every year about 6,000 new books are acquired.
The library was enriched by several bequests and acquisitions over the centuries.
In 1623, the hereditary Palatine Library of Heidelberg containing about 3,500 manuscripts was given to the Vatican by Maximilian I, Duke of Bavaria (who had just acquired it as booty in the Thirty Years' War) in thanks for the adroit political maneuvers of Pope Gregory XV that had sustained him in his contests with Protestant candidates for the electoral seat. A token 39 of the Heidelberg manuscripts were sent to Paris in 1797 and were returned to Heidelberg at the Peace of Paris in 1815, and a gift from Pope Pius VII of 852 others was made in 1816 to the University of Heidelberg, including the Codex Manesse. Aside from that, the Palatine Library remains in the Vatican Library to this day.
Queen Christina of Sweden's important library (mostly amassed by her generals as booty from Habsburg Prague and German cities during the Thirty Years War) was bought by Pope Alexander VIII on her death in 1689. It represented, for all practical purposes, the entire royal library of Sweden at the time. If it had remained where it was in Stockholm, it would all have been lost in the destruction of the royal palace by fire in 1697.
Among the most famous holdings of the library is the Codex Vaticanus Graecus 1209, the oldest known nearly complete manuscript of the Bible. The Secret History of Procopius was discovered in the library and published in 1623.
A School of library science is associated with the Vatican Library.
The Library has a large collection of texts related to Hinduism, with the oldest editions dating to 1819.
Notable manuscripts in the Library include: Illuminated manuscripts:
In 2012, plans were announced to digitize, in collaboration with the Bodleian Library, a million pages of material from the Vatican Library. A grant was provided by the London-based Polonsky Foundation.
On 20 March 2014, the Holy See announced that NTT Data Corporation and the Library concluded an agreement to digitize approximately 3,000 of the Library's manuscripts within four years. NTT is donating the equipment and technicians, estimated to be worth 18 million Euros. It noted that there is the possibility of subsequently digitizing another 79,000 of the Library's holdings. These will be high-definition images available on the Library's Internet site. Storage for the holdings will be on a three petabyte server provided by EMC. It is expected that the initial phase will take 4 years.
DigiVatLib is the name of the Vatican Library's digital library service. It provides free access to the Vatican Library’s digitized collections of manuscripts and incunabula.
The scanning of documents is impacted by the material used to produce the texts. Books using gold and silver in the illuminations require special scanning equipment. Digital copies are being stored in the CIFS file format.
The Vatican Secret Archives, located in Vatican City, is the central archive for all of the acts promulgated by the Holy See, as well as the state papers, correspondence, papal account books, and many other documents which the church has accumulated over the centuries. In the 17th century, under the orders of Pope Paul V, the Secret Archives were separated from the Vatican Library, where scholars had some very limited access to them, and remained absolutely closed to outsiders until 1881, when Pope Leo XIII opened them to researchers, more than a thousand of whom now examine its documents each year.
The Vatican Film Library in St. Louis, Missouri is the only collection, outside the Vatican itself, of microfilms of more than 37,000 works from the Biblioteca Apostolica Vaticana, the Vatican Library in Europe. It is located in the Pius XII Library on the campus of Saint Louis University. The Library was created by Lowrie J. Daly (1914–2000), with funding from the Knights of Columbus. The goal was to make Vatican and other documents more available to researchers in North America.
Microfilming of Vatican manuscripts began in 1951, and according to the Library's website, was the largest microfilming project that had been undertaken up to that date. The Library opened in 1953, and moved to the St. Louis University campus, in the Pius XII Memorial Library, in 1959. The first librarian was Charles J. Ermatinger, who served until 2000. As of 2007, the Library has microfilmed versions of over 37,000 manuscripts, with material in Greek, Latin, Arabic, Hebrew and Ethiopic, as well as several more common Western European languages. There are reproductions of many works from the Biblioteca Palatina and Biblioteca Cicognara at the Vatican, as well as Papal letter registers from the Archivio Segreto Vaticano (Vatican Secret Archives) from the 9th to 16th centuries, in the series Registra Vaticana and Registra Supplicationium.
Originally the director of the library was appointed a Cardinal, and given the title Cardinal Librarian. Individual library staff were called "Custodians". After the reopening of the library in 1883, Pope Leo XIII declared that the Librarian be regarded as a Prefect.
The Cardinal Librarian and Archivist of the Holy Roman Church is assisted by two prelates, who are the Prefect of the Vatican Apostolic Library (the everyday manager of the Library), and the Prefect of the Vatican Secret Archives (who handles the daily affairs of the Archives). They are each assisted by a Vice-Prefect.
The office of Librarian of Vatican Library has been held at the same time as that of Archivist of Vatican Secret Archives since 1957.
The current Prefect of the Vatican Apostolic Library is Monsignor Cesare Pasini (who is also the Director of the Vatican School of Library Science). The Vice Prefect of the Vatican Apostolic Library is Doctor Ambrogio M. Piazzoni. The Prefect of the Vatican Secret Archives is a Barnabite Bishop by the name of Sergio Pagano. The Vice Prefect of the Vatican Secret Archives is Father Marcel Chappin, S.J. The Archives also is responsible for the Vatican School of Paleography.
The library currently has 80 staff who work in five departments: manuscripts and archival collections, printed books/drawings, acquisitions/cataloguing, coin collections/museums and restoration/photography.
(P) Indicates time spent as Pro-Librarian. This is the role of acting librarian, often a librarian who is not a Cardinal.
|Name||Lifetime||Title||Duration as Librarian|
|Marcello Cervini||1501–1555||Bibliothecarius I||24 May 1550–9 April 1555|
|Roberto de' Nobili||1541–1559||Bibliothecarius II||1555–18 January 1559|
|Alfonso Carafa||1540–1565||Bibliothecarius III||1559–29 August 1565|
|Marcantonio da Mula||1506–1572||Bibliothecarius IV||1565–17 March 1572|
|Guglielmo Sirleto||1514–1585||Bibliothecarius V||18 March 1572–16 October 1585|
|Antonio Carafa||1538–1591||Bibliothecarius VI||16 October 1585–13 January 1591|
|Marco Antonio Colonna||1523 ca.–1597||Bibliothecarius VII||1591–13 March 1597|
|Cesare Baronio||1538–1607||Bibliothecarius VIII||May 1597–30 June 1607|
|Ludovico de Torres||1552–1609||Bibliothecarius IX||4 July 1607–8 July 1609|
|Scipione Borghese Caffarelli||1576–1633||Bibliothecarius X||11 June 1609–17 February 1618|
|Scipione Cobelluzzi||1564–1626||Bibliothecarius XI||17 February 1618–29 June 1626|
|Francesco Barberini||1597–1679||Bibliothecarius XII||1 July 1626–13 December 1633|
|Antonio Barberini||1569–1646||Bibliothecarius XIII||13 December 1633–11 September 1646|
|Orazio Giustiniani||1580–1649||Bibliothecarius XIV||25 September 1646–25 July 1649|
|Luigi Capponi||1583–1659||Bibliothecarius XV||4 August 1649–6 April 1659|
|Flavio Chigi||1631–1693||Bibliothecarius XVI||21 June 1659–19 September 1681|
|Lorenzo Brancati||1612–1693||Bibliothecarius XVII||19 September 1681–30 November 1693|
|Girolamo Casanate||1620–1700||Bibliothecarius XVIII||2 December 1693–3 March 1700|
|Enrico Noris||1631–1704||Bibliothecarius XIX||26 March 1700–23 February 1704|
|Benedetto Pamphili||1653–1730||Bibliothecarius XX||26 February 1704–22 March 1730|
|Angelo Maria Querini||1680–1755||Bibliothecarius XXI||4 September 1730–6 January 1755|
|Domenico Passionei||1682–1761||Bibliothecarius XXII||10 July 1741–12 January 1755(P)|
12 January 1755–5 July 1761
|Alessandro Albani||1692–1779||Bibliothecarius XXIII||12 August 1761–11 December 1779|
|Francesco Saverio de Zelada||1717–1801||Bibliothecarius XXIV||15 December 1779–29 December 1801|
|Luigi Valenti Gonzaga||1725–1808||Bibliothecarius XXV||12 January 1802–29 December 1808|
|Giulio Maria della Somaglia||1744–1830||Bibliothecarius XXVI||26 January 1827–2 April 1830|
|Giuseppe Albani||1750–1834||Bibliothecarius XXVII||23 April 1830–3 December 1834|
|Luigi Lambruschini||1776–1854||Bibliothecarius XXVIII||11 December 1834–27 June 1853|
|Angelo Mai||1782–1854||Bibliothecarius XXIX||27 June 1853–9 September 1854|
|Antonio Tosti||1776–1866||Bibliothecarius XXX||13 January 1860–20 March 1866|
|Jean-Baptiste Pitra||1812–1889||Bibliothecarius XXXI||19 January 1869–9 February 1889|
|Placido Maria Schiaffino||1829–1889||Bibliothecarius XXXII||20 February 1889–23 September 1889|
|Alfonso Capecelatro||1824–1912||Bibliothecarius XXXIII||29 August 1890–14 November 1912|
|Mariano Rampolla del Tindaro||1843–1913||Bibliothecarius XXXIV||26 November 1912–16 December 1913|
|Francesco di Paola Cassetta||1841–1919||Bibliothecarius XXXV||3 January 1914–23 March 1919|
|Aidan [Francis Neil] Gasquet||1845–1929||Bibliothecarius XXXVI||9 May 1919–5 April 1929|
|Franz Ehrle||1845–1934||Bibliothecarius XXXVII||17 April 1929–31 March 1934|
|Giovanni Mercati||1866–1957||Bibliothecarius XXXVIII||18 June 1936–23 August 1957|
|Eugène Tisserant||1884–1972||Bibliothecarius XXXIX||14 September 1957–27 March 1971|
|Antonio Samoré||1905–1983||Bibliothecarius XL||25 January 1974–3 February 1983|
|Alfons Maria Stickler||1910–2007||Bibliothecarius XLI||7 September 1983–27 May 1985(P)|
27 May 1985–1 July 1988
|Antonio María Javierre Ortas||1921–2007||Bibliothecarius XLII||1 July 1988–24 January 1992|
|Luigi Poggi||1917-2010||Bibliothecarius XLIII||9 April 1992–29 November 1994(P)|
29 November 1994–25 November 1997
|Jorge María Mejía||1923-2014||Bibliothecarius XLIV||7 March 1998–24 November 2003|
|Jean-Louis Tauran||1943-2018||Bibliothecarius XLV||24 November 2003–25 June 2007|
|Raffaele Farina||1933-||Bibliothecarius XLVI||25 June 2007–9 June 2012|
|Jean-Louis Bruguès||1943-||Bibliothecarius XLVII||26 June 2012–1 September 2018|
|José Tolentino Mendonça||1965-||Bibliothecarius XLVIII||1 September 2018-|
The Apostolic Palace (Latin: Palatium Apostolicum; Italian: Palazzo Apostolico) is the official residence of the pope, the head of the Catholic Church, located in Vatican City. It is also known as the Papal Palace, the Palace of the Vatican and the Vatican Palace. The Vatican itself refers to the building as the Palace of Sixtus V, in honor of Pope Sixtus V, who built most of the present form of the palace.
The building contains the Papal Apartments, various offices of the Catholic Church and the Holy See, private and public chapels, Vatican Museums, and the Vatican Library, including the Sistine Chapel, Raphael Rooms, and Borgia Apartment. The modern tourist can see these last and other parts of the palace, but other parts, such as the Sala Regia and Cappella Paolina, are closed to tourists. The Scala Regia can be viewed from one end but not entered.Codex Aureus of Lorsch
The Codex Aureus of Lorsch or Lorsch Gospels (Biblioteca Apostolica Vaticana, Pal. lat. 50, and Alba Iulia, Biblioteca Documenta Batthyaneum, s.n.) is an illuminated Gospel Book written in latin between 778 and 820, roughly coinciding with the period of Charlemagne's rule over the Frankish Empire. Both the manuscript and the carved ivory panels from the cover are rare and important survivals from the art of this period.
The current location of the various original parts is:
Batthyaneum Library, Alba Iulia, Romania: Gospels of Matthew and Mark, and canon tables and preliminary matter
Vatican Library: Gospels of Luke and John, and the ivory panels from the rear cover
Victoria and Albert Museum, London: the ivory panels from the front cover (Inv.-Nr. 138-1866)Codex Marchalianus
Codex Marchalianus designated by siglum Q is a 6th-century Greek manuscript copy of the Greek version of the Hebrew Bible (Tanakh or Old Testament) known as the Septuagint. The text was written on vellum in uncial letters. Palaeographically it has been assigned to the 6th century.Its name was derived from a former owner, René Marchal.Codex Vaticanus
The Codex Vaticanus (The Vatican, Bibl. Vat., Vat. gr. 1209; no. B or 03 Gregory-Aland, δ 1 von Soden) is regarded as the oldest extant manuscript of the Greek Bible (Old and New Testament), one of the four great uncial codices. The Codex is named after its place of conservation in the Vatican Library, where it has been kept since at least the 15th century. It is written on 759 leaves of vellum in uncial letters and has been dated palaeographically to the 4th century.The manuscript became known to Western scholars as a result of correspondence between Erasmus and the prefects of the Vatican Library. Portions of the codex were collated by several scholars, but numerous errors were made during this process. The codex's relationship to the Latin Vulgate was unclear and scholars were initially unaware of its value. This changed in the 19th century when transcriptions of the full codex were completed. It was at that point that scholars realised the text differed significantly from the Textus Receptus.Most current scholars consider the Codex Vaticanus to be one of the best Greek texts of the New Testament, with the Codex Sinaiticus as its only competitor. Until the discovery by Tischendorf of Sinaiticus, Vaticanus was unrivaled. It was extensively used by Westcott and Hort in their edition of The New Testament in the Original Greek in 1881. The most widely sold editions of the Greek New Testament are largely based on the text of the Codex Vaticanus. Codex Vaticanus is regarded as "the oldest extant copy of the Bible."Culture of Vatican City
Vatican City is itself of great cultural significance. Buildings such as St. Peter's Basilica and the Sistine Chapel are home to some of the most famous art in the world, which includes works by artists such as Botticelli, Bernini and Michelangelo. The Vatican Library and the collections of the Vatican Museums are of the highest historical, scientific and cultural importance. In 1984, the Vatican was added by UNESCO to the List of World Heritage Sites; it is the only one to consist of an entire country.The Vatican can be said to be the de facto custodian of the Latin language through its Latinitas Foundation. An important product of this foundation is the Latin lexicon of recent neologisms, the Lexicon Recentis Latinitatis.
The permanent population of the Vatican City is predominantly male, although two communities of nuns live in the Vatican. A minority are senior Catholic clergy, some are members of institutes of consecrated life, and the Swiss Guards make up an important segment. Many workers in Vatican City and embassy personnel accredited to the Holy See live outside its walls.
Tourism and pilgrimages are an important factor in the daily life in the Vatican. The Pope has weekly public audiences and celebrates public Mass and other services, and imparts his Urbi et Orbi blessing every Easter and Christmas, and immediately following his election as Pope. For significant events with large numbers of attendees, he concelebrates open-air Mass in Saint Peter's Square.Divine Comedy Illustrated by Botticelli
The Divine Comedy Illustrated by Botticelli is a manuscript of the Divine Comedy by Dante, illustrated by 92 full-page pictures by Sandro Botticelli that are considered masterpieces and amongst the best works of the Renaissance painter. The images are mostly not taken beyond silverpoint drawings, many worked over in ink, but four pages are fully coloured. The manuscript eventually disappeared and most of it was rediscovered in the late nineteenth century, having been detected in the collection of the Duke of Hamilton by Gustav Friedrich Waagen, with a few other pages being found in the Vatican Library. Botticelli had earlier produced drawings, now lost, to be turned into engravings for a printed edition, although only the first nineteen of the hundred cantos were illustrated.
In 1882 the main part of the manuscript was added to the collection of the Kupferstichkabinett Berlin (Museum of Prints and Drawings) when the director Friedrich Lippmann bought 85 of Botticelli's drawings. Lippmann had moved swiftly and quietly, and when the sale was announced there was a considerable outcry in the British press and Parliament. Soon after that, it was revealed that another eight drawings from the same manuscript were in the Vatican Library. The bound drawings had been in the collection of Queen Christina of Sweden and after her death in Rome in 1689, had been bought by Pope Alexander VIII for the Vatican collection. The time of separation of these drawings is unknown. The Map of Hell is in the Vatican collection.The exact arrangement of text and illustrations is not known, but a vertical arrangement — placing the illustration page on top of the text page — is proposed by Barbara Watts as a more efficient way of combining the text-illustration pairs. A volume designed to open vertically would be approximately 47 cm wide by 64 cm high, and would incorporate both the text and the illustration for each canto on a single page.
The Berlin drawings and those in the Vatican collection were assembled together, for the first time in centuries, in an exhibition showing all 92 of them in Berlin, Rome, and London's Royal Academy, in 2000 and 2001.Leo Allatius
Leo Allatius (Greek: Λέων Αλλάτιος, Leon Allatios, Λιωνής Αλάτζης, Lionis Allatzis; Italian: Leone Allacci, Allacio; Latin: Leo Allatius, Allacius; c. 1586 – January 19, 1669) was a Greek scholar, theologian, and keeper of the Vatican library.List of New Testament lectionaries
A New Testament Lectionary is a handwritten copy of a lectionary, or book of New Testament Bible readings. Lectionaries may be written in uncial or minuscule Greek letters, on parchment, papyrus, vellum, or paper.New Testament lectionaries are distinct from:
New Testament papyri
New Testament uncials
New Testament minusculesLectionaries which have the Gospels readings are called Evangeliaria or Evangelistaria, those which have the Acts or Epistles, Apostoli or Praxapostoli. They appear from the 6th century.
Before Scholz only 57 Gospel lectionaries and 20 Apostoloi were known. Scholz added to the list 58-181 Evangelistarioi and 21-58 Apostoloi. Gregory in 1909 enumerated 2234 lectionaries. To the present day 2453 lectionary manuscripts have been catalogued by the (INTF) in Münster.
The lectionary text is basically Byzantine with detectable Caesarean influence. Lectionaries usually agreed with the Textus Receptus but with some departures.List of New Testament minuscules (1–1000)
A New Testament minuscule is a copy of a portion of the New Testament written in a small, cursive Greek script (developed from Uncial).Menologion of Basil II
The Menologion of Basil II (also called Menologium of Basil II, Menology of Basil II) is an illuminated manuscript designed as a church calendar or Eastern Orthodox Church service book (menologion) that was compiled c. 1000 AD, for the Byzantine Emperor Basil II (r. 976–1025). It contains a synaxarion, a short collection of saints' lives, compiled at Constantinople for liturgical use, and around 430 miniature paintings by eight different artists. It was unusual for a menologion from that era to be so richly painted. It currently resides in the Vatican Library (Ms. Vat. gr. 1613).
A full facsimile was produced in 1907.Old Saxon Genesis
Genesis is an Old Saxon Biblical poem recounting the story of the Book of Genesis, dating to the first half of the 9th century, three fragments of which are preserved in a manuscript in the Vatican Library, Palatinus Latinus 1447. It and the Heliand, a heroic poem based on the New Testament, a fragment of which is also included in the same manuscript, constitute the only record of Old Saxon poetry. It is also the basis of the Anglo-Saxon poem known as Genesis B, and Eduard Sievers postulated its existence on linguistic evidence before the manuscript was discovered.Papyrus 72
Papyrus 72 (72, Papyrus Bodmer VII-VIII) is the designation used by textual critics of the New Testament to describe portions of the so-called Bodmer Miscellaneous codex, namely the letters of Jude, 1 Peter, and 2 Peter. These books seem to have been copied by the same scribe, and the handwriting has been paleographically assigned to the 3rd or 4th century. Although the letters of Jude (P.Bodmer VII) and 1-2 Peter (P.Bodmer VIII) in this codex do not form a single continuous text, scholars still tend to refer to these three texts as a single early New Testament papyrus.Papyrus 75
Papyrus 75 (75, Papyrus Bodmer XIV–XV) is an early Greek New Testament papyrus. It is generally described as "the most significant" papyrus of the New Testament to be discovered so far. This evaluation of the manuscript is a result of the early date that has usually been assigned to it (circa 175–225 CE) and the fact that its text so closely resembles that of the fourth century Codex Vaticanus. However, the early date of 75, and therefore its importance for the textual criticism of the New Testament, was called into question in 2016.Raffaele Farina
Raffaele Farina SDB (born 24 September 1933) is an Italian Cardinal of the Catholic Church. He was Archivist of the Vatican Secret Archives, Librarian of the Vatican Library, and president (Consiglio di Presidenza) of Scuola Vaticana di Paleografia, Diplomatica e Archivistica. Farina was elevated to the cardinalate in 2007.Septuagint manuscripts
The Septuagint (LXX), the ancient (first centuries BC) Alexandrian translation of Jewish scriptures into Koine Greek exists in various manuscript versions.Vatican Secret Archives
The Vatican Secret Archives (Latin: Archivum Secretum Vaticanum; Italian: Archivio Segreto Vaticano) is the central repository in the Vatican City for all of the acts promulgated by the Holy See. The pope, as Sovereign of Vatican City, owns the archives until his death or resignation, with ownership passing to his successor. The archives also contain the state papers, correspondence, papal account books, and many other documents which the church has accumulated over the centuries. In the 17th century, under the orders of Pope Paul V, the Secret Archives were separated from the Vatican Library, where scholars had some very limited access to them, and remained closed to outsiders until the late 19th century, when Pope Leo XIII opened them to researchers, more than a thousand of whom now examine some of its documents each year.Vergilius Romanus
The Vergilius Romanus (Vatican City, Biblioteca Apostolica, Cod. Vat. lat. 3867), also known as the Roman Vergil, is a 5th-century illustrated manuscript of the works of Virgil. It contains the Aeneid, the Georgics, and some of the Eclogues. It is one of the oldest and most important Vergilian manuscripts. It is 332 by 323 mm with 309 vellum folios. It was written in rustic capitals with 18 lines per page.Vergilius Vaticanus
The Vergilius Vaticanus or Vatican Virgil (Vatican, Biblioteca Apostolica, Cod. Vat. lat. 3225) is a Late Antique illuminated manuscript containing, in its form today, fragments of Virgil's Aeneid and Georgics. It was made in Rome in about 400 A.D., and is one of the oldest surviving sources for the text of the Aeneid and is the oldest and one of only three ancient illustrated manuscripts of classical literature. The two other surviving illustrated manuscripts of classical literature are the Vergilius Romanus and the Ambrosian Iliad.
There are 76 surviving leaves in the manuscript with 50 illustrations. If, as was common practice at the time, the manuscript contained all of the canonical works of Virgil, the manuscript would originally had about 440 leaves and 280 illustrations. The text was written by a single scribe in rustic capitals. As was common at the time, there is no separation between words. The scribe worked first leaving spaces for the illustrations. The illustrations were added by three different painters, all of whom used iconographic copybooks. The illustrations are contained within frames and include landscapes and architectural and other details. The miniatures are set within the text column, although a few miniatures occupy a full page. The human figures are painted in classical style with natural proportions and drawn with vivacity. The illustrations often convey the illusion of depth quite well. The gray ground of the landscapes blend into bands of rose, violet, or blue to give the impression of a hazy distance. The interior scenes are based on earlier understanding of perspective, but occasional errors suggest that the artists did not fully understand the models used. The style of these miniatures has much in common with the surviving miniatures of the Quedlinburg Itala fragment and have also been compared to the frescos found at Pompeii.
The manuscript was probably made for a pagan noble. Annotations in the manuscript indicate it was in Italy until the 7th century and in Tours in the second quarter of the 9th century. A French scribe made further notes around 1400. Later it reached Rome, and belonged to collectors including Pietro Bembo and Fulvio Orsini, who bequeathed it to the Vatican Library in 1600.The Vergilius Vaticanus is not to be confused with the Vergilius Romanus (Vatican City, Biblioteca Apostolica, Cod. Vat. lat. 3867) or the unillustrated Vergilius Augusteus, two other ancient Vergilian manuscripts in the Biblioteca Apostolica.
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