Tokusatsu

Tokusatsu (Japanese: 特撮, "special filming") is a Japanese term for live-action film or television drama that makes heavy use of special effects. Tokusatsu entertainment often deals with science fiction, fantasy or horror, but films and television shows in other genres can sometimes count as tokusatsu as well. The most popular types of tokusatsu include kaiju monster films like the Godzilla and Gamera film series; superhero TV serials such as the Kamen Rider and Metal Hero series; and mecha dramas like Giant Robo. Some tokusatsu television programs combine several of these subgenres, for example the Ultraman and Super Sentai series.

Tokusatsu is one of the most popular forms of Japanese entertainment, but despite the popularity of films and television programs based on tokusatsu properties such as Godzilla or Super Sentai, most tokusatsu films and television programs are not widely known outside Asia.

Gojira 1954 Japanese poster
Godzilla in 1954's Godzilla. The techniques developed by Eiji Tsuburaya for Toho Studios continue in use in the tokusatsu film and television industry.

History

Tokusatsu has origins in early Japanese theater, specifically in kabuki (with its action- and fight-scenes) and in bunraku, which utilized some of the earliest forms of special effects, specifically puppetry. Modern tokusatsu, however, did not begin to take shape until the early 1950s, with the conceptual and creative birth of Godzilla, one of the most famous monsters (kaiju) of all time.

The special-effects artist Eiji Tsuburaya and the director Ishirō Honda became the driving forces behind 1954's Godzilla. Tsuburaya, inspired by the American film King Kong, formulated many of the techniques that would become staples of the genre, such as so-called suitmation—the use of a human actor in a costume to play a giant monster—combined with the use of miniatures and scaled-down city sets. Godzilla forever changed the landscape of Japanese science fiction, fantasy, and cinema by creating a uniquely Japanese vision in a genre typically dominated by American cinema.[1]

In 1954, Godzilla kickstarted the kaiju genre in Japan called the "Monster Boom", which remained extremely popular for several decades, with characters such as the aforementioned Godzilla, Gamera and King Ghidorah leading the market.[2] However, in 1957 Shintoho produced the first film serial featuring the superhero character Super Giant, signaling a shift in popularity that favored masked heroes over giant monsters called the "Henshin Boom" started by Kamen Rider. Along with the anime Astro Boy, the Super Giant serials had a profound effect on the world of tokusatsu. The following year, Moonlight Mask premiered, the first of numerous televised superhero dramas that would make up one of the most popular tokusatsu subgenres.[3] Created by Kōhan Kawauchi, he followed-up its success with the tokusatsu superhero shows Seven Color Mask (1959) and Messenger of Allah (1960), both starring a young Sonny Chiba.

These original productions preceded the first color-television tokusatsu series, Ambassador Magma and Ultraman, which heralded the Kyodai Hero genre, wherein a regular-sized protagonist grows to larger proportions to fight equally large monsters.[4] Popular tokusatsu superhero shows in the 1970s included Kamen Rider (1971), Warrior of Love Rainbowman (1972), Super Sentai (1975) and Spider-Man (1978).

Techniques

Suitmation technology

Suitmation (スーツメーション Sūtsumēshon) in Japanese identifies the process in tokusatsu movies and television programs used to portray a monster using suit acting. The exact origin of the term remains unknown. At the least, it was used to promote the Godzilla suit from The Return of Godzilla.

Franchises and productions

The many productions of tokusatsu series have general themes common throughout different groups.

Kaiju

Kaiju (怪獣 kaijū, literally "mysterious beast") productions primarily feature monsters, or giant monsters (大怪獣 daikaijū). Such series include Ultra Q, the Godzilla film series, the Gamera series, the Daimajin series, and films such as Frankenstein Conquers the World, War of the Gargantuas, and The X from Outer Space (宇宙大怪獣ギララ Uchu Daikaijū Girara).

Kaijin

Kaijin (怪人, literally "mysterious person") productions primarily feature supervillains as their central character. This includes films such as The Secret of the Telegian, The Human Vapor, The H-Man, Half Human, and Tomei Ningen.

Popular franchises

Tokusatsu
Protagonists of the popular tokusatsu franchises mostly of the late 1970s (from back to front, left to right): Ultraman Jonias (Ultra Series), Battle Fever J (Super Sentai), Kamen Rider Stronger and Kamen Rider V3 (Kamen Rider Series), and Spider-Man. The photo also features anime character Doraemon on the far left.

Since about 1960, several long-running television-series have combined various other themes. Tsuburaya Productions has had the Ultra Series starting with Ultra Q and Ultraman in 1966. P Productions began their foray into tokusatsu in 1966 with the series Ambassador Magma. They also had involvement in the Lion-Maru series which concluded in November 2006.

Toei Company has several series that fall under their Toei Superheroes category of programming, starting in 1961 with the single series, Moonlight Mask. Then, they produced several other long running series, starting with Shotaro Ishinomori's Kamen Rider Series in 1971, the Super Sentai series in 1975, the Metal Hero Series in 1982, and the Toei Fushigi Comedy Series in 1981. Toei also produced several other television series based on Ishinomori's works, including Android Kikaider and Kikaider 01, Robot Detective, Inazuman and Inazuman Flash, and Kaiketsu Zubat. Toei was also involved in the Spider-Man television series, which influenced their subsequent Super Sentai series. In 2003, TV Asahi began broadcasting the Super Sentai and Kamen Rider series in a weekly one-hour block known as Super Hero Time. Toho, the creators of Godzilla, also had their hands in creating the Chouseishin Series of programs from 2003 to 2006.

In 2006, Keita Amemiya's Garo, a mature late-night tokusatsu drama was released, starting a franchise composed of several television series and films. Other mature late-night series followed, including a revival of Lion-Maru in Lion-Maru G, the Daimajin Kanon television series (based on the Daimajin film series), and Shougeki Gouraigan!! (also created by Amemiya).

Tokusatsu movies

Various movies classified as tokusatsu actually work like generalized science fiction films. These include Warning from Space (宇宙人東京に現わる Uchūjin Tokyo ni arawaru, Spacemen Appear in Tokyo), Invasion of the Neptune Men (宇宙快速船 Uchū Kaisokusen, High Speed Spaceship), The Green Slime (ガンマー第3号 宇宙大作戦 Ganmā daisan gō: uchū daisakusen, Ganma 3 Space Mission), The Birth of Japan (日本誕生 Nippon Tanjō), The Last War (世界大戦争 Sekai daisenso, Great World War), Japan Sinks (日本沈没 Nihon Chinbotsu, Japan Sinks), Virus (復活の日 Fukkatsu no Hi, Day of Resurrection), Sayonara Jupiter (さよならジュピター Sayonara Jupitā), The War in Space (惑星大戦争 Wakusei Daisensō, War of the Planets), and Sengoku Jieitai 1549 (戦国自衛隊1549).

Kaiju and tokusatsu films, notably Warning from Space (1956), sparked Stanley Kubrick's interest in science fiction films and influenced 2001: A Space Odyssey (1968). According to his biographer John Baxter, despite their "clumsy model sequences, the films were often well-photographed in colour ... and their dismal dialogue was delivered in well-designed and well-lit sets."[5]

Similar productions

Non-traditional tokusatsu productions

Non-traditional tokusatsu films and television programs may not use conventional special effects or may not star human actors. Though suitmation typifies tokusatsu, some productions may use stop-motion to animate their monsters instead, for example Majin Hunter Mitsurugi in 1973. TV shows may use traditional tokusatsu techniques, but are cast with puppets or marionettes: Uchuusen Silica (1960); Ginga Shonen Tai (1963); Kuchuu Toshi 008 (1969); and Go Nagai's X Bomber (1980). Some tokusatsu may employ animation in addition to its live-action components: Tsuburaya Productions' Dinosaur Expedition Team Bornfree (1976), Dinosaur War Aizenborg (1977) and Pro-Wrestling Star Aztekaiser (1976).

Japanese fan films

Hideaki Anno, Yoshiyuki Sadamoto, Takami Akai, and Shinji Higuchi set up a fan-based group called Daicon Film, which they renamed Gainax in 1985 and turned into an animation studio. Besides anime sequences, they also produced a series of tokusatsu shorts parodying monster movies and superhero shows. These productions include Swift Hero Noutenki (1982), Patriotic Squadron Dai-Nippon (1983), Return of Ultraman (1983) and The Eight-Headed Giant Serpent Strikes Back (1985).

Outside of Japan

Tokusatsu techniques have spread outside Japan due to the popularity of the Godzilla films.

Adaptations

Godzilla, King of the Monsters! first appeared in English in 1956. Rather than a simple dub of the Japanese-language original, this work represented an entirely re-edited version which restructured the plot to incorporate a new character played by a native English-speaking actor, Raymond Burr. Ultraman gained popularity when United Artists dubbed it for American audiences in the 1960s.

In the 1990s, Haim Saban acquired the distribution rights for the Super Sentai series from Toei Company and combined the original Japanese action footage with new footage featuring American actors, resulting in the Power Rangers franchise[6] which has continued since then into sequel TV series (with Power Rangers Beast Morphers set to premiere in 2019[7]), comic books,[8] video games, and three feature films, with a further cinematic universe planned.[9] Following from the success of Power Rangers, Saban acquired the rights to more of Toei's library, creating VR Troopers and Big Bad Beetleborgs from several Metal Hero Series shows and Masked Rider from Kamen Rider Series footage. DIC Entertainment joined this boom by acquiring the rights to Gridman the Hyper Agent and turning it into Superhuman Samurai Syber-Squad.

In 2002, 4Kids Entertainment bought the rights to Ultraman Tiga, but simply produced a dub of the Japanese footage, broadcast on the Fox Box. And in 2009, Adness Entertainment took 2002's Kamen Rider Ryuki and turned it into Kamen Rider: Dragon Knight, which began broadcast on The CW4Kids in 2009. It won the first Daytime Emmy for "Outstanding Stunt Coordination" for its original scenes.[10][11]

Original productions

In 1961 England-based film-makers produced the Godzilla-style film, Gorgo, which used the same suitmation technique as the Godzilla films. That same year, Saga Studios in Denmark made another Godzilla-style giant monster film, Reptilicus, bringing its monster to life using a marionette on a miniature set. In 1967, South Korea produced its own monster movie titled Yonggary. In 1975, Shaw Brothers produced a superhero film called The Super Inframan, based on the huge success of Ultraman and Kamen Rider there. The film starred Danny Lee in the title role. Although there were several other similar superhero productions in Hong Kong, The Super Inframan came first. With help from Japanese special effects artists under Sadamasa Arikawa, they also produced a Japanese-styled monster movie, The Mighty Peking Man, in 1977.

Concurrent with their work on Superhuman Samurai Syber-Squad, DIC attempted an original concept based on the popularity of Power Rangers in 1994's Tattooed Teenage Alien Fighters from Beverly Hills. In 1998, video from an attempted Power Rangers-styled adaptation of Sailor Moon surfaced, combining original footage of American actresses with original animated sequences.

Saban also attempted at making their own unique tokusatsu series entitled Mystic Knights of Tir Na Nog, set in medieval Ireland and featured four, later five knights who transform using the power of the elements (for the most part) at they protected their kingdom from evil. Saban had also produced the live action Teenage Mutant Ninja Turtles series Ninja Turtles: The Next Mutation, which was known in the turtles fandom for introducing a female turtle exclusive to that series called Venus de Milo and eliminating the fact that the other turtles were brothers. The show primarily featured actors in costumes most of the time, but featured similar choreographed fights like other tokusatsu shows.

In the 2000s, production companies in other East Asian countries began producing their own original tokusatsu-inspired television series: Thailand's Sport Ranger and South Korea's Erexion in 2006; the Philippines' Zaido: Pulis Pangkalawakan (itself a sanctioned spinoff of Toei's Space Sheriff Shaider) in 2007;[12] China's Armor Hero (Chinese: 铠甲勇士; pinyin: Kǎi Jiǎ Yǒng Shì) in 2009, Giant Saver (Chinese: 巨神战击队第; pinyin: Jùshén zhàn jí duì) in 2013, Metal Kaiser (Chinese: 五龙奇剑士; pinyin: Wǔ Lóng Qí Jiàn Shì); and Indonesia's Bima Satria Garuda which began in 2013.[13][14]

Homage and parody

In 2001, Buki X-1 Productions, a French fan-based production company, produced its own series, Jushi Sentai France Five (now called Shin Kenjushi France Five), a tribute to Toei's long running Super Sentai series. The low-budget television series Kaiju Big Battel directly parodies monster and Kyodai Hero films and series by immersing their own costumed characters in professional wrestling matches among cardboard buildings. In 2006, Mighty Moshin' Emo Rangers premiered on the internet as a Power Rangers spoof, but was quickly picked up by MTV UK for broadcast.[15] In 2006, Insector Sun, a low-budget tribute to Kamen Rider was produced by Brazilian fans.

References

  1. ^ Millennial Monsters: Japanese Toys and the Global Imagination, pp. 47–8. ISBN 0-520-24565-2
  2. ^ Meet Godzilla. ISBN 1-4042-0269-2
  3. ^ Japan Pop!: Inside the World of Japanese Popular Culture, p. 262 ISBN 0-7656-0560-0
  4. ^ Porter, Hal. The Actors: an image of the new Japan, pg. 168 ISBN 0-207-95014-8
  5. ^ Baxter, John (1997). Stanley Kubrick: A Biography. New York: Basic Books. p. 200. ISBN 0786704853.
  6. ^ Heffley, Lynne (November 25, 1993). "Low-Tech Equals High Ratings : Fox's Offbeat 'Mighty Morphin Power Rangers' Flexes Its Kidvid Muscle". Los Angeles Times. Retrieved August 28, 2012.
  7. ^ Kelley, Shamus (February 17, 2018). "Power Rangers Beast Morphers Confirmed". Den of Geek!. Retrieved February 17, 2018.
  8. ^ "Mighty Morphin Power Rangers Comics Coming From BOOM! Studios". Retrieved 19 January 2017.
  9. ^ "New Power Rangers films are coming after Hasbro acquires the franchise from Lionsgate". Digital Spy. June 1, 2018. Retrieved June 12, 2018.
  10. ^ "WINNERS: Daytime Entertainment Creative Arts Emmy Awards". June 26, 2010. Retrieved 27 June 2010.
  11. ^ "「KAMEN RIDER DRAGON KNIGHT」第37回デイタイム・エミー賞において最優秀スタントコーディネーション賞を受賞! | 東映[テレビ]". 2010-06-29. Archived from the original on 2010-07-01. Retrieved 2010-07-04.
  12. ^ "GMA-7 acquires exclusive rights to "Shaider"". pep.ph. Retrieved 2007-09-20.
  13. ^ Pewarta: Nanien Yuniar. "Bandai buat mainan BIMA Satria Garuda". ANTARA News. Retrieved 2013-06-08.
  14. ^ Pewarta: Nanien Yuniar. "BIMA Satria Garuda, Ksatria Baja Hitam Indonesia". ANTARA News. Retrieved 2013-06-08.
  15. ^ "Mighty Moshin' Emo Rangers | MTV UK". MTV UK. Archived from the original on 2007-03-19. Retrieved 2013-05-16.

Further reading

  • Allison, Anne. Millennial Monsters: Japanese Toys and the Global Imagination. ISBN 0-520-24565-2.
  • Craig, Timothy J. Japan Pop!: Inside the World of Japanese Popular Culture. ISBN 0-7656-0560-0.
  • Grays, Kevin. Welcome to the Wonderful World of Japanese Fantasy (Markalite Vol. 1, Summer 1990, Kaiju Productions/Pacific Rim Publishing)
  • Godziszewski, Ed. The Making of Godzilla (G-FAN #12, November/December 1994, Daikaiju Enterprises)
  • Martinez, Dolores P. The Worlds of Japanese Popular Culture: Gender, Shifting Boundaries, and Global Cultures. ISBN 0-521-63729-5.
  • Ryfle, Steve. Japan's Favorite Mon-Star: The Unauthorized Biography of Godzilla. ECW Press, 1999. ISBN 1-55022-348-8.
  • Yoshida, Makoto & Ikeda, Noriyoshi and Ragone, August. The Making of "Godzilla Vs. Biollante" - They Call it "Tokusatsu" (Markalite Vol. 1, Summer 1990, Kaiju Productions/Pacific Rim Publishing)
Dinosaur War Izenborg

Dinosaur War Izenborg (恐竜大戦争アイゼンボーグ, Kyōryū Daisensō Aizenbōgu) is a Japanese television program produced by Tsuburaya Productions that aired from 1977 to 1978 on Tokyo 12 Channel. It combined Tsuburaya's trademark suitmation tokusatsu techniques with Japanese animation, so this program can be categorized as either anime or daikaiju tokusatsu. The show ran for about 39 episodes.

Ike! Godman

Ike! Godman (行け!ゴッドマン) (Go! Godman in North America) is a tokusatsu tv series by Toho. It ran from October 5, 1972, to April 10, 1973. It was pulled from reruns on September 28, 1973, and it was replaced by Ike! Greenman.

While on air Monday through Saturday, with only one or two episodes per week, each episode consisted of six (or three) parts and each part was five minutes long. The entire series ran for twenty-six episodes.

On every Monday (or Thursday), the Kaiju for the particular set of episodes would appear, with the plot for the set advancing through each successive day of the week, with the battle ending on Saturday with Godman being victorious. Each set follows a similar structure, with people calling for Godman's aid and the hero coming to assist them.

Aya Hirano, as Konata Izumi from the anime Lucky Star, sang this show's theme song on the Lucky Star music compilation CD.

Ike! Greenman

Go! Greenman (行け! グリーンマン, Ike! Greenman) is a low budget tokusatsu tv series produced by Toho in 1973. It ran from November 12, 1973, to September 27, 1974. It emerged as a follow-up series to Ike! Godman, but the two share no continuity. Compared to Ike! Godman, Go! Greenman has an established plot.

Infini-T Force

Infini-T Force (インフィニティーフォース, Infinitī Fōsu) is a Japanese 3DCG anime series featuring a crossover between characters from Science Ninja Team Gatchaman, Casshan, Hurricane Polymar and Tekkaman: The Space Knight, all series produced by Tatsunoko Production in the 1970s. The new series is a co-production between Tatsunoko and Digital Frontier and aired from October 3 to December 26, 2017.

Kaiju Big Battel

Kaiju Big Battel [sic] is a performance by the Boston, Massachusetts based performance entertainment troupe Studio Kaiju created by Rand Borden and David Borden. The performances are parodies of both professional wrestling and the tokusatsu kaiju kaiju eiga films of Japan. These Battels are presented in the style of professional wrestling events, with the costumed performers playing the roles of giant, city-crushing monsters similar to Godzilla and Gamera.

The misspelling of "Battel" is intentional. Originally, Rand Borden misspelled the word "battle" on a T-shirt design. People thought it was funny, so it was left that way. In-jokes are plentiful and are aimed towards fans of professional wrestling (especially Mexican wrestling), superhero comic books and Japanese popular culture. Many of the names of the characters are in mock Spanish or mock Japanese, and Engrish is used liberally for comedic effect.

Kamen Rider Zi-O

Kamen Rider Zi-O (仮面ライダージオウ, Kamen Raidā Jiō) is a Japanese tokusatsu drama in Toei Company's Kamen Rider Series. It is the twenty-ninth television series overall, as well as the twentieth and final series in the Heisei period run and the first series to air in the Reiwa period. Toei registered the Kamen Rider Zi-O trademark on May 5, 2018. The show premiered on September 2, 2018, following the finale of Kamen Rider Build, joining Kaitou Sentai Lupinranger VS Keisatsu Sentai Patranger and later, the miniseries Super Sentai Strongest Battle, followed by Kishiryu Sentai Ryusoulger in the Super Hero Time line-up. Much like Kamen Rider Decade, it commemorates all of the Heisei-era Kamen Riders to date via the means of traveling through time, hence the show's time travel motif.

Kikaider

Kikaider (キカイダー, Kikaidā) is a Japanese television franchise, created by Shotaro Ishinomori, featuring the main character Kikaider. The tokusatsu aired for the first time in July 1972. The series was originally a live-action tokusatsu series, as was its sequel, Kikaider 01. A manga drawn by Ishinomori was eventually published, introducing Kikaider 00. A 13-episode anime and 4-episode OVA based on the manga were created in 2001. The tokusatsu series from 1972 is especially popular in Hawaii. The complete DVD series is available with English subtitles through JN Productions.

List of programs broadcast by Yey!

This is the list of programs that are being broadcast by Yey!, a digital free-to-air and cable channel owned by ABS-CBN.

Metal Hero Series

The Metal Hero Series (メタルヒーローシリーズ, Metaru Hīrō Series) is a metaseries of tokusatsu superhero TV series produced by Toei for Japanese television.

The protagonists of the Metal Hero Series are mainly space, military and police-based characters who are typically either androids, cyborgs, or human beings who don "metallic" armored suits. Henceforth, most of the Metal Heroes are also referenced as another of those of the "Henshin (transforming) Heroes" genre. Usually, the genre revolves around a technological theme where technology, in the right hands, can be used for the greater good.

The shows were produced by Toei (although it is rumored to be made by Shotaro Ishinomori) from 1982 through 1999 in conjunction with their other Tokusatsu superhero shows, Kamen Rider and Super Sentai. In addition to Japan, they are also popular in France, Brazil, the Philippines, Malaysia and Indonesia. During the 1990s, Saban Entertainment used some of the shows to produce programs similar to their Power Rangers series. Some of the Metal Hero Series even spawned such sequels which followed the continuity of the previous shows, resulting in the genre developing sub-categories based mainly on space, military and police-related characters.

Moonlight Mask

Moonlight Mask (月光仮面, Gekkō Kamen) (a.k.a. The Moonbeam Man) is a fictional superhero that has appeared in Japanese tokusatsu and anime television shows and movies since his TV debut in 1958. The six theatrical films were made (between 1958-1959) in black and white/ToeiScope format. Created by writer Kōhan Kawauchi, Moonlight Mask is best described as Japan's answer to The Lone Ranger, Batman and Zorro.

Moonlight Mask's popularity resulted in the appearance of several other Japanese superhero characters soon thereafter, including Iron Sharp

a.k.a. Space Chief (from 1961's Invasion of the Neptune Men). and the Planet Prince TV series (1958) Kawauchi followed-up the success of Moonlight Mask with the tokusatsu superhero shows Seven Color Mask (1959) and Messenger of Allah (1960), both starring a young Sonny Chiba.

Newtype

Newtype (ニュータイプ, Nyūtaipu) is a monthly magazine publication originating from Japan, covering anime and manga (and to a lesser extent, tokusatsu, Japanese science fiction and video games). It was launched by publishing company Kadokawa Shoten on March 8, 1985 with its April issue, and has since seen regular release on the 10th of every month in its home country. Newtype Korea is published in Korea. Spin-off publications of Newtype also exist in Japan, such as Newtype Hero/Newtype the Live (which are dedicated to tokusatsu) and NewWORDS (which is geared toward a more mature adult market), as well as numerous limited-run versions (such as Clamp Newtype).

The name of the magazine comes from the "Newtypes" in the Universal Century timeline of the Gundam series, specifically Mobile Suit Gundam (1979) and its sequel Mobile Suit Zeta Gundam (1985). Newtype magazine launched a week after Zeta Gundam began airing on March 2, 1985.

Newtype USA was an English language version that was published in North America between 2002 and 2008.

Spider-Man (Japanese TV series)

Spider-Man (スパイダーマン, Supaidāman), also referred to as Japanese Spider-Man, is a Japanese live-action tokusatsu television series produced by Toei Company, loosely based on Marvel Comics' Spider-Man character. The series lasted 41 episodes, which aired on Wednesday 19:30 JST time slot of Tokyo Channel 12 (TV Tokyo) from May 17, 1978, to March 14, 1979. A theatrical episode was shown in the Toei Manga Matsuri film festival on July 22, 1978. From March 5 to December 24, 2009, Marvel uploaded English subtitled versions of all 41 episodes on their website.While Toei's version of the character wore the same costume as his Marvel counterpart, the show's storyline and the origin of the character's powers deviated from the source material. In addition to fighting by himself, this incarnation of Spider-Man piloted a giant robot known as Leopardon, which he would summon to thwart off enlarged versions of the show's monsters. Toei would adopt the giant robot concept in subsequent incarnations of their Super Sentai franchise.

Super Sentai

The Super Sentai Series (スーパー戦隊シリーズ, Sūpā Sentai Shirīzu) is a Japanese superhero team metaseries of TV series produced by Toei Company, and Bandai, and aired by TV Asahi ("Sentai" is the Japanese word for "task force" or "fighting squadron"). The shows are of the tokusatsu genre, featuring live action characters and colorful special effects, and are aimed at children. Super Sentai airs alongside the Kamen Rider series in the Super Hero Time programming block on Sunday mornings. In North America, the Super Sentai Series is best known as the source material for the Power Rangers franchise.

Ultraman (1967 film)

Ultraman (長篇怪獣映画ウルトラマン, Chōhen Kaijū Eiga Urutoraman) is a 1967 Japanese tokusatsu superhero kaiju film consisting of re-edited material from the original television series Ultraman.

Zone Fighter

Zone Fighter, known in Japan as Ryūsei Ningen Zone (流星人間ゾーン, Ryūsei Ningen Zōn, lit. "Meteor Human Zone"), is a tokusatsu science fiction superhero television series. Produced by Toho Company Ltd., the show aired on Nippon Television from April 2 to September 24, 1973, with a total of 26 episodes. This was Toho's answer to not only the popular Ultra Series, but the Henshin Hero phenomenon started by shows like Kamen Rider and Android Kikaider. The previous year, Toho had just made their successful first superhero show, Rainbowman. The series was also notable for its guest appearance by Toho's own Godzilla, as well as two other Toho monsters, King Ghidorah and Gigan. Supplementary materials published by Toho have confirmed Zone Fighter to be part of the Showa-era Godzilla series, taking place in between Godzilla vs. Megalon and Godzilla vs. Mechagodzilla.

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