Thomas M. Disch

Thomas Michael Disch (February 2, 1940 – July 4, 2008) was an American science fiction author and poet.[1][2][3] He won the Hugo Award for Best Related Book – previously called "Best Non-Fiction Book" – in 1999, and he had two other Hugo nominations and nine Nebula Award nominations to his credit, plus one win of the John W. Campbell Memorial Award, a Rhysling Award, and two Seiun Awards, among others.

In the 1960s, his work began appearing in science-fiction magazines. His critically acclaimed science fiction novels, The Genocides, Camp Concentration, 334 and On Wings of Song are major contributions to the New Wave science fiction movement. In 1996, his book The Castle of Indolence: On Poetry, Poets, and Poetasters was nominated for the National Book Critics Circle Award,[4] and in 1999, Disch won the Nonfiction Hugo for The Dreams Our Stuff Is Made Of, a meditation on the impact of science fiction on our culture, as well as the Michael Braude Award for Light Verse. Among his other nonfiction work, he wrote theatre and opera criticism for The New York Times, The Nation, and other periodicals. He also published several volumes of poetry as Tom Disch.

Following an extended period of depression following the death in 2005 of his life-partner, Charles Naylor, Disch stopped writing almost entirely, except for poetry and blog entries – although he did produce two novellas.[4] Disch killed himself by gunshot[4] on July 4,[1][2][3][4][5][6][7] 2008 in his apartment in Manhattan, New York City. Naylor and Disch are buried alongside each other at Saint Johns Episcopal Church Columbarium, Dubuque, Iowa. His last book, The Word of God, which was written shortly before Naylor died, had just been published a few days before Disch's death.[4]

Thomas M. Disch
at South Street Seaport on June 3, 2008
at South Street Seaport on June 3, 2008
BornThomas Michael Disch
February 2, 1940
Des Moines, Iowa, U.S.
DiedJuly 4, 2008 (aged 68)
Manhattan, New York City, U.S.
Pen nameLeonie Hargrave
Victor Hastings
     with John Sladek:
Thom Demijohn
Cassandra Knye
OccupationWriter, poet
CitizenshipUnited States
GenreScience fiction, speculative fiction, poetry, children's fiction, criticism
Literary movementNew Wave
PartnerCharles Naylor, Jr (May 3, 1944 – July 30, 2005)

Early life

Disch was born in Des Moines, Iowa, on February 2, 1940. Because of a polio epidemic in 1946, his mother Helen home-schooled him for a year. As a result, he skipped from kindergarten to second grade. Disch's first formal education was at Catholic schools; which is evidenced in some of his works which contain scathing criticisms of the Catholic Church. The family moved in 1953 to St. Paul in Minnesota, rejoining both pairs of grandparents, where Disch attended both public and Catholic schools.[4] In the Saint Paul public schools, Disch discovered his long-term loves of science fiction, drama, and poetry. He describes poetry as his stepping-stone to the literary world. A teacher at St. Paul Central, Jeannette Cochran, assigned 100 lines of poetry to be memorized; Disch wound up memorizing ten times as much.[8] His early fascination continued to influence his work with poetic form and the direction of his criticism.

After graduating from high school in 1957, he worked a summer job as a trainee steel draftsman, just one of the many jobs on his path to becoming a writer. Saving enough to move to New York City at the age of 17,[4] he found a Manhattan apartment and began to cast his energies in many directions. He worked as an extra at the Metropolitan Opera House in productions of Spartacus for the Bolshoi Ballet, Swan Lake for the Royal Ballet, and Don Giovanni, Tosca and others for the Met.[9] He found work at a bookstore, then at a newspaper. At the age of 18, a penniless, friendless, gay teenager, he attempted suicide by gas oven, but survived.[10] Later that year, he enlisted in the army. Disch's incompatibility with the armed forces quickly resulted in a nearly three-month commitment to a mental hospital.

After his discharge, Disch returned to New York and continued to pursue the arts in his own indirect way. He worked, again, in bookstores, and as a copywriter.[4] Some of these jobs paid off later; working as a cloak room attendant in New York theater culture allowed him to both pursue his lifelong love of drama and led to work as a magazine theater critic. Eventually, he got another job with an insurance company and went to school. A brief flirtation with architecture led him to apply to Cooper Union, where he was told he got the highest score ever on their entrance exam, but dropped out after a few weeks.[9] He then went to night school at New York University (NYU), where classes on novella writing and utopian fiction developed his tastes for some of the common forms and topics of science fiction. In May 1962, he decided to write a short story instead of studying for his midterm exams.[4] He sold the story, "The Double Timer", for $112.50, to the magazine Fantastic.[4][11] Having begun his literary career, he did not return to NYU but rather took another series of odd jobs such as bank teller, mortuary assistant, and copy editor – all of which served to fuel what he referred to as his night-time "writing habit". Over the next few years he wrote more science fiction stories, but also branched out into poetry; his first published poem, "Echo and Narcissus", appeared in the Minnesota Review's Summer 1964 issue.[12]


Disch entered the field of science fiction at a turning point, as the pulp adventure stories of its older style began to be challenged by a more serious, adult, and often darker style. This movement, called New Wave, tried to show that the ideas and themes of science fiction could be developed beyond the simple engineering-mechanical approach of traditional SF. Rather than trying to compete with mainstream writers on the New York literary scene, Disch plunged into the emerging genre of science fiction, and began to work to liberate it from some of its strict formula and narrow conventions. His first novel, The Genocides, appeared in 1965; Brian W. Aldiss singled it out for praise in a long review in SF Impulse.[13] Much of his more literary science fiction was first published in English author Michael Moorcock's New Wave magazine, New Worlds.

Disch traveled widely and lived in England, Spain, Rome, and Mexico. In spite of this, he remained a New Yorker for the last twenty years of his life. He said that "a city like New York, to my mind, is the whole world", keeping a long-time New York residence overlooking Union Square.

Writing had become the dominant focus of his life. Disch described his personal transformation from dilettante to "someone who knows what he wants to do and is so busy doing it that he doesn't have much time for anything else." After The Genocides, he wrote Camp Concentration and 334. More books followed, including science fiction novels and stories, gothic works, criticism, plays, a libretto for an opera of Frankenstein, prose and verse children's books such as A Child's Garden of Grammar, and ten poetry collections. In the 1980s, he moved from science fiction to horror with a quartet set in Minneapolis: The Businessman, The M.D., The Priest, and The Sub.

His writing includes substantial freelance work, such as regular book and theater reviews for The Nation, The Weekly Standard, Harper's, The Washington Post, the Los Angeles Times, The New York Times, the Times Literary Supplement, and Entertainment Weekly. Recognition from his award-winning books led to a year as "artist-in-residence" at the College of William & Mary. During his long and varied career, Disch found his way into other forms and genres. As a fiction writer and a poet, Disch felt typecast by his science fiction roots. "I have a class theory of literature. I come from the wrong neighborhood to sell to The New Yorker. No matter how good I am as an artist, they always can smell where I come from."[14]

Though Disch was an admirer of and was friends with the author Philip K. Dick,[15] Dick would write an infamous paranoid letter to the FBI in October 1972 that denounced Disch and suggested that there were coded messages, prompted by a covert organization, in Disch's novel Camp Concentration. Disch was unaware and he would go on to champion the Philip K. Dick Award.[16] In his final novel, however, The Word of God, Disch got his revenge on Dick, with a story in which Dick is dead and living in Hell, unable to write because of writer's block. In return for a taste of human blood, which will unlock his ability to write, he makes a deal to go back in time and kill Disch's father, so that Disch will never be born, and at the same time to kill Thomas Mann and thereby to ensure that Hitler wins World War II.

He shared his Manhattan apartment and a house in Barryville, New York, with his partner of three decades, poet Charles Naylor. Although he was publicly gay after 1968 and this facet of his life was occasionally foregrounded in his work (most notably in his poetry and On Wings of Song), he did not try to write to a particular community: "I'm gay myself, but I don't write 'gay' literature."[14] He rarely mentioned his sexuality in interviews, though he was interviewed by the Canadian gay periodical The Body Politic in 1981.[17] After Naylor's death in 2005, Disch had to abandon the house, as well as fight attempts to evict him from his rent controlled apartment, and he became steadily more depressed. He wrote on a LiveJournal account from April 2006 until his death (he killed himself by gunshot), in which he posted poetry and journal entries.[18] Shortly before Disch's death, in September and October 2007 literary critic Peter Swirski conducted email interviews with Disch concerning his novels The M.D. A Horror Story and the early 334. Excerpts from these exchanges were published in Swirski's 2010 study Literature, Analytically Speaking – Chapter 7 is mostly on The M.D. – with Disch responding to questions with wit and irony.[19]

Disch was an outspoken atheist[20] as well as a satirist;[21] his last novel The Word of God was published by Tachyon Publications in the summer of 2008. His last published work, the posthumous story collection The Wall of America, contains material from last half of Disch's career.

Computer game design

In 1987, Disch collaborated with New Jersey software company Cognetics Corporation and games publisher Electronic Arts to create the interactive fiction text adventure Amnesia, which could be played on the Commodore 64, IBM PC or Apple II computers. The title, based on technology pioneered by Cognetics' Charles Kreitzberg, was produced by Don Daglow and programmed by Kevin Bentley. It showcased Disch's vivid writing, a stark contrast to other game-programmer-written text adventures of the time, and his passion for the energy of the city of New York. Although the text adventure format was dying by the time Amnesia was released and it enjoyed limited success, the game pioneered ideas that would later become popular in game design by modeling the entire Manhattan street map south of 110th St. and allowing the player to visit any street corner in that part of the city in their quest to advance the story. Although the limited floppy disk capacity of the 1980s computers caused much of Disch's original text about the city to be cut, many Manhattan sites and people were described with unique loving distortion through the Disch lens.


Disch was also known for his work in the theater, both as the critic for The Nation, from 1987 to 1993,[4] and as writer of two performance works, his meta-historical stage adaptation of Ben-Hur and his controversial verse monologue/poem, The Cardinal Detoxes. Both plays were commissioned and presented by Jeff Cohen and the RAPP Arts Center in New York's Alphabet City. Ben-Hur not only told the story of the famous Biblical novel, but delved into the life and times of its author, the proto-American General Lew Wallace. Disch proffers the theory that Wallace penned Ben-Hur, in part, to assuage his guilt over his part in the execution of Mary Surratt. In its world-premiere performance at the Peabody Conservatory in Baltimore in 1989, it was chosen as a Critics' Choice by Time magazine.

The Cardinal Detoxes had a simple conceit: a Catholic Bishop has committed vehicular homicide while driving intoxicated and is imprisoned in a monastic "drying tank" where he is sure he is being bugged by the higher-ups. So he attempts to negotiate his release by black-mailing the Church with all of its dirty secrets, big and small. The play was performed at RAPP, located in the former Most Holy Redeemer School, and drew a cease and desist order from the Catholic Archdiocese of New York. An article written by The New York Times' Mervyn Rothstein got picked up around the world on the AP wire and the play became one of the most notable censorship controversies of the 1990s. After the American Civil Liberties Union declined to take the case, Disch and RAPP were represented by William Kunstler and Ron Kuby, and the Archdiocese lost in court. Their response was to lock the theater out of their building and have the Director jailed. Fortunately, The Cardinal Detoxes became as well known for its literary merits as for its controversy. It was selected in the compilation Best American Poetry 1994 and, again, in Best of The Best American Poetry 1988–1997.


Disch's first published poems, though reaching print later – the first in 1964, though not collected until 1972 – were written alongside the stories and novels which made his name in the 1960s. Although he aimed his poetry at a different readership than his fiction – even simplifying his by-line from Thomas M. Disch to Tom Disch – both genres emerged from the same expanding mind and changing times. His poetry includes experiments within traditional forms, such as a collaborative sonnet cycle Highway Sandwiches with Marilyn Hacker and Charles Platt and Haikus of an AmPart, while others like The Dark Old House mix stricter and freer form. Like other popular American poets, he often uses humor and irony to power his poems.

Disch's reputation as a poet was solidified by a 1989 midcareer retrospective collection, titled Yes, Let's. A book of new poetry, Dark Verses & Light, followed in 1991. In 1995 and 2002, Disch published two collections of poetry criticism. He continued to regularly publish poetry in magazines and journals such as Poetry, Light, Paris Review, Partisan Review, Parnassus: Poetry in Review and even Theology Today (perhaps an odd choice for a long-lapsed Catholic). Disch published two collections of poetry criticism, The Castle of Indolence: On Poetry, Poets, and Poetasters and The Castle of Perseverance: Job Opportunities in Contemporary Poetry. His poetry criticism focuses on what makes poetry work, what makes it popular, and how poetry can re-establish a place in modern popular culture.

Near the end of his life he stopped submitting poetry to literary journals unless the journals asked for his contributions. He preferred to publish his poems in his LiveJournal account. In an interview just ten days before his death, Disch said, "I write poetry because I think it is the hardest thing I can do well. And so I simply enjoy the doing of it, as an equestrian enjoys spending time on a good horse. Poetry is my good horse."[22]



  • The Genocides, Berkley F1170 (1965), Panther (1968), Pocket (1979), Vintage (2000)
  • The Puppies of Terra Panther (1978), Pocket (1980) (orig. pub. as Mankind Under the Leash', Ace G-597 (1966)
  • The House That Fear Built (with John Sladek, as Cassandra Knye), Paperback Library (1966)
  • Echo Round His Bones, Berkley X1349 (1967), Hart-Davis (1969), Panther (1970), Pocket (1979)
  • Camp Concentration, Doubleday (1968), ISBN 0-246-97352-8, Panther (1969), Avon (1971), Bantam (1980), Carroll & Graf (1989), Vintage (1999)
  • Black Alice (with John Sladek, as Thom Demijohn), Doubleday (1968), Avon V2339 (1970), Panther (1970), Carroll & Graf (1989)
  • The Prisoner, Ace (1969), New English Library (1980), ibooks (2003), Penguin (2009)
  • Alfred the Great (as Victor Hastings), 1969
  • 334, MacGibbon & Kee (1972), ISBN 0-261-63283-3, Avon (1974), Sphere (1974), Carroll & Graf (1987), Vintage (1999)
  • Clara Reeve (as Leonie Hargrave), Knopf (1975), ISBN 9780394484907. Ballantine (1976)
  • On Wings of Song Gollancz (1979), St. Martin's (1979) ISBN 0-312-58466-0, Bantam (1980), Magnum (1981), Carroll & Graf (1988)
  • Neighboring Lives (with Charles Naylor), Scribner's (1981), ISBN 0-684-16644-5, Johns Hopkins University Press (1991)
  • The Businessman: A Tale of Terror, Harper & Row (1984), ISBN 0-06-015292-3, Jonathan Cape (1984), Paladin (1986), Berkley (1993), University of Minnesota Press (2010)
  • The M.D.: A Horror Story, Knopf (1991), ISBN 0-394-58662-X, HarperCollins (UK) (1992), Berkley (1992), University of Minnesota Press (2010)
  • The Priest: A Gothic Romance, Millennium (1994), ISBN 1-85798-090-5, Knopf (1995), Orion (1995), University of Minnesota Press (2010)
  • The Sub: A Study in Witchcraft, Knopf (1999), ISBN 0-679-44292-8, University of Minnesota Press (2010)
  • The Word of God: Or, Holy Writ Rewritten, Tachyon (2008), ISBN 978-1-892391-77-3


  • The Man Who Had No Idea, 1978
  • Torturing Mr. Amberwell, 1985
  • The Silver Pillow: A Tale of Witchcraft, 1988
  • The Voyage of the Proteus, 2007
  • The Proteus Sails Again, 2008

Story collections

Works for children

Poetry collections

  • Highway Sandwiches (with Charles Platt and Marilyn Hacker), 1970
  • The Right Way to Figure Plumbing, 1972, ISBN 0-913560-05-7
  • Burn This, 1982, ISBN 0-09-146960-0
  • Orders of the Retina, 1982, ISBN 0-915124-60-2
  • Here I Am, There You Are, Where Were We, 1984, ISBN 0-09-154871-3
  • Yes, Let's: New and Selected Poems, 1989, ISBN 0-8018-3835-5
  • Dark Verses and Light, 1991, ISBN 0-8018-4191-7
  • Haikus of an AmPart, 1991, ISBN 0-918273-68-4
  • The Dark Old House, 1996
  • About the Size of It, 2007
  • Endzone. Letzte Gedichte/Last Poems. Zweisprachige Ausgabe/Bilangual Edition. Edited and translated by Christopher Ecker. Mitteldeutscher Verlag, Germany 2018, ISBN 978-3-95462-987-9
  • Winter Journey (forthcoming)



  • The Ruins of Earth: An Anthology of Stories of the Immediate Future, 1971
  • Bad Moon Rising: An Anthology of Political Forebodings, 1973
  • The New Improved Sun: An Anthology of Utopian Fiction, 1975
  • New Constellations: An Anthology of Tomorrow's Mythologies, 1976 (with Charles Naylor)
  • Strangeness: A Collection of Curious Tales, 1977 (with Charles Naylor)


  • Ben-Hur 1989
  • The Cardinal Detoxes 1990

Computer game


  • "Can you hear me, think tank two?", 2001 (as Tom Disch). Thought crimes in prose and poetry
  • Mecca|Mettle, 2005. An anthology featuring text and audio by Thomas Disch, BlöödHag, X's 4 Eyes and featuring artwork by Tim Kirk.[23]

See also



  1. ^ a b Schudel, Matt (July 9, 2008). "Thomas Disch; sci-fi writer was part of 'New Wave'". The Washington Post. p. B05. Retrieved 2008-07-12.
  2. ^ a b Martin, Douglas (July 8, 2008). "Thomas Disch, Novelist, Dies at 68". The New York Times. Retrieved 2008-08-04.
  3. ^ a b Stewart, Jocelyn Y. (July 8, 2008). "Thomas M. Disch, 68; prolific science-fiction author". Los Angeles Times. Retrieved 2008-07-12. fatally shot himself in the head July 5, according to the New York City Office of the Chief Medical Examiner.
  4. ^ a b c d e f g h i j k "Biographical note" in Disch, Thomas M. The Wall of America. San Francisco: Tachyon, 2008. ISBN 1-892391-82-1, pp. 244–245.
  5. ^ "Death: Thomas M. Disch". Locus Online. July 6, 2008. Retrieved 2008-07-06.
  6. ^ "Science fiction's Thomas Disch ends his life". Planet Out. Yahoo!. July 7, 2008. Archived from the original on July 18, 2008. Retrieved March 3, 2014.
  7. ^ Wood, Graeme (July 11, 2008). "Novelist Thomas M. Disch killed himself in his New York apartment on July 5". The Atlantic. Archived from the original on February 4, 2013. Retrieved July 12, 2008.
  8. ^ Heacox, Tom (Fall 1995), "The Dish on Tom Disch", jump! magazine, The College of William and Mary, archived from the original on September 14, 2008, retrieved February 29, 2004
  9. ^ a b Disch, Thomas M. The Word of God. San Francisco: Tachyon, 2008, p.68-69.
  10. ^ Disch, Thomas M. The Word of God. San Francisco: Tachyon, 2008. p.26.
  11. ^ Francavilla, Joeseph (1985), "Disching It Out: An Interview with Thomas Disch", Science Fiction Studies, 37, pp. 241–251
  12. ^ Davis, Matthew S. S. (December 28, 2001), Schrödinger's Cake, retrieved 2004-03-09
  13. ^ "Book Fare," SF Impulse, January 1967, p.51-54.
  14. ^ a b Horwich, David (July 30, 2001), "Interview: Thomas M. Disch", Strange Horizons, retrieved 2007-11-04
  15. ^ Although in his poem "Ode on the Death of Philip K. Dick", published in Here I Am, There You Are, Where Were We (Hutchinson, 1984), Disch writes of Dick "I scarcely knew the man". In the semi-fictional semi-autobiographical The Word of God (2008), he writes that he only met Dick one time, when he visited him in Dick's condo in Anaheim.
  16. ^ Miller, Sam J. (September 22, 2008). "Who Killed Thomas M. Disch?". Strange Horizons.
  17. ^ Galbraith, David; Wilson, Alexander, "Taking flight with Thomas Disch", The Body Politic (December 1981): 26–28
  18. ^ Disch's blog at LiveJournal
  19. ^ Swirski, Peter (2010) Literature, Analytically Speaking: Explorations in the Theory of Interpretation, Analytic Aesthetics, and Evolution University of Texas Press ISBN 0292721781
  20. ^ Miller, Stephen (July 8, 2008). "Thomas M. Disch, 68, Eclectic Writer of Science Fiction". The New York Sun.
  21. ^ Moorcock, Michael (November 26, 2008). "The Wall of America by Thomas M Disch". The Daily Telegraph.
  22. ^ Champion, Edward (June 25, 2008), "Podcast Interview: Thomas M. Disch", The Bat Segundo Show
  23. ^ Mecca|Mettle Archived December 28, 2005, at the Wayback Machine.


  • Gioia, Dana. "Tom Disch," in Can Poetry Matter? Essays on Poetry and American Culture. St. Paul, Minn.: Graywolf Press, 1992, ISBN 1-55597-176-8, pp. 193–196.
  • Preminger, Alex, Terry V.F. Brogan, Frank J. Warnke, eds. The New Princeton Encyclopedia of Poetry and Poetics. New York: Princeton University Press, 1993, ISBN 0-691-03271-8.
  • Walzer, Kevin. "The Sword of Wit: Disch, Feinstein, Gwynn, Martin," in The Ghost of Tradition. Brownsville, Ore.: Story Line Press, 1998, ISBN 1-885266-66-9: pp. 152–184.
  • Yezzi, David. Thomas M., Meet Tom. Parnassus: Poetry in Review, 1995.
  • "Featured Author: Thomas M. Disch". The New York Times. August 9, 1998.

Further reading

  • Ecker, Christopher. Warum wir alle Pyramiden bauen sollten. Eine Begegnung mit Thomas M. Disch (1940–2008), in: Mamczak, Sascha and Jeschke, Wolfgang (eds.): Das Science Fiction Jahr 2009, München 2009, pp. 506–560.

External links

334 (novel)

334 is a science fiction novel by American author Thomas M. Disch, written in 1972. It is a dystopian look at everyday life in New York City around the year 2025.

Amnesia (video game)

Amnesia is a 1986 text adventure by Cognetics Corporation. It was written by science fiction author Thomas M. Disch and programmed by Kevin Bentley. It was published by Electronic Arts (EA) for DOS and Apple II. A version for Commodore 64 was released in 1987.

Black Alice (novel)

Black Alice is a novel by Thomas M. Disch and John Sladek (writing as Thom Demijohn), published in 1968.

Camp Concentration

Camp Concentration is a 1968 science fiction novel by American author Thomas M. Disch. After being serialized in New Worlds in 1967, it was published by Hart-Davis in the UK in 1968 and by Doubleday in the US in 1969. Translations have been published in Dutch, French, German, Spanish, Italian, and Serbian.

Getting into Death

Getting into Death is a collection of science fiction stories by Thomas M. Disch. It was first published by Rupert Hart-Davis in 1974. Many of the stories originally appeared in the magazines Transatlantic Review, Fantasy and Science Fiction, Amazing Stories, Fantastic, New Worlds, The Paris Review and Antæus.

Getting into Death and Other Stories

Getting into Death and Other Stories is a collection of science fiction stories by Thomas M. Disch. It was first published by Knopf in 1976. Many of the stories originally appeared in the magazines New Worlds, Antæus, The Paris Review, Transatlantic Review and Fantastic.

Hour of the Wolf (radio show)

Hour of the Wolf is a long-running radio program devoted to speculative fiction. Named after an Ingmar Bergman film of the same title, the program was originally hosted and produced by Margot Adler in 1972. Since 1974 it has been hosted by Jim Freund on WBAI in New York.Freund's guests on the show have included speculative fiction writers such as Douglas Adams, Isaac Asimov, Robert Bloch, Ray Bradbury, Arthur C Clarke, Lester Del Rey, Samuel R. Delany, Thomas M. Disch, Joe Haldeman, Frank Herbert, Christopher Lee, Ursula K. Le Guin, Frederik Pohl, Baird Searles, Norman Spinrad, Kurt Vonnegut, Gahan Wilson, Roger Zelazny, and many others.The program ended its 38-year run in the Saturday 5-7 AM time slot on the morning of November 13, 2010, with Adler joining Freund for the occasion. In early December 2010 the show began a new run on early Thursday mornings from 1:30 - 3:00 AM. In February 2017 the slot was extended to run from 1:-3: AM, returning its duration to two hours.

John Sladek

John Thomas Sladek (December 15, 1937 – March 10, 2000) was an American science fiction author, known for his satirical and surreal novels.

List of speculative poets

This is a list of speculative poets. People on this list should have articles of their own, and should meet the Wikipedia notability guidelines for their poetry. Please place names on the list only if there is a real and existing article on the poet.

On Wings of Song (novel)

On Wings of Song is a 1979 science fiction novel by Thomas M. Disch. It was first published as a serial in The Magazine of Fantasy & Science Fiction in three installments in February to April 1979.

Like Disch's previous novel 334, it is a bitter satire that depicts a near-future America falling into worsening economic and social crisis. Despite being critically well received, it was a commercial failure.

One Hundred and Two H-Bombs

One Hundred and Two H-Bombs is a collection of science fiction stories by American writer Thomas M. Disch. It was first published by Compact Books in 1967. The stories originally appeared in the magazines Fantastic, Worlds of Tomorrow, Amazing Stories, If, New Worlds, Alfred Hitchcock's Mystery Magazine and Bizarre! Mystery Magazine.

The Brave Little Toaster (novel)

The Brave Little Toaster is a 1986 novel by Thomas M. Disch intended for children or, as put by the author, a "bedtime story for small appliances". The story centers on a group of five household appliances—a Tensor lamp, an electric blanket, a plastic AM alarm clock/radio, a Hoover vacuum cleaner and a Sunbeam toaster—on their quest to find their original owner referred to as the Master.

The Brave Little Toaster Goes to Mars

The Brave Little Toaster Goes to Mars is the name of both a children's book by Thomas M. Disch and a film based on it. Both are sequels to the book, The Brave Little Toaster. The film was produced by Hyperion Animation and distributed by Walt Disney Home Video and released in 1998. It featured the last performances of actors DeForest Kelley, Thurl Ravenscroft and Carol Channing before their deaths in 1999, 2005 and 2019, respectively.

Although set after the events of The Brave Little Toaster to the Rescue, Goes to Mars was the first of the two sequels to the original film, as both were in production around the same time and the latter was the first to finish production.

The Dreams Our Stuff Is Made Of

The Dreams Our Stuff Is Made Of: How Science Fiction Conquered the World (1998, ISBN 0-684-82405-1) is an overview of the interactions between science fiction and the real world, written by Thomas M. Disch, a noted author in the field. It is neither a history of science fiction nor a collection of personal anecdotes, but contains some of each, and is written in somewhat conversational style, designed to appeal to both a relative newcomer to science fiction and an expert in the field.

In this book Disch makes several arguments: That America is a nation of liars, and for that reason science fiction has a special claim to be our national literature, as the art form best adapted to telling the lies we like to hear and to pretend we believe. That Edgar Allan Poe was the first SF author (as opposed to authors such as Mary Shelley or Cyrano de Bergerac). And that the three greatest SF authors are Poe, Jules Verne and H. G. Wells. He levels attacks against writers who in his opinion have attempted to trick or manipulate readers by presenting science fiction as fact—namely Erich von Däniken and L. Ron Hubbard—and examines the use of science fiction to promote a political ideology, singling out Ursula K. Le Guin's feminism, and Robert A. Heinlein for advocating the growth of the military-industrial complex.

The book also examines the manner in which the real world is represented in science fiction allegory, such as the argument that the aliens of Star Trek represent non-Caucasian humans, and that science fiction provides an insight into the strategies of the American military.

The Dreams Our Stuff Is Made Of was awarded the 1999 Hugo Award for best related book.

The Genocides

The Genocides is a 1965 science fiction novel by American author Thomas M. Disch. It was nominated for the Nebula Award for Best Novel in 1965.

The Great Victorian Collection

The Great Victorian Collection, published in 1975, is a novel by Northern Irish-Canadian writer Brian Moore. Set in Carmel, California, it tells the story of a man who dreams that the empty parking lot he can see from his hotel window has been transformed by the arrival of a collection of priceless Victoriana on display in a vast open-air market. When he awakes he finds that he can no longer distinguish the dream from reality.

The book won the 1975 James Tait Black Memorial Prize For Fiction and, in Canada in 1975, the Governor General's Award for English language fiction.Thomas M. Disch included The Great Victorian Collection in his list of

"modern classic" fantasy novels.

The Whimper of Whipped Dogs

"The Whimper of Whipped Dogs" is a horror short story by Harlan Ellison. It was first published in the 1973 anthology Bad Moon Rising: An Anthology of Political Forebodings edited by Thomas M. Disch. It was also published in several other anthologies such as Deathbird Stories. It was inspired by the Kitty Genovese murder.

Under Compulsion

Under Compulsion is a collection of science fiction stories by Thomas M. Disch. It was first published by Rupert Hart-Davis in 1968 in the UK. It was subsequently published in the US in 1970 by Doubleday under the title Fun with Your New Head. Most of the stories originally appeared in the magazines Escapade, Fantasy and Science Fiction, New Worlds, Fantastic, Amazing Stories, Impulse and Playboy.

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