Thomas Hardy

Thomas Hardy OM (2 June 1840 – 11 January 1928) was an English novelist and poet. A Victorian realist in the tradition of George Eliot, he was influenced both in his novels and in his poetry by Romanticism, especially William Wordsworth.[1] He was highly critical of much in Victorian society, especially on the declining status of rural people in Britain, such as those from his native South West England.

While Hardy wrote poetry throughout his life and regarded himself primarily as a poet, his first collection was not published until 1898. Initially, therefore, he gained fame as the author of such novels as Far from the Madding Crowd (1874), The Mayor of Casterbridge (1886), Tess of the d'Urbervilles (1891), and Jude the Obscure (1895). During his lifetime, Hardy's poetry was acclaimed by younger poets (particularly the Georgians) who viewed him as a mentor. After his death his poems were lauded by Ezra Pound, W. H. Auden and Philip Larkin.[2]

Many of his novels concern tragic characters struggling against their passions and social circumstances, and they are often set in the semi-fictional region of Wessex; initially based on the medieval Anglo-Saxon kingdom, Hardy's Wessex eventually came to include the counties of Dorset, Wiltshire, Somerset, Devon, Hampshire and much of Berkshire, in southwest and south central England. Two of his novels, Tess of the d'Urbervilles and Far from the Madding Crowd, were listed in the top 50 on the BBC's survey The Big Read.[3]

Thomas Hardy

Hardy between about 1910 and 1915
Hardy between about 1910 and 1915
Born2 June 1840
Stinsford, Dorset, England
Died11 January 1928 (aged 87)
Dorchester, Dorset, England
Resting place
OccupationNovelist, poet, and short story writer
Alma materKing's College London
Literary movementNaturalism, Victorian literature
Notable worksTess of the d'Urbervilles,
Far from the Madding Crowd,
The Mayor of Casterbridge,
Collected Poems
Jude the Obscure

Thomas Hardy signature

Life and career

Early life

"The Hardy Tree" in Old St Pancras churchyard, growing between gravestones moved while Hardy was working there

Thomas Hardy was born on 2 June 1840 in Higher Bockhampton (then Upper Bockhampton), a hamlet in the parish of Stinsford to the east of Dorchester in Dorset, England, where his father Thomas (1811–1892) worked as a stonemason and local builder, and married his mother Jemima (née Hand;[4] 1813–1904) in Beaminster, towards the end of 1839.[5] Jemima was well-read, and she educated Thomas until he went to his first school at Bockhampton at the age of eight. For several years he attended Mr. Last's Academy for Young Gentlemen in Dorchester, where he learned Latin and demonstrated academic potential.[6] Because Hardy's family lacked the means for a university education, his formal education ended at the age of sixteen, when he became apprenticed to James Hicks, a local architect.[7]

Hardy trained as an architect in Dorchester before moving to London in 1862; there he enrolled as a student at King's College London. He won prizes from the Royal Institute of British Architects and the Architectural Association. He joined Arthur Blomfield's practice as assistant architect in April 1862 and worked with Blomfield on All Saints' parish church in Windsor, Berkshire in 1862–64. A reredos, possibly designed by Hardy, was discovered behind panelling at All Saints' in August 2016.[8][9] In the mid-1860s, Hardy was in charge of the excavation of part of the graveyard of St Pancras Old Church prior to its destruction when the Midland Railway was extended to a new terminus at St Pancras.[10]

Hardy never felt at home in London, because he was acutely conscious of class divisions and his social inferiority. During this time he became interested in social reform and the works of John Stuart Mill. He was also introduced by his Dorset friend Horace Moule to the works of Charles Fourier and Auguste Comte. After five years, concerned about his health, he returned to Dorset, settling in Weymouth, and decided to dedicate himself to writing.

Marriage and novel writing

Max Gate
Max Gate in 2015

In 1870, while on an architectural mission to restore the parish church of St Juliot in Cornwall,[11] Hardy met and fell in love with Emma Gifford, whom he married in Kensington in the autumn of 1874.[5][12][13] renting St David's Villa, Southborough (now Surbiton) for a year. In 1885 Thomas and his wife moved into Max Gate, a house designed by Hardy and built by his brother. Although they later became estranged, Emma's subsequent death in 1912 had a traumatic effect on him and after her death, Hardy made a trip to Cornwall to revisit places linked with their courtship; his Poems 1912–13 reflect upon her death. In 1914, Hardy married his secretary Florence Emily Dugdale, who was 39 years his junior. However, he remained preoccupied with his first wife's death and tried to overcome his remorse by writing poetry. In his later years, he kept a Wire Fox Terrier named Wessex, who was notoriously ill-tempered. Wessex's grave stone can be found on the Max Gate grounds.[14][15] In 1910, Hardy had been appointed a Member of the Order of Merit and was also for the first time nominated for the Nobel Prize in Literature. He would be nominated again for the prize eleven years later.[16][17]

Final years

Florence Hardy at the seaside 1915
Florence Hardy at the seashore, 1915

Hardy became ill with pleurisy in December 1927 and died at Max Gate just after 9 pm on 11 January 1928, having dictated his final poem to his wife on his deathbed; the cause of death was cited, on his death certificate, as "cardiac syncope", with "old age" given as a contributory factor. His funeral was on 16 January at Westminster Abbey, and it proved a controversial occasion because Hardy had wished for his body to be interred at Stinsford in the same grave as his first wife, Emma. His family and friends concurred; however, his executor, Sir Sydney Carlyle Cockerell, insisted that he be placed in the abbey's famous Poets' Corner. A compromise was reached whereby his heart was buried at Stinsford with Emma, and his ashes in Poets' Corner.[18] Hardy's estate at death was valued at £95,418 (£5647015 in 2015 sterling).[19]

Shortly after Hardy's death, the executors of his estate burnt his letters and notebooks, but twelve notebooks survived, one of them containing notes and extracts of newspaper stories from the 1820s, and research into these has provided insight into how Hardy used them in his works.[20] In the year of his death Mrs Hardy published The Early Life of Thomas Hardy, 1841–1891, compiled largely from contemporary notes, letters, diaries, and biographical memoranda, as well as from oral information in conversations extending over many years.

Hardy's work was admired by many younger writers, including D. H. Lawrence,[21] John Cowper Powys, and Virginia Woolf.[22] In his autobiography Goodbye to All That (1929), Robert Graves recalls meeting Hardy in Dorset in the early 1920s and how Hardy received him and his new wife warmly, and was encouraging about his work.

Hardy's birthplace in Bockhampton and his house Max Gate, both in Dorchester, are owned by the National Trust.


Thomas Hardy's Cottage, Bockhampton, Dorset
Thomas Hardy's birthplace and cottage at Higher Bockhampton, where Under the Greenwood Tree and Far from the Madding Crowd were written
Thomas Hardy Locations, Tess of the Durbervilles (1) - - 707277
View of the River Frome from the bridge at Lower Bockhampton. In Tess of the d'Urbervilles the lowland vale of the river is described as the Vale of the Great Dairies, in comparison to Tess's home, the fertile Vale of Blackmore, which is the Vale of Little Dairies.

Hardy's first novel, The Poor Man and the Lady, finished by 1867, failed to find a publisher. He then showed it to his mentor and friend, the Victorian poet and novelist, George Meredith, who felt that The Poor Man and the Lady would be too politically controversial and might damage Hardy's ability to publish in the future. So Hardy followed his advice and he did not try further to publish it. He subsequently destroyed the manuscript, but used some of the ideas in his later work.[23]

After he abandoned his first novel, Hardy wrote two new ones that he hoped would have more commercial appeal, Desperate Remedies (1871) and Under the Greenwood Tree (1872), both of which were published anonymously; it was while working on the latter that he met Emma Gifford, who would become his wife.[23] In 1873 A Pair of Blue Eyes, a novel drawing on Hardy's courtship of Emma, was published under his own name. A plot device popularised by Charles Dickens, the term "cliffhanger" is considered to have originated with the serialised version of A Pair of Blue Eyes (published in Tinsley's Magazine between September 1872 and July 1873) in which Henry Knight, one of the protagonists, is left literally hanging off a cliff.[24][25]

In his next novel Far from the Madding Crowd (1874), Hardy first introduced the idea of calling the region in the west of England, where his novels are set, Wessex. Wessex had been the name of an early Saxon kingdom, in approximately the same part of England. Far from the Madding Crowd was successful enough for Hardy to give up architectural work and pursue a literary career. Over the next twenty-five years Hardy produced ten more novels.

Subsequently, the Hardys moved from London to Yeovil, and then to Sturminster Newton, where he wrote The Return of the Native (1878).[26] Hardy published Two on a Tower in 1882, a romance story set in the world of astronomy. Then in 1885, they moved for the last time, to Max Gate, a house outside Dorchester designed by Hardy and built by his brother. There he wrote The Mayor of Casterbridge (1886), The Woodlanders (1887), and Tess of the d'Urbervilles (1891), the last of which attracted criticism for its sympathetic portrayal of a "fallen woman" and was initially refused publication. Its subtitle, A Pure Woman: Faithfully Presented, was intended to raise the eyebrows of the Victorian middle classes.

Thomas Hardy Locations, Return of the Native - - 786542
A major location of The Return of the Native as part of Hardy's fictional Egdon Heath.

Jude the Obscure, published in 1895, met with an even stronger negative response from the Victorian public because of its controversial treatment of sex, religion and marriage. Furthermore, its apparent attack on the institution of marriage caused further strain on Hardy's already difficult marriage because Emma Hardy was concerned that Jude the Obscure would be read as autobiographical. Some booksellers sold the novel in brown paper bags, and the Bishop of Wakefield, Walsham How, is reputed to have burnt his copy.[20] In his postscript of 1912, Hardy humorously referred to this incident as part of the career of the book: "After these [hostile] verdicts from the press its next misfortune was to be burnt by a bishop – probably in his despair at not being able to burn me".[27] Despite this, Hardy had become a celebrity by the 1900s, but some argue that he gave up writing novels because of the criticism of both Tess of the D'Urbervilles and Jude the Obscure.[28] The Well-Beloved, first serialised in 1892, was published in 1897.

Thomas Hardy by William Strang 1893
Hardy painted by William Strang, 1893

Literary themes

Considered a Victorian realist, Hardy examines the social constraints on the lives of those living in Victorian England, and criticises those beliefs, especially those relating to marriage, education and religion, that limited people's lives and caused unhappiness. Such unhappiness, and the suffering it brings, is seen by poet Philip Larkin as central in Hardy's works:

"What is the intensely maturing experience of which Hardy's modern man is most sensible? In my view it is suffering, or sadness, and extended consideration of the centrality of suffering in Hardy's work should be the first duty of the true critic for which the work is still waiting [. . .] Any approach to his work, as to any writer's work, must seek first of all to determine what element is peculiarly his, which imaginative note he strikes most plangently, and to deny that in this case it is the sometimes gentle, sometimes ironic, sometimes bitter but always passive apprehension of suffering is, I think, wrong-headed."[29]

In Two on a Tower, for example, Hardy takes a stand against these rules of society with a story of love that crosses the boundaries of class. The reader is forced to reconsider the conventions set up by society for the relationships between women and men. Nineteenth-century society had conventions, which were enforced. In this novel Swithin St Cleeve's idealism pits him against such contemporary social constraints.

In a novel structured around contrasts, the main opposition is between Swithin St Cleeve and Lady Viviette Constantine, who are presented as binary figures in a series of ways: aristocratic and lower class, youthful and mature, single and married, fair and dark, religious and agnostic...she [Lady Viviette Constantine] is also deeply conventional, absurdly wishing to conceal their marriage until Swithin has achieved social status through his scientific work, which gives rise to uncontrolled ironies and tragic-comic misunderstandings.[30]

Fate or chance is another important theme. Hardy's characters often encounter crossroads on a journey, a junction that offers alternative physical destinations but which is also symbolic of a point of opportunity and transition, further suggesting that fate is at work. Far From the Madding Crowd is an example of a novel in which chance has a major role: "Had Bathsheba not sent the valentine, had Fanny not missed her wedding, for example, the story would have taken an entirely different path."[31] Indeed, Hardy's main characters often seem to be held in fate's overwhelming grip.


Thomas Hardy by Walter William Ouless
Thomas Hardy by Walter William Ouless, 1922

For online poems, see "Poetry collections" below.

In 1898 Hardy published his first volume of poetry, Wessex Poems, a collection of poems written over 30 years. While some suggest that Hardy gave up writing novels following the harsh criticism of Jude the Obscure in 1896, the poet C. H. Sisson calls this "hypothesis" "superficial and absurd".[28][32] In the twentieth century Hardy published only poetry.

Thomas Hardy wrote in a great variety of poetic forms including lyrics, ballads, satire, dramatic monologues, and dialogue, as well as a three-volume epic closet drama The Dynasts (1904–08),[33] and though in some ways a very traditional poet, because he was influenced by folksong and ballads,[34] he "was never conventional," and "persistently experiment[ed] with different, often invented, stanza forms and metres,[35] and made use of "rough-hewn rhythms and colloquial diction".[36]

Hardy wrote a number of significant war poems that relate to both the Boer Wars and World War I, including "Drummer Hodge", "In Time of 'The Breaking of Nations'", and "The Man He Killed"; his work had a profound influence on other war poets such as Rupert Brooke and Siegfried Sassoon.[37] Hardy in these poems often used the viewpoint of ordinary soldiers and their colloquial speech.[37] A theme in the Wessex Poems is the long shadow that the Napoleonic Wars cast over the nineteenth century, as seen, for example, in "The Sergeant's Song" and "Leipzig".[38] The Napoleonic War is the subject of The Dynasts.

Some of Hardy's most famous poems are from "Poems of 1912–13", part of Satires of Circumstance (1914), written following the death of his wife Emma in 1912. They had been estranged for twenty years and these lyric poems express deeply felt "regret and remorse".[37] Poems like “After a Journey,” “The Voice,” and others from this collection "are by general consent regarded as the peak of his poetic achievement".[33] In a recent biography on Hardy, Claire Tomalin argues that Hardy became a truly great English poet after the death of his first wife, Emma, beginning with these elegies, which she describes as among "the finest and strangest celebrations of the dead in English poetry."[39]

Thomas Hardy (1923 portrait)
A portrait of Thomas Hardy in 1923

Many of Hardy's poems deal with themes of disappointment in love and life, and "the perversity of fate", but the best of them present these themes with "a carefully controlled elegiac feeling".[40] Irony is also an important element in a number of Hardy's poems, including "The Man he Killed" and "Are You Digging on My Grave".[41] A few of Hardy's poems, such as "The Blinded Bird", a melancholy polemic against the sport of vinkenzetting, reflect his firm stance against animal cruelty, exhibited also in his antivivisectionist views and his membership in The Royal Society for the Prevention of Cruelty to Animals.[42]

A number of notable English composers, including Gerald Finzi,[43][44] Benjamin Britten,[45] and Gustav Holst,[46] set poems by Hardy to music. Holst also wrote the orchestral tone poem Egdon Heath: A Homage to Thomas Hardy in 1927.

Although his poems were initially not as well received as his novels had been, Hardy is now recognised as one of the greatest twentieth-century poets, and his verse has had a profound influence on later writers, including Robert Frost, W. H. Auden, Dylan Thomas, and, most notably Philip Larkin.[36] Larkin included twenty-seven poems by Hardy compared with only nine by T. S. Eliot in his edition of the Oxford Book of Twentieth Century English Verse in 1973.[47] There were also fewer poems by W. B. Yeats.[48]

Religious beliefs

Thomas Hardy aged 70, by William Strang
Thomas Hardy aged 70, by William Strang

Hardy's family was Anglican, but not especially devout. He was baptised at the age of five weeks and attended church, where his father and uncle contributed to music. However, he did not attend the local Church of England school, instead being sent to Mr Last's school, three miles away. As a young adult, he befriended Henry R. Bastow (a Plymouth Brethren man), who also worked as a pupil architect, and who was preparing for adult baptism in the Baptist Church. Hardy flirted with conversion, but decided against it.[49] Bastow went to Australia and maintained a long correspondence with Hardy, but eventually Hardy tired of these exchanges and the correspondence ceased. This concluded Hardy's links with the Baptists.

The irony and struggles of life, coupled with his naturally curious mind, led him to question the traditional Christian view of God:

The Christian God – the external personality – has been replaced by the intelligence of the First Cause...the replacement of the old concept of God as all-powerful by a new concept of universal consciousness. The 'tribal god, man-shaped, fiery-faced and tyrannous' is replaced by the 'unconscious will of the Universe' which progressively grows aware of itself and 'ultimately, it is to be hoped, sympathetic'.[50]

Scholars have debated Hardy's religious leanings for years, often unable to reach a consensus. However, Hardy's religious life seems to have mixed agnosticism, deism, and spiritism. Once, when asked in correspondence by a clergyman, Dr A. B. Grosart, about the question of reconciling the horrors of human and animal life with "the absolute goodness and non-limitation of God",[51] Hardy replied,

Mr. Hardy regrets that he is unable to offer any hypothesis which would reconcile the existence of such evils as Dr. Grosart describes with the idea of omnipotent goodness. Perhaps Dr. Grosart might be helped to a provisional view of the universe by the recently published Life of Darwin and the works of Herbert Spencer and other agnostics.[52]

Hardy frequently conceived of, and wrote about, supernatural forces, particularly those that control the universe through indifference or caprice, a force he called The Immanent Will. He also showed in his writing some degree of fascination with ghosts and spirits.[52] Even so, he retained a strong emotional attachment to the Christian liturgy and church rituals, particularly as manifested in rural communities, that had been such a formative influence in his early years, and Biblical references can be found woven throughout many of Hardy's novels.

Hardy's friends during his apprenticeship to John Hicks included Horace Moule (one of the eight sons of Henry Moule), and the poet William Barnes, both ministers of religion. Moule remained a close friend of Hardy's for the rest of his life, and introduced him to new scientific findings that cast doubt on literal interpretations of the Bible,[53] such as those of Gideon Mantell. Moule gave Hardy a copy of Mantell's book The Wonders of Geology (1848) in 1858, and Adelene Buckland has suggested that there are "compelling similarities" between the "cliffhanger" section from A Pair of Blue Eyes and Mantell's geological descriptions. It has also been suggested that the character of Henry Knight in A Pair of Blue Eyes was based on Horace Moule.[54]

Thomas Hardy's heart
Grave of Thomas Hardy's heart at Stinsford parish church

Locations in novels

Sites associated with Hardy's own life and which inspired the settings of his novels continue to attract literary tourists and casual visitors. For locations in Hardy's novels see: Thomas Hardy's Wessex, and the Thomas Hardy's Wessex[55] research site, which includes maps.[56]


Hardy corresponded with and visited Lady Catherine Milnes Gaskell at Wenlock Abbey and many of Lady Catherine's books are inspired by Hardy, who was very fond of her.[57]

D. H. Lawrence's Study of Thomas Hardy (1936) indicates the importance of Hardy for him, even though this work is a platform for Lawrence's own developing philosophy rather than a more standard literary study. The influence of Hardy's treatment of character, and Lawrence's own response to the central metaphysic behind many of Hardy's novels, helped significantly in the development of The Rainbow (1915) and Women in Love (1920).[58]

Wood and Stone (1915), the first novel by John Cowper Powys, who was a contemporary of Lawrence, was "Dedicated with devoted admiration to the greatest poet and novelist of our age Thomas Hardy".[59] Powys's later novel Maiden Castle (1936) is set in Dorchester, Hardy's Casterbridge, and was intended by Powys to be a "rival" to Hardy's The Mayor of Casterbridge.[60] Maiden Castle is the last of Powys's so-called Wessex novels, Wolf Solent (1929), A Glastonbury Romance (1932), and Weymouth Sands (1934), which are set in Somerset and Dorset.[61]

Hardy was clearly the starting point for the character of the novelist Edward Driffield in W. Somerset Maugham's novel Cakes and Ale (1930).[62] Thomas Hardy's works also feature prominently in the American playwright Christopher Durang's The Marriage of Bette and Boo (1985), in which a graduate thesis analysing Tess of the d'Urbervilles is interspersed with analysis of Matt's family's neuroses.[63]

Hardy has been a significant influence on Nigel Blackwell, frontman of the post-punk British rock band Half Man Half Biscuit, who has often incorporated phrases (some obscure) by or about Hardy, into his song lyrics.[64]


The title page from a first edition of Far from the Madding Crowd (1874)


Hardy divided his novels and collected short stories into three classes:

Novels of character and environment

Romances and fantasies

Novels of ingenuity

Hardy also produced a number of minor tales; one story, The Spectre of the Real (1894) was written in collaboration with Florence Henniker.[65] An additional short-story collection, beyond the ones mentioned above, is A Changed Man and Other Tales (1913). His works have been collected as the 24-volume Wessex Edition (1912–13) and the 37-volume Mellstock Edition (1919–20). His largely self-written biography appears under his second wife's name in two volumes from 1928 to 1930, as The Early Life of Thomas Hardy, 1840–91 and The Later Years of Thomas Hardy, 1892–1928, now published in a critical one-volume edition as The Life and Work of Thomas Hardy, edited by Michael Millgate (1984).

Short stories (with date of first publication)

  • "How I Built Myself A House" (1865)
  • "Destiny and a Blue Cloak" (1874)
  • "The Thieves Who Couldn't Stop Sneezing" (1877)
  • "The Duchess of Hamptonshire" (1878) (collected in A Group of Noble Dames)
  • "The Distracted Preacher" (1879) (collected in Wessex Tales)
  • "Fellow-Townsmen" (1880) (collected in Wessex Tales)
  • "The Honourable Laura" (1881) (collected in A Group of Noble Dames)
  • "What The Shepherd Saw" (1881) (collected in A Changed Man and Other Stories)
  • "A Tradition of Eighteen Hundred and Four" (1882) (collected in Life's Little Ironies)
  • "The Three Strangers" (1883) (collected in Wessex Tales)
  • "The Romantic Adventures of a Milkmaid" (1883) (collected in A Changed Man and Other Stories)
  • "Interlopers at the Knap" (1884) (collected in Wessex Tales)
  • "A Mere Interlude" (1885) (collected in A Changed Man and Other Stories)
  • "A Tryst at an Ancient Earthwork" (1885) (collected in A Changed Man and Other Stories)
  • "Alicia's Diary" (1887) (collected in A Changed Man and Other Stories)
  • "The Waiting Supper" (1887–88) (collected in A Changed Man and Other Stories)
  • "The Withered Arm" (1888) (collected in Wessex Tales)
  • "A Tragedy of Two Ambitions" (1888) (collected in Life's Little Ironies)
  • "The First Countess of Wessex" (1889) (collected in A Group of Noble Dames)
  • "Anna, Lady Baxby" (1890) (collected in A Group of Noble Dames)
  • "The Lady Icenway" (1890) (collected in A Group of Noble Dames)
  • "Lady Mottisfont" (1890) (collected in A Group of Noble Dames)
  • "The Lady Penelope" (1890) (collected in A Group of Noble Dames)
  • "The Marchioness of Stonehenge" (1890) (collected in A Group of Noble Dames)
  • "Squire Petrick's Lady" (1890) (collected in A Group of Noble Dames)
  • "Barbara of the House of Grebe" (1890) (collected in A Group of Noble Dames)
  • "The Melancholy Hussar of The German Legion" (1890) (collected in Life's Little Ironies)
  • "Absent-Mindedness in a Parish Choir" (1891) (collected in Life's Little Ironies)
  • "The Winters and the Palmleys" (1891) (collected in Life's Little Ironies)
  • "For Conscience' Sake" (1891) (collected in Life's Little Ironies)
  • "Incident In The Life Of Mr. George Crookhill" (1891) (collected in Life's Little Ironies)
  • "The Doctor's Legend" (1891)
  • "Andrey Satchel and the Parson and Clerk" (1891) (collected in Life's Little Ironies)
  • "The History of the Hardcomes" (1891) (collected in Life's Little Ironies)
  • "Netty Sargent's Copyhold" (1891) (collected in Life's Little Ironies)
  • "On The Western Circuit" (1891) (collected in Life's Little Ironies)
  • "A Few Crusted Characters: Introduction" (1891) (collected in Life's Little Ironies)
  • "The Superstitious Man's Story" (1891) (collected in Life's Little Ironies)
  • "Tony Kytes, the Arch-Deceiver" (1891) (collected in Life's Little Ironies)
  • "To Please His Wife" (1891) (collected in Life's Little Ironies)
  • "The Son's Veto" (1891) (collected in Life's Little Ironies)
  • "Old Andrey's Experience as a Musician" (1891) (collected in Life's Little Ironies)
  • "Our Exploits At West Poley" (1892–93)
  • "Master John Horseleigh, Knight" (1893) (collected in A Changed Man and Other Stories)
  • "The Fiddler of the Reels" (1893) (collected in Life's Little Ironies)
  • "An Imaginative Woman" (1894) (collected in Wessex Tales, 1896 edition)
  • "The Spectre of the Real" (1894)
  • "A Committee-Man of 'The Terror'" (1896) (collected in A Changed Man and Other Stories)
  • "The Duke's Reappearance" (1896) (collected in A Changed Man and Other Stories)
  • "The Grave by the Handpost" (1897) (collected in A Changed Man and Other Stories)
  • "A Changed Man" (1900) (collected in A Changed Man and Other Stories)
  • "Enter a Dragoon" (1900) (collected in A Changed Man and Other Stories)
  • "Blue Jimmy: The Horse Stealer" (1911)
  • "Old Mrs. Chundle" (1929)
  • "The Unconquerable"(1992)

Poetry collections

Online poems: Poems by Thomas Hardy[66] at Poetry Foundation and Poems by Thomas Hardy at[67]


  • The Dynasts: An Epic-Drama of the War with Napoleon (verse drama)
    • The Dynasts, Part 1 (1904)
    • The Dynasts, Part 2 (1906)
    • The Dynasts, Part 3 (1908)
  • The Famous Tragedy of the Queen of Cornwall at Tintagel in Lyonnesse (1923) (one-act play)


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  17. ^ "Nomination Database".
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  24. ^ Thomas Hardy (17 November 2013). Delphi Complete Works of Thomas Hardy (Illustrated). Delphi Classics. pp. 570–. ISBN 978-1-908909-17-6.
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  28. ^ a b "Thomas Hardy", The Norton Anthology of English Literature, 7th edition, vol.2 . New York: W. W. Norton, 2000, p.1916.
  29. ^ Larkin, Philip 1983, "Wanted: Good Hardy Critic" in Required Writing, London: Faber and Faber.
  30. ^ Geoffrey Harvey, Thomas Hardy: The Complete Critical Guide to Thomas Hardy. New York: Routledge, 2003, p.108.
  31. ^ "Far from the Madding Crowd, Thomas Hardy – Introduction (Twentieth-Century Literary Criticism. Ed. Linda Pavlovski. Vol. 153. Gale Group, Inc.,)". Retrieved 7 September 2009.
  32. ^ "Introduction" to the Penguin edition of Jude the Obscure (1978). Harmondsworth: Penguin Books, 1984, p.13.
  33. ^ a b "Thomas Hardy (British writer) – Encyclopædia Britannica". 6 November 2013. Retrieved 19 May 2014.
  34. ^ "Thomas Hardy", The Bloomsbury Guide to English Literature, ed. Marion Wynne Davies. New York: Prentice Hall, 1990, p.583.
  35. ^ The Bloomsbury Guide, p.583.
  36. ^ a b "Thomas Hardy | Academy of American Poets". 11 January 1928. Retrieved 19 May 2014.
  37. ^ a b c Axelrod, Jeremy. "Thomas Hardy". The Poetry Foundation. Retrieved 19 May 2014.
  38. ^ Katherine Kearney Maynard, Thomas Hardy's Tragic Poetry: The Lyrics and The Dynasts. Iowa City: University of Iowa Press, 1991, pp.8–12.
  39. ^ Tomalin, Claire. "Thomas Hardy." New York: Penguin, 2007.
  40. ^ "The Norton Anthology of English Literature, 7th edition, vol. 2, p.1916.
  41. ^ Katherine Kearney Maynard, Thomas Hardy's Tragic Poetry: The Lyrics and The Dynasts. Iowa City: University of Iowa Press, 1991, pp8-12.
  42. ^ Herbert N. Schneidau. Waking Giants: The Presence of the Past in Modernism. Retrieved 16 April 2008. (Google Books)
  43. ^ Song cycle Earth and Air and Rain (1936)
  44. ^ "Biography " Gerald Finzi Official Site". 27 September 1956. Retrieved 19 May 2014.
  45. ^ Song cycle Winter Words (1953)
  46. ^ "Gustav Holst (Vocal Texts and Translations for Composer Gustav Holst)". LiederNet Archive. Retrieved 19 May 2014.
  47. ^ "". 11 January 1928. Retrieved 19 May 2014.
  48. ^ "Thomas Hardy", The Norton Anthology of English Literature, 7th edition, vol.2, p.1916.
  49. ^ Claire Tomalin, Thomas Hardy, The Time Torn Man(Penguin, 2007), pp.46–47.
  50. ^ Wotton, G. (1985), Thomas Hardy: Towards A Materialist Criticism, Lanham: Rowman & Littlefield, p.36
  51. ^ Florence Emily Hardy, The Early Life of Thomas Hardy, 1840–1891, p. 269
  52. ^ a b Ellman, Richard, & O'Clair, Robert (eds.) 1988. "Thomas Hardy" in The Norton Anthology of Modern Poetry, Norton, New York.
  53. ^ [1] Archived 22 June 2013 at the Wayback Machine
  54. ^ "Adelene Buckland: Thomas Hardy, Provincial Geology and the Material Imagination". Retrieved 10 December 2011.
  55. ^ "Thomas Hardy's Wessex". Retrieved 19 May 2014.
  56. ^ "Thomas Hardy's Wessex: The Evolution of Wessex". Archived from the original on 2 May 2013. Retrieved 19 May 2014.
  57. ^ Gamble, Cynthia, 2015 Wenlock Abbey 1857–1919: A Shropshire Country House and the Milnes Gaskell Family, Ellingham Press.
  58. ^ Terry R. Wright, "Hardy's Heirs: D. H. Lawrence and John Cowper Powys" in A Companion to Thomas Hardy. Chichester, Sussex: John Wiley, 2012.[2]
  59. ^ Terry R. Wright, "Hardy's Heirs: D. H. Lawrence and John Cowper Powys"
  60. ^ Morine Krissdottir, Descents of Memory: The Life of John Cowper Powys. (New York: Overlook Duckworth, 2007), p. 312.
  61. ^ Herbert Williams, John Cowper Powys. (Bridgend, Wales: Seren, 1997), p. 94.
  62. ^ "Cakes and Ale". Encyclopædia Britannica. Encyclopædia Britannica Online Academic Edition. Encyclopædia Britannica Inc. 2015. Retrieved 26 April 2015.
  63. ^ Christopher Durang The Marriage of Bette and Boo. New York: Grove Press, 1987.[3]
  64. ^ See for example the song "Their damnation slumbereth not", which is a quotation from Thomas Hardy's novel Tess of the d'Urbervilles,Hardy, Thomas (1891). Tess of the d'Urbervilles. Chapter 12. Retrieved 21 February 2015. which is itself an adaptation of the Second Epistle of Peter at 2:3: "Their damnation slumbereth not".
  65. ^ Purdy, Richard (October 1944). "Thomas Hardy And Florence Henniker: The Writing Of "The Spectre Of The Real". Colby Library Quarterly, series 1, no.8: 122–6.
  66. ^ Axelrod, Jeremy. "Thomas Hardy". The Poetry Foundation. Retrieved 19 May 2014.
  67. ^ “Thomas Hardy poems”.

Biographies and criticism

  • Armstrong, Tim. "Player Piano: Poetry and Sonic Modernity" in Modernism/Modernity 14.1 (January 2007), 1–19.
  • Beatty, Claudius J.P. Thomas Hardy: Conservation Architect. His Work for the Society for the Protection of Ancient Buildings. Dorset Natural History and Archaeological Society 1995. ISBN 0-900341-44-0
  • Blunden, Edmund. Thomas Hardy. New York: St. Martin's, 1942.
  • Brady, Kristen. The Short Stories of Thomas Hardy. London: Macmillan, 1982.
  • Boumelha, Penny. Thomas Hardy and Women. New Jersey: Barnes and Noble, 1982.
  • Brennecke, Jr., Ernest. The Life of Thomas Hardy. New York: Greenberg, 1925.
  • Cecil, Lord David. Hardy the Novelist. London: Constable, 1943.
  • D'Agnillo, Renzo, "Music and Metaphor in Under the Greenwood Tree, in The Thomas Hardy Journal, 9, 2 (May 1993), pp.39–50.
  • D'Agnillo, Renzo, “Between Belief and Non-Belief: Thomas Hardy’s ‘The Shadow on the Stone’”, in Thomas Hardy, Francesco Marroni and Norman Page (eds), Pescara, Edizioni Tracce, 1995, pp.197–222.
  • Deacon, Lois and Terry Coleman. Providence and Mr. Hardy. London: Hutchinson, 1966.
  • Draper, Jo. Thomas Hardy: A Life in Pictures. Wimborne, Dorset: The Dovecote Press.
  • Ellman, Richard & O'Clair, Robert (eds.) 1988. "Thomas Hardy" in The Norton Anthology of Modern Poetry, Norton, New York.
  • Gatrell, Simon. Hardy the Creator: A Textual Biography. Oxford: Clarendon, 1988.
  • Gibson, James. Thomas Hardy: A Literary Life. London: Macmillan, 1996.
  • Gibson, James. Thomas Hardy: Interviews and Recollections. London: Macmillan, 1999; New York: St Martin's Press, 1999.
  • Gittings, Robert. Thomas Hardy's Later Years. Boston : Little, Brown, 1978.
  • Gittings, Robert. Young Thomas Hardy. Boston : Little, Brown, 1975.
  • Gittings, Robert and Jo Manton. The Second Mrs Hardy. London: Heinemann, 1979.
  • Gossin, P. Thomas Hardy's Novel Universe: Astronomy, Cosmology, and Gender in the Post-Darwinian World. Aldershot, Ashgate, 2007 (The Nineteenth Century Series).
  • Halliday, F. E. Thomas Hardy: His Life and Work. Bath: Adams & Dart, 1972.
  • Hands, Timothy. Thomas Hardy : Distracted Preacher? : Hardy's religious biography and its influence on his novels. New York: St. Martin's Press, 1989.
  • Hardy, Evelyn. Thomas Hardy: A Critical Biography. London: Hogarth Press, 1954.
  • Hardy, Florence Emily. The Early Life of Thomas Hardy, 1840–1891. London: Macmillan, 1928.
  • Hardy, Florence Emily. The Later Years of Thomas Hardy, 1892–1928 London: Macmillan, 1930.
  • Harvey, Geoffrey. Thomas Hardy: The Complete Critical Guide to Thomas Hardy. New York: Routledge (Taylor & Francis Group), 2003.
  • Hedgcock, F. A., Thomas Hardy: penseur et artiste. Paris: Librairie Hachette, 1911.
  • Holland, Clive. Thomas Hardy O.M.: The Man, His Works and the Land of Wessex. London: Herbert Jenkins, 1933.
  • Jedrzejewski, Jan. Thomas Hardy and the Church. London: Macmillan, 1996.
  • Johnson, Lionel Pigot. The art of Thomas Hardy (London: E. Mathews, 1894).
  • Kay-Robinson, Denys. The First Mrs Thomas Hardy. London: Macmillan, 1979.
  • Langbaum, Robert. "Thomas Hardy in Our Time." New York: St. Martin's Press, 1995, London: Macmillan, 1997.
  • Marroni, Francesco, "The Negation of Eros in 'Barbara of the House of Grebe’ ", in "Thomas Hardy Journal", 10, 1 (February 1994) pp. 33–41
  • Marroni, Francesco and Norman Page (eds.), Thomas Hardy. Pescara: Edizioni Tracce, 1995.
  • Marroni, Francesco, La poesia di Thomas Hardy. Bari: Adriatica Editrice, 1997.
  • Marroni, Francesco, "The Poetry of Ornithology in Keats, Leopardi, and Hardy: A Dialogic Analysis", in "Thomas Hardy Journal", 14, 2 (May 1998) pp. 35–44
  • Millgate, Michael (ed.). The Life and Work of Thomas Hardy by Thomas Hardy. London: Macmillan, 1984.
  • Millgate, Michael. Thomas Hardy: A Biography. New York: Random House, 1982.
  • Millgate, Michael. Thomas Hardy: A Biography Revisited. Oxford: Oxford University Press, 2004.
  • Morgan, Rosemarie, (ed) The Ashgate Research Companion to Thomas Hardy, (Ashgate publishing), 2010.
  • Morgan, Rosemarie, (ed) The Hardy Review,(Maney Publishing), 1999–.
  • Morgan, Rosemarie, Student Companion to Thomas Hardy (Greenwood Press),2006.
  • Morgan, Rosemarie, Cancelled Words: Rediscovering Thomas Hardy (Routledge, Chapman & Hall),1992
  • Morgan, Rosemarie, Women and Sexuality in the Novels of Thomas Hardy (Routledge & Kegan Paul), 1988; paperback: 1990.
  • Musselwhite, David, Social Transformations in Hardy's Tragic Novels: Megamachines and Phantasms, Palgrave Macmillan, 2003.
  • Norman, Andrew. Behind the Mask, History Press, 2011. ISBN 978-0-7524-5630-0
  • O'Sullivan, Timothy. Thomas Hardy: An Illustrated Biography. London: Macmillan, 1975.
  • Orel, Harold. The Final Years of Thomas Hardy, 1912–1928. Lawrence: University Press of Kansas, 1976.
  • Orel, Harold. The Unknown Thomas Hardy. New York: St. Martin's, 1987.
  • Page, Norman, ed. Thomas Hardy Annual. No.1: 1982; No.2: 1984; No.3: 1985; No.4:1986; No.5; 1987. London: Macmillan, 1982–1987.
  • Phelps, Kenneth. The Wormwood Cup: Thomas Hardy in Cornwall. Padstow: Lodenek Press, 1975.
  • Pinion, F. B. Thomas Hardy: His Life and Friends. London: Palgrave, 1992.
  • Pite, Ralph. Thomas Hardy: The Guarded Life. London: Picador, 2006.
  • Saxelby, F. Outwin. A Thomas Hardy dictionary : the characters and scenes of the novels and poems alphabetically arranged and described (London: G. Routledge, 1911).
  • Seymour-Smith, Martin. Hardy. London: Bloomsbury, 1994.
  • Stevens-Cox, J. Thomas Hardy: Materials for a Study of his Life, Times, and Works. St. Peter Port, Guernsey: Toucan Press, 1968.
  • Stevens-Cox, J. Thomas Hardy: More Materials for a Study of his Life, Times, and Works. St. Peter Port, Guernsey: Toucan Press, 1971.
  • Stewart, J. I. M. Thomas Hardy: A Critical Biography. New York: Dodd, Mead & Co., 1971.
  • Taylor, Richard H. The Neglected Hardy: Thomas Hardy's Lesser Novels. London: Macmillan; New York: St Martin's Press, 1982.
  • Taylor, Richard H., ed. The Personal Notebooks of Thomas Hardy. London: Macmillan, 1979.
  • Turner, Paul. The Life of Thomas Hardy: A Critical Biography. Oxford: Blackwell, 1998.
  • Weber, Carl J. Hardy of Wessex, his Life and Literary Career. New York: Columbia University Press, 1940.
  • Wilson, Keith. Thomas Hardy on Stage. London: Macmillan, 1995.
  • Wilson, Keith, ed. Thomas Hardy Reappraised: Essays in Honour of Michael Millgate. Toronto: University of Toronto Press, 2006.
  • Wilson, Keith, ed. A Companion to Thomas Hardy. Wiley-Blackwell, 2009.
  • Wotton, George. Thomas Hardy: Towards A Materialist Criticism. Lanham: Rowman & Littlefield, 1985.

External links

Accolade Wines

Accolade Wines is a major global wine business with headquarters in South Australia. It has been owned by The Carlyle Group, an American private equity company, since 2018.Accolade has more than 1700 employees around the world, with operations in North America, the United Kingdom, Ireland, mainland Europe, South Africa, Australia, New Zealand and Asia.

Desperate Remedies

Desperate Remedies is the second novel by Thomas Hardy, albeit the first to be published. It was released anonymously by Tinsley Brothers in 1871.

Indian Councils Act 1909

The Indian Councils Act 1909 (9 Edw. 7 Ch. 4), commonly known as the Morley-Minto or Minto-Morley Reforms, was an Act of the Parliament of the United Kingdom that brought about a limited increase in the involvement of Indians in the governance of British India.

Jude the Obscure

Jude the Obscure is a novel by Thomas Hardy, which began as a magazine serial in December 1894 and was first published in book form in 1895. It is Hardy's last completed novel. Its protagonist, Jude Fawley, is a working-class young man, a stonemason, who dreams of becoming a scholar. The other main character is his cousin, Sue Bridehead, who is also his central love interest. The novel is concerned in particular with issues of class, education, religion, morality and marriage.

Max Gate

Max Gate is the former home of Thomas Hardy and is located on the outskirts of Dorchester, Dorset, England. It was designed and built by Thomas Hardy for his own use in 1885 and he lived there until his death in 1928. In 1940 it was bequeathed to the National Trust by Hardy's sister and is now open to the public. It was designated as a Grade I listed building on 8 May 1970.

Sir Thomas Hardy, 1st Baronet

Vice-Admiral Sir Thomas Masterman Hardy, 1st Baronet, GCB (5 April 1769 – 20 September 1839) was a Royal Navy officer. He took part in the Battle of Cape St Vincent in February 1797, the Battle of the Nile in August 1798 and the Battle of Copenhagen in April 1801 during the French Revolutionary Wars. He served as flag captain to Admiral Lord Nelson, and commanded HMS Victory at the Battle of Trafalgar in October 1805 during the Napoleonic Wars. Nelson was shot as he paced the decks with Hardy, and as he lay dying, Nelson's famous remark of "Kiss me, Hardy" was directed at him. Hardy went on to become First Naval Lord in November 1830 and in that capacity refused to become a Member of Parliament and encouraged the introduction of steam warships.

St Juliot

St Juliot is a civil parish in north-east Cornwall, England, United Kingdom. The parish is entirely rural and the only settlements are the hamlets of Beeny and Tresparrett. The parish population at the 2011 census was 328.

Tess of the d'Urbervilles

Tess of the d'Urbervilles: A Pure Woman Faithfully Presented is a novel by Thomas Hardy. It initially appeared in a censored and serialised version, published by the British illustrated newspaper The Graphic in 1891, then in book form in three volumes in 1891, and as a single volume in 1892. Though now considered a major nineteenth-century English novel and possibly Hardy's fictional masterpiece, Tess of the d'Urbervilles received mixed reviews when it first appeared, in part because it challenged the sexual morals of late Victorian England.

Tess of the d'Urbervilles (1924 film)

Tess of the d'Urbervilles is a 1924 American silent drama film starring Blanche Sweet, and Conrad Nagel. It was directed by Sweet's husband, Marshall Neilan. The film is the second motion picture adaptation of the novel by Thomas Hardy, which had been turned into a very successful 1897 play starring Mrs. Fiske. In 1913, Adolph Zukor enticed Mrs. Fiske to reprise her role in a film version which is now considered lost. The 1924 version is also considered lost.

The Claim (2000 film)

The Claim is a 2000 British-Canadian Western romance film directed by Michael Winterbottom and starring Peter Mullan, Wes Bentley, Sarah Polley, Nastassja Kinski and Milla Jovovich. The screenplay by Frank Cottrell Boyce is loosely based on the novel The Mayor of Casterbridge, by Thomas Hardy. The original music score is composed by Michael Nyman. The film did poorly at the box office and was received as an average film by critics.

The Darkling Thrush

"The Darkling Thrush" is a poem by Thomas Hardy. Originally titled ""By the Century's Deathbed, 1900", it was published on 29 December 1900 in The Graphic. A deleted '1899' on the poem's manuscript suggests that it may have been written the year before. It was later included in a collection entitled Poems of the Past and the Present (1901).

The first stanzas open with a description of the dreary, bleak winter landscape, but the melancholy tone is transformed by the bright, optimistic singing of "an aged thrush, frail, gaunt, and small." In the end, the speaker concludes that the small bird possesses "some blessed Hope, whereof he knew and I was unaware."

The Man He Killed

"The Man He Killed" is a poem written by Thomas Hardy. Written in 1902, it was first published in Harper's Weekly, Nov. 8 1902. The first book publication was in his Time's Laughingstocks and Other Verses (London: Macmillan, 1909).

The Mayor of Casterbridge

The Mayor of Casterbridge: The Life and Death of a Man of Character is an 1886 novel by the English author Thomas Hardy. One of Hardy's Wessex novels, it is set in a fictional rural England with Casterbridge standing in for Dorchester in Dorset where the author spent his youth. It was first published as a weekly serialisation from January 1886.

The novel is considered to be one of Hardy's masterpieces, although it has been criticised for incorporating too many incidents: a consequence of the author trying to include something in every weekly published instalment.

The Three Strangers

"The Three Strangers" is a short story by Thomas Hardy from 1883.

Thomas Hardy's Cottage

Thomas Hardy's Cottage, in Higher Bockhampton, Dorset, is a small cob and thatch building that is the birthplace of the English author Thomas Hardy. He was born there in 1840 and lived in the cottage until he was aged 34—during which time he wrote the novels Under the Greenwood Tree (1872) and Far from the Madding Crowd (1874)—when he left home to be married to Emma Gifford.

The cottage was built by Hardy's great-grandfather in 1800. It is now a National Trust property, and a popular tourist attraction. The property has a typical cottage garden, and the interior displays furniture which, although not from the Hardy family, is original to the period. The property is situated on the northern boundary of Thorncombe Wood. It is only three miles from Max Gate, the house that Hardy designed and lived in with Emma Gifford from 1885 until his death in 1928.

In 2012 the go ahead was given to a project to build a new visitor centre near the cottage. The project also included new trails in Thorncombe Wood. The project, which secured £525,000 from the Heritage Lottery Fund, was a joint partnership between Dorset County Council and the National Trust. The visitor centre opened in September 2014.

Thomas Hardy's Wessex

The English author Thomas Hardy set all of his major novels in the south and southwest of England. He named the area "Wessex" after the medieval Anglo-Saxon kingdom that existed in this part of that country prior to the unification of England by Æthelstan. Although the places that appear in his novels actually exist, in many cases he gave the place a fictional name. For example, Hardy's home town of Dorchester is called Casterbridge in his books, notably in The Mayor of Casterbridge. In an 1895 preface to the novel Far From the Madding Crowd he described Wessex as "a merely realistic dream country".The actual definition of "Hardy's Wessex" varied widely throughout Hardy's career, and was not definitively settled until after he retired from writing novels. When he created the concept of a fictional Wessex, it consisted merely of the small area of Dorset in which Hardy grew up; by the time he wrote Jude the Obscure, the boundaries had extended to include all of Dorset, Wiltshire, Somerset, Devon, Hampshire, much of Berkshire, and some of Oxfordshire, with its most north-easterly point being Oxford (renamed "Christminster" in the novel). Cornwall was also referred to but named "Off Wessex". Similarly, the nature and significance of ideas of "Wessex" were developed over a long series of novels through a lengthy period of time. The idea of Wessex plays an important artistic role in Hardy's works (particularly his later novels), assisting the presentation of themes of progress, primitivism, sexuality, religion, nature and naturalism; however, this is complicated by the economic role Wessex played in Hardy's career. Considering himself primarily to be a poet, Hardy wrote novels mostly to earn money. Books that could be marketed under the Hardy brand of "Wessex novels" were particularly lucrative, which gave rise to a tendency to sentimentalised, picturesque, populist descriptions of Wessex – which, as a glance through most tourist giftshops in the south-west will reveal, remain popular with consumers today.

Hardy's resurrection of the name "Wessex" is largely responsible for the popular modern use of the term to describe the south-west region of England (with the exception of Cornwall and arguably Devon); today, a panoply of organisations take their name from Hardy to describe their relationship to the area. Hardy's conception of Wessex as a separate, cohesive geographical and political identity has proved powerful, despite the fact it was originally created purely as an artistic conceit, and has spawned a lucrative tourist trade, and even a devolutionist Wessex Regionalist Party.

Tom Hardy

Edward Thomas Hardy (born 15 September 1977) is an English actor and producer. After studying method acting at the Drama Centre London, Hardy made his film debut in Ridley Scott's Black Hawk Down (2001) and has since appeared in such films as Star Trek: Nemesis (2002), RocknRolla (2008), Bronson (2008), Warrior (2011), Tinker Tailor Soldier Spy (2011), Lawless (2012), Locke (2013), The Drop (2014), and The Revenant (2015), for which he received a nomination for the Academy Award for Best Supporting Actor. In 2015, Hardy portrayed "Mad" Max Rockatansky in Mad Max: Fury Road and both Kray twins in Legend. He has appeared in three Christopher Nolan films: Inception (2010), The Dark Knight Rises (2012) as Bane, and Dunkirk (2017) as an RAF fighter-pilot. He starred as Eddie Brock / Venom in Marvel's antihero film Venom (2018).

Hardy's television roles include the HBO war drama miniseries Band of Brothers (2001), the BBC historical drama miniseries The Virgin Queen (2005), Bill Sikes in the BBC's miniseries Oliver Twist (2007), ITV's Wuthering Heights (2008), the Sky 1 drama series The Take (2009), and the BBC historical crime drama series Peaky Blinders (2013–17). He created, co-produced, and took the lead in the eight-part historical fiction series Taboo (2017) on BBC One and FX.Hardy has performed on both British and American stages. He was nominated for the Laurence Olivier Award for Most Promising Newcomer for his role as Skank in the production of In Arabia We'd All Be Kings (2003), and was awarded the 2003 London Evening Standard Theatre Award for Outstanding Newcomer for his performances in both In Arabia We'd All Be Kings and for his role as Luca in Blood. He starred in the production of The Man of Mode (2007) and received positive reviews for his role in the play The Long Red Road (2010).

Hardy is active in charity work and is an ambassador for the Prince's Trust. He was appointed Commander of the Order of the British Empire (CBE) in the 2018 Birthday Honours for services to drama.

Under the Greenwood Tree (1929 film)

Under the Greenwood Tree is a 1929 British historical drama film directed by Harry Lachman and starring Marguerite Allan, Nigel Barrie and Wilfred Shine. It is an adaptation of the novel Under the Greenwood Tree by Thomas Hardy.

Winter Words (song cycle)

Winter Words, Op. 52, is a song cycle for tenor and piano by Benjamin Britten. Written in 1953, it sets eight poems by Thomas Hardy. Winter Words is one of Britten's few compositions from the period after the premiere of his opera Gloriana; its poems are from Hardy's last published collection, having the same title. The cycle was premiered at the Leeds Festival in October 1953, with Peter Pears singing and Britten at the piano. It was dedicated to John and Myfanwy Piper.A performance takes about 22 minutes. The poems are:

"At Day-Close in November"

"Midnight on the Great Western" (or, "The Journeying Boy")

"Wagtail and Baby (A Satire)"

"The Little Old Table"

"The Choirmaster's Burial" (or, "The Tenor Man's Story")

"Proud Songsters (Thrushes, Finches and Nightingales)"

"At the Railway Station, Upway" (or, "The Convict and Boy with the Violin")

"Before Life and After"

Thomas Hardy
Short story collections
Short stories
Poetry collections
Thomas Hardy's Far from the Madding Crowd (1874)
Thomas Hardy's Tess of the d'Urbervilles (1892)
Thomas Hardy's The Mayor of Casterbridge (1886)


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