The Pride of the Yankees

The Pride of the Yankees is a 1942 American film produced by Samuel Goldwyn, directed by Sam Wood, and starring Gary Cooper, Teresa Wright, and Walter Brennan. It is a tribute to the legendary New York Yankees first baseman Lou Gehrig, who died only one year before its release, at age 37, from amyotrophic lateral sclerosis, which later became known to the lay public as "Lou Gehrig's disease".

Though subtitled "The Life of Lou Gehrig", the film is less a sports biography than an homage to a heroic and widely loved sports figure whose tragic and premature death touched the entire nation. It emphasizes Gehrig's relationship with his parents (particularly his strong-willed mother), his friendships with players and journalists, and his storybook romance with the woman who became his "companion for life," Eleanor. Details of his baseball career—which were still fresh in most fans' minds in 1942—are limited to montages of ballparks, pennants, and Cooper swinging bats and running bases, though Gehrig's best-known major league record—2,130 consecutive games played—is prominently cited.

Yankee teammates Babe Ruth, Bob Meusel, Mark Koenig, and Bill Dickey play themselves, as does sportscaster Bill Stern. The film was adapted by Herman J. Mankiewicz, Jo Swerling, and an uncredited Casey Robinson from a story by Paul Gallico, and received 11 Oscar nominations. Its climax is a re-enactment of Gehrig's poignant 1939 farewell speech at Yankee Stadium. The film's iconic closing line—"Today, I consider myself the luckiest man on the face of the Earth"—was voted 38th on the American Film Institute's list of 100 greatest movie quotes.[3]

The Pride of the Yankees: The Life of Lou Gehrig
The Pride Of The Yankees 1942
Theatrical release poster
Directed bySam Wood
Produced bySamuel Goldwyn
William Cameron Menzies
Screenplay byJo Swerling
Herman J. Mankiewicz
Story byPaul Gallico
StarringGary Cooper
Teresa Wright
Babe Ruth
Walter Brennan
Music byLeigh Harline
CinematographyRudolph Maté
Edited byDaniel Mandell
Production
company
Distributed byRKO Radio Pictures
Release date
  • July 14, 1942
Running time
128 minutes
CountryUnited States
LanguageEnglish
Box office$2.5 million (US rentals)[1][2]

Plot

Lou Gehrig (Cooper) is a young Columbia University student whose old-fashioned mother (Elsa Janssen) wants him to study hard and become an engineer, but the young man has a gift for baseball. A sportswriter (Brennan) befriends Gehrig and persuades a scout to come see him play. When his mother gets sick, Gehrig signs with the team he has always revered, the New York Yankees to pay for the hospital bills. With the help of his father (Ludwig Stössel), he endeavors to keep his career change a secret from his mother.

Gehrig works his way up through the minor leagues and joins the Yankees. His hero, Babe Ruth, is at first condescending and dismissive of the rookie, but his strong, consistent play wins over Ruth and the rest of the team. Gehrig is soon joining teammates in playing pranks on Ruth on the team train.

During a game at Comiskey Park, Gehrig trips over a stack of bats and is teased by a spectator, Eleanor (Wright), who laughingly calls him "tanglefoot". Later, they are properly introduced, leading to a relationship, and then an engagement. Gehrig's mother, who still hasn't accepted the fact that her son will not be an engineer, does not take this news well; but Gehrig finally stands up to her and marries Eleanor.

The Yankees become the most dominant team in baseball, and Gehrig becomes a fan favorite. His father and fully converted mother attend games and cheer for him. In a re-creation of a famous (and possibly apocryphal) story, Gehrig visits a crippled boy named Billy (Gene Collins) in a hospital. He promises to hit two home runs in a single World Series game in the boy's honor—then fulfills his promise.

Gehrig is now the "Iron Horse", a national hero at the peak of his career with multitudes of fans, many loyal friends, and an adoring wife. Then he begins to notice, with growing alarm, that his strength is slowly ebbing away. Though he continues to play, and extends his consecutive-game streak to a seemingly insurmountable record, his physical condition continues its inexorable decline. One day, in Detroit, he tells Yankees manager Joe McCarthy (Harry Harvey) that he has become a detriment to the team and benches himself. After an examination, a doctor gives him the awful news: Gehrig has a rare, incurable disease, and only a short time to live.

A year later, at Lou Gehrig Day at Yankee Stadium, an older Billy (David Holt) finds Gehrig and shows him that he has made a full recovery, inspired by his hero's example and the two-homer fulfilled promise. Then, as Eleanor weeps softly in the stands, Gehrig addresses the fans: "People all say that I've had a bad break. But today ... today, I consider myself the luckiest man on the face of the Earth."

Cast

As per AFI database:[4]

Production

Samuel Goldwyn displayed little interest in Sam Wood's initial proposal to make a movie tribute to Gehrig, as he had no knowledge or interest in baseball. In addition, conventional Hollywood wisdom dictated that sports pictures were box-office poison, as women, who made up more than half the audience and made most movie-going decisions, didn't like them. After Wood screened newsreel footage of Gehrig's famous "luckiest man" speech, however, Goldwyn—with tears in his eyes—agreed to produce the picture.[5]

In a 1941 press campaign publicizing plans for the film, RKO Pictures announced a major talent hunt for Gehrig's portrayer; but Goldwyn and Wood reportedly never considered casting anyone but Cooper in the title role.[5] Although he was ideally suited to the part due to his physical resemblance to Gehrig and the quiet strength and masculine appeal that he projected, Cooper was reluctant to accept it because he, like Goldwyn, had no interest in baseball. By one account, he had never watched a game prior to taking the role.[6] Another problem was Cooper's age (41), particularly in scenes involving Gehrig as a young man. Cinematographer Rudolph Maté lighted Cooper from below during those early scenes to conceal lines and wrinkles, then gradually reduced and finally eliminated the lighting effect as the story progressed.[5]

Another important (and problematic) casting decision was Babe Ruth, as himself. Ruth's health had been declining steadily since his retirement in 1935, and by 1942 he weighed nearly 270 pounds. He was put on a strict diet to achieve a presentable weight before filming began. This rapid weight loss, on the heels of a heart attack followed by a car accident, combined with the tough shooting schedule and Ruth's propensity to keep late hours, weakened him significantly. By the time filming wrapped he had developed pneumonia severe enough to require a period of hospitalization.[5]

Multiple published sources[7][8] have asserted that Cooper, who was right-handed, could not master a convincing left-handed swing. To remedy the problem, the story went, he was filmed wearing a mirror-image uniform and swinging from the right side of the plate, then running to third base instead of first; technicians then purportedly flopped the print of the film. Tom Shieber, a curator at the National Baseball Hall of Fame, has shown, however, that Cooper did indeed learn to bat left-handed, and never wore a backwards Yankees uniform nor ran to third base after swinging.[9] Film footage was, in fact, flopped only once, during a brief sequence portraying Gehrig's minor league days at Hartford, in order to make Cooper appear to be throwing left-handed — a far more difficult task for a right-hander to master. ("[Cooper] threw the ball like an old woman tossing a hot biscuit," said Lefty O'Doul, who tried unsuccessfully to teach him a convincing left-handed throw.)[6] Scenes requiring Cooper to throw a ball as a Yankee were filmed using his stand-in, the left-handed Babe Herman.[10]

Scenes purporting to depict Yankee Stadium, Comiskey Park, and other ballparks were all filmed at Wrigley Field in Los Angeles, home of the Los Angeles Angels of the old Pacific Coast League, and a popular venue for baseball movies of the era, as well as the Home Run Derby television series.[10]

Acknowledgment in opening credits

"Appreciation is expressed
for the gracious assistance
of Mrs. Lou Gehrig and
for the cooperation of
Mr. Ed Barrow and the
New York Yankees arranged
by Christy Walsh."

Foreword

"This is the story of
a hero of the peaceful
paths of everyday life.

It is the story of a
gentle young man who, in
the full flower of his
great fame, was a lesson
in simplicity and modesty
to the youth of America.

He faced death with that
same valor and fortitude
that has been displayed
by thousands of young
Americans on far-flung
fields of battle. He left
behind him a memory of
courage and devotion that
will ever be an inspiration
to all men.

This is the story of Lou Gehrig.

Damon Runyon

Release

Gehrig died on June 2, 1941. The film premiered on July 14, 1942 in New York City at the Astor Theatre, and was shown for one night only at "forty neighborhood theatres." Preceding the film was the premiere of an animated short called "How to Play Baseball," produced by Walt Disney Animation Studios at Goldwyn's request.[11]

Reception

Critical

Variety magazine called the film a "stirring epitaph" and a "sentimental, romantic saga ... well worth seeing."[12]

Time magazine said the film was a "grade-A love story" done with "taste and distinction" though it was "somewhat overlong, repetitive, undramatic. Baseball fans who hope to see much baseball played in Pride of the Yankees will be disappointed. Babe Ruth is there, playing himself with fidelity and considerable humor; so are Yankees Bill Dickey, Bob Meusel, Mark Koenig. But baseball is only incidental. The hero does not hit a home run and win the girl. He is just a hardworking, unassuming, highly talented professional. The picture tells the model story of his model life in the special world of professional ballplayers."[13]

Bosley Crowther of The New York Times called it a "tender, meticulous and explicitly narrative film" that "inclines to monotony" because of its length and devotion to "genial details."[11]

Box office

The Pride of the Yankees was the 7th-highest grossing film of 1942, with $8.08 million in box office receipts.[14] Despite its wide popularity, RKO took a loss of $213,000 on the film due to the small distribution fee that Samuel Goldwyn had negotiated with the studio. All of Goldwyn's pictures produced a loss for RKO no matter how much money they took in; but the studio considered the arrangement acceptable, because its association with Goldwyn lent prestige to RKO, and enhanced sales of its own movies.[15]

Awards and other recognition

The Pride of the Yankees2
Cooper with Babe Ruth in a publicity photo for the film

Film Editor Daniel Mandell won an Academy Award for his work on The Pride of the Yankees.[16] The film received ten additional Oscar nominations:[17][18]

  • Best Actor in a Leading Role (Cooper)
  • Best Actress in a Leading Role (Wright)
  • Best Art Direction-Interior Decoration, Black-and-White
  • Best Cinematography, Black-and-White
  • Best Effects, Special Effects (Jack Cosgrove, Ray Binger, Thomas T. Moulton)
  • Best Music, Scoring of a Dramatic or Comedy Picture
  • Best Picture
  • Best Sound Recording (Thomas T. Moulton)
  • Best Writing, Original Story
  • Best Writing, Adapted Screenplay

The American Film Institute ranked The Pride of the Yankees 22nd on its list of the 100 most inspiring films in American cinema.

In AFI's 2008 "Ten Top Tens"—the top ten films in ten "classic" American film genres—The Pride of the Yankees was ranked third in the sports category.[19][20] Gehrig was named the 25th greatest hero in American cinema by the AFI in 2003.

Inaccuracies/artistic licence

As the film opens, Gehrig is depicted belting a home run through a window of the Columbia University athletic building. That building is actually located on the north end of campus, well away from the baseball field; his farthest hits most likely smashed through the windows of a nearby building housing the School of Journalism.[21]

It is shown that Lou Gehrig hits two home runs in a World Series game where Babe Ruth also homers. Such a situation never occurred.

It is shown that Gehrig meets Eleanor Twitchell early in his career and marries her shortly after his first World Series. Actually the two met in 1931 well after Gehrig was an established star. They were married in 1933.

In one of the film's more memorable scenes, a physician matter-of-factly informs Gehrig of his tragic diagnosis, dismal prognosis, and brief life expectancy. In fact, Mayo Clinic doctors painted an unrealistically optimistic picture of Gehrig's condition and prospects, reportedly at his wife's request.[22][23] Among other things he was given "a 50–50 chance of keeping me as I am" for the foreseeable future, and was told that he "...may need a cane in 10 or 15 years." Deliberate concealment of bad news from patients, particularly when cancer or an incurable degenerative disease was involved, was a relatively common practice at the time.[24]

Gehrig's farewell speech

There is no known intact film of Gehrig's actual speech at Yankee Stadium on July 4, 1939; a small portion of the newsreel footage, incorporating his first and last remarks, is all that survives.[25] For the movie, the speech was not reproduced verbatim; the script condensed and reorganized Gehrig's actual spontaneous and unprepared remarks, and moved the iconic "luckiest man" line from the beginning to the end for heightened dramatic effect. Gehrig's message remained essentially unchanged.

Yankee Stadium Speech
"Fans, for the past two weeks you have been reading about a bad break. Yet today I consider myself the luckiest man on the face of the Earth. I have been in ballparks for seventeen years and have never received anything but kindness and encouragement from you fans.

"Look at these grand men. Which of you wouldn't consider it the highlight of his career just to associate with them for even one day? Sure, I'm lucky. Who wouldn't consider it an honor to have known Jacob Ruppert? Also, the builder of baseball's greatest empire, Ed Barrow? To have spent six years with that wonderful little fellow, Miller Huggins? Then to have spent the next nine years with that outstanding leader, that smart student of psychology, the best manager in baseball today, Joe McCarthy? Sure, I'm lucky.

"When the New York Giants, a team you would give your right arm to beat, and vice versa, sends you a gift - that's something. When everybody down to the groundskeepers and those boys in white coats remember you with trophies — that's something. When you have a wonderful mother-in-law who takes sides with you in squabbles with her own daughter — that's something. When you have a father and a mother who work all their lives so you can have an education and build your body — it's a blessing. When you have a wife who has been a tower of strength and shown more courage than you dreamed existed - that's the finest I know.

"So I close in saying that I might have been given a bad break, but I've got an awful lot to live for."

Film Speech
"I have been walking onto ball fields for sixteen years, and I've never received anything but kindness and encouragement from you fans. I have had the great honor to have played with these great veteran ballplayers on my left - Murderers' Row, our championship team of 1927. I have had the further honor of living with and playing with these men on my right - the Bronx Bombers, the Yankees of today.

"I have been given fame and undeserved praise by the boys up there behind the wire in the press box, my friends, the sportswriters. I have worked under the two greatest managers of all time, Miller Huggins and Joe McCarthy.

"I have a mother and father who fought to give me health and a solid background in my youth. I have a wife, a companion for life, who has shown me more courage than I ever knew.

"People all say that I've had a bad break. But today ... today, I consider myself the luckiest man on the face of the Earth."

Adaptations to other media

The Pride of the Yankees was adapted as an hour-long radio play on the October 4, 1943 broadcast of Lux Radio Theater with Gary Cooper and Virginia Bruce and a September 30, 1949 broadcast of Screen Director's Playhouse starring Gary Cooper and Lurene Tuttle.

References

  1. ^ "Top Grossers of the Season", Variety, 5 January 1944 p 54
  2. ^ "101 Pix Gross in Millions" Variety 6 Jan 1943 p 58
  3. ^ The Pride of the Yankees on IMDb
  4. ^ "The Pride of the Yankees". American Film Institute. Retrieved January 6, 2015.
  5. ^ a b c d The Pride of the Yankees. TCM.com, retrieved June 2, 2017.
  6. ^ a b "The Pride of the Yankees, Remembered". Columbia Magazine, April/May, 1989, p.18.
  7. ^ Meyers, Jeffrey: Gary Cooper, American Hero. New York, Cooper Square Press, February 27, 2001, pp. 88-91. ISBN 0815411405
  8. ^ Povich, Shirley (July 13, 1942). "Gehrig Tribute to Open Saturday." Washington Post, p. C-1.
  9. ^ Sandomir, Richard (8 February 2013). "Reversing Course on Reports About a Classic". The New York Times. Retrieved 10 February 2013.
  10. ^ a b Shieber, Tom (February 3, 2013). The Pride of the Yankees/Seeknay. Baseball Researcher. Retrieved February 5, 2013
  11. ^ a b Crowther, Bosley. "Pride of the Yankees". The New York Times. Retrieved 2009-06-19.
  12. ^ "The Pride of the Yankees". Variety. 1942. Retrieved 2009-06-19.
  13. ^ "The New Pictures, Aug. 3, 1942". Time. August 3, 1942. Retrieved 2009-06-19.
  14. ^ 1942 Top Grossing Movies. ultimatemovierankings.com, retrieved June 2, 2017.
  15. ^ Jewell, RB. Slow Fade to Black: The Decline of RKO Radio Pictures. University of California Press, 2016, p. 17. ISBN 0520289668
  16. ^ "Daniel Mandell, Won 3 Film Editing Oscars". The New York Times. June 13, 1987. Retrieved November 22, 2011
  17. ^ "The 15th Academy Awards (1943) Nominees and Winners". oscars.org. Retrieved 2011-08-14.
  18. ^ "The Pride of the Yankees". The New York Times. Retrieved 2008-12-14.
  19. ^ American Film Institute (2008-06-17). "AFI Crowns Top 10 Films in 10 Classic Genres". ComingSoon.net. Retrieved 2008-06-18.
  20. ^ "Top 10 Sports". American Film Institute. Retrieved 2008-06-18.
  21. ^ Robinson, Ray (28 May 2011). "For the Columbia Class of '41 It Is Always the Day After". The New York Times. Retrieved 10 February 2013.
  22. ^ Krieger, T. Eleanor Gehrig. Society for American Baseball Research. Retrieved September 29, 2014.
  23. ^ Letter from Eleanor Gehrig to Dr. Paul O’Leary of the Mayo Clinic, April 9, 1940. In a postscript, Eleanor requested that O’Leary address his response to her with a pseudonym (Mrs. E. G. Barrow). O’Leary complied.
  24. ^ Kaden, S. (2002). "More About His ALS Battle". Retrieved 2008-04-16.
  25. ^ https://www.youtube.com/watch?v=_SKyfGK9brs

External links

15th Academy Awards

The 15th Academy Awards was held in the Cocoanut Grove at The Ambassador Hotel in Los Angeles honoring the films of 1942. Best Picture honors went to the film Mrs. Miniver. The ceremony is most famous for the speech by the film’s Oscar-winning actress Greer Garson. Garson’s acceptance speech as Best Actress ran nearly 6 minutes and is generally considered to be the longest acceptance speech at an Academy Awards ceremony.

Mrs. Miniver was the second film (after My Man Godfrey in 1936) to receive nominations in all four acting categories, as well as the first film to garner five acting nominations.

Also notable at the ceremony, Irving Berlin presented the Academy Award for Best Song, which he ended up winning for "White Christmas".

Voting for the Best Documentary category resulted in a four-way tie, an outcome that has not happened before or since.

A portion of the ceremony was broadcast by CBS Radio.

Al Montgomery

Alvin Atlas Montgomery (July 3, 1920 – April 26, 1942) was a catcher in Major League Baseball. He played for the Boston Braves in 1941.He appeared in the movie The Pride of the Yankees as an uncredited extra, playing various catchers.Montgomery died in an automobile accident in Waverly, Virginia on April 26, 1942.

Daniel Mandell

Daniel Mandell (August 13, 1895 – June 8, 1987) was an American film editor with more than 70 film credits. His first editing credit was for The Turmoil in 1924. From Dodsworth (1936) to Porgy and Bess (1959), Mandell worked for Samuel Goldwyn Productions. He had notable collaborations with directors William Wyler (1933–1946) and Billy Wilder (1957–1966). Mandell's last credit was for The Fortune Cookie in 1966.

Mandell won the Academy Award for Best Film Editing for The Pride of the Yankees (1942; directed by Sam Wood), The Best Years of Our Lives (1946; directed by William Wyler), and The Apartment (1960; directed by Billy Wilder). No editor has won more than three Academy Awards, and only three others have won three times: Ralph Dawson, Michael Kahn, and Thelma Schoonmaker. Mandell was nominated for the Academy Award for two additional films, The Little Foxes (1941; directed by William Wyler) and Witness for the Prosecution (1957; directed by Billy Wilder).

Additional credits include Holiday (1930), Counsellor at Law (1933), Dodsworth (1936), Wuthering Heights (1939), Meet John Doe (1941), The North Star (1943), Enchantment (1948), Roseanna McCoy (1949), Guys and Dolls (1955), and Kiss Me, Stupid (1964).

David Holt (American actor)

David Jack Holt (August 14, 1927 – November 15, 2003) was an American actor initially groomed at the age of seven to be the male Shirley Temple. After several supporting roles as a juvenile actor in films during the 1930s–1940s, he experienced family stress and left acting by the time he was 25. He subsequently had success as a songwriter, before his death in 2003 at the age of 76.

Douglas Croft

Douglas Croft (August 12, 1926 – October 24, 1963), born Douglas Malcom Wheatcroft, was an American child actor who is best remembered for being the first person to portray the DC Comics character Robin, the Boy Wonder, as well as his secret identity Dick Grayson, in the 1943 serial Batman when he was 16 years old.

Fay Thomas

Fay Wesley (Scow) Thomas (October 10, 1903 in Holyrood, Kansas – August 12, 1990 in Chatsworth, California) was a pitcher in Major League Baseball. He pitched for four teams from 1927 to 1935. He also pitched for five teams in the Pacific Coast League from 1930–1943 and was elected to the Pacific Coast League Hall of Fame in 2004. He attended the University of Southern California. He appeared in the film The Pride of the Yankees as Christy Mathewson.

Thomas died on August 12, 1990 from a self-inflicted gunshot wound to the head.

Francis Sayles

Francis Sayles (November 22, 1891 – March 19, 1944) was an American character actor at the beginning of the sound film era. In the short dozen years of his career he appeared in over 100 films, most of them features. While he was normally cast in small uncredited parts, he was occasionally cast in featured roles, as in the role of Dickman in the 1934 film, One in a Million, starring Dorothy Wilson and Charles Starrett.

Gary Cooper

Gary Cooper (born Frank James Cooper; May 7, 1901 – May 13, 1961) was an American actor.

Known for his natural, authentic, understated acting style and screen performances, Cooper's career spanned 36 years, from 1925 to 1961, and included leading roles in 84 feature films. He was a major movie star from the end of the silent film era through to the end of the golden age of Classical Hollywood. His screen persona appealed strongly to both men and women, and his range of performances included roles in most major film genres. His ability to project his own personality onto the characters he played contributed to his natural and authentic appearance on screen. Throughout his career, he sustained a screen persona that represented the ideal American hero.

Cooper began his career as a film extra and stunt rider, but soon landed acting roles. After establishing himself as a Western hero in his early silent films, he became a movie star in 1929 with his first sound picture, The Virginian. In the early 1930s, he expanded his heroic image to include more cautious characters in adventure films and dramas such as A Farewell to Arms (1932) and The Lives of a Bengal Lancer (1935). During the height of his career, Cooper portrayed a new type of hero—a champion of the common man—in films such as Mr. Deeds Goes to Town (1936), Meet John Doe (1941), Sergeant York (1941), The Pride of the Yankees (1942), and For Whom the Bell Tolls (1943). In the postwar years, he portrayed more mature characters at odds with the world in films such as The Fountainhead (1949) and High Noon (1952). In his final films, Cooper played non-violent characters searching for redemption in films such as Friendly Persuasion (1956) and Man of the West (1958).

In 1933, Cooper married New York debutante Veronica Balfe, and they had one daughter. The marriage was interrupted by a three-year separation that was precipitated by Cooper's affair with Patricia Neal. Cooper received the Academy Award for Best Actor for his roles in Sergeant York and High Noon, and he received an Academy Honorary Award for his career achievements in 1961. He was one of the top 10 film personalities for 23 consecutive years and was one of the top money-making stars for 18 years. The American Film Institute (AFI) ranked Cooper 11th on its list of the 25 greatest male stars of classic Hollywood cinema.

How to Play Baseball

How to Play Baseball is a cartoon produced by Walt Disney Productions and released by RKO Radio Pictures in September 1942, produced at the request of Samuel Goldwyn and first shown to accompany the 1942 feature film The Pride of the Yankees.

Jo Swerling

Jo Swerling (April 8, 1897 – October 23, 1964) was an American theatre writer, lyricist and screenwriter.

John Sheehan (actor)

John Sheehan (October 22, 1885 – February 14, 1952) was an American actor and vaudeville performer. After acting onstage and in vaudeville for several years, Sheehan began making films in 1914, starring in a number of short films. From 1914-16, he appeared in over 60 films, the vast majority of them film shorts.He returned exclusively to the stage in 1917, where he remained until the advent of sound films. He returned to the screen with a featured role in the 1930 melodrama, Swing High, starring Helen Twelvetrees.His more notable performances and roles include: the first talking version of the film Kismet (1930), starring Otis Skinner and Loretta Young; a featured role in 1934's Little Miss Marker, starring Shirley Temple and Adolphe Menjou; Michael Curtiz's Kid Galahad (1937), starring Edward G. Robinson, Bette Davis, and Humphrey Bogart; the Spencer Tracy and Katharine Hepburn romantic comedy Woman of the Year (1942); the classic biopic The Pride of the Yankees (1943), starring Gary Cooper and Teresa Wright; another 1943 biographical film, Yankee Doodle Dandy, starring James Cagney; the Abbott and Costello comedy Buck Privates Come Home (1947); and the last film to be released in which he appeared was 1952's Somebody Loves Me, starring Betty Hutton and Ralph Meeker, which was released several months after Sheehan's death.While Somebody Loves Me was his last film to be released, the last film which Sheehan worked on was the 1952 Tracy and Hepburn romantic comedy Pat and Mike. Production on Pat and Mike was in early 1952, and it was released in June of that year, four months after Sheehan died.

List of baseball parks used in film and television

List of baseball parks probably used in film and television includes baseball parks that may have been used as settings in filmmaking and television productions. Footage of actual sports events is most likely not included unless it was potentially used as stock footage or otherwise woven into a fictional storyline of a film or TV show. References are typically within the individual articles. This is not necessarily an exhaustive list.

Anaheim Stadium, Anaheim, CaliforniaAngels in the Outfield, 1994 film (exterior and sky shots)

Deuce Bigalow: Male Gigolo, 1999 filmAstrodome, HoustonBrewster McCloud, 1970 film (many scenes)

The Bad News Bears in Breaking Training, 1977 film (many scenes)

Murder at the World Series, 1977 made-for-TV film (several scenes)

Night Game, 1989 film (many scenes)Atlanta–Fulton County Stadium, AtlantaThe Slugger's Wife, 1985 film (many scenes)Bosse Field, Evansville, IndianaA League of Their Own, 1992 (secondary setting, as home of the Racine Belles)Bush Stadium, Indianapolis, IndianaEight Men Out, 1988 film (standing in for both Comiskey Park and Redland Field)Candlestick Park, San Francisco, CaliforniaExperiment in Terror, 1962 film (closing scenes)

The Fan, 1996 film (many scenes)Citi Field, Queens, New YorkSharknado 2: The Second One, 2014 film

Avengers: Endgame, 2019 film

Yesterday, 2019 film

Cleveland Stadium, Cleveland, OhioMajor League, 1989 film (primary setting, but only a few scenes were actually shot there)College Park, Charleston, South CarolinaMajor League: Back to the Minors, 1998 film (primary setting)Comiskey Park, ChicagoThe Pride of the Yankees, 1942 film (some scenes)

The Stratton Story, 1949 film (many scenes)

Only the Lonely, 1991 film (one scene)Dodger Stadium, Los Angeles, California

Mr. Ed episode, "Leo Durocher Meets Mr. Ed", first aired Sep 29, 1963

Hickey & Boggs, 1972 film (a few scenes)

Better Off Dead, 1985 film (closing scenes)

The Naked Gun: From the Files of Police Squad!, 1988 film (closing scenes)

The Sandlot, 1993 film (cameo)

The Fast and the Furious, 2001 film (opening scene driving in the parking lot)

Clubhouse, 2004 TV series (standing in for a fictional New York stadium)

Superman Returns 2006 film (one scene, with CGI alterations)

Transformers, 2007 film (one scene)Doubleday Field, Cooperstown, New YorkA League of Their Own, 1992 film (closing scenes)Durham Athletic Park, Durham, North CarolinaBull Durham, 1988 film (many scenes)Ebbets Field, Brooklyn, New YorkRoogie's Bump , Ernie Shore Field, Winston-Salem, North CarolinaMr. Destiny, 1990 (several scenes)

Fenway Park, Boston, MassachusettsField of Dreams, 1989 film (cameo)

Fever Pitch, 2005 film

The Town, 2010 film (lengthy scene depicting a robbery)

"Moneyball (film), 2011 film (one scene)

"Ted (film), 2012 film (one scene)

"Patriots Day (film), 2016 film (one scene)Forbes Field, Pittsburgh, PennsylvaniaAngels in the Outfield, 1951 filmGilmore Field, Los Angeles, CaliforniaThe Stratton Story, 1949 filmGrayson Stadium, Savannah, GeorgiaThe Bingo Long Traveling All-Stars & Motor Kings, 1976 film (some scenes)Griffith Stadium, Washington, D.C.Damn Yankees, 1958 film (crowd scenes)John O'Donnell Stadium, Davenport, IowaSugar, 2008 film (many scenes)League Stadium, Huntingburg, IndianaA League of Their Own, 1992 (primary setting, as home of the Rockford Peaches)

Soul of the Game, 1996 film (primary baseball setting)Luther Williams Field, Macon, GeorgiaThe Bingo Long Traveling All-Stars & Motor Kings, 1976 film (many scenes)

Memorial Stadium, Baltimore, MarylandTin Men, 1987 film (exteriors, background)

Homicide: Life on the Street, 1993–99 TV series (occasional scenes)

Major League II, 1994 film (some scenes)Metrodome, Minneapolis, MinnesotaLittle Big League, 1994 film (primary setting)

Major League: Back to the Minors, 1998 film (secondary setting)Miller Park, Milwaukee, WisconsinMr. 3000, 2004 film (several scenes)Milwaukee County Stadium, Milwaukee, WisconsinMajor League, 1989 film (standing in for the primary setting of Cleveland Stadium)Minute Maid Park, Houston, TexasBoyhood, 2014 film (one scene)Nationals Park, Washington, District of ColumbiaHow Do You Know, 2010 film (one scene)Oakland–Alameda County Coliseum, Oakland, CaliforniaAngels in the Outfield, 1994 film (primary setting)

"Moneyball (film), 2011 film (primary scene)

Oriole Park at Camden Yards, Baltimore, MarylandDave, 1993 film (cameo)

Homicide: Life on the Street, 1993–99 TV series (occasional scenes)

Major League II, 1994 film (primary setting)PNC Park, Pittsburgh, PennsylvaniaChasing 3000, 2008 film

Abduction, 2011 filmRangers Ballpark in Arlington, Arlington, TexasThe Rookie, 2002 film (primary setting)Safeco Field, SeattleLife, or Something Like It, 2002 film (some scenes)

Shea Stadium, Queens, New YorkThe Odd Couple, 1968 (cameo)

Bang the Drum Slowly, 1973 film (many scenes)

Seven Minutes in Heaven (film), 1985 film (one scene)

Seinfeld, TV series, 1992 episode "The Boyfriend" (cameo)

Men in Black, 1997 film (one scene)

Two Weeks Notice, 2002 film (one scene)Sportsman's Park, St. Louis, MissouriThe Pride of St. Louis, 1952 film

The Winning Team, another 1952 film

The Pride of the Yankees, 1942 film (cameo)

Tiger Stadium, Detroit, MichiganThe Pride of the Yankees, 1942 film (some scenes)

One in a Million: The Ron LeFlore Story, 1978, made-for-TV film (many scenes)

Tiger Town, 1983, made-for-TV film (many scenes)

61*, 2001, made-for-TV film (primary setting and Tiger Stadium)

Hardball, 2001, (one scene as 'Chicago Field')

Hung, 2009, pilot episode of HBO TV show

Kill the Irishman, 2011Turner Field, Atlanta, GeorgiaThe Change-Up, 2011 film

Trouble with the Curve, 2012 film

Flight, 2012 filmU. S. Cellular Field, ChicagoRookie of the Year, 1993 film (some scenes)

Little Big League, 1994 film (all games played by the featured Minnesota Twins on the road)

Major League II, 1994 film (some scenes)

My Best Friend's Wedding, 1997 film (cameo)War Memorial Stadium, Buffalo, New YorkThe Natural, 1984 film

Wrigley Field, ChicagoWrigley scenes in 1984 film The Natural were actually filmed at All-High Stadium in Buffalo, New York

The Blues Brothers, 1980 film (cameo)

Ferris Bueller's Day Off, 1986 film (one scene)

About Last Night..., 1986 film (one scene)

The Naked Gun: From the Files of Police Squad!, 1988 film (cameo)

A League of Their Own, 1992 film (early scenes, as fictional Harvey Field)

Rookie of the Year, 1993 film (primary setting)

I Want Someone to Eat Cheese With, 2006 filmWrigley Field, Los Angeles, CaliforniaThe Stratton Story, 1949 film (a few scenes)

Angels in the Outfield, 1951 film (a few scenes)

The Kid from Left Field, 1953 film (many scenes)

Damn Yankees, 1958 film (primary setting – standing in for Griffith Stadium)

The Geisha Boy, 1948 film

Home Run Derby, 1959 TV series

The Twilight Zone, 1960 episode "The Mighty Casey"

Yankee Stadium I, Bronx, New YorkThe Pride of the Yankees, 1942 film (many scenes)

Woman of the Year, 1942 film (one scene)

Angels in the Outfield, 1951 film (setting for cameo by Joe DiMaggio)The FBI Story (1959)(Interior and exterior shots seen while FBI agents are keeping communist suspect under surveillance.)

West Side Story, 1961 film (cameo – overhead shot during opening credits)

Bang the Drum Slowly, 1973 film (several scenes standing in for Shea Stadium)

Seinfeld, TV series, cameos in various episodes 1994–98 starting with "The Opposite" (George Costanza's workplace)

For Love of the Game, 1999 film (many scenes)

Anger Management, 2003 film (closing scene)Yankee Stadium II, Bronx, New YorkThe Adjustment Bureau, 2011 film (one scene)Zephyr Field, Metairie, LouisianaMr. 3000, 2004 film (several scenes)

Ray Binger

Ray Binger (November 16, 1888 – September 29, 1970) was an American cinematographer. He started working in Hollywood in 1924, mastering the art of process photography. By 1934 he had gravitated towards special effects work. He was one of the many technicians involved in bringing authenticity to The Hurricane in 1937, and was instrumental in the plane crash sequence in Alfred Hitchcock’s Foreign Correspondent in 1940. Not all his assignments were quite that showy, however. He received an Oscar nomination in the category Best Special Effects for generating fake crowds to fill up the baseball stands in 1942's The Pride of the Yankees. He was nominated twice more in the same category for The Long Voyage Home (1940) and The North Star (1943).

Richard Sandomir

Richard Sandomir is an obituary writer for the New York Times. He wrote about sports and television; he is the author of several books including Bald Like Me: The Hair-Raising Adventures of Baldman and The Englightened Bracketologist: The Final Four of Everything.

Rudolph Maté

Not to be confused with cinematographer Russell Metty.Rudolph Maté (21 January 1898 – 27 October 1964), born Rudolf Mayer, was a Polish-Hungarian-American cinematographer, film director and film producer who worked as cameraman and cinematographer in Hungary, Austria, Germany, France and the United Kingdom, before moving to Hollywood in the mid 1930s.

Sam Wood

Samuel Grosvenor Wood (July 10, 1883 – September 22, 1949) was an American film director and producer, who was best known for directing such Hollywood hits as A Night at the Opera, A Day at the Races, Goodbye, Mr. Chips, and The Pride of the Yankees. He was also involved in a few acting and writing projects.

Teresa Wright

Muriel Teresa Wright (October 27, 1918 – March 6, 2005) was an American actress. She was nominated twice for the Academy Award for Best Supporting Actress: in 1941 for her debut work in The Little Foxes, and in 1942 for Mrs. Miniver, winning for the latter. That same year, she received a nomination for the Academy Award for Best Actress for her performance in The Pride of the Yankees, opposite Gary Cooper. She is also known for her performances in Alfred Hitchcock's Shadow of a Doubt (1943) and William Wyler's The Best Years of Our Lives (1946).

Wright received three Emmy Award nominations for her performances in the Playhouse 90 original television version of The Miracle Worker (1957), in the Breck Sunday Showcase feature The Margaret Bourke-White Story, and in the CBS drama series Dolphin Cove (1989). She earned the acclaim of top film directors, including William Wyler, who called her the most promising actress he had directed, and Alfred Hitchcock, who admired her thorough preparation and quiet professionalism.

The Pride of St. Louis

The Pride of St. Louis is a 1952 biographical film of the life of Major League Baseball Hall of Fame pitcher Dizzy Dean. It starred Dan Dailey as Dean, Joanne Dru as his wife, and Richard Crenna as his brother Paul "Daffy" Dean, also a major league pitcher. It was directed by Harmon Jones.Guy Trosper was nominated for an Academy Award for Best Story.

Much of the plotline is reasonably close to the facts of Dizzy Dean's life and baseball career; however, the climax is fictionalized, based on an on-air comment he made regarding his use of the word "Ain't": "A lot of folks who ain't sayin' 'ain't,' ain't eatin'. So, Teach, you learn 'em English, and I'll learn 'em baseball." The story arc covers Dean's rise to pitching superstardom, the early end of his career, and his redemption through radio broadcasting.

The screenplay was the last by Herman J. Mankiewicz, who earlier had co-written the script for the Lou Gehrig biography, The Pride of the Yankees.

Veloz and Yolanda

Frank Veloz (1902–1981) and Yolanda Casazza (1911–1995) were a self-taught American ballroom dance team, husband and wife, who became stars in the 1930s and 1940s. They were among the highest paid dance acts during this period. They performed on stage in productions such as Hot-Cha!, which ran for 119 shows on Broadway in 1932. They also appeared in popular films such as Under the Pampas Moon (1935), The Pride of the Yankees (1942), Honeymoon Lodge (1943), Brazil (1944) and The Thrill of Brazil (1946), the latter of which is credited as being of major importance to the growth in popularity of Samba in America.

Veloz and Yolanda specialized in Latin ballroom dance styles, and opened their own chain of dance studios, where many middle-class people learned the art of ballroom dancing. The studios closed down in the mid-1950s as new forms of dance became popular. Veloz and Yolanda did much to legitimize ballroom dance as a performance art and invented the "Cobra Tango", a dance which interpreted a fight between a snake and a tiger. A full-length ballet written by their son Guy Veloz, An American Tango, is based on their life story.

Films directed by Sam Wood
Franchise
Ballparks
Culture
Lore
Rivalries
Monument Park
honorees
Key personnel
Championships (27)
American League
Pennants (40)
Division titles (17)
Wild Card titles (7)
Minors
Films produced by Samuel Goldwyn
Screenwriting
Other
Family

Languages

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.