The First (musical)

The First is a musical with a book by critic Joel Siegel. The music was composed by Robert Brush, and Martin Charnin wrote the lyrics. The show is based on the life of Brooklyn Dodgers second baseman Jackie Robinson, the first African-American to play major league baseball in the 20th century.

The musical premiered on Broadway at the Martin Beck Theatre on November 17, 1981 and closed on December 12, 1981 after 37 performances and 33 previews. Charnin has said that despite "stellar reviews," the musical failed to secure one: that of Frank Rich of The New York Times, "which at the time meant everything."[1] Directed by Charnin and choreographed by Alan Johnson, the original cast included David Alan Grier as Jackie Robinson, and Lonette McKee as his wife Rachel.

The First
The First musical Playbill cover
Broadway Playbill cover
MusicRobert Brush
LyricsMartin Charnin
BookJoel Siegel
BasisLife of Jackie Robinson
Productions1981 Broadway

Songs

Act I
  • Jack Roosevelt Robinson
  • The National Pastime
  • Will We Ever Know Each Other
  • The First
  • Bloat
  • It Ain't Gonna Work
  • The Brooklyn Dodger Strike
  • Jack Roosevelt Robinson (Reprise)
  • The First (Reprise)
Act 2
  • Is This Year Next Year?
  • You Do-Do-Do-It Good
  • Is This Year Next Year? (Reprise)
  • There Are Days and There Are Days
  • It's A Beginning
  • The Opera Ain't Over

Awards and nominations

Original Broadway production

Year Award ceremony Category Nominee Result
1982 Tony Award Best Book of a Musical Martin Charnin and Joel Siegel Nominated
Best Featured Actor in a Musical David Alan Grier Nominated
Best Direction of a Musical Martin Charnin Nominated
Drama Desk Award Outstanding Featured Actress in a Musical Lonette McKee Nominated
Outstanding Set Design David Chapman Nominated
Theatre World Award David Alan Grier Won

References

  1. ^ Bill Rudman, "Martin Charnin, Pt 3," On the Aisle, on On Broadway on SiriusXM, 5 Dec 2014.

External links

The First at the Internet Broadway Database

Barbie as the Princess and the Pauper

Barbie as the Princess and the Pauper is a 2004 American-Canadian direct-to-DVD computer animated musical fantasy film, and the first musical in the Barbie film series. It is directed by William Lau and stars the voice of Kelly Sheridan as the Barbie protagonists, Anneliese and Erika. The film is loosely inspired by the Mark Twain novel The Prince and the Pauper, but unrelated to the 1939 film The Princess and the Pauper. Together with Barbie of Swan Lake its considered as the most successful Barbie film by critics. Also, its the first Barbie classic film (second being Barbie as the Island Princess) that completely excludes fantastic elements (fairies, magic, mermaids etc), which were a usual part of Barbie franchise.

Songs for the film are written by Amy Powers, Megan Cavallari and Rob Hudnut, who also executive produced the film.

Chicago (2002 film)

Chicago is a 2002 American musical crime comedy-drama film based on the stage-musical of the same name, exploring the themes of celebrity, scandal, and corruption in Chicago during the Jazz Age. The film stars Renée Zellweger, Catherine Zeta-Jones, and Richard Gere. Chicago centers on Velma Kelly (Zeta-Jones) and Roxie Hart (Zellweger), two murderesses who find themselves in jail together awaiting trial in 1920s Chicago. Velma, a vaudevillian, and Roxie, a housewife, fight for the fame that will keep them from the gallows. Directed and choreographed by Rob Marshall, and adapted by screenwriter Bill Condon, with music by John Kander and lyrics by Fred Ebb, Chicago won six Academy Awards in 2003, including Best Picture. The film was critically lauded, and was the first musical to win Best Picture since Oliver! in 1968.

Doctor Who and the Pirates

Doctor Who and the Pirates, or The Lass That Lost A Sailor, is a Big Finish Productions audio drama based on the long-running British science fiction television series Doctor Who. It is the first musical story in the series' history.

Don't Just Sit There

Don't Just Sit There is a television show on Nickelodeon that first aired in 1988 and lasted for three seasons. The show was a talk show mixed with comedy sketches. Segments included making food or taking things apart such as a Nintendo. The basic concept of the show was to give kids ideas for different things they could do rather than just sitting and watching TV, hence the title. Out of Order was the house band on the series; they would later get to sing on the show as well as participate in sketches.

The show's guests included Davy Jones, Mayim Bialik, Lou Diamond Phillips, Tami Erin, Downtown Julie Brown, Michael Palin, William Shatner, "Weird Al" Yankovic, New Kids on the Block and Robert Englund wearing his Freddy Krueger make-up and costume. One of the first musical guests on the show was the ska band Fishbone.

Encores!

Encores! is a Tony-honored concert series dedicated to performing rarely heard American musicals, usually with their original orchestrations. Presented by New York City Center since 1994, Encores! has revived shows by Irving Berlin, Rodgers & Hart, George and Ira Gershwin, Cole Porter, Leonard Bernstein, and Stephen Sondheim, among many others. The series has spawned nineteen cast recordings and numerous Broadway transfers, including Kander and Ebb's Chicago, which is now the second longest-running musical in Broadway history. Videotapes of many Encores! productions are collected at the Billy Rose Theater Collection of the New York Public Library for the Performing Arts. Since 2000, the series has been led by artistic director Jack Viertel.

From 2007 to 2009, City Center presented a spin-off series, Encores! Summer Stars, which produced well-known Broadway shows in fully staged productions. The first musical in the series was Gypsy, starring Patti LuPone, Boyd Gaines, and Laura Benanti. Gypsy received unprecedented attention for an Encores! show and eventually transferred to Broadway; LuPone, Gaines, and Benanti all won Tony Awards for their performances.

In 2013, City Center launched Encores! Off-Center!, a sister series devoted to groundbreaking Off-Broadway musicals. Led by founding artistic director Jeanine Tesori for its first four seasons, Encores! Off-Center was subsequently led by Michael Friedman. Following Friedman's death, it is currently led by co-artistic directors Jeanine Tesori and Anne Kauffman.

Fiddler on the Roof

Fiddler on the Roof is a musical with music by Jerry Bock, lyrics by Sheldon Harnick, and book by Joseph Stein, set in the Pale of Settlement of Imperial Russia in 1905. It is based on Tevye and his Daughters (or Tevye the Dairyman) and other tales by Sholem Aleichem. The story centers on Tevye, the father of five daughters, and his attempts to maintain his Jewish religious and cultural traditions as outside influences encroach upon the family's lives. He must cope both with the strong-willed actions of his three older daughters, who wish to marry for love – each one's choice of a husband moves further away from the customs of their Jewish faith and heritage – and with the edict of the Tsar that evicts the Jews from their village.

The original Broadway production of the show, which opened in 1964, had the first musical theatre run in history to surpass 3,000 performances. Fiddler held the record for the longest-running Broadway musical for almost 10 years until Grease surpassed its run. It remains the seventeenth longest-running show in Broadway history. The production was extraordinarily profitable and highly acclaimed. It won nine Tony Awards, including best musical, score, book, direction and choreography. It spawned five Broadway revivals and a highly successful 1971 film adaptation and has enjoyed enduring international popularity. It has also been a popular choice for school and community productions.

Frank Sinatra Conducts Tone Poems of Color

Frank Sinatra Conducts Tone Poems of Color is a 1956 album of short tone poems by eight notable mid-20th century Hollywood composers.

The album was conducted by Sinatra and marked the first musical collaboration between Sinatra and Gordon Jenkins. Each composition was inspired by the poetry of Norman Sickel.

A chapter discussing the album, "The Colors of Ava: Tone Poems of Color and the Painful Measure of Sinatra's Passions," appears in A Storied Singer: Frank Sinatra as Literary Conceit (Greenwood Press, 2002) by Gilbert L. Gigliotti.

Hold Everything (film)

Hold Everything is a 1930 American Pre-Code film. It was the first musical comedy film to be released that was photographed entirely in early two-color Technicolor. It was adapted from the DeSylva-Brown-Henderson Broadway musical of the same name that had served as a vehicle for Bert Lahr and starred Winnie Lightner and Joe E. Brown as the comedy duo. The romantic subplot was played by Georges Carpentier and Sally O'Neil. Only three songs from the stage show remained: "You're the Cream in My Coffee", "To Know You Is To Love You", and "Don't Hold Everything". New songs were written for the film by Al Dubin and Joe Burke, including one that became a hit in 1930: "When The Little Red Roses Get The Blues For You". The songs in the film were played by Abe Lyman and his orchestra.

Innocents of Paris

Innocents of Paris is a 1929 black and white American musical film. Directed by Richard Wallace and is based on the play Flea Market, the film was the first musical production by Paramount Pictures. Although the screenplay was regarded as mediocre, the critics were impressed with the newly-arrived Chevalier, for whom they predicted much success. At the preview in Los Angeles, established French film-actor Adolphe Menjou congratulated Chevalier in person.

Joined At The Heart

Joined At The Heart is a musical with music and lyrics by Graham Brown & Geoff Meads, book by Frances Anne Bartam and directed by Frances Brownlie. It is an evocative story of love, morals, relationships and ethics. A new musical, the show tells the love story of Victor Frankenstein and his step sister Elizabeth, a young orphan girl taken in by Victor's parents and cared for as if she were their own daughter. When Victor's mother dies, he vows to end the suffering that death brings. While in pursuit of eternal life, the love story between Victor and Elizabeth evolves to a thrilling climax all set to an enthralling musical and lyrical score.

Joined At The Heart reached the final of the Worldwide Search for Musicals competition. The show saw its first performance at The Junction 2 in Cambridge, UK from 1–4 August 2007. Following its Cambridge run it moved to the 2007 Edinburgh Festival Fringe.

Joined at the Heart was the first Musical to be streamed live on Second Life the virtual world, on Saturday 4 August 2007.

List of Chinese musical instruments

Chinese musical instruments were traditionally grouped into eight categories known as bayin (八音). The eight categories are: silk, bamboo, wood, stone, metal, clay, gourd and skin. There are other instruments which may not fit these groups. This is one of the first musical groupings ever devised.

Moulin Rouge!

Moulin Rouge! (, from French: [mulɛ̃ ˈʁuʒ]) is a 2001 jukebox musical romantic drama film directed, co-produced, and co-written by Baz Luhrmann. The film is the third and final installment of Red Curtain Trilogy, a Luhrmann's film concept following Strictly Ballroom and Romeo + Juliet. It tells the story of a young English poet/writer, Christian (Ewan McGregor), who falls in love with the star of the Moulin Rouge, cabaret actress and courtesan Satine (Nicole Kidman). It uses the musical setting of the Montmartre Quarter of Paris, France.

At the 74th Academy Awards, the film was nominated for eight Oscars, including Best Picture and Best Actress for Nicole Kidman, winning two: for Best Art Direction and Best Costume Design. It was the first musical nominated for Best Picture in 10 years, following Disney's Beauty and the Beast (1991). In BBC's 2016 poll of the greatest films since 2000, Moulin Rouge! ranked 53rd.

No Strings

No Strings is a musical drama with a book by Samuel A. Taylor and words and music by Richard Rodgers, his only Broadway score for which he wrote both lyrics and music, and the first musical he composed after the death of his long-time collaborator Oscar Hammerstein II. The musical opened on Broadway in 1962 and ran for 580 performances. It received a Tony Award nomination for Best Musical.

Of Thee I Sing

Of Thee I Sing is a musical with a score by George Gershwin, lyrics by Ira Gershwin and a book by George S. Kaufman and Morrie Ryskind. The musical lampoons American politics; the story concerns John P. Wintergreen, who runs for President of the United States on the "love" platform. When he falls in love with the sensible Mary Turner instead of Diana Devereaux, the beautiful pageant winner selected for him, he gets into political hot water.

The original Broadway production, directed by Kaufman, opened in 1931 and ran for 441 performances, gaining critical and box office success. It has been revived twice on Broadway and in concert stagings in the U.S. and in London. In 1932, Of Thee I Sing was the first musical to win the Pulitzer Prize for Drama.

Prophet-5

The Prophet-5 is an analog synthesizer manufactured by Sequential Circuits between 1978 and 1984. It was designed by Dave Smith and John Bowen. The Prophet-5 was the first fully programmable polyphonic synthesizer and the first musical instrument with an embedded microprocessor. About 6,000 units were produced across three revisions. The Prophet-5 was used especially by progressive rock bands and film composers. It has been emulated in software synthesizers and analog hardware.

TCB (TV program)

TCB is a 1968 television special produced by Motown Productions and George Schlatter–Ed Friendly Productions of Laugh-In fame. The special is a musical revue starring Motown's two most popular groups at the time, Diana Ross & the Supremes and The Temptations. Containing a combination of showtunes, specially prepared numbers, and popular Motown hits, the special was taped before a live studio audience in September 1968 and originally broadcast December 9, 1968 on NBC, sponsored by the Timex watch corporation. The title of the program uses a then-popular acronym, "TCB", which stands for "Taking Care of Business".

Among the program's highlights were Diana Ross' "Afro Vogue" solo spot, Paul Williams' emotionally charged rendition of "For Once in My Life," a cover by both groups of the Aretha Franklin version of Otis Redding's "Respect," and then-new Temptations lead singer Dennis Edwards' lead performance on "(I Know) I'm Losing You," a song considered a signature for his predecessor, David Ruffin.

Pre-empting Laugh-In on Monday night, TCB was the first musical TV special of the rock era to air on American broadcast television. It exceeded all performance expectations, winning its timeslot in the ratings and becoming the top-rated variety show of 1968. A soundtrack album, TCB – The Original Cast Soundtrack was released a week before the special aired on December 9 and reached #1 on the U.S. Billboard Top 200 albums chart. It also became the third #1 album for Diana Ross and The Supremes.

Tecnocumbia

Tecnocumbia is a style of Cumbia where there is a fusion between electronic sounds generated by electronic musical instruments through electronic drums, the electric guitar, synthesisers, and samplers. "Tecnocumbia" was a word developed in Mexico to describe this type of music. However, the style of music was developed throughout South America with different names given to it before the name "Tecnocumbia" was adopted as the single denomination for the music.

In Mexico, it developed as a variant of the Mexican cumbia that started in the early 1980s. The style added electronic instruments along with samplers to the Mexican cumbia music. One of the first musical groups with electrical 1980s sounds was Super Show de los Vazkez from Veracruz, México, formed in 1981, also, other important exponents were Los Temerarios, Los Bukis, Fito Olivares, among others. These groups created several hits with electrical sounds, their fame continues to the end of the 1980s. In the early 1990s, Selena the "Tex-mex queen," had great musical hits in U.S. and Mexico, her main hits of the tecnocumbia style was "Como la flor" (Like a flower), "Carcacha" (the old car), and, for first time, this genre was called like "Technocumbia" by her, with the musical hit of same name, "Technocumbia".

In South America, where the Colombian Cumbia most easily expanded in popularity, different "modern" styles of the original Colombian rhythm were started mainly in the countries of Peru, Ecuador and Bolivia. The Peruvian cumbia, developed in the early 1960s, used electric guitars and synthesisers along with the other classical instruments of the Colombian cumbia in order to create a kind of tropical sound. Variations within the Peruvian cumbia added more tropical rhythms along with a more Andean flavor, which eventually resulted in the creation of the Andean cumbia (Commonly called "Chicha music" in Peru). Using the Andean cumbia as a base, in the middle of the 1990s the Tecnocumbia sprung up in Peru and since then has gone through many changes in Peru and Bolivia. Rossy War was the most important singer of the Peruvian tecnocumbia, she recorded several hits for Peru and Mexico, but her fame was bigger in the U.S.A's Latin community. Finally in the north of Argentina the most recent exponents are the group Kasualidad and Lagrimas.

In Ecuador, this style of music began in 1992 with Grupo Coctel and; later, in 1999 with Sharon la Hechicera and Widinson. They are considered the beginners of this music in Ecuador. After them male and female groups appeared like Tierra Canela, Magia Latina, Las Chicas Dulces, Deseo, Kandela y Son, Yerba Buena, Milenium, Batahola and others singers like Jazmin, Jaime Enrique Aymara, Hipatia Balseca, Sanyi, Mayra Alvarado, Milena, Enrique Augusto, Manolo and Silvana. Nowadays the most important singers of tecnocumbia are Maria de los Angeles, Gerardo Morán, Patty Ray, Omayra, Veronica Bolaños, Katty Egas and Delfin Quishpe.

In Chile, a similar style is known as Sound or Música Tropical.

The Mexican and South American tecnocumbias have similar styles and rhythms, due to them both having the Colombia cumbia as a base, but they developed through different methods independently of each other and do not sound exactly alike.

The Boys from Syracuse

The Boys from Syracuse is a musical with music by Richard Rodgers and lyrics by Lorenz Hart, based on William Shakespeare's play The Comedy of Errors, as adapted by librettist George Abbott. The score includes swing and other contemporary rhythms of the 1930s. The show was the first musical based on a Shakespeare play. The Comedy of Errors was itself loosely based on a Roman play, The Menaechmi, or the Twin Brothers, by Plautus.

The play premiered on Broadway in 1938 and Off-Broadway in 1963, with later productions including a West End run in 1963 and in a Broadway revival in 2002. A film adaptation was released in 1940. Well-known songs from the score include "Falling in Love with Love", "This Can't Be Love" and "Sing for Your Supper".

The Broadway Melody

The Broadway Melody, also known as The Broadway Melody of 1929, is an American pre-Code musical film and the first sound film to win an Academy Award for Best Picture. It was one of the first musicals to feature a Technicolor sequence, which sparked the trend of color being used in a flurry of musicals that would hit the screens in 1929–1930. Today the Technicolor sequence is lost; only a black and white copy survives in available versions. The film was the first musical released by Metro-Goldwyn-Mayer and was Hollywood's first all-talking musical.

The Broadway Melody was written by Norman Houston and James Gleason from a story by Edmund Goulding, and directed by Harry Beaumont. Original music was written by Arthur Freed and Nacio Herb Brown, including the popular hit "You Were Meant for Me". The George M. Cohan classic "Give My Regards to Broadway" is used under the opening establishing shots of New York City, its film debut. Bessie Love was nominated for an Academy Award for Best Actress for her performance.

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