The Amazing Spider-Man

The Amazing Spider-Man is an American comic book series published by Marvel Comics, featuring the fictional superhero Spider-Man as its main protagonist. Being in the mainstream continuity of the franchise, it began publication in 1963 as a monthly periodical and was published continuously, with a brief interruption in 1995, until its relaunch with a new numbering order in 1999. In 2003 the series reverted to the numbering order of the first volume. The title has occasionally been published biweekly, and was published three times a month from 2008 to 2010. A video game based on the comic book series was released in 2000 and a film named after the comic book series was released July 3, 2012.

After DC Comics' relaunch of Action Comics and Detective Comics with new #1 issues in 2011, it had been the highest-numbered American comic still in circulation until it was cancelled. The title ended its 50-year run as a continuously published comic with issue #700 in December 2012. It was replaced by The Superior Spider-Man as part of the Marvel NOW! relaunch of Marvel's comic lines.[1]

The title was relaunched in April 2014, starting fresh from issue #1, after the "Goblin Nation" story arc published in The Superior Spider-Man and Superior Spider-Man Team-Up. In late 2015, The Amazing Spider-Man was relaunched again with a new volume with issue #1 following the 2015 Secret Wars event.

The Amazing Spider-Man
AmazingSpider-Man1
The Amazing Spider-Man #1 (March 1963)
Cover art by Jack Kirby and Steve Ditko
Publication information
Publisher
ScheduleMonthly
FormatOngoing series
Genre
Publication date
No. of issues
Main character(s)Spider-Man
Creative team
Created byStan Lee
Steve Ditko
Written by
Penciller(s)
Inker(s)(vol. 5)
Victor Olazaba

Publication history

The character was created by writer-editor Stan Lee and artist and co-plotter Steve Ditko,[2] and the pair produced 38 issues from March 1963 to July 1966. Ditko left after the 38th issue, while Lee remained as writer until issue 100. Since then, many writers and artists have taken over the monthly comic through the years, chronicling the adventures of Marvel's most identifiable hero.

The Amazing Spider-Man has been the character's flagship series for his first fifty years in publication, and was the only monthly series to star Spider-Man until Peter Parker, The Spectacular Spider-Man in 1976, although 1972 saw the debut of Marvel Team-Up, with the vast majority of issues featuring Spider-Man along with a rotating cast of other Marvel characters. Most of the major characters and villains of the Spider-Man saga have been introduced in Amazing, and with few exceptions, it is where most key events in the character's history have occurred. The title was published continuously until #441 (Nov. 1998)[3] when Marvel Comics relaunched it as vol. 2 #1 (Jan. 1999),[4] but on Spider-Man's 40th anniversary, this new title reverted to using the numbering of the original series, beginning again with issue #500 (Dec. 2003) and lasting until the final issue, #700 (Feb. 2013).[5]

1960s

Due to strong sales on the character's first appearance in Amazing Fantasy #15, Spider-Man was given his own ongoing series in March 1963.[6] The initial years of the series, under Lee and Ditko, chronicled Spider-Man's nascent career with his civilian life as hard-luck yet perpetually good-humored teenager Peter Parker. Peter balanced his career as Spider-Man with his job as a freelance photographer for The Daily Bugle under the bombastic editor-publisher J. Jonah Jameson to support himself and his frail Aunt May. At the same time, Peter dealt with public hostility towards Spider-Man and the antagonism of his classmates Flash Thompson and Liz Allan at Midtown High School, while embarking on a tentative, ill-fated romance with Jameson's secretary, Betty Brant.

By focusing on Parker's everyday problems, Lee and Ditko created a groundbreakingly flawed, self-doubting superhero, and the first major teenaged superhero to be a protagonist and not a sidekick. Ditko's quirky art provided a stark contrast to the more cleanly dynamic stylings of Marvel's most prominent artist, Jack Kirby,[2] and combined with the humor and pathos of Lee's writing to lay the foundation for what became an enduring mythos.

Most of Spider-Man's key villains and supporting characters were introduced during this time. Issue #1 (March 1963) featured the first appearances of J. Jonah Jameson[7] and his astronaut son John Jameson,[8] and the supervillain the Chameleon.[7] It included the hero's first encounter with the superhero team the Fantastic Four. Issue #2 (May 1963) featured the first appearance of the Vulture[9] and the Tinkerer[10] as well as the beginning of Parker's freelance photography career at the newspaper The Daily Bugle.[11]

The Lee-Ditko era continued to usher in a significant number of villains and supporting characters, including Doctor Octopus in #3 (July 1963);[12][13] the Sandman and Betty Brant in #4 (Sept. 1963);[14] the Lizard in #6 (Nov. 1963);[15][16] Living Brain in (#8, January, 1964); Electro in #9 (March 1964);[17][18] Mysterio in #13 (June 1964);[19] the Green Goblin in #14 (July 1964);[20][21] Kraven The Hunter in #15 (Aug. 1964);[22] reporter Ned Leeds in #18 (Nov. 1964);[23] and the Scorpion in #20 (Jan. 1965).[24] The Molten Man was introduced in #28 (Sept. 1965) which also featured Parker's graduation from high school.[25] Peter began attending Empire State University in #31 (Dec. 1965), the issue which featured the first appearances of friends and classmates Gwen Stacy[26] and Harry Osborn.[27] Harry's father, Norman Osborn first appeared in #23 (April 1965) as a member of Jameson's country club but is not named nor revealed as Harry's father until #37 (June 1966). One of the most celebrated issues of the Lee-Ditko run is #33 (Feb. 1966), the third part of the story arc "If This Be My Destiny...!", which features the dramatic scene of Spider-Man, through force of will and thoughts of family, escaping from being pinned by heavy machinery. Comics historian Les Daniels noted that "Steve Ditko squeezes every ounce of anguish out of Spider-Man's predicament, complete with visions of the uncle he failed and the aunt he has sworn to save."[28] Peter David observed that "After his origin, this two-page sequence from Amazing Spider-Man #33 is perhaps the best-loved sequence from the Stan Lee/Steve Ditko era."[29] Steve Saffel stated the "full page Ditko image from The Amazing Spider-Man #33 is one of the most powerful ever to appear in the series and influenced writers and artists for many years to come."[30] and Matthew K. Manning wrote that "Ditko's illustrations for the first few pages of this Lee story included what would become one of the most iconic scenes in Spider-Man's history."[31] The story was chosen as #15 in the 100 Greatest Marvels of All Time poll of Marvel's readers in 2001. Editor Robert Greenberger wrote in his introduction to the story that "These first five pages are a modern-day equivalent to Shakespeare as Parker's soliloquy sets the stage for his next action. And with dramatic pacing and storytelling, Ditko delivers one of the great sequences in all comics."[32]

AmazingSpiderMan23
The Amazing Spider-Man #23 (April 1965), featuring nemesis the Green Goblin. Cover art by co-creator Steve Ditko.

Although credited only as artist for most of his run, Ditko would eventually plot the stories as well as draw them, leaving Lee to script the dialogue. A rift between Ditko and Lee developed, and the two men were not on speaking terms long before Ditko completed his last issue, The Amazing Spider-Man #38 (July 1966). The exact reasons for the Ditko-Lee split have never been fully explained.[33] Spider-Man successor artist John Romita Sr., in a 2010 deposition, recalled that Lee and Ditko "ended up not being able to work together because they disagreed on almost everything, cultural, social, historically, everything, they disagreed on characters..."[34]

In successor penciler Romita Sr.'s first issue, #39 (Aug. 1966), nemesis the Green Goblin discovers Spider-Man's secret identity and reveals his own to the captive hero. Romita's Spider-Man – more polished and heroic-looking than Ditko's – became the model for two decades. The Lee-Romita era saw the introduction of such characters as Daily Bugle managing editor Robbie Robertson in #52 (Sept. 1967) and NYPD Captain George Stacy, father of Parker's girlfriend Gwen Stacy, in #56 (Jan. 1968). The most important supporting character to be introduced during the Romita era was Mary Jane Watson, who made her first full appearance in #42, (Nov. 1966),[35] although she first appeared in #25 (June 1965) with her face obscured and had been mentioned since #15 (Aug. 1964). Peter David wrote in 2010 that Romita "made the definitive statement of his arrival by pulling Mary Jane out from behind the oversized potted plant [that blocked the readers' view of her face in issue #25] and placing her on panel in what would instantly become an iconic moment."[36] Romita has stated that in designing Mary Jane, he "used Ann-Margret from the movie Bye Bye Birdie as a guide, using her coloring, the shape of her face, her red hair and her form-fitting short skirts."[37]

Lee and Romita toned down the prevalent sense of antagonism in Parker's world by improving Parker's relationship with the supporting characters and having stories focused as much on the social and college lives of the characters as they did on Spider-Man's adventures. The stories became more topical,[38] addressing issues such as civil rights, racism, prisoners' rights, the Vietnam War, and political elections.

Issue #50 (June 1967) introduced the highly enduring criminal mastermind the Kingpin,[39][40] who would become a major force as well in the superhero series Daredevil. Other notable first appearances in the Lee-Romita era include the Rhino in #41 (Oct. 1966),[41][42] the Shocker in #46 (March 1967),[43][44] the Prowler in #78 (Nov. 1969),[45] and the Kingpin's son, Richard Fisk, in #83 (April 1970).[46]

1970s

Several spin-off series debuted in the 1970s: Marvel Team-Up in 1972,[47] and The Spectacular Spider-Man in 1976.[48] A short-lived series titled Giant-Size Spider-Man began in July 1974 and ran six issues through 1975.[49] Spidey Super Stories, a series aimed at children ages 6–10, ran for 57 issues from October 1974 through 1982.[50][51] The flagship title's second decade took a grim turn with a story in #89-90 (Oct.-Nov. 1970) featuring the death of Captain George Stacy.[52] This was the first Spider-Man story to be penciled by Gil Kane,[53] who would alternate drawing duties with Romita for the next year-and-a-half and would draw several landmark issues.

One such story took place in the controversial issues #96-98 (May–July 1971). Writer-editor Lee defied the Comics Code Authority with this story, in which Parker's friend Harry Osborn, was hospitalized after over-dosing on pills. Lee wrote this story upon a request from the U. S. Department of Health, Education, and Welfare for a story about the dangers of drugs. Citing its dictum against depicting drug use, even in an anti-drug context, the CCA refused to put its seal on these issues. With the approval of Marvel publisher Martin Goodman, Lee had the comics published without the seal. The comics sold well and Marvel won praise for its socially conscious efforts.[54] The CCA subsequently loosened the Code to permit negative depictions of drugs, among other new freedoms.[55]

"The Six Arms Saga" of #100-102 (Sept.–Nov. 1971) introduced Morbius, the Living Vampire. The second installment was the first Amazing Spider-Man story not written by co-creator Lee,[56] with Roy Thomas taking over writing the book for several months before Lee returned to write #105-110 (Feb.-July 1972).[57] Lee, who was going on to become Marvel Comics' publisher, with Thomas becoming editor-in-chief, then turned writing duties over to 19-year-old Gerry Conway,[58] who scripted the series through 1975. Romita penciled Conway's first half-dozen issues, which introduced the gangster Hammerhead in #113 (Oct. 1972). Kane then succeeded Romita as penciler,[53] although Romita would continue inking Kane for a time.

Issues 121-122 (June–July 1973, by Conway-Kane-Romita), which featured the death of Gwen Stacy at the hands of the Green Goblin in "The Night Gwen Stacy Died" in issue #121.[59][60][61] Her demise and the Goblin's apparent death one issue later formed a story arc widely considered as the most defining in the history of Spider-Man.[62] The aftermath of the story deepened both the characterization of Mary Jane Watson and her relationship with Parker.

In 1973, Gil Kane was succeeded by Ross Andru, whose run lasted from issue #125 (October 1973) to #185 (October 1978).[63] Issue #129 (Feb. 1974) introduced the Punisher,[64] who would become one of Marvel Comics' most popular characters. The Conway-Andru era featured the first appearances of the Man-Wolf in #124-125 (Sept.-Oct. 1973); the near-marriage of Doctor Octopus and Aunt May in #131 (April 1974); Harry Osborn stepping into his father's role as the Green Goblin in #135-137 (Aug.-Oct.1974); and the original "Clone Saga", containing the introduction of Spider-Man's clone, in #147-149 (Aug.-Oct. 1975). Archie Goodwin and Gil Kane produced the title's 150th issue (Nov. 1975) before Len Wein became writer with issue #151.[65] During Wein's tenure, Harry Osborn and Liz Allen dated and became engaged, J. Jonah Jameson was introduced to his eventual second wife, Marla Madison, and Aunt May suffered a heart attack. Wein's last story on Amazing was a five-issue arc in #176-180 (Jan.-May 1978) featuring a third Green Goblin (Harry Osborn’s psychiatrist, Bart Hamilton). Marv Wolfman, Marvel's editor-in-chief from 1975 to 1976, succeeded Wein as writer, and in his first issue, #182 (July 1978), had Parker propose marriage to Watson who refused, in the following issue.[66] Keith Pollard succeeded Ross Andru as artist shortly afterward, and with Wolfman introduced the likable rogue the Black Cat (Felicia Hardy) in #194 (July 1979).[67] As a love interest for Spider-Man, the Black Cat would go on to be an important supporting character for the better part of the next decade, and remain a friend and occasional lover into the 2010s.

1980s

Issue252
The Amazing Spider-Man #252 (May 1984): Spider-Man's black costume debuts. Cover art by Ron Frenz and Klaus Janson.

The Amazing Spider-Man #200 (Jan. 1980) featured the return and death of the burglar who killed Spider-Man's Uncle Ben.[68] Writer Marv Wolfman and penciler Keith Pollard both left the title by mid-year, succeeded by Dennis O'Neil, a writer known for groundbreaking 1970s work at rival DC Comics,[69] and penciler John Romita Jr.. O'Neil wrote two issues of The Amazing Spider-Man Annual which were both drawn by Frank Miller. The 1980 Annual featured a team-up with Doctor Strange[70] while the 1981 Annual showcased a meeting with the Punisher.[71] Roger Stern, who had written nearly 20 issues of sister title The Spectacular Spider-Man, took over Amazing with issue #224 (January 1982).[72] During his two years on the title, Stern augmented the backgrounds of long-established Spider-Man villains, and with Romita Jr. created the mysterious supervillain the Hobgoblin in #238-239 (March–April 1983).[73][74] Fans engaged with the mystery of the Hobgoblin's secret identity, which continued throughout #244-245 and 249-251 (Sept.-Oct. 1983 and Feb.-April 1984). One lasting change was the reintroduction of Mary Jane Watson as a more serious, mature woman who becomes Peter's confidante after she reveals that she knows his secret identity. Stern wrote "The Kid Who Collects Spider-Man" in The Amazing Spider-Man #248 (January 1984), a story which ranks among his most popular.[73][75]

By mid-1984, Tom DeFalco and Ron Frenz took over scripting and penciling. DeFalco helped establish Parker and Watson's mature relationship, laying the foundation for the characters' wedding in 1987. Notably, in #257 (Oct. 1984), Watson tells Parker that she knows he is Spider-Man, and in #259 (Dec. 1984), she reveals to Parker the extent of her troubled childhood. Other notable issues of the DeFalco-Frenz era include #252 (May 1984), with the first appearance of Spider-Man's black costume, which the hero would wear almost exclusively for the next four years' worth of comics; the debut of criminal mastermind the Rose, in #253 (June 1984); the revelation in #258 (Nov. 1984) that the black costume is a living being, a symbiote; and the introduction of the female mercenary Silver Sable in #265 (June 1985).

Tom DeFalco and Ron Frenz were both removed from The Amazing Spider-Man in 1986 by editor Owsley under acrimonious circumstances.[76] A succession of artists including Alan Kupperberg, John Romita Jr., and Alex Saviuk penciled the series from 1987 to 1988; Owsley wrote the book for the first half of 1987, scripting the five-part "Gang War" story (#284-288) that DeFalco plotted. Former Spectacular Spider-Man writer Peter David scripted #289 (June 1987), which revealed Ned Leeds as being the Hobgoblin although this was retconned in 1996 by Roger Stern into Leeds not being the original Hobgoblin after all.

David Michelinie took over as writer in the next issue, for a story arc in #290-292 (July-Sept. 1987) that led to the marriage of Peter Parker and Mary Jane Watson in Amazing Spider-Man Annual #21. The "Kraven's Last Hunt" storyline by writer J.M. DeMatteis and artists Mike Zeck and Bob McLeod crossed over into The Amazing Spider-Man #293 and 294.[77] Issue #298 (March 1988) was the first Spider-Man comic to be drawn by future industry star Todd McFarlane, the first regular artist on The Amazing Spider-Man since Frenz's departure. McFarlane revolutionized Spider-Man's look. His depiction – large-eyed, with wiry, contorted limbs, and messy, knotted, convoluted webbing – influenced the way virtually all subsequent artists would draw the character. McFarlane's other significant contribution to the Spider-Man canon was the design for what would become one of Spider-Man's most wildly popular antagonists, the supervillain Venom.[78] Issue #299 (April 1988) featured Venom's first appearance (a last-page cameo) before his first full appearance in #300 (May 1988). The latter issue featured Spider-Man reverting to his original red-and-blue costume.

Other notable issues of the Michelinie-McFarlane era include #312 (Feb. 1989), featuring the Green Goblin vs. the Hobgoblin; and #315-317 (May–July 1989), with the return of Venom. In July 2012, Todd McFarlane's original cover art for The Amazing Spider-Man #328 sold for a bid of $657,250, making it the most expensive American comic book art ever sold at auction.[79]

1990s

With a civilian life as a married man, the Spider-Man of the 1990s was different from the superhero of the previous three decades. McFarlane left the title in 1990 to write and draw a new series titled simply Spider-Man. His successor, Erik Larsen, penciled the book from early 1990 to mid-1991. After issue #350, Larsen was succeeded by Mark Bagley, who had won the 1986 Marvel Tryout Contest[80] and was assigned a number of low-profile penciling jobs followed by a run on New Warriors in 1990. Bagley penciled the flagship Spider-Man title from 1991 to 1996.[81]

Issues #361-363 (April–June 1992) introduced Carnage,[82] a second symbiote nemesis for Spider-Man. The series' 30th-anniversary issue, #365 (Aug. 1992), was a double-sized, hologram-cover issue[83] with the cliffhanger ending of Peter Parker's parents, long thought dead, reappearing alive. It would be close to two years before they were revealed to be impostors, who are killed in #388 (April 1994), scripter Michelinie's last issue. His 1987–1994 stint gave him the second-longest run as writer on the title, behind Stan Lee.

Issue #375 was released with a gold foil cover.[84] There was an error affecting some issues and which are missing the majority of the foil.[85]

With #389, writer J. M. DeMatteis, whose Spider-Man credits included the 1987 "Kraven's Last Hunt" story arc and a 1991–1993 run on The Spectacular Spider-Man, took over the title. From October 1994 to June 1996, Amazing stopped running stories exclusive to it, and ran installments of multi-part stories that crossed over into all the Spider-Man books. One of the few self-contained stories during this period was in #400 (April 1995), which featured the death of Aunt May — later revealed to have been faked (although the death still stands in the MC2 continuity). The "Clone Saga" culminated with the revelation that the Spider-Man who had appeared in the previous 20 years of comics was a clone of the real Spider-Man. This plot twist was massively unpopular with many readers,[86] and was later reversed in the "Revelations" story arc that crossed over the Spider-Man books in late 1996.

The Clone Saga tied into a publishing gap after #406 (Oct. 1995), when the title was temporarily replaced by The Amazing Scarlet Spider #1-2 (Nov.-Dec. 1995), featuring Ben Reilly. The series picked up again with #407 (Jan. 1996), with Tom DeFalco returning as writer. Bagley completed his 5½-year run by September 1996. A succession of artists, including Ron Garney, Steve Skroce, Joe Bennett, Rafael Kayanan and John Byrne penciled the book until the final issue, #441 (Nov. 1998), after which Marvel rebooted the title with vol. 2, #1 (Jan. 1999).

Relaunch and the 2000s

Marvel began The Amazing Spider-Man anew with vol. 2, #1 (Jan. 1999).[87][88] Howard Mackie wrote the first 29 issues. The relaunch included the Sandman being regressed to his criminal ways and the "death" of Mary Jane, which was ultimately reversed. Other elements included the introduction of a new Spider-Woman (who was spun off into her own short-lived series) and references to John Byrne's Spider-Man: Chapter One, which launched at the same time as the reboot. Byrne also penciled issues #1–18 (from 1999 to 2000) and wrote #13–14, John Romita Jr. took his place soon after in October 2000. Mackie's run ended with The Amazing Spider-Man Annual 2001, which saw the return of Mary Jane, who then left Parker upon reuniting with him.

With #30 (June 2001), J. Michael Straczynski took over as writer[89] and oversaw additional storylines — most notably his lengthy "Spider-Totem" arc, which raised the issue of whether Spider-Man's powers were magic-based, rather than as the result of a radioactive spider's bite. Additionally, Straczynski resurrected the plot point of Aunt May discovering her nephew was Spider-Man,[90] and returned Mary Jane, with the couple reuniting in The Amazing Spider-Man #50. Straczynski gave Spider-Man a new profession, having Parker teach at his former high school.

Issue #30 began a dual numbering system, with the original series numbering (#471) returned and placed alongside the volume-two number on the cover. Other longtime, rebooted Marvel Comics titles, including Fantastic Four, likewise were given the dual numbering around this time. After vol. 2, #58 (Nov. 2003), the title reverted completely to its original numbering for #500 (Dec. 2003).[87] Mike Deodato, Jr. penciled the series from mid-2004 until 2006.

That year Peter Parker revealed his Spider-Man identity on live television in the company-crossover storyline "Civil War",[91][92] in which the superhero community is split over whether to conform to the federal government's new Superhuman Registration Act. This knowledge was erased from the world with the event of the four-part, crossover story arc, "One More Day", written partially by J. Michael Straczynski and illustrated by Joe Quesada, running through The Amazing Spider-Man #544-545 (Nov.-Dec. 2007), Friendly Neighborhood Spider-Man #24 (Nov. 2007) and The Sensational Spider-Man #41 (Dec. 2007), the final issues of those two titles. Here, the demon Mephisto makes a Faustian bargain with Parker and Mary Jane, offering to save Parker's dying Aunt May if the couple will allow their marriage to have never existed, rewriting that portion of their pasts. This story arc marked the end of Straczynski's tenure as writer.

Following this, Marvel made The Amazing Spider-Man the company's sole Spider-Man title, increasing its frequency of publication to three issues monthly, and inaugurating the series with a sequence of "back to basics" story arcs under the banner of "Brand New Day". Parker now exists in a changed world where he and Mary Jane had never married, and Parker has no memory of being married to her, with domino effect differences in their immediate world. The most notable of these revisions to Spider-Man continuity are the return of Harry Osborn, whose death in The Spectacular Spider-Man #200 (May 1993) is erased; and the reestablishment of Spider-Man's secret identity, with no one except Mary Jane able to recall that Parker is Spider-Man (although he soon reveals his secret identity to the New Avengers and the Fantastic Four). The alternating regular writers were initially Dan Slott, Bob Gale, Marc Guggenheim, Fred Van Lente, and Zeb Wells, joined by a rotation of artists that included Chris Bachalo, Phil Jimenez, Mike McKone, John Romita Jr. and Marcos Martín. Joe Kelly, Mark Waid and Roger Stern later joined the writing team and Barry Kitson the artist roster. Waid's work on the series included a meeting between Spider-Man and Stephen Colbert in The Amazing Spider-Man #573 (Dec. 2008).[93] Issue #583 (March 2009) included a back-up story in which Spider-Man meets President Barack Obama.[94][95]

2010s and temporary end of publication

Mark Waid scripted the opening of "The Gauntlet" storyline in issue #612 (Jan. 2010).[96] With issue #648 (Jan. 2011), the series became a twice-monthly title with Dan Slott as sole writer, launching the "Big Time" storyline in issue #648 (Nov. 2010). [97][98] Eight additional pages were added per issue. This publishing format lasted until issue #700, which concluded the "Dying Wish" storyline, in which Parker and Doctor Octopus swapped bodies, and the latter taking on the mantle of Spider-Man when Parker apparently died in Doctor Octopus' body. The Amazing Spider-Man ended with this issue, with the story continuing in the new series The Superior Spider-Man.[99][100] In December 2013, the series returned for five issues, numbered 700.1 through 700.5, with the first two written by David Morrell and drawn by Klaus Janson.[101]

2014 relaunch

In January 2014, Marvel confirmed that The Amazing Spider-Man would be relaunched on April 30, 2014, starting from issue #1, with Peter Parker as Spider-Man once again.[102] The first issue of this new version of The Amazing Spider-Man is, according to Diamond Comics Distributors, "The Best Selling Comic of the 21st Century."[103] Issues #1-6 were a story arc called "Lucky to be Alive", taking place immediately after "Goblin Nation", with issues #4 and #5 being a cross-over with the Original Sin storyline. Issue #4 introduced Silk, a new heroine, that was bitten by the same spider as Peter Parker. Issues #7-8 featured a team-up between Ms. Marvel and Spider-Man, and had backup stories that tied into Edge of Spider-Verse. The next major plot arc, titled "Spider-Verse", began in Issue #9 and ended in #15, features every Spider-Man from across the dimensions being hunted by Morlun, and a team-up to stop him, with Peter Parker of Earth-616 in command of the Spider-Men's Alliance. The Amazing Spider-Man Annual #1 of the relaunched series, was released in December 2014, featuring stories unrelated to "Spider-Verse".

2015 relaunch

Following the 2015 Secret Wars event, a number of Spider-Man-related titles were either relaunched or created as part of the "All-New, All-Different Marvel" event. Among them, The Amazing Spider-Man was relaunched as well and primarily focuses on Peter Parker continuing to run Parker Industries, and becoming a successful businessman who is operating worldwide.[104] It also tied with Civil War II (involving an Inhuman who can predict possible future named Ulysses Cain), Dead No More (where Ben Reilly [the original Scarlet Spider] revealed to be revived and as one of the antagonists instead), and Secret Empire (during Hydra's reign led by a Hydra influenced Captain America/Steve Rogers, and the dismissal of Parker Industries by Peter Parker in order to stop Otto Octavius).

Back to Basics

In March 2018, it was announced that writer Nick Spencer would be writing the main bi-monthly The Amazing Spider-Man series beginning with a new #1, replacing long-time writer Dan Slott, as part of the Fresh Start relaunch that July.[105]

Collected editions

Black-and-white
  • Essential Spider-Man, Vol. 1 [#1-20, Annual #1; Amazing Fantasy #15] (ISBN 0-7851-0988-9)
  • Essential Spider-Man, Vol. 2 [#21-43, Annual #2-3] (ISBN 0-7851-0989-7)
  • Essential Spider-Man, Vol. 3 [#44-65, Annual #4] (ISBN 0-7851-0658-8)
  • Essential Spider-Man, Vol. 4 [#66-89, Annual #5] (ISBN 0-7851-0760-6)
  • Essential Spider-Man, Vol. 5 [#90-113] (ISBN 0-7851-0881-5)
  • Essential Spider-Man, Vol. 6 [#114-137; Giant-Size Super Heroes #1; Giant-Size Spider-Man #1-2] (ISBN 0-7851-1365-7)
  • Essential Spider-Man, Vol. 7 [#138-160, Annual #10; Giant-Size Spider-Man #4-5] (ISBN 0-7851-1879-9)
  • Essential Spider-Man, Vol. 8 [#161-185, Annual #11; Giant-Size Spider-Man #6; Nova #12] (ISBN 0-7851-2500-0)
  • Essential Spider-Man, Vol. 9 [#186-210, Annual #13-14; Peter Parker: Spectacular Spider-Man Annual #1] (ISBN 0-7851-3074-8)
  • Essential Spider-Man, Vol. 10 [#211-230, Annual #15] (ISBN 0-7851-5747-6)
  • Essential Spider-Man, Vol. 11 [#231-248, Annual #16-17] (ISBN 0-7851-6330-1)
Major arcs/artist runs
  • Marvel Visionaries: John Romita Sr. [#39-40, 42, 50, 108-109, 365; Daredevil #16-17; Untold Tales of Spider-Man #-1] (ISBN 0785117806)
  • Spider-Man: The Death of Captain Stacy [#88-90] (ISBN 0785114556)
  • Spider-Man: The Death of Gwen Stacy [#96-98, 121-122; Webspinners: Tales of Spider-Man #1] (ISBN 0785110267)
  • Spider-Man: Death of the Stacys [#88-92, 121-122] (ISBN 0785125043)
  • A New Goblin [#176-180] (ISBN 0785131175)
  • Spider-Man vs. the Black Cat [#194-195, 204-205, 226-227] (ISBN 0785115595)
  • Spider-Man: Origin of The Hobgoblin [#238-239, 244-245, 249-251, Spectacular Spider-Man (Vol. 1) #85] (ISBN 0871359170)
  • Spider-Man: Birth of Venom [#252-259, 298-300, 315-317, Annual #25; Fantastic Four #274; Secret Wars #8; Web of Spider-Man #1] (ISBN 0785124985)
  • The Amazing Spider-Man: The Wedding [#290-292, Amazing Spider-Man Annual(Vol. 1)#2, Not Brand Echh #6] (ISBN 0871357704)
  • Spider-Man: Kraven's Last Hunt [#293-294; Web of Spider-Man #31-32; The Spectacular Spider-Man #131-132] (ISBN 0785134506)
  • Visionaries: Todd McFarlane [#298-305] (ISBN 0785108009)
  • Legends, Vol. 2: Todd McFarlane [#306-314; The Spectacular Spider-Man Annual #10] (ISBN 0785110372)
  • Legends, Vol. 3: Todd McFarlane [#315-323, 325, 328] (ISBN 0785110399)
  • Spider-Man: Venom Returns [#330-333, 344-347;Amazing Spider-Man AnnualVol 1 #25] (ISBN 0871359669)
  • Spider-Man: Carnage [#344-345,359-363] (ISBN 0871359715)
Collections
  • Vol. 1: Coming Home [#30-35/471-476] (ISBN 0-7851-0806-8)
  • Vol. 2: Revelations [#36-39/477-480] (ISBN 0-7851-0877-7)
  • Vol. 3: Until the Stars Turn Cold [#40-45/481-486] (ISBN 0-7851-1075-5)
  • Vol. 4: The Life and Death of Spiders [#46-50/487-491] (ISBN 0-7851-1097-6)
  • Vol. 5: Unintended Consequences [#51-56/492-497] (ISBN 0-7851-1098-4)
  • Vol. 6: Happy Birthday [#57-58,500-502/498-502] (ISBN 0-7851-1343-6)
  • Vol. 7: The Book of Ezekiel [#503-508] (ISBN 0-7851-1525-0)
  • Vol. 8: Sin's Past [#509-514] (ISBN 0-7851-1509-9)
  • Vol. 9: Skin Deep [#515-518] (ISBN 0-7851-1642-7)
  • Vol. 10: New Avengers [#519-524] (ISBN 0-7851-1764-4)
  • Spider-Man: The Other [#525-528; Friendly Neighborhood Spider-Man #1-4; Marvel Knights Spider-Man #19-22] (ISBN 0-7851-2188-9)
  • Civil War: The Road to Civil War [#529-531; New Avengers: Illuminati (one-shot); Fantastic Four #536-537] (ISBN 0-7851-1974-4)
  • Vol. 11: Civil War [#532-538] (ISBN 0-7851-2237-0)
  • Vol. 12: Back in Black [#539-543; Friendly Neighborhood Spider-Man #17-23, Annual #1] (ISBN 978-0-7851-2904-2)
  • Spider-Man: One More Day [#544-545; Friendly Neighborhood Spider-Man #24; The Sensational Spider-Man #41; Marvel Spotlight: Spider-Man – One More Day/Brand New Day] (ISBN 978-0-7851-3221-9)
  • Brand New Day, Vol. 1 [#546-551; The Amazing Spider-Man: Swing Shift (Director's Cut); Venom Super-Special] (ISBN 078512845X)
  • Brand New Day, Vol. 2 [#552-558] (ISBN 0785128468)
  • Brand New Day, Vol. 3 [#559-563] (ISBN 0785132422)
  • Kraven's First Hunt [#564-567; The Amazing Spider-Man: Extra! #1 (story 2)] (ISBN 0785132430)
  • New Ways to Die [#568-573; Marvel Spotlight: Spider-Man – Brand New Day] (ISBN 0785132449)
  • Crime and Punisher [#574-577; The Amazing Spider-Man: Extra! #1 (story 1)] (ISBN 0785134174)
  • Death and Dating [#578-583, Annual #35/1] (ISBN 0785134182)
  • Election Day [#584-588; The Amazing Spider-Man: Extra! #1 (story 3), 3 (story 1); The Amazing Spider-Man Presidents' Day Special] (ISBN 0785134190)
  • 24/7 [#589-594; The Amazing Spider-Man: Extra! #2] (ISBN 0785134204)
  • American Son [#595-599; material from The Amazing Spider-Man: Extra! #3] (ISBN 0785140832)
  • Died in Your Arms Tonight [#600-601, Annual #36; material from Amazing Spider-Man Family #7] (ISBN 0785144854)
  • Red-Headed Stranger [#602-605] (ISBN 0785138692)
  • Return of the Black Cat [#606-611; material from Web of Spider-Man vol. 2, #1] (ISBN 0785138684)
  • The Gauntlet, Book 1: Electro and Sandman [#612-616; Dark Reign: The List – The Amazing Spider-Man; Web of Spider-Man vol. 2, #2 (Electro story)] (ISBN 0785138714)
  • The Gauntlet, Book 2: Rhino and Mysterio [#617-621; Web of Spider-Man vol. 2, #3-4] (ISBN 0785138722)
  • The Gauntlet, Book 3: Vulture and Morbius [#622-625; Web of Spider-Man vol. 2, #2, 5 (Vulture story)] (ISBN 0785146121)
  • The Gauntlet, Book 4: Juggernaut [#229-230, 626-629] (ISBN 0785146148)
  • The Gauntlet, Book 5: Lizard [#629-633; Web of Spider-Man vol. 2, #6] (ISBN 0785146164)
  • Spider-Man: Grim Hunt [#634-637; The Amazing Spider-Man: Extra! #3; Spider-Man: Grim Hunt – The Kraven Saga; Web of Spider-Man vol. 2, #7] (ISBN 0785146180)
  • One Moment in Time [#638-641] (ISBN 0785146202)
  • Origin of the Species [#642-647; Spider-Man Saga; Web of Spider-Man vol. 2, #12] (ISBN 0785146229)
  • Big Time [#648-651] (ISBN 0785146237)
  • Matters of Life and Death [#652-657, 654.1] (ISBN 0785151028)
  • Spider-Man: The Fantastic Spider-Man [#658-662] (ISBN 0785151060)
  • Spider-Man: The Return Of Anti-Venom [#663-665; Free comic book day 2011: The Amazing Spider-Man] (ISBN 0785151087)
  • Spider-Man: Spider-Island [#666-673; Venom (2011) #6-8, Spider-Island: Deadly Foes; Infested prologues from #659-660 and #662-665.] (ISBN 0785151044)
  • Spider-Man: Flying Blind [#674-677; Daredevil #8] (ISBN 978-0-7851-6002-1)
  • Spider-Man: Trouble on the Horizon [#678-681, 679.1] (ISBN 978-0-7851-6003-8)
  • Spider-Man: Ends of the Earth [#682-687; Amazing Spider-Man: Ends of the Earth #1; Avenging Spider-Man #8] (ISBN 0785160051)
  • Spider-Man: Lizard – No Turning Back [#688-691; Untold Tales of Spider-Man #9] (ISBN 978-0-7851-6008-3)
  • Spider-Man: Danger Zone [#692-697; Avenging Spider-Man #11] (ISBN 0785160094)
  • Spider-Man: Dying Wish [#698-700] (ISBN 0-7851-6523-1)
  • The Amazing Spider-Man Omnibus, Vol. 1 [#1-38, Annual #1-2; Amazing Fantasy #15; Strange Tales Annual #2; Fantastic Four Annual #1] (ISBN 0785124020)
  • The Amazing Spider-Man Omnibus, Vol. 2 [#39-67, Annual #3-5; Spectacular Spider-Man #1-2] (ISBN 978-1302901806)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 1 [#1-10; Amazing Fantasy #15] (ISBN 0-7851-1256-1)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 2 [#11-19, Annual #1] (ISBN 0-7851-1264-2)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 3 [#20-30, Annual #2] (ISBN 0-7851-1188-3)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 4 [#31-40] (ISBN 0-7851-1189-1)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 5 [#41-50, Annual #3] (ISBN 0-7851-1190-5)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 6 [#51-61, Annual #4] (ISBN 0-7851-1362-2)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 7 [#62-67, Annual #5; The Spectacular Spider-Man #1-2 (magazine)] (ISBN 0-7851-1636-2)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 8 [#68-77; Marvel Super Heroes #14] (ISBN 0-7851-2074-2)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 9 [#78-87] (ISBN 978-0-7851-2462-7)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 10 [#88-99] (ISBN 978-0-7851-2932-5)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 11 [#100-109] (ISBN 978-0-7851-3507-4)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 12 [#110-120] (ISBN 978-0-7851-4214-0)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 13 [#121-131] (ISBN 0-7851-5036-6)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 14 [#132-142; Giant-Size Super-Heroes #1] (ISBN 0-7851-5975-4)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 15 [#143-155; Marvel Special Edition Treasury #1] (ISBN 0-7851-6631-9)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 16 [#156-168; Annual #10] (ISBN 0-7851-8801-0)
  • Marvel Masterworks: The Amazing Spider-Man, Vol. 17 [#169-180; Annual #11; Nova #12; Marvel Treasury Edition #14] (ISBN 0-7851-9186-0)
  • Amazing Spider-Man: Worldwide Vol. 1 [Vol. 4 #1 - #5]
  • Amazing Spider-Man: Worldwide Vol. 2 [#6 - #11]
  • Amazing Spider-Man: Worldwide Vol. 3 [#12 - #15]
  • Amazing Spider-Man: Worldwide Vol. 4 [#16 - #19]
  • Amazing Spider-Man: Worldwide Vol. 5 [#20 - #24, Annual #1]
  • Amazing Spider-Man: Worldwide Vol. 6 [#25 - #28]
  • Amazing Spider-Man: Worldwide Vol. 7 [#29 - #32]

References

  1. ^ Morse, Ben (October 10, 2012). "Marvel NOW! Q&A: Superior Spider-Man". Marvel Comics. Archived from the original on April 14, 2013. Retrieved October 10, 2012.
  2. ^ a b DeFalco, Tom; Gilbert, Laura, ed. (2008). "1960s". Marvel Chronicle A Year by Year History. London, United Kingdom: Dorling Kindersley. p. 87. ISBN 978-0756641238. Deciding that his new character would have spider-like powers, [Stan] Lee commissioned Jack Kirby to work on the first story. Unfortunately, Kirby's version of Spider-Man's alter ego Peter Parker proved too heroic, handsome, and muscular for Lee's everyman hero. Lee turned to Steve Ditko, the regular artist on Amazing Adult Fantasy, who designed a skinny, awkward teenager with glasses.CS1 maint: Extra text: authors list (link)
  3. ^ The Amazing Spider-Man at the Grand Comics Database
  4. ^ The Amazing Spider-Man vol. 2' at the Grand Comics Database
  5. ^ The Amazing Spider-Man (continuation of volume 1)' at the Grand Comics Database
  6. ^ DeFalco "1960s" in Gilbert (2008), p. 91: "Thanks to a flood of fan mail, Spider-Man was awarded his own title six months after his first appearance. Amazing Spider-Man began as a bimonthly title, but was quickly promoted to a monthly."
  7. ^ a b DeFalco "1960s" in Gilbert (2008), p. 91
  8. ^ Lee, Stan (w), Ditko, Steve (p), Ditko Steve (i). "Spider-Man" The Amazing Spider-Man 1 (March 1963)
  9. ^ DeFalco "1960s" in Gilbert (2008), p. 92: "Introduced in the lead story of The Amazing Spider-Man #2 and created by Stan Lee and Steve Ditko, the Vulture was the first in a long line of animal-inspired super-villains that were destined to battle everyone's favorite web-slinger."
  10. ^ {Dowell, Gary; Holman, Greg; Halperin, James L. HCA Heritage Comics Auction Catalog. Heritage Capital Corporation.
  11. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "Duel to the Death with the Vulture!" The Amazing Spider-Man 2 (May 1963)
  12. ^ DeFalco "1960s" in Gilbert (2008), p. 93: "Dr. Octopus shared many traits with Peter Parker. They were both shy, both interested in science, and both had trouble relating to women...Otto Octavius even looked like a grown up Peter Parker. Lee and Ditko intended Otto to be the man Peter might have become if he hadn't been raised with a sense of responsibility"
  13. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "Spider-Man Versus Doctor Octopus" The Amazing Spider-Man 3 (July 1963)
  14. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "Nothing Can Stop...The Sandman!" The Amazing Spider-Man 4 (September 1963)
  15. ^ DeFalco "1960s" in Gilbert (2008), p. 95
  16. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "Face-to-Face With...the Lizard!" The Amazing Spider-Man 6 (November 1963)
  17. ^ DeFalco "1960s" in Gilbert (2008), p. 98
  18. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The Man Called Electro!" The Amazing Spider-Man 9 (February 1964)
  19. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The Menace of... Mysterio!" The Amazing Spider-Man 13 (June 1964)
  20. ^ DeFalco "1960s" in Gilbert (2008), p. 101: "When the Green Goblin soared into the webhead's life, Stan Lee and Steve Ditko didn't bother to discuss his secret identity. They just knew they had an interesting character to add to Spider-Man's growing gallery of villains."
  21. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The Grotesque Adventure of the Green Goblin!" The Amazing Spider-Man 14 (July 1964)
  22. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "Kraven the Hunter!" The Amazing Spider-Man 15 (August 1964)
  23. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The End of Spider-Man!" The Amazing Spider-Man 18 (November 1964)
  24. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The Coming of the Scorpion!" The Amazing Spider-Man 20 (January 1965)
  25. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "The Menace of the Molten Man!" The Amazing Spider-Man 28 (September 1965)
  26. ^ DeFalco "1960s" in Gilbert (2008), p. 111: "Gwen Stacy, the platinum blonde ex-beauty queen of Standard High, met Peter Parker on his first day in college in this issue."
  27. ^ Lee, Stan (w), Ditko, Steve (p), Ditko, Steve (i). "If This Be My Destiny!" The Amazing Spider-Man 31 (December 1965)
  28. ^ Daniels, Les (1991). Marvel: Five Fabulous Decades of the World's Greatest Comics. New York, New York: Harry N. Abrams. p. 129. ISBN 9780810938212.
  29. ^ David, Peter; Greenberger, Robert (2010). The Spider-Man Vault: A Museum-in-a-Book with Rare Collectibles Spun from Marvel's Web. Philadelphia, Pennsylvania: Running Press. p. 29. ISBN 0762437723.
  30. ^ Saffel, Steve (2007). "A Legend Is Born". Spider-Man the Icon: The Life and Times of a Pop Culture Phenomenon. London, United Kingdom: Titan Books. p. 22. ISBN 978-1-84576-324-4.
  31. ^ Manning, Matthew K.; Gilbert, Laura, ed. (2012). "1960s". Spider-Man Chronicle Celebrating 50 Years of Web-Slinging. London, United Kingdom: Dorling Kindersley. p. 34. ISBN 978-0756692360.CS1 maint: Extra text: authors list (link)
  32. ^ Greenberger, Robert, ed. (December 2001). 100 Greatest Marvels of All Time. New York, New York: Marvel Comics. p. 67.CS1 maint: Extra text: authors list (link)
  33. ^ DeFalco "1960s" in Gilbert (2008), p. 117: "To this day, no one really knows why Ditko quit. Bullpen sources reported he was unhappy with the way Lee scripted some of his plots, using a tongue-in-cheek approach to stories Ditko wanted handled seriously."
  34. ^ "Confidential Videotaped Deposition of John V. Romita". Garden City, New York: United States District Court, Southern District of New York: "Marvel Worldwide, Inc., et al., vs. Lisa R. Kirby, et al.". October 21, 2010. p. 45.
  35. ^ DeFalco "1960s" in Gilbert (2008), p. 119: "After teasing the readers for more than two years, Stan Lee finally allowed Peter Parker to meet Mary Jane Watson."
  36. ^ David and Greenberger, p. 38
  37. ^ Saffel "A Legend is Born", p. 27
  38. ^ Manning "1960s" in Gilbert (2012), p. 46: "Stan Lee tackled the issues of the day again when, with artists John Romita and Jim Mooney, he dealt with social unrest at Empire State University."
  39. ^ DeFalco "1960s" in Gilbert (2008), p. 122: "Stan Lee wanted to create a new kind of crime boss. Someone who treated crime as if it were a business...He pitched this idea to artist John Romita and it was Wilson Fisk who emerged in The Amazing Spider-Man #50."
  40. ^ Lee, Stan (w), Romita Sr., John (p), Esposito, Mike (i). "Spider-Man No More!" The Amazing Spider-Man 50 (July 1967)
  41. ^ DeFalco "1960s" in Gilbert (2008), p. 119: "The first original super-villain produced by the new Spider-Man team of Stan Lee and John Romita was the Rhino."
  42. ^ Lee, Stan (w), Romita Sr., John (p), Esposito, Mike (i). "The Horns of the Rhino!" The Amazing Spider-Man 41 (October 1966)
  43. ^ DeFalco "1960s" in Gilbert (2008), p. 121
  44. ^ Lee, Stan (w), Romita Sr., John (p), Romita Sr., John (i). "The Sinister Shocker!" The Amazing Spider-Man 46 (March 1967)
  45. ^ Lee, Stan (w), Buscema, John (p), Mooney, Jim (i). "The Night of the Prowler!" The Amazing Spider-Man 78 (November 1969)
  46. ^ Lee, Stan (w), Romita Sr., John (p), Esposito, Mike (i). "The Schemer!" The Amazing Spider-Man 83 (April 1970)
  47. ^ Sanderson, Peter "1970s" in Gilbert (2008), p. 155: "Marvel Team-Up #1 inaugurated a new series in which Spider-Man teamed with a different hero in each issue.""
  48. ^ Sanderson "1970s" in Gilbert (2008), p. 177: "Spider-Man already starred in two monthly series: The Amazing Spider-Man and Marvel Team-Up. Now Marvel added a third, Peter Parker, The Spectacular Spider-Man, initially written by Gerry Conway with art by Sal Buscema and Mike Esposito."
  49. ^ Giant-Size Spider-Man at the Grand Comics Database
  50. ^ Spidey Super Stories at the Grand Comics Database
  51. ^ Goodgion, Laurel F. (1978). Jana Varlejs (ed.), ed. Young Adult Literature in the Seventies: A Selection of Readings. Lanham, Maryland: The Scarecrow Press. p. 348. ISBN 0-8108-1134-0.CS1 maint: Extra text: editors list (link)
  52. ^ Manning "1970s" in Gilbert (2012), p. 55: "Captain George Stacy had always believed in Spider-Man and had given him the benefit of the doubt whenever possible. So in Spider-Man's world, there was a good chance that he would be destined to die."
  53. ^ a b Gil Kane at the Grand Comics Database
  54. ^ Saffel "Bucking the Establishment, Marvel Style", p. 60: "The stories received widespread mainstream publicity, and Marvel was hailed for sticking to its guns."
  55. ^ Daniels, pp. 152 and 154: "As a result of Marvel's successful stand, the Comics Code had begun to look just a little foolish. Some of its more ridiculous restrictions were abandoned because of Lee's decision."
  56. ^ Manning "1970s" in Gilbert (2012), p. 59: "In the first issue of The Amazing Spider-Man to be written by someone other than Stan Lee, Roy Thomas was faced with the mammoth task of not only filling the vaunted writer's shoes but also solving the bizarre cliffhanger from the last issue."
  57. ^ Manning "1970s" in Gilbert (2012), p. 61: "Stan Lee had returned to The Amazing Spider-Man for a handful of issues after leaving following issue #100 (September 1971). With issue #110. Lee once again departed the title into which he had infused so much of his own personality over his near 10-year stint as regular writer."
  58. ^ Manning "1970s" in Gilbert (2012), p. 62: "[The Amazing Spider-Man #111] marked the dawning of a new era: writer Gerry Conway came on board as Stan Lee's replacement. Alongside artist John Romita, Conway started his run by picking up where Lee left off."
  59. ^ Sanderson "1970s" in Gilbert (2008), p. 159: "In June [1973], Marvel embarked on a story that would have far-reaching effects. The Amazing Spider-Man artist John Romita Sr. suggested killing off Spider-Man's beloved Gwen Stacy in order to shake up the book's status quo."
  60. ^ Manning "1970s" in Gilbert (2012), p. 68: "This story by writer Gerry Conway and penciler Gil Kane would go down in history as one of the most memorable events of Spider-Man's life."
  61. ^ David and Greenberger p. 49: "The idea of beloved supporting characters meeting their deaths may be standard operating procedure now but in 1973 it was unprecedented...Gwen's death took villainy and victimhood to an entirely new level."
  62. ^ Saffel "Death and the Spider", p. 65: "Death struck again, with repercussions that would ripple through comics from that day forward."
  63. ^ Ross Andru at the Grand Comics Database
  64. ^ Manning "1970s" in Gilbert (2012), p. 72: "Writer Gerry Conway and artist Ross Andru introduced two major new characters to Spider-Man's world and the Marvel Universe in this self-contained issue. Not only would the vigilante known as the Punisher go on to be one of the most important and iconic Marvel creations of the 1970s, but his instigator, the Jackal, would become the next big threat in Spider-Man's life."
  65. ^ Manning "1970s" in Gilbert (2012), p. 85: "To signify the start of this new era Spider-Man's new regular chronicler writer Len Wein would come onboard with this issue."
  66. ^ Manning "1970s" in Gilbert (2012), p. 103: "As new regular writer Marv Wolfman took over the scripting duties from Len Wein and partnered with artist Ross Andru, Peter Parker decided to make a dramatic change in his personal life."
  67. ^ Manning "1970s" in Gilbert (2012), p. 107: "Spider-Man wasn't exactly sure what to think about his luck when he met a beautiful new thief on the prowl named the Black Cat, courtesy of a story by writer Marv Wolfman and artist Keith Pollard."
  68. ^ Martini, Frank (December 2013). "Marv Wolfman's Bicentennial Battles". Back Issue!. Raleigh, North Carolina: TwoMorrows Publishing (69): 44–47.
  69. ^ Manning "1980s" in Gilbert (2012), p. 115: "Acclaimed writer Denny O'Neil had returned to Marvel and...took over as the regular writer on The Amazing Spider-Man from issue #207 (August [1980]) until the end of 1981."
  70. ^ Manning "1980s" in Gilbert (2012), p. 114: "Writer Denny O'Neil and artist Frank Miller...used their considerable talents in this rare collaboration that teamed two other legends - Dr. Strange and Spider-Man."
  71. ^ Manning "1980s" in Gilbert (2012), p. 120: "Writer Denny O'Neil teamed with artist Frank Miller to concoct a Spider-Man annual that played to both their strengths. Miller and O'Neil seemed to flourish in the gritty world of street crime so tackling a Spider/Punisher fight was a natural choice."
  72. ^ Manning "1980s" in Gilbert (2012), p. 126: "Writer Roger Stern moved from the helm of Peter Parker, The Spectacular Spider-Man to sit behind the wheel as the new regular writer of The Amazing Spider-Man with this issue."
  73. ^ a b David and Greenberger, pp. 68-69: "Writer Roger Stern is primarily remembered for two major contributions to the world of Peter Parker. One was a short piece entitled 'The Kid Who Collects Spider-Man'...[his] other major contribution was the introduction of the Hobgoblin."
  74. ^ Manning "1980s" in Gilbert (2012), p. 133: "Writer Roger Stern and artists John Romita Jr. and John Romita Sr. introduced a new - and frighteningly sane - version of the [Green Goblin] concept with the debut of the Hobgoblin."
  75. ^ Cronin, Brian (May 10, 2010). "The Greatest Roger Stern Stories Ever Told!". Comic Book Resources. Archived from the original on February 21, 2012. Retrieved February 20, 2012. Stern and guest-artist Ron Frenz tell the heartfelt tale of a little boy who might be Spider-Man’s biggest fan. Spidey visits the boy and has a nice talk with him (and naturally, there is a twist to the tale).
  76. ^ Priest, Christopher J. (May 2002). "Oswald: Why I Never Discuss Spider-Man". DigitalPriest.com. Archived from the original on April 14, 2013. Retrieved April 14, 2013. The catalyst for my demise was my firing Tom DeFalco and Ron Frenz off of Amazing Spider-Man.
  77. ^ DeFalco "1980s" in Gilbert (2008), p. 231: "The six-issue story arc...ran through all the Spider-Man titles for two months."
  78. ^ Manning "1980s" in Gilbert (2012), p. 169: "In this landmark installment [issue #298], one of the most popular characters in the wall-crawler's history would begin to step into the spotlight courtesy of one of the most popular artists to ever draw the web-slinger."
  79. ^ Singh, Karanvir (July 30, 2012). "Amazing Spider-Man #328 Cover Art by Todd McFarlane sells for a record $657,250". BornRich.com. Archived from the original on April 14, 2013. Retrieved April 14, 2013.
  80. ^ Saffel "Taking Stock: The 1990s" pp. 185-186
  81. ^ Mark Bagley's run on The Amazing Spider-Man at the Grand Comics Database
  82. ^ Cowsill, Alan "1990s" in Gilbert (2012), p. 197: "Artist Mark Bagley's era of The Amazing Spider-Man hit its stride as Carnage revealed the true face of his evil. Carnage was a symbiotic offspring produced when Venom bonded to psychopath Cletus Kasady."
  83. ^ Cowsill "1990s" in Gilbert (2012), p. 199
  84. ^ Cowsill "1990s" in Gilbert (2012), p. 203
  85. ^ "Comic Printing Errors". Gemstone Publishing. Archived from the original on April 18, 2013. Retrieved April 17, 2013.
  86. ^ David, Peter (July 3, 1998). "The Illusion of Change". Comics Buyer's Guide. Archived from the original on April 18, 2013. Retrieved April 17, 2013. [Marvel] came up with the Spider-Man clone. Free of any of the baggage the character had accrued since the death of Gwen, he was supposed to reconnect the audience to Spider-Man. The problem is, all writing is a magic trick. You try to pull fast ones on the audience so that they don’t look too closely. In this case, it was easy to cast Marvel as Bullwinkle, announcing his intention to pull a rabbit out of his hat, and the fans as a skeptical Rocky loudly proclaiming, 'That trick never works!' And it didn’t. Because fans don’t like to be treated as if they’re stupid.
  87. ^ a b Hunt, James (August 5, 2008). "The Marvel 500s: How Many Are There?". Comic Book Resources. Archived from the original on April 14, 2013. Retrieved April 14, 2013.
  88. ^ Cowsill "1990s" in Gilbert (2012), p. 246: "This new series heralded a fresh start for the web-slinger's adventures."
  89. ^ Cowsill "2000s" in Gilbert (2012), p. 262: "J. Michael Straczynski and artist John Romita Jr. took the helm in this issue to create some of the best Spider-Man stories of the decade."
  90. ^ Straczynski, J. Michael (w), Romita Jr., John (p), Hanna, Scott (i). "Interlude" The Amazing Spider-Man v2, 37 (January 2002)
  91. ^ Straczynski, J. Michael (w), Garney, Ron (p), Reinhold, Bill (i). "The War At Home" The Amazing Spider-Man 532 (July 2006)
  92. ^ Straczynski, J. Michael (w), Garney, Ron (p), Reinhold, Bill (i). "The Night the War Came Home Part Two" The Amazing Spider-Man 533 (August 2006)
  93. ^ Cowsill "2000s" in Gilbert (2012), p. 316: "The issue [#573] also saw TV star Stephen Colbert team up with Spider-Man in a back-up story written by Mark Waid and drawn by Patrick Olliffe."
  94. ^ Cowsill "2000s" in Gilbert (2012), p. 319: "With President Obama about to be inaugurated, Marvel produced a special variant issue of The Amazing Spider-Man complete with...a five-page back-up strip co-starring the President, written by Zeb Wells and drawn by Todd Nauck."
  95. ^ Colton, David (January 7, 2009). "Obama, Spider-Man on the same comic-book page". USA Today. Archived from the original on October 23, 2012.
  96. ^ Cowsill "2010s" in Gilbert (2012), p. 327: "Written by Mark Waid and drawn by Paul Azaceta, the two-part opening mixed the real-world drama of the economic meltdown with some Spidey action."
  97. ^ Cowsill "2010s" in Gilbert (2012), p. 334: "Spidey's adventures were about to take an exciting new direction as Dan Slott became the title's sole writer."
  98. ^ Wigler, Josh (July 25, 2010). "CCI: The Marvel: Spider-Man Panel". Comic Book Resources. Archived from the original on October 20, 2013. Archive requires scrolldown
  99. ^ Moore, Matt (December 26, 2012). "Marvel's Peter Parker in Perilous Predicament". Associated Press via ABC News. Archived from the original on December 29, 2012. Retrieved December 29, 2012.
  100. ^ Hanks, Henry (December 31, 2012). "Events in landmark Spider-Man issue have fans in a frenzy". CNN. Archived from the original on November 9, 2013.
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External links

Bibliography of works on Spider-Man

A list of non-fiction books about or related to the Marvel character Spider-Man.

Harry Osborn

Harry Osborn (birth name: Harold Theopolis Osborn) is a fictional character in the Marvel Comics Universe. The character first appeared in The Amazing Spider-Man #31 (December 1965), and was created by Stan Lee and Steve Ditko. He is Peter Parker's best friend, the son of Norman Osborn, the father of Normie Osborn and Stanley Osborn, and the second incarnation of Green Goblin.

The character has appeared in many adaptations of Spider-Man outside of the comic books, including various cartoons and video games. He is portrayed in Sam Raimi's Spider-Man film trilogy by James Franco, 2014's The Amazing Spider-Man 2 by Dane DeHaan.

List of Spider-Man storylines

The superhero Spider-Man has appeared in many American comic books published by Marvel Comics since he first appeared in Amazing Fantasy #15 (August 1962). The character has since been featured in various storylines, forming longer story arcs. These particular arcs have been given special names and have gone through reprints over the years. During the 1960s and 1970s, these story arcs normally only lasted three issues or less (sometimes only one, such as the classic story "Spider-Man No More!") and would appear in Spider-Man's main comic book title The Amazing Spider-Man. "The Death of Jean DeWolff" was the first popular story arc outside The Amazing Spider-Man, as it appeared in the third monthly ongoing series of The Spectacular Spider-Man.

Mary Jane Watson

Mary Jane "MJ" Watson is a fictional character appearing in American comic books published by Marvel Comics and created by Stan Lee and John Romita Sr. The character made her first appearance in The Amazing Spider-Man #25. Since then she has gone on to become Spider-Man's main love interest, and later his wife. Mary Jane is generally the most famous and prominent love interest of Peter Parker due to their long history, as she is also represented in most Spider-Man media and adaptations.

Although she made a brief first appearance in The Amazing Spider-Man #25 with a plant obscuring her exterior, Mary Jane's first official face reveal was in The Amazing Spider-Man #42. Designed and drawn by John Romita Sr., her entrance is regarded as one of the most iconic introductions in comic history, owing it to its build-up, her hyper-vibrant red hair, and her most famous line, '"Face it, Tiger... you just hit the jackpot!"'. Since then, 'Tiger' has been her most recognizable nickname for Peter Parker, spanning comics and media adaptations.

Initially set up by Aunt May as a blind date, redheaded party girl Mary Jane "MJ" Watson was formerly depicted as Gwen Stacy's competition. Though Peter dated her briefly before Gwen, both of them broke it off as Peter saw her flamboyance, flakiness, and 'life of the party' personality as shallow and MJ was not ready to be tied down by one man. She eventually became Peter's main love interest after Gwen died. Both formed a bond through the grief of losing Gwen, as Mary Jane grew to become a more mature and open-hearted person. She and Peter got closer, deeply fell in love, had an on-off relationship for years and eventually married.

Starting from her memorable appearance, Mary Jane Watson has earned a place in comic polls over the years - making her the most popular "non-powered" character in the Marvel universe and one of the best known female love interests in superhero pop culture. The character has been portrayed by Kirsten Dunst in the three Spider-Man feature films directed by Sam Raimi (2002–2007), by Shailene Woodley in deleted scenes of the 2014 film The Amazing Spider-Man 2, and recently by Zoë Kravitz in the 2018 animated film Spider-Man: Into the Spider-Verse.

Spider-Man

Spider-Man is a fictional superhero created by writer-editor Stan Lee and writer-artist Steve Ditko. He first appeared in the anthology comic book Amazing Fantasy #15 (August 1962) in the Silver Age of Comic Books. He appears in American comic books published by Marvel Comics, as well as in a number of movies, television shows, and video game adaptations set in the Marvel Universe. In the stories, Spider-Man is the alias of Peter Parker, an orphan raised by his Aunt May and Uncle Ben in New York City after his parents Richard and Mary Parker were killed in a plane crash. Lee and Ditko had the character deal with the struggles of adolescence and financial issues, and accompanied him with many supporting characters, such as J. Jonah Jameson, Flash Thompson, Harry Osborn, romantic interests Gwen Stacy and Mary Jane Watson, and foes such as Doctor Octopus, Green Goblin and Venom. His origin story has him acquiring spider-related abilities after a bite from a radioactive spider; these include clinging to surfaces, shooting spider-webs from wrist-mounted devices, and detecting danger with his "spider-sense".

When Spider-Man first appeared in the early 1960s, teenagers in superhero comic books were usually relegated to the role of sidekick to the protagonist. The Spider-Man series broke ground by featuring Peter Parker, a high school student from Queens behind Spider-Man's secret identity and with whose "self-obsessions with rejection, inadequacy, and loneliness" young readers could relate. While Spider-Man had all the makings of a sidekick, unlike previous teen heroes such as Bucky and Robin, Spider-Man had no superhero mentor like Captain America and Batman; he thus had to learn for himself that "with great power there must also come great responsibility"—a line included in a text box in the final panel of the first Spider-Man story but later retroactively attributed to his guardian, the late Uncle Ben.

Marvel has featured Spider-Man in several comic book series, the first and longest-lasting of which is The Amazing Spider-Man. Over the years, the Peter Parker character developed from a shy, nerdy New York City high school student to troubled but outgoing college student, to married high school teacher to, in the late 2000s, a single freelance photographer. In the 2010s, he joins the Avengers, Marvel's flagship superhero team. Spider-Man's nemesis Doctor Octopus also took on the identity for a story arc spanning 2012–2014, following a body swap plot in which Peter appears to die. Marvel has also published books featuring alternate versions of Spider-Man, including Spider-Man 2099, which features the adventures of Miguel O'Hara, the Spider-Man of the future; Ultimate Spider-Man, which features the adventures of a teenaged Peter Parker in an alternate universe; and Ultimate Comics Spider-Man, which depicts the teenager Miles Morales, who takes up the mantle of Spider-Man after Ultimate Peter Parker's supposed death. Miles is later brought into mainstream continuity, where he works alongside Peter.

Spider-Man is one of the most popular and commercially successful superheroes. As Marvel's flagship character and company mascot, he has appeared in countless forms of media, including several animated and live action television series, syndicated newspaper comic strips, and in a series of films. The character was first portrayed in live action by Danny Seagren in Spidey Super Stories, a The Electric Company skit which ran from 1974 to 1977. In films, Spider-Man has been portrayed by actors Tobey Maguire, Andrew Garfield, and Tom Holland. Reeve Carney starred as Spider-Man in the 2010 Broadway musical Spider-Man: Turn Off the Dark. Spider-Man has been well received as a superhero and comic book character, and he is often ranked as one of the most popular and iconic comic book characters of all time.

Spider-Man (1977 film)

Spider-Man is a 1977 American made-for-television superhero film that had a theatrical release abroad, which serves as the pilot to the 1978 television series titled The Amazing Spider-Man. It was directed by E. W. Swackhamer, written by Alvin Boretz and stars Nicholas Hammond as the titular character, David White, Michael Pataki, Jeff Donnell and Thayer David.

Spider-Man in film

The fictional character Spider-Man, a comic book superhero created by Stan Lee and Steve Ditko and featured in Marvel Comics publications, has currently appeared in ten live-action films since his inception, not including fan made shorts and guest appearances in other Marvel Cinematic Universe (MCU) films. Spider-Man is the alter-ego of Peter Parker, a talented young freelance photographer and aspiring scientist imbued with superhuman abilities after being bitten by a radioactive/genetically-altered spider.

The first live-action film based on Spider-Man was the unauthorized short Spider-Man by Donald F. Glut in 1969. This was followed by Spider-Man, an American made-for-television film that premiered on the CBS network in 1977. It starred Nicholas Hammond and was intended as a backdoor pilot for what became a weekly episodic TV series.

The rights to further films featuring the character were purchased in 1985, and moved through various production companies and studios before being secured by Sony Pictures Entertainment (Columbia Pictures) for $10 million (plus 5% of any movies' gross revenue and half the revenue from consumer products), who hired Sam Raimi to direct Spider-Man (2002), Spider-Man 2 (2004), and Spider-Man 3 (2007) starring Tobey Maguire. The first two films were met with positive reviews from critics, while the third film received a more mixed response. In 2010, Sony announced that the franchise would be rebooted. Marc Webb was hired to direct, with Andrew Garfield starring, and The Amazing Spider-Man (2012) was released to positive reviews. The Amazing Spider-Man 2 (2014) saw mixed reviews.

In February 2015, Disney, Marvel Studios and Sony announced a deal to share the Spider-Man film rights, leading to a new iteration of Spider-Man being introduced and integrated into the MCU. The deal allows Sony to distribute and have creative control over MCU films where Spider-Man is the main character, while Disney distributes the ones where he is not. Tom Holland portrays this younger version of Spider-Man, appearing in Captain America: Civil War (2016), Spider-Man: Homecoming (2017), Avengers: Infinity War (2018) and Avengers: Endgame (2019), as well as a sequel to Homecoming, Spider-Man: Far From Home (2019). All of Spider-Man's MCU appearances have received positive reviews thus far.

Plans for an animated Spider-Man film were officially announced by Sony in April 2015. Spider-Man: Into the Spider-Verse (2018) combines Sony Pictures Imageworks' computer animation pipeline with traditional hand-drawn comic book techniques, inspired by the work of Miles Morales's co-creator Sara Pichelli. Completing the animation required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film. Into the Spider-Verse received universal acclaim and has become the highest-rated film in the Spider-Man franchise.

Raimi's trilogy grossed $2.5 billion worldwide on a $597 million budget, while Webb's films grossed over $1.4 billion on a $480 million budget. Homecoming grossed over $880 million on a $175 million budget and Into the Spider-Verse has grossed over $354 million on a $90 million budget. The Spider-Man films have grossed over $5.1 billion collectively.

Superman vs. The Amazing Spider-Man

Superman vs. The Amazing Spider-Man: The Battle of the Century is a comic book jointly published by Marvel Comics and DC Comics in 1976. It was the second co-publishing effort between DC Comics and Marvel Comics following their collaboration on MGM's Marvelous Wizard of Oz, and the first modern superhero cross-company crossover.

In the story, Superman and Spider-Man must stop a world domination / destruction plot hatched in tandem by their respective arch-nemeses, Lex Luthor and Doctor Octopus. The issue is non-canon, as it assumes that the heroes and their respective cities of residence, Metropolis and New York City, exist in the same universe, with no explanation given as to why they had never before met or been mentioned in each other's individual stories.

The Amazing Spider-Man (2012 film)

The Amazing Spider-Man is a 2012 American superhero film based on the Marvel Comics character Spider-Man, and sharing the title of the character's longest-running comic book. It is the fourth theatrical Spider-Man film produced by Columbia Pictures and Marvel Entertainment, and a reboot of Sam Raimi's Spider-Man 2002–2007 trilogy preceding it.

The film was directed by Marc Webb. It was written by James Vanderbilt, Alvin Sargent and Steve Kloves, and it stars Andrew Garfield as Peter Parker / Spider-Man, alongside Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, Martin Sheen and Sally Field. The film tells the story of Peter Parker, an introverted teenager from New York City, who takes up the alias of a masked vigilante: Spider-Man, after being bitten by a genetically engineered spider, and gaining spider-like superhuman abilities as a result, in order to hunt down his adoptive father/uncle's murderer. Eventually, Parker is compelled to stop his father's former scientific partner: Dr. Curt Connors, one of OsCorp's top biological researchers, who has accidentally exposed himself to an experimental mutagen, which has hampered his sanity and imbued him with a monstrous reptilian alter-ego, from spreading a mutation serum to the city's human population.

Development of the film began with the cancellation of Spider-Man 4 in 2010, ending director Sam Raimi's Spider-Man film series that originally featured Tobey Maguire as the titular superhero. Columbia Pictures opted to reboot the franchise with the same production team along with Vanderbilt to stay on with writing the next Spider-Man film, while Sargent and Kloves helped with the script as well. During pre-production, the main characters were cast in 2010. New designs were introduced from the comics, such as artificial web-shooters. Using Red Digital Cinema Camera Company's RED Epic camera, principal photography started in December 2010 in Los Angeles before moving to New York City. The film entered post-production in April 2011. 3ality Technica provided 3D image processing, and Sony Pictures Imageworks handled CGI. This was also the final American film to be scored by James Horner and released during his lifetime, before his death in 2015 from an aircraft accident.

Sony Pictures Entertainment built a promotional website, releasing many previews and launched a viral marketing campaign, among other moves. Tie-ins included a video game by Beenox. The film premiered on June 30 in Tokyo, and was released in the United States on July 3, ten years after release of Spider-Man (2002), in 2D, 3D and IMAX 3D and released in home media in November 2012. The reboot received generally favorable reviews, with critics praising mostly Andrew Garfield's performance, the visual style, James Horner's musical score, and the realistic portrayal of the title character, but criticized some underdeveloped story-lines, noting the film's deleted scenes, and the introduction of the Lizard as the villain for being too surreal for the film. The film was a box office success, grossing over $757 million worldwide, becoming the seventh highest-grossing film of 2012. A sequel, The Amazing Spider-Man 2, was released on May 2, 2014.

The Amazing Spider-Man (2012 video game)

The Amazing Spider-Man is an action-adventure video game, based on the Marvel Comics character Spider-Man, and the 2012 film of the same name. It was developed by Beenox and published by Activision. It was released on June 26 in North America and on June 29, 2012 in Europe, for Nintendo DS, PlayStation 3, Xbox 360, Wii, Android, iOS, and Microsoft Windows. A version for the Wii U was released March 5, 2013 in North America and March 8, 2013 in Europe as The Amazing Spider-Man: Ultimate Edition in both regions. in Spring 2013, the PlayStation Vita version was released in November 2013.

It was directed by Gerard Lehiany and written by Seamus Kevin Fahey, Benjamin Schirtz and Gérard Lehiany. The game serves as an alternate epilogue to The Amazing Spider-Man film, which is later seen in the sequel game revealed to be an alternate version of the movie.The Nintendo 3DS and Wii version feature a different, more linear game with the same script and plot. This version of the game does not feature an open world environment, instead following a style of approach similar to that of Star Wars: The Force Unleashed, where the player selects a level from a hub, in this case Stan's apartment, before playing a mostly linear level. It was natively designed for the 3DS, and later ported to the Wii.

The Amazing Spider-Man (TV series)

The Amazing Spider-Man is the first live-action television series about the Marvel Comics hero of the same name, although it is not the first live-action portrayal of the character, since Spider-Man was featured in a series of comedic short skits called Spidey Super Stories beginning in the 1974 season of PBS' The Electric Company children's educational program. The Amazing Spider-Man was shown in the United States from September 19, 1977 to July 6, 1979. Though it was a considerable ratings success, the CBS series was cancelled after just 13 episodes, which included a pilot film airing in autumn of 1977. None of the episodes were released on DVD, but almost all of them have been released on VHS. Despite its storylines being set in New York City (the character's hometown), the series was mostly filmed in Los Angeles.

The Amazing Spider-Man (comic strip)

The Amazing Spider-Man is a daily comic strip featuring the character Spider-Man. It is a dramatic, soap opera style strip with story arcs which typically run for 8 to 12 weeks. While the strip uses many of the same characters as the Spider-Man comic book, the storylines are nearly all originals and do not share the same continuity. A consistently popular strip, it has been published since 1977.

The Amazing Spider-Man (handheld video game)

The Amazing Spider-Man is a video game released for the Nintendo Game Boy. It was published in 1990 by LJN and developed by Rare. It is a platform side scrolling action game.

It was followed by two sequels, The Amazing Spider-Man 2 and The Amazing Spider-Man 3: Invasion of the Spider-Slayers.

The Amazing Spider-Man (pinball)

The Amazing Spider-Man is a pinball game designed by Ed Krynski and released in 1980 by Gottlieb. It is based on the comic book character Spider-Man released by Marvel Comics.

The Amazing Spider-Man (soundtrack)

The Amazing Spider-Man: Music from the Motion Picture is a soundtrack album to the 2012 film The Amazing Spider-Man composed by James Horner. which was released by Sony Classical.

The Amazing Spider-Man 2

The Amazing Spider-Man 2 (released as The Amazing Spider-Man 2: Rise of Electro in some markets) is a 2014 American superhero film featuring the Marvel Comics character Spider-Man. The film was directed by Marc Webb and produced by Avi Arad and Matt Tolmach. It is the fifth theatrical Spider-Man film produced by Columbia Pictures and Marvel Entertainment, and is the sequel to 2012's The Amazing Spider-Man. It is also the second and final film in The Amazing Spider-Man duology. The studio hired James Vanderbilt to write the screenplay and Alex Kurtzman and Roberto Orci to rewrite it. The film stars Andrew Garfield as Peter Parker / Spider-Man, alongside Emma Stone, Jamie Foxx, Dane DeHaan, Campbell Scott, Embeth Davidtz, Colm Feore, Paul Giamatti and Sally Field.

Development of The Amazing Spider-Man 2 began after the success of The Amazing Spider-Man. DeHaan, Giamatti, Jones, and Cooper were cast between December 2012 and February 2013. Filming took place in New York City from February to June 2013. The film was released in 2D, 3D, and IMAX 3D on May 2, 2014, in the United States with two international premieres being held between March 31 and April 10, 2014. It received mixed reviews from critics and audiences and grossed $709 million worldwide, making it the ninth-highest-grossing film of 2014 but the lowest-grossing Spider-Man film.

The Amazing Spider-Man 2 was originally envisioned as the beginning of a shared fictional universe, which would have continued with two sequels and several spin-offs, most notably films centered on Venom and the Sinister Six. Due to its performing below expectations, all subsequent installments were cancelled and a new iteration of the character, portrayed by Tom Holland in the Marvel Cinematic Universe, began with the 2016 film Captain America: Civil War.

The Amazing Spider-Man 2 (2014 video game)

The Amazing Spider-Man 2 is an action-adventure video game based on the Marvel Comics character Spider-Man, and is the sequel to 2012's The Amazing Spider-Man. It was developed by Beenox and published by Activision. It is loosely based on the 2014 film of the same name.

It was released on April 29 in North America and May 2 in Europe for Microsoft Windows, Nintendo 3DS, PlayStation 3, PlayStation 4, Wii U, and Xbox 360. The Xbox One version was released alongside the other platforms digitally while the release of physical copies was delayed by two weeks. Gameloft also released a mobile version on April 17 for iOS and Android devices as a paid game. The game was also localized in Japan as a Sony-exclusive title.

The Amazing Spider-Man 2 (soundtrack)

The Amazing Spider-Man 2 - The Original Motion Picture Soundtrack is the official soundtrack from the 2014 film of the same name composed by Hans Zimmer and a supergroup called The Magnificent Six, consisting of Pharrell Williams, Mike Einziger, Junkie XL, Johnny Marr, Andrew Kawczynski and Steve Mazzaro. It was released on April 22, 2014, through Columbia Records and Madison Gate Records.

The Spectacular Spider-Man (TV series)

The Spectacular Spider-Man is an American animated television series based on the superhero character published by Marvel Comics and developed for television by Greg Weisman and Victor Cook. In terms of overall tone and style, the series is based principally on the Stan Lee/Steve Ditko and Stan Lee/John Romita Sr. runs on The Amazing Spider-Man, with a similar balance of action, drama and comedy as well as a high school setting. However, it also tends to use material from all eras of the comic's run and other sources such as Sam Raimi's Spider-Man trilogy and the Ultimate Spider-Man comics.The Spectacular Spider-Man premiered on March 8, 2008, during the Kids' WB programming block of The CW. The series aired its second season on Marvel's sister network Disney XD in the United States and ended its run on November 18, 2009. The entire series was broadcast in Canada on Teletoon. The series was eventually broadcast on Nickelodeon. Although a third season was planned, the series was cancelled before production could begin due to legal problems between Disney (who purchased Marvel during the show's run) and Sony Pictures Television (who created the series).

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