Spider-Man (2002 film)

Spider-Man is a 2002 American superhero film based on the Marvel Comics character of the same name. Directed by Sam Raimi from a screenplay by David Koepp, it is the first installment in the Spider-Man trilogy, and stars Tobey Maguire as the title character, alongside Willem Dafoe, Kirsten Dunst, James Franco, Cliff Robertson, Rosemary Harris, and J. K. Simmons. The film centers on an outcasted teen named Peter Parker, who develops spider-like superhuman abilities after being bitten by a genetically-altered spider. He is later driven to use his new abilities for a good purpose, as the vigilante Spider-Man, to atone for his uncle's murder.

After progress on the film stalled for nearly 25 years, it was licensed for a worldwide release by Columbia Pictures in 1999 after it acquired options from Metro-Goldwyn-Mayer on all previous scripts developed by Cannon Films, Carolco, and New Cannon. Exercising its option on just two elements from the multi-script acquisition (a different screenplay was written by James Cameron, Ted Newsom, John Brancato, Barney Cohen, and Joseph Goldman), Sony hired Koepp to create a working screenplay (credited as Cameron's), and Koepp received sole credit in final billing. Directors Roland Emmerich, Ang Lee, Chris Columbus, Jan de Bont, M. Night Shyamalan, Tony Scott, and David Fincher were considered to direct the project before Raimi was hired as director in 2000. The Koepp script was rewritten by Scott Rosenberg during pre-production and received a dialogue polish from Alvin Sargent during production. Filming took place in Los Angeles and New York City from January 8 to June 30, 2001. Sony Pictures Imageworks handled the film's visual effects.[5]

Spider-Man premiered at the Mann Village Theater on April 29, 2002, and was released in the United States four days later on May 3. It received generally favorable reviews from critics, who praised its action sequences, romantic moments, visual effects, direction and performances. The film became a financial success: it was the first film to reach $100 million in a single weekend, and became the most successful film based on a comic book. With a box office gross of over $821.7 million worldwide, it was the third highest-grossing film of 2002 and became the seventh highest-grossing film of all time. Spider-Man is credited for redefining the modern superhero genre, as well as the summer blockbuster.[6][7][8][9] It was followed by the sequels Spider-Man 2 and Spider-Man 3 in 2004 and 2007, respectively.

Spider-Man
Spider-Man in his famous suit crawling over a building and looking towards the viewer. Below of him is New York City, the film's title, credits and release date.
Theatrical release poster
Directed bySam Raimi
Produced by
Screenplay byDavid Koepp
Based on
Starring
Music byDanny Elfman
CinematographyDon Burgess
Edited by
Production
companies
Distributed bySony Pictures Releasing[1]
Release date
Running time
121 minutes[3]
CountryUnited States
LanguageEnglish
Budget$139 million[4]
Box office$821.7 million[4]

Plot

High-school senior Peter Parker lives with his aunt May and uncle Ben, and is a school outcast. On a school field trip, he visits a genetics laboratory with his friend Harry Osborn and love interest Mary Jane Watson. There, Peter is bitten by a genetically engineered "super spider." Shortly after arriving home, he becomes unconscious. He awakes and discovers he has superhuman powers, such as super strength and being able to climb walls. Meanwhile, Harry's father, scientist Norman Osborn, owner of Oscorp, is trying to secure an important military contract. He experiments on himself with an unstable performance-enhancing chemical. After absorbing the chemical, he goes insane and kills his assistant, Dr. Mendel Stromm.

Brushing off Ben's advice that "with great power comes great responsibility", Peter thinks of impressing Mary Jane with a car. He enters an underground fighting tournament and wins his first match, but the promoter cheats him out of his money. When a thief suddenly raids the promoter's office, Peter allows him to escape. Moments later, he discovers that Ben was carjacked, and killed. Peter pursues and confronts the carjacker, only to realize it was the thief he let escape. After Peter disarms him, the carjacker falls out a window and dies. Meanwhile, a crazed Norman interrupts a military experiment by Oscorp's corporate rival Quest Aerospace and kills several scientists and the military's General Slocum.

Upon graduating, Peter begins using his abilities to fight injustice, donning a costume and the persona of Spider-Man. J. Jonah Jameson, a newspaper company headmaster hires Peter as a freelance photographer since he is the only person providing clear images of Spider-Man.

Norman, upon learning Oscorp's board members plan to force him out and sell the company, assassinates them at the World Unity Fair with a weaponized glider and donning a green jumpsuit and helmet. Jameson quickly dubs the mysterious killer the Green Goblin. The Goblin offers Spider-Man a place at his side, but Spider-Man refuses. They fight, and Spider-Man is wounded. At Thanksgiving dinner, May invites Mary Jane, Harry, and Norman. During the dinner, Norman sees a wound on Peter's arm from the fight and realizes his identity. Shortly after he leaves, Goblin attacks, and hospitalizes May.

While visiting May in the hospital, Mary Jane admits she has a crush on Spider-Man, who has rescued her on numerous occasions, and asks Peter whether Spider-Man ever asked about her. Harry, who is dating Mary Jane, arrives and presumes she has feelings for Peter after seeing them hold hands. Devastated, Harry tells his father that Peter loves Mary Jane, unintentionally revealing Spider-Man's biggest weakness.

The Goblin kidnaps and holds Mary Jane and a Roosevelt Island Tram car full of children hostage alongside the Queensboro Bridge. He forces Spider-Man to choose whom he wants to save and drops Mary Jane and the children. Spider-Man manages to save both Mary Jane and the tram car, while Goblin is pelted by civilians who side with Spider-Man. The Goblin then grabs Spider-Man and throws him into an abandoned building where he is brutally beaten by him. When Goblin boasts about how he will later kill Mary Jane, an enraged Spider-Man overpowers Goblin.

Norman reveals himself to Spider-Man, who stops attacking. He begs for forgiveness, but at the same time controls his glider to impale Spider-Man. Sensing the attack, the superhero dodges, and the glider impales Norman. As he dies, Norman begs Peter not to tell Harry of Norman's identity. Spider-Man takes Norman's body back to his house. Harry arrives to find Spider-Man standing over his father's body. He seizes a gun, intent on shooting Spider-Man, but Spider-Man escapes and hides the Green Goblin's equipment.

At Norman's funeral, Harry swears vengeance toward Spider-Man, whom he deems responsible for his father's death, and asserts that Peter is all the family he has left. Mary Jane confesses to Peter that she is in love with him. Peter, however, feels that he must protect her from the unwanted attention of Spider-Man's enemies. He hides his true feelings and tells Mary Jane that they can only be friends. Mary Jane notices how familiar the kiss felt. As Peter leaves the funeral, he recalls Ben's words about responsibility and accepts his new life as Spider-Man.

Cast

"I felt like I was an outsider. I think what happened to me made me develop this street sense of watching people and working out what made them tick, wondering whether I could trust them or not. I went to a lot of schools along the coast in California, made few friends and stayed with aunts, uncles and grandparents while my folks tried to make ends meet. It was tough. We had no money."
— Tobey Maguire on identifying with Peter Parker.[10]
  • Tobey Maguire as Peter Parker / Spider-Man:
    Born in 1984, Peter is an academically brilliant but socially inept student who is bitten by a genetically modified spider and gains spider-like abilities. Maguire was cast as Peter in July 2000,[11] having been Sam Raimi's primary choice for the role after he saw The Cider House Rules.[12] The studio was initially hesitant to cast someone who did not seem to fit the ranks of "adrenaline-pumping, tail-kicking titans",[11] but Maguire managed to impress studio executives with his audition. The actor was signed for a deal in the range of $3 to $4 million with higher salary options for two sequels.[11] To prepare, Maguire was trained by a physical trainer, a yoga instructor, a martial arts expert, and a climbing expert, taking several months to improve his physique.[13] Maguire studied spiders and worked with a wire man to simulate the arachnidlike motion, and had a special diet.[14] The studio had expressed interest in actors Leonardo DiCaprio, Freddie Prinze, Jr,[15] Chris Klein, Wes Bentley, and Heath Ledger.[16] DiCaprio had been considered by James Cameron for the role in 1995,[17] while Raimi joked of Prinze that "[he] won't even be allowed to buy a ticket to see this film."[16] In addition, actors Scott Speedman, Jay Rodan, and James Franco were involved in screen tests for the lead role.[18]
  • Willem Dafoe as Norman Osborn / Green Goblin:
    The CEO of Oscorp who tests an unstable strength enhancer on himself and becomes the insane and powerful Green Goblin. Unaware of Spider-Man's true identity, he also sees himself as a father figure for Peter, ignoring his own son, Harry. Dafoe was cast as Osborn in November 2000.[19] Nicolas Cage, John Malkovich, and Jim Carrey turned down the role.[20][21] Dafoe insisted on wearing the uncomfortable costume as he felt that a stuntman would not convey the character's necessary body language. The 580-piece suit took half an hour to put on.[16]
  • Kirsten Dunst as Mary Jane Watson:
    The girl whom Peter Parker has developed a crush since he was six years old. Mary Jane has an abusive father, and aspires to become an actress, but becomes a waitress at a run down diner, a fact she hides from her boyfriend Harry. Before Raimi cast Dunst, he had expressed his interest in casting Alicia Witt.[22] Dunst decided to audition after learning Maguire had been cast, feeling the film would have a more independent feel.[23] Dunst earned the role a month before shooting in an audition in Berlin.[16]
  • James Franco as Harry Osborn: Peter's best friend and flatmate. Before being cast as Harry, Franco had screen tested for Spider-Man himself.[24]
  • Cliff Robertson as Ben Parker: May Parker's husband and Peter's uncle, a fired electrician who is trying to find a new job. He is killed by a carjacker whom Peter failed to stop, and leaves Peter with the message, "With great power comes great responsibility."
  • Rosemary Harris as May Parker: Ben Parker's wife and Peter's aunt. May is a devout Christian who is highly aware of Peter's love for Mary Jane.
  • J. K. Simmons as J. Jonah Jameson: The grouchy publisher of the Daily Bugle who considers Spider-Man a criminal.

Joe Manganiello, Bill Nunn and Elizabeth Banks portray Peter's bully Flash Thompson, Daily Bugle editor Robbie Robertson and Jameson's secretary Betty Brant, respectively. Michael Papajohn appears as The Carjacker, the criminal who murders Ben Parker. In Spider-Man 3, it is learned that his name is Dennis Carradine. Bruce Campbell, a long-time colleague of director Sam Raimi, cameoed as the announcer at the wrestling ring Peter takes part in. Raimi himself appeared off-screen, throwing popcorn at Peter as he enters the arena to wrestle Bonesaw McGraw, played by former professional wrestler "Macho Man" Randy Savage.[25] Spider-Man co-creator Stan Lee also had a cameo, in which he asks Peter, "Hey kid, would you like a pair of these glasses? They're the kind they wore in X-Men." The scene was cut, and Lee only briefly appears in the film to grab a young girl from falling debris during the battle between Spider-Man and the Green Goblin in Times Square. R&B/soul singer Macy Gray appears as herself. Lucy Lawless also appears as a punk rock girl. One of the stunt performers in this film is actor Johnny Tri Nguyen.[12] Kickboxer Benny "The Jet" Urquidez has an uncredited cameo as a mugger.

Production

Development

In April 1999, although Sony Pictures optioned from Metro-Goldwyn-Mayer all preceding script versions of a Spider-Man film, it only exercised the options on "the Cameron material," which contractually included a multi-author screenplay and a forty-five page "scriptment" credited only to James Cameron. The studio announced they were not hiring Cameron himself to direct the film nor would they be using his script.[26] The studio lined up Roland Emmerich, Tony Scott, Chris Columbus, Ang Lee, David Fincher, Jan de Bont and M. Night Shyamalan as potential directors. Fincher did not want to depict the origin story, pitching the film as being based on The Night Gwen Stacy Died storyline, but the studio disagreed.[16] Sam Raimi was attached to direct in January 2000,[27] for a summer 2001 release.[28] He had been a fan of the comic book during his youth, and his passion for Spider-Man earned him the job.[29]

Cameron's work became the basis of David Koepp's first draft screenplay, often word for word.[30] Cameron's versions of the Marvel villains Electro and Sandman remained the antagonists. Koepp's rewrite substituted the Green Goblin as the main antagonist and added Doctor Octopus as the secondary antagonist.[31] Raimi felt the Green Goblin and the surrogate father-son theme between Norman Osborn and Peter Parker would be more interesting, thus, he dropped Doctor Octopus from the film.[32] In June, Columbia hired Scott Rosenberg to rewrite Koepp's material. Remaining a constant in all the rewrites was the "organic webshooter" idea from the Cameron "scriptment".[33] Raimi felt he would stretch the audience's suspension of disbelief too far to have Peter invent mechanical webshooters.[13]

Rosenberg removed Doctor Octopus and created several new action sequences.[34] Raimi felt adding a third origin story would make the film too complex. Sequences removed from the final film had Spider-Man protecting Fargas, the wheelchair-using Oscorp executive, from the Goblin, and Spider-Man defusing a hostage situation on a train.[16] As production neared, producer Laura Ziskin hired award-winning writer Alvin Sargent, to polish the dialogue, primarily between Peter and Mary Jane.[35] Columbia gave the Writers Guild of America a list of four writers as contributors to the final Spider-Man script: Rosenberg, Sargent and James Cameron, all three of whom voluntarily relinquished credit to the fourth, Koepp.[30]

Filming

With Spider-Man cast, filming was set to begin the following November in New York City and on Sony soundstages. The film was set for release a year later,[11] but when the film was postponed to be released on May 3, 2002,[36] filming officially began on January 8, 2001[35] in Culver City, California. After the terrorist attacks on September 11, 2001, certain sequences were re-filmed, and images of the Twin Towers were digitally erased from the film.[37][38] Sony's Stage 29 was used for Peter's Forest Hills home, and Stage 27 was used for the wrestling sequence where Peter takes on Bonesaw McGraw (Randy Savage). Stage 27 was also used for the complex Times Square sequence where Spider-Man and the Goblin battle for the first time, where a three-story set with a breakaway balcony piece was built. The scene also required shooting in Downey, California.[39] On March 6,[40] 45-year-old construction worker Tim Holcombe was killed when a forklift modified as a construction crane crashed into a construction basket that he was in. The following court case led to the California Division of Occupational Safety and Health to fine Sony $58,805.[41]

In Los Angeles, locations included the Natural History Museum (for the Columbia University lab where Peter is bitten and receives his powers), the Pacific Electricity Building (the Daily Bugle offices) and Greystone Mansion (for the interiors of Norman Osborn's home). In April, 4 of the Spider-Man costumes were stolen, and Sony put up a $25,000 reward for their return.[42] They were recovered after 18 months and a former movie studio security guard and an accomplice were arrested.[43] Production moved to New York City for two weeks, taking in locations such as the Queensboro Bridge, the exteriors of Columbia University's Low Memorial Library and the New York Public Library, and a rooftop garden in the Rockefeller Center.[39] The crew returned to Los Angeles where production and filming ended in June. The Flatiron Building was used for the Daily Bugle.[35]

Design

OriginalGreenGoblin
The original animatronic headgear for the Green Goblin was created by Amalgamated Dynamics

Before settling on the look used in the film, the original headgear created for the Green Goblin was an animatronic mask created by Amalgamated Dynamics. The design was much more faithful to the comics than the finished product, and allowed for a full range of emotions to be expressed by the wearer. Ultimately, the mask was scrapped before an actor was chosen to play the Green Goblin, and a static helmet was produced for the film instead.[44][45]

Although it wound up being faithful to the comics, many designs were made for Spider-Man's costumes: one concept costume designer James Acheson became fond of was the idea of having a red emblem over a black costume. Another, which would eventually lead to the final product, featured an enlarged logo on the chest and red stripes going down the sides of the legs.[16] To create Spider-Man's costume, Maguire was fitted for the skintight suit, being covered with layers of substance to create the suit's shape.[46] It was designed as a single piece, including the mask. A hard shell was worn underneath the mask to make the shape of the head look better and to keep the mask tight while keeping the wearer comfortable. For scenes where he would take his mask off, there was an alternate suit where the mask was a separate piece. The webbing, which accented the costume, was cut by computer. The mask eye lenses were designed to have a mirror look.[47]

Visual effects

Visual effects supervisor John Dykstra was hired to produce the film's visual effects in May 2000.[48] He convinced Raimi to make many of the stunts computer-generated, as they would have been physically impossible. Raimi had used more traditional special effects in his previous films and learned a lot about using computers during production.[29] Raimi worked hard to plan all the sequences of Spider-Man swinging from buildings, which he described as, "ballet in the sky." The complexity of such sequences meant the budget rose from an initially planned $70 million to around $100 million.[12] Shots were made more complicated because of the main characters' individual color schemes, so Spider-Man and the Green Goblin had to be shot separately for effects shots: Spider-Man was shot in front of a greenscreen, while the Green Goblin was shot against bluescreen. Shooting them together would have resulted in one character being erased from a shot.[16]

Dykstra said the biggest difficulty of creating Spider-Man was that as the character was masked, it immediately lost a lot of characterization. Without the context of eyes or mouth, a lot of body language had to be put in so that there would be emotional content. Raimi wanted to convey the essence of Spider-Man as being, "the transition that occurs between him being a young man going through puberty and being a superhero." Dykstra said his crew of animators had never reached such a level of sophistication to give subtle hints of still making Spider-Man feel like a human being.[49] When two studio executives were shown shots of the computer generated character, they believed it was actually Maguire performing stunts.[16] In addition, Dykstra's crew had to composite areas of New York City and replaced every car in shots with digital models. Raimi did not want it to feel entirely like animation, so none of the shots were 100% computer-generated.[50]

Release

Bannedposter
Original Spider-Man teaser poster, which was recalled from theatres following 9/11 (the World Trade Center is reflected in Spider-Man's eyes)

After the terrorist attacks on the United States on September 11, 2001, Sony had to recall teaser posters which showed a close-up of Spider-Man's face with the New York skyline (including, prominently, the World Trade Center towers) reflected in his eyes. The film's original teaser trailer, released in 2001 and shown before Atlantis: The Lost Empire, Final Fantasy: The Spirits Within, Jurassic Park III, Planet of the Apes, and American Pie 2, featured a mini-film plot involving a group of bank robbers escaping in a Eurocopter AS355 Twin Squirrel helicopter, which gets caught from behind and propelled backward into what at first appears to be a net, then is shown to be a gigantic spider web spun between the World Trade Center towers. According to Sony, the trailer did not contain any actual footage from the film itself and is consequently one of the most popular "Special Shoot" trailers since Terminator 2: Judgment Day.[51] The trailer and poster both had to be pulled after the events of the attacks, but can be found on the internet on websites such as YouTube.[52] A new trailer deemed acceptable by Sony Pictures was later released on December 15, 2001.[53]

Before the film's British theatrical release in June 2002, the British Board of Film Classification (BBFC) gave the film a "12" certificate. Due to Spider-Man's popularity with younger children, this prompted much controversy. The BBFC defended its decision, arguing that the film could have been given a "15". Despite this, North Norfolk and Breckland District Councils, in East Anglia, changed it to a "PG", and Tameside council, Manchester, denoted it a "PG-12". The U.S. rated it "PG-13"[54] for "stylized violence and action". In late August, the BBFC relaxed its policy to "12A", leading Sony to re-release the film.[55][56]

Reception

Box office performance

Spider-Man became the first film to pass the $100,000,000 mark in a single weekend, even when adjusting for inflation, with its $114,844,116[57] mark establishing a new opening weekend record.[58][59] The gross surpassed the previous record holder's Harry Potter and the Sorcerer's Stone $90,000,000 opening; on this, Rick Lyman of The New York Times wrote, "while industry executives had expected a strong opening for the film because there was little competition in the marketplace and prerelease polling indicated intense interest from all age groups, no one predicted that Spider-Man would surpass the Harry Potter record."[59]

The film also set a record for crossing the $100,000,000 milestone in 3 days, at the time being the fastest any film had reached the mark.[60] This opening weekend haul had an average of $31,769 per theater, which at time, Box Office Mojo reported as being "the highest per theater average ever for an ultra-wide release."[58] The film's three-day record was surpassed by Pirates of the Caribbean: Dead Man's Chest four years later.[61] The $114.8 million opening weekend was the highest at the North America box office film for a non-sequel, until it was surpassed eight years later by Alice in Wonderland.[62]

With the release in the United States and Canada on May 3, 2002 on 7,500 screens at 3,615 theaters,[59] the film earned $39,406,872 on its opening day, averaging $10,901 per theater.[63] This was the highest opening day at the time until it was surpassed by its sequel Spider-Man 2's $40.4 million haul in 2004.[64] Spider-Man also set an all-time record for the highest earnings in a single day with $43,622,264 on its second day of release,[58][63] a record later surpassed by Shrek 2 in 2004.[65] On the Sunday during its opening weekend, the film earned an additional $31,814,980,[63] the highest gross a film took in on a Sunday, at the time.[58]

The film stayed at the top position in its second weekend, dropping only 38% and grossing another $71,417,527,[66] while averaging $19,755.89 per theater. At the time, this was the highest-grossing second weekend of any film.[66] During its second weekend, the film crossed the $200 million mark on its ninth day of release, also a record at the time.[66] At the end of its second weekend, the film brought in a 10-day total of $223,040,031.[66]

The film dropped to the second position in its third weekend, behind Star Wars: Episode II – Attack of the Clones, but still made $45,036,912, dropping only 37%, averaging $12,458 per theater, and bringing the 17-day tally to $285,573,668.[67] Its third weekend haul set the record for highest-grossing third weekend, which was first surpassed by Avatar (2009).[68] It stayed at the second position in its fourth weekend, grossing $35,814,844 over the four-day Memorial Day frame, dropping only 21% while expanding to 3,876 theaters, averaging $9,240 over four days, and bringing the 25-day gross to $333,641,492.[69] In the box office, Spider-Man became 2002's highest-grossing film with $403,706,375 in the U.S. and Canada, defeating The Lord of the Rings: The Two Towers and Star Wars Episode II: Attack of the Clones.[70]

Spider-Man currently ranks as the 29th-highest-grossing film of all time in the U.S. and Canada, not adjusted for inflation. The film also grossed $418,002,176 from its international markets, bringing its worldwide total to $821,708,551,[71] making it 2002's third-highest-grossing film behind The Lord of the Rings: The Two Towers and Harry Potter and the Chamber of Secrets and the 58th-highest-grossing film of all time, worldwide.[72] The film sold an estimated 69,484,700 tickets in the US.[71] It held the record for most tickets sold by a comic book movie until The Dark Knight topped it in 2008. Later few movies from the Marvel Cinematic Universe did surpass it. It is still the 5th highest grossing comic book movie of all time adjusted for inflation. Only Avengers: Infinity War, The Dark Knight, Black Panther and The Avengers have sold more tickets than Spider-Man. Spider-Man was the highest-grossing superhero origin film, a record it held for 15 years until it was surpassed by Wonder Woman (2017).[73] It is the eighth-highest-grossing superhero film, as well as eighth-highest-grossing comic book adaptation in general.[74][75]

International markets which generated grosses in excess of $10 million include Australia ($16.9 million), Brazil ($17.4 million), France, Algeria, Monaco, Morocco and Tunisia ($32.9 million), Germany ($30.7 million), Italy ($20.8 million), Japan ($56.2 million), Mexico ($31.2 million), South Korea ($16.98 million), Spain ($23.7 million), and the United Kingdom, Ireland and Malta ($45.8 million).[76]

Spider-Man became the highest-grossing superhero film of all time at the time of its release, both domestically and worldwide. Its domestic gross was eventually topped by The Dark Knight (2008). Its worldwide gross was first surpassed by Spider-Man 3 (2007).

The film also held the record as Sony's highest-grossing film domestically until 2018, when it was finally surpassed by Jumanji: Welcome to the Jungle ($404.5 million).[77]

Critical response

On the review aggregator website Rotten Tomatoes, the film has an approval rating of 90% based on 239 reviews, with an average rating of 7.6/10. The site's critical consensus reads, "Not only does Spider-Man provide a good dose of web-swinging fun, it also has a heart, thanks to the combined charms of director Sam Raimi and star Tobey Maguire."[78] On Metacritic, the film has an average score of 73 out of 100, based on 37 critics, indicating "generally favorable reviews".[79] Audiences polled by CinemaScore gave the film an average grade of "A–" on an A+ to F scale.[80]

The casting, mainly Tobey Maguire, Willem Dafoe and J. K. Simmons, is often cited as one of the film's high points. Eric Harrison, of the Houston Chronicle, was initially skeptical of the casting of Maguire, but, after seeing the film, he stated, "within seconds, however, it becomes difficult to imagine anyone else in the role."[81] USA Today critic Mike Clark believed the casting rivaled that of Christopher Reeve as 1978's Superman.[82] Owen Gleiberman, of Entertainment Weekly, had mixed feelings about the casting, particularly Tobey Maguire. "Maguire, winning as he is, never quite gets the chance to bring the two sides of Spidey—the boy and the man, the romantic and the avenger—together."[83] The Hollywood Reporter's Kirk Honeycutt thought, "the filmmakers' imaginations work in overdrive from the clever design of the cobwebby opening credits and Spider-Man and M.J.'s upside down kiss—after one of his many rescues of her—to a finale that leaves character relationships open ended for future adventures."[84]

Conversely, LA Weekly's Manohla Dargis wrote, "It isn't that Spider-Man is inherently unsuited for live-action translation; it's just that he's not particularly interesting or, well, animated."[85] Giving it 2.5/4 stars, Roger Ebert felt the film lacked a decent action element; "Consider the scene where Spider-Man is given a cruel choice between saving Mary Jane or a cable car full of school kids. He tries to save both, so that everyone dangles from webbing that seems about to pull loose. The visuals here could have given an impression of the enormous weights and tensions involved, but instead the scene seems more like a bloodless storyboard of the idea."[86] Stylistically, there was heavy criticism of the Green Goblin's costume, which led IGN's Richard George to comment years later, "We're not saying the comic book costume is exactly thrilling, but the Goblin armor (the helmet in particular) from Spider-Man is almost comically bad... Not only is it not frightening, it prohibits expression."[87]

Entertainment Weekly put "the kiss in Spider-Man" on its end-of-the-decade "best-of" list, saying, "There's a fine line between romantic and corny. And the rain-soaked smooch between Spider-Man and Mary Jane from 2002 tap-dances right on that line. The reason it works? Even if she suspects he's Peter Parker, she doesn't try to find out. And that's sexy."[88] Empire magazine ranked Spider-Man 437 in its 500 Greatest Movies of All Time list the following year.

Awards

The film won several awards ranging from Teen Choice Awards to the Saturn Awards, and was also nominated for two Academy Awards (Best Visual Effects and Best Sound (Kevin O'Connell, Greg P. Russell and Ed Novick), but lost to The Lord of the Rings: The Two Towers and Chicago, respectively.[89][90] While only Danny Elfman brought home a Saturn Award, Raimi, Maguire, and Dunst were all nominated for their respective positions. It also took home the People's Choice Award for "Favorite Motion Picture."[90] The film was nominated for Favorite Movie at the Nickelodeon Kids' Choice Awards, but lost to Austin Powers in Goldmember.

Award Date of ceremony Category Recipients Result
Academy Awards[91] March 23, 2003 Best Sound Kevin O'Connell, Greg P. Russell and Ed Novick Nominated
Best Visual Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier Nominated
BMI Film and TV Awards[92] May 14, 2003 BMI Film Music Award Danny Elfman Won
British Academy Film Awards[93] February 23, 2003 Best Achievement in Special Visual Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier Nominated
Broadcast Film Critics Association[94] January 17, 2003 Best Song Chad Kroeger ("Hero") Nominated
Empire Awards[12] February 5, 2003 Best Actress Kirsten Dunst Won
Golden Trailer Awards[95] March 14, 2002 Best Action Spider-Man Nominated
Best Music Spider-Man Nominated
Best of Show Spider-Man Nominated
Best Voice Over Spider-Man Won
Grammy Award[96] February 23, 2003 Best Score Soundtrack Album for a Motion Picture, Television or Other Visual Media Danny Elfman Nominated
Best Song Written for a Motion Picture, Television or Other Visual Media Chad Kroeger ("Hero") Nominated
Hugo Awards[97] August 30, 2003 Best Dramatic Presentation – Long Form Spider-Man Nominated
MTV Movie Awards[98] May 31, 2003 Best Female Performance Kirsten Dunst Won
Best Kiss Kirsten Dunst and Tobey Maguire Won
Best Male Performance Tobey Maguire Nominated
Best Movie Spider-Man Nominated
Best Villain Willem Dafoe Nominated
People's Choice Awards[99] January 12, 2003 Favorite Motion Picture Spider-Man Nominated
Satellite Awards[100] January 12, 2003 Best Film Editing Eric Zumbrunnen Nominated
Best Visual Effects John Dykstra Nominated
Saturn Awards[101] May 18, 2003 Best Fantasy Film Spider-Man Nominated
Best Actor Tobey Maguire Nominated
Best Actress Kirsten Dunst Nominated
Best Director Sam Raimi Nominated
Best Music Danny Elfman Won
Best Special Effects John Dykstra, Scott Stokdyk, Anthony LaMolinara and John Frazier Nominated
World Soundtrack Awards[102] October 19, 2002 Best Original Soundtrack of the Year – Orchestral Danny Elfman Nominated
World Stunt Awards[103] June 1, 2003 Best Fight Chris Daniels, Zach Hudson, Kim Kahana Jr., Johnny Nguyen and Mark Aaron Wagner Nominated
Young Artist Awards[104] March 29, 2003 Best Family Feature Film - Fantasy Spider-Man Nominated

Sequels

In January 2003, Sony revealed that a sequel to Spider-Man was in development, and would be produced and directed by Sam Raimi. On March 15, 2003, a trailer revealed that the film, Spider-Man 2, would be released in June 30, 2004. Spider-Man 3, the second sequel to Spider-Man and the final film in the series to be directed by Raimi, was released on May 4, 2007. Spider-Man: The New Animated Series was an alternate sequel to the film unrelated to the events of the later Spider-Man 2 and 3.[105]

Home media

Spider-Man was released on DVD and VHS on November 1, 2002. A Blu-ray release was followed on July 5, 2011.[106] Spider-Man was also included in the Spider-Man Legacy Collection, which includes 5 Spider-Man films in a 4K UHD Blu-ray collection, which was released on October 17, 2017.[107]

The film's American television rights (Fox, TBS/TNT) were sold for $60 million.[108] Related gross toy sales were $109 million.[108] Its American DVD revenue by July 2004 was $338.8 million.[108] Its American VHS revenue by July 2004 was $89.2 million.[108] As of 2006, the film has grossed a total revenue of $1.5 billion from box office and home video sales.[109]

Video game

A video game based on the film was released.[110] The game was developed by Treyarch (only for the home consoles) and published by Activision, and released in 2002 for Game Boy Advance, GameCube, Microsoft Windows, PlayStation 2, and Xbox. The game has many scenes and villains that did not appear in the film. It was followed by Spider-Man 2 two years later to promote the release of the second film. In 2007, to promote the release of the third film, Spider-Man 3 was released. Tobey Maguire and Willem Dafoe were the only actors who reprised their roles from the film.

The critical reviews for the game were positive. By July 2006, the PlayStation 2 version of Spider-Man had sold 2.1 million copies and earned $74 million in the United States. Next Generation ranked it as the 15th highest-selling game launched for the PlayStation 2, Xbox or GameCube between January 2000 and July 2006 in that country. Combined sales of Spider-Man console games released in the 2000s reached 6 million units in the United States by July 2006.[111]

See also

  • Spider-Man (disambiguation)

References

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External links

Hero (Chad Kroeger song)

"Hero" is a song recorded by Chad Kroeger (lead vocalist of Nickelback) and Josey Scott (then lead vocalist of Saliva) for the soundtrack to the 2002 film Spider-Man. It was written by Kroeger and recorded specifically for the film. "Hero" was released through Roadrunner Records on March 1, 2002 as the soundtrack's lead single. The song serves as Kroeger's debut solo release.

There are two widely-available versions of the song: one with an orchestral background and one without. Mike Kroeger (bassist of Nickelback), Tyler Connolly (lead singer/guitarist of Theory of a Deadman), and Matt Cameron (drummer of Soundgarden) appear on the recording. In addition to its digital release, "Hero" was distributed internationally in various CD single and maxi single formats. Theory of a Deadman's "Invisible Man" was included on many of these releases.

"Hero" experienced worldwide commercial success, peaking in the top 10 of record charts in Austria, Canada, Denmark, Germany, Ireland, New Zealand, Sweden, Switzerland, the United Kingdom, and the United States. The song also topped the US Billboard Mainstream Rock and Modern Rock airplay charts. It was nominated for Best Song Written for a Motion Picture, Television or Other Visual Media, Best Rock Performance by a Duo or Group with Vocal; and Best Rock Song at the 45th Grammy Awards (2003).

Meant to Live

"Meant to Live" is a single by alternative rock band Switchfoot. "Meant to Live" was released to radio on June 17, 2003. It peaked at #5 on the US Modern Rock chart and U.S. Adult Top 40 chart, #6 on U.S. Top 40 radio, and #18 on the U.S. Billboard Hot 100. It is the first track on the group's 2003 major-label debut album The Beautiful Letdown, and was also featured in a UK version of a Spider-Man 2 "inspired by" album. In April 2005, the song was certified gold in the United States. The single is generally regarded as the song that helped the band achieve mainstream success.

Music from and Inspired by Spider-Man

Music from and Inspired by Spider-Man is a 2002 soundtrack album for the film Spider-Man. Although it contains a portion of the film score by Danny Elfman, a more complete album of Elfman's work was released as Spider-Man: Original Motion Picture Score. "All in the Suit That You Wear" by the group Stone Temple Pilots was pulled out at the last minute when they could not get it as the lead track.

Najane Kyun

"Najane Kyun" (Urdu: نہ جانے کیوں‎, literal English translation: "Don't Know Why?") is a song by Strings released on the 2004 soundtrack for the film Spider-Man 2. This track is on the Pakistani version of the soundtrack. The song is also featured on their fourth studio album, Dhaani, released in 2003.

Signal Fire (song)

"Signal Fire" is a song from alternative rock band Snow Patrol, appearing on the soundtrack of the film Spider-Man 3, released on 24 April, 30 April, 2 May and 14 May 2007, depending on the region. It was the only single released from the soundtrack. The song was initially offered to Shrek the Third. It was recorded at Grouse Lodge and was produced by long-time Snow Patrol producer Jacknife Lee.

The single was released as a special web-shaped vinyl in the UK and Ireland, where it proved to be a success in the charts, reaching the Top 5 in both countries. However, critical reception towards the single was generally mixed, with one critic calling it "unoriginal". The music video for the song was nominated for the "Best Video from a Film" category at the MTV Video Music Awards Japan 2008, but it did not win.

Spider-Man (2002 video game)

Spider-Man (also known as Spider-Man: The Movie) is a 2002 action-adventure video game based upon the Marvel Comics character Spider-Man, and is also loosely based on the film Spider-Man. The game was developed by Treyarch and published by Activision, and released in 2002 for Game Boy Advance, GameCube, Microsoft Windows, PlayStation 2, and Xbox. The game has many scenes and villains that did not appear in the film. It was followed by Spider-Man 2 two years later to promote the release of the second film. In 2007, to promote the release of the third film, Spider-Man 3 was released. Tobey Maguire and Willem Dafoe were the only actors who reprised their roles from the film.

Spider-Man (pinball)

Spider-Man is a pinball machine designed by Steve Ritchie and manufactured by Stern Pinball that was first released in June 2007. The table encompasses all three films in Sam Raimi's Spider-Man trilogy, which in turn were based on the prior comics and television series.

In 2016, the game was remanufactured as part of its "Vault" series of re-releases, this time with all the movie elements of the machine replaced with an Ultimate Spider-Man-based theme.

Spider-Man 2 (soundtrack)

Music from and Inspired by Spider-Man 2 is the soundtrack album for the 2004 film Spider-Man 2. As a whole, the album reached the top 10 of the U.S. album charts and the top 40 of the Australian album charts. "Vindicated" by Dashboard Confessional reached the top of a world composite soundtrack chart in June 2004 and the top 20 of a composite world and U.S. modern rock chart. "We Are" by Ana Johnsson was a major success in Europe, charting in almost every European country. "Ordinary" by Train was on the U.S. adult top 40 singles charts. "I Am" by Killing Heidi was added to the Australian version of the soundtrack and released as a single in the country. It debuted and peaked at #16 on the ARIA Charts on July 19, 2004.

Spider-Man 2 (video game)

Spider-Man 2 is a 2004 open world action-adventure video game in various iterations based on the film Spider-Man 2, also incorporating additional material from the comic books. They are follow-ups to the game Spider-Man: The Movie. Published by Activision, the console versions were developed by Treyarch, but the other versions had different developers.The game was released on June 28, 2004 for the Game Boy Advance, GameCube, Microsoft Windows, PlayStation 2, Xbox.

It was followed by Spider-Man 3 in 2007.

Spider-Man 3 (soundtrack)

Music from and Inspired by Spider-Man 3 is a soundtrack album to Sam Raimi's 2007 film Spider-Man 3. It was released on May 1, 2007. A special edition version is available only on the soundtrack's official website. A digital edition of the album is also in the planning stages, with the release date to be announced. The soundtrack's website allows the user to listen to the first song from the soundtrack. Unlike the first two Spider-Man soundtrack releases, the album does not feature any of the film's score by Christopher Young. The entire concept of this soundtrack is that each song was written (or recorded in the case of The Flaming Lips) for the soundtrack exclusively.

The special edition of the album is available only on the soundtrack's website, and it contains a bonus track (the "Theme from Spider-Man" covered by The Flaming Lips), a 32-page embossed hardcover book featuring movie stills and all five collectable movie cards inside 8"x8" box made from a replica of the rubberized black Spider-Man suit.Additionally, the digital version was made available for pre-order on iTunes and does contain "The Theme from Spider-Man" by The Flaming Lips.

Following its release, the soundtrack debuted at number 33 on the U.S. Billboard 200, selling about 21,000 copies in its first week.

Spider-Man in film

The fictional character Spider-Man, a comic book superhero created by Stan Lee and Steve Ditko and featured in Marvel Comics publications, has currently appeared in ten live-action films since his inception, not including fan made shorts and guest appearances in other Marvel Cinematic Universe (MCU) films. Spider-Man is the alter-ego of Peter Parker, a talented young freelance photographer and aspiring scientist imbued with superhuman abilities after being bitten by a radioactive/genetically-altered spider.

The first live-action film based on Spider-Man was the unauthorized short Spider-Man by Donald F. Glut in 1969. This was followed by Spider-Man, an American made-for-television film that premiered on the CBS network in 1977. It starred Nicholas Hammond and was intended as a backdoor pilot for what became a weekly episodic TV series.

The rights to further films featuring the character were purchased in 1985, and moved through various production companies and studios before being secured by Sony Pictures Entertainment (Columbia Pictures) for $10 million (plus 5% of any movies' gross revenue and half the revenue from consumer products), who hired Sam Raimi to direct Spider-Man (2002), Spider-Man 2 (2004), and Spider-Man 3 (2007) starring Tobey Maguire. The first two films were met with positive reviews from critics, while the third film received a more mixed response. In 2010, Sony announced that the franchise would be rebooted. Marc Webb was hired to direct, with Andrew Garfield starring, and The Amazing Spider-Man (2012) was released to positive reviews. The Amazing Spider-Man 2 (2014) saw mixed reviews.

In February 2015, Disney, Marvel Studios and Sony announced a deal to share the Spider-Man film rights, leading to a new iteration of Spider-Man being introduced and integrated into the MCU. The deal allows Sony to distribute and have creative control over MCU films where Spider-Man is the main character, while Disney distributes the ones where he is not. Tom Holland portrays this younger version of Spider-Man, appearing in Captain America: Civil War (2016), Spider-Man: Homecoming (2017), Avengers: Infinity War (2018) and Avengers: Endgame (2019), as well as a sequel to Homecoming, Spider-Man: Far From Home (2019). All of Spider-Man's MCU appearances have received positive reviews thus far.

Plans for an animated Spider-Man film were officially announced by Sony in April 2015. Spider-Man: Into the Spider-Verse (2018) combines Sony Pictures Imageworks' computer animation pipeline with traditional hand-drawn comic book techniques, inspired by the work of Miles Morales's co-creator Sara Pichelli. Completing the animation required up to 140 animators, the largest crew ever used by Sony Pictures Animation for a film. Into the Spider-Verse received universal acclaim, winning the Academy Award for Best Animated Feature and becoming the highest-rated film in the Spider-Man franchise, surpassing Spider-Man 2.

Raimi's trilogy grossed $2.5 billion worldwide on a $597 million budget, while Webb's films grossed over $1.4 billion on a $480 million budget. Homecoming grossed over $880 million on a $175 million budget and Into the Spider-Verse has grossed over $375 million on a $90 million budget. The Spider-Man films have grossed over $5.2 billion collectively at the global box office.

Spider-Plant Man

Spider-Plant Man is a British parody short film which parodies the Spider-Man 2002 film adaptation, made for the Comic Relief 2005 appeal and aired on BBC One on 11 March 2005. It featured Rowan Atkinson as Peter Piper/Spider-Plant Man and Rachel Stevens as his love-interest Jane-Mary. Jim Broadbent also made an appearance, portraying Batman, and Tony Robinson as Robin.

Vindicated (song)

"Vindicated" is a song by Dashboard Confessional released on the 2004 soundtrack for the film Spider-Man 2 as well as on Dashboard Confessional's 2006 album, Dusk and Summer, as a bonus track on some pressings and on deluxe edition versions. Played over the film's end credits, "Vindicated" is the theme for the film.

We Are (Ana Johnsson song)

"We Are" is a song recorded by the Swedish rock singer Ana Johnsson for her worldwide debut album The Way I Am. The song was released as her first worldwide single and her first from the album too. It is also known as the official soundtrack song of Spider-Man 2. "We Are" remains Ana's best-selling single to date. It currently stands at number 64 in Sweden's 'Best Alltime Singles' chart with 1253 points, a chart based on performance on the Swedish singles chart (as of May 7, 2007).

Web of Night

"Web of Night" is a single by Japanese vocalist T.M.Revolution. It is one of two exclusive songs from the Japanese release of the Spider-Man 2 soundtrack. The song was released on July 28, 2004 Sony Music in Japan only.

What We're All About

"What We're All About" is a song recorded by Sum 41. It was released in April 2002 as a single for the soundtrack to the film Spider-Man.

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