Shirley Bassey

Dame Shirley Veronica Bassey, DBE (/ˈbæsi/; born 8 January 1937)[1] is a Welsh singer whose career began in the mid-1950s, best known both for her powerful voice and for recording the theme songs to the James Bond films Goldfinger (1964), Diamonds Are Forever (1971), and Moonraker (1979).[2][3][4] In January 1959, Bassey became the first Welsh person to gain a No. 1 single.[5]

In 2000, Bassey was appointed a Dame Commander of the Order of the British Empire (DBE) for services to the performing arts. In 1977 she received the Brit Award for Best British Female Solo Artist in the previous 25 years.[6] Bassey is considered one of the most popular female vocalists in Britain during the second half of the 20th century.[2][7][8]


Shirley Bassey

Shirley Bassey (1971)
Bassey 1971
Background information
Birth nameShirley Veronica Bassey
Born8 January 1937 (age 82)
Tiger Bay, Cardiff, Wales, UK
Genres
Occupation(s)Singer
InstrumentsVocals
Years active1953–present
Labels

Early life

Shirley Veronica Bassey was the sixth and youngest child of Henry Bassey and Eliza Jane Start.[9] Her place of birth was Bute Street in Tiger Bay, Butetown, Cardiff. She grew up in the adjacent community of Splott.[10] Her father was Nigerian, and her mother was English, from Teesside in the northeast of England.[2][11][12][13]

Two of her mother's four children from previous relationships lived in the Bassey household. Bassey's mother listed her first husband, Alfred Metcalfe, as her own father in the registry of her marriage to Henry Bassey, giving rise to speculation that this marriage was bigamous in the absence of a prior divorce.[14] Eliza and Henry's second child died in infancy, so Shirley was born into a household of three sisters, two half-sisters, and one brother.

Teachers and students alike at Moorland Road School noticed Bassey's strong voice, but gave the pre-teen little encouragement: "...everyone told me to shut up. Even in the school choir the teacher kept telling me to back off till I was singing in the corridor!" A classmate recalled her singing the refrain "Can't Help Lovin' Dat Man" from Show Boat with such feeling that she made their teacher uncomfortable.[15] After leaving Splott Secondary Modern School at the age of 14, Bassey found employment at the Curran Steels factory while singing in public houses and clubs in the evenings and on weekends.[16]

Career

1953–1959: Career beginnings

In a 1999 interview with Nigel Havers in her Monte Carlo apartment, Bassey pointed to a piece of paper framed on the wall and referred to it as her first contract, at a salary of £14 a week (a considerable sum for a sixteen-year-old in 1953). However, upon closer inspection of this document, dated 17 December 1953 (three weeks before her 17th birthday), it appears to be £10 for two performances.[17] Also in 1953, Bassey signed a contract to sing in the touring variety show Memories of Jolson, a musical based on the life of Al Jolson.[18] She next took up a professional engagement in Hot from Harlem, which ran until 1954.

In 1955, Bassey toured various theatres until she was noticed by the impresario Jack Hylton. He invited her to feature in Al Read's Such Is Life at the Adelphi Theatre in London's West End.

During the show's run, Philips record producer Johnny Franz spotted her on television, was impressed, and offered her a recording deal. Bassey recorded her first single, "Burn My Candle", released in February 1956, when she was 19. Owing to the suggestive lyrics, the BBC banned it. More singles followed, and in February 1957, Bassey had her first hit with "The Banana Boat Song", which reached No. 8 in the UK Singles Chart.[19]

In 1957 she also recorded under the direction of American producer Mitch Miller in New York for the Columbia label, producing the single "If I Had a Needle and Thread" b/w "Tonight My Heart She Is Crying". She then made her American stage début in Las Vegas at El Rancho Vegas.[20]

In mid-1958, she recorded two singles that would become classics in the Bassey catalogue. "As I Love You" was released as the B-side of another ballad, "Hands Across the Sea"; it did not sell well at first, but after an appearance at the London Palladium sales began to pick up. In January 1959, "As I Love You" reached No. 1 and stayed there for four weeks; it was the first No. 1 single by a Welsh artist.[5]

While "As I Love You" climbed the charts, so too did Bassey's recording of "Kiss Me, Honey Honey, Kiss Me" and both records would end up occupying the Top 3 at the same time. A few months later, Bassey signed to EMI's Columbia label, and the second phase in her recording career had begun.

1960–1979: Success and breakthrough

In the early and mid-1960s, Bassey had numerous hits in the UK, and five albums in the Top 15. Her 1960 recording of "As Long As He Needs Me" from Lionel Bart's Oliver! reached No. 2, and had a chart run of 30 weeks.[4] Bassey made her American television début on 13 November 1960, when she performed on The Ed Sullivan Show.[21] Her collaboration with Nelson Riddle and his orchestra, the album Let's Face the Music (1962), reached No. 12 in the UK album chart; and the single, "What Now My Love" made it to No. 5. Other UK Top 10 singles of the period included her second No. 1, the double A-side "Reach for the Stars"/"Climb Ev'ry Mountain" (1961), "I'll Get By" (also 1961), and a cover version of the Ben E. King hit "I (Who Have Nothing)" in 1963.[19] Bassey appeared on the cover of Ebony magazine in 1963, and sang at a Washington gala celebrating President Kennedy's second year in office.[22]

Bassey enjoyed her only US Top 40 Billboard Hot 100 hit in 1965 with the title song of the James Bond film, Goldfinger. The single, released in the United States during January 1965, peaked at No. 8, while the original soundtrack of Goldfinger hit No. 1 in the US that year. Also in 1965, she sang the title song for the James Bond spoof The Liquidator, and had a Top 20 live album, recorded during a sold-out run at the Pigalle in London.

Bassey recorded a song for the next Bond film, Thunderball (1965). "Mr Kiss Kiss Bang Bang" was not used in the movie, although the film's score follows its melodic theme. Written by John Barry and Leslie Bricusse, after Bassey's version it was re-recorded by Dionne Warwick, and then rejected in favour of a new song, "Thunderball," hastily written by Barry and given to Tom Jones (who, like Bassey, is Welsh) after the film's producers decided the song over the opening credits must feature the film's title.[23]

The "Goldfinger" theme song, however, had a lasting impact on her career. In the sleeve notes for Bassey's 25th Anniversary Album (1978), Peter Clayton noted that: "Acceptance in America was considerably helped by the enormous popularity of ("Goldfinger")...But she had actually established herself there as early as 1961, in cabaret in New York. She was also a success in Las Vegas...'I suppose I should feel hurt that I've never been really big in America on record since "Goldfinger"...But, concertwise, I always sell out.'..."[24] This was reflected in the fact that Bassey had only one solo LP reach the Top 20 in a US chart (R&B, Live at Carnegie Hall), and she was technically a one-hit wonder. In the aftermath of "Goldfinger" her UK sales started to falter as well: only two of her singles would enter the UK Top 40 from 1966 to 1970. She had signed to United Artists, and her first album on that label, I've Got a Song for You (1966), spent one week on the chart; from 1966 to 1970, only two albums would chart, one of those a compilation. One of her best-known singles, "Big Spender" was released in 1967, charting just short of the UK Top 20.[19]

Bassey began to live as a tax exile in 1968, and was unable to work in Britain for almost two years.[13][25] Also in 1968, at the Sanremo Festival in Italy, she performed "La vita", an Italian song by Bruno Canfora and Antonio Amurri, with some lyrics re-written in English by Norman Newell for her. Bassey's version of the song, with its chorus sung in Italian, became a Top 40 hit in Italy. Bassey recorded several songs in Italian, some appearing on the album La vita (1968).[26] (Later, Newell would write English lyrics for the rest of "La vita", and the result was "This Is My Life".) But her UK sales continued to suffer.

In 1969, she appeared in NBC's The Spring Thing a musical television special hosted by Bobbie Gentry and Noel Harrison. Guest included were Goldie Hawn, Meredith MacRae, Irwin C. Watson, Rod McKuen, and Harpers Bizarre.[27]

Shirley Bassey à Munster ( Allemagne ) début des années 70.jpeg
Bassey performing in West Germany in 1973

Bassey's UK comeback came in 1970, leading to one of the most successful periods of her career. Starting the year with a BBC Television 'Special' The Young Generation Meet Shirley Bassey, recorded in Sweden and shown on BBC1 on 18 March.[28] She returned to the UK with a record-breaking run of performances at the Talk of the Town nightclub. Also that year, her album Something was released, and showcased a new Bassey style, a shift from traditional pop to more contemporary songs and arrangements (the eponymous single was more successful in the UK charts than the original recording by The Beatles) – although Bassey would never completely abandon what that had been her forte: standards, show tunes, and torch songs.

"Something" was also a Top 10 US hit on the Adult Contemporary chart. Other singles of this period included the hit "Never Never Never", an English version of the Italian "Grande grande grande", reaching the Top 10 in the US Adult Contemporary Chart, the UK Top 10 and No. 1 in Australia and South Africa. The success of "Something" (single No. 4, album No. 5 in the UK) spawned a series of successful albums on the United Artists label, including Something Else (1971), And I Love You So (1972), I Capricorn (1972), Never Never Never (1973), Good, Bad but Beautiful (1975), Love, Life and Feelings (1976), You Take My Heart Away (1977) and Yesterdays (1978). Additionally, two of Bassey's earlier LPs also entered the charts in the '70s: And We Were Lovers (1967, re-issued as Big Spender), and Let's Face the Music (1962, re-issued as What Now My Love). Two compilations, The Shirley Bassey Singles Album (1975) and 25th Anniversary Album (1978), both made the UK Top 3: The Shirley Bassey Singles Album her highest-charting album, reached No. 2 and earned a gold disc, and the 25th Anniversary Album eventually went platinum.[19][29]

Between 1970 and 1979, Bassey had 18 hit albums in the UK Albums Chart.[4] Her album The Magic Is You (1979) featured a portrait by the photographer Francesco Scavullo. In 1973, her sold-out concerts at New York's Carnegie Hall were recorded and released as a two-LP set, Shirley Bassey: Live at Carnegie Hall. This album and the majority of her recordings from this period have been released on CD by EMI and BGO Records. Returning to the James Bond franchise, she recorded the theme song for Diamonds Are Forever (1971).

Bassey was the subject of This Is Your Life on two occasions, in November 1972 when she was surprised by Eamonn Andrews at Heathrow Airport, and in January 1993, when Michael Aspel surprised her at the curtain call of a sell-out concert at the Royal Albert Hall.

Bassey appeared on the Morecambe and Wise Christmas Show, broadcast on Christmas Day in 1971.[30] Bassey starred in the six-episode The Shirley Bassey Show (1976), the first of her television programmes for the BBC, followed by a second series of six episodes in 1979. The final show of the first series was nominated for the Golden Rose of Montreux in 1977. The series featured guests including Neil Diamond, Michel Legrand, The Three Degrees and Dusty Springfield and featured Bassey in various international locations as well as in the television studio. In 1978, Bassey pleaded guilty to being drunk and disorderly "after shouting abuse in the street and pushing a policeman".[3] Bassey closed out the decade with her third title theme for a Bond film, Moonraker (1979).

1980–1999: Continued success

Throughout most of the 1980s, Bassey focused on charitable work and performing occasional concert tours throughout Europe, Australia, and the United States. She had ended her contract with United Artists, whose former record division was now part of EMI, and began what she referred to as "semi-retirement". Bassey recorded an album entitled All by Myself (1982) and made a TV special for Thames Television called A Special Lady with guest Robert Goulet. Around this time she recorded a duet with the French film actor Alain Delon, "Thought I'd Ring You" (1983), which became a hit single in Europe. Bassey was now recording far less often but an album of her most famous songs, I Am What I Am (1984), was recorded with the London Symphony Orchestra (LSO) conducted by Carl Davis. This was followed by a single and video to support the London Tourist Board, "There's No Place Like London" (1986), which was co-written by Lynsey de Paul and Gerard Kenny. She recorded an album of James Bond themes, The Bond Collection in 1987, but was apparently unhappy with the results so she declined to release it. (Five years later it was released anyway, Bassey sued in court, and all unsold copies were withdrawn.)[31]

Bassey provided vocals for Swiss artists Yello on "The Rhythm Divine" (1987), a song co-written by Scottish singer Billy Mackenzie.[2] An album sung entirely in Spanish, La Mujer was released in 1989. In the latter mid-1980s Bassey had started working with a vocal coach, a former opera singer, and her album Keep the Music Playing (1991) displayed a grand, operatic pop style on several songs (perhaps also influenced by her album with the LSO seven years earlier).

EMI released the five-CD box set Bassey – The EMI/UA Years 1959–1979 in 1994. The accompanying booklet opened with a poem by Marc Almond. Bassey collaborated with Chris Rea in the film La Passione (1996), appearing in the film as herself and releasing the single "'Disco' La Passione". The remix of this single charted just outside the UK top 40.[19] Bassey's "History Repeating" (1997), written for her by the Propellerheads, reached No. 1 on the UK Dance Chart, and No. 10 on the US Dance Chart.[32] It was also a Top 10 hit in Italy.[26] The liner notes of the Propellerheads' album Decksandrumsandrockandroll included the lines: "We would like to extend our maximum respect to Shirley Bassey for honouring us with her performance. We are still in shock...." Bassey celebrated her 60th birthday in 1997 with two open-air concerts, at Castle Howard and Althorp Park, and another TV special. The resulting live album The Birthday Concert received a Grammy Award nomination for Best Traditional Pop Vocal Performance.[33] On 7 October 1998 in Egypt, Bassey performed for a benefit at an open-air concert close to the Sphinx and the Great Pyramid. Bassey played the Friday night at Henley Festival in 1984.

Bassey was sued in a breach of contract case in 1998 by her former personal assistant, who also accused Bassey of hitting her and making an ethnic slur. Bassey won the case.[3] The episode was lampooned by Alexander Baron in his one-act play The Trial of Shirley Bassey. The following year, she performed the official song for the rugby World Cup, "World in Union", with Bryn Terfel at the opening ceremony at The Millennium Stadium, Cardiff, wearing a gown designed on the Welsh flag. Their single made the Top 40, and Bassey contributed two more songs to the official album Land of My Fathers, which reached No. 1 on the UK compilations chart, and went silver.[29][34]

2000–present

Shirley Bassey Wembley 2006
Bassey at Wembley Arena, 2006

In 2001, Bassey was principal artiste at the Duke of Edinburgh's 80th birthday celebration. On 3 June 2002 she was one of a prestigious line-up of artists including Elton John, Paul McCartney and Tom Jones who performed at the Queen's 50th Jubilee Party at Buckingham Palace. Bassey celebrated 50 years in show business in 2003 with the release of the CD Thank You for the Years, which was another Top 20 album. A gala charity auction of her stage costumes at Christie's, "Dame Shirley Bassey: 50 Years of Glittering Gowns", raised £250,000 (US$500,000) for the Dame Shirley Bassey Scholarship at the Royal Welsh College of Music and Drama and the Noah's Ark Children's Hospital Appeal.[35] Bassey topped the bill at the 2005 Royal Variety Performance, introducing her new song "The Living Tree".

Two popular Audiences with Shirley Bassey have aired on British television, one in 1995 that attracted more than 10 million viewers in the UK, with the second being broadcast in 2006. Bassey returned to perform in five arenas around the UK in June the same year, culminating at Wembley. She also performed a concert in front of 10,000 people at the Bryn Terfel Faenol Festival in North Wales broadcast by BBC Wales. Marks & Spencer signed her for their Christmas 2006 James Bond-style television advertising campaign. Bassey is seen in a glamorous Ice Palace singing a cover version of Pink's song "Get the Party Started", wearing an M&S gown.

"The Living Tree", written, produced and originally recorded by the group Never the Bride, was released as a single on 23 April 2007, marking Bassey's 50th anniversary in the UK Singles Chart – and the record for the longest span of Top 40 hits in UK chart history.[4] Bassey performed a 45-minute set at the 2007 Glastonbury Festival wearing a pink Julien Macdonald dress, and customised Wellington boots.[36] A new album, Get the Party Started, was subsequently released on 25 June 2007 and entered the UK Albums Chart at No. 6.[19] The single of the title song reached No. 3 on the US Dance Chart.[37] The same year, Bassey performed "Big Spender" with Elton John at his annual White Tie and Tiara Ball to raise money for The Elton John AIDS Foundation.[38] In 2007, Bassey performed in Fashion Rocks in aid of The Prince's Trust at the Royal Albert Hall.

Shirley Elton Sting Debbie Gaga Bruce
From left to right: Sting, Debbie Harry, Lady Gaga, Sir Elton John, Dame Shirley Bassey and Bruce Springsteen at Carnegie Hall 2010

She was rushed to hospital in Monaco on 23 May 2008 to have an emergency operation on her stomach after complaining of abdominal pains. She was forced to pull out of the Nelson Mandela 90th Birthday Tribute concert because of her illness.[39] A biography, Diamond Diva, was published in 2008.

Bassey recorded the album The Performance (2009), with James Bond composer David Arnold as co-producer (with Mike Dixon). A number of artists wrote songs expressly for Bassey, including Manic Street Preachers, Gary Barlow, Tom Baxter, KT Tunstall, Pet Shop Boys, Nick Hodgson of the Kaiser Chiefs, John Barry and Don Black. Bassey headlined at the BBC Electric Proms on 23 October 2009, in her only full live set of 2009.[3][40] She performed several of the new songs from The Performance in November 2009 on various TV shows: The Graham Norton Show, The Paul O'Grady Show and as the guest singer on Strictly Come Dancing.

Bassey performed at a gala celebrating the 80th birthday of Mikhail Gorbachev on 30 March 2011.[41] She also performed at the Classical Brit Awards in 2011, singing "Goldfinger" in tribute to John Barry.[42]

The BBC broadcast a 70-minute drama entitled Shirley on 29 September 2011, depicting Bassey's early life and career.[43] Ruth Negga played the title role. Bassey was one of the line-up of artists on 4 June 2012 who performed at the Queen's 60th Jubilee Party at Buckingham Palace, singing "Diamonds Are Forever".[44] She performed at the 2013 Academy Awards on 24 February 2013 to commemorate the 50th anniversary of the James Bond movie franchise. It was her first appearance at an Oscars ceremony as a performer.[45] She sang "Goldfinger" to a standing ovation.

Bassey performed "I'm Still Here" and "The Lady Is A Tramp" on 13 November 2014 at the 2014 Royal Variety Performance in the presence of The Duke and Duchess of Cambridge.

Her album, Hello Like Before was released on 17 November 2014. It includes a 50th-anniversary re-recording of "Goldfinger" (recreating the original orchestration) and a duet of "Diamonds Are a Girl's Best Friend" with Paloma Faith, produced and conducted by Stuart Barr.[46]

In December 2016, Bassey starred in a 60-minute BBC broadcast hosted by David Walliams.[47]

On 11 March 2018, Bassey performed "Almost Like Being In Love" in a tribute to Sir Bruce Forsyth at the London Palladium. At a gala for AMFAR (The Foundation for Aids Research) in Los Angeles on 18 October 2018, Bassey sang "Goldfinger", "Diamonds Are Forever", "Almost Like Being In Love" and "I Am What I Am".

On 9 August 2019, Dame Shirley performed at UNICEF's Summer Gala in Porto Cervo, Sardinia, singing "Goldfinger", "Diamonds Are Forever" and "S'Wonderful".

BBC TV series

TV specials

Total
#
Series
#
Title Director Original airdate
11"Shirley Comes Home"Selwyn Roderick3 September 1957 BBC Television at 6:45pm
From the bright lights of Las Vegas and the West End, Shirley Bassey returns to her own people in the heart of Cardiff's dockland. Also at the party are: Gladys Morgan, Jimmy Rogers and 'The Black and Whites'. Introduced by Alun Williams from Cardiff's Queen Alexandra Dock.[48]
21"Shirley Sings and Riddle Swings"Yvonne Littlewood23 June 1962 BBC Television at 8:20pm
Shirley Bassey, Nelson Riddle and his Orchestra and The Hi-Lo's. Introduced by David Jacobs.[49]
31"International Cabaret presenting Shirley Bassey"Buddy Bregman25 April 1964 BBC2 at 9:40pm
Starring Shirley Bassey with Robert Clary and The Ted Heath Orchestra. Musical director: Harry Rabinowitz. With The Heralds and the International Cabaret Dancers.[50] Repeated on BBC1 18 August 1964 at 8:25pm.
41"Show of the Week: The Sound of Shirley Bassey"Stewart Morris22 February 1966 BBC2 at 8:50pm
Recorded on the eve of her departure for a world tour. Orchestra directed by Kenny Clayton.[51] Repeated 8 July 1967 at 7:40pm.
51"The Shirley Bassey Show"Tony Charmoli12 April 1969 BBC1 at 7:40pm
Shirley Bassey sings and introduces her guests Noel Harrison and Laurindo Almeida.[52]
61"Show of the Week: Shirley Bassey at Bern's Restaurant"Stewart Morris6 July 1969 BBC2 at 9:55pm
Shirley Bassey at Bern's Restaurant, Stockholm. Orchestra directed by Alyn Ainsworth. A BBC co-production with Sveriges Radio.[53] Repeated on BBC1 September 20, 1969 at 7:30pm.
71"The Young Generation Meet Shirley Bassey"Stewart Morris18 March 1970 BBC1 at 8:00pm
From the Cirkus Studio in Stockholm, Sweden. With Udo Jürgens, Andre Tahon and Ray Dondy with Alyn Ainsworth and his orchestra. A joint BBC/SR production.[54]
81"Shirley Bassey Singing Special"Stewart Morris13 August 1970 BBC1 at 9:10pm
Tonight this international singing star makes one of her rare appearances in this country. With Brian Fahey and his orchestra.[55] Repeated on BBC2 December 23, 1970 at 9:20pm.
91"Night Club starring Shirley Bassey"John Ammonds11 June 1972 BBC2 at 11:05pm
An international cabaret this week from London introduced by Francis Matthews. Also starring Trio Athenee, Rod Hull and Emu, Alfredo Alex Welsh and his Band, Joe Castor and Partner and the Pamela Devis Dancers. The Night Club Orchestra directed by Johnny Harris.[56]
101"Show of the Week: Shirley Bassey"Dieter Finnern28 September 1972 BBC2 at 9:25pm
Shirley Bassey on location in Sardinia and Berlin sings some of the songs which have made her famous. With the SFB Orchestra directed by Brian Fahey. A BBC/SFB Co-production.[56]
111"Shirley Bassey"Stewart Morris26 December 1972 BBC1 at 9:55pm
Shirley Bassey Recently returned from a record-breaking appearance in New York. With 'Segment' choreographed by Nigel Lythgoe and featuring Alyn Ainsworth and his orchestra.[57]
121"Shirley Bassey at the Royal Albert Hall"Johnnie Stewart1 January 1974 BBC1 at 9:25pm
Orchestra directed by Arthur Greenslade.[58] Repeated on 19 April 1974 at 8:15pm.
131"Shirley"Stewart Morris28 December 1974 BBC1 at 8:30pm
Starring international singing star Shirley Bassey with her special guest Neil Diamond. Orchestra directed by Arthur Greenslade.[59]
141"Shirley Bassey"Stewart Morris27 December 1975 BBC1 at 8:20pm
From the triumphs of a world tour, this superbly talented artist arrives for another high-flying television special. Tonight Shirley sings many of her famous hits together with a selection of new songs. Orchestra directed by Arthur Greenslade.[60] Repeated on BBC2 April 16, 1976 at 9:10pm.
151"Shirley Bassey: I Am What I Am"Mike Alexander30 July 1994 BBC1 at 9:50pm
In a documentary that is almost as revealing as her dresses, Shirley Bassey talks about her work and the cost to her family life.[61]
161"The Shirley Bassey Concert"Gavin Taylor30 July 1994 BBC1 at 10:40pm
Footage of a performance shot last September as Shirley Bassey opened Cardiff's new International Arena with two sell-out shows before an audience of 11,000 fans.[62]
171"Shirley Bassey: This Is My Life"Alan Lewens2 January 1998 BBC1 at 10:05pm
A documentary portrait of the internationally-acclaimed vocalist, following her travels through New York, London and Monte Carlo. The programme contains intimate moments behind the scenes as well as capturing her performances on the stage.[63] Repeated 7 April 2000.
181"Shirley Bassey: Viva Diva!"Mike Mansfield31 December 1998 BBC1 at 9:10pm
Shirley Bassey sings a selection of show stopping songs, with the help of a large orchestra, the cast of the hit West End stage musical Chicago and a million pounds' worth of diamonds.[64]
191"Dame Shirley Bassey: Electric Proms"Janet Fraser Cook24 October 2009 BBC2 at 10:40pm
The singer celebrates 50 years in the business with a special performance at London's Roundhouse.[65] Repeated multiple times on BBC HD and BBC4.
201"Imagine... Dame Shirley Bassey"Dione Newton24 November 2009 BBC1 at 10:35pm
Dame Shirley Bassey: The Girl from Tiger Bay. A profile of the Welsh singer on the release of The Performance, an album of songs composed for her by, among others: Gary Barlow, Rufus Wainwright and KT Tunstall.[66]

Shirley Bassey (Series 1)

Produced by Stewart Morris.

Broadcast Saturdays on BBC1.

Total
#
Series
#
Title Director Original airdate
11"Episode 1"Stewart Morris30 October 1976 at 8:15pm
Making for BBC Television the first series in her outstanding career. Guest stars: Charles Aznavour, The Three Degrees and 'Emma' (Bassey's Old English Sheep Dog). With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[67]
22"Episode 2"Stewart Morris6 November 1976 at 8:15pm
Guest stars Rolf Harris, Janis Ian, The Brythoniad Male Voice Choir and 'Emma'. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[68]
33"Episode 3"Stewart Morris13 November 1976 at 8:15pm
Guest stars Johnny Nash, Gilbert O'Sullivan and 'Emma'. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[69]
44"Episode 4"Stewart Morris20 November 1976 at 8:15pm
Guest stars Morris Albert, The Stan Getz Quartet and 'Emma'. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[70]
55"Episode 5"Stewart Morris27 November 1976 at 8:35pm
Guest stars Mel Torme, Clive Westlake and 'Emma'. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[71]
66"Episode 6"Stewart Morris4 December 1976 at 8:35pm
Guest stars Bobby Goldsboro, Rod McKuen and 'Emma'. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[72] This programme was selected as the BBC's entry for the Festival of the Golden Rose of Montreux 1977 and was repeated on BBC2 April 7, 1977 at 8:25pm.
77"Highlights compilation"Stewart Morris23 December 1977 at 9:15pm
Shirley Bassey introduces highlights from her 1976 television series. Guest stars Charles Aznavour, Rolf Harris, Johnny Nash and 'Emma'.[73]

The series (excluding the 7th highlights episode) was repeated on BBC2 on non-consecutive Thursdays from 23 June – 4 August 1977.

Shirley Bassey (Series 2)

Produced by Stewart Morris.

Broadcast alternate Saturdays on BBC1.

Total
#
Series
#
Title Director Original airdate
81"Episode 1"Stewart Morris30 September 1979 at 8:20pm
The first programme of a new series of six television spectaculars, with her guest stars: Dana, The Three Degrees and Sal Davis. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[74]
92"Episode 2"Stewart Morris13 October 1979 at 8:15pm
Guest stars: Freddy Cole, Paul Daniels and Tony Monopoly. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[75]
103"Episode 3"Stewart Morris27 October 1979 at 8:15pm
Guest stars: Lulu, The Drifters and Demis Roussos. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[76]
114"Episode 4"Stewart Morris10 November 1979 at 8:15pm
Guest stars: Les Dawson, The Nolan Sisters and Third World. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[77]
125"Episode 5"Stewart Morris24 November 1979 at 8:15pm
Guest stars: The King's Singers, Michel Legrand and Dusty Springfield. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[78]
136"Episode 6"Stewart Morris8 December 1979 at 8:15pm
Guest stars: Lennie Bennett & Jerry Stevens, Pete Conrad and The Swingle Singers. With The Shirley Bassey Dancers choreographed by Nigel Lythgoe and Arthur Greenslade and his orchestra.[79]

Series repeated Mondays on BBC2 from 15 September – 20 October 1980 at 8:15pm.

Personal life

Marriages

Bassey's first marriage was to Kenneth Hume in 1961. The couple separated in 1964 and divorced in 1965 in the wake of the singer's affair with actor Peter Finch. Bassey then announced to the press that she and Finch would not be marrying, telling the press: "It simply wouldn't work out. Just now I am not ready for marriage to anyone. I feel I have to be free."[80] A year later, Hume sued the actor and another man, John McAuliffe, for being "indiscreet" with the singer.[81] Both Finch and McAuliffe were cited as co-respondents in the Hume–Bassey divorce.[82] For her part, Bassey was named as co-respondent in 1965 when Finch's wife, South African actress Yolande Turner, divorced the actor.[83]

Sergio Novak, the assistant manager of the Excelsior Hotel in Venice, Lido, Italy, and Bassey were married from 1968 until they divorced in 1979.[84] Novak served as Bassey's manager throughout this time. With Novak she adopted her grand-nephew, Mark.[12][13]

Children

The fathers of Bassey's two daughters, Sharon Bassey (a.k.a. Sharon Novak, 1954) and Samantha Bassey (a.k.a. Samantha Novak, born 1963), are unknown.[84][85] However, Bassey's first husband suggested that Samantha, born during the couple's marriage, was the result of an affair between Bassey and Peter Finch. In 1965, according to an article in Jet, "There is a big dispute in London over who is the father of tempestuous singer Shirley Bassey's baby. Although one-time boyfriend Australian actor Peter Finch agreed that the child may not belong to Shirley's divorced husband, Kenneth Hume, Finch insists she does not belong to him ... "[81]

In 1985, Samantha, age 21, was found dead in the River Avon in Bristol, England. Bassey has always maintained that the death of her daughter was not a suicide.[3] On 24 March 2010, Avon and Somerset Police confirmed they were undertaking fresh inquiries into the death, and specifically claims that the convicted killer Michael Moffat was involved in her death.[86] However, in October 2010 it was reported that the investigation came to an end and concluded that there "is no evidence of any criminal act involved" in Novak's death.[87] The ordeal of losing her daughter caused Bassey to temporarily lose her voice. [88]

In a 2009 interview, Bassey stated that she and her son, Mark, had reconciled.[3] Bassey has four grandsons through her surviving daughter, Sharon Novak.[89] Bassey resides in Monaco.[90]

In 2018, Bassey reported that she had a great-granddaughter.[91]

Honours

Bassey was made a Dame Commander of the Order of the British Empire (DBE) on 31 December 1999 by Queen Elizabeth II for services to entertainment.[92] She was invited to perform in 2002 at the Party at the Palace, a public celebration of the Queen's Golden Jubilee. Dame Shirley also performed at the Queen's Diamond Jubilee concert at Buckingham Palace on 4 June 2012, singing "Diamonds Are Forever". She was invited to perform at the Queen's 90th Birthday celebrations at Windsor Castle on 15 May 2016. In November 2016 the Royal Welsh College of Music and Drama announced the naming of the Shirley Bassey Studio in celebration of Bassey's long-standing support for young Welsh singers studying at the College. She was awarded France's top honour, the Legion d'Honneur, to signify her popularity and importance in the culture of France. Bassey was awarded the freedom of her hometown, Cardiff, in a ceremony at City Hall on 17 May 2019.[93]

Awards and achievements

In 2012, Bassey was among the British cultural icons selected by artist Sir Peter Blake to appear in a new version of his most famous artwork – the Beatles' Sgt. Pepper's Lonely Hearts Club Band album cover – to celebrate the British cultural figures of his life that he most admires.[94][95] In 2016, she was named as one of "the 50 greatest Welsh men and women of all time".[96]

  • 1959: Favourite British Female Singer – NME Award
  • 1960: Favourite British Female Singer - NME Award
  • 1972: Best Female Singer – TV Times
  • 1973: Best Female Singer – TV Times
  • 1974: Best Female Entertainer – American Guild of Variety Artists
  • 1976: Best Female Singer – Music Week
  • 1976: 22-day British tour to mark twenty years as a recording artist
  • 1976: EMI Award for twenty years as a recording artist – UK
  • 1977: Best British Female Solo Artist in the previous 25 years – BRIT Award
  • 1977: Golden Rose of Montreux nomination for The Shirley Bassey Show
  • 1991: Walk of Fame, Star Boulevard – plaque unveiled in Rotterdam[97]
  • 1993: Honorary Fellowship of the Royal Welsh College of Music and Drama
  • 1994: CBE – Commander of the Order of the British Empire[98]
  • 1995: Showbusiness Personality of the Year – Variety Club of Great Britain
  • 1997: Grammy nomination – The Birthday Concert (recorded live at Althorp Park)
  • 1998: Longest run by a solo artist (ten shows) – Royal Festival Hall, London
  • 1999: Légion d'Honneur – France
  • 1999: Madam Tussaud's waxwork unveiled in London (second model in Las Vegas)
  • 2000: DBE – Dame Commander of the Order of the British Empire
  • 2000: Most Successful British Female Singer – Guinness Book of Records
  • 2003: Outstanding Contribution to Music – National Music Awards, UK[99]
  • 2003: Lifetime Achievement Award (inaugural award) – Western Mail Welsh Woman of the Year Awards[100]
  • 2004: "100 Great Black Britons", Bassey voted into the top ten
  • 2004: Artist for Peace Award – UNESCO
  • 2004: Welsh Legend Award, presented at the opening of the Cardiff Millennium Centre
  • 2005: Avenue of Stars – plaque unveiled in London
  • 2008: "Goldfinger" – United Artists single (1964) inducted into the Grammy Hall of Fame[101]
  • 2013: Dorian Award, TV Musical Performance of the Year – Gay and Lesbian Entertainment Critics Association
  • 2014: Lifetime Achievement Award - World Music Awards
  • 2017: Hall of Fame Award, Jersey Style Awards
  • 2017: Nordoff Robbins O2 Silver Clef Award
  • 2019: Freedom of the City of Cardiff
  • 2019: Square of Fame - plaque of Bassey's handprints unveiled at the SSE Arena, Wembley Park, London

Bibliography

  • "Shirley Bassey: Diamonds Are Forever" - Mary Long (2017)
  • Miss Shirley Bassey – John L. Williams (2010) – London: Quercus. ISBN 978-1-84724-974-6
  • Shirley Bassey: Diamond Diva – Peter Hogan (2008)
  • Cardiff: Rebirth of a Capital (Foreword by Shirley Bassey) – Ungersma, Hurn (2005)
  • Shirley Bassey: Welsh History Stories – Evans, Stokes, ap Emlyn, ap Emlyn (2003)
  • Shirley Bassey: An appreciation – Muriel Burgess (1998, reprinted 1999)
  • My Life on Record and in Concert – Shirley Bassey (Bloomsbury, 1998)
  • The Trial of Shirley Bassey – A Play in One Act – Alexander Baron (1998)
  • Shirley Bassey: This Is My Life (Piano/vocal/guitar) – Sheet music book
  • Shirley Bassey: You're the Voice (Piano/vocal/guitar) – Sheet music book
  • Guinness Book of British Hit Singles – 14th Edition – ISBN 0-85156-156-X
  • Guinness Book of British Hit Singles – 16th Edition – ISBN 0-85112-190-X
  • Guinness Book of British Hit Albums – 7th Edition – ISBN 0-85112-619-7
  • The Book of Golden Discs – 2nd Edition – ISBN 0-214-20512-6
  • The Guinness Book of 500 Number One HitsISBN 0-85112-250-7

See also

References

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  2. ^ a b c d Shirley Bassey at AllMusic
  3. ^ a b c d e f Hattenstone, Simon (24 October 2009). "Shirley Bassey Interview". The Guardian. London. Retrieved 20 November 2009.
  4. ^ a b c d Roberts, David (2006). British Hit Singles & Albums (19th ed.). London: Guinness World Records Limited. pp. 44–45. ISBN 1-904994-10-5.
  5. ^ a b "Number ones from Wales". BBC Wales Music. Retrieved 28 January 2011.
  6. ^ The Brits 1977, brits.co.uk
  7. ^ Paphides, Pete (30 October 2009). "Dame Shirley Bassey: The Performance review". Times Online. London: Times Newspapers Ltd. Retrieved 10 December 2009. "Welsh diva thrives on new material written by artists half her age"
  8. ^ Sexton, Paul (3 November 2009). "Shirley Bassey Returns With 'The Performance'". Billboard. Retrieved 4 June 2015.
  9. ^ Williams, John L. (2010). Miss Shirley Bassey. London: Quercus. pp. 10–11. ISBN 978-1-84724-974-6.
  10. ^ Williams, John (8 October 2010). "Trail of the unexpected: Discover Dame Shirley Bassey's former haunts in Cardiff". The Independent. Retrieved 17 April 2016.
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External links

Preceded by
Matt Monro
From Russia with Love, 1963
James Bond title artist
Goldfinger, 1964
Succeeded by
Tom Jones
Thunderball, 1965
Preceded by
John Barry
On Her Majesty's Secret Service, 1969
James Bond title artist
Diamonds Are Forever, 1971
Succeeded by
Paul McCartney and Wings
Live and Let Die (song), 1973
Preceded by
Carly Simon
The Spy Who Loved Me (Nobody Does It Better), 1977
James Bond title artist
Moonraker, 1979
Succeeded by
Sheena Easton
For Your Eyes Only, 1981
'Disco' La Passione

"Disco La Passione" is a 1996 song by Chris Rea. The song was written for the film La Passione, a semi-autobiography by Rea. Shirley Bassey made her feature film debut here, but the film was a disappointment at the box office. A single was issued, produced by Rea and, unusual for Bassey, credited as co-performer. The track also appears on the soundtrack album La Passione. The single sold well in Europe, making the Top 40 of the Dutch and Belgian charts, but just missed being a Top 40 hit on the UK Singles Chart, charting at #41.A video was issued to promote the single, it is taken from the performance made in the film. Shirley Bassey performed the song frequently live in 1996 and 1997, a live recording of the song appears on the 1997 CD The Birthday Concert.

(Where Do I Begin?) Love Story

"(Where Do I Begin?) Love Story" is a popular song published in 1970, with music by Francis Lai and lyrics by Carl Sigman. The song was first introduced as an instrumental theme in the 1970 film Love Story after the film's distributor, Paramount Pictures, rejected the first set of lyrics that were written. Andy Williams eventually recorded the new lyrics and took the song to number nine on Billboard magazine's Hot 100 and number one on their Easy Listening chart.

All by Myself (Shirley Bassey album)

All by Myself is a 1982 album by Shirley Bassey. Having ended her contract with United Artists around 1980 (around the time that label was sold to Bassey's former home EMI), Bassey took a break from recording, and then began releasing albums on various labels. All by Myself was the first of these, issued on the Applause label. 1982 was the dawn of the CD era, and this was her first-ever album to be issued on CD. The album was also issued on LP and cassette. In the UK and some other countries, the album was titled Love Songs, with identical cover art, and under that name it charted for five weeks on the UK albums chart, on the K-tel label, peaking at #48.

The original CD has since become scarce, though the songs have appeared on many compilations.

Big Spender

"Big Spender" is a song written by Cy Coleman and Dorothy Fields for the musical Sweet Charity, first performed in 1966. It is sung, in the musical, by the dance hostess girls; it was choreographed by Bob Fosse for the Broadway musical and the 1969 film. It is set to the beat of a striptease as the girls taunt the customers.

Get the Party Started

"Get the Party Started" is a song by American recording artist Pink, and was the first single from her second album titled Missundaztood (2001). It became an international hit and reached the top ten in many countries. The song was Pink's biggest-selling song at that time. The track was released on October 9, 2001 to positive reviews. After the release of the single, it was confirmed that Pink would be releasing Missundaztood.

Goldfinger (Shirley Bassey song)

"Goldfinger" is the title song from the 1964 James Bond film Goldfinger. Composed by John Barry and with lyrics by Leslie Bricusse and Anthony Newley, the song was performed by Shirley Bassey for the film's opening and closing title sequences, as well as the soundtrack album release. The single release of the song gave Bassey her only Billboard Hot 100 top forty hit, peaking in the Top 10 at No. 8 and No. 2 for four weeks on the Adult Contemporary chart, and in the United Kingdom the single reached No. 21.The song finished at No. 53 in AFI's 100 Years...100 Songs survey of top tunes in American cinema. In 2008, the single was inducted into the Grammy Hall of Fame.

History Repeating (song)

"History Repeating" is a song written by Alex Gifford and originally performed by the Propellerheads featuring Shirley Bassey in 1997. The single was a #1 hit on the UK Dance Chart, and was also Bassey's first top ten appearance on any US chart since 1973's "Never Never Never", making #10 on the US Dance Club Chart.

I Am What I Am (Shirley Bassey album)

I Am What I Am was the only studio album recorded by Shirley Bassey for the Towerbell Records label. Several other tracks were also recorded at this label and issued as singles only. The recording sessions took place at Olympic Studios, Barnes, London, in July and August 1984. Following the success of the previous album All by Myself, this album peaked at number 25 in the UK album chart and reached Gold status. This release was the first digitally recorded album made by Shirley Bassey and was issued on vinyl, cassette and CD. Consisting of mainly re-recordings from Shirley Bassey's back catalogue and two new songs, this album was recorded 'live' with The London Symphony Orchestra, conducted by Carl Davies. The album also reunited Shirley Bassey with Norman Newell, who had served successfully as her producer throughout the 1960s.

Towerbell Records is now defunct but this album has been re-issued on CD many times on various labels.

Several of the vocal performances made for this recording were remixed for the 2007 album Get the Party Started.

Keep the Music Playing

Keep the Music Playing is a 1991 album by Shirley Bassey. The album was recorded in the UK at the Westgreen Studios and in the Netherlands at Wisseloord Studios, Hilversum. The album is a mixture of contemporary pop ballads, such as "I Want to Know What Love Is" from Foreigner, the Jennifer Rush power ballad "The Power Of Love", and the more gentle "Still" from Lionel Richie, combined with standards from the field of jazz and pop, such as "He Was Beautiful", the sweet jazz ballad from Cleo Laine. Several of the song arrangements reflect an operatic pop style influence, which may have roots in her 1984 album I Am What I Am, which she recorded with the London Symphony Orchestra, and the fact that in the latter mid-1980s she started working with a vocal coach, a former opera singer. Bassey returned to the Beatles with "Yesterday", as she had previously covered "Something" and "Fool on the Hill" successfully in the 1970s, and had performed "Hey Jude" frequently live. Another previously successful formula was used for the closing track "Dio, Come Ti Amo (Oh God How Much I Love You)" an Italian original in the tradition of "This is My Life" and "Natalie". ("Dio, Come Ti Amo" was the Italian entry for the Eurovision Song Contest in 1966, performed in Italian by Domenico Modugno).

The album was a commercial success and entered the UK album charts in May 1991, peaking at number 25. The original release was on vinyl, cassette and CD, the CD was issued by Dino Records in the UK and ZYX Records in Germany.

FreeStyle Records is now defunct but this album has been re-issued on CD many times on various labels.

La Mujer

La Mujer Shirley Bassey canta en Español (The Woman - Shirley Bassey sings in Spanish), is a Shirley Bassey studio album recorded in Spanish. The first recording sessions were held in Spain, and the album was completed in California, at the Hitsville West studio in December 1988. The 1980s saw a period of very few album releases from Shirley Bassey: All by Myself (1982); the acclaimed album I Am What I Am (1984); her recording of James Bond themes from 1987, The Bond Collection, (which had met with problems and remained unreleased until 1992); and La Mujer. In 1987 the Swiss electronica band Yello approached Shirley Bassey about recording a song with them. The track "The Rhythm Divine" was a minor hit in the UK, charting at number 54 in the UK singles chart but achieving more success on mainland Europe. The success of the single released by Mercury Records, led to an album deal on the label.

This is the second album of non-English recordings made by Shirley Bassey, the late 1960s and early 1970s had seen her record several tracks in Italian. As preparation for the recording Shirley had twenty hours of Spanish lessons. The album brings together new Spanish material and new versions in Spanish of such Shirley Bassey classics as "Without You" ("Sin Ti") and "I (Who Have Nothing)" ("Hoy No Tengo Nada"). Spanish lyrics were provided by Leonardo Schultz, who also wrote the new material appearing on the album. The album's debut was a performance by Bassey at the "Viña Del Mar Song Festival" in Chile in February, 1989, and further appearances in South America followed. The performance in Chile was filmed and an edited version featured on a CD/DVD release in 2004, the set called Super Estellas del Amor features five tracks on CD from the album and seven live performances on DVD. This release also includes performances from Matt Monro and Demis Roussos that were also recorded in Spanish and produced by Leonardo Schultz.

The album was mainly marketed for the Spanish speaking countries in South America, the US and mainland Europe, very little promotion was undertaken in the UK for this release.

The original releases for La Mujer in Germany and the US (on LP, cassette and CD) featured the same artwork as its South American counterpart, but differing layouts.

Light My Fire

"Light My Fire" is a song by the American rock band The Doors. It was recorded in August 1966 and released in January 1967 on their eponymous debut album. Released as an edited single on April 24, 1967, it spent three weeks at number 1 on the Billboard Hot 100 chart in late July, and one week on the Cash Box Top 100, nearly a year after its recording.

A year later, it re-entered the Billboard Hot 100 in 1968 following the success of José Feliciano's cover version of the song (which peaked at number 3 on the Billboard chart), peaking at number 87. The song was largely written by the band's guitarist, Robby Krieger, but was credited to the entire band. The single was certified gold by the Recording Industry Association of America in September 1967 for exceeding 500,000 units shipped. As of December 1971, it was the band's best-selling single with over 927,000 copies sold.

The single was certified Platinum by the RIAA in September 2018 for reaching 2,000,000 units shipped.A live version was released in 1983 on their album Alive, She Cried, the first of several live albums released in subsequent decades to include the song. "Light My Fire" achieved modest success in Australia, where it peaked at number 22 on the ARIA chart. The single originally reached number 49 in the UK in 1967, but experienced belated success in that country in 1991, when a reissue peaked at number 7. This reissue was more successful in Ireland, peaking atop the IRMA chart for two weeks in June. The reissue occurred due to revived interest in the band following Oliver Stone's film biopic The Doors. The song is ranked at number 35 on Rolling Stone's 500 Greatest Songs of All Time. It was included in RIAA's Songs of the Century list, ranking number 52. Feliciano's cover won the 1969 Grammy Award for Best Male Pop Vocal Performance, the same year he also won the Grammy for Best New Artist. Many artists covered the song, including Nancy Sinatra on her 1969 album, Nancy.

Reach for the Stars (Shirley Bassey song)

"Reach for the Stars" is a song made popular by Shirley Bassey, and written by Austrian pop singer/songwriter Udo Jürgens (with English lyrics by Norman Newell). As a double A-side single (b/w "Climb Ev'ry Mountain") it went to No. 1 in the UK Singles Chart for one week in September 1961.

Shirley Bassey (album)

Shirley Bassey is a 1961 album by Shirley Bassey, her fifth studio album and her third with EMI/Columbia. Bassey was accompanied by Geoff Love and his orchestra and The Williams Singers (The Rita Williams Singers). The album spent eleven weeks on the charts, beginning in February 1962, and peaking at #14. This album was issued in mono and stereo. The stereo version of this album was released on CD in 1997 by EMI.

Shirley Bassey Sings the Movies

Sings the Movies is a studio album from Shirley Bassey released in 1995.

In 1995 Shirley Bassey signed a deal with the PolyGram TV label, she recorded and released two albums with the label. The first was a themed album of movie songs. The songs were personally selected by Bassey for the album, and are a diverse range of ballads and pop classics, some were originally composed for original soundtracks, but several were classic songs that appeared in successful movies. One re-recording was made of the classic James Bond theme "Goldfinger", this is the fourth studio recording of the song by Shirley Bassey. No singles were issued from this album.

Several TV performances were made by Bassey to promote this album and British television broadcast a successful commercial campaign. The album sold well across Europe and entered the UK Albums Chart, for a run of nine weeks, on November 11, 1995, peaked at No. 24, and earned a silver disc.

Something (Shirley Bassey album)

Something is a 1970 album by Shirley Bassey. With her career having been in decline since the latter part of the mid 1960s, Something proved to be Shirley Bassey's comeback when it was released in August 1970. The title track single became her biggest UK hit for many years, reaching No.4 and spending 22 weeks on the chart. This was actually the second single featured on the album, "The Sea and Sand" having already been released earlier. The album was similarly her biggest hit for many years in the album charts, reaching No.5 and spending 28 weeks in the top 50.This album led to a major revival in Bassey's career, and it would see Bassey transform into mainly an album artist, recording fifteen albums in the 1970s (four of those live recordings). Of those three would be top ten albums, three others in the top fifteen, and a further four in the top 40. She would also reach the top three twice, with a pair of compilations.

This was also her first work with record producer Noel Rogers and producer/arranger Johnny Harris, who built on Bassey's traditional pop roots to include contemporary songs and arrangements.The album's original release was in stereo on vinyl and cassette. This was the first Shirley Bassey studio album not to be issued in mono. The album was released in the US as Shirley Bassey is Really "Something" and featured different artwork and cover photograph.

EMI re-issued the album on CD in 2002 with a bonus track, "Fool On The Hill", which was a single release from 1971.

The Fabulous Shirley Bassey

The Fabulous Shirley Bassey is Shirley Bassey's third studio album, her debut for Columbia, and was recorded with Geoff Love and his orchestra. The album peaked at #12 in the UK album chart in early 1961. Released in 1959, this was the first studio album from Shirley Bassey with completely new material. Her two previous albums issued on the Philips label were collections of new recordings and previously released material, recorded between 1956 and 1958.

The album was issued in mono and stereo. In 1997 the Dutch company Disky Records issued a 2-CD set entitled Original Gold, four tracks from the album "A Foggy Day in London Town", "April In Paris", "The Man That Got Away" and "They Can't Take that Away from Me" were included, all were previously unavailable on CD at this time. EMI at Abbey Road, London provided the mono masters, instead of stereo, for this release. Unlike other artists, such as Cliff Richard and the Beatles, EMI has not re-issued any complete Shirley Bassey album in mono on CD. The stereo version of this album was issued on CD in 1999 by EMI.

The Rhythm Divine

"The Rhythm Divine" is a 1987 song by Boris Blank, Dieter Meier, and Billy Mackenzie.

This Is My Life (Shirley Bassey album)

This Is My Life is a 1968 album by Shirley Bassey. The mid to late sixties was a period of declining popularity for traditional pop. How much the changing tastes in popular music directly affected Bassey's record sales is difficult to quantify; but her record sales had been faltering since the latter part of the mid 1960s, and the album failed to chart. (She did have some success in Italy during this period, where she recorded several songs in Italian, with two making the Top 40 there).The version of "This Is My Life" appearing on side two is the English-only version, with lyrics by Norman Newell, and would become one of Bassey's signature songs.

The original album was issued in mono and stereo. The stereo version of this album has been released on CD twice, firstly, in the late 1990s, on the EMI 2-CD set Shirley Bassey The Collection and a digitally re-mastered release for CD in 2009 together with Does Anybody Miss Me by BGO Records.

World in Union

"World in Union", with lyrics by Charlie Skarbek, is a theme song for the Rugby World Cup that attempts to capture the spirit of international friendship which pervades rugby union culture the world over.

The melody is "Thaxted"—the stately theme from the middle section of "Jupiter, the Bringer of Jollity", a movement from Gustav Holst's "The Planets", and was originally adapted for its use in the British/Anglican patriotic hymn, "I Vow to Thee, My Country".

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