Rogue Moon is a short science fiction novel by American writer Algis Budrys, published in 1960. It was a 1961 Hugo Award nominee. A substantially cut version of the novel was originally published in F&SF; this novella-length story was included in The Science Fiction Hall of Fame, Volume Two, edited by Ben Bova. It was adapted into a radio drama by Yuri Rasovsky in 1979.
Rogue Moon is largely about the discovery and investigation of a large alien artifact found on the surface of the Moon. The object eventually kills its explorers in various ways—more specifically, investigators "die in their effort to penetrate an alien-built labyrinth where one wrong turn means instant death", but their deaths slowly reveal the funhouse-like course humans must take in moving through it.
Original first edition cover, with a misleading precis of the plot.
|Publisher||Gold Medal Books|
|Media type||Print (paperback)|
Dr. Edward Hawks runs a top-secret project for the U.S. Navy, using the facilities of Continental Electronics to investigate a large, deadly alien artifact found on the Moon. Volunteers enter and explore it, but are inevitably killed for violating the unknown alien rules in force within the structure. Hawks "must continue to send duplicates into the artifact, however, because each one moves a little closer to finding a way through the alien labyrinth" and, thus, closer to understanding what it is.
Vincent "Connie" Connington, Continental's head of personnel, tells Hawks that he has found the perfect candidate for the next mission. Connington is amoral and manipulative, openly testing Hawks and anyone else he meets for weaknesses. He takes Hawks to see Al Barker, an adventurer and thrill-seeker. Hawks also meets Claire Pack, a sociopath of a different kind. Where Connington covets power, and Barker seems to love death, Claire enjoys using sex, or the prospect of sex, to manipulate men. Connington wants her, but she stays with Barker because he has no weaknesses in her eyes. Hawks has to appeal to Barker's dark side to persuade him to join the project. Claire tries to get under Hawks' skin while simultaneously playing Connington off against Barker.
Hawks has created a matter transmitter, one which scans a person or object to make a copy at the receivers on the Moon. The earthbound copy is placed in a state of sensory deprivation which allows him to share the experiences of the doppelgänger. However, none of the participants have been able to stay sane after experiencing death second hand.
Barker is the first to retain his sanity, but even he is deeply affected the first time, exclaiming, "...it didn't care! I was nothing to it!" He returns again and again to the challenge, advancing a little further each time. Meanwhile, his relationship to Claire deteriorates, even as Connington continues his disastrous attempts to win her, at one point receiving a severe beating from Barker. Eventually, Connington announces he is quitting, and Claire leaves with him.
Meanwhile, Hawks starts a relationship with a young artist, Elizabeth Cummings, and expresses his torment over the project to her. Finally, Barker announces that he is almost finished finding a way through the artifact. Hawks takes Elizabeth to a romantic location and declares his love for her, then returns to the project. He transmits himself as well as Barker to the Moon, where his duplicate joins Barker's on the final run.
Together, the two weave their way through a series of bizarre landscapes containing death traps. Emerging from the other side, Hawks tells Barker that they cannot return to Earth. The equipment on the Moon is too crude to transmit a man back safely, and even if it were possible, there are already people living their lives. All the men working on the Moon are duplicates, mostly Navy men, all volunteers. Hawks elects to remain outside the base until his air runs out. Barker returns to try to be transmitted back anyway.
Back on Earth, Hawks removes his isolation suit and finds a note in his hand, which he knew would be there. It reads simply, "Remember me to her."
Science fiction scholar Jeff King wrote that the novel's major themes are "the meaning of life and humanity's yearning to transcend death. Algis Budrys uses the trip through the alien labyrinth as a metaphor for life." Therefore, "Barker's discovery when he makes it completely through the alien structure" is that "a person must create himself or herself." King adds that a secondary theme is: "Human beings are possessed of more than the ability to reason and to function in the physical universe. They also feel, and development of that quality is as important as development of any other."
A reviewer for SFF World disagreed with Jeff King, considering the novel to be about death or dying; he referred to Arthur C. Clarke when he opined, "Rogue Moon seems to be initially a great exploration puzzle, about a large alien artefact found on the surface of the Moon. All attempts to explore it leads to the intrepid explorers being killed or going insane in various ways, but their deaths slowly reveal that the process of dying is the point: that and by dying in various ways by moving through it humans learn something about themselves, as presumably would the aliens, should they still exist. It is a Clarkean test, an ordeal that humans must pass in order to evolve and develop beyond their present state. As this shows, Rogue Moon is a deeper and more complex novel than we expect at first."
David Pringle included the novel in his book Science Fiction: The 100 Best Novels (Xanadu, 1985, ISBN 978-0-947761-10-3). Nick Rennison and Stephen E. Andrews, similarly, included it in their 100 Must-Read Science Fiction Novels In this latter book, featuring a foreword by Christopher Priest, "100 of the best science fiction titles are reviewed and a further 500 recommended. This book allows you to browse by theme, including categories like 'science-fiction and film adaptations'..."
In contemporary reviews, Alfred Bester called Rogue Moon "one of the finest flashes of heat lightning to dazzle us this year," saying it "has come very close to realizing our ideal of science fiction, the story of how human beings may be affected by the science of the future." Bester, however, faulted the ending as unresolved, declaring that Budrys "brought his book to a semi-cadence at exactly the point where it cried for completion." In counterpoint, James Blish declared the novel "a masterpiece... not only a bequest but a monument." He found that Budrys had "cunningly constructed his ambiguity" in the novel's conclusion, and proved "that a science fiction novel can be a fully realized work of art."
Scholar/critic John Clute said that, in comparison with Budrys's earlier novels, such as False Night (1954) and Who? (1958), Rogue Moon is "much more thoroughly successful" and "now something of an sf classic":
A good deal has been written about the highly integrated symbolic structure of this story, whose perfectly competent surface narration deals with a Hard-SF solution to the problem of an alien labyrinth, discovered on the Moon, which kills anyone who tries to pass through it. At one level, the novel's description of attempts to thread the labyrinth from Earth via Matter Transmission makes for excellent traditional sf; at another, it is a sustained rite de passage, a doppelgänger conundrum about the mind-body split, a death-paean. There is no doubt that AB [Algis Budrys] intends that both levels of reading register, however any interepretation might run; in this novel the two levels interact fruitfully.
Graham Sleight, another science fiction scholar, writes that Rogue Moon takes the themes of Who? — "identity, ethics, memory, scientific obsession — and intensifies its gaze on them. But it also has a new concern, death. Like its predecessor, it uses an almost arbitrary science-fictional device to examine an existential question, in a way that a mimetic novel never could." Then Hawks hires Barker: "It appears, though it's scarcely the point of Rogue Moon, that there's a complex permitted route through the artefact, and that any deviation from it will be fatal. Therefore, ultimate success for Barker will be to emerge on the other side of the artefact."
Jeff King wrote, "Rogue Moon was written relatively early in Budrys's career, yet his style is fully evident. He employs an almost minimalist approach that calls for careful word selection to paint vivid pictures while studiously avoiding flowery, overlong sentences. Like others of his well-known works, this is a short novel, seemingly Budrys's preferred length."
At the SF Site, reviewer John DeNardo gave the book 3 out of 5 stars, saying, "The artifact was an intriguing puzzle; the story kept interest levels up. ... The premise is an intriguing one." DeNardo adds that "the ability to duplicate people on the Moon" provides "a nice healthy dose of wow factor." But he grew bored with the characters ("too much of the book centers on the characters of Hawks, Barker, Claire (Barker's lover), and Vincent Connington (the personnel director). While their stories are somewhat interesting, I really wanted to see more of the BDO," and he recommends to readers "the novella on which it was based."
A mysterious, alien artifact is found on the Moon and discovered to be deadly to anyone who enters it. With the help of duplicating technology, people are sent in to investigate it, usually dying within seconds of the last explorer. In this way, the artifact is mapped out little by little.
Algirdas Jonas "Algis" Budrys (January 9, 1931 – June 9, 2008) was a Lithuanian-American science fiction author, editor, and critic. He was also known under the pen names Frank Mason, Alger Rome (in collaboration with Jerome Bixby), John A. Sentry, William Scarff, and Paul Janvier.Gigi Raven Wilbur
Gigi Raven Wilbur is an American bisexual rights activist and writer. Additionally she has been active in the BDSM community for over twenty years. She has a bachelor's degree in philosophy and a master's degree in social work.Wilbur was a state organizer in Texas with a bisexuality radio show, and a coordinator for BiNet USA. In 1999, the first Celebrate Bisexuality Day was organized by her, Wendy Curry, and Michael Page; to quote Wendy Curry, "We were sitting around at one of the annual bi conventions, venting and someone, I think it was Gigi said we should have a party. We all loved the great bisexual, Freddie Mercury. His birthday was in September, so why not Sept? We wanted a weekend day to ensure the most people would do something. Gigi's birthday was Sept 23rd. It fell on a weekend day, so poof! We had a day."Wilbur said,
Ever since the Stonewall rebellion, the gay and lesbian community has grown in strength and visibility. The bisexual community also has grown in strength but in many ways we are still invisible. I too have been conditioned by society to automatically label a couple walking hand in hand as either straight or gay, depending upon the perceived gender of each person.
In 1999, Wilbur was awarded the American Institute of Bisexuality Globe Award for outstanding service to the bisexual world community.As of 2008, she lives in Houston, Texas, and is the coordinator of the adult campground and the sex-positive Temple of Aphrodite at Dragons Wylde Ranch.Wilbur is intersex, and has said she identifies as third gender, neither male nor female. Wilbur stated in a 2008 interview, "my birth gender was altered shortly after I was born ... I am hermaphrodite. That is my true gender."She is the author of The Dominant's Handbook: An Intimate Guide to BDSM Play, and published the essay "Walking in the Shadows: Third Gender and Spirituality" (about being intersex) in Trans/Forming Feminism, Trans-feminist Voices Speak Out, edited by Krista Scott-Dixon. As of 2008, she publishes a column in the pagan publication "Rogue Moon".Howling Hex
The Howling Hex is an American rock band founded by guitarist Neil Hagerty.Rogue Moon of Spinstorme
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