Richardsonian Romanesque is a style of Romanesque Revival architecture named after architect Henry Hobson Richardson (1838–1886), whose masterpiece is Trinity Church, Boston (1872–1877), designated a National Historic Landmark. Richardson first used elements of the style in his Buffalo State Asylum for the Insane in Buffalo, New York, designed in 1870.
This very free revival style incorporates 11th and 12th century southern French, Spanish and Italian Romanesque characteristics. It emphasizes clear, strong picturesque massing, round-headed "Romanesque" arches, often springing from clusters of short squat columns, recessed entrances, richly varied rustication, blank stretches of walling contrasting with bands of windows, and cylindrical towers with conical caps embedded in the walling.
The style includes work by the generation of architects practicing in the 1880s before the influence of the Beaux-Arts styles. It is epitomised by the American Museum of Natural History's original 77th Street building by J. Cleaveland Cady of Cady, Berg and See in New York City. It was seen in smaller communities in this time period such as in St. Thomas, Ontario's city hall and Menomonie, Wisconsin's Mabel Tainter Memorial Building, 1890.
Some of the practitioners who most faithfully followed Richardson's proportion, massing and detailing had worked in his office. These include:
Other architects who employed Richardson Romanesque elements in their designs include:
Research is underway to try to document the westward movement of the artisans and craftsmen, many of whom were immigrant Italians and Irish, who built in the Richardsonian Romanesque tradition. The style began in the East, in and around Boston, where Richardson built the influential Trinity Church on Copley Square. As the style was losing favor in the East, it was gaining popularity further west. Stone carvers and masons trained in the Richardsonian manner appear to have taken the style west, until it died out in the early years of the 20th century.
With the exception of the Richardson Olmsted Complex, none of the following structures were designed by Richardson. They illustrate the strength of his architectural personality on progressive North American architecture from 1885 to 1905.
They are divided into categories denoting the various different uses of the buildings.