Quest for the Future

Quest for the Future is a science fiction novel by A. E. van Vogt. It was first published by Ace Books in 1970.

A schoolteacher from the 20th century becomes involved in the activities of a group of time travelers.

Quest for the Future
AuthorA. E. van Vogt
CountryUnited States
LanguageEnglish
GenreScience fiction
PublisherAce Books
Publication date
1970
Pages253
OCLC29175908

Components

The author based the novel on three of his earlier stories, a procedure known as a fix-up.[1][2] These stories, all first published in Astounding Science Fiction, are:

  • "Film Library" (a novelette first published in July 1946). A movie projector shows scenes that seem to be from the future, including strange inventions and scenes on the planet Venus. A schoolteacher who rents the films investigates how the intended films were mysteriously replaced.[3][4]
  • "The Search", (a novelette first published in January 1943). A traveling salesman, after waking in hospital unable to remember what happened to him in the previous two weeks, goes back to the places he visited in order to reconstruct the events. Some of the people he meets are time travelers.[3]
  • "Far Centaurus", (a short story first published in January 1944). A spaceship travels to Alpha Centauri, a journey taking 500 years; it is a sleeper ship, the crew being in hibernation with brief periods awake. On arriving, they find an advanced civilization from Earth, who can travel there in three hours using faster-than-light machines, invented during the crew's long journey.[3][5]

Summary

The protagonist of the novel is Peter Caxton, a physics teacher who, as in the story "Film Library", rents films for his school. He takes the movie projector, that seems to be changing the intended films into films from the future, home for investigation.

Caxton, then waking in hospital, is the amnesiac traveling salesman from the story "The Search"; he goes back over his sales territory to discover what happened. He meets Selanie, who is selling gadgets from the future, and her father Claudan Johns; they are time travelers, and he discovers their motor home that contains the gadgets.

He is transported into the year 2083 by a handshake from a rival time traveler. There he sees inventions from the films he rented, and he explores an enormous building; after sleeping he wakes up by an older version of Selanie, to whom he seems to be married. He meets Price, who explains that the building is the Palace of Immortality, which Claudan Johns discovered, and which is used for time travel; the time travelers are known as Possessors. A handshake from Price sends Caxton back to his original time.

In an attempt to return to 2083, he joins an expedition to travel to nearby star Alpha Centauri, as in the story "Far Centaurus". His intention is to turn the spaceship round during a waking interval between periods of hibernation, and so return to Earth at the right time; but when he wakes after 50 years, he finds it is not possible. Arriving at Alpha Centauri, the crew are received by the advanced civilization from Earth that can make the journey in three hours, and have long been expecting them. They are shown round Alpha Centauri, and around Earth. Caxton, still interested in his old sales territory, there meets Kameel Bustaman; he is a Possessor, and sends Caxton back to the 20th century.

Possessors Johns and Bustaman, and Possessor Daniel Magoelson who becomes important later, are trying to increase their ability to travel through time, as they learn to deal with probability worlds and time foldbacks. Caxton, caught up in this activity, makes further time shifts, and the story becomes increasingly complex. There is an interval where Caxton travels with Selanie and Johns in their motor home, in the North America of 1650, during which Johns discusses time travel.

The movie projector's special qualities were created by Johns and Magoelson, in an attempt to create an imbalance in a time foldback; the attempt was unexpectedly affected by the presence of Bustaman watching the film, who at that time was not aware he was a Possessor, and wrecked by Caxton's dismantling of the projector.

During the time traveling, two versions of Caxton and of Selanie are created. At the end, these versions are merged, and Selanie, resolving their relationship, says, "I can't marry you because the me that I merged with, is already married to you, remember?"

References

  1. ^ van Vogt, A E The Encyclopedia of Science Fiction, accessed Aug 1, 2014.
  2. ^ Quest for the Future title listing at the Internet Speculative Fiction Database
  3. ^ a b c Unravelling Van Vogt's fix-up novels Astounding Science Fiction at andrew-may.com, accessed Aug 1, 2014.
  4. ^ Yesterday's Tomorrows: A. E. van Vogt, by Graham Sleight Locus Online, accessed Aug 1, 2014.
  5. ^ Remembering "Far Centaurus" Centauri Dreams, accessed Aug 1, 2014.
A. E. van Vogt

Alfred Elton van Vogt (; April 26, 1912 – January 26, 2000) was a Canadian-born science fiction author. His narrative style was compelling and stimulating, and in this way, influenced later science fiction writers, notably Philip K. Dick. He is regarded as one of the most popular, influential and complex practitioners of the mid-twentieth century, the genre's so-called Golden Age.

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A fix-up (or fixup) is a novel created from several short fiction stories that may or may not have been initially related or previously published. The stories may be edited for consistency, and sometimes new connecting material, such as a frame story or other interstitial narration, is written for the new work. The term was coined by the science fiction writer A. E. van Vogt, who published several fix-ups of his own, including The Voyage of the Space Beagle, but the practice (if not the term) exists outside of science fiction. The use of the term in science fiction criticism was popularised by the first (1979) edition of the Encyclopedia of Science Fiction, edited by Peter Nicholls, which credited Van Vogt with the creation of the term.

The name comes from the modifications that the author needs to make in the original texts to make them fit together as though they were a novel. Foreshadowing of events from the later stories may be jammed into an early chapter of the fix-up, and character development may be interleaved throughout the book. Contradictions and inconsistencies between episodes are usually worked out.

Some fix-ups in their final form are more of a short story cycle or composite novel rather than a traditional novel with a single main plotline. Examples are Ray Bradbury's The Martian Chronicles and Isaac Asimov's I, Robot, both of which read as a series of short stories which may share plot threads and characters but which still act as self-contained stories. By contrast, van Vogt's The Weapon Shops of Isher is structured like a continuous novel although it incorporates material from three previous Van Vogt short stories.

Fix-ups became an accepted practice in American publishing during the 1950s, when science fiction and fantasy—once published primarily in magazines—began appearing increasingly in book form. Large book publishers like Doubleday and Simon & Schuster entered the market, greatly increasing demand for fiction. Authors created new manuscripts from old stories to sell to publishers. Algis Budrys in 1965 described fixups as a consequence of the lack of good supply during the "bad years for quality" of the mid-1950s, although citing The Martian Chronicles and Clifford D. Simak's City as among exceptions.

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