Popular Publications

Popular Publications was one of the largest publishers of pulp magazines during its existence, at one point publishing 42 different titles per month. Company titles included detective, adventure, romance, and Western fiction. They were also known for the several 'weird menace' titles. They also published several pulp hero or character pulps.

The company was formed in 1930 by Henry "Harry" Steeger. It was the time of the Great Depression, and Steeger had just read The Hound of the Baskervilles. Steeger realized that people wanted escapist fiction, allowing them to forget the difficulties of daily life. Steeger wrote "I realised that a great deal of money could be made with that kind of material. It was not long before I was at it, inventing one pulp magazine after another, until my firm had originated over 300 of them."

In the late 1930s Steeger was under pressure to lower his rate of pay to below one cent a word, which he felt was the minimum decent rate he could offer. He didn't want to have Popular pay less than one cent per word, so a new company, Fictioneers, was started; it was essentially a fictional company, with an address (205 East 42nd St) that corresponded to the rear entrance of Popular's offices at 210 East 43rd St. It was given a separate phone number, and the switchboard girl was instructed to put calls through to staff working on Fictioneers titles only if the calls came to the Fictioneers number. Many staff were working on magazines for both companies at the same time, which made it difficult to maintain the pretense of separation. Science fiction writer Frederik Pohl, on the other hand, was hired specifically to edit two Fictioneers titles: Astonishing Stories and Super Science Stories.[1]

In 1934, Popular acquired Adventure from the Butterick Company. Around the same time, the purchased a number of titles from Clayton Publications such as Ace-High Magazine and Complete Adventure Novelettes. In 1940, they purchased Black Mask from The Pro-Distributors, Inc. In 1942 the firm acquired the properties of the Frank A. Munsey Company In 1949, they acquired all of the pulp titles Street & Smith had recently cancelled, with the exceptions of The Shadow (due to the radio show) and their other hero pulps, and Astounding, although Popular did not publish revivals of them all.

Other imprints used included Fictioneers, Inc. (1939–58), All-Fiction Field, Inc. (1942–58), New Publications, Inc. (1936–60), Recreational Reading (1936–60), and Post Periodicals, Inc. (1936–60).

In 1972, the company was sold to Brookside Publications, a company owned by advertising magnate David Geller. At the time it was still publishing Argosy, Railroad, recently ending Adventure and True Adventure. A handful of years later, Geller sold Popular to French publisher Hachette.[2][3] In 1981, they sold the rights to Joel Frieman who established Blazing Publications, which in 1988 renamed itself Argosy Communications, Inc. Under those names, it published a few comic book version of characters, as well as allowed the reprinting of several of their properties. In 2014 most of its titles–including all copyrights and associated intellectual property–were acquired by Steeger Properties, LLC,[4] with Argosy Communications retaining only a few pulp heroes such as The Spider, G-8, and Operator #5.

Popular Publications
FounderHenry "Harry" Steeger
Country of originUnited States
Headquarters locationNew York City
Publication typesPulp magazines



  • Ace-High Detective Magazine
  • Ace-High Magazine
  • Ace-High Novels Monthly
  • Ace-High Western Magazine
  • Ace-High Western Stories Magazine
  • Adventure
  • All Aces Magazine
  • All-American Fiction
  • All-Star Love Magazine
  • All-Story Detective
  • All-Story
  • All-Story Love
  • All-Story Love Stories
  • All-Story Love Tales
  • All-Story Western
  • A. Merritt’s Fantasy Magazine
  • Argosy
  • Argosy All-Story Weekly
  • Astonishing Stories
  • Battle Aces
  • Battle Birds
  • Big-Book Detective Magazine
  • Big-Book Western Magazine
  • Big Chief Western
  • Black Mask
  • Blue Steel Magazine
  • Bulls-Eye Western Stories
  • Candid Confessions
  • Cavalier Classics
  • Complete Mystery Novelettes
  • Confession Novel of the Month
  • Cowboy Movie Thrillers
  • Crack-Shot Western
  • Dare-Devil Aces
  • Daring Confessions
  • Detective Action Stories
  • Detective Dime Novels
  • Detective Fiction
  • Detective Fiction Weekly
  • Detective Story Magazine
  • Detective Tales
  • Dime Adventure Magazine
  • Dime Detective Magazine
  • Dime Mystery Magazine
  • Dime Mystery Book Magazine
  • Dime Sports Magazine
  • Dime Western Magazine
  • Dr. Yen Sin
  • Double Detective Magazine
  • Dusty Ayres and His Battle Birds
  • Everybody’s
  • Famous Fantastic Mysteries
  • Famous Spy Stories
  • Fantastic Novels Magazine
  • Fantasy Fiction
  • Fantasy Stories
  • F.B.I. Detective Stories
  • Fifteen Detective Stories
  • Fifteen Love Stories
  • 15 Mystery Stories
  • Fifteen Range Romances
  • Fifteen Sports Stories
  • 15 Story Detective
  • Fifteen Western Tales
  • Fifth Column Stories
  • Fighting Aces
  • Flynn’s
  • Flynn’s Detective
  • Flynn’s Detective Fiction
  • Flynn’s Weekly
  • Flynn’s Weekly Detective Fiction
  • Focus Magazine
  • Foreign Legion Adventures
  • .44 Western Magazine
  • Four Star Love Magazine
  • Fun for All
  • Fun for One
  • Gang World
  • G-8 and His Battle Aces
  • Glamorous Love Stories
  • Horror Stories
  • Knockout Magazine
  • The Live Wire
  • Love Book Magazine
  • Love-Crime Detective
  • Love Novel of the Month
  • Love Novelettes
  • Love Novels
  • Love Revelations
  • Love Romantic Magazine
  • Love Short Stories
  • Love Story Magazine
  • Lovers Magazine
  • Mavericks
  • Max Brand’s Western Magazine
  • Men’s Pictorial
  • Munsey’s Magazine
  • The Mysterious Wu Fang
  • New Detective Magazine
  • The New Fiction Library
  • New Love Magazine
  • New Sports Magazine
  • New Western Magazine
  • The Octopus
  • The Pecos Kid Western
  • Pioneer Western
  • Railroad Magazine
  • Rangeland Love Stories
  • Rangeland Romances
  • Rangeland Sweethearts
  • Red Star Detective
  • Red Star Love Revelations
  • Red Star Mystery
  • Red Star Secret Confessions
  • Red Star Western
  • Romance Western
  • Romance Western Roundup
  • The Scorpion
  • Sea Novel Magazine
  • The Secret 6
  • Shock
  • Silver Buck Western
  • Sinister Stories
  • The Spider
  • Sports Novels Magazine
  • Star Western
  • Startling Mystery Magazine
  • Story Digest
  • Strange Detective Mysteries
  • Super Science Stories
  • Sweetheart Love Stories
  • 10 Story Mystery Magazine
  • 10 Story Western Magazine
  • Terror Tales
  • Thrilling Mysteries
  • True Adventures
  • True Love
  • True Love Affairs
  • Underworld Love Stories
  • Underworld Romances
  • Walt Coburn’s Western Magazine
  • Western Ace High Stories
  • Western Dime Novels
  • Western Love Romances
  • The Western Raider
  • Western Rangers
  • Western Rangers Stories
  • Western Story Magazine
  • Western Story Roundup
  • Western Tales


  1. ^ Pohl, Early Pohl, pp. 23–24.
  2. ^ Dougherty, Philip H. (1977-10-25). "Advertising". The New York Times. ISSN 0362-4331. Retrieved 2018-05-28.
  3. ^ Dougherty, Philip H. (1978-01-13). "Advertising". The New York Times. ISSN 0362-4331. Retrieved 2018-05-28.
  4. ^ http://www.steegerproperties.com/about-us/


  • Haining, Peter. The Fantastic Pulps. Vintage Books, a division of Random House. 1975. ISBN 0-394-72109-8
  • Pohl, Frederik (1980). The Early Pohl. London: Dobson. ISBN 0-234-72198-7.
A. Merritt's Fantasy Magazine

A. Merritt's Fantasy Magazine was an American pulp magazine which published five issues from December 1949 to October 1950. It took its name from fantasy writer A. Merritt, who had died in 1943, and it aimed to capitalize on Merritt's popularity. It was published by Popular Publications, alternating months with Fantastic Novels, another title of theirs. It may have been edited by Mary Gnaedinger, who also edited Fantastic Novels and Famous Fantastic Mysteries. It was a companion to Famous Fantastic Mysteries, and like that magazine mostly reprinted science-fiction and fantasy classics from earlier decades.

A Memory of Murder

A Memory of Murder (1984) is a collection of fifteen mystery short stories by American writer Ray Bradbury. They were originally published from 1944 to 1948 in pulp magazines owned by Popular Publications, Inc. that specialized in detective and crime fiction. Bradbury tried his hand in the genre but found the results unsatisfactory. He referred to the stories as "the walking wounded" in his introduction to A Memory of Murder.

Although Bradbury would acquire the reprint rights to "The Small Assassin" and "Wake for the Living" (retitled "The Coffin") for his first collection, Dark Carnival, Popular Publications held onto the reprint rights for the remaining stories after Bradbury became a successful author in the 1950s, and none of those thirteen appeared in collections of Bradbury stories over the years. When Bradbury learned that they would be published in a collection in the 1980s, he offered to write an introduction, and to add the two stories he owned, under the agreement that the book would appear in paperback only, and that no subsequent editions would be published after the first edition sold out.

Bradbury returned to the mystery genre in 1985 with the publication of his novel Death Is a Lonely Business, and its two sequels, A Graveyard for Lunatics and Let's All Kill Constance.

Andrew Watson (scientist)

Andrew James Watson FRS (born 1952) is a British marine and atmospheric scientist and an expert in processes affecting atmospheric carbon dioxide and oxygen concentrations. He was formerly a Professor of biogeochemistry in the School of Environmental Sciences at the University of East Anglia, in 2013 he moved to a position as Professor at the College of Life and Environmental Sciences at the University of Exeter.

Astonishing Stories

Astonishing Stories was an American pulp science fiction magazine, published by Popular Publications between 1940 and 1943. It was founded under Popular's "Fictioneers" imprint, which paid lower rates than Popular's other magazines. The magazine's first editor was Frederik Pohl, who also edited a companion publication, Super Science Stories. After nine issues Pohl was replaced by Alden H. Norton, who subsequently rehired Pohl as an assistant. The budget for Astonishing was very low, which made it difficult to acquire good fiction, but through his membership in the Futurians, a group of young science fiction fans and aspiring writers, Pohl was able to find material to fill the early issues. The magazine was successful, and Pohl was able to increase his pay rates slightly within a year. He managed to obtain stories by writers who subsequently became very well known, such as Isaac Asimov and Robert Heinlein. After Pohl entered the army in early 1943, wartime paper shortages led Popular to cease publication of Astonishing. The final issue was dated April of that year.

The magazine was never regarded as one of the leading titles of the genre, but despite the low budget it published some well-received material. Science fiction critic Peter Nicholls comments that "its stories were surprisingly good considering how little was paid for them", and this view has been echoed by other historians of the field.

Bright Angel Shale

The Cambrian Bright Angel Shale is the middle member of the 3-member Tonto Group. It is about 500 feet (152 m) thick at its maximum. It is a nonresistant slope-forming unit. The Bright Angel Shale consists of green and purple-red, siltstone and shale which is interbedded with red-brown to brown sandstone that is similar in lithology to the underlying Tapeats. The Bright Angel Shale underlies and interfingers with Muav Limestone. The Bright Angel Shale is located in the lower elevations of the Grand Canyon, Arizona.

Chuar Group

The Neoproterozoic Chuar Group consists of 5,250 feet (1,600 m) of fossiliferous, unmetamorphosed sedimentary strata that is composed of about 85% mudrock. The Group is the approximate upper half of the Grand Canyon Supergroup, overlain by the thin, in comparison, Sixtymile Formation, the top member of the multi-membered Grand Canyon Supergroup.

The mudrock is interbedded with meter-thick sandstone and dolomite beds. The mudrocks are typically gray to black when freshly exposed and weather to reddish or greenish colors. The fresh gray to black colors of the mudrocks are due to a high organic content. Some samples of these mudrocks contain high total-organic-carbon percentages that are as much 9.39 weight percent organic carbon. The sandstone beds often exhibit symmetrical ripple marks. These ripple marks are commonly draped with a thin veneer of mudstone with mudcracks. These strata have been subdivided into the Galeros Formation (lower) and the Kwagunt Formation (upper) using the base of the prominent, thick sandstone unit.The Chuar Group is quite fossiliferous. The dolomite beds are associated with at least six different types of either stromatolites or microbially influenced carbonate precipitation. The gray and black mudrocks often contain an abundance of microfossils, including vase-shaped microfossils (VSMs), acritarchs, "Sphaerocongregus variabilis", and organic chemicals characteristic of dinoflagellates. Finally, the enigmatic circular fossils of Chuaria circularis are found at various levels within the Chuar Group.The types of fossils found and sedimentary strata comprising the Chuar Group are indicative of its deposition within a low-energy marine embayment. During the deposition of the Chuar Group, this embayment was influenced by tidal and wave processes, infrequent large storms, microbial activity and carbonate precipitation, and the accumulation of mud and organic matter in quiet water. The sediments and fossils suggest that the Chuar Group accumulated in relatively shallow water (tens of meters or less), possibly, with times of intermittent exposure on a tidal flat.

David J. Hanson

David Justin Hanson (born 1941) is Professor Emeritus of Sociology at the State University of New York in Potsdam, New York. He has researched the subject of alcohol and drinking for over 30 years, beginning with his PhD dissertation investigation, and has written widely on the subject.

Professor Hanson investigates the effects of moderate alcohol consumption on health. He has amassed a large, robust body of evidence that shows the benefits of moderate drinking. Hanson is a critic of many groups that advocate the reduction of alcohol use as the solution to alcohol problems in society; he describes these groups as “neo-prohibitionist.” Hanson criticizes what he calls the "temperance mentality" of many groups and claims that "their tactic is to establish cultural rather than strictly legal prohibition by making alcohol beverages less socially acceptable and marginalizing those who drink, no matter how moderately."A critic of the 21-year age limit on legal drinking in the United States, he supports the acceptance of drinking learner permits for adults under the age of 21, analogous to driving learner permits.Hanson has published books and over 300 other publications on alcohol and maintains three websites on the subject, none of which receives any support from the alcohol industry. His research and opinions have been reported in the New York Times and other newspapers; he has been quoted in Family Circle, Health magazine, Parade and other popular publications; and textbooks in 15 fields of study report his research.

David Keirsey

David West Keirsey (; August 31, 1921 – July 30, 2013) was an American psychologist, a professor emeritus at California State University, Fullerton, and the author of several books. In his most popular publications, Please Understand Me (1978, co-authored by Marilyn Bates) and the revised and expanded second volume Please Understand Me II (1998), he laid out a self-assessed personality questionnaire, known as the Keirsey Temperament Sorter, which links human behavioral patterns to four temperaments and sixteen character types. Both volumes of Please Understand Me contain the questionnaire for type evaluation with detailed portraits and a systematic treatment of descriptions of temperament traits and personality characteristics. With a focus on conflict management and cooperation, Keirsey specialized in family and partnership counseling and the coaching of children and adults.

Famous Fantastic Mysteries

Famous Fantastic Mysteries was an American science fiction and fantasy pulp magazine published from 1939 to 1953. The editor was Mary Gnaedinger. It was launched by the Munsey Company as a way to reprint the many science fiction and fantasy stories which had appeared over the preceding decades in Munsey magazines such as Argosy. From its first issue, dated September/October 1939, Famous Fantastic Mysteries was an immediate success. Less than a year later, a companion magazine, Fantastic Novels, was launched.

Frequently reprinted authors included George Allan England, A. Merritt, and Austin Hall; the artwork was also a major reason for the success of the magazine, with artists such as Virgil Finlay and Lawrence Stevens contributing some of their best work. In late 1942, Popular Publications acquired the title from Munsey, and Famous Fantastic Mysteries stopped reprinting short stories from the earlier magazines. It continued to reprint longer works, including titles by G. K. Chesterton, H. G. Wells, and H. Rider Haggard. Original short fiction also began to appear, including Arthur C. Clarke's "Guardian Angel", which would later form the first section of his novel Childhood's End. In 1951, the publishers experimented briefly with a large digest format, but returned quickly to the original pulp layout. The magazine ceased publication in 1953, almost at the end of the pulp era.

Fantastic Novels

Fantastic Novels was an American science fiction and fantasy pulp magazine published by the Munsey Company of New York from 1940 to 1941, and again by Popular Publications, also of New York, from 1948 to 1951. It was a companion to Famous Fantastic Mysteries. Like that magazine, it mostly reprinted science fiction and fantasy classics from earlier decades, such as novels by A. Merritt, George Allan England, and Victor Rousseau, though it occasionally published reprints of more recent work, such as Earth's Last Citadel, by Henry Kuttner and C. L. Moore.

The magazine lasted for 5 issues in its first incarnation, and for another 20 in the revived version from Popular Publications. Mary Gnaedinger edited both series; her interest in reprinting Merritt's work helped make him one of the better-known fantasy writers of the era. A Canadian edition from 1948 to 1951 reprinted 17 issues of the second series; two others were reprinted in Great Britain in 1950 and 1951.

Frank Kramer (artist)

Frank Kramer (1905–1993) was an American artist known chiefly for his illustrations for

Jack Snow's two Oz books, The Magical Mimics in Oz and The Shaggy Man of Oz, founded on and continuing the famous Oz stories by L. Frank Baum. He also illustrated Robert A. Heinlein's Solution Unsatisfactory, Maureen Daly's Twelve Around the World (Dodd, Mead and Company, 1957), and many of Caary Paul Jackson's sports novels for children, including the Bud Baker series.

Other than a short biography (with an incorrect birth date) in Jack Snow's reference work Who's Who in Oz (1954), almost nothing was written about Kramer. Recently, however, the Spring 2011 issue of The Baum Bugle featured articles discussing his life, career, and work.

Snow notes that Kramer was born in New York City and lived in Brooklyn, and was a fan of the Brooklyn Dodgers, living as modestly as a "typical" (Snow's quotation marks) business man. He had indeed been a business man, but gave it up to become a freelance artist. His work appeared in Street & Smith magazines prior to Snow's discovery of his "flair for the imaginative" in his sports drawings that drew Snow to his art, which Snow states is known nationally.

Gerard 't Hooft

Gerardus (Gerard) 't Hooft (Dutch: [ˈɣeːrɑrt ət ˈɦoːft]; born July 5, 1946) is a Dutch theoretical physicist and professor at Utrecht University, the Netherlands. He shared the 1999 Nobel Prize in Physics with his thesis advisor Martinus J. G. Veltman "for elucidating the quantum structure of electroweak interactions".

His work concentrates on gauge theory, black holes, quantum gravity and fundamental aspects of quantum mechanics. His contributions to physics include a proof that gauge theories are renormalizable, dimensional regularization and the holographic principle.

Hermit Formation

The Permian Hermit Formation, also known as the Hermit Shale, is a nonresistant unit that is composed of slope-forming reddish brown siltstone, mudstone, and very fine-grained sandstone. Within the Grand Canyon region, the upper part of the Hermit Formation contains red and white, massive, calcareous sandstone and siltstone beds that exhibit low-angle cross-bedding. Beds of dark red crumbly siltstone fill shallow paleochannels that are quite common in this formation. The siltstone beds often contain poorly preserved plant fossils. The Hermit Formation varies in thickness from about 100 feet (30 m) in the eastern part of the Grand Canyon region to about 900 feet (270 m) in the region of Toroweap and Shivwits Plateaus. In the Sedona, Arizona area, it averages 300 feet (91 m) in thickness. The upper contact of the Hermit Formation is typically sharp and lacks

gradation of any kind. The lower contact is a disconformity characterized by a significant amount of erosional relief, including paleovalleys as much as 60 feet (18 m) deep.

Redwall Limestone

Redwall Limestone is a resistant cliff-forming unit that forms prominent, red-stained cliffs that range in height from 500 feet (150 m) to 800 feet (240 m), and date to the Mississippian age.

Roger Penrose

Sir Roger Penrose (born 8 August 1931) is an English mathematical physicist, mathematician and philosopher of science. He is Emeritus Rouse Ball Professor of Mathematics in the University of Oxford and Emeritus Fellow of Wadham College, Oxford.

Penrose has made contributions to the mathematical physics of general relativity and cosmology. He has received several prizes and awards, including the 1988 Wolf Prize for physics, which he shared with Stephen Hawking for the Penrose–Hawking singularity theorems.

Sven O. Kullander

Sven Oscar Kullander (born 30 November 1952 in Sollefteå) is a Swedish biologist specialised in ichthyology.

He primarily researches cichlids – notably the genus Apistogramma and the Cichlasoma-complex – and other tropical fresh water fishes.

He also has been working with endangered fish species in Sweden.

He studied at the universities of Umeå and Stockholm, and took his Ph.D. in Stockholm in 1984. He is currently senior curator at the Swedish Museum of Natural History in Stockholm, with the responsibility for the ichthyologic and herpetologic collections. Kullander also coordinates the museum's contributions to FishBase.

Kullander has produced more than 100 scientific and popular publications on fishes, and described many groups and new species of cichlids.

The Swedish aquarists' magazine Tidskriften Akvariet gave him "Akvariets Oscar" ("the Aquarium Academy Award") in 1996 for his great contribution to the aquarium hobby. His wife Fang Fang Kullander (1962–2010) was also an ichthyologist at the Swedish Museum.

Tonto Group

The Cambrian Tonto Group is the three-member sequence of geologic formations that represent the basal section of Paleozoic rocks in the Grand Canyon. The group is about 1,250 feet (381 m) thick. The base unit, the Cambrian Tapeats Sandstone was deposited upon the erosion surface of the Vishnu Basement Rocks, which is found in Granite Gorge (the Inner Gorge). The erosion resistant Tapeats Sandstone forms the platform, called Tonto Platform, that the two less erosion resistant upper layers, the Bright Angel Shale and Muav Limestone, rest on.

The Tonto Trail is a mostly horizontal trail on the south side of Granite Gorge. The horizontal Tonto Group units are laid upon the Vishnu Basement Rocks above an angular unconformity as the Vishnu Basement Rocks have a dip of about 15 degrees. This erosion unconformity prior to the deposition of the Tapeats upon the tilted Vishnu Basement Rocks is about 1,000 million years (1.0 billion years), and is called the Great Unconformity.

Weird menace

Weird menace is the name given to a subgenre of horror fiction that was popular in the pulp magazines of the 1930s and early 1940s. The weird menace pulps, also known as shudder pulps, generally featured stories in which the hero was pitted against sadistic villains, with graphic scenes of torture and brutality.

In the early 1930s, detective pulps like Detective-Dragnet, All Detective, Dime Detective, and the short-lived Strange Detective Stories, began to favor detective stories with weird, eerie, or menacing elements. Eventually, the two distinct genre variations branched into separate magazines; the detective magazines returned to stories predominantly featuring detection or action; while the eerie mysteries found their own home in the weird menace titles. Some magazines, for instance Ten Detective Aces (the successor to Detective-Dragnet), continued to host both genre variations.

The first weird menace title was Dime Mystery, which started out as a straight crime fiction magazine but began to develop the new genre in 1933 under the influence of Grand Guignol theater. Popular Publications dominated the genre with Dime Mystery, Terror Tales, and Horror Stories. After Popular issued Thrilling Mysteries, Standard Magazines, publisher of the "Thrilling" line of pulps, claimed trademark infringement. Popular withdrew Thrilling Mysteries after one issue, and Standard issued their own weird menace pulp, Thrilling Mystery. In the late-1930s, the notorious Red Circle pulps, with Mystery Tales, expanded the genre to include increasingly graphic descriptions of torture.

This provoked a public outcry against such publications. For example, The American Mercury published a hostile account of the terror magazines in 1938:

This month, as every month, the 1,508,000 copies of terror magazines, known to the trade as the shudder group, will be sold throughout the nation... They will contain enough illustrated sex perversion to give Krafft-Ebing the unholy jitters.

A censorship backlash brought about the demise of the genre in the early 1940s.

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