Popeye the Sailor is a cartoon fictional character created by Elzie Crisler Segar. The character first appeared in the daily King Features comic strip Thimble Theatre on January 17, 1929, and Popeye became the strip's title in later years. Popeye has also appeared in theatrical and television animated cartoons.
Segar's Thimble Theatre strip was in its 10th year when Popeye made his debut, but the one-eyed (left) sailor quickly became the main focus of the strip, and Thimble Theatre became one of King Features' most popular properties during the 1930s. After Segar's death in 1938, Thimble Theatre was continued by several writers and artists, most notably Segar's assistant Bud Sagendorf. The strip continues to appear in first-run installments in its Sunday edition, written and drawn by Hy Eisman. The daily strips are reprints of old Sagendorf stories.
In 1933, Max Fleischer adapted the Thimble Theatre characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. These cartoons proved to be among the most popular of the 1930s, and Fleischer — and later Paramount's own Famous Studios — continued production through 1957. These cartoon shorts are now owned by Turner Entertainment and distributed by its sister company Warner Bros.
Over the years, Popeye has also appeared in comic books, television cartoons, arcade and video games, hundreds of advertisements, peripheral products ranging from spinach to candy cigarettes, and the 1980 live-action film directed by Robert Altman and starring Robin Williams as Popeye.
Charles M. Schulz said, "I think Popeye was a perfect comic strip, consistent in drawing and humor". In 2002, TV Guide ranked Popeye number 20 on its "50 Greatest Cartoon Characters of All Time" list.
|Author(s)||E. C. Segar (creator, 1929–1937, 1938)|
Doc Winner (1937, 1938)
Tom Sims & Bela Zaboly (1938–1955)
Ralph Stein & Bela Zaboly (1954–1959)
Bud Sagendorf (1959–1994)
Bobby London (1986–1992)
Hy Eisman (1994–present) Actors
Robin Williams (1980 film)
William Costello (1933–1935)
Detmar Poppen (1935–1936, radio only)
Floyd Buckley (Be Kind To Animals, 1936–1937 radio appearances)
Jack Mercer (1935–1945 and 1947–1984)
Mae Questel (Shape Ahoy)
Harry Foster Welch (1945–1947)
Maurice LaMarche (1985–present)
Billy West (Popeye's Voyage: The Quest for Pappy, Drawn Together, Minute Maid commercials)
Keith Scott (Popeye and Bluto's Bilge-Rat Barges)
Scott Innes (commercials)
Tom Kenny (2014 animation test)
|Current status/schedule||New strips on Sundays, reprints Monday through Saturday|
|Launch date||December 19, 1919|
|End date||July 30, 1994 (date of last first-run daily strip, Sunday strips continue)|
|Syndicate(s)||King Features Syndicate|
|Publisher(s)||King Features Syndicate|
Popeye's story and characterization vary depending on the medium. Originally, Popeye got "luck" from rubbing the head of the Whiffle Hen; by 1932, he was instead getting "strength" from eating spinach. Swee'Pea is Popeye's ward in the comic strips, but he is often depicted as belonging to Olive Oyl in cartoons.
There is no absolute sense of continuity in the stories, although certain plot and presentation elements remain mostly constant, including purposeful contradictions in Popeye's capabilities. Popeye seems bereft of manners and uneducated, yet he often comes up with solutions to problems that seem insurmountable to the police or the scientific community. He has displayed Sherlock Holmes-like investigative prowess, scientific ingenuity, and successful diplomatic arguments. His pipe also proves to be highly versatile. Among other things, it has served as a cutting torch, jet engine, propeller, periscope, musical instrument, and a whistle with which he produces his trademark toot. He also eats spinach through his pipe, sometimes sucking in the can along with the contents. Since the 1970s, Popeye is seldom depicted using his pipe to smoke tobacco.
Popeye's exploits are also enhanced by a few recurring plot elements. One is the love triangle among Popeye, Olive, and Bluto, and Bluto's endless machinations to claim Olive at Popeye's expense. Another is his near-saintly perseverance in overcoming any obstacle to please Olive, who often renounces Popeye for Bluto.
Thimble Theatre was cartoonist E. C. Segar's third published strip when it first appeared in the New York Journal on December 19, 1919. The paper's owner William Randolph Hearst also owned King Features Syndicate, which syndicated the strip. Thimble Theatre was intended as a replacement for Midget Movies by Ed Wheelan (Wheelan having recently resigned from King Features). It did not attract a large audience at first, and at the end of its first decade appeared in only half a dozen newspapers.
Thimble Theatre's first main characters were the thin Olive Oyl and her boyfriend Harold Hamgravy. After the strip moved away from its initial focus, it settled into a comedy-adventure style featuring Olive, Ham Gravy, and Olive's enterprising brother Castor Oyl. Olive's parents Cole and Nana Oyl also made frequent appearances.
Popeye first appeared in the strip on January 17, 1929 as a minor character. He was initially hired by Castor Oyl and Ham to crew a ship for a voyage to Dice Island, the location of a casino owned by the crooked gambler Fadewell. Castor intended to break the bank at the casino using the unbeatable good luck conferred by stroking the hairs on the head of Bernice the Whiffle Hen. Weeks later, on the trip back, Popeye was shot many times by Jack Snork, a stooge of Fadewell's, but survived by rubbing Bernice's head. After the adventure, Popeye left the strip but, due to reader reaction, he was quickly brought back.
The Popeye character became so popular that he was given a larger role, and the strip was taken up by many more newspapers as a result. Initial strips presented Olive as being less than impressed with Popeye, but she eventually left Ham Gravy to become Popeye's girlfriend and Ham Gravy left the strip as a regular. Over the years, however, she has often displayed a fickle attitude towards the sailor. Castor Oyl continued to come up with get-rich-quick schemes and enlisted Popeye in his misadventures. Eventually, he settled down as a detective and later on bought a ranch out West. Castor has seldom appeared in recent years.
In 1933, Popeye received a foundling baby in the mail, whom he adopted and named "Swee'Pea." Other regular characters in the strip were J. Wellington Wimpy, a hamburger-loving moocher who would "gladly pay you Tuesday for a hamburger today" (he was also soft-spoken and cowardly; Vickers Wellington bombers were nicknamed "Wimpys" after the character); George W. Geezil, a local cobbler who spoke in a heavily affected accent and habitually attempted to murder or wish death upon Wimpy; and Eugene the Jeep, a yellow, vaguely dog-like animal from Africa with magical powers. In addition, the strip featured the Sea Hag, a terrible pirate, as well as the last witch on Earth — her even more terrible sister excepted; Alice the Goon, a monstrous creature who entered the strip as the Sea Hag's henchwoman and continued as Swee'Pea's babysitter; and Toar, a caveman.
Segar's strip was quite different from the cartoons that followed. The stories were more complex, with many characters that never appeared in the cartoons (King Blozo, for example). Spinach usage was rare and Bluto made only one appearance. Segar would sign some of his early Popeye comic strips with a cigar, due to his last name being a homophone of "cigar" (pronounced SEE-gar). Comics historian Brian Walker stated: "Segar offered up a masterful blend of comedy, fantasy, satire and suspense in Thimble Theater Starring Popeye.
Thimble Theatre became one of King Features' most popular strips during the 1930s. A poll of adult comic strip readers in the April 1937 issue of Fortune magazine voted Popeye their second-favorite comic strip (after Little Orphan Annie). By 1938, Thimble Theatre was running in 500 newspapers, and over 600 licensed "Popeye" products were on sale. The success of the strip meant Segar was earning $100,000 a year at the time of his death. Following an eventual name change to Popeye in the 1970s, the comic remains one of the longest running strips in syndication today. After Mussolini came to power in Italy, he banned all American comic strips, but Popeye was so popular the Italians made him bring it back.. The strip carried on after Segar's death in 1938, at which point he was replaced by a series of artists. In the 1950s, a spinoff strip was established, called Popeye the Sailorman.
After Segar's death in 1938, many different artists were hired to draw the strip. Tom Sims, the son of a Coosa River channel-boat captain, continued writing Thimble Theatre strips and established the Popeye the Sailorman spin-off. Doc Winner and Bela Zaboly, successively, handled the artwork during Sims's run. Eventually, Ralph Stein stepped in to write the strip until the series was taken over by Bud Sagendorf in 1959.
Sagendorf wrote and drew the daily strip until 1986, and continued to write and draw the Sunday strip until his death in 1994. Sagendorf, who had been Segar's assistant, made a definite effort to retain much of Segar's classic style, although his art is instantly discernible. Sagendorf continued to use many obscure characters from the Segar years, especially O.G. Wotasnozzle and King Blozo. Sagendorf's new characters, such as the Thung, also had a very Segar-like quality. What set Sagendorf apart from Segar more than anything else was his sense of pacing. Where plotlines moved very quickly with Segar, it would sometimes take an entire week of Sagendorf's daily strips for the plot to be advanced even a small amount.
From 1986 to 1992, the daily strip was written and drawn by Bobby London, who, after some controversy, was fired from the strip for a story that could be taken to satirize abortion. London's strips put Popeye and his friends in updated situations, but kept the spirit of Segar's original. One classic storyline, titled "The Return of Bluto", showed the sailor battling every version of the bearded bully from the comic strip, comic books, and animated films. The Sunday edition of the comic strip is currently drawn by Hy Eisman, who took over in 1994. The daily strip began featuring reruns of Sagendorf's strips after London was fired and continues to do so today.
On January 1, 2009, 70 years since the death of his creator, Segar's character of Popeye (though not the various films, TV shows, theme music and other media based on him) became public domain in most countries, but remains under copyright in the United States. Because Segar was an employee of King Features Syndicate when he created the Popeye character for the company's Thimble Theatre strip, Popeye is treated as a work for hire under U.S. copyright law. Works for hire are protected for 95 years from publication or 120 years from creation, whichever is shorter. Since Popeye made his first appearance in January 1929, and all U.S. copyrights expire on December 31 of the year that the term ends, Popeye will enter the public domain in the U.S. on January 1, 2025, assuming no amendments to U.S. copyright law before that date.
There have been a number of Popeye comic books, from Dell, King Comics, Gold Key Comics, Charlton Comics and others, originally written and illustrated by Bud Sagendorf. In the Dell comics, Popeye became something of a crimefighter, thwarting evil organizations and Bluto's criminal activities. The new villains included the numerous Misermite dwarfs, who were all identical.
Popeye appeared in the British "TV Comic" series, a News of the World publication, becoming the cover story in 1960 with stories written and drawn by "Chick" Henderson. Bluto was referred to as Brutus and was Popeye's only nemesis throughout the entire run.
A variety of artists have created Popeye comic book stories since then; for example, George Wildman drew Popeye stories for Charlton Comics from 1969 until the late 1970s. The Gold Key series was illustrated by Wildman and scripted by Bill Pearson, with some issues written by Nick Cuti.
In 1988, Ocean Comics released the Popeye Special written by Ron Fortier with art by Ben Dunn. The story presented Popeye's origin story, including his given name of "Ugly Kidd" and attempted to tell more of a lighthearted adventure story as opposed to using typical comic strip style humor. The story also featured a more realistic art style and was edited by Bill Pearson, who also lettered and inked the story as well as the front cover. A second issue, by the same creative team, followed in 1988. The second issue introduced the idea that Bluto and Brutus were actually twin brothers and not the same person, an idea also used in the comic strip on December 28, 2008 and April 5, 2009. In 1999, to celebrate Popeye's 70th anniversary, Ocean Comics revisited the franchise with a one-shot comic book, titled The Wedding of Popeye and Olive Oyl, written by Peter David. The comic book brought together a large portion of the casts of both the comic strip and the animated shorts, and Popeye and Olive Oyl were finally wed after decades of courtship. However, this marriage has not been reflected in all media since the comic was published.
In 1989, a special series of short Popeye comic books were included in specially marked boxes of Instant Quaker Oatmeal, and Popeye also appeared in three TV commercials for Quaker Oatmeal, which featured a parrot delivering the tag line "Popeye wants a Quaker!" The plots were similar to those of the films: Popeye loses either Olive Oyl or Swee'Pea to a muscle-bound antagonist, eats something invigorating, and proceeds to save the day. In this case, however, the invigorating elixir was not his usual spinach, but rather one of four flavors of Quaker Oatmeal. (A different flavor was showcased with each mini-comic.) The comics ended with the sailor saying, "I'm Popeye the Quaker Man!", which offended members of the Religious Society of Friends or Quakers. Members of this religious group (which has no connection to the cereal company) are pacifists and do not believe in using violence to resolve conflicts. For Popeye to call himself a "Quaker man" after beating up someone was offensive to the Quakers and considered a misrepresentation of their faith and religious beliefs. In addition, the submissiveness of Olive Oyl went against the Quakers' emphasis on women's rights. The Quaker Oatmeal company apologized and removed the "Popeye the Quaker man" reference from commercials and future comic book printings.
In 2012, writer Roger Langridge teamed with cartoonists Bruce Ozella, Ken Wheaton, and Tom Neely (among others) to revive the spirit of Segar in IDW's 12-issue comic book miniseries, Popeye, Critic PS Hayes reviewed:
In late 2012, IDW began reprinting the original 1940s–1950s Sagendorf Popeye comic books under the title of Classic Popeye.
In january 2019, in celebration of its 90 years of character, King Feature Syndicate launched the webcomic Popeye's Cartoon Club produced by Alex Hallatt, Erica Henderson, Tom Neely, Roger Langridge, Larry deSouza, Jeffrey Brown, Jim Engel, Liniers, Jay Fosgitt and Carol Lay.
In November 1932, King Features signed an agreement with Fleischer Studios to have Popeye and the other Thimble Theatre characters begin appearing in a series of animated cartoons. The first cartoon in the series was released in 1933, and Popeye cartoons, released by Paramount Pictures, would remain a staple of Paramount's release schedule for nearly 25 years. William Costello was the original voice of Popeye, a voice that would be replicated by later performers, such as Jack Mercer and even Mae Questel. Many of the Thimble Theatre characters, including Wimpy, Poopdeck Pappy, and Eugene the Jeep, eventually made appearances in the Paramount cartoons, though appearances by Olive Oyl's extended family and Ham Gravy were notably absent. Thanks to the animated-short series, Popeye became even more of a sensation than he had been in comic strips, and by 1938, polls showed that the sailor was Hollywood's most popular cartoon character.
In every Popeye cartoon, the sailor is invariably put into what seems like a hopeless situation, upon which (usually after a beating), a can of spinach becomes available, and Popeye quickly opens the can and consumes its contents. Upon swallowing the spinach, Popeye's physical strength immediately becomes superhuman, and he is easily able to save the day, and very often rescue Olive Oyl from a dire situation. It did not stop there, as spinach could also give Popeye the skills and powers he needed, as in The Man on the Flying Trapeze, where it gave him acrobatic skills.
In May 1942, Paramount Pictures assumed ownership of Fleischer Studios, fired the Fleischers and began reorganizing the studio, which they renamed Famous Studios. The early Famous-era shorts were often World War II-themed, featuring Popeye fighting Nazis and Japanese soldiers, most notably the 1942 short You're a Sap, Mr. Jap. In late 1943, the Popeye series was moved to Technicolor production, beginning with Her Honor the Mare. Famous/Paramount continued producing the Popeye series until 1957, with Spooky Swabs being the last of the 125 Famous shorts in the series. Paramount then sold the Popeye film catalog to Associated Artists Productions, which was bought out by United Artists in 1958. Through various mergers, the rights are currently controlled by WarnerMedia's Turner Entertainment.
In 2001, Cartoon Network, under the supervision of animation historian Jerry Beck, created a new incarnation of The Popeye Show. The show aired the Fleischer and Famous Studios Popeye shorts in versions approximating their original theatrical releases by editing copies of the original opening and closing credits (taken or recreated from various sources) onto the beginnings and ends of each cartoon, or in some cases, in their complete, uncut original theatrical versions direct from such prints that originally contained the front-and-end Paramount credits. The series aired 135 Popeye shorts over forty-five episodes, until March 2004. The Popeye Show continued to air on Cartoon Network's spin-off network Boomerang.
While many of the Paramount Popeye cartoons remained unavailable on video, a handful of those cartoons had fallen into public domain and were found on numerous low budget VHS tapes and later DVDs. When Turner Entertainment acquired the cartoons in 1986, a long and laborious legal struggle with King Features kept the majority of the original Popeye shorts from official video releases for more than 20 years. King Features instead opted to release a DVD boxed set of the 1960s made-for-television Popeye the Sailor cartoons, to which it retained the rights, in 2004. In the meantime, home video rights to the Associated Artists Productions library were transferred from CBS/Fox Video to MGM/UA Home Video in 1986, and eventually to Warner Home Video in 1999. In 2006, Warner Home Video announced it would release all of the Popeye cartoons produced for theatrical release between 1933 and 1957 on DVD, restored and uncut. Three volumes were released between 2007 and 2008, covering all of the black-and-white cartoons produced from 1933 to 1943. In December 2018, a volume featuring the first 14 color shorts from 1943 to 1945 was released on DVD and Blu-ray from Warner Home Video through the Warner Archive Collection.
In 1960, King Features Syndicate commissioned a new series of cartoons titled Popeye the Sailor, but this time for television syndication. Al Brodax served as executive producer of the cartoons for King Features. Jack Mercer, Mae Questel, and Jackson Beck returned for this series, which was produced by a number of companies, including Jack Kinney Productions, Rembrandt Films (William L. Snyder and Gene Deitch), Larry Harmon Productions, Halas and Batchelor, Paramount Cartoon Studios (formerly Famous Studios), and Southern Star Entertainment (formerly Southern Star Productions). The artwork was streamlined and simplified for the television budgets, and 220 cartoons were produced in only two years, with the first set of them premiering in the autumn of 1960, and the last of them debuting during the 1961–1962 television season. Since King Features had exclusive rights to these Popeye cartoons, 85 of them were released on DVD as a 75th anniversary Popeye boxed set in 2004.
For these cartoons, Bluto's name was changed to "Brutus", as King Features believed at the time that Paramount owned the rights to the name "Bluto". Many of the cartoons made by Paramount used plots and storylines taken directly from the comic strip sequences – as well as characters like King Blozo and the Sea Hag. The 1960s cartoons have been issued on both VHS and DVD.
On September 9, 1978, The All New Popeye Hour debuted on the CBS Saturday morning lineup. It was an hour-long animated series produced by Hanna-Barbera Productions, which tried its best to retain the style of the original comic strip (Popeye returned to his original costume and Brutus to his original name of Bluto), while complying with the prevailing content restrictions on violence. In addition to providing many of the cartoon scripts, Mercer continued to voice Popeye, while Marilyn Schreffler and Allan Melvin became the new voices of Olive Oyl and Bluto, respectively. (Mae Questel actually auditioned for Hanna-Barbera to recreate Olive Oyl, but was rejected in favor of Schreffler.) The All New Popeye Hour ran on CBS until September 1981, when it was cut to a half-hour and retitled The Popeye and Olive Show. It was removed from the CBS lineup in September 1983, the year before Jack Mercer's death. These cartoons have also been released on VHS and DVD. During the time these cartoons were in production, CBS aired The Popeye Valentine's Day Special – Sweethearts at Sea on February 14, 1979. In the UK, the BBC aired a half-hour version of The All New Popeye Show, from the early-1980s to 2004.
Popeye briefly returned to CBS in 1987 for Popeye and Son, another Hanna-Barbera series, which featured Popeye and Olive as a married couple with a son named Popeye Jr., who hates the taste of spinach, but eats it to boost his strength. Maurice LaMarche performed Popeye's voice; Mercer had died in 1984. The show lasted for one season.
In 2004, Lions Gate Entertainment produced a computer-animated television special, Popeye's Voyage: The Quest for Pappy, which was made to coincide with the 75th anniversary of Popeye. Billy West performed the voice of Popeye, describing the production as "the hardest job I ever did, ever" and the voice of Popeye as "like a buzzsaw on your throat". The uncut version was released on DVD on November 9, 2004; and was aired in a re-edited version on Fox on December 17, 2004 and again on December 30, 2005. Its style was influenced by the 1930s Fleischer cartoons, and featured Swee'Pea, Wimpy, Bluto (who is Popeye's friend in this version), Olive Oyl, Poopdeck Pappy and the Sea Hag as its characters. On November 6, 2007, Lions Gate Entertainment re-released Popeye's Voyage on DVD with redesigned cover art.
Popeye has made brief parody appearances in modern animated productions, including:
Popeye's theme song, titled "I'm Popeye The Sailor Man", composed by Sammy Lerner in 1933 for Fleischer's first Popeye the Sailor cartoon, has become forever associated with the sailor. "The Sailor's Hornpipe" has often been used as an introduction to Popeye's theme song.
A cover of the theme song, performed by Face to Face, is included on the 1995 tribute album Saturday Morning: Cartoons' Greatest Hits, produced by Ralph Sall for MCA Records. A jazz version, performed by Ted Kooshian's Standard Orbit Quartet, appears on their 2009 Summit Records release Underdog and Other Stories.
Playground song parodies of the theme have become part of children's street culture around the world, usually interpolating "frying pan" or "garbage can" into the lyrics as Popeye's dwelling place and ascribing to the character various unsavory actions or habits that transform the character into an "Anti-Popeye", and changing his exemplary spinach-based diet into an inedible morass of worms, onions, flies, tortillas and snot.
The success of Popeye as a comic-strip and animated character has led to appearances in many other forms. For more than 20 years, Stephen DeStefano has been the artist drawing Popeye for King Features licensing.
Popeye was adapted to radio in several series broadcast over three different networks by two sponsors from 1935 to 1938. Popeye and most of the major supporting characters were first featured in a thrice-weekly 15-minute radio program, Popeye the Sailor, which starred Detmar Poppen as Popeye, along with most of the major supporting characters — Olive Oyl (Olive Lamoy), Wimpy (Charles Lawrence), Bluto (Jackson Beck) and Swee'Pea (Mae Questel). In the first episode, Popeye adopted Sonny (Jimmy Donnelly), a character later known as Matey the Newsboy. This program was broadcast Tuesday, Thursday and Saturday nights at 7:15pm. September 10, 1935 through March 28, 1936 on the NBC Red Network (87 episodes), initially sponsored by Wheatena, a whole-wheat breakfast cereal, which would routinely replace the spinach references. Music was provided by Victor Irwin's Cartoonland Band. Announcer Kelvin Keech sang (to composer Lerner's "Popeye" theme) "Wheatena is his diet / He asks you to try it / With Popeye the sailor man." Wheatena paid King Features Syndicate $1,200 per week.
The show was next broadcast Mondays, Wednesdays and Fridays from 7:15 to 7:30pm on WABC and ran from August 31, 1936 to February 26, 1937 (78 episodes). Floyd Buckley played Popeye, and Miriam Wolfe portrayed both Olive Oyl and the Sea Hag. Once again, reference to spinach was conspicuously absent. Instead, Popeye sang, "Wheatena's me diet / I ax ya to try it / I'm Popeye the Sailor Man".
The third series was sponsored by the maker of Popsicles three nights a week for 15 minutes at 6:15 pm on CBS from May 2, 1938 through July 29, 1938.
Of the three series, only 20 of the 204 episodes are known to be preserved.
Popeye was recently featured on the Brad and John: Mornings on KISM "When Animals Attack" segment.
Director Robert Altman used the character in Popeye, a 1980 live-action musical feature film, starring Robin Williams as Popeye (his first starring movie role), Shelley Duvall as Olive Oyl, and Paul L. Smith as Bluto, with songs by Harry Nilsson and Van Dyke Parks. The script was by Jules Feiffer, who adapted the 1971 Nostalgia Press book of 1936 strips for his screenplay, thus retaining many of the characters created by Segar. A co-production of Paramount Pictures and Walt Disney Productions, the movie was filmed almost entirely on Malta, in the village of Mellieħa on the northwest coast of the island. The set is now a tourist attraction called Popeye Village. The US box office earnings were double the film's budget, making it a success.
In March 2010, it was reported that Sony Pictures Animation is developing a 3D computer-animated Popeye film, with Avi Arad producing it. In November 2011, Sony Pictures Animation announced that Jay Scherick and David Ronn, the writers of The Smurfs, are writing the screenplay for the film. In June 2012, it was reported that Genndy Tartakovsky had been set to direct the feature, which he planned to make "as artful and unrealistic as possible." In November 2012, Sony Pictures Animation set the release date for September 26, 2014, which was, in May 2013, pushed back to 2015. In March 2014, Sony Pictures Animation updated its slate, scheduling the film for 2016, and announcing Tartakovsky as the director of Hotel Transylvania 2, which he was directing concurrently with Popeye. On September 18, 2014, Tartakovsky revealed an "animation test" footage, about which he said, "It's just something that kind of represents what we want to do. I couldn't be more excited by how it turned out." In March 2015, Tartakovsky announced that despite the well-received test footage, he was no longer working on the project, and would instead direct Can You Imagine?, which is based on his own original idea. Nevertheless, Sony Pictures Animation stated the project still remains in active development. In January 2016, it was announced that T.J. Fixman would write the film.
From early on, Popeye was heavily merchandised. Everything from soap to razor blades to spinach was available with Popeye's likeness on it. Most of these items are rare and sought-after by collectors, but some merchandise is still being produced.
Local folklore in Chester, Illinois, Segar's hometown, claims that Frank "Rocky" Fiegel (b. in Poland, January 27, 1868) was the real-life inspiration for the character Popeye. He had a prominent chin, sinewy physique, characteristic pipe, and a propensity and agile skill for fist-fighting. Fiegel died on March 24, 1947 never having married. His gravestone has the image of Popeye engraved on it. The town of Chester erected a statue of Popeye in Fiegel's honor, which still stands today. According to Popeye historian Michael Brooks, Segar regularly sent money to Fiegel.
Separate hometown residents of Chester also are claimed to have served as inspiration for two other Segar characters including Dora Pascal, an uncommonly tall, angular lady who ran a general store in town. She even donned a hair bun close to her neckline. William "Windy Bill" Schuchert, a rather rotund man who owned the local opera house, was the seed for the character J. Wellington Wimpy. He would even send out his employees to purchase hamburgers for him between performances at a local tavern named Wiebusch's, the same tavern that Fiegal would frequent and engage in fistfights.
In 2015, businessman Greg Morena refuted the claim that Popeye originated in Chester, Illinois. Instead, he stated that Santa Monica, California was the birthplace of the character and that a Norwegian sailor by the name of Olaf "cap" Olsen served as the impetus for the character. Research presented in Jim Harris' 2009 "Santa Monica Pier: A Century of the Last Great Pleasure Pier" raised the idea that while living in Santa Monica, Segar based the physical attributes on Olsen; even though Harris never made a definitive claim.
Such has been Popeye's cultural impact that the medical profession sometimes refers to the biceps bulge symptomatic of a tendon rupture as the "Popeye muscle." Note, however, that under normal (uninfluenced by spinach) conditions, Popeye has pronounced muscles of the forearm, not of the biceps.
The 1981 Nintendo videogame Donkey Kong, which introduced its eponymous character and Nintendo's unofficial company mascot Mario to the world, was originally planned to be a Popeye game. Mario (then known as Jumpman) was originally supposed to be Popeye, Donkey Kong was originally Bluto, and the character Pauline was originally Olive Oyl, but when Nintendo was unable to acquire the rights to use the actual franchise characters, it decided to create original characters instead.
The 1988 Walt Disney/Touchstone Pictures film Who Framed Roger Rabbit featured many classic cartoon characters, and the absence of Popeye was noted by some critics. Popeye (along with Bluto and Olive Oyl) actually had a cameo role planned for the film. However, since the Popeye cartoons were based on a comic strip, Disney found they had to pay licensing fees to both King Features Syndicate and MGM/UA. MGM/UA's pre-May 1986 library (which included Popeye) was being purchased by Turner Entertainment at the time, which created legal complications; thus, the rights could not be obtained and Popeye's cameo was dropped from the film.
The Popeye was a popular dance in the dance craze era of the late 1950s and early 1960s. Originating in New Orleans around 1962, the Popeye was performed by shuffling and moving one's arms, placing one arm behind and one arm in front and alternating them, going through the motion of raising a pipe up to the mouth, and alternate sliding or pushing one foot back in the manner of ice skating, similar to motions exhibited by the cartoon character. According to music historian Robert Pruter, the Popeye was even more popular than The Twist in New Orleans. The dance was associated with and/or referenced to in several songs, including Eddie Bo's "Check Mr. Popeye," Chris Kenner's "Something You Got" and "Land of a Thousand Dances," Frankie Ford's "You Talk Too Much," Ernie K-Doe's "Popeye Joe," Huey "Piano" Smith's "Popeye," and Harvey Fuqua's "Any Way You Wanta." A compilation of 23 Popeye dance songs was released in 1996 under the title "New Orleans Popeye Party."
Initially Popeye's chief superhuman characteristic was his indestructibility, rather than super strength, which was attributed to his having rubbed the head of Bernice the Whiffle Hen numerous times after being shot. Popeye later attributed his strength to spinach. The popularity of Popeye helped boost spinach sales. Using Popeye as a role model for healthier eating may work; a 2010 study revealed that children increased their vegetable consumption after watching Popeye cartoons. The spinach-growing community of Crystal City, Texas, erected a statue of the character in recognition of Popeye's positive effects on the spinach industry. There is another Popeye statue in Segar's hometown, Chester, Illinois, and statues in Springdale and Alma, Arkansas (which claims to be "The Spinach Capital of the World"), at canning plants of Allen Canning, which markets Popeye-branded canned spinach. In addition to Allen Canning's Popeye spinach, Popeye Fresh Foods markets bagged, fresh spinach with Popeye characters on the package. In 2006, when spinach contaminated with E. coli was accidentally sold to the public, many editorial cartoonists lampooned the affair by featuring Popeye in their cartoons.
A frequently circulated story claims that Fleischer's choice of spinach to give Popeye strength was based on faulty calculations of its iron content. In the story, a scientist misplaced a decimal point in an 1870 measurement of spinach's iron content, leading to an iron value ten times higher than it should have been. This faulty measurement was not noticed until the 1930s. While this story has gone through longstanding circulation, recent study has shown that this is a myth, and it was chosen for its vitamin A content alone; see Spinach: Popeye and iron.
The strip is also responsible for popularizing, although not inventing, the word "goon" (meaning a thug or lackey); goons in Popeye's world were large humanoids with indistinctly drawn faces that were particularly known for being used as muscle and slave labor by Popeye's nemesis, the Sea Hag. One particular goon, the aforementioned female named Alice, was an occasional recurring character in the animated shorts, but she was usually a fairly nice character.
Eugene the Jeep was introduced in the comic strip on March 13, 1936. Two years later the term "jeep wagons" was in use, later shortened to simply "jeep" with widespread World War II usage and then trademarked by Willys-Overland as "Jeep".
The Popeye Picnic is held every year in Chester, Illinois on the weekend after Labor Day. Popeye fans attend from across the globe, including a visit by a film crew from South Korea in 2004. The one-eyed sailor's hometown strives to entertain devotees of all ages.
In honor of Popeye's 75th anniversary, the Empire State Building illuminated its notable tower lights green the weekend of January 16–18, 2004 as a tribute to the icon's love of spinach. This special lighting marked the only time the Empire State Building ever celebrated the anniversary/birthday of a comic strip character.
...for some reason he chiefly features in verses which are obscene.
Each parody creates a fictive world that stands as a miniature rite of rebellion, a vision of a counter-factual world inhabited by worm-eating garbage-can residents, and tortilla-wielding aunt-killers. The exemplary Popeye is converted into an anti-Popeye, exhibiting filthy and murderous qualities obviously anathema to the conventional etiquette.
Miyamoto says Nintendo's main monkey might not have existed.
Bluto is a cartoon and comics character created in 1932 by Elzie Crisler Segar as a one-time character, named "Bluto the Terrible", in his Thimble Theatre comic strip (later renamed Popeye). Bluto made his first appearance September 12 of that year. Fleischer Studios adapted him the next year (1933) to be the main antagonist of their theatrical Popeye animated cartoon series.Candy cigarette
Candy cigarettes are a candy introduced in the early 20th century made out of chalky sugar, bubblegum or chocolate, wrapped in paper and packaged and branded so as to resemble cigarettes. Some products contain powdered sugar hidden in the wrapper, allowing the user to blow into the cigarette and produce a cloud of sugar that imitates smoke, which comes out of the other end.
Candy cigarettes' place on the market has long been controversial because many critics believe the candy desensitizes children, leading them to become smokers later in life. Because of this, the selling of candy cigarettes has been banned in several countries even though they are continued to be manufactured and consumed in many parts of the world. However, many manufacturers now describe their products as candy sticks, bubble gum, or simply candy.In America it was reported erroneously in 2010 that the Family Smoking and Prevention Control Act bans candy cigarettes. However, the rule bans any form of added flavoring in tobacco cigarettes other than menthol. It does not regulate the candy industry. Popeye Cigarettes marketed using the Popeye character were sold for a while and had red tips (to look like a lit cigarette) before being renamed candy sticks and being manufactured without the red tip.Fleischer Studios
Fleischer Studios () was an American corporation which originated as an animation studio located at 1600 Broadway, New York City, New York. It was founded in 1921 as Inkwell Studios by brothers Max Fleischer and Dave Fleischer who ran the pioneering company from its inception until Paramount Pictures, the studio's parent company and the distributor of its films, acquired ownership. In its prime, Fleischer Studios was a premier producer of animated cartoons for theaters, with Walt Disney Productions's becoming its chief competitor in the 1930s.
Fleischer Studios characters included Koko the Clown, Betty Boop, Bimbo, Popeye the Sailor, and Superman. Unlike other studios, whose characters were anthropomorphic animals, the Fleischers' most successful characters were humans (with the exception of Bimbo). The cartoons of the Fleischer Studio were very different from the Disney product, both in concept and in execution. As a result, the Fleischer cartoons were rough rather than refined, commercial rather than consciously artistic. But in their unique way, their artistry was expressed through a culmination of the arts and sciences. This approach focused on surrealism, dark humor, adult psychological elements, and sexuality, and the environments were grittier and urban, often set in squalid surroundings, reflecting the Great Depression as well as German Expressionism.J. Wellington Wimpy
J. Wellington Wimpy, generally referred to as Wimpy, is one of the characters in the comic strip Popeye, created by E. C. Segar in 1934 and originally called Thimble Theatre, and in the Popeye cartoons based upon the strip. Wimpy was one of the dominant characters in the newspaper strip, but when Popeye was adapted as an animated cartoon series by Fleischer Studios, Wimpy became a minor character; Dave Fleischer said that the character in the Segar strip was "too intellectual" to be used in film cartoons. Wimpy did appear in Robert Altman's 1980 live-action musical film Popeye, played by Paul Dooley.Olive Oyl
Olive Oyl is a cartoon character created by E. C. Segar in 1919 for his comic strip Thimble Theatre. The strip was later renamed Popeye after the sailor character that became the most popular member of the cast; however, Olive Oyl was a main character for 10 years before Popeye's 1929 appearance.Operation Popeye
Operation Popeye (Project Controlled Weather Popeye / Motorpool / Intermediary-Compatriot) was a highly classified weather modification program in Southeast Asia during 1967–1972. The cloud seeding operation during the Vietnam War ran from March 20, 1967 until July 5, 1972 in an attempt to extend the monsoon season, specifically over areas of the Ho Chi Minh Trail. The operation was used to induce rain and extend the East Asian Monsoon season in support of U.S. government efforts related to the War in Southeast Asia.
The former U.S. Secretary of Defense, Robert S. McNamara, was aware that there might be objections raised by the international scientific community but said in a memo to the president that such objections had not in the past been a basis for prevention of military activities considered to be in the interests of U.S. national security.
The chemical weather modification program was conducted from Thailand over Cambodia, Laos, and Vietnam and allegedly sponsored by Secretary of State Henry Kissinger and CIA without the authorization of then Secretary of Defense Melvin Laird who had categorically denied to Congress that a program for modification of the weather for use as a tactical weapon even existed.Popeye (film)
Popeye is a 1980 American musical comedy film directed by Robert Altman and based on E. C. Segar's character of the same name from the Thimble Theatre comic strip. Produced by Paramount Pictures and Walt Disney Productions, film stars Robin Williams as Popeye the Sailor Man and Shelley Duvall as Olive Oyl. Paramount handled North American distribution, while Buena Vista International handled international distribution.
The film premiered on December 6, 1980 in Los Angeles, California, to mixed reviews and disappointing box office results. Harry Nilsson's soundtrack received mostly positive reviews.Popeye (missile)
Popeye is the name of a family of air-to-surface missiles developed and in use by Israel, of which several types have been developed for Israeli and export users. A long-range submarine-launched cruise missile variant of the Popeye Turbo has been speculated as being employed in Israel's submarine-based nuclear forces. The United States operates the Popeye under a different designation according to US naming conventions as the AGM-142 Have Nap.Popeye (video game)
Popeye (ポパイ, Popai) is a 1983 arcade platform game developed and released by Nintendo based on the Popeye characters licensed from King Features Syndicate strips and animated shorts. Unlike most platform games, the player cannot jump; the only button is "punch." The game was licensed by Atari, Inc. for exclusive release in the United Kingdom and Ireland, and featured in an Atari designed and manufactured cabinet. Some sources claim that Ikegami Tsushinki also did design work on Popeye.
The Popeye characters were originally going to be used in the game that later became Donkey Kong. However at that time on the development of the game, Nintendo could not get the licenses to use the characters.
Ben Falls holds the world record score of 3,023,060 earned on December 20, 2011, according to Twin Galaxies International Scoreboard.Popeye Jones
Ronald Jerome "Popeye" Jones (born June 17, 1970) is an American professional basketball coach and former player. He is currently an assistant coach for the Indiana Pacers of the National Basketball Association (NBA).Popeye Meets the Man Who Hated Laughter
Popeye Meets the Man Who Hated Laughter, also known as The Man Who Hated Laughter, is a 1972 American animated one-hour television film that was part of The ABC Saturday Superstar Movie. This film is notable for uniting the characters from almost every newspaper comic strip then owned by King Features Syndicate in one story.Popeye and Son
Popeye and Son is an American animated comedy series based on the Popeye comic strip created E.C. Segar and published by King Features Syndicate. Jointly produced by Hanna-Barbera and King Features subsidiary King Features Entertainment, the series aired for one season of thirteen episodes on CBS. It is a follow-up to The All New Popeye Hour. Maurice LaMarche performed the voice of Popeye in this series, succeeding Jack Mercer in that role. It is also the first set of Popeye cartoons that were produced since Mercer's death in 1984. Following its original run on CBS, this series reran on the USA Network in the 1989-90 season and on The Family Channel from September 1994 to December 1995. It can currently be seen for free on Amazon Video.Popeye the Sailor (film series)
Popeye the Sailor is an American animated series of comedy short films based on the titular comic strip character created by E. C. Segar. In 1933, Max and Dave Fleischer's Fleischer Studios adapted Segar's characters into a series of Popeye the Sailor theatrical cartoon shorts for Paramount Pictures. The plotlines in the animated cartoons tended to be simpler than those presented in the comic strips, and the characters slightly different. A villain, usually Bluto, makes a move on Popeye's "sweetie," Olive Oyl. The villain clobbers Popeye until he eats spinach, giving him superhuman strength. Thus empowered, the sailor makes short work of the villain.
The Fleischer cartoons, based out of New York City, proved to be among the most popular of the 1930s, and would remain a staple of Paramount's release schedule for nearly 25 years. Paramount would take control of the studio in 1941 and rename it Famous Studios, ousting the Fleischer brothers and continuing production. The theatrical Popeye cartoons began airing on television in an altered form in 1956, at which point the Popeye theatrical series was discontinued in 1957. Popeye the Sailor in all produced 231 short subjects that were broadcast on television for numerous years, garnering enormous popularity with new generations.
These cartoons are now owned by Turner Entertainment and distributed by sister company Warner Bros.. After many years of negotiations, Warner Home Video reached an agreement with King Features Syndicate for an official DVD release of the series. Restored and unedited Popeye cartoons through 1943 were released on DVD in the late 2000s. The 1930s Popeye cartoons have been noted by historians for their urban feel, with the Fleischers pioneering an East Coast animation scene that differed highly from their counterparts. In addition to becoming iconic within mainstream public consciousness, the majority of 231 Popeye short subjects are highly acclaimed by animation historians and fans.Popeye the Sailor filmography (Famous Studios)
This is a list of the 122 cartoons starring Popeye the Sailor and produced by Paramount Pictures' Famous Studios (later known as Paramount Cartoon Studios) from 1942 to 1957. These cartoons were produced after Paramount took ownership of Fleischer Studios, which originated the Popeye cartoon series in 1933.Popeye the Sailor filmography (Fleischer Studios)
This is a list of the 109 cartoons starring Popeye the Sailor, produced from 1933 to 1942 by Fleischer Studios for Paramount Pictures.
During the course of production in 1941, Paramount assumed control of the Fleischer studio, removing founders Max and Dave Fleischer from control of the studio and renaming the organization Famous Studios by 1942. Popeye cartoons continued production under Famous Studios following 1942's Baby Wants a Bottleship (see Popeye the Sailor filmography (Famous Studios)).Popeyes
Popeyes is an American multinational chain of fried chicken fast food restaurants founded in 1972 in New Orleans, Louisiana. Since 2008, its full brand name is Popeyes Louisiana Kitchen, Inc., and it was formerly named Popeyes Chicken & Biscuits and Popeyes Famous Fried Chicken & Biscuits. It is currently a subsidiary of Toronto-based Restaurant Brands International.
According to a company press release dated June 29, 2007, Popeyes is the second-largest "quick-service chicken restaurant group, measured by number of units", after KFC. More than 2,600 Popeyes restaurants are in more than 40 states and the District of Columbia, Puerto Rico, and 30 countries worldwide. About thirty locations are company-owned, the rest franchised.The All New Popeye Hour
The All New Popeye Hour is an American animated television series produced by Hanna-Barbera Productions and King Features Syndicate. Starring the comic strip character Popeye, the series aired from 1978 to 1983 on CBS.The French Connection (film)
The French Connection is a 1971 American action thriller film directed by William Friedkin. The screenplay, written by Ernest Tidyman, is based on Robin Moore's 1969 non-fiction book The French Connection: A True Account of Cops, Narcotics, and International Conspiracy. It tells the story of New York Police Department detectives Jimmy "Popeye" Doyle and Buddy "Cloudy" Russo, whose real-life counterparts were Narcotics Detectives Eddie Egan and Sonny Grosso, in pursuit of wealthy French heroin smuggler Alain Charnier. The film stars Gene Hackman as Popeye, Roy Scheider as Cloudy, and Fernando Rey as Charnier. Tony Lo Bianco and Marcel Bozzuffi also star. The Three Degrees feature in a nightclub scene.
It was the first R-rated movie to win the Academy Award for Best Picture since the introduction of the MPAA film rating system in 1968. It also won Academy Awards for Best Actor (Hackman), Best Director (Friedkin), Best Film Editing, and Best Adapted Screenplay (Tidyman). It was nominated for Best Supporting Actor (Scheider), Best Cinematography and Best Sound Mixing. Tidyman also received a Golden Globe Award nomination, a Writers Guild of America Award and an Edgar Award for his screenplay. A sequel, French Connection II, followed in 1975 with Gene Hackman and Fernando Rey reprising their roles.
The American Film Institute included the film in its list of the best American films in 1998 and again in 2007. In 2005 the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".The Popeye Show
The Popeye Show is a cartoon anthology series that premiered on November 19, 2001, on Cartoon Network. Each episode would include three Popeye theatrical shorts from Fleischer Studios and/or Famous Studios. The show was narrated by Bill Murray (not to be confused with the film actor of the same name), who would give the audience short facts about the history of the cartoons as filler material between each short. Animation historian Jerry Beck served as a consultant and Barry Mills served as writer and producer. A total of 45 episodes were produced, consisting of a total of 135 shorts.