Pope Alexander VII

Pope Alexander VII (13 February 1599 – 22 May 1667), born Fabio Chigi, was Pope from 7 April 1655 to his death in 1667.[1][2]

He began his career as a vice-papal legate, and he held various diplomatic positions in the Holy See. He was ordained as a priest in 1634, and he became Bishop of Nardo in 1635. He was later transferred in 1652, and he became Bishop of Imola. Pope Innocent X made him Secretary of State in 1651, and in 1652, he was appointed as a Cardinal.

Early in his papacy, Alexander, who was seen as an anti-Nepotist at the time of his election, lived simply; later, however, he gave jobs to his relatives, who eventually took over his administration.

His administration worked to support the Jesuits. However, his administration's relations with France were strained due to his frictions with French diplomats.

Alexander was interested in architecture and supported various urban projects in Rome. He also wrote poetry and patronized artists who expanded the decoration of churches. His theological writings included discussions of heliocentrism and the Immaculate Conception.

Pope

Alexander VII
Bishop of Rome
Alexander VII
Papacy began7 April 1655
Papacy ended22 May 1667
PredecessorInnocent X
SuccessorClement IX
Orders
OrdinationDecember 1634
Consecration1 July 1635
by Miguel Juan Balaguer Camarasa
Created cardinal19 February 1652
by Innocent X
Personal details
Birth nameFabio Chigi
Born13 February 1599
Siena, Grand Duchy of Tuscany
Died22 May 1667 (aged 68)
Rome, Papal States
Previous post
MottoMontium custos ("Mountain guardian")
Coat of armsAlexander VII's coat of arms
Other popes named Alexander

Biography

Early life

Born in Siena, a member of the illustrious banking family of Chigi and a great-nephew of Pope Paul V (1605–1621),[3] Fabio Chigi was privately tutored and eventually received doctorates of philosophy, law, and theology from the University of Siena.

Fabio's elder brother, Mario, married Berenice, the daughter of Tiberio della Ciala, producing four children, of whom two survived: Agnes and Flavio. Flavio (1631-1693) was created cardinal by his uncle on April 9, 1657. His brother, Augusto Chigi (1595-1651), married Olimpia della Ciaia (1614-1640) and continued the family line as the parents of Agostino Chigi, Prince Farnese. Fabio's sister Onorata Mignanelli married Firmano Bichi; their son Antonio was named Bishop of Montalcino (1652-1656) and then Osimo (1656-1659), and was named a cardinal by his Uncle Alexander VII (in pectore) on April 9, 1657 (made public on 10 November 1659).[4] Another of his nephews was Giovanni Bichi, whom he appointed Admiral of the Papal Navy.[5]

Papal diplomat

In 1627 he began his apprenticeship as vice-papal legate at Ferrara, and on recommendations from two cardinals he was appointed Inquisitor of Malta.[6][7]

Chigi was ordained a priest in December 1634. He was appointed Referendarius utriusque signaturae, which made him a prelate and gave him the right to practice before the Roman courts. On 8 January 1635, Chigi was named Bishop of Nardò in southern Italy and consecrated on 1 July 1635[8] by Miguel Juan Balaguer Camarasa, Bishop of Malta.[9] On 13 May 1652 he was transferred to the Bishopric of Imola.[8]

Bishop Chigi was named nuncio in Cologne (1639–1651) on 11 June 1639. There, he supported Urban VIII's condemnation of the heretical book Augustinus by Cornelius Jansen, Bishop of Ypres, in the papal Bull In eminenti of 1642.[10]

Though expected to take part in the negotiations which led in 1648 to the Peace of Westphalia, Bishop Chigi (and other Catholic delegates) declined to deliberate with persons whom the Catholic Church considered heretics. Negotiations therefore took place in two cities, Osnabrück and Münster in Westphalia, with intermediaries travelling back and forth between the Protestant and the Catholic delegates. Chigi, of course, protested on behalf of the Papacy, when the treaties were finally completed, against the Treaty of Westphalia once the instruments were finally completed.[11][12] Pope Innocent himself stated that the Peace "is null, void, invalid, unjust, damnable, reprobate, inane, empty of meaning and effect for all time."[13] The Peace ended the Thirty Years' War (1618–1648) and established the balance of European power that lasted until the wars of the French Revolution (1789).

Secretary of State and Cardinal

Pope Innocent X (1644–1655) recalled Chigi to Rome. In December 1651 Pope Innocent named Cardinal Chigi Secretary of State.[14][15] He was created cardinal by Innocent X in the Consistory of 19 February 1652, and on 12 March was granted the title of Cardinal-Priest of Santa Maria del Popolo.[16]

Papacy

Election as pope

Papal styles of
Pope Alexander VII
C o a Alessandro VII
Reference styleHis Holiness
Spoken styleSanct(issim)e Pater
Religious styleHoly Father
Posthumous styleNone

When Innocent X died on 1 January 1655, Cardinal Chigi was elected pope after eighty days in the conclave, on 7 April 1655, taking the name of Alexander VII.[17]

Nepotism

The conclave believed he was strongly opposed to the nepotism that had been a feature of previous popes. Indeed, in the first year of his reign, Alexander VII lived simply and forbade his relations even to visit Rome. A contemporary, John Bargrave (having visited Rome during the period following his election and then later during his papacy) wrote the following:[18]

In the first months of his elevation to the Popedom, he had so taken upon him the profession of an evangelical life that he was wont to season his meat with ashes, to sleep upon a hard couch, to hate riches, glory, and pomp, taking a great pleasure to give audience to ambassadors in a chamber full of dead men's sculls, and in the sight of his coffin, which stood there to put him in mind of his death. [His] extraordinary devotion and sanctity of life I found was so much esteemed that the noise of it spread far and near. But so soon as he had called his relations about him he changed his nature. Instead of humility succeeded vanity; his mortification vanished, his hard couch was turned into a soft featherbed, his dead men's sculls into jewels, and his thoughts of death into ambition — filling his empty coffin with money as if he would corrupt death, and purchase life with riches.

The prose may be grossly exaggerated, as the view of a Protestant clergyman and nephew of the Dean of Canterbury, but, indeed, it is at least true that in the consistory of 24 April 1656 Pope Alexander announced that his brother and nephews would be coming to assist him in Rome. His nephew, Cardinal Flavio Chigi assumed the position of cardinal-nephew. The administration was given largely into the hands of his relatives,[19] and nepotism became as luxuriously entrenched as it ever had been in the Baroque Papacy: he gave them the best-paid civil and ecclesiastical offices, and princely palaces and estates suitable to the Chigi of Siena. Cardinal Flavio began work on the Villa Chigi-Versaglia at Formello in 1664.[20]

Urban and architectural projects in Rome

Anselm van Hulle - Portrait of the Papal Nuntius Fabio Chigi
Fabio Chigi as Papal Nuntius to the Peace of Westphalia negotiations, by Anselm van Hulle (c. 1646)
Guidi Alexander VII
Alexander VII, by Domenico Guidi

A number of pontifs are renowned for their urban planning in the city of Rome—for example, Pope Julius II and Pope Sixtus V—but Alexander VII's numerous urban interventions were not only diverse in scope and scale but demonstrated a consistent planning and architectural vision that the glorification and embellishment of the city, ancient and modern, sacred and secular, should be governed by order and decorum.[21][22]

Central to Alexander's urbanism was the idea of teatro or urban theatre[23] whereby his urban interventions became the grand settings or showpieces appropriate to the dignity of Rome and the Head of the Catholic Church. Therefore, and although the scales are vastly different, the small Santa Maria della Pace and its piazza are as much a teatro as the imposing monumental colonnade that forms Piazza San Pietro in front of St. Peter's Basilica.

The various urban and architectural projects carried out during Alexander's reign were recorded in engravings by Giovanni Battista Falda and the first volume was published in 1665. The volumes were published by Giovanni Giacomo de Rossi under the title Il Nuovo Teatro delle fabriche et edificij in prospettiva di Roma moderna sotto il felice pontificato di N.S. Alessandro VII.[24] A rival publication documenting these projects was published by Rossi's cousin Giovanni Battista de Rossi who employed the young Flemish architectural draughtsman Lieven Cruyl to produce drawings of Rome, 10 of which were published in 1666 under the title Prospectus Locorum Urbis Romae Insignium.[25]

His preferred architect was the sculptor and architect Gianlorenzo Bernini[26] but he also gave architectural commissions to the painter and architect Pietro da Cortona. Of the three leading architects of the Roman High Baroque, only Francesco Borromini fared not so well under Alexander; this may be because he thought Borromini's architectural forms willful but also Borromini could be notoriously difficult. Nonetheless, Alexander's family heraldic emblems of the mons or mountains with stars and oak leaves, adorn Borromini's[27] church of Sant'Ivo alla Sapienza and many other works of his reign.[28]

Alexander took a keen personal interest in his urban and architectural projects and made notes of these in his diaries.[29] His projects in Rome included: the church and piazza at Santa Maria della Pace; the Via del Corso, Piazza Colonna and associated buildings; reworking of the Porta del Popolo, the Piazza del Popolo and Santa Maria del Popolo; Piazza San Pietro,[30] the Scala Regia and interior embellishments in the Vatican Palace and St. Peter's; Sant'Andrea al Quirinale; part of the Palazzo del Quirinale; the arsenal at Civitavecchia,[31] the obelisk and elephant in Piazza della Minerva; and the Palazzo Chigi.[32] The Palazzo Chigi in Rome is not to be confused with the Palazzo Chigi in S. Quirico d'Orcia in Tuscany,[33] or the Palazzo Chigi di Formello.[34]

Foreign relations

Andrea Sacchi Pope Alexander VII Drawing
Drawing of Pope Alexander VII by Andrea Sacchi

Malta

Before being elected as Pontiff, Chigi served as Inquisitor on the Island of Malta where he resided mostly at The Inquisitor's Palace in Birgu (alias Città Vittoriosa). At that time Malta was a fiefdom of the Knights Hospitallers of the Sovereign Order of Saint John of Jerusalem, Knights of Malta.

Sweden

The conversion of Queen Christina of Sweden (1632–1654) occurred during Alexander VII's reign. After her abdication the queen came to reside in Rome, where she was confirmed in her baptism by the Pope, in whom she found a generous friend and benefactor, on Christmas Day, 1655.

France

In foreign policy his instincts were not as humanist or as successful. Alexander VII's pontificate was shadowed by continual friction with Cardinal Mazarin, adviser to Louis XIV of France (1643–1715), who had opposed him during the negotiations that led to the Peace of Westphalia and who defended the prerogatives of the Gallican Church. During the conclave, he had been hostile to Chigi's election, but was in the end compelled to accept him as a compromise. However, he prevented Louis XIV from sending the usual embassy of obedience to Alexander VII, and, while he lived, he foiled the appointment of a French ambassador to Rome, diplomatic affairs being meantime conducted by cardinal protectors, generally personal enemies of the Pope. In 1662, the equally hostile Duc de Crequi was made ambassador. By his abuse of the traditional right of asylum granted to ambassadorial precincts in Rome, he precipitated a quarrel between France and the papacy, which resulted in Alexander VII's temporary loss of Avignon and his forced acceptance of the humiliating treaty of Pisa in 1664.[35]

Spain and Portugal

Alexander ll favored the Spanish in their claims against Portugal, which had reestablished its traditional independence in 1640. His pontificate was also marked by protracted controversies with Portugal.

Jesuits and Jansenism

Alexander VII favoured the Jesuits. When the Venetians called for help in Crete against the Ottoman Turks, the Pope extracted in return a promise that the Jesuits should be permitted back in Venetian territory, from which they had been expelled in 1606. He also continued to take the Jesuit part in their conflict with the Jansenists, whose condemnation he had vigorously supported as advisor to Pope Innocent X. The French Jansenists professed that the propositions condemned in 1653 were not in fact to be found in Augustinus, written by Cornelius Jansen. Alexander VII confirmed that they were too, by the bull Ad Sanctam Beati Petri Sedem (16 October 1656) declaring that five propositions extracted by a group of theologians from the Sorbonne out of Jansen's work, mostly concerning grace and the fallen nature of man, were heretical, including the proposition according to which to say "that Christ died, or shed His blood for all men" would be a semipelagian error. He also sent to France his famous "formulary", that was to be signed by all the clergy as a means of detecting and extirpating Jansenism and which inflamed public opinion, leading to Blaise Pascal's defense of Jansenism.

Works

Alexander VII disliked the business of state, preferring literature and philosophy; a collection of his Latin poems appeared at Paris in 1656 under the title Philomathi Labores Juveniles. He also encouraged architecture, and the general improvement of Rome, where houses were razed to straighten and widen streets and where he had the opportunity to be a great patron for Gian Lorenzo Bernini: the decorations of the church of Santa Maria del Popolo, titular churches for several of the Chigi cardinals, the Scala Regia, the Chair of St. Peter in the Vatican Basilica. In particular, he sponsored Bernini's construction of the beautiful colonnade in the piazza of St. Peter's Basilica.

Alexander VII wrote one of the most authoritative documents related to the heliocentrism issue. He published his Index Librorum Prohibitorum Alexandri VII Pontificis Maximi jussu editus which presented anew the contents of the Index of Forbidden Books which had condemned the works of Copernicus and Galileo. According to Rev. William Roberts, he prefaced this with the bull Speculatores Domus Israel, stating his reasons: "in order that the whole history of each case may be known." 'For this purpose,' the Pontiff stated, 'we have caused the Tridentine and Clementine Indices to be added to this general Index, and also all the relevant decrees up to the present time, that have been issued since the Index of our predecessor Clement, that nothing profitable to the faithful interested in such matters might seem omitted."[36] Among those included were the previous decrees placing various heliocentric works on the Index ("...which we will should be considered as though it were inserted in these presents, together with all, and singular, the things contained therein...") and using his Apostolic authority he bound the faithful to its contents ("...and approve with Apostolic authority by the tenor of these presents, and: command and enjoin all persons everywhere to yield this Index a constant and complete obedience...")[37] Thus, Alexander turned definitively against the heliocentric view of the solar system. After Alexander VII's pontificate, the Index underwent a number of revisions.[38] "In 1758 the general prohibition against works advocating heliocentrism was removed from the Index of prohibited books, although the specific ban on uncensored versions of the Dialogue and Copernicus's De Revolutionibus remained. All traces of official opposition to heliocentrism by the church disappeared in 1835 when these works were finally dropped from the Index".[39] The Index was abolished entirely in 1966.[40]

Theology

Alexander VII's Apostolic Constitution, Sollicitudo omnium ecclesiarum (8 December 1661),[41] laid out the doctrine of the Immaculate Conception of the Blessed Virgin Mary in terms almost identical to those utilized by Pope Pius IX when he issued his infallible definition Ineffabilis Deus. Pius X cites Alexander VII's bull in his footnote 11.

Death

0 Monument funéraire du pape Alexandre VII - St-Pierre - Vatican (1)
The tomb of Pope Alexander VII, by Gianlorenzo Bernini

Last Moments and Death

Alexander VII died at age 66 from kidney failure. He kept his coffin in his bedroom, and a skull (carved by famed sculptor Bernini) on his writing table, because he was always aware that he would someday die. A seventeenth century pamphlet credited to Ayres, titled A short Account of the Life and Death of Pope Alexander VII, contains many fascinating details about Alexander's passing. According to this pamphlet, Alexander, although bedridden, wanted to celebrate the Passion to ready himself for his impending death. Neither his surgeon nor his confessor was able to persuade him to save his strength. He blessed the large crowd of people on Easter, the last time they would ever see him alive.[42]

A short Account of the Life and Death of Pope Alexander VII [43]

Promoted to the cardinalship eight of those select person, whom he supposed, for their great worth and labours, bestowed for the good of the Papal See, had merited the advancement to so high dignity.

But his disease increasing, four days after, he was assaulted by a grievous fit, from which he concluded that his sickness was mortal, and not withstanding, it grew more and more violent daily, yet for all this, he had thoughts of performing the long ceremonies of Holy Thursday, to prepare himself for death, as he said, by meditating on the sacred mysteries of the passion o Jesus Christ, and would have executed his intentions in despight of his pains, if his physicians and chyrurgeons, together with his confessor had not perswaded him to the contrary; remonstrating to him the inconveniencies which might arise, from the hard labours which are inseparable from such prolixe ceremonies. And although he was perswaded by them all that time, yet was he resolved with that little strength he had left him (though much broken and extenuated by his disease) on Easter-day upon the Gallery of Monte Cavallo, where this function is used to be performed, with a solemn benediction in Pontificalthus, to bless the people, which there flocked in exceeding great multitudes, being driven there-unto not only out of devotion, but also by a desire of seeing their pastor yet whole and alive. He blessed them, having raised himself up twice according to the custom, without the help of the pontifical seat; and this was the lat time that he saw his flock, or they him.
Ex lastly, be recommends to their care and protection, his Cardinal Nephew, his aged brother, and the rest of his kindred, and himself to their prayers. This being spoken, he lifted up his hands and blessed them, and then their eminencies approached to the bed side with tears in their eyes, and after they had taken pains to comfort him, with great tenderness they kissed his hand, and departed.
At last, they being all departed, and only his familiar friends and ghostly-fathers continuing in the room with him, he altogether applied himself to his devotion, often repeating these words, Cupio disolvi et esse cum Christo. And those which assisted him he caused continually to read spiritual books, & divers prayers, and psalms, especially the penitential psalms, &c.
After he had received both the Eucharist and the Extreme Unction, he disposed himself for his Transit, with a marvelous undantedness; and had already even lost his Speech, when one of his religious men standing by exhorted him to do an act of contrition, and to aske God pardon of his sins, he collecting his breath, which was flying away, with a most lanquisting voice, which coud hardly be understood, answered Ita. The same added that he should hope in the mercies of God, who is always ready to showre down his mercies upon a penitent heart; the pope answered with the same weakness of speech, Certe. Which were the last words which proceeded out of his mouth.
He was often visited by the cardinals, contrary to the former customs, who were willing to be round about his bed till his end. And on Sunday the 22. of May, about 22. of the clock, he quietly rendred his spirits to his Creator, in the 60 year of his age, and 13 of his pontificate; and the same evening, the usual ceremony being performed by the cardinal lord Chamberlain, the corps were arrayed in the accustomed vestments, put into a litter of crimson velvet open on all sides, compassed round about by the penitentiary fathers, with lighted torches in their hands, accompanied by the guards and light horses, followed by the artillery, and with the Rexe Guard of Curiassiers, being carried to the Vatican, and there the next morning opened, there was found on one part of the lungs, fastned to one of his sides, a touch of a black spot; one of his kidneys wasted, and some carnosities of fleshy kyrnels instead of it, from whence the passage of the urine was hindred; and an ulcer of the reins, which of all his other diseases was the worst: from thence, being embalmed and pontifically appareled, he was carried the next day to the cathedral of St. Peter, and placed in the chapel of the most Holy Sacrament, where was a concourse of an infinite number of people, to kiss his feet, and take from him whatsoever they could lay hands on, to preserve to themselves as holy reliques. Finis

Alexander VII died in 1667 and was memorialised in a spectacular tomb by Bernini. It is famous for the skeleton holding a gilded hourglass, just above the doors. He was succeeded by Pope Clement IX (1667–69).

Memory

Poem to Alexander VII

The poet John Flowre wrote a poem to Alexander (in 1667) [44]

See also

References

  1. ^ Williams, George L. (1998). Papal Genealogy: The Families and Descendants of the Popes. McFarland & Company. p. 114.
  2. ^ Note on numbering: Pope Alexander V is now considered an anti-pope. At the time however, this fact was not recognised and so the fifth true Pope Alexander took the official number VI. This caused the true sixth Pope Alexander to take the number VII. This has advanced the numbering of all subsequent Popes Alexander by one. Popes Alexander VI-VIII are really the fifth through seventh popes by that name.
  3. ^ George L. Williams, 114.
  4. ^ Lorenzo Grottanelli, "La regina Cristina di Svezia in Roma," La Rassegna nazionale 50 (Firenze 1889), 225-253, at p. 250.
  5. ^ Mifsud, A. (1914). "Knights Hospitallers of the Ven. Tongue of England in Malta".
  6. ^ V. Borg, Fabio Chigi, Apostolic Delegate in Malta, 1634-1639. An edition of his official correspondence (Città del Vaticano: Biblioteca Apostolica Vaticana, 1967).
  7. ^ Winter, Johanna Maria (1998). Sources Concerning the Hospitallers of St. John in the Netherlands, 14th-18th Centuries. Brill. p. 133.
  8. ^ a b Patritius Gauchat, Hierarchia catholica medii et recentioris aevi Tomus IV, editio altera (Monasterii 1935), p. 257, and note 5.
  9. ^ "Pope Alexander VII - Fabio Chigi" Catholic-Hierarchy.org. David M. Cheney. Retrieved July 2, 2016
  10. ^ Joseph Bergin, Church, Society and Religious Change in France, 1580-1730 (New Haven: Yale University Press, 2009), pp. 396-404.
  11. ^ Baron, Salo Wittmayer (1969). A Social and Religious History of the Jews: Late Middle Ages and the Era of European Expansion. 10. Columbia University Press. p. 290.
  12. ^ Derek Croxton and Anuschka Tischer, The Peace of Westphalia : a historical dictionary (Westport, Conn.: Greenwood Press, 2002).
  13. ^ Kalevi Jaakko Holsti, Peace and War: Armed Conflicts and International Order, 1648-1989 (Cambridge: Cambridge University Press 1991), p. 25.
  14. ^ Salvador Miranda, Biographical notes on Fabio Chigi. Retrieved; 2016-03-19.
  15. ^ Merz, Jorg M.; Blunt, Anthony F. (2008). Pietro da Cortona and Roman Baroque Architecture. Yale University Press. p. 165.
  16. ^ Gauchat, p. 30.
  17. ^ J. P. Adams, Sede Vacante 1655. Retrieved: 2016-03-19.
  18. ^ Bargrave, John (2009). Robertson, James Craigie (ed.). Pope Alexander the Seventh and the College of Cardinals (Reprint ed.).
  19. ^ http://www.newadvent.org/cathen/01294a.htm
  20. ^ Oliva Muratore, "Formello, Villa Versaglia," Methodical Approach to the Restoration of Historic Architecture (ed. Calogero Bellanca) (Firenze: Alinea Editrice, 2011), pp. 123-135.
  21. ^ Krautheimer, Richard (1985). The Rome of Alexander VII 1655–1667. Princeton University Press. ISBN 978-0691040325.
  22. ^ Habel, Dorothy Metzger (2002). The Urban Development of Rome in the Age of Alexander VII. Cambridge University Press. ISBN 978-0521772648.
  23. ^ Krautheimer 1985, 3–7
  24. ^ Full title: Il Nuovo Teatro delle fabriche et edificij in prospettiva di Roma moderna sotto il felice pontificato di N.S. Alessandro VII , (The New Theatre of the building works and edifices of modern Rome under the happy pontificate of Our Lord Alexander VII), published by Giovanni Giacomo de Rossi
  25. ^ Lievin Cruyl, Prospectus Locorum Urbis Romae Insignium
  26. ^ Charles Avery, Bernini: Genius of the Baroque (London: Thames & Hudson, 1997). Franco Mormando, Bernini: His Life and His Rome (Chicago: University of Chicago Press, 2011).
  27. ^ Anthony Blunt, Borromini (Cambridge, Mass.: Belknap Press of Harvard University Press 1979), esp. pp. 111 ff.
  28. ^ Alexander’s forebear, Agostino Chigi, was banker to Julius II, who granted Agostino the right to a coat-of-arms which quartered the oak, the heraldic emblem of the della Rovere, Julius’s family, with his own family's arms.
  29. ^ See Krautheimer, R.; Jones, R. B. S. (1975). "The Diary of Alexander VII, notes on Art, Artists and Buildings". Römisches Jahrbuch für Kunstgeschichte. 15. ISBN 978-3803045034.
  30. ^ Dorothy Metzger Habel, "When All of Rome was Under Construction": The Building Process in Baroque Rome (University Park, Pa.: Pennsylvania State University Press, 2013), pp. 85-132.
  31. ^ http://www.csun.edu/~hcfll004/A7.html
  32. ^ Rossella Vodret Adamo, Palazzo Chigi (Milan: Electa, 2001).
  33. ^ Odoardo Reali, Palazzo Chigi a San Quirico: un restauro in corso (San Quirico d'Orcia [Italy]: Editrice DonChisciotte, 1997).
  34. ^ Iefke van Kampen, Il nuovo Museo dell'Agro Veientano a Palazzo Chigi di Formello (Roma: Quasar, 2012).
  35. ^ Paul Sonnino, Louis XIV's View of the Papacy (1661-1667) (Berkeley-Los Angeles: University of California Press, 1966), p. 53.
  36. ^ The Pontifical Decrees Against the Doctrine of the Earth's Movement, and the Ultramontane Defence of Them, Rev. William Roberts, 1885, London, p.93.
  37. ^ Roberts, p.94. Cf. Maurice A. Finocchiaro, Retrying Galileo, 1633-1992 (Berkeley-Los Angeles: University of California Press 2005), pp. 258-259.
  38. ^ Joseph Hebers, Wikisource-logo.svg Herbermann, Charles, ed. (1913). "Index of Prohibited Books" . Catholic Encyclopedia. New York: Robert Appleton Company.
  39. ^ Galileo#Church reassessments of Galileo in later centuries
  40. ^ Index of Forbidden Books#Abolition (1966)
  41. ^ Bullarum Diplomatum et Privilegiorum Sanctorum Romanorum Pontificium Taurensis Editio Tomus XVI (Turin 1869), no. CCCLXVI, pp. 739-742.
  42. ^ The Deaths of the Popes. Alexander VII. Wendy J. Reardon. 2004. ISBN 9781476602318. Retrieved 19 January 2019.
  43. ^ "A short account of the life and death of pope Alexander the VII". Moses Pitt at the White Hart. 1667. Retrieved 22 January 2019.
  44. ^ The Deaths of the Popes. Alexander VII (page 211). Wendy J. Reardon. 2004. ISBN 9781476602318. Retrieved 19 January 2019.

Acknowledgments

External links

Catholic Church titles
Preceded by
Girolamo de Franchis
Bishop of Nardò
1635–1652
Succeeded by
Calanio della Ciaja
Preceded by
Martino Alfieri
Apostolic Nuncio to Germany
1639–1651
Succeeded by
Giuseppe Sanfelice
Preceded by
Giovanni Giacomo Panciroli
Cardinal Secretary of State
1651–1655
Succeeded by
Giulio Rospigliosi
Preceded by
Mario Theodoli
Cardinal-Priest of Santa Maria del Popolo
1652–1655
Succeeded by
Giangiacomo Teodoro Trivulzio
Preceded by
Marco Antonio Coccini
Archbishop (Personal Title) of Imola
1653–1655
Succeeded by
Giovanni Stefano Donghi
Preceded by
Innocent X
Pope
7 April 1655 – 22 May 1667
Succeeded by
Clement IX
Ad sanctam beati Petri sedem

Ad sanctam beati Petri sedem is an apostolic constitution in the form of a papal bull promulgated by Pope Alexander VII in 1656 which judged the meaning and intention of Cornelius Jansen's words in Augustinus, and confirmed and renewed the condemnation in Cum occasione promulgated by Pope Innocent X in 1653 that five propositions found in Augustinus were heretical.That same year, 1656, sixty Jansenist doctors, including Antoine Arnauld, were degraded from the College of Sorbonne faculty of theology. French bishops supported Alexander VII.Michael O'Riordan wrote, in Catholic Encyclopedia, that since some still insisted that those propositions were not to be found in Augustinus, or were not meant by Jansen in the sense in which they were condemned, Ad sanctam beati Petri sedem furthermore declared that they are contained in Augustinus, and have been condemned according to the sense of the author.Alexander VII continued this condemnation in Regiminis Apostolici, promulgated in 1665 which required, according to the Enchiridion symbolorum, "all ecclesiastical personnel and teachers" to subscribe to an included formulary, the Formula of Submission for the Jansenists, by rejecting and condemning the five propositions contained in Augustinus.

Jansenism was condemned as heretical, by the Catholic Church, in at least four documents: Ad sanctam beati Petri sedem, Regiminis Apostolici, Vineam Domini Sabaoth, and Unigenitus.

Benito de Rivas

Benito de Rivas, O.S.B. (died August 21, 1668) was a Roman Catholic prelate who served as the Bishop of Puerto Rico (1663–1668).

Camillo Ragona

Camillo Ragona (1604 – 1 August 1677) was a Roman Catholic prelate who served as Bishop of Capaccio (1665–1677) and Bishop of Acerno (1644–1665).

Diego Osorio de Escobar y Llamas

Diego Osorio de Escobar y Llamas (c. 1608, Coruña, Galicia, Spain – October 17, 1673, Puebla, New Spain) was Roman Catholic bishop of Puebla (1656–1673) and viceroy of New Spain from June 29, 1664 to October 15, 1664.

Elephant and Obelisk

Elephant and Obelisk is the base of the smallest obelisk of Rome, with a height of 5.47 meters: there are other 12 ancient obelisks present in Rome nowadays.

The statue is a sculpture designed by the Italian artist Gian Lorenzo Bernini. The elephant was probably executed by his assistant Ercole Ferrata; the Egyptian obelisk was uncovered during nearby excavations. It was unveiled in February 1667 in the Piazza della Minerva in Rome, adjacent to the church of Santa Maria sopra Minerva, where it stands today.

The image possibly originated from the Hypnerotomachia Polyphili of 1499. Various preparatory drawings done by Bernini exist. One version in Windsor Castle, UK was probably done in the 1630s when Cardinal Francesco Barberini wished to place an Egyptian obelisk in front of his family palace, the Palazzo Barberini. Nothing came of this specific project, but Bernini revived the idea in the 1660s, when Pope Alexander VII, Fabio Chigi, wished to build a similar monument after another Egyptian obelisk had been discovered in Rome.

Various other concepts were explored for this later commission as attested by preparatory drawings. It is likely that the drawings were used so that the patron could make a decision about which design he wanted. This include a drawing (in Leipzig) of the figure of Time holding a scythe and simultaneously the obelisk. In the Vatican Library there are two pen and ink drawings with other figures holding up the obelisk, including one of Hercules, and another with various allegorical figures supporting the spire. A third version in the Vatican Library shows Bernini adapting on the concept he created in the 1630s, although he added in a larger base, changed the direction of the elephant's orientation, and made its face appear more friendly than ferocious.It turned out to be the last commission Pope Alexander VII would ask of Bernini, as he died in May 1667. He was succeeded by Pope Clement IX.

On 15 November 2016, Rome authorities announced they were searching for vandals who broke the left tusk the previous Sunday night and left the piece nearby. Mayor Virginia Raggi said that they will assess the damage to determine how to best reattach the fragment.The statue makes a brief but prominent appearance in the Italian neorealist film Umberto D. (1952). It also features as a motif in the novel Adua by Igiaba Scego (2015).

Francesco de' Marini

Francesco de' Marini (1630–1700) was a Roman Catholic prelate who served as Titular Archbishop of Teodosia (1676–1700), Titular Archbishop of Amasea (1671–1676), Bishop of Molfetta (1666–1670), and Bishop of Albenga (1655–1666).

Giacomo Altoviti

Giacomo Altoviti (1604 – 18 May 1693) was a Roman Catholic prelate who served as Titular Patriarch of Antiochia (1667–1693), Apostolic Nuncio to Venice (1658–1666), and Titular Archbishop of Athenae (1658–1667).

Juan Francisco Arnaldo Isasi

Juan Francisco Arnaldo Isasi (died 1655) was a Roman Catholic prelate who served as Bishop of Puerto Rico (1656–1661).

Juan Velez (bishop elect)

Father Juan Vélez (March 12, 1602 – 1661) was a Roman Catholic prelate who was appointed Bishop of Cebu.

Luis Morales (bishop)

Luis Morales, O.S.A. (1608 – 10 January 1681) was a Roman Catholic prelate who served as Bishop of Tropea (1667–1681)

and Bishop of Ariano (1659–1667).

Marcos Ramírez de Prado y Ovando

Marcos Ramírez de Prado y Ovando (April 24, 1592 – May 14, 1667) was a Roman Catholic prelate who served as Archbishop of Mexico (1666–1667), Bishop of Michoacán (1639–1666), and Bishop of Chiapas (1632–1639).

Melchor Liñán y Cisneros

Melchor Liñán y Cisneros (sometimes Melchor de Liñán y Cisneros) (December 19, 1629, Madrid – June 28, 1708, Lima, Peru) was a Roman Catholic prelate who served as Archbishop of Lima (1677–1708), Archbishop of La Plata o Charcas (1672–1675), Bishop of Popayán (1667–1672), and Bishop of Santa Marta (1664–1668). He also served as Viceroy of Peru from July 7, 1678 to November 20, 1681.[1]

Pedro Urbina Montoya

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Pier Antonio Capobianco

Pier Antonio Capobianco (26 January 1619 – 30 October 1689) was a Roman Catholic prelate who served as Bishop of Lacedonia from 1663 to 1672.

Statue of Alexander VII (Bernini)

The Statue of Alexander VII is a large sculpture of Fabio Chigi (Pope Alexander VII), designed by the Italian artist Gian Lorenzo Bernini and executed by a member of his studio, probably Antonio Raggi. It sits in its original location of the Cathedral of Siena. It was begun in 1661 and completed in 1663.

Stefano Ugolini

Stefano Ugolini (died 1681) was a Roman Catholic prelate who served as Titular Patriarch of Constantinople (1667–1681) and Titular Archbishop of Corinthus (1666–1667).

Tomb of Pope Alexander VII

The Tomb of Pope Alexander VII is a sculptural monument designed and partially executed by the Italian artist Gianlorenzo Bernini. It is located in the south transept of St. Peter's Basilica in the Vatican City. The piece was commissioned by Pope Alexander VII himself. However, construction of the monument didn't start until 1671 and was completed in 1678, eleven years after the Pope's death. At the age of 81, this would be Bernini's last major sculptural commission before his death in 1680.

Tommaso Brancaccio

Tommaso Brancaccio (1621 – 29 April 1677) was a Roman Catholic prelate who served as Bishop of Nardò (1669–1677) and Bishop of Avellino e Frigento (1656–1669).

Tommaso de Rosa

Tommaso de Rosa (1621 – 10 October 1695) was a Roman Catholic prelate who served as Bishop of Policastro (1695–1679) and Bishop of Sant'Angelo dei Lombardi e Bisaccia (1662–1679).

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