Pop punk

Pop punk (also known as punk-pop or pop-punk) is a genre of rock music that combines influences of pop music with punk rock. Fast tempos, prominent electric guitars with distortion, and power chord changes are typically played under pop-influenced melodies and vocal styles with lighthearted lyrical themes including boredom and teenage romance.

Early punk rock bands such as Ramones, Buzzcocks, Stiff Little Fingers, and the Undertones all had strong sense of melody, taking some cues from pop rock and power pop. In the early–mid 1980s, punk rock bands like Descendents combined punk rock and hardcore punk with pop-influenced melodies and lyrical themes involving humor, girls, and teenage confusion. 1980s punk bands like Bad Religion influenced later pop punk music. Pop punk in the United States began to grow in popularity in the mid-to-late 1980s and early 1990s, especially in California where independent record labels (most notably Lookout! Records) adopted a do it yourself (DIY) approach to releasing music. Lookout! Records signed punk rock and pop punk bands like Green Day, Screeching Weasel, The Queers, Rancid, and The Mr. T Experience.

In the mid-1990s, pop punk broke into the mainstream with the mainstream success of Green Day, Rancid, and the Offspring. During this time, these bands sold millions of records and received extensive radio and television airplay. In the late 1990s, pop punk bands like Lit, Eve 6, and Blink-182 became mainstream and continued to be mainstream in the 2000s. In the early–mid 2000s, pop punk bands like Sum 41, Good Charlotte, and New Found Glory also achieved mainstream success. In the 2000s, emo pop, a genre that combines emo with pop punk, became one of the most mainstream genres of rock with the mainstream success of emo pop bands like Fall Out Boy, Panic! at the Disco, My Chemical Romance, The All-American Rejects, and Paramore. Although pop punk's mainstream popularity declined in the 2010s, the genre still had some success with bands like The Story So Far, Real Friends, The Wonder Years, and Neck Deep.

Pop punk
Other namesPunk-pop
Stylistic origins
Cultural origins
Typical instruments
Fusion genres
Regional scenes
Other topics


Pop punk typically merges upbeat pop melodies with catchy hooks, catchy choruses, harmonies, speedy tempos, punk rock power chord changes and loud, distorted electric guitars.[1][2][3] About.com has described second-wave pop punk bands as having "a radio friendly sheen to their music, but still maintaining much of the speed and attitude of classic punk rock".[2] According to The A.V. Club, pop punk often pits "sweet harmonies against bratty, rowdy riffs".[3] Lyrical topics that are common in pop punk include love, lust, drunkenness, adolescence, cartoonish violence and drugs. Some pop punk lyrics focus on jokes and humor.[3] Some pop punk music features elements of alternative rock,[1] power pop,[3][1] emo[4] or skate punk.[5] According to Ryan Cooper of About.com, "pop punk is a style that owes more to the Beatles and '60s pop than other subgenres of punk".[6]


Origins (1974–1979)

The Buzzcocks 1
Buzzcocks are considered one of the pioneers of pop punk.[7]

Protopunk and power pop bands of the late 1960s and early 1970s helped lay the groundwork for the pop punk sound, which emerged at the onset of punk rock around 1974 with the Ramones.[8] The Beatles, the Kinks and the Beach Boys all paved the way for pop punk.[3][9] With their love of the Beach Boys and late 1960s bubblegum pop, the Ramones paved the way to what became known as pop punk.[10] The Ramones' loud and fast melodic minimalism differentiated them from other bands in New York City's budding art rock scene, but pop punk was not considered a separate subgenre until later. An early use of the term "pop punk" appeared in a 1977 New York Times article, "Cabaret: Tom Petty's Pop Punk Rock Evokes Sounds of 60s".[11] In the late 1970s, English band Buzzcocks and Northern Irish bands The Undertones and Stiff Little Fingers combined pop-style tunes and lyrical themes with punk rock's speed and chaotic edge.[12][13] The Buzzcocks' 1979 compilation album Singles Going Steady has been called "the blueprint for punk rock bands preferring tuneful tales of lost love and longing to rage against the machine."[14] The music of other UK bands, such as Generation X, 999 and The Jam,[15] featured poppy melodies as well as lyrics that sometimes dealt with relatively light themes such as teenage romance. Many UK mod revival bands of the late 1970s and early 1980s also displayed pop punk characteristics.

Emergence (1979–1993)

Descendents 2014-09-28 01
The Descendents are considered a prominent band of 1980s pop punk.[7]

The American band Bad Religion, formed in 1979, also helped to lay the groundwork for contemporary pop punk.[16][17][18] Bad Religion and some of the other leading bands in Southern California's hardcore punk scene emphasized a more melodic approach than was typical of their peers. According to music journalist Ben Myers, Bad Religion "layered their pissed off, politicized sound with the smoothest of harmonies". Meyers wrote that Descendents "wrote almost surfy, Beach Boys-inspired songs about girls and food and being young(ish)".[19] Their positive yet sarcastic approach began to separate them from the more serious hardcore scene. The Descendents' 1982 debut LP Milo Goes to College provided the template for the United States' take on the more melodic strains of first wave punk.[14] In addition to the California scene, the Minnesota band Hüsker Dü, formed in 1979, fused blistering hardcore punk with a highly melodic, 1960s pop influenced songwriting approach, paving the way for alternative rock. Music writer Michael Azerrad asserted in his book Our Band Could Be Your Life (2001) that "Hüsker Dü played a huge role in convincing the underground that melody and punk rock weren't antithetical." In the 1980s, the term pop punk was used in publications such as Maximum RocknRoll to describe bands similar to Social Distortion, Agent Orange, The Nip Drivers and T.S.O.L..[20] Bands such as The Vandals and Guttermouth also contributed to the development of pop punk by creating a style that blended pop melodies with humorous and offensive lyrics.

The Queers
Pop punk band The Queers in 2009

Pop punk in the United States began to grow in popularity in the late 1980s especially in California due to bands like Dag Nasty and All, but the genre was not yet considered commercially viable by major US record labels. Bands such as Bad Religion, Descendents, and The Vandals began to inspire the formation of bands like The Offspring and the more melodic Green Day. Many pop punk bands espoused a do it yourself (DIY) approach to their music, and a number of independent record labels emerged during this period, often run by band members who wanted to release their own music and that of their friends. During this period several independent labels were formed that would achieve much notoriety and commercial success in the 1990s, namely Epitaph Records (1987), Lookout! Records (1987), and Fat Wreck Chords (1990). During the 1980s and early 1990s, pop punk bands such as The Queers,[7] The Mr. T Experience,[21] Jawbreaker[22] and Screeching Weasel[7] emerged. Some of these bands, including Screeching Weasel,[7] The Queers[7] and The Mr. T Experience,[21] were signed to the record label Lookout! Records, which also signed Green Day.[21] In August 1992, early 1990s California punk rock and pop punk was noticed by the magazine Spin when the magazine published a story called "California Screamin' ", which is about the early 1990s underground punk rock scene in California, mentioning pop punk bands like Screeching Weasel and Green Day.[23]

Mainstream success (1994–2009)

In 1993, California's Green Day and Bad Religion were both signed to major labels, and by 1994, pop punk was quickly growing in mainstream popularity. Many punk rock and pop punk bands originated from the California punk scene of the late 1980s, and several of those bands, especially Green Day and The Offspring, helped revive interest in punk rock in the 1990s.[24]

Green Day at 2009 MTV VMA's
Pop punk band Green Day at the 2009 MTV Video Music Awards

Green Day arose from the 924 Gilman Street punk scene in Berkeley, California.[25] After building an underground following, the band signed to Reprise Records and released their major-label debut album, Dookie, in 1994. Dookie sold four million copies by the year's end and spawned several radio singles that received extensive MTV rotation, three of which peaked at number one on the Modern Rock Tracks chart.[26] Green Day headlined Lollapalooza and Woodstock 1994 and were nominated for four Grammy Awards and won in the category for Best Alternative Album. Green Day's enormous commercial success paved the way for other North American pop punk bands in the following decade.[27] Green Day's song "Longview" peaked at number 1 on the Modern Rock Tracks chart[28] and number 36 on the Radio Songs chart.[29] Green Day's song "Basket Case" peaked at number 16 on the Mainstream Top 40 chart.[30] Green Day's song "When I Come Around" peaked at number 6 on the Radio Songs chart[29] and number 2 on the Mainstream Top 40 chart.[30] Green Day's album Dookie was certified diamond by the Recording Industry Association of America in 1999.[31] The Offspring also achieved mainstream success in the mid-1990s; its album Smash was certified 6x platinum by the Recording Industry Association of America in 2000,[32] selling 6,300,000 copies in the United States.[33]

MTV and radio stations such as Los Angeles' KROQ-FM played a major role in the genre's mainstream success.[34] KROQ's steady airplay of a remix of Face to Face's song "Disconnected" led the band to re-record the track for their 1994 album Big Choice, which sold over 100,000 copies.[35][36] Meanwhile, Bad Religion's album Stranger Than Fiction (1994) was certified gold.[37] Rancid's songs "Time Bomb" and "Ruby Soho" were on the Radio Songs chart in the mid-1990s.[38] The band's album ...And Out Come the Wolves was certified platinum by the Recording Industry Association of America.[39] In the aftermath of the 1994 punk breakthrough, bands such as Rancid and Face to Face were the subject of major-label bidding wars and lucrative deals.[26] The Australian bands Frenzal Rhomb and Bodyjar established followings in Japan.[40] Goldfinger's song "Here in Your Bedroom" peaked at number 47 on the Radio Songs chart[41] and number 5 on the Modern Rock Tracks chart.[42]

The Warped Tour and the mall chain store Hot Topic brought punk even further into the United States mainstream.[43] With punk rock's renewed visibility came concerns among some in the punk subculture that the music was being co-opted by the mainstream.[34] Some punk rock fans criticized Green Day for "selling out" and rejected their music as too soft, pop-oriented and not legitimate punk rock.[26][44][45] They argued that by signing to major labels and appearing on MTV, bands like Green Day were buying into a system that punk was created to challenge.[46] Blink-182 broke into the mainstream with their 1997 album Dude Ranch. Dude Ranch was certified platinum by the Recording Industry Association of America in 1999.[47] Dude Ranch's song "Dammit" peaked at number 61 on the Radio Songs chart in February 1998.[48] Eve 6 released their self-titled debut album on RCA Records in April, which peaked at number one on the Top Heatseekers chart and number 33 on the Billboard 200 chart. The album's song "Inside Out" peaked at number 28 on the Billboard Hot 100.[49] In November 1998, Eve 6' self-titled debut album was certified platinum by the Recording Industry Association of America.[50] In November 1998, The Offspring's album Americana was released and was certified 5x platinum by the Recording Industry Association of America.[51] A bootleg MP3 of Americana's first single, "Pretty Fly (for a White Guy)", was uploaded to the Internet and was illegally downloaded 22,000,000 times.[52] "Pretty Fly (for a White Guy)" peaked at number 13 on the Mainstream Top 40 chart on January 30, 1999. Also, The Offspring's song "Why Don't You Get a Job?" peaked at number 21 on the Mainstream Top 40 chart on May 22, 1999.[53]

Blink-182 10th Anniversary Show, November 2013
Pop punk band Blink-182 performing in Los Angeles, California in November 2013.

Although Blink-182 broke into the mainstream with the release of Dude Ranch, the band became much more popular with the release of the 1999 album Enema of the State.[2] Enema of the State was certified 5x platinum by the Recording Industry Association of America on February 26, 2001[54] and sold 15 million copies worldwide.[55] Enema of the State's song "What's My Age Again?" peaked at number 58 on the Billboard Hot 100 on October 23, 1999. Enema of the State's song "All the Small Things" peaked at number 6 on the Billboard Hot 100 on February 19, 2000.[56] Lit had also achieved commercial success. Lit's song "My Own Worst Enemy" peaked at number 51 on the Billboard Hot 100 chart on July 3, 1999[57] and number 1 on the Modern Rock Tracks chart on April 10, 1999.[58] "My Own Worst Enemy" was at number 1 on the Modern Rock Tracks chart for two months.[59] Lit's album A Place in the Sun was certified platinum by the RIAA.[60] In 2000, SR-71's song "Right Now" peaked at number 30 on the Mainstream Top 40 chart.[61] Jimmy Eat World gained commercial success with their breakthrough album Bleed American (2001), which was certified platinum by the Recording Industry Association of America in August 2002.[62] Bleed American's song "The Middle" peaked at number 5 on the Billboard Hot 100.[63] Blink-182 had continued success in 2001 with Take Off Your Pants and Jacket, which peaked at number 1 on the Billboard 200[64] and sold 350,000 copies in its first week of being released.[65] Take Off Your Pants and Jacket was certified 2x platinum by the Recording Industry Association of America in May 2002[66] and sold 14,000,000 copies worldwide.[67]

Sum 41 AP Awards 1
Sum 41 performing in Cleveland, Ohio in 2015

In 2001, Sum 41 achieved mainstream success. The band's song "Fat Lip" peaked at number 66 on the Billboard Hot 100 chart,[68] peaked at number 1 on the Modern Rock Tracks chart,[69] and was constantly at number 1 on MTV's Total Request Live.[70] Sum 41's album All Killer No Filler was certified platinum by the Recording Industry Association of America in August 2001.[71] In 2001, American Hi-Fi achieved mainstream success. On August 4, 2001, the band's song "Flavor of the Weak" peaked at number 41 on the Billboard Hot 100 chart.[72] On August 18, 2001, "Flavor of the Weak" by American Hi-Fi peaked at number 15 on the Mainstream Top 40 chart.[73] In 2002, New Found Glory's song "My Friends Over You" peaked at number 85 on the Billboard Hot 100.[74] The band's album Sticks and Stones was certified gold by the Recording Industry Association of America in September 2002.[75] Saves the Day's Through Being Cool (1999) would later pave the way for a new wave of pop punk, influencing bands such as Fall Out Boy, My Chemical Romance and Taking Back Sunday.[76]

Good Charlotte achieved mainstream success with its album The Young and the Hopeless, which was certified 3x platinum by the Recording Industry Association of America.[77] Good Charlotte's self-titled album was certified gold by the Recording Industry Association of America.[78] Good Charlotte's song "Lifestyles of the Rich and Famous" peaked at number 6 on the Mainstream Top 40 chart[79] and number 20 on the Billboard Hot 100 chart.[80] The band's "The Anthem" peaked at number 11 on the Mainstream Top 40 chart[79] and number 43 on the Billboard Hot 100 chart.[80] Good Charlotte's song "Girls & Boys" peaked at number 10 on the Mainstream Top 40 chart[79] and number 48 on the Billboard Hot 100 chart.[80]

Avril Lavigne performing in Toronto, Ontario, Canada in September 2002

Canadian solo artist Avril Lavigne, often referred by media and critics as the "Pop Punk Queen",[81] found commercial success in 2002, with her punk-influenced pop sound.[82][83][84] Lavigne's album Let Go was certified 6x platinum by the Recording Industry Association of America in April 2003,[85] the album is considered as a highlight in the pop-punk scene and paved the way for the success of female-driven punk-influenced pop rock music, such as Paramore, Skye Sweetnam, Fefe Dobson, Lillix, Kelly Osbourne, Krystal Meyers, Tonight Alive, Courage My Love, Hey Monday, among others as being a direct result.[86] Fellow Canadian artist Simple Plan experienced commercial success in 2003. Simple Plan's song "I'd Do Anything" peaked at number 16 on the Mainstream Top 40 chart in March 2003. The band's song "Addicted" peaked at number 11 on the Mainstream Top 40 chart in August 2003. Simple Plan's song "Perfect" peaked at number 5 on the Mainstream Top 40 chart in December 2003.[87]

The Ataris achieved mainstream success in 2003 with its cover of the song "The Boys of Summer". The Ataris' cover of "The Boys of Summer" peaked at number 20 on the Billboard Hot 100.[88] Yellowcard achieved mainstream success in 2004 with its song "Ocean Avenue". "Ocean Avenue" peaked at number 13 on the Mainstream Top 40 chart.[89] Blink-182's fifth studio album, Blink-182 (2003), sold 2.2 million copies in the United States.[90]

In 2004, Good Charlotte released its album The Chronicles of Life and Death, led by the lead single "Predictable". The album was certified platinum by the Recording Industry Association of America in December 2004.[91] "Predictable" by Good Charlotte peaked at number 20 on the Mainstream Top 40 chart.[79] The band Bowling for Soup achieved mainstream success in 2004. Bowling for Soup's song "1985" peaked at number 10 on the Mainstream Top 40 chart. Bowling for Soup's song "Girl All the Bad Guys Want" peaked at number 17 on the Mainstream Top 40 chart. The band's song "Almost" peaked at number 21 on the Mainstream Top 40 chart. Bowling for Soup's song "Ohio (Come Back to Texas)" peaked at number 35 on the Mainstream Top 40 chart.[92] Bowling for Soup's single "1985" was certified gold by the Recording Industry Association of America in November 2004. In January 2008, the single was certified platinum by the Recording Industry Association of America.[93] My Chemial Romance released their breakthrough album Three Cheers For Sweet Revenge which has sold over a million copies in the United States. In the mid-2000s, Green Day became mainstream again with its album American Idiot. The Green Day album American Idiot was certified 6x platinum by the Recording Industry Association of America.[94]

Fall Out Boy in concert
Fall Out Boy performing in 2006

Emo pop, a fusion genre combining emo and pop punk, became popular in the mid-2000s, with record labels such as Fueled by Ramen releasing platinum albums from bands including Fall Out Boy, Panic! at the Disco, Red Jumpsuit Apparatus and Paramore.[95] Devon Maloney of MTV News wrote: "While many pop punk fans adamantly deny any association between their favorite acts and those labeled "emo," crossover bands who melded the two have gradually put both genres in the same scene-boat."[96] Fall Out Boy achieved mainstream success with its 2005 album From Under the Cork Tree, which was certified 2× platinum by the Recording Industry Association of America in January 2006.[97] During the mid–late 2000s, three Fall Out Boy songs were on the top ten of the Billboard Hot 100.[98] Although Fall Out Boy had been a staple of the Chicago hardcore scene, where they mixed pop sensibilities with hardcore punk, they are widely considered a pop punk and emo pop act.[99][100]

The All-American Rejects found success with Move Along (2005), which inspired three top 15 singles.[101] Panic! at the Disco scored a hit single, "I Write Sins, Not Tragedies", which peaked at number 7 on the Billboard Hot 100[102] and won the band a 2006 MTV Video Music Award for Video of the Year.[103] Avril Lavigne had success with the single "Girlfriend", which peaked at number one on the Billboard Hot 100 in May 2007 and sold over 10 million copies worldwide.[104] Her platinum album, The Best Damn Thing,[105] sold around 8 million copies worldwide, making it the top-selling pop punk album of 2007.[106][107] Paramore achieved mainstream success in the late 2000s. During the late 2000s, many Paramore songs were on the Billboard Hot 100. Paramore's song "Misery Business" peaked at number 26 on the Billboard Hot 100 in January 2008. Paramore's song "Crushcrushcrush" peaked at number 54 on the Billboard Hot 100 in January 2008 and the band's song "That's What You Get" peaked at number 66 on the Billboard Hot 100 in August 2008. Also, Paramore's song "Ignorance" peaked at number 67 on the Billboard Hot 100 in July 2009.[108] Paramore's song "Careful" peaked at number 78 on the Billboard Hot 100 in October 2009.[109] Paramore's album Riot! was certified 2x platinum by the Recording Industry Association of America.[110]

Several pop punk bands took different directions in the late 2000s, with Panic! at the Disco crafting the Beatles-inspired, baroque pop-styled record Pretty. Odd. (2008) and Fall Out Boy experimenting with glam rock, blues rock and R&B on Folie a Deux (2008), both of which created fan confusion and backlash. As of 2013, Folie a Deux has sold approximately 500,000 copies in the United States, compared to their first hit album, From Under the Cork Tree, which has a total of 2.7 million record sales in the U.S. as of 2013, a representation of the backlash from their fanbase as the group experimented with a musical style differing from their pop rock background.[111][112]

Decline in mainstream popularity, resurgence (2009–present)

Pop punk generally waned in mainstream popularity by the late 2000s. The genre has fallen out of mainstream radio success, with rock bands and guitars becoming rare on dance-focused pop radio.[113] While Blink-182 and Green Day continue to headline arenas and sell out their concerts,[114][115] others, such as New Found Glory and Yellowcard, have seen attendance decrease steadily.[116] Devon Maloney of MTV wrote that "Pop punk and emo bands don’t headline Coachella or Bonnaroo; they rarely, if ever, are even billed on mainstream festival stages," and notes that it has similarly disappeared from the press. The only magazines that feature pop punk bands are niche publications like Alternative Press (AP) and the occasional teen magazine, while influential pop punk magazine AMP ceased publication in 2013.[96]

The genre has experienced somewhat of a "minor renaissance."[118] Several pop punk bands have embarked on anniversary tours, playing some of their most popular albums in full. While some members of these bands have had mixed feelings about these performances, quite often these tours sell as well as or better than the first time around.[96] Club promoters in the United Kingdom have created nights based around lasting appreciation of the genre, including Pop Punk Ain't Dead in Brighton, Hello Bastards in Leeds, Say It Ain't So in London and What's My Age Again?, a night celebrating "pop-punk, youthful abandon and teenage riot".[119] The Warped Tour still attracts hundreds of thousands of attendees each year; the 2012 tour attracted 556,000 festival-goers, its third-best attendance.[96] Bobby Olivier of The Star-Ledger wrote: "The genre, like an awkward high school kid, continues to reinvent itself and Warped is pop-punk’s prom."[120]

Many pop punk bands have folded; "once essentially child stars, their members are now adult musicians hoping to move beyond the teen trappings that gave them careers."[96] Fall Out Boy and Paramore, "two bands who rocketed into the mainstream at the height (or perhaps at the tail end) of emo and pop punk’s second wave," had two number one albums—Save Rock and Roll and Paramore—side by side on the Billboard 200. Fall Out Boy along with other pop punk/punk rock bands that peaked during the early 2000s are now seen to be experimenting with the more pop side of the pop punk, in order to maintain their relevancy and keep the interest of their fanbase while gaining the appeal of the newer generations that may not relate as much to the punk themes of the 1970s.[121] Their popularity provoked conversations about the state of the genre; Maloney writes that these records "could hardly be considered pop punk at this point."[96]

Pop punk bands that achieve minimal mainstream success have seen a return to grassroots form, "the micro-operation style that yielded the results that caught the mainstream’s attention in the first place."[96] New Found Glory has continued to tour on the Warped Tour, and had their own Pop Punks Not Dead Tour, a reworking of an "old, defiant punk rock battle cry."[122] Chad Gilbert, the band's guitarist, wrote in an op-ed for Alternative Press entitled "Why Pop-Punk's Not Dead—And Why It Still Matters Today": "This isn't a dead genre, and just because there isn't a song on the radio to clarify that shouldn't matter. ... Pop-punk means something to a lot of people and to me, having success as a band in our genre is about longevity, touring a lot and staying true to your fans. It's about us putting our lives on a plate for our fans to take what they want and not jeopardizing our integrity for any reason."[116]

The Wonder Years Warped Tour 2013 1
Pop punk band The Wonder Years

A new wave of pop punk groups had sprung up sometime around 2010.[123] Dave Beech of Clash noted that these groups were "[d]arker and more mature" than those previously, taking influence "and occasional indifference" from 1990s emo.[123] On The Wonder Years' The Upsides (2010), vocalist Dan Campbell sung about "His early twenties soul-searching and tales of strife" which "resonated with a [new] generation, inspiring countless imitators in the process."[124] This pushed Campbell to "the forefront of a new wave", and the album influencing a new wave of pop punk bands.[124] The Story So Far's second album, What You Don't See (2013), "cemented their place at the top table of nu pop-punk".[125] Rock Sound included The Wonder Years' The Greatest Generation on their best albums of 2013 list, calling it "the defining album of what may well have been the genre's best year for a decade."[126] Kerrang! said the album "ripped up the pop-punk blueprint" pushing the genre to "new peaks of invention, both lyrically and musically."[127] In early 2014, Welsh band Neck Deep released their debut album Wishful Thinking, which Rock Sound later called it "the greatest UK pop-punk record of all time."[128] Also in 2014, Australian band 5 Seconds of Summer's self titled album debuted at number 1 on the Billboard 200 chart and in many other countries, prompting Alternative Press to describe the band as important to the marketing of the pop-punk scene.[129]

All Time Low - Saratoga Performing Arts Center September 4 2016
All Time Low on tour in 2016

In 2015, All Time Low's Future Hearts brought the band a career best Billboard 200 number 2 charting with 75,000 copies sold.[130] The album had been described as pop rock and power pop, as well as pop punk.[131] Neck Deep's second album Life's Not out to Get You (2015) hit number 8 on the UK charts[132] and number 17 on the Billboard 200.[133] Blink-182's seventh album California debuted at number one on the Billboard 200, becoming their first number one since Take Off Your Pants and Jacket in 2001. The first single from the album, "Bored to Death", reached the number one spot on Alternative Songs chart.[134] JR Griffin of Rolling Stone "The group is aiming to recapture its "golden-age" vibe."[135] In October 2016, Green Day released its twelfth studio album Revolution Radio.[136] The album debuted at number 1 on the Billboard 200.[137] In the same month Sum 41 also released their comeback album 13 Voices which peaked at number 22 on the Billboard 200 and number 6 on the Canadian chart. In 2017, Paramore released its fifth album titled After Laughter. The album completely departed from their pop punk sound for the new wave and synth-pop sound from the '80s. Yellowcard broke up in 2017, playing its final show on March 25. Also in 2017 Neck Deep's third album The Peace and the Panic hit number 4 in both the US and the UK.[138][139]

The decline in popularity of mainstream pop punk, coupled with the closure of many mid-size venues associated with the genre, has resulted in many venues and labels returning to the DIY ethic that first spawned the punk movement.[140][141][142] Blink-182 has also announced plans to release a new album in May of 2019. Nevertheless, all this suggests that pop punk seems to have made a since resurgence in interest and subcultural popularity in the late 2010s even if not on the radio Top-40.

Subgenres and fusion genres

Neon pop

FTSK Darien Center
Neon pop band Forever the Sickest Kids

Neon pop (or neon pop punk) is a subgenre of pop punk that makes notable use of synthesizers. Alternative Press writer Tyler Sharp wrote that by the late 2000s, pop punk had taken "on a new, synth-laden face."[143] While this wasn't the first instance that "a band decided to put fuzzy keys over their chord progressions, but it was a time when that formula was perfected."[143] Kika Chatterjee of Alternative Press added that the late 2000s "brought in glowing synths and poppy melodies that shifted the entire definition of [pop punk]", giving it the "neon" moniker.[144] Sharp listed songs by Cobra Starship, the Secret Handshake,[143] the Maine, and Forever the Sickest Kids, among others[145] as songs "from pop punk's neon era."[143] In addition, Chatterjee listed songs by the Cab, A Rocket to the Moon and Sing It Loud, among others.[144] Sharp noted that Forever the Sickest Kids' debut album Underdog Alma Mater (2008) was "a big moment" for the genre.[145]

Emo pop

Emo pop (or emo pop punk) is a subgenre of both emo and pop punk.[146] AllMusic describes emo pop as blending "youthful angst" with "slick production" and mainstream appeal, using "high-pitched melodies, rhythmic guitars, and lyrics concerning adolescence, relationships, and heartbreak."[147] The Guardian described emo pop as a cross between "saccharine boy-band pop" and emo.[148]

Weezer's Pinkerton (1996) was seen by Spin as "a groundbreaking record for all the emo-pop that would follow."[149] According to Nicole Keiper of CMJ, Sense Field's Building (1996) pushed the band "into the emo-pop camp with the likes of the Get Up Kids and Jejune".[150] As emo became commercially successful in the early 2000s, emo pop was popular with Jimmy Eat World's 2001 album Bleed American and the success of its single "The Middle".[147]

TGUK Bowry
The Get Up Kids at the Bowery Ballroom in 2000

Emo pop developed during the 1990s. Jimmy Eat World,[147] the Get Up Kids[151] and The Promise Ring[152] were early emo-pop bands. The emo pop style of Jimmy Eat World's album, Clarity,[153] influenced later emo.[154]

Emo pop became successful during the late 1990s, with its popularity increasing in the early 2000s. The Get Up Kids sold over 15,000 copies of their debut album, Four Minute Mile (1997), before signing with Vagrant Records. The label promoted them, sending them on tours to open for Green Day and Weezer.[155] Their 1999 album, Something to Write Home About, reached number 31 on Billboard's Top Heatseekers chart.[156]

As emo pop coalesced, the Fueled by Ramen label became a center of the movement and signed Fall Out Boy, Panic! at the Disco, and Paramore (all of whom had been successful).[147] Two regional scenes developed. The Florida scene was created by Fueled by Ramen; midwest emo-pop was promoted by Pete Wentz, whose Fall Out Boy rose to the forefront of the style during the mid-2000s.[147][157][158] Cash Cash released Take It to the Floor (2008); according to AllMusic, it could be "the definitive statement of airheaded, glittery, and content-free emo-pop[159] ... the transformation of emo from the expression of intensely felt, ripped-from-the-throat feelings played by bands directly influenced by post-punk and hardcore to mall-friendly Day-Glo pop played by kids who look about as authentic as the "punks" on an old episode of Quincy did back in the '70s was made pretty much complete".[159] You Me at Six released their 2008 debut album, Take Off Your Colours, described by AllMusic's Jon O'Brien as "follow[ing] the 'emo-pop for dummies' handbook word-for-word."[160] The album was certified gold in the UK.[161]


Peace and Love A Day to Remember 1
A Day to Remember performing at Peace & Love in 2010

Easycore (less commonly known as popcore, dudecore, softcore, happy hardcore, "bro" pop punk, and EZ)[162] is a subgenre of melodic hardcore that mixes elements of pop punk and different forms of hardcore punk, particularly metalcore and post-hardcore. It is characterized by its use of melodies commonly found in pop punk fused with breakdowns found in post-hardcore and hardcore punk.[163] A number of groups also take influence from metal and make use of unclean vocals.[164] The genre's roots come from early 2000s pop punk with groups such as New Found Glory and Sum 41 being highly influential in its development (with the former naming the genre on a tour known as the "Easycore tour").[162] The easycore sound later emerged in the mid-to-late 2000s and early 2010s by bands such as Chunk! No, Captain Chunk!,[165] A Day to Remember, and Four Year Strong.[162] Easycore has since seen a bit of a decrease in popularity.[166]

See also


  1. ^ a b c "Punk-Pop Music Genre Overview". AllMusic.
  2. ^ a b c Lamb, Bill (March 10, 2011). "Punk Pop". About.com (IAC). Retrieved 2011-08-19.
  3. ^ a b c d e Anthony, David; Heller, Jason; Ryan, Kyle (March 6, 2014). "A beginner's guide to the bouncy buzz of pop-punk". The A.V. Club.
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External links

2000s in music

This article includes a brief summary of a few notable trends in radio-based, popular music between the years 2000 and 2009.

In American culture, various styles of the late 20th century remained popular, such as in rock, pop, metal, hip hop, R&B, EDM, country and indie. As the technology of computers and internet sharing developed, a variety of those genres started to fuse in order to see new styles emmerging. Terms like "contemporary", "nu", "revival", "alternative", and "post" are added to various genres titles in order to differentiate them from past styles, nu-disco and post-punk revival as notable examples.

One genre of this decade, British grime is a genre that was said to have influenced other sub-genres such as chillwave in the United States.The continued development of studio recording software and electronic elements was observed, through this decade. One such example is the usage of pitch correction software, such as auto-tune that appeared in the late 1990s. Another great impact to this decade was the ongoing development of the internet and user-friendly media players, such as iTunes, and music and video sharing websites such as Napster and YouTube, respectively.

The popularity of teen pop carried over from the 1990s with acts such as *NSYNC, Backstreet Boys, Britney Spears, and Christina Aguilera dominating the charts in the earlier years of the decade.

Contemporary R&B was one of the most popular genres of the decade (especially in the early and mid 2000s) which was immensely popular throughout the decade with artists like Usher, Beyoncé, and Rihanna. In 2004, the Billboard Year-End Hot 100 had 15 of its top 25 singles as Contemporary R&B.

In Britain, Britpop, post punk revival and alternative rock were at the height their popularity with acts such as Coldplay, The Libertines, Oasis, Lynda Thomas, Travis, Dido, Blur, The Hives, Björk, and Radiohead, which still continued at the top of the major charts in the rest of the world since the 1990s.

Hip hop music achieved mainstream status after the 1990s and the deaths of many prominent artists such as 2Pac and The Notorious B.I.G. Artists outside of New York and Los Angeles in cities like Atlanta, Houston, New Orleans and the Bay Area all achieved mainstream success. Popular rap movements of the 2000s include Crunk, Snap, Hyphy, and Alternative Hip Hop.

Despite the hip hop dominance, such as Southern hip hop which lasted for most of the decade (particularly the middle years), rock music was still popular, notably alternative rock, and especially genres such as post-grunge, post-Britpop, nu metal, pop punk, emo, post-hardcore, metalcore, and in some cases indie rock; the early and mid 2000s saw a resurgence in the mainstream popularity of pop rock and power pop.

Despite a slight slip in popularity in the early part of the decade, adult contemporary and country music were still able to find success throughout the 2000s.

Electronic music was also popular throughout the decade; at the beginning of the 2000s, genres such as trance, chillout, house, indietronica, and Eurodance (in Europe) were popular. By the end of the decade, late-1980s/early-1990s inspired dance-oriented forms of electronic music such as synthpop, electropop, and electro house had become popular.

By the end of the decade, a fusion between hip hop and electronic dance similar to the Freestyle music of the late 1980s and early 1990s, known as Hip House and Electrohop also grew successful.In Asia and Far Eastern musical markets, with the increase of globalization and the spread of capitalism, music became more Westernised, with influences of pop, hip hop and contemporary R&B becoming ever–present in Eastern markets.

American and European popular music became more popular in Asia.

Genres such as J-Pop and K-Pop remained popular throughout the decade, proliferating their cultural influence throughout the East and Southeast of Asia. In other parts of Asia, including India, Indian pop music, closely linked to Bollywood films and filmi music, was popular alongside Western pop music.

In Latin America, whilst R&B, hip hop and pop rock did have influence and success, Latin-based pop music remained highly popular.

Reggaeton became a definitive genre in 2000s Latin music, as well as salsa and merengue. Subgenres fusing Latin music such as merengue and reggaeton with hip hop and rap music became popular from the middle of the decade onwards.

The Internet allowed unprecedented access to music and allowed artists to distribute music freely without label backing. Innumerable online outlets and sheer volume of music also offers musicians more musical influences to draw from.

5 Seconds of Summer

5 Seconds of Summer, often shortened to 5SOS, are an Australian pop rock band from Sydney, New South Wales, formed in 2011. The group consists of lead vocalist and rhythm guitarist Luke Hemmings, lead guitarist Michael Clifford, bassist Calum Hood, and drummer Ashton Irwin. They were originally YouTube celebrities, posting videos of themselves covering songs from various artists during 2011 and early 2012. They rose to international fame while touring with English-Irish band One Direction on their Take Me Home Tour. They have since released three studio albums and headlined three world tours.

In early 2014, the band released "She Looks So Perfect" as their debut single, which topped the charts in Australia, New Zealand, Ireland and the United Kingdom. Their self-titled debut album was released on June 2014, peaking at number one in 11 countries, and was followed by a live album titled LiveSOS. They went on their first headlining tour Rock Out with Your Socks Out Tour to support the album.

The band released their second album Sounds Good Feels Good in October 2015, topping the charts in 8 countries, and was followed by a live documentary DVD called How Did We End Up Here. They went on the Sounds Live Feels Live World Tour to support the album. In December 2016, the band announced the release of their B-sides and rarities under the title This Is Everything We Ever Said to celebrate their band's fifth anniversary.The band released their third album Youngblood on 15 June 2018. It became their third number one album in their home country. In the US, 5 Seconds of Summer became the first Australian act to achieve three chart-toppers on the Billboard 200 chart. They also became the first band (not vocal) to have their first three full-length albums debut at the top in the US. They went on the Meet You There Tour to support the album.

Avril Lavigne

Avril Ramona Lavigne (; French: [avʁil laviɲ]; born September 27, 1984) is a Canadian singer, songwriter, and actress. By the age of 15, she had appeared on stage with Shania Twain and by 16, she had signed a two-album recording contract with Arista Records worth more than $2 million.

Her debut studio album, Let Go (2002), emphasized a skate punk persona in which she has since been often referred by critics and music publications as the "Pop Punk Queen", due to her achievement and impact in the industry. Lavigne is considered a key musician in the development of pop punk music, since she paved the way for female-driven, punk-influenced pop music. Since her professional debut, Lavigne has sold more than 40 million albums and over 50 million singles worldwide, making her the third-best-selling Canadian female artist of all time, behind Celine Dion and Shania Twain.Lavigne's breakthrough single, "Complicated", reached number one in several countries worldwide and led to Lavigne becoming the youngest female soloist to have a number-one album in the United Kingdom. Her second studio album, Under My Skin (2004), became Lavigne's first album to reach the top of the Billboard 200 chart in the United States, going on to sell 10 million copies worldwide. The Best Damn Thing (2007), Lavigne's third studio album, reached number one in seven countries worldwide and saw the international success of its lead single "Girlfriend", which became her first single to reach the top of the Billboard Hot 100 in the United States. Her fourth and fifth studio albums, Goodbye Lullaby (2011) and Avril Lavigne (2013), saw continued commercial success and were both certified gold in Canada, the United States, and other territories.In addition to music, Lavigne voiced Heather, a Virginia opossum, in the animated film Over the Hedge (2006), and made her screen acting debut in Fast Food Nation (2006). In 2008, Lavigne introduced her clothing line, Abbey Dawn, and in 2009, she released her first perfume, Black Star, which was followed by Forbidden Rose in 2010, and Wild Rose in 2011. Lavigne has been married twice: to Deryck Whibley from 2006 to 2010, and Chad Kroeger from 2013 to 2015.


Blink-182 (often stylized as blink-182; pronounced "blink one eighty-two") is an American rock band formed in Poway, California in 1992. Since 2015, the lineup of the band has consisted of bassist and vocalist Mark Hoppus, drummer Travis Barker, and guitarist and vocalist Matt Skiba. Founded by guitarist and vocalist Tom DeLonge, Hoppus and drummer Scott Raynor, the band emerged from the Southern California punk scene of the early 1990s and first gained notoriety for high-energy live shows and irreverent lyrical toilet humor.

In its early years, Blink-182 toured heavily behind the band's debut, Cheshire Cat (1995). The group signed with major label MCA Records to co-distribute its second album, Dude Ranch (1997). Raynor was fired midway through a 1998 tour and replaced by Barker. The group's next two releases, Enema of the State (1999) and Take Off Your Pants and Jacket (2001), were enormous successes on the strength of radio and MTV airplay. The eponymously titled Blink-182 followed in 2003 and marked a stylistic shift for the group. DeLonge quit in 2005, sending the band into what was termed an "indefinite hiatus". They reunited in 2009, producing the trio's sixth album, Neighborhoods (2011). In 2015, DeLonge again exited and was replaced by Alkaline Trio guitarist and vocalist Matt Skiba. The band's seventh studio album, California, was released on July 1, 2016.

Blink-182 is considered a key group in the development of pop punk; the band's combination of pop music melodies with fast-paced punk rock featured a more radio-friendly accessibility than prior bands. The trio has sold over thirteen million albums in the United States, and over 50 million albums worldwide. In 2011, The New York Times asserted, "no punk band of the 1990s has been more influential than Blink-182", and even as the band receded after its 2005 split, "its sound and style could be heard in the muscular pop punk of Fall Out Boy or in the current wave of high-gloss Warped Tour punk bands, like All Time Low and The Maine."

Christian punk

Christian punk is a form of Christian music and a subgenre of punk rock with some degree of Christian lyrical content. Much disagreement persists about the boundaries of the subgenre, and the extent that their lyrics are explicitly Christian varies among bands. For example, The Crucified explicitly rejected the classification of "Christian punk" while staying within the Christian music industry.Given the nature of punk and some of its subgenres, such as hardcore punk, many bands have been rejected by the Christian and CCM music industry. Christian punk has been deemed novel in that it "seeks authenticity in two differently organized and orientated cultures: secular punk on the one hand and Evangelical youth culture and CCM on the other".

Some bands generally avoid specific mention of God or Jesus; likewise some bands may specifically reject the CCM label or express disdain for that niche of the music industry. For example, Ninety Pound Wuss vocalist Jeff Suffering said about the breakup of the band in 2000, "...[N]obody wanted to continue playing in [the] "Christian" music industry."It has been noted that, "measured purely by record sales, Christian punk dwarfs all other religious contributions to the genre", with certain individual Christian punk bands outselling the entire market for the next largest religious punk genre, Krishnacore.


Cowpunk (or country punk) is a subgenre of punk rock that began in the United Kingdom in the late 1970's and California in the early 1980's. It combines punk rock or new wave with country, folk, and blues in sound, subject matter, attitude, and style. Many of the musicians in this scene have now become associated with alternative country or roots rock.

Emo pop

Emo pop is a fusion genre of emo and pop punk. Emo pop features a music style with more concise songs and hook-filled choruses. Emo pop began in the 1990s with bands like Jimmy Eat World, the Get Up Kids, Weezer and the Promise Ring. The genre became mainstream in the early 2000s with Jimmy Eat World's album Bleed American, including the album's song "The Middle". In the 2000s, other emo pop bands that were mainstream included Fall Out Boy, the All-American Rejects, My Chemical Romance, Panic! at the Disco and Paramore. The popularity of emo pop declined in the 2010s, with some prominent artists in the genre either disbanding or abandoning the emo pop style.

Fall Out Boy

Fall Out Boy is an American rock band formed in Wilmette, Illinois, a suburb of Chicago, in 2001. The band consists of lead vocalist and rhythm guitarist Patrick Stump, bassist Pete Wentz, lead guitarist Joe Trohman, and drummer Andy Hurley. The band originated from Chicago's hardcore punk scene, with which all members were involved at one point. The group was formed by Wentz and Trohman as a pop punk side project of the members' respective hardcore bands, and Stump joined shortly thereafter. The group went through a succession of drummers before landing Hurley and recording the group's debut album, Take This to Your Grave (2003). The album became an underground success and helped the band gain a dedicated fanbase through heavy touring, as well as some moderate commercial success. Take This to Your Grave has commonly been cited as an influential blueprint for pop punk music in the 2000s.

With Wentz as the band's lyricist and Stump as the primary composer, the band's 2005 major-label breakthrough, From Under the Cork Tree, produced two hit singles, "Sugar, We're Goin Down" and "Dance, Dance", and went double platinum, transforming the group into superstars and making Wentz a celebrity and tabloid fixture. Fall Out Boy received a Best New Artist nomination at the 2006 Grammy Awards. The band's 2007 follow-up, Infinity on High, debuted at number one on the Billboard 200 with 260,000 first week sales. It produced two worldwide hit singles, "This Ain't a Scene, It's an Arms Race" and "Thnks fr th Mmrs". Folie à Deux, the band's fourth album, created a mixed response from fans and commercially undersold expectations. Following the release of Believers Never Die – Greatest Hits, the band took a hiatus from 2009 to 2012 to "decompress", exploring various side projects.

The band regrouped and recorded Save Rock and Roll (2013), becoming its second career number one and included the top 20 single "My Songs Know What You Did in the Dark (Light Em Up)". The same year, the band released the EP PAX AM Days, consisting of 8 punk-influenced tracks that were recorded during a two-day session with producer Ryan Adams. The band's sixth studio album, American Beauty/American Psycho (2015) peaked at number one on the Billboard 200, and spawned the top-10 hit "Centuries" and the single "Uma Thurman" which reached No. 22 on the Billboard Hot 100. This was followed by their first remix album Make America Psycho Again, which featured the remixes of all original tracks from American Beauty/American Psycho by a different artist on each song, including Migos and Wiz Khalifa. The band's seventh studio album Mania (2018), also peaked at No. 1, making it the band's fourth No. 1 album and the group's sixth consecutive top 10 album. In 2018, Fall Out Boy received their second Grammy nomination for Best Rock Album for MANIA.

I–V–vi–IV progression

The I–V–vi–IV progression is a common chord progression popular across several genres of music. It involves the I, V, vi, and IV chords; for example, in the key of C major, this would be: C–G–Am–F. Uses based on a different starting point but with the same order of chords, include:

I–V–vi–IV, C–G–Am–F (optimistic)

V–vi–IV–I, G–Am–F–C

vi–IV–I–V, Am–F–C–G (pessimistic)

IV–I–V–vi, F–C–G–AmThe 50s progression uses the same chords but in a different order (I–vi–IV–V), no matter the starting point.

List of pop punk bands

This is a list of notable musical artists associated with the music genre of pop punk.

Pop punk is a music genre that fuses elements of punk rock and pop music. It typically combines fast tempos, loud and distorted electric guitars, and power chord changes with pop-influenced melodies, vocal styles, and lyrical themes.

List of songs containing the I–V–vi–IV progression

This is a list of recorded songs containing multiple, repeated uses of the I–V–vi–IV progression, containing the I, V, vi, and IV chords, consecutively. The list does not include songs containing the progression for only brief sections of the songs, nor does it include remade recordings of songs by other artists.

Man Overboard (band)

Man Overboard is an American pop punk band from Mt. Laurel and Williamstown, New Jersey that began in 2008. Since then, they had released two EPs, an acoustic EP, a split with Boston pop punk band Transit, a compilation and four full-length albums. Taking influence from such pop punk acts as Blink-182, Saves the Day and Taking Back Sunday, Man Overboard played a brand of upbeat and poppy pop punk with the emotion of 90s emo acts such as The Promise Ring. The band was signed to Rise Records. They are well known for their motto within the pop punk scene to "Defend Pop Punk". On January 28, 2016 they announced a hiatus on their official website; the hiatus ended on August 2, 2018 when the band announced a 10-year anniversary tour.

Midtown (band)

Midtown was an American pop punk band from New Brunswick, New Jersey. Midtown was formed in November 1998 by three Rutgers University students, but soon became a quartet. The group released three full-length studio albums and three extended plays before disbanding in 2005. In early 2014, Midtown reunited to play three shows, the first as a secret show at The Knitting Factory in Brooklyn, and the two remaining at the Skate And Surf Festival.

Music of Illinois

Illinois, including Chicago, has a wide musical heritage. Chicago is most famously associated with the development of electric (or Chicago-style) blues music. Chicago was also a center of development for early jazz and later for house music, and includes a vibrant hip hop scene and R&B. Chicago also has a thriving rock scene that spans the breadth of the rock genre, from huge stadium-filling arena-rock bands to small local indie bands. Chicago has had a significant historical impact on the development of many rock subgenres including power pop, punk rock, indie rock, emo rock, pop punk, and alternative rock.

Illinois musicians with a #1 Billboard Hot 100 hit include artists from the 1950s: Sam Cooke ("The King of Soul," d.1964); from the 1960s: The Buckinghams; from the 1970s: Earth, Wind & Fire, The Chi-Lites, The Staple Singers, The Emotions, Minnie Riperton, Styx; from the 1980s: Chicago, Cheap Trick, REO Speedwagon, Survivor, Richard Marx; from the 1990s: R. Kelly; from the 2000s: Kanye West, Twista, Plain White T's. Most of these artists are from Chicago, with soul singers Sam Cooke, Mavis Staples, Minnie Riperton, and R. Kelly hailing from the South Side. In addition, Chicago musicians with a #1 album on the Billboard 200 include bands The Smashing Pumpkins with Mellon Collie and the Infinite Sadness in October 1995, Disturbed with 5 #1 consecutive albums from 2002-2015 from Believe to Immortalized, and Fall Out Boy with 4 #1 albums such as American Beauty/American Psycho in 2015; and rappers Common with Finding Forever in 2007, and Lupe Fiasco with Lasers in 2011. Also, Curtis Mayfield (d.1999) had a #1 Billboard 200 album with the Superfly (soundtrack) in 1972.


MxPx is an American punk rock band from Bremerton, Washington founded in 1992 as Magnified Plaid. The band has skate punk leanings, with connections to the pop punk scene. As of 2016, current members include Mike Herrera on lead vocals and bass guitar, Yuri Ruley on drums and percussion, Tom Wisniewski on lead guitar and backing vocals and Chris Adkins on rhythm guitar and backing vocals. The band's discography includes twelve studio albums, four EPs, four compilation albums, a live album, a VHS tape, a DVD and 20 singles. A number of the group's releases have charted on Billboard, including the Billboard 200 and No. 1 on Billboard Christian Albums.

New Found Glory

New Found Glory (formerly A New Found Glory) is an American rock band from Coral Springs, Florida, formed in 1997. The band currently consists of Jordan Pundik (lead vocals), Ian Grushka (bass guitar), Chad Gilbert (lead guitar, backing vocals), and Cyrus Bolooki (drums). Longtime rhythm guitarist and lyricist Steve Klein departed from the band in late 2013, following "personal differences." During their lengthy recording career, the band have released nine studio albums, one live album, two EPs, and three cover albums.

After forming in 1997, New Found Glory released their debut studio album Nothing Gold Can Stay in 1999. The band released their self-titled major label debut in 2000, with the album's song "Hit or Miss" peaking at number 15 the Alternative Songs chart. In 2002, the band became mainstream with their album Sticks and Stones and the album's hit "My Friends Over You". New Found Glory's popularity continued with their 2004 album Catalyst. In 2006, the band released the album Coming Home, which showed the band temporarily moving to an alternative rock style instead of their usual pop punk sound. New Found Glory returned to their usual pop punk sound with the album Not Without a Fight in 2009. They released three more albums after 2009: Radiosurgery in 2011, Resurrection in 2014, and Makes Me Sick in 2017.

Emerging as part of the second wave of pop punk in the late 1990s, music critics consider them a key pioneer of the genre. Labelled the "godfathers of pop punk", AllMusic credits them for "practically serving alongside the work of Blink-182 as the blueprint to the entire genre for the early 2000s." They are also renowned for their energetic live performances.

Scene (subculture)

The scene subculture is a youth subculture that emerged in the United States and the United Kingdom during the early-mid 2000s. The subculture became popular with adolescents from the late 2000s to mid 2010s. Members of the scene subculture are referred to as scene kids, scene people, scenies, or scenesters. Scene people are known for their fashion consisting of skinny jeans, bright colored clothing, and straight, flat hair with long fringes covering their forehead, sometimes with hair extensions and bright colored hair dye. Scene people are known for listening to multiple genres of music such as post-hardcore, metalcore, crunkcore, deathcore, and pop punk.From the late 2000s to mid 2010s, scene fashion gained popularity among teens and the music associated with the subculture achieved commercial success in both the underground and the mainstream. Groups like Bring Me the Horizon, Asking Alexandria, Pierce the Veil, Metro Station, Twenty One Pilots, and Owl City garnered mainstream attention and large audiences while still largely being tied to the scene subculture. In the late 2010s, the scene subculture lost popularity. The scene subculture has been confused with the emo subculture.

The Wonder Years (band)

The Wonder Years is an American pop punk band from Lansdale, Pennsylvania that formed in July 2005. Since their inception, they have released six full-length albums, two EPs, and several splits/compilations. The group is currently signed to Hopeless Records. Their name originates from a paper that lead vocalist, Dan 'Soupy' Campbell, read that was written by one of his after-school educators titled "The Wonder Years."

Treble Charger

Treble Charger is a Canadian rock band formed in 1992 in Sault Ste. Marie, consisting of vocalist and guitarist Greig Nori, vocalist and guitarist Bill Priddle, bassist Rosie Martin and drummer Richard Mulligan. It began with a melodic indie rock style, but evolved into more of a pop punk band after signing to a major label in 1997. It disbanded in 2006 and reunited in 2012.

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