Planet Stories

Planet Stories was an American pulp science fiction magazine, published by Fiction House between 1939 and 1955. It featured interplanetary adventures, both in space and on some other planets, and was initially focused on a young readership. Malcolm Reiss was editor or editor-in-chief for all of its 71 issues. Planet Stories was launched at the same time as Planet Comics, the success of which probably helped to fund the early issues of Planet Stories. Planet Stories did not pay well enough to regularly attract the leading science fiction writers of the day, but occasionally obtained work from well-known authors, including Isaac Asimov and Clifford D. Simak. In 1952 Planet Stories published Philip K. Dick's first sale, and printed four more of his stories over the next three years.

The two writers most identified with Planet Stories are Leigh Brackett and Ray Bradbury, both of whom set many of their stories on a romanticized version of Mars that owed much to the depiction of Barsoom in the works of Edgar Rice Burroughs. Bradbury's work for Planet included an early story in his Martian Chronicles sequence. Brackett's best-known work for the magazine was a series of adventures featuring Eric John Stark, which began in the summer of 1949. Brackett and Bradbury collaborated on one story, "Lorelei of the Red Mist", which appeared in 1946; it was generally well-received, although one letter to the magazine complained that the story's treatment of sex, though mild by modern standards, was too explicit. The artwork also emphasized attractive women, with a scantily clad damsel in distress or alien princess on almost every cover.

Planet Stories March 1951 cover
The March 1951 issue of Planet Stories; art by Allen Anderson

Publication history

Planet stories 1944spr
Planet Stories published Graham Ingels's only cover for a science fiction pulp in 1944.

Although science fiction (sf) had been published before the 1920s, it did not begin to coalesce into a separately marketed genre until the appearance in 1926 of Amazing Stories, a pulp magazine published by Hugo Gernsback. By the end of the 1930s the field was undergoing its first boom.[1] Fiction House, a major pulp publisher, had run into difficulties during the Depression, but after a relaunch in 1934 found success with detective and romance pulp titles. Fiction House's first title with sf interest was Jungle Stories, which was launched in early 1939; it was not primarily a science fiction magazine, but often featured storylines with marginally science fictional themes, such as survivors from Atlantis. At the end of 1939, Fiction House decided to add an sf magazine to its lineup; it was titled Planet Stories, and was published by Love Romances, a subsidiary company that had been created to publish Fiction House's romance titles. The first issue was dated Winter 1939. Two comics were launched at the same time: Jungle Comics and Planet Comics; both were published monthly, whereas Planet Stories was quarterly, and it is quite likely that the success of the comics funded the early issues of the pulps.[2]

Malcolm Reiss edited Planet Stories from the beginning, and retained editorial oversight and control throughout its run, though he was not always the named editor on the masthead; when other editors were involved, his title was "managing editor".[3] The first of these sub-editors was Wilbur S. Peacock, who took over with the Fall 1942 issue and remained until Fall 1945, after which he was replaced by Chester Whitehorn for three issues, and then by Paul L. Payne, from Fall 1946 to Spring 1950.[3]

With the Summer 1950 issue the editorship passed to Jerome Bixby, who was already editing Jungle Stories. Soon thereafter Planet Stories switched from a quarterly to bimonthly schedule. Bixby lasted a little over a year; Malcolm Reiss took over again in September 1951, and three issues later, in March 1952, Jack O'Sullivan became editor.[4] A contemporary market survey records that in 1953, payment rates were only one to two cents per word; this was substantially less than the leading magazines of the day.[5][6][notes 1] Planet Stories returned to a quarterly schedule beginning with the Summer 1954 issue, but the pulp market was collapsing, and the Summer 1955 issue was the final one.[4]

Contents and reception

Planet stories Spring 1942 cover
A characteristic Planet Stories cover, by Alexander Leydenfrost. Planet Stories was one of the magazines to make the "bug-eyed monster", or "BEM", a staple of science fiction art.[8]

Fiction House apparently made the decision to launch Planet Stories so quickly that there was little time for Reiss to obtain new stories, so he worked with Julius Schwartz and other authors' agents to fill the first issue. The results were unremarkable, but Reiss was energetic, and was able to improve the quality of fiction in succeeding issues, though he occasionally apologized to the readers for printing weak material.[2] The magazine was exclusively focused on interplanetary adventures,[3] often taking place in primitive societies that would now be regarded as "sword and sorcery" settings,[9] and was aimed at a young readership; the result was a mixture of what became known as space opera and planetary romancesmelodramatic tales of action and adventure on alien planets and in interplanetary space.[2][3] Planet Stories relied on a few authors to provide the bulk of its fiction in the early years, with Nelson Bond providing eight lead stories, some of them novels. Fourteen more were written by Ray Cummings and Ross Rocklynne; and Leigh Brackett was also a regular contributor, with seventeen stories in total published over the lifetime of the magazine.[9]

The letter column in Planet Stories was titled "The Vizigraph"; it was very active, with long letters from an engaged readership. It often printed letters from established writers, and from fans who would go on to become well known professionally: Damon Knight's letters are described by sf historian Mike Ashley as "legendary"; and Robert Silverberg commented in a letter in the Summer 1950 issue that Ray Bradbury "certainly gets some original ideas, if not good ones".[9][10] The editors put a good deal of effort into keeping the letter column friendly and lively; contemporary writer and editor Robert Lowndes recalls that "Reiss was sincere and urbane; Wilbur [Peacock] enjoyed taking his coat off and being one of the crowd".[11]

Despite the focus on melodramatic space adventure, the fiction in Planet Stories improved over the next few years, largely due to the work of Brackett and Bradbury. Both writers set many of their stories on a romanticized version of Mars that owed much to the Barsoom of Edgar Rice Burroughs. Brackett's writing improved during the 1940s from formulaic pulp adventure to a more mature style, and she became the most accomplished writer of planetary romances of her day.[12] She wrote a well-received series of stories featuring adventurer Eric John Stark, which began in the Summer 1949 Planet Stories with "Queen of the Martian Catacombs".[9] Her work had a strong influence on other writers, in particular Gardner F. Fox, Lin Carter and Marion Zimmer Bradley,[12] Brackett later argued that "the so-called space opera is the folk-tale, the hero-tale of our particular niche in history".[9] Also arguing in support of Planet Stories, science fiction critic John Clute has commented that "the content was far more sophisticated than the covers".[13]

Planet Stories 1946 Summer Leydenfrost illustration
Interior illustration by Alexander Leydenfrost for Bradbury's "The Million Year Picnic"

Bradbury's work for Planet Stories included two of the stories that he later incorporated into The Martian Chronicles, including "The Million Year Picnic"; only one other story in the series had appeared before this.[12][14] He also collaborated on a story with Brackett, "Lorelei of the Red Mist", based on an idea of hers, which appeared in the Summer of 1946.[9][12] His stories for Planet demonstrate his reservations about the advance of technology, in particular "The Golden Apples of the Sun" (November 1953), and "A Sound of Thunder" (January 1954, reprinted from the June 28, 1952 issue of Collier's Weekly).[9][notes 2] Bradbury's work in Planet Stories is regarded by one pulp historian, Tim de Forest, as "the magazine's most important contribution to the genre".[14]

Several other well-known writers appeared in Planet Stories, including Isaac Asimov, Clifford Simak, James Blish, Fredric Brown and Damon Knight.[12] Asimov's story, originally titled "Pilgrimage", appeared in 1942; Asimov had been unable to sell the piece elsewhere, and rewrote it numerous times for different editors, adding a religious element at John Campbell's request, and removing it again when Malcolm Reiss asked for further changes. Reiss bought it but changed the name to "Black Friar of the Flame".[15][notes 3]

Jerome Bixby, who took over as editor in 1950, was a published writer and was knowledgeable about sf, though he had primarily written western fiction. In his short tenure he did much to improve the magazine, persuading the established writers to produce better material and finding unusual variations on the interplanetary adventure theme such as Poul Anderson's "Duel on Syrtis" in March 1951, about an Earthman tracking an alien on Mars, and Theodore Sturgeon's "The Incubi on Planet X", about aliens who kidnap Earth women.[16] After Bixby's departure in 1952, Planet Stories' major contribution to the genre was the discovery of Philip K. Dick, whose first sale, "Beyond Lies the Wub", appeared in the July 1952 issue. Dick went on to sell another four stories to Planet Stories over the next two years, including "James P. Crow", in which a human suffers discrimination in a world of robots.[9]

Planet Stories November 1953 cover
The November 1953 Planet Stories, by Kelly Freas, showing the "sexual dimorphism" mentioned by Harry Harrison, and also showing the new cover logo that was adopted from the Spring 1947 issue

Planet Stories clearly targeted a young readership, and the simultaneous launch in 1939 of Planet Comics may have been instrumental in attracting young readers to science fiction, but Ashley suggests that it is more likely that Planet Stories attracted experienced readers of the genre who "still yearned for the early days of sf".[2] Critic and sf historian Thomas Clareson has commented that "Planet seemed to look backward towards the 1930s and earlier", an impression that was strengthened by the extensive use of interior artwork by Frank Paul, who had been the cover artist for the early Gernsback magazines in the 1920s. Paul's distinctive style was strongly associated with the early years of the field.[9] The cover art was also melodramatic, with beautiful women—sometimes human, sometimes princesses from other planets—and threatening aliens. The subheading on the cover read "Strange Adventures on Other Worlds – The Universe of Future Centuries" until the end of 1946.[9][17]

Although almost every story that appeared in Planet could be described as space opera, there was some variety of approach to the basic themes. Earth was sometimes threatened, but more often the action took place on other worlds, bringing Earthmen into local conflicts. This often involved beautiful native princesses, though the romantic storylines were stereotyped: in one story which appeared in Fall 1940, Carl Selwyn's "Venus Has Green Eyes", the Venusian princess is dissuaded from her hatred of humans when the hero seizes her and kisses her; she slaps him, but succumbs to his charm.[9] Some respite from these depictions of women was provided by Leigh Brackett, who described her own heroines as "usually on the bitchy side—warm-blooded, hot-tempered, but gutty and intelligent" (with "bitchy" intended as a compliment).[18] During World War II, it was in Planet Stories that a reader was most likely to come across a female character who could fight, instead of merely being fought over.[19] Sex itself had long been taboo in the pulp magazines, but some stories in Planet depicted sexuality more directly than the competing magazines would.[9] The readers were not always accepting; one reader in a letter in 1949 supported "jettisoning the taboos",[20] but a letter writer in 1946 objected to "Lorelei of the Red Mist", saying that he needed "a pint of Listerine to wash the dirty taste out of my mouth".[9] The cover artwork generally emphasized sex as well, with what sf author and critic Harry Harrison sardonically referred to as "sexual dimorphism in space": heavy, functional spacesuits for the men, and transparent suits through which bikinis or swimsuits could be seen for the women.[21]

Hannes Bok contributed much of the interior artwork, and the covers were often by Allen Anderson during the early years. Later, Kelly Freas became a frequent cover artist. One of the best artists to work on Planet was Alexander Leydenfrost, whose work, according to Clareson, "epitomized much of what Planet Stories represented in the 1940s",[3][9] though his cover artwork was less impressive than his black-and-white interior illustrations.[22] Artist and sf historian David Hardy has described Leydenfrost's black and white illustrations as "almost Rembrandtian in his use of light and shade".[23]

Bibliographic details

Spring Summer Fall Winter
Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec
1939 1/1
1940 1/2 1/3 1/4 2/1
1941 1/6 1/7 1/8 1/9
1942 1/10 1/11 1/12 2/1
1943 2/2 2/3 2/4 2/5
1944 2/6 2/7 2/8 2/9
1945 2/10 2/11 2/12 3/1
1946 3/2 3/3 3/4 3/5
1947 3/6 3/7 3/8 3/9
1948 3/10 3/11 3/12 4/1
1949 4/2 4/3 4/4 4/5
1950 4/6 4/7 4/8 4/9
1951 4/10 4/11 4/12 5/1 5/2 5/3
1952 5/4 5/5 5/6 5/7 5/8 5/9
1953 5/10 5/11 5/12 6/1 6/2 6/3
1954 6/4 6/5 6/6 6/7 6/8 6/9
1955 6/10 6/11
Issues of Planet Stories, showing volume/issue number. Underlining indicates that
an issue was titled as a quarterly (e.g. "Fall 1949") rather than as a monthly. The
colors identify the editors for each issue:[4][9][24]

     Malcolm Reiss      Wilbur S. Peacock      Chester Whitehorn      Paul L. Payne
     Jerome Bixby       Jack O'Sullivan

The editorial succession at Planet was:[4][9][24]

  • Malcolm Reiss: Winter 1939 – Summer 1942.
  • Wilbur S. Peacock: Fall 1942 – Fall 1945.
  • Chester Whitehorn: Winter 1945 – Summer 1946.
  • Paul L. Payne: Fall 1946 – Spring 1950.
  • Jerome Bixby: Summer 1950 – July 1951.
  • Malcolm Reiss: September 1951 – January 1952.
  • Jack O'Sullivan: March 1952 – Summer 1955.

Planet Stories was a pulp-sized magazine for all of its 71 issues. It was 128 pages for most of its existence, and was priced at 20 cents. With the November 1950 issue the page count was cut to 112, and the price went up to 25 cents. The page count was reduced to 96 for one issue in March 1952, but then returned to 112 until Summer 1954, when it was again reduced to 96 pages for the last five issues.[9]

Planet began as a quarterly. A brief attempt was made to switch to a bimonthly schedule in 1943; a March and May issue appeared, but the next issue was titled Fall 1943, inaugurating another quarterly period. The Fall 1950 issue was followed by November 1950, and this began a bimonthly period that lasted until May 1954, which was followed by a Summer 1954 issue. A quarterly schedule resumed until the end; unusually, the winter issue that year was dated Winter 1954/55, rather than with a single year.[9] The volume numbering was consistent throughout the magazine's publication, with five volumes of 12 issues and a final volume of 11, but there were three errors in the volume numbering printed on the spine (though not on the masthead): issue 5/10 was given as 5/8 on the spine; issue 5/11 was given as 6/3 on the spine; and issue 6/11 was given as 6/12 on the spine.[25]

A British reprint edition appeared between March 1950 and September 1954; the issues were numbered but not dated, and were heavily cut, with only 64 to 68 pages.[25] There are twelve issues known; a thirteenth has been rumored but not seen by any sf bibliographers.[9] The publisher was Pembertons, though some sources indicate that Streamline Publications was the publisher of the first issue.[3][9][25] Issues 7 and 8 of the British edition also contained nonfiction material reprinted from Startling Stories and Thrilling Wonder.[9] A Canadian edition was published by American News Co., from Fall 1948 to March 1951 (a total of twelve issues); these were identical to the corresponding U.S. editions.[25]

Related publications

In the summer of 1950 Fiction House launched a companion magazine to Planet. It was titled Two Complete Science-Adventure Books; the policy was to print two novels in a single magazine. It appeared three times a year and lasted until the spring of 1954.[12][26] In 1953 Fiction House launched a reprint magazine, Tops in Science Fiction, selecting the contents from the backfile of stories that had appeared in Planet. It only lasted for two issues, the second of which received almost no distribution.[27][28]

A derivative anthology, The Best of Planet Stories #1, appeared in 1975 from Ballantine Books, edited by Leigh Brackett, containing seven stories reprinted from between 1942 and 1952.[9] It was intended to be the first of a series, but no further volumes appeared.[3]

See also

Notes

  1. ^ In 1944 the rates were one to one-and-a-half cents per word.[7]
  2. ^ According to Thomas Clareson, this "seems to be the one reprint Planet Stories used".[9]
  3. ^ The story has often been regarded as Asimov's worst, though Asimov himself felt that this was partly due to the weak title, and that one or two of his earlier stories were weaker.[15]

Citations

  1. ^ Malcolm Edwards & Peter Nicholls, "SF Magazines", in Clute & Nicholls, Encyclopedia of Science Fiction, pp. 1066–1068.
  2. ^ a b c d Ashley, Time Machines, pp. 151–152.
  3. ^ a b c d e f g Malcolm Edwards, "Planet Stories", in Clute & Nicholls, Encyclopedia of Science Fiction, p. 937.
  4. ^ a b c d Ashley, Transformations, p. 336.
  5. ^ de Camp, Science-Fiction Handbook, pp. 102–103.
  6. ^ de Camp, Science-Fiction Handbook, pp. 114–115.
  7. ^ Brackett, "The Science-fiction Field", p. 27.
  8. ^ Kyle, Pictorial History, p. 96.
  9. ^ a b c d e f g h i j k l m n o p q r s t u v w Thomas D. Clareson, "Planet Stories", in Tymn & Ashley, Science Fiction, Fantasy and Weird Fiction Magazines, pp. 476–481.
  10. ^ Ashley, Transformations, p. 47.
  11. ^ Ashley, History of the Science Fiction Magazine, Vol. 2, p. 58.
  12. ^ a b c d e f Ashley, Time Machines, pp. 193–194.
  13. ^ Clute, Science Fiction: The Illustrated Encyclopedia, p. 101.
  14. ^ a b de Forest, Storytelling in the Pulps, Comics and Radio, p. 76.
  15. ^ a b Asimov, In Memory Yet Green, pp. 313, 326.
  16. ^ Ashley, Transformations, pp. 11–12.
  17. ^ See the individual issues. For convenience, an online index is available at "Magazine:Planet Stories — ISFDB". Al von Ruff. Archived from the original on 28 August 2011. Retrieved 22 January 2011.
  18. ^ Carter, Creation of Tomorrow, p. 186.
  19. ^ Carter, Creation of Tomorrow, p. 189.
  20. ^ Carter, Creation of Tomorrow, p. 192.
  21. ^ Harry Harrison, "Machine as Hero", in Holdstock, Encyclopedia of Science Fiction, p. 97.
  22. ^ Jon Gustafson and Peter Nicholls, "Alexander Leydenfrost", in Clute & Nicholls, Encyclopedia of Science Fiction, p. 718.
  23. ^ David Hardy, "Art and Artists", in Holdstock, Encyclopedia of Science Fiction, p. 126.
  24. ^ a b Ashley, Time Machines, p. 247.
  25. ^ a b c d "Planet Stories", in Tuck, Encyclopedia of Science Fiction and Fantasy, Vol. 3, pp. 582–583.
  26. ^ Ashley, Transformations, p. 351.
  27. ^ Ashley, Time Machines, p. 224.
  28. ^ Ashley, Transformations, p. 45.

References

  • Ashley, Michael (1976) [First edition 1975]. The History of the Science Fiction Magazine Vol. 2 1936–1945. Chicago: Henry Regnery Company. ISBN 0-8092-8002-7.
  • Ashley, Mike (2000). The Time Machines:The Story of the Science-Fiction Pulp Magazines from the Beginning to 1950. Liverpool: Liverpool University Press. ISBN 0-85323-865-0.
  • Ashley, Mike (2005). Transformations: The Story of the Science Fiction Magazines from 1950 to 1970. Liverpool: Liverpool University Press. ISBN 0-85323-779-4.
  • Asimov, Isaac (1979). In Memory Yet Green. Garden City: Doubleday. ISBN 0-385-13679-X.
  • Brackett, Leigh (July 1944). "The Science-Fiction Field". Writer's Digest. 24: 27.
  • Carter, Paul A. (1977). The Creation of Tomorrow: Fifty Years of Magazine Science Fiction. New York: Columbia University Press. ISBN 0-231-04211-6.
  • Clute, John (1995). Science Fiction: The Illustrated Encyclopedia. New York: Dorling Kindersley. ISBN 0-7894-0185-1.
  • Clute, John; Nicholls, Peter (1993). The Encyclopedia of Science Fiction. New York: St. Martin's Press, Inc. ISBN 0-312-09618-6.
  • de Camp, L. Sprague (1953). Science-Fiction Handbook: The Writing of Imaginative Fiction. New York: Hermitage House.
  • de Forest, Tim (2004). Storytelling in the Pulps, Comics and Radio: How Technology Changed Popular Fiction in America. Jefferson, NC: MacFarland. ISBN 0-7864-1902-4.
  • Holdstock, Robert, ed. (1978). Encyclopedia of Science Fiction. London: Octopus Books. ISBN 0-7064-0756-3.
  • Kyle, David (1977). The Pictorial History of Science Fiction. London: Hamlyn. ISBN 0-600-38193-5.
  • Tuck, Donald H. (1982). The Encyclopedia of Science Fiction and Fantasy: Volume 3. Chicago: Advent: Publishers, Inc. ISBN 0-911682-26-0.
  • Tymn, Marshall B.; Ashley, Mike (1985). Science Fiction, Fantasy and Weird Fiction Magazines. Westport CT: Greenwood Press. ISBN 0-313-21221-X.

External links

Beyond Lies the Wub

"Beyond Lies the Wub" is a science fiction short story by American writer Philip K. Dick. It was his first published genre story, originally appearing in Planet Stories in July 1952. It was first collected in The Preserving Machine in 1969, and was included in The Best of Philip K. Dick in 1977. It was the title story for the first volume of the original edition of Dick's collected stories. Translations of "Beyond Lies the Wub" have appeared in Dutch, French, German, Italian, Polish and Spanish; and the story has been included in more than a dozen anthologies.

Beyond Lies the Wub (collection)

Beyond Lies the Wub is a collection of science fiction stories by American writer Philip K. Dick. It was first published by Gollancz in 1988 and reprints Volume I of The Collected Stories of Philip K. Dick. Many of the stories had originally appeared in the magazines Fantasy and Science Fiction, Planet Stories, If, Galaxy Science Fiction, Imagination, Space Science Fiction, Fantastic Story Magazine, Amazing Stories, Future, Cosmos, Fantasy Fiction, Beyond Fantasy Fiction, Thrilling Wonder Stories and Startling Stories. The collection was reprinted by Citadel Press in 2003 under the title Paycheck and Other Classic Stories.

Black Friar of the Flame

"Black Friar of the Flame" is a science fiction short story by Isaac Asimov. It was first published in the Spring 1942 issue of Planet Stories and reprinted in the collection The Early Asimov (1972). "Black Friar of the Flame" was the thirteenth story written by Asimov, and was among his least favorite, though this was due more to the multiple rewrites and rejections the story suffered than to its admittedly modest intrinsic merits.

Far Boundaries

Far Boundaries is an anthology of science fiction stories edited by American writer and anthologist August Derleth. It was first published by Pellegrini & Cudahy in 1951. Many of the stories had originally appeared in the magazines Variety, Dublin Literary Magazine, Knight’s Quarterly Magazine, Scribner's, Astounding Stories, The Arkham Sampler, Planet Stories, Super Science Stories, Thrilling Wonder Stories, Startling Stories, The Magazine of Fantasy & Science Fiction, Blue Book and Galaxy.

From Other Worlds

From Other Worlds is an anthology of science fiction stories edited by American writer August Derleth. It was first published by Four Square Books in 1964. The anthology contains seven stories from Derleth's earlier anthology, Beachheads in Space. The stories had originally appeared in the magazines Astounding Stories, Amazing Stories, Startling Stories, Weird Tales and Planet Stories.

Frost and Fire (short story)

"Frost and Fire" is a short story by Ray Bradbury and the fourteenth in his collection R is for Rocket. It was first published in Planet Stories (Fall, 1946) as "the Creatures That Time Forgot."

Leigh Brackett

Leigh Douglass Brackett (December 7, 1915 – March 18, 1978) was an American writer, particularly of science fiction, and has been referred to as the Queen of Space Opera. She was also a screenwriter, known for her work on such films as The Big Sleep (1946), Rio Bravo (1959), The Long Goodbye (1973) and The Empire Strikes Back (1980). She was the first woman shortlisted for the Hugo Award.

Mars Is Heaven!

"Mars Is Heaven!" is a science fiction short story by American writer Ray Bradbury, originally published in 1948 in Planet Stories. "Mars Is Heaven!" was among the stories selected in 1970 by the Science Fiction Writers of America as one of the best science fiction short stories published before the creation of the Nebula Awards. As such, it was published in The Science Fiction Hall of Fame Volume One, 1929–1964. It also appears as the sixth chapter of The Martian Chronicles, retitled "The Third Expedition".

Second Variety (1989 collection)

Second Variety is a collection of science fiction stories by American writer Philip K. Dick. It was first published by Gollancz in 1989 and reprints Volume II of The Collected Stories of Philip K. Dick. It had not previously been published as a stand-alone volume. Many of the stories had originally appeared in the magazines Fantasy Fiction, Fantastic Universe, Space Science Fiction, Imagination, If, Amazing Stories, Science Fiction Quarterly, Startling Stories, Cosmos, Orbit, Astounding and Planet Stories.

Selected Stories of Philip K. Dick

Selected Stories of Philip K. Dick is a collection of science fiction stories by Philip K. Dick. It was first published by Random House in 2002. Many of the stories had originally appeared in the magazines Planet Stories, Fantasy and Science Fiction, Imagination, Space Science Fiction, Astounding, Beyond Fantasy Fiction, Orbit, Galaxy Science Fiction, Fantastic Universe, Amazing Stories, Rolling Stone College Papers, Omni and Playboy.

Strange Ports of Call

Strange Ports of Call is an anthology of science fiction stories edited by American writer August Derleth. It was first published by Pellegrini & Cudahy in 1948. The stories had originally appeared in the magazines Blue Book, Amazing Stories, Weird Tales, Science and Invention, Astounding Stories, Coronet, The New Review, The Black Cat, Thrilling Wonder Stories, Wonder Stories, Comet, The Saturday Evening Post, Collier's Weekly and Planet Stories.

The Best of Philip K. Dick

The Best of Philip K. Dick is a collection of science fiction stories by American writer Philip K. Dick. It was first published by Del Rey Books in 1977. Many of the stories had originally appeared in the magazines Planet Stories, Fantasy and Science Fiction, Space Science Fiction, Imagination, Astounding Stories, Galaxy Science Fiction, Amazing Stories, Science Fiction Stories and Startling Stories, as well as the anthologies Dangerous Visions and Star Science Fiction Stories No.3.

The Crystal Crypt

The Crystal Crypt is a science fiction short story by Philip K. Dick, first published in the January 1954 edition of Planet Stories and later published in Beyond Lies the Wub in 1988.

The story is set in the distant future where Earth and Mars are on the verge of war. The last spaceship to leave Mars headed for Earth is stopped and searched by Martian soldiers, who are looking for three saboteurs who destroyed a Martian city. They are not found, and the ship continues towards Earth. On board the space ship, a business man by the name of Thacher meets a young woman and two men, who tell that they are the people sought by the Martians, and proceed to tell Thacher the story of how they did not destroy the Martian city, but used a device to reduce the entire city to fit in a tiny globe, which they smuggled on board the ship. The city is to be used as a bargaining chip against Mars in the upcoming war. Thacher reveals that he is a Martian secret agent, and several of the passengers on board are Martian police.

The Gun (short story)

For the collection of short stories by Philip K. Dick, see Beyond Lies the Wub (collection).

"The Gun" is a science fiction short story by American writer Philip K. Dick, first published in 1952 September issue of Planet Stories, and later published in Beyond Lies the Wub in 1984. "The Gun" has been published in Italian, German, French and Polish translations.

The Infinites

The Infinites is a science fiction short story by Philip K. Dick, first published in 1953 in the May issue of Planet Stories, and later in The Collected Stories of Philip K. Dick. It has since been republished several times, including in Beyond Lies the Wub in 1988.

The plot centers around a crew of three on board a spaceship which scouts asteroid fields for new materials which can be mined. Led by Crispin Eller, the crew (which consists of second in command Blake and Silvia) land on an asteroid and send a pack of hamsters in order to check the radiation levels. Upon retrieving the hamsters, they discover that they've received a large doses of radiation and are lifeless.

Later, the crew themselves pass out of radiation and wake up several days later. Their hair falls out, their nails as well, and their heads swell to a larger size. Pondering over the changes, the crew realizes that the radiation has vastly increased their evolution, and that they've evolved millions of years in a matter of days. Blake insists on going back to Earth so they can assume control with their powerful minds, while Eller is more cautious. A fight breaks out, and Blake kills Silvia with energy he creates himself. As Blake is about to kill Eller, several large orbs of energy appear and destroy Blake. It is revealed that the orbs of energy are actually the hamsters which have received the radiation first, and have evolved millions of years and are now nothing but pure energy.

The Long Rain

"The Long Rain" is a short story by science fiction author Ray Bradbury. This story was originally published in 1950 as "Death-by-Rain" in the magazine Planet Stories, and then in the collection The Illustrated Man. The story tells of four men who have crashed on a planet where it is always raining. As they try to reach the safety of the Sun Domes, they end up being driven insane by the endless rains.

The story was republished in several collections and was incorporated into a film also titled The Illustrated Man.

The Short Happy Life of the Brown Oxford (collection)

The Short Happy Life of the Brown Oxford is a collection of science fiction stories by American writer Philip K. Dick. It was first published by Citadel Twilight in 1990 and reprints Volume I of The Collected Stories of Philip K. Dick. Many of the stories had originally appeared in the magazines Fantasy and Science Fiction, Planet Stories, If, Galaxy Science Fiction, Imagination, Space Science Fiction, Fantastic Story Magazine, Amazing Stories, Future, Cosmos, Fantasy Fiction, Beyond Fantasy Fiction, Thrilling Wonder Stories and Startling Stories. The collection was reprinted by Citadel Press in 2003 under the title Paycheck and Other Classic Stories.

Tops in Science Fiction

Tops in Science Fiction was a pulp science fiction magazine launched in 1953. The publisher, Love Romances Publishing, created it as a vehicle to reprint stories from Planet Stories. It was unsuccessful and only lasted for two issues. Although it contained no original stories, it did print some original artwork, including some of Kelly Freas's early work. A British reprint edition appeared in the mid-1950s.

We Can Remember It for You Wholesale (collection)

We Can Remember It for You Wholesale is a collection of science fiction stories by American writer Philip K. Dick. It was first published by Citadel Twilight in 1990 and reprints Volume II of The Collected Stories of Philip K. Dick replacing the story "Second Variety" with "We Can Remember It for You Wholesale". Many of the stories had originally appeared in the magazines Fantasy Fiction, Fantastic Universe, Fantasy and Science Fiction, Imagination, If, Amazing Stories, Science Fiction Quarterly, Startling Stories, Cosmos, Orbit, Astounding, and Planet Stories.

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