Participatory cinema

Participatory cinema tries to involve a film's community in the process of making movies, rather than interaction being left to cinema viewers at the end of the process. The organizers of participatory cinema open up cinema showings and the cinema production process for non professionals.

Where classic film production focuses on the final product, participatory cinema focuses on the process of making movies and its meaning on the participators.

Examples

Participatory documentaries include RiP!: A Remix Manifesto.

Participatory feature films include projects like A Swarm of Angels, Iron Sky or The Cosmonaut.

Participatory film platforms and communities include A Swarm of Angels, Open Source Cinema, Sanctuary, The Cosmonaut and Wreck-A-Movie

See also

Interactive cinema

Interactive cinema tries to give the audience an active role in the showing of movies. The movie Kinoautomat by Czechoslovakian director Raduz Cincera presented in the Czech Pavilion at Expo 67 in Montreal is considered to be the first cinema-like interactive movie. The availability of computers for the display of interactive video has made it easier to create interactive movies.

Another newer definition of interactive cinema is a video game which is a hybrid between participation and viewing, giving the player - or viewer, as it were - a strong amount of control in the characters' decisions. A prominent pioneer of such a technique is the successful Hideo Kojima, whose gameplay often takes a priority to the storyline and long cutscenes. His game Policenauts, a point and click adventure game which has shootout sequences (that make use of the lightgun peripheral on the Sega Saturn version of the game), has a subtitle which reads "Interactive cinema" on the cover art of all versions of said game, which is an early example of a prominent game developer labelling their game as such. In 1999, Sega's Shenmue video game series was highly praised for its implementation of interactive cinematic elements. Designed by Yu Suzuki, he stated that his goal "was to create a game that was intricate and lifelike by merging the cinematic qualities of movies and the interactivity of computer games". A recent incarnation of an idea similar to this one is Fahrenheit, (censored version released in US and Canada as "Indigo Prophecy") a game dubbed as "interactive cinema" by its France-based developer, Quantic Dream.

1992 saw the release of North America's first interactive motion picture, I'm Your Man. Certain Loews Theatres locations were retrofitted with controllers to allow audiences to vote on decisions made by the main character. Although initially touted as the first step toward virtual reality cinema, the experiment was a failure and the equipment was removed from theaters by 1994.

Interactive video

The term interactive video usually refers to a technique used to blend interaction and linear film or video.

Iron Sky

Iron Sky is a 2012 Finnish-German-Australian comic-science-fiction action film directed by Timo Vuorensola and written by Johanna Sinisalo and Michael Kalesniko. It tells the story of a group of Nazi Germans who, having been defeated in 1945, fled to the Moon, where they built a space fleet to return in 2018 and conquer Earth.

Iron Sky comes from the creators of Star Wreck: In the Pirkinning and was produced by Tero Kaukomaa of Blind Spot Pictures and Energia Productions, co-produced by New Holland Pictures and 27 Films, and co-financed by numerous individual supporters; Samuli Torssonen was responsible for the computer-generated imagery. It was theatrically released throughout Europe in April 2012. A director's cut of the film with 20 additional minutes was released on DVD and Blu-ray on 11 March 2014.A video-game adaptation titled Iron Sky: Invasion was released in October 2012.

A sequel, titled Iron Sky: The Coming Race, was crowdfunded through Indiegogo and released in January 2019.

Participatory video

Participatory video is a form of participatory media in which a group or community creates their own film. The idea behind this is that making a video is easy and accessible, and is a great way of bringing people together to explore issues, voice concerns or simply to be creative and tell stories. It is therefore primarily about process, though high quality and accessible films (products) can be created using these methods if that is a desired outcome. This process can be very empowering, enabling a group or community to take their own action to solve their own problems, and also to communicate their needs and ideas to decision-makers and/or other groups and communities. As such, PV can be a highly effective tool to engage and mobilise marginalised people, and to help them to implement their own forms of sustainable development based on local needs.

The Wedding Camels

The Wedding Camels is an ethnographic film directed by David and Judith MacDougall, filmed in 1974 and released in 1980 (108 min., Turkana with English subtitles), that examines the negotiations and cultural practices that surround the tradition of the Turkana people of Kenya of giving a bridewealth before a wedding. The film was funded and distributed by the University of California Extension Center for Media.

By style
By theme
By movement
or period
By demographic groups
By format,
technique,
approach,
or production

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