Paley Center for Media

The Paley Center for Media, formerly the Museum of Television & Radio (MT&R) and the Museum of Broadcasting, founded in 1975 by William S. Paley,[1] is an American cultural institution in New York and Los Angeles dedicated to the discussion of the cultural, creative, and social significance of television, radio, and emerging platforms for the professional community and media-interested public.

It was renamed The Paley Center for Media on June 5, 2007, to encompass emerging broadcasting technologies such as the Internet, mobile video, and podcasting, as well as to expand its role as a neutral setting where media professionals can engage in discussion and debate about the evolving media landscape.[2]

Museum of Television and Radio 2006
The Paley Center for Media, New York City
MuseumTvRadio03
The Paley Center for Media, Beverly Hills

Locations

With an ever-growing collection of content broadcast on radio and television, the Paley Center has two branches; in New York City and Los Angeles. The New York City branch is in the heart of Midtown Manhattan at 25 West 52nd Street between 5th and 6th Avenues. The Los Angeles branch is located at 465 N Beverly Drive in Beverly Hills, near Rodeo Drive.

New York

The original Museum of Broadcasting, founded in 1975 by William S. Paley, opened in Manhattan on November 9, 1976, occupying two floors in an office building at 1 East 53rd Street, near the corner of 53rd Street and Fifth Avenue. This was adjacent to the Doubleday Book Store on Fifth Avenue.

The Museum of Broadcasting's name was changed to The Museum of Television & Radio with the September 12, 1991 move into the William S. Paley Building. Designed by Philip Johnson and located at 25 West 52nd Street (adjacent to the famed 21 Club at 21 West 52nd Street), the 16-story building was itself renamed The Paley Center for Media in 2007. It has two front entrances: the one on the left is for office staff, and the main entrance on the right for the general public. The Alexander Mackendrick film Sweet Smell of Success (1957) has an exterior location scene with different angles revealing how the neighborhood looked in the years before the building was constructed.

The ground-level floor of the New York museum features the ticket and information area and the Steven Spielberg Gallery, used for exhibitions, receptions and fund-raising events. Reservations to use the Library are made at the front desk. In addition to the elevator, a staircase on the first floor leads down to the large basement-level theater. The fourth floor has numerous computers, used by visitors to locate programming in the collection. When a selection is made, it can be watched on the computer. Computers are available both for individuals and for groups.

Los Angeles

The Museum of Television & Radio in Los Angeles at 465 North Beverly Drive in Beverly Hills, opened March 18, 1996 in a new building designed by Richard Meier and named for Leonard H. Goldenson. When the Los Angeles building opened, it featured a collection duplicated from the tapes in the New York collection. Rooms are named for the celebrity sponsors: the Danny Thomas Lobby, the Aaron Spelling Reception Area and the Garry Marshall Pool. Screenings are held in the 150-seat John H. Mitchell Theatre. The Ahmanson Radio Listening Room has headphones for use with five pre-programmed channels.

Archives

The Paley Center for Media is committed to the idea that many television and radio programs are significant works and should be preserved for posterity's sake. Instead of collecting artifacts and memorabilia, the Paley Center comprises mostly screening rooms, including two full-sized theaters. Nearly 160,000 television shows, commercials, and radio programs are available in the Paley Center's library, and during each visit, viewers can select and watch shows at individual consoles, and radio programs are accessed through these same consoles.

Some television programs are from the 1940s with radio programs dating back to the 1920s. The earliest TV program in the Museum's collection is a silent film of NBC's 1939 production of Dion Boucicault's melodrama The Streets of New York (1857), with Norman Lloyd, George Coulouris, and Jennifer Jones.[3]

The museum does not sell the material or permit it to leave the premises. Viewing copies of television programs are Hi-8mm video tape dubs. The originals are kept in a vault outside of New York City, and the collection is being digitized.[4] The Paley Center has acquired many lost episodes of classic television shows and has produced documentary features about the history and impact of television and radio. In recent years, the Center has sponsored advance viewing of the pilot episodes of each network's new programs.

Melissa & Joey cast and crew at Paley Center
The cast and crew of Melissa & Joey at an "Onstage @ Paley LA" event

Television and radio shows are added to the collection after archival discoveries and through donations from individuals and organizations. In 2002, the Museum held a showing of the previously unseen rehearsal film of Rodgers and Hammerstein's Cinderella telecast from March 17, 1957. This rehearsal was found in the CBS vault while the Museum was on a quest for other "lost" Cinderella materials. It had been believed that on the night of the live broadcast the show was preserved on both kinescope and videotape and then transmitted to the West Coast. Seeking either of these, Jane Klain, the Director of Research at the New York facility, asked CBS to search their vaults. The CBS database listed three 16mm films featuring five-minute segments of Julie Andrews performing in the show. When the earliest one was brought from the CBS vault, it was discovered to be the full dress rehearsal.

The Center is also known for its many discoveries involving daytime game shows. Episodes of destroyed shows such as High Rollers, Celebrity Sweepstakes, The Money Maze, the Chuck Woolery version of Wheel of Fortune, To Say the Least, and daytime Hollywood Squares episodes are all available for viewing in the library. Episodes of other game shows such as Tattletales, Let's Make a Deal, and The Gong Show are also in the library.

Programming and education

Seminars and interviews with public figures are conducted frequently, all of which are recorded and available for later viewing on individual consoles. Past seminar participants have included Lucille Ball, Carol Burnett, Dick Cavett, Alan Alda, Al Franken, John Frankenheimer, James Garner, Bob Hope, Roy Huggins, Jack Paar, Dennis Potter, Dick Van Dyke, and Gore Vidal. Also available for viewing are seminars featuring creators and cast members from TV shows, including The Larry Sanders Show, Seinfeld, King of the Hill, The Simpsons, South Park, The Daily Show with Jon Stewart, Arrested Development, House, Battlestar Galactica, and The League. Panel discussions have varied from what it was like to work with Orson Welles to a celebration of Roy Huggins's career.

PaleyFest, also known as the William S. Paley Television Festival, is an annual television festival hosted by the Paley Center in the Los Angeles area. Founded in 1984, the festival, held annually in the spring, features panels composed of the casts and prominent creative talent from popular television shows such as Community, Parks and Recreation, Mad Men, and Lost, among many others. The panels field questions from a moderator and a public audience and often present exclusive content from their respective series. The festival has been in many venues over its history, including the Los Angeles County Museum of Art Bing Theater, the Directors Guild of America theater, the Cinerama Dome, and the Saban Theatre in Beverly Hills. It was relocated to the larger Dolby Theatre in Hollywood in 2014.[5]

Media Advanced Management Program

In 2010, The Paley Center for Media announced a partnership with IESE Business School to offer the Advanced Management Program in Media and Entertainment or the "Media AMP", a postgraduate level program for media and entertainment executives to preparing them for high level leadership roles in their companies. Launched in January 2011, the program’s goal is to bring executives up to speed on new business models, management techniques, and technologies. A key feature is access to leaders in the industry.

The Media AMP curriculum covers four modules over a six-month period. Three of the modules are held in New York, and one in Los Angeles. Key discussion topics include: Value Creation; Digital Strategy; Accounting, Finance and Management Control; Content and Customers; Leadership; Production, Technology and Operations Management; Entrepreneurship and Innovation; IT Systems and Strategy; Managerial Economics and Decision Analysis; Marketing Strategy; and others.

See also

References

  1. ^ "History" Paley Center for Media website
  2. ^ "The Museum of Television & Radio announces new name" Archived 2007-06-09 at the Wayback Machine
  3. ^ Ritchie, Michael. (1994) Please Stand By. Overlook Press.
  4. ^ Jenson, Elizabeth. (June 5, 2007) "New Name and Mission for Museum of Television" The New York Times
  5. ^ Ng, Philiana (December 12, 2013). "PaleyFest Moves to Dolby Theatre for 2014, Unveils First Honorees". Hollywood Reporter. Retrieved April 26, 2014.

External links

Alex Wallau

Alex Wallau is a former President of the ABC television network.

Wallau began his career with ABC in 1976, when he joined the network's Sports division under Roone Arledge, then head of ABC Sports. Wallau went on to become a two-time Emmy Award-winning producer and director of ABC's sports coverage. He worked primarily on ABC's boxing coverage with announcer Howard Cosell. In 1986, after Cosell's retirement, Wallau became ABC's boxing analyst. He was honored by the Boxing Writers Association of America as the top television boxing journalist in his first year.

Wallau moved into management in 1993 and was named President of ABC in 2000, with oversight of 11 divisions, including Entertainment, News, Sports, Finance & Sales.

He has served on the Board of Directors of ESPN, the Ad Council and the Paley Center for Media. In 2006, Wallau was honored by UCLA's Jonsson Comprehensive Cancer Center with their Humanitarian Award. Wallau is a cancer survivor.

An American Portrait

An American Portrait is a series of historical interstitial programs that aired on CBS from September 9, 1984 until October 28, 1986. Each episode opened with the centennial introduction In Celebration: 1886–1986, followed by a one-minute biography of the subject. Each episode was presented by a different celebrity.

Beethoven Lives Upstairs

Beethoven Lives Upstairs is a Canadian 1992 HBO Original Films TV film produced and directed by David Devine. Based on a very popular children's audio recording written and directed by Barbara Nichol, the film stars Illya Woloshyn as Christoph, a young boy who develops a friendship with composer Ludwig van Beethoven (Neil Munro), a boarder in the boy's parents' house. The film was shot in Prague in the Czech Republic and has been broadcast in over 110 countries in numerous languages and has sold over one million DVDs and is used extensively in U.S. and Canadian elementary and middle school music classrooms.The film went on to win the Primetime Emmy Award for Outstanding Children's Program in 1993, was nominated for numerous Gemini Awards, and was also admitted to the Permanent Collection in the Paley Center for Media in New York City.

Carol Burnett

Carol Creighton Burnett (born April 26, 1933) is an American actress, comedian, singer and writer, whose career spans seven decades of television. She is best known for her groundbreaking television variety show, The Carol Burnett Show, originally aired on CBS. It was the first of its kind to be hosted by a woman. She has achieved success on stage, television and film in varying genres including dramatic and comedic roles. She has also appeared on various talk shows and as a panelist on game shows.

Born in San Antonio, Texas, Burnett moved with her grandmother to Hollywood, where she attended Hollywood High School and eventually studied theater and musical comedy at UCLA. Later she performed in nightclubs in New York City and had a breakout success on Broadway in 1959 in Once Upon a Mattress, for which she received a Tony Award nomination. She soon made her television debut, regularly appearing on The Garry Moore Show for the next three years, and won her first Emmy Award in 1962. Burnett had her television special debut in 1963 when she starred as Calamity Jane in the Dallas State Fair Musicals production of Calamity Jane on CBS. Burnett moved to Los Angeles, California, and began an 11-year run as star of The Carol Burnett Show on CBS television from 1967 to 1978. With its vaudeville roots, The Carol Burnett Show was a variety show that combined comedy sketches with song and dance. The comedy sketches included film parodies and character pieces. Burnett created many memorable characters during the show's run, and both she and the show won numerous Emmy and Golden Globe Awards.

During and after her variety show, Burnett appeared in many television and film projects. Her film roles include Pete 'n' Tillie (1972), The Front Page (1974), The Four Seasons (1981), Annie (1982), Noises Off (1992), and Horton Hears a Who! (2008). On television, she has appeared in other sketch shows; in dramatic roles in 6 Rms Riv Vu (1974) and Friendly Fire (1979); in various well-regarded guest roles, such as in Mad About You, for which she won an Emmy Award; and in specials with Julie Andrews, Dolly Parton, Beverly Sills, and others. She returned to the Broadway stage in 1995 in Moon Over Buffalo, for which she was again nominated for a Tony Award.

Burnett has written and narrated several memoirs, earning Grammy nominations for almost all of them, and a win for In Such Good Company: Eleven Years Of Laughter, Mayhem, And Fun In The Sandbox.In 2005, she was recognized as "one of America's most cherished entertainers" and awarded the Presidential Medal of Freedom "for enhancing the lives of millions of Americans and for her extraordinary contributions to American entertainment."

Flashing Spikes

"Flashing Spikes" is a 1962 television play directed by John Ford and starring James Stewart, with a lengthy surprise appearance by John Wayne, billed in the credits as "Michael Morris" (apparently based on Wayne's birth name "Marion Michael Morrison"). The hour-long drama revolving around a disgraced ex-baseball player (Stewart) was broadcast as an episode of the anthology series Alcoa Premiere hosted by Fred Astaire.

The script was based upon a novel by Frank O'Rourke and the supporting cast includes Jack Warden, Tige Andrews, Patrick Wayne, Don Drysdale, Vin Scully, Harry Carey, Jr., and Edgar Buchanan. The Director of Photography was William H. Clothier.

This show's director John Ford, actors James Stewart and John Wayne, and cinematographer William H. Clothier also filmed The Man Who Shot Liberty Valance together the same year.

Flashing Spikes remains available for public viewing at the Paley Center for Media in New York City and Los Angeles.

Hey, Hey, Hey, It's Fat Albert

Hey, Hey, Hey, It's Fat Albert is an animated primetime television special which originally aired on November 12, 1969 on NBC in the United States. While NBC did re-air the special twice following its initial airing, it has rarely been seen since. The film is owned by the Paley Center for Media, which has only held a very small number of screenings of the feature. It was created by Bill Cosby and animator Ken Mundie (best known for the opening credit sequences of Rawhide and The Wild Wild West). It was based on Cosby's stand-up routines, which were based on his childhood. It would later inspire the long-running 1972 animated series Fat Albert and the Cosby Kids.

The special has a very different style from the later series. Due to time and a tight budget, the animators had to draw directly onto cells with grease pencils and actual images of Philadelphia were used for backgrounds. The music was provided by Herbie Hancock, who later used some of the music he composed on his album Fat Albert Rotunda. Unlike the later Cosby Kids series and specials, it has not been released on DVD.

Lamborghini Miura concept

The Lamborghini Miura Concept is a retro styled Lamborghini presented at the Paley Center for Media, formerly The Museum of Television & Radio, on 5 January 2006. The unveiling coincided with the Los Angeles Auto Show though it was not present at the show itself. The car commemorated the 40th anniversary of the introduction of the original Miura concept at the Geneva Motor Show in 1966. The car made its official début at the North American International Auto Show in Detroit two weeks later.It was the first design to be penned by Lamborghinis design chief, Walter de'Silva. The show car greatly resembles the original Miura while its underpinnings are that of the more modern Murciélago.Lamborghini president and CEO Stefan Winkelmann stated that the concept would not mark the Miura's return to production, saying that “The Miura was a celebration of our history, but Lamborghini is about the future. Retro design is not what we are here for. So we won’t do the Miura.”The Miura concept is now on display at the Lamborghini Museum in Sant'Agata Bolognese, Italy.

Lee Erwin (writer)

Lee Erwin (September 12, 1906 in Ada, Oklahoma - June 4, 1972 in Los Angeles, California) was a television writer from the 1950s to the 1970s. Erwin wrote for Mr. & Mrs. North, The Millionaire, Have Gun, Will Travel, The New Adventures of Charlie Chan and many other 1950s and 1960s TV shows. He is probably best known for his Star Trek episode "Whom Gods Destroy", his two-part Tarzan episode "The Deadly Silence", and his episode of The Lieutenant, "To Set It Right", which was never aired because the subject matter, racial prejudice, was taboo for entertainment television at the time. This episode can be viewed at The Paley Center for Media. His last work for television was the script for the All in the Family episode "Writing the President" (1971).

List of surviving DuMont Television Network broadcasts

The DuMont Television Network was launched in 1946 and ceased broadcasting in 1956. Allen DuMont, who created the network, preserved most of what it produced in kinescope format. By 1958, however, much of the library had been destroyed to recover the silver content. Most of whatever survived was loaded onto three trucks and dumped into Upper New York Bay in the mid-1970s. Since then, there has been extensive research on which DuMont programs have episodes extant.

Due to the possibilities that various unknown collectors may be in possession of programs and/or episodes not listed here, and that the sources below may actually hold more than what is listed (for example, through a mislabeled film can), this list is very likely incomplete.

For a list of program series aired on DuMont, see List of programs broadcast by the DuMont Television Network.

Maria Golovin

Maria Golovin is an English language opera in three acts by Gian Carlo Menotti. It is through-composed and centers on a romantic encounter between a blind recluse named Donato and the title character, a married woman living in a European country a few years after a recent war. The work was commissioned by Peter Herman Adler of the NBC Opera Theatre.

Its first performance was at the International Exposition Pavilion Theater at Expo '58 in Brussels on 20 August 1958. Later that year, David Merrick and the NBC Opera mounted a Broadway production billed as a "musical drama." It was staged by Menotti and ran for five performances at the Martin Beck Theatre. The cast included Patricia Neway, Ruth Kobart, Norman Kelley, William Chapman, and Richard Cross, who won the 1959 Theatre World Award for his performance. Maria Golovin is not part of the usual operatic repertory and rarely is performed today, although The Paley Center for Media (Museum of Television & Radio) in New York scheduled a screening of the 1959 NBC Opera production of the work, starring Franca Duval, Richard Cross, and Patricia Neway, for May 21, 2011 at 2 p.m. followed by a discussion with Mr. Cross.

Orson Welles Commentaries

Orson Welles Commentaries (1945–46) is an ABC radio series produced and directed by Orson Welles. Featuring commentary by Welles, with reminiscences and readings from literature, the 15-minute weekly program aired Sunday afternoons at 1:15 p.m. ET beginning September 16, 1945. Lear Radio sponsored the program through the end of June 1946 when it failed to find a larger audience. The series was continued by ABC as a sustaining show through October 6, 1946. Orson Welles Commentaries was the last of Welles's own radio shows.

Seeing Ear Theater

Seeing Ear Theater was an internet based drama/re-enactment troupe attempting to capture the feel of older scifi radio plays. The content was originally maintained on the SciFi.com website and ran from 1997-2001. Episodes can be retrieved from the Internet Archive, but the episode numbers and dates are incorrect.

List of episodes for the Seeing Ear Theater radio show.

The Fountain of Youth (film)

The Fountain of Youth is a 1956 television pilot directed by Orson Welles for a proposed Desilu Productions anthology series that was never produced. Based on a short story by John Collier, the short film narrated onscreen by Welles stars Dan Tobin, Joi Lansing and Rick Jason. The Fountain of Youth was televised once, on September 16, 1958, on NBC's Colgate Theatre. It received the prestigious Peabody Award for 1958, the only unsold television pilot ever to be so honored.

The Hollow Crown (anthology)

The Hollow Crown is an anthology, devised by John Barton in 1961, which presents in dramatic form, speeches, documents, gossip and music, associated with the British monarchy from William the Conqueror up to Queen Victoria. A videotape of a broadcast can be seen at The Paley Center for Media in New York City.

The work has also been produced for the stage several times. According to Ian Richardson "every member of the Royal Shakespeare Company - present, past, or passed-on - has participated in it at one time or another".

In 2002 Richardson joined Sir Derek Jacobi, Sir Donald Sinden and Dame Diana Rigg in an international tour visiting Wellington, New Zealand, Sydney, Melbourne, Australia, returning to the Royal Shakespeare Theatre, Stratford-upon-Avon. A Canadian tour in 2004 substituted Alan Howard for Jacobi and Vanessa Redgrave for Rigg.

The Story of Will Rogers

The Story of Will Rogers is a 1952 Technicolor film biography of humorist and movie star Will Rogers, directed by Michael Curtiz and starring Will Rogers Jr. as his father. The supporting cast features Jane Wyman, Slim Pickens, Noah Beery Jr., Steve Brodie, and Eddie Cantor. The film's screenplay was based on the true short story "Uncle Clem's Boy" by Rogers' widow Betty Blake, which was published in The Saturday Evening Post in 1940.

Bing Crosby secretly made a screen test for the lead role available for viewing at the Paley Center for Media in New York City and Los Angeles but was deemed too different in persona from Rogers to play the part.

This Is My Best

This Is My Best is a radio anthology series, sponsored by Cresta Blanca wines, which ran on CBS Radio from 1944 to 1946 in 30-minute episodes.

The series aired for two seasons, one of 39 episodes and the other of 36, before its cancellation in 1946, and adapted a combination of literary classics, contemporary literature and films. It was performed before a live audience.

Guest stars included many notable actors of the day, such as Ralph Bellamy, Jack Benny, Joan Blondell, Joe E. Brown, Virginia Bruce, Jack Carson, Ray Collins, Robert Cummings, Louis Hayward, Rita Hayworth, Hedda Hopper, Van Johnson, Charles Laughton, Ida Lupino, Virginia Mayo, Burgess Meredith, Thomas Mitchell, Gregory Peck, Rosalind Russell, Ann Rutherford, Sylvia Sidney, Akim Tamiroff and Keenan Wynn.The series is most closely associated with Orson Welles, who guest-starred in several earlier episodes, and then from episode 27 (broadcast 13 March 1945), took over as producer, writer, host and star. He began with an adaptation of Heart of Darkness, something he had previously adapted for The Mercury Theatre on the Air and The Campbell Playhouse, and which he had attempted to make as his first film in 1940 before turning his attention to Citizen Kane. However, Welles' running of the show was short-lived, and he left after just seven episodes. Welles' suffered strained relations with the show's nominal director, Don Clark, complaining that Clark could be "very drunk" in the studio, whilst Welles annoyed Clark by effectively taking the directing out of his hands. He was fired after a disagreement with Clark, when Welles wanted to substitute an adaptation of Don't Catch Me by Robert Powell which Clark had scheduled with his own adaptation of Ferenc Molnár's The Guardsman, starring himself and his wife Rita Hayworth. Despite the show's sponsors being very happy with the idea (Hayworth was then at the peak of her stardom), Welles was sacked within three hours of the argument. Welles went on to front another radio anthology series for Cresta Blanca and CBS later that year, The Orson Welles Theatre, which lasted just two months.It was during Welles' stint that his friend President Franklin D. Roosevelt died, and so he made his penultimate episode, I Will Not Go Back (broadcast 17 April 1945) an FDR special, dedicating it to "an American president who has fallen in battle."

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