New York Journal-American

The New York Journal-American was a daily newspaper published in New York City from 1937 to 1966. The Journal-American was the product of a merger between two New York newspapers owned by William Randolph Hearst: The New York American (originally the New York Journal, renamed American in 1901), a morning paper, and the New York Evening Journal, an afternoon paper. Both were published by Hearst from 1895 to 1937. The American and Evening Journal merged in 1937. The Journal-American was a publication with several editions in the afternoon and evening.

New York Journal-American

Stanford White 33
The front page of the June 26, 1906 issue of the New York American, prior to merger. The murder of Stanford White is its headline.
TypeDaily newspaper
Owner(s)William Randolph Hearst
William Randolph Hearst, Jr. (1951–1966)
PublisherHearst Corporation
Founded1882 (as New York Morning Journal)
1895 (as The Journal)
1896 (New York Evening Journal)
1901 (as New York (Morning) American)
1937 (merger)
HeadquartersNew York

Circulation war

Joseph Pulitzer's younger brother Albert founded the New York Morning Journal in 1882. John R. McLean briefly acquired the paper in 1895, but quickly sold it to Hearst.[1] Hearst founded the Evening Journal about a year later.

Hearst entered into a circulation war with the New York World, the newspaper run by his former mentor Joseph Pulitzer and from whom he stole the cartoonists George McManus and Richard F. Outcault. In October 1896, Outcault defected to Hearst's New York Journal. Because Outcault had failed in his effort to copyright The Yellow Kid both newspapers published versions of the comic feature with George Luks providing the New York World with their version after Outcault left.[2] The Yellow Kid was one of the first comic strips to be printed in color and gave rise to the phrase yellow journalism, used to describe the sensationalist and often dishonest articles, which helped, along with a one-cent price tag, to greatly increase circulation of the newspaper. Many believed that as part of this, aside from any nationalistic sentiment, Hearst may have helped to initiate the Spanish–American War of 1898 to increase sales.


In the early 1900s, Hearst weekday morning and afternoon papers around the country featured scattered black-and-white comic strips, and on January 31, 1912, Hearst introduced the nation's first full daily comics page in the Evening Journal.[3] A year later, on January 12, 1913, McManus launched his Bringing Up Father comic strip. The comics expanded into two full pages daily and a 12-page Sunday color section with leading King Features Syndicate strips. By the mid-1940s, the newspaper's Sunday comics included Bringing Up Father, Blondie, a full-page Prince Valiant, Flash Gordon, The Little King, Buz Sawyer, Feg Murray's Seein' Stars, Tim Tyler's Luck, Gene Ahern's Room and Board and The Squirrel Cage, The Phantom, Jungle Jim, Tillie the Toiler, Little Annie Rooney, Little Iodine, Bob Green's The Lone Ranger, Believe It or Not!, Uncle Remus, Dinglehoofer und His Dog, Donald Duck, Tippie, Right Around Home, Barney Google and Snuffy Smith and The Katzenjammer Kids.[4]

Tad Dorgan, known for his boxing and dog cartoons as well as the comic character Judge Rummy, joined the Journal's staff in 1905.

In 1922, the Evening Journal introduced a Saturday color comics tabloid with strips not seen on Sunday, and this 12-page tabloid continued for decades, offering Popeye, Grandma, Don Tobin's The Little Woman, Mandrake the Magician, Don Flowers' Glamor Girls, Grin and Bear It and Buck Rogers and other strips.[5]

Rube Goldberg also became a cartoonist with the Journal-American.


The Evening Journal was home to famed investigative reporter Nellie Bly, who began writing for the paper in 1914 as a war correspondent from the battlefields of World War I. Bly eventually returned to the United States and was given her own column that she wrote right up until her death in 1922.

Editorial cartoon about Jacob Smith's retaliation for Balangiga
One of the New York Journal's most infamous cartoons, depicting Philippine–American War General Jacob H. Smith's order "Kill Everyone over Ten," from the front page on May 5, 1902.


Popular columnists included Ambrose Bierce, Benjamin De Casseres, Dorothy Kilgallen, O. O. McIntyre, and Westbrook Pegler. Kilgallen also wrote articles that appeared on the same days as her column on different pages, sometimes the front page. Regular Journal-American contributor Jimmy Cannon was one of the highest paid sports columnists in the United States. Society columnist Maury Henry Biddle Paul, who wrote under the pseudonym "Cholly Knickerbocker", became famous and coined the term "Café Society".[6] John F. Kennedy contributed to the newspaper during a brief career he had as a journalist during the final months of World War II.[7]


Beginning in 1938, Max Kase (1898–1974) was the sports editor until the newspaper expired in 1966.[8] The fashion editor was Robin Chandler Duke.[9]

Jack O'Brian (1914–2000) was television critic for the Journal-American and exposed the 1958 quiz-show scandal that involved cheating on the popular television program Twenty-One. O'Brian was a supporter of Senator Joseph McCarthy and his series of published attacks on CBS News and WCBS-TV reporter Don Hollenbeck, may have been a major factor in Hollenbeck's eventual suicide, referenced in the 1986 HBO film Murrow and the 2005 motion picture Good Night, and Good Luck.

Ford Frick (1894–1978) was a sportswriter for the American before becoming president of baseball's National League (1934–51), then commissioner of Major League Baseball (1951–65). Frick was hired by Wilton S. Farnsworth, who was sports editor of the American from 1914–37 until becoming a boxing promoter.

Bill Corum was a sportswriter for the Journal-American who also served nine years as president of the Churchill Downs race track. Frank Graham covered sports there from 1945–65 and was inducted in the Baseball Hall of Fame, as were colleagues Charley Feeney and Sid Mercer.

Before becoming a news columnist elsewhere, Jimmy Breslin was a Journal-American sportswriter in the early 1960s. He authored the book Can't Anybody Here Play This Game? chronicling the season of the 1962 New York Mets.

Sheilah Graham (1904-1988) was a reporter for the Journal-American before gaining fame as a gossip columnist and as an acquaintance of F. Scott Fitzgerald.

William V. Finn, a staff photographer, died on the morning of June 25, 1958 while photographing the aftermath of a fiery collision between the tanker Empress Bay and cargo ship Nebraska in the East River. Finn was a past-president of the New York Press Photographers Association and was the second of only two of the association's members to die in the line of duty.


The newspaper was famous for publishing many photographs with the "Journal-American Photo" credit line as well as news photographs from Associated Press and other wire services.


With one of the highest circulations in New York in the 1950s and 1960s, the Journal-American nevertheless had difficulties attracting advertising as its blue-collar reading base turned to television, a situation compounded by the fact television news were affecting evening newspapers more than their morning counterparts, something evident starting with the four-day period of JFK's assassination, Jack Ruby's shooting of Lee Harvey Oswald and both men's funerals.[10] New York newspapers in general were in dire straits by then, following a devastating newspaper strike in late 1962 and early 1963.

Journal-American editors, apparently sensing that psychotherapy and rock music were starting to enter the consciousness of both blue-collar and white-collar New Yorkers, enlisted Dr. Joyce Brothers to write front-page articles in February 1964 analyzing the Beatles. While the Beatles were filming Help! in the Bahamas, columnist Phyllis Battelle interviewed them for articles that ran on the Journal-American front page and in other Hearst papers, including the Los Angeles Herald Examiner, for four consecutive days, from April 25 to 28, 1965.

During every visit that the Beatles made to New York in 1964 and 1965, including their appearances at Shea Stadium, various Journal-American columnists and reporters devoted a lot of space to them.[11]

Throughout 1964 and 1965, Dorothy Kilgallen's Voice of Broadway column, which ran Sunday through Friday, often reported short news items about trendy young rock groups and performers such as The Rolling Stones, The Animals, The Dave Clark Five, Mary Wells and Sam Cooke. The newspaper obviously was keeping up with the many mid-1960s changes in popular music and its interracial fan bases.

Hearst front page
edition of Friday afternoon, September 25, 1964

It published enlarged photographs of civil rights demonstrations, Dorothy Kilgallen's skepticism about the Warren Commission report as well as many reporters' stories on the increasing crime rate in New York's five boroughs.

Most of the front page of the Sunday edition of January 12, 1964 ran stories that were relevant to the previous day's announcement by U.S. Surgeon General Luther Terry that "a blue ribbon committee of scientists and doctors," in the words of reporter Jack Pickering, had concluded that cigarette smoking was dangerous.[12]

The Journal-American's feel of the pulse of the changing times of the mid-1960s hid the trouble that was going on behind the scenes at the paper, which was unknown to many New Yorkers until after it had ceased publication.

Besides trouble with advertisers, another major factor that led to the Journal-American's demise was a power struggle between Hearst CEO Richard E. Berlin and two of Hearst's sons, who had trouble carrying on the father's legacy after his 1951 death. William Randolph Hearst, Jr. claimed in 1991 that Berlin, who died in 1986, had suffered from Alzheimer's disease starting in the mid-1960s and that caused him to shut down several Hearst newspapers without just cause.[13]


The Journal-American ceased publishing in April 1966, officially the victim of a general decline in the revenue of afternoon newspapers. While participating in a lock-out in 1965 after The New York Times and New York Daily News had been struck by a union, the Journal-American agreed it would merge (the following year) with its evening rival, the New York World-Telegram and Sun, and the morning New York Herald-Tribune. According to its publisher, publication of the combined New York World Journal Tribune was delayed for several months after the April 1966 expiration of its three components because of difficulty reaching an agreement with manual laborers who were needed to operate the press. The World Journal Tribune commenced publication on September 12, 1966, but folded eight months later.


Other afternoon and evening newspapers that expired following the rise of network news in the 1960s donated their clipping files and many darkroom prints of published photographs to libraries. The Hearst Corporation decided to donate the "basic back-copy morgue" of the Journal-American, according to a book about Dorothy Kilgallen, plus darkroom prints and negatives, according to other sources, to the University of Texas at Austin.[14] Office memorandums and letters from politicians and other notables were shredded in 1966.[14] The newspaper is preserved on microfilm in New York City, Washington, DC, and Austin, Texas. Interlibrary loans make the microfilm accessible to people who cannot travel to those cities.

The Austin facility is the Harry Ransom Center at the University of Texas at Austin. The Ransom Center's Dolph Briscoe Center for American History has the Journal-American morgue of clippings, numbering approximately nine million. Because they are not digitized and because employees of the facility have limited time for communicating by email with people who are searching for very old articles, the people who are searching should know the date of a Journal-American article to locate it on microfilm. Elsewhere in the Ransom Center, one can access the newspaper's photo morgue, with approximately two million prints and one million negatives.


Two scoops of "The Journal" was the printing of the confession of Herman Webster Mudghett aka Dr. H. H. Holmes a serial killer of Chicago in 1896 and the Jacob Smith order of 1902

Full confession of H. H. Holmes.pdf

"The Journal" April 12,1896 front page with Holmes mugshots

Full confession of H. H. Holmes (page 2).pdf

"The Journal" April 12,1896 showing at the top Holmes "Murder Castle" and at bottom the trunk used by Holmes to kill the Pietzel sisters

Full confession of H. H. Holmes (page 3).pdf

"The Journal" April 12, 1896 showing at center pictures of 10 known victims of Holmes

Editorial cartoon about Jacob Smith's retaliation for Balangiga

One of the New York Journal's most infamous cartoons, depicting Philippine–American War General Jacob H. Smith's order "Kill Everyone over Ten," from the front page on May 5, 1902.


  1. ^ (23 June 1937) (Hearst to Merge New York Papers: American will cease as separate publication, Miami News (Associated Press story)
  2. ^ Ian Gordon (historian), Comic Strips and Consumer Culture, 1890-1945. (Washington, DC: Smithsonian Institution Press, 1998), p. 33
  3. ^ Bill Blackbeard; Martin T. Williams (1977). The Smithsonian Collection of Newspaper Comics. Smithsonian Institution. p. 15. ISBN 0-87474-172-6.
  4. ^ A Week in New York April 1945.
  5. ^ DailyINK Archived 2012-10-28 at the Wayback Machine
  6. ^ "The Press: Society Reporter". Time Magazine. 27 July 1942. Retrieved 31 December 2013.
  7. ^ Articles: By John F. Kennedy on Ireland, 29 July 1945 John F. Kennedy Presidential Library and Museum. Retrieved: 2014-05-14.
  8. ^ International Jewish Sports Hall of Fame: Max Kase Archived 2007-07-06 at the Wayback Machine
  9. ^ Larocca, Amy. "Robin Chandler Duke." New York. 19 December 2005.
  10. ^ Kluger, Richard, The Paper: The Life and Death of the New York Herald Tribune. New York; Alfred A. Knopf, 1986, p. 696.
  11. ^ This web page, legitimate as a Wikipedia source, displays many New York Journal-American clippings of comments about the Beatles in 1964 and 1965.
  12. ^ View Jpeg scan of New York Journal-American front page from Sunday edition of January 12, 1964
  13. ^ Hearst, Jr. William Randolph and Jack Casserly. The Hearsts: Father and Son. New York: Roberts Rinehart, 1991.
  14. ^ a b Israel, Lee. Kilgallen. New York: Delacorte Press, 1979.

External links

1944 Pulitzer Prize

The following are the Pulitzer Prizes for 1944.

1945 in Ireland

Events from the year 1945 in Ireland.

1952 Pulitzer Prize

The following are the Pulitzer Prizes for 1952.

Bill Corum

Martene Windsor "Bill" Corum" (July 20, 1895 – December 16, 1958) was a sports columnist for the New York Evening Journal and the New York Journal-American, a radio and television sportscaster, and racetrack executive. He served as president of Churchill Downs for nine years, and is widely credited for coining the term "Run for the Roses" to describe the Kentucky Derby.

Bob Dunn (cartoonist)

Bob Dunn (March 5, 1908 – January 31, 1989) was an American cartoonist, entertainer and gagwriter who drew several comic strips.

In addition to his own strips, Dunn was known for his work on Jimmy Hatlo's Little Iodine and They'll Do It Every Time.

King Features syndicated Dunn's Just the Type from May 5, 1946 to November 24, 1963. It ran in the New York Journal-American and several other newspapers. Comics historian Allan Holtz commented:

Never a syndication success, King Features may well have let him do the feature just to keep him happy while working on the Hatlo cash cow feature... When Hatlo died in 1963, though, Dunn's workload presumably got that much heavier and Just the Type was dropped. Dunn finally got an official byline on They'll Do It Every Time starting in 1966.

Dunn began his career at King Features. He submitted gags to newspapers and magazines and sold skits to Earl Carroll for his Vanities on Broadway in 1930-31. In 1936, "he invented the knock-knock joke" (according to The World Encyclopedia of Cartoons) in a book he wrote that sold over two million copies. More successful books followed including I'm Gonna Be a Father, Hospital Happy, One Day in the Army and Magic for All.

Charley Feeney

Charles V. "Charley" Feeney (November 26, 1924 - March 17, 2014) was an American sportswriter in New York, New York, and Pittsburgh, Pennsylvania, for more than 40 years.

Cholly Knickerbocker

Cholly Knickerbocker is a pseudonym used by a series of society columnists writing for papers including the New York American and its successor, the New York Journal-American.The name came from the perceived New York upper-crust pronunciation of "Charlie", and the pseudonym of Washington Irving "Diedrich Knickerbocker".

Dorothy Kilgallen

Dorothy Mae Kilgallen (July 3, 1913 – November 8, 1965) was an American journalist and television game show panelist. After spending two semesters at the College of New Rochelle, she started her career shortly before her 18th birthday as a reporter for the Hearst Corporation's New York Evening Journal. In 1938, she began her newspaper column "The Voice of Broadway", which eventually was syndicated to more than 140 papers. In 1950, she became a regular panelist on the television game show What's My Line?, continuing in the role until her death.

Kilgallen's columns featured mostly show business news and gossip, but ventured into other topics, such as politics and organized crime. She wrote front-page articles on the Sam Sheppard trial and later the John F. Kennedy assassination.

Frank Graham (writer)

Frank Graham Sr. (November 12, 1893 – March 9, 1965) was an American sportswriter and biographer. He covered sports in New York for the New York Sun from 1915 to 1943 and for the New York Journal-American from 1945 to 1965. He was also a successful author, writing biographies of politician Al Smith and athletes Lou Gehrig and John McGraw, as well as histories of the New York Yankees, New York Giants and Brooklyn Dodgers. Graham's writing style was notable for his use of lengthy passages of "unrelieved dialogue" in developing portraits of the persons about whom he wrote. Graham was posthumously inducted into the "writers wing" of the National Baseball Hall of Fame and Museum in 1972. He was also posthumously honored in 1997 by the Boxing Writers Association of America with its highest honor, the A.J. Liebling Award.

Jack O'Brian

John Dennis Patrick O'Brian (August 16, 1914 – November 5, 2000) was an entertainment journalist best known for his longtime role as a television critic for New York Journal American.

Jet set

In journalism, jet set was a term for an international social group of wealthy people who travelled the world to participate in social activities unavailable to ordinary people. The term, which replaced "café society", came from the lifestyle of travelling from one stylish or exotic place to another via jet plane.

The term "jet set" is attributed to Igor Cassini, a reporter for the New York Journal-American who wrote under the pen name "Cholly Knickerbocker".Although jet passenger service in the 1950s was initially marketed primarily to the rich, its introduction eventually resulted in a substantial democratization of air travel. Hence though the term "jet set" is still in some use, its literal meaning of those who travel by jet is no longer relevant. It continues however to refer to those who have the independent wealth and time to travel frequently and widely for pleasure.

Lawrence Van Gelder

Lawrence Ralph Van Gelder (February 17, 1933 – March 11, 2016) was an American journalist and instructor in journalism who worked at several different New York City-based newspapers in his long career. Until 2010, he was senior editor of the Arts and Leisure weekly section of The New York Times, as well as a film critic. Among the newspapers for which Van Gelder worked were the New York Daily Mirror, the New York Journal-American and the World-Journal-Tribune.

Maury Henry Biddle Paul

Maury Henry Biddle Paul (April 14, 1890 – July 17, 1942) was an American journalist who became famous as a society columnist for the New York American (which became the New York Journal-American when it merged with the New York Evening Journal). Writing under the pseudonym "Cholly Knickerbocker", he coined the term "Café Society". The name "Cholly Knickerbocker" was owned by the Hearst Newspaper Syndicate, and Paul was the first, writing under the nomme de plume from 1917 until his death in 1942.

Max Kase

Max Kase (July 21, 1897 – March 20, 1974) was an American newspaper writer and editor. He worked for the Hearst newspapers from 1917 to 1966 and was the sports editor of the New York Journal-American from 1938 to 1966. In 1946, he was one of the driving forces behind the creation of the New York Knicks and the Basketball Association of America, predecessor to the NBA. He won a special Pulitzer Prize in 1952 for his work exposing corruption in men's college basketball, primarily the CCNY Point Shaving Scandal.

New York Daily Mirror

The New York Daily Mirror was an American morning tabloid newspaper first published on June 24, 1924, in New York City by the William Randolph Hearst organization as a contrast to their mainstream broadsheets, the Evening Journal and New York American, later consolidated into the New York Journal American. It was created to compete with the New York Daily News which was then a sensationalist tabloid and the most widely circulated newspaper in the United States. Hearst preferred the broadsheet format and sold the Mirror to an associate in 1928, only to buy it back in 1932.

Hearst hired away the Daily News's Philip Payne as managing editor of Mirror. Payne's circulation building stunts ranged from reviving the sensational Hall-Mills murder case to sponsoring and being a passenger on the Old Glory transatlantic flying record attempt, in which he was killed. Early on, several bright young writers and photographic journalists joined the Daily Mirror, such as Ring Lardner, Jr., Hy Peskin and the political commentator Drew Pearson. The poet-songwriter Nick Kenny was the paper's radio editor, and Edward Zeltner contributed a column. The gossip columnist Walter Winchell and managing editor Emile Gauvreau were both hired away from the New York Evening Graphic, the city's third sensational tabloid. Winchell was given his own radio show and syndicated, in his prime—the 1940s and early 1950s—in more than 2000 daily papers.

During the three tabloids' 1920s circulation war, management of the Mirror estimated that its content was 10% news and 90% entertainment. For example, the Mirror and Graphic both had devoted substantial resources to the exploitation of scandal with repeated stories on such events as the divorce trial of real estate tycoon Edward West "Daddy" Browning who at age 51 had married 16-year-old Frances Belle "Peaches" Heenan, as well as constant coverage of the decade's celebrities like Rudolph Valentino, Babe Ruth and Charles A. Lindbergh.

By the 1930s, the Daily Mirror was one of the Hearst Corporation's largest papers in terms of circulation. However, the paper never became a significantly profitable property as its earnings were mostly destined to support the company's faltering afternoon papers, and in its later years it declined substantially despite numerous efforts to turn things around.

Despite having the second-highest daily circulation of an American newspaper at the time, the Daily Mirror closed on October 16, 1963, after the 114-day 1962–63 New York City newspaper strike. The Daily Mirror name rights were at that point acquired by its rival the Daily News.On January 4, 1971, publisher Robert W. Farrell revived the New York Daily Mirror in name only, as a tabloid, published in Long Island City, Queens. Operating on a shoestring budget, the paper faced obstruction from the Daily News (from whom it had acquired the Daily Mirror name rights after the Daily News let them lapse). This new iteration of the Daily Mirror ceased publication on February 28, 1972.

New York Herald Tribune

The New York Herald Tribune was a newspaper published between 1924 and 1966. It was created in 1924 when the New York Tribune acquired the New York Herald. It was widely regarded as a "writer's newspaper" and competed with The New York Times in the daily morning market. The paper won at least nine Pulitzer Prizes during its lifetime.A "Republican paper, a Protestant paper and a paper more representative of the suburbs than the ethnic mix of the city", the Tribune generally did not match the comprehensiveness of The New York Times' coverage, but its national, international and business coverage was generally viewed as among the best in the industry, as was its overall style. At one time or another, the paper was home to such writers as Dorothy Thompson, Red Smith, Roger Kahn, Richard Watts, Jr., Homer Bigart, Walter Kerr, Walter Lippmann, St. Clair McKelway, Judith Crist, Dick Schaap, Tom Wolfe, John Steinbeck, and Jimmy Breslin. Editorially, the newspaper was the voice for eastern Republicans, later referred to as Rockefeller Republicans, and espoused a pro-business, internationalist viewpoint.

The paper, first owned by the Reid family, struggled financially for most of its life and rarely generated enough profit for growth or capital improvements; the Reids subsidized the Herald Tribune through the paper's early years. However, it enjoyed prosperity during World War II and by the end of the conflict had pulled close to the Times in ad revenue. A series of disastrous business decisions, combined with aggressive competition from the Times and poor leadership from the Reid family, left the Herald Tribune far behind its rival.

In 1958, the Reids sold the Herald Tribune to John Hay Whitney, a multimillionaire Wall Street investor who was serving as ambassador to the United Kingdom at the time. Under his leadership, the Tribune experimented with new layouts and new approaches to reporting the news, and made important contributions to the body of New Journalism that developed in the 1960s. The paper steadily revived under Whitney, but a 114-day newspaper strike stopped the Herald Tribune's gains and ushered in four years of strife with labor unions, particularly the local chapter of the International Typographical Union. Faced with mounting losses, Whitney attempted to merge the Herald Tribune with the New York World-Telegram and the New York Journal-American in the spring of 1966; the proposed merger led to another lengthy strike, and on August 15, 1966, Whitney announced the closure of the Herald Tribune. Combined with investments in the World Journal Tribune, Whitney spent $39.5 million (equivalent to $304,835,696 in 2018 dollars) in his attempts to keep the newspaper alive.After the New York Herald Tribune closed, the Times and The Washington Post, joined by Whitney, entered an agreement to operate the International Herald Tribune, the paper's former Paris publication. The International Herald Tribune was renamed the International New York Times in 2013 and is now named The New York Times International Edition. New York magazine, created as the Herald Tribune's Sunday magazine in 1963, was revived by editor Clay Felker in 1968, and continues to publish today.

Ozark Jubilee

Ozark Jubilee is a 1950s United States network television program that featured country music's top stars of the day. It was produced in Springfield, Missouri. The weekly live stage show premiered on ABC-TV on January 22, 1955, was renamed Country Music Jubilee on July 6, 1957, and was finally named Jubilee USA on August 2, 1958. Originating "from the heart of the Ozarks", the Saturday night variety series helped popularize country music in America's cities and suburbs, drawing more than nine million viewers. The ABC Radio version was heard by millions more starting in August 1954.

A typical program included a mix of vocal and instrumental performances, comedy routines, square dancing and an occasional novelty act. The host was Red Foley, the nation's top country music personality. Big names such as Patsy Cline, Eddy Arnold, Johnny Cash and Faron Young were interspersed with a regular cast, including a group of young talent the Jubilee brought to national fame: 11-year-old Brenda Lee, Porter Wagoner, Wanda Jackson, Sonny James, Jean Shepard and The Browns. Other featured cast members were Webb Pierce, Bobby Lord, Leroy Van Dyke, Norma Jean and Carl Smith.

Carl Perkins, singing "Blue Suede Shoes", made his TV debut on the series, which showcased hundreds of popular artists performing everything from rockabilly, country and Western, bluegrass and honky tonk to the Nashville sound, gospel and folk. Several now-legendary session musicians provided accompaniment at times during the show's run, including Grady Martin, Hank Garland, Bob Moore, Charlie Haden, Cecil Brower, Tommy Jackson and Bud Isaacs. The genial Foley closed each show from the Jewell Theatre in downtown Springfield with a "song of inspiration" or a recitation from his Keepsake Album; and his sign-off was "Goodnight mama, goodnight papa", before walking into the audience to shake hands as the credits rolled.

The Jubilee was canceled after almost six years as rock and roll grew in popularity, and in part because of publicity surrounding tax evasion charges against Foley, who was later acquitted. On September 24, 1960, the final telecast, like the first in 1955, opened with Foley singing "Hearts of Stone". The program concluded with him performing "May the Good Lord Bless and Keep You". The series was voted Best Country Music Show by Fame magazine's annual TV critics poll in 1957 and 1960. In 1961, NBC-TV carried a spin-off, Five Star Jubilee.

Sid Mercer

James Sidney Mercer (August 4, 1880 – June 19, 1945) was an American sports writer who covered mostly boxing and baseball in St. Louis, Missouri and in New York City.

Mercer was born to James H. and Laura Ann Search Mercer on August 4, 1880 in Kerr Township, Champaign County, Illinois where his father farmed and attended school in nearby Paxton, Illinois. He began his career as a printer's apprentice with the St. Louis Republic.

He later wrote for the St. Louis Post-Dispatch, before the St. Louis Browns hired him as their road secretary in 1906. The following year, Mercer was hired at the New York Evening Globe. He later wrote for the New York Evening Journal and Hearst's American (later known as the New York Journal American). He died June 19, 1945 in New York City and is buried in Glen Cemetery, Paxton, Illinois.He was awarded the J. G. Taylor Spink Award by the National Baseball Hall of Fame and Museum in 1969.

Skyscraper (musical)

Skyscraper is a musical that ran on Broadway in 1965 and 1966. The book was written by Peter Stone, and the music by Jimmy Van Heusen with lyrics by Sammy Cahn. Based on the 1945 Elmer Rice play Dream Girl, the Broadway production starred Julie Harris in her first musical.

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