Myrna Loy (born Myrna Adele Williams; August 2, 1905 – December 14, 1993) was an American film, television and stage actress. Trained as a dancer, Loy devoted herself fully to an acting career following a few minor roles in silent films. She was originally typecast in exotic roles, often as a vamp or a woman of Asian descent, but her career prospects improved greatly following her portrayal of Nora Charles in The Thin Man (1934).
Born in Helena, Montana, Loy was raised in rural Radersburg throughout her early childhood, before relocating to Los Angeles with her mother in her early adolescence. There, she began studying dance, and trained extensively throughout her high school education. She was discovered by production designer Natacha Rambova, who helped facilitate film auditions for her, and she began obtaining small roles in the late 1920s, mainly portraying vamps. Her role in The Thin Man helped elevate her reputation as a versatile actress, and she reprised the role of Nora Charles five more times.
Loy's career began to slow in the 1940s, and she appeared in only a few films in the 1950s, including a lead role in the comedy Cheaper by the Dozen (1950), as well as supporting parts in The Ambassador's Daughter (1956) and the drama Lonelyhearts (1958). She would go on to appear in only eight films between 1960 and 1981, after which she formally retired from acting.
Although Loy was never nominated for a competitive Academy Award, in March 1991 she was presented with an Honorary Academy Award in recognition of her life's work both onscreen and off, including serving as assistant to the director of military and naval welfare for the Red Cross during World War II, and a member-at-large of the U.S. Commission to UNESCO. Loy died in December 1993 in New York City, aged 88.
Loy c. 1930s
Myrna Adele Williams
August 2, 1905
|Died||December 14, 1993 (aged 88)|
New York City, U.S.
|Resting place||Forestvale Cemetery, Helena, Montana, U.S.|
|Education||Westlake School for Girls|
Venice High School
Arthur Hornblow Jr.
(m. 1936; div. 1942)
John Hertz, Jr.
(m. 1942; div. 1944)
(m. 1946; div. 1950)
Howland H. Sargeant
(m. 1951; div. 1960)
Loy was born Myrna Adele Williams on August 2, 1905, in Helena, Montana, the daughter of Adelle Mae (née Johnson) and rancher David Franklin Williams. Her parents had married in Helena in 1904, one year before Loy was born. She had one younger brother, David Frederick Williams (d. 1982). Loy's paternal grandfather, David Thomas Williams, was Welsh, and immigrated from Liverpool, England to the United States in 1856, arriving in Philadelphia. Unable to read or write in English, he later settled in the Montana Territory where he began a career as a rancher. Loy's maternal grandparents were Scottish and Swedish immigrants. During her childhood, her father worked as a banker, real estate developer, and farmland appraiser in Helena, and was the youngest man ever elected to serve in the Montana state legislature. Her mother had studied music at the American Conservatory of Music in Chicago, and at one time considered a career as a concert performer, but instead devoted her time to raising Loy and her brother. Loy's mother was a lifelong Democrat, while her father was a staunch Republican. She was raised in the Methodist faith.
Loy spent her early life in Radersburg, Montana, a rural mining community approximately 50 miles (80 km) southeast of Helena. During the winter of 1912, Loy's mother nearly died from pneumonia, and her father sent his wife and daughter to La Jolla, California. Loy's mother saw great potential in Southern California, and during one of her husband's visits, she encouraged him to purchase real estate there. Among the properties he bought was land that he would later sell, at a considerable profit, to filmmaker Charlie Chaplin for his film studio there. Although her mother tried to persuade her husband to move to California permanently, he preferred ranch life and the three eventually returned to Montana. Soon afterward, Loy's mother needed a hysterectomy and insisted Los Angeles was a safer place to have it done, so she, Loy, and Loy's brother David moved to Ocean Park, where Loy began to take dancing lessons. After the family returned to Montana, Loy continued her dancing lessons, and at the age of 12, Myrna Williams made her stage debut performing a dance she had choreographed based on "The Blue Bird" from the Rose Dream operetta at Helena's Marlow Theater.
When Loy was 12, her father died during the 1918 flu pandemic in November of that year. Loy's mother permanently relocated the family to California, where they settled in Culver City, outside Los Angeles. Loy attended the exclusive Westlake School for Girls while continuing to study dance in downtown Los Angeles. When her teachers objected to her extracurricular participation in theatrical arts, her mother enrolled her in Venice High School, and at 15, she began appearing in local stage productions.
In 1921, Loy posed for Venice High School sculpture teacher Harry Fielding Winebrenner as "Inspiration"; the full length figure was central in his allegorical sculpture group Fountain of Education. Completed in 1922, the sculpture group was installed in front of the campus outdoor pool in May 1923 where it stood for decades. Loy's slender figure with her uplifted face and one arm extending skyward presented a "vision of purity, grace, youthful vigor, and aspiration" that was singled out in a Los Angeles Times story that included a photo of the "Inspiration" figure along with the model's name—the first time her name appeared in a newspaper. A few months later, Loy's "Inspiration" figure was temporarily removed from the sculpture group and transported aboard the battleship Nevada for a Memorial Day pageant in which "Miss Myrna Williams" participated. Fountain of Education can be seen in the opening scenes of the 1978 film Grease. After decades of exposure to the elements and vandalism, the original concrete statue was removed from display in 2002, and replaced in 2010 by a bronze duplicate paid for through an alumni-led fundraising campaign.
Loy left school at the age of 18 to begin to help with the family's finances. She obtained work at Grauman's Egyptian Theatre, where she performed in what were called prologues, elaborate musical sequences that were related to and served as preliminary entertainment before the feature film. During this period, Loy saw Eleonora Duse in the play Thy Will Be Done, and the simple acting techniques she employed made such an impact on Loy that she tried to emulate them throughout her career.
While Loy was dancing in prologues at the Grauman's Egyptian Theatre, portrait photographer Henry Waxman took several pictures of her that were noticed by Rudolph Valentino when the actor went to Waxman's studio for a sitting. Valentino was looking for a leading lady for Cobra, the first independent project he and his wife Natacha Rambova were producing. Loy tested for the role, which went to Gertrude Olmstead instead, but soon after she was hired as an extra for Pretty Ladies (1925), in which she and fellow newcomer Joan Crawford were among a bevy of chorus girls dangling from an elaborate chandelier.
Rambova hired Loy for a small but showy role opposite Nita Naldi in What Price Beauty?, a film she was producing. Shot in May 1925, the film remained unreleased for three years; but stills of Loy in her exotic makeup and costume appeared in Motion Picture magazine and led to a contract with Warner Bros. There, her surname was changed from Williams to Loy.
Loy's silent film roles were mainly as a vamp or femme fatale, and she frequently portrayed characters of Asian or Eurasian background in films such as Across the Pacific (1926), A Girl in Every Port (1928), The Crimson City (1928), The Black Watch (1929), and The Desert Song (1929), which she later recalled "kind of solidified my exotic non-American image." In 1930 she appeared in The Great Divide. It took years for her to overcome this stereotype, and as late as 1932, she was cast as a villainous Eurasian in Thirteen Women (1932). She also played, opposite Boris Karloff, the depraved sadistic daughter of the title character in The Mask of Fu Manchu (1932).
In 1932, Loy began dating producer Arthur Hornblow Jr., when he was still married to his wife, Juliette Crosby. Prior to that, Loy appeared in small roles in The Jazz Singer and a number of early lavish Technicolor musicals, including The Show of Shows, The Bride of the Regiment, and Under a Texas Moon. As a result, she became associated with musical roles, and when they began to lose favor with the public, her career went into a slump. In 1934, Loy appeared in Manhattan Melodrama with Clark Gable and William Powell. When gangster John Dillinger was shot to death after leaving a screening of the film at the Biograph Theater in Chicago, the film received widespread publicity, with some newspapers reporting that Loy had been Dillinger's favorite actress.
After appearing with Ramón Novarro in The Barbarian (1933), Loy was cast as Nora Charles in the 1934 film The Thin Man. Director W. S. Van Dyke chose Loy after he detected a wit and sense of humor that her previous films had not revealed. At a Hollywood party, he pushed her into a swimming pool to test her reaction, and felt that her aplomb in handling the situation was exactly what he envisioned for Nora. Louis B. Mayer at first refused to allow Loy to play the part because he felt she was a dramatic actress, but Van Dyke insisted. Mayer finally relented on the condition that filming be completed within three weeks, as Loy was committed to start filming Stamboul Quest. The Thin Man became one of the year's biggest hits, and was nominated for the Academy Award for Best Picture. Loy received excellent reviews and was acclaimed for her comedic skills. Her costar William Powell and she proved to be a popular screen couple and appeared in 14 films together, one of the most prolific pairings in Hollywood history. Loy later referred to The Thin Man as the film "that finally made me ... after more than 80 films."
Her successes in Manhattan Melodrama and The Thin Man marked a turning point in her career, and she was cast in more important pictures. Such films as Wife vs. Secretary (1936) with Clark Gable and Jean Harlow, and Petticoat Fever (1936) with Robert Montgomery gave her opportunity to develop comedic skills. She made four films in close succession with William Powell: Libeled Lady (1936), which also starred Jean Harlow and Spencer Tracy; The Great Ziegfeld (1936), in which she played Billie Burke opposite Powell's Florenz Ziegfeld; the second Thin Man film, After the Thin Man (1936), with Powell and James Stewart; and the romantic comedy Double Wedding (1937). Loy married Arthur Hornblow in 1936 in-between filming the successive productions. She was later rumored to have had affairs with co-star Tracy between 1935 and 1936 while filming Whipsaw and Libeled Lady.
She also made three more films with Gable at Metro-Goldwyn-Mayer (MGM): Parnell (1937) was a historical drama and one of the most poorly received films of either Loy's or Gable's career, but their other pairings in Test Pilot and Too Hot to Handle (both 1938) were successes. While working for MGM, Loy was outspoken about the studio's casting hierarchy, especially based on race, and was quoted as saying: "Why does every black person in the movies have to play a servant? How about a black person walking up the steps of a court house carrying a briefcase?"
During this period, Loy was one of Hollywood's busiest and highest-paid actresses, and in 1937 and 1938, she was listed in the annual "Quigley Poll of the Top Ten Money Making Stars," which was compiled from the votes of movie exhibitors throughout the United States for the stars who had generated the most revenue in their theaters over the previous year.
By the late 1930s, Loy was highly regarded for her performances in romantic comedies, and she was anxious to demonstrate her dramatic ability. She was cast in the lead female role in The Rains Came (1939) opposite Tyrone Power. She filmed Third Finger, Left Hand (1940) with Melvyn Douglas and appeared in I Love You Again (1940), Love Crazy (1941), and Shadow of the Thin Man (1941), all with William Powell.
On June 1, 1942, Loy divorced husband Hornblow in Reno, citing "mental cruelty" as the impetus for separating. Five days after the divorce, she married John D. Hertz, Jr. an advertising executive and founder of Hertz Rent A Car, at his sister's home in New York City. They remained married for two years, eventually divorcing in Cuernavaca, Mexico, on August 21, 1944, with Loy again citing mental cruelty.
With the outbreak of World War II the same year, Loy all but abandoned her acting career to focus on the war effort and began devoting her time working with the Red Cross. She was so fiercely outspoken against Adolf Hitler that her name appeared on his blacklist, resulting in her films being banned in Germany. She also helped run a Naval Auxiliary canteen and toured frequently to raise funds for the war efforts. Around 1945, Loy began dating producer and screenwriter Gene Markey, who had previously been married to actresses Joan Bennett and Hedy Lamarr. The two were married in a private ceremony on January 3, 1946, at the chapel on Terminal Island, while Markey was serving in the military.
She returned to films with The Thin Man Goes Home (1945). In 1946, she played the wife of returning serviceman Fredric March in The Best Years of Our Lives (1946). Loy was paired with Cary Grant in David O. Selznick's The Bachelor and the Bobby-Soxer (1947). The film co-starred a teenaged Shirley Temple. Following its success, she appeared again with Grant in Mr. Blandings Builds His Dream House (1948).
In 1950, Loy co-starred with Clifton Webb in Cheaper by the Dozen (1950), which was a box-office hit, grossing $4.4 million in the United States. The same year, she divorced Markey. Her fourth and final husband was Howland H. Sargeant, U.S. Assistant Secretary of State for Public Affairs and president of Radio Liberty, whom she married on June 2, 1951, in Fort Myer, Virginia. Sargeant, a Presbyterian, wanted the marriage officiated in the church, but they were unable to do so due to Loy's recent divorce.
Throughout the 1950s, Loy assumed an influential role as co-chairman of the Advisory Council of the National Committee Against Discrimination in Housing. In 1948, she had become a member of the U.S. National Commission for UNESCO, the first Hollywood celebrity to do so. In 1952, she starred in the Cheaper by the Dozen sequel, Belles on Their Toes. In 1956, she appeared in The Ambassador's Daughter along with John Forsythe and Olivia de Havilland. She played opposite Montgomery Clift and Robert Ryan in Lonelyhearts (1958), Dore Schary's adaptation of Nathanael West's classic 1933 novel Miss Lonelyhearts. In 1960, she appeared in Midnight Lace and From the Terrace, but was not in another film until 1969 in The April Fools. In 1965, Loy won the Sarah Siddons Award for her work in Chicago theatre. Loy, a lifelong Democrat, publicly supported the election of John F. Kennedy in 1961.
After divorcing her fourth husband Sargeant in 1960, Loy relocated to 23 East 74th Street in Manhattan's Upper East Side. She later lived at 425 East 63rd Street. In 1967, she was cast in the television series The Virginian, appearing an episode titled "Lady of the House". In 1972, she appeared as the suspect's mother-in-law in the television series Columbo in an episode titled "Etude in Black". In 1974, she was a supporting actress in Airport 1975. Loy played Mrs. Devane, a heavy-drinking woman, imbibing Jim Beam and Olympia Beer mixed together. She played a foil to Sid Caesar. The film also starred Gloria Swanson. In 1975, Loy was diagnosed with breast cancer and underwent two mastectomies to treat the disease. She kept her cancer diagnosis and subsequent treatment from the public until the publication of her autobiography in 1987.
In 1978, she appeared in the film The End as the mother of the main character played by Burt Reynolds. Her last motion picture performance was in 1980 in Sidney Lumet's Just Tell Me What You Want. She also returned to the stage, making her Broadway debut in a short-lived 1973 revival of Clare Boothe Luce's The Women. She toured in a 1978 production of Alan Ayckbourn's Relatively Speaking, directed by David Clayton.
Her autobiography, Myrna Loy: Being and Becoming, was published in 1987. The following year, she received a Lifetime Achievement Award from the Kennedy Center. Although Loy was never nominated for an Academy Award for any single performance, after an extensive letter-writing campaign and years of lobbying by screenwriter and then-Writers Guild of America, West board member Michael Russnow, who enlisted the support of Loy's former screen colleagues and friends such as Roddy McDowall, Sidney Sheldon, Harold Russell, and many others, she received a 1991 Academy Honorary Award "for her career achievement". She accepted via camera  from her New York City home, simply stating, "You've made me very happy. Thank you very much." It was her last public appearance in any medium.
Loy died at age 88 on December 14, 1993, at Lenox Hill Hospital in Manhattan during a surgery following a long, unspecified illness. She had been frail and in failing health, which had resulted in her being unable to attend the 1991 Academy Awards ceremony, where she was to receive a lifetime achievement Oscar. She was cremated in New York and her ashes interred at Forestvale Cemetery in her native Helena, Montana.
For her contribution to the film industry, Loy has a star on the Hollywood Walk of Fame at 6685 Hollywood Boulevard.
A building at Sony Pictures Studios, formerly MGM Studios, in Culver City is named in her honor. A cast of her handprint and her signature are in the sidewalk in front of Theater 80, on St. Mark's Place in New York City.
In 1991, the Myrna Loy Center for the Performing and Media Arts opened in downtown Helena, not far from Loy's childhood home. Located in the historic Lewis and Clark County Jail, it sponsors live performances and alternative films for underserved audiences.
The songwriter Josh Ritter included a song about Loy on his 2017 album Gathering.
|1936||Lux Radio Theatre||"The Thin Man"|
|1937||Maxwell House Good News of 1938||"Herself"|||
|1940||The Gulf Screen Guild Theater||"Single Crossing"|
|1940||Lux Radio Theatre||"After The Thin Man"|
|1940||Lux Radio Theatre||"Manhattan Melodrama"|||
|1941||The Gulf Screen Guild Theater||"Magnificent Obsession"|
|1941||Lux Radio Theatre||"I Love You Again"|
|1941||Lux Radio Theatre||"Hired Wife"|
|1942||Lux Radio Theatre||"Appointment For Love"|
Another Thin Man is a 1939 American film, the third of six in the Thin Man series. It again stars William Powell and Myrna Loy as Nick and Nora Charles, and is based on the writings of Dashiell Hammett. Their son, Nicky Jr., is also introduced in the film. The cast includes their terrier Asta, Virginia Grey, Otto Kruger, C. Aubrey Smith, Ruth Hussey, Nat Pendleton, Patric Knowles, Sheldon Leonard, Tom Neal, Phyllis Gordon and Marjorie Main. Shemp Howard appears in an uncredited role as "Wacky".The film was originally promoted in the United States under the title of Return of the Thin Man, and was followed by Shadow of the Thin Man (1941).Double Wedding
Double Wedding is a 1937 American romantic comedy film starring William Powell and Myrna Loy, and featuring Florence Rice, John Beal, Jessie Ralph and Edgar Kennedy. This was the seventh pairing of Powell and Loy, with another seven to go. It was directed by Richard Thorpe from a screenplay by Jo Swerling based on the unpublished play Nagy szerelem ("Great Love") by Ferenc Molnár.
William Powell's fiancée Jean Harlow died during production, halting filming. Powell later described finishing the film as "very difficult under the circumstances". Myrna Loy, who had been good friends with Harlow, wrote in her autobiography that she disliked the film because of Harlow's death and that it was "the scapegoat for concurrent despair".Evelyn Prentice
Evelyn Prentice is a 1934 American crime drama film starring William Powell and Myrna Loy, and featuring Una Merkel and Rosalind Russell in her film debut. The movie was based on the 1933 novel of the same name by W. E. Woodward. Filmed between the original Thin Man and the first of its sequels, William Powell and Myrna Loy are re-teamed as another husband-and-wife team knee deep in a murder mystery.Ham and Eggs at the Front
Ham and Eggs at the Front is a 1927 American silent comedy film directed by Roy Del Ruth and starring Tom Wilson, Heinie Conklin and Myrna Loy in blackface. The film was released with a Vitaphone synchronized soundtrack with a music score and sound effects.Hardboiled Rose
Hardboiled Rose is a 1929 American part-talkie romantic drama film directed by F. Harmon Weight and released by Warner Bros. It starred Myrna Loy, William Collier, Jr., and John Miljan.Hush Money (1931 film)
Hush Money is a 1931 American Pre-Code comedy-drama film featuring Joan Bennett, Hardie Albright, Owen Moore, Myrna Loy, and George Raft. The movie was directed by Sidney Lanfield.I Love You Again
I Love You Again is an MGM comedy released in 1940. It was directed by W.S. Van Dyke and starred William Powell and Myrna Loy, all three of whom were prominently involved in the Thin Man series. (The first film Powell and Loy appeared in together in was Manhattan Melodrama, 1934).If I Were Single
If I Were Single is a 1927 American silent comedy film directed by Roy Del Ruth and starring May McAvoy, Conrad Nagel, and Myrna Loy.Libeled Lady
Libeled Lady is a 1936 screwball comedy film starring Jean Harlow, William Powell, Myrna Loy, and Spencer Tracy, written by George Oppenheimer, Howard Emmett Rogers, Wallace Sullivan, and Maurine Dallas Watkins, and directed by Jack Conway. This was the fifth of fourteen films in which William Powell and Myrna Loy were teamed.Libeled Lady was nominated for the Academy Award for Best Picture. The film was remade in 1946 as Easy to Wed with Esther Williams, Van Johnson, and Lucille Ball.Lucky Night
Lucky Night (1939) is a comedy movie from MGM starring Robert Taylor and Myrna Loy, directed by Norman Taurog.Manhattan Melodrama
Manhattan Melodrama is a 1934 American pre-Code crime film, produced by MGM, directed by W. S. Van Dyke, and starring Clark Gable, William Powell, and Myrna Loy. The movie also provided one of the earliest roles for Mickey Rooney, who played Gable's character as a child. The film is based on a story by Arthur Caesar, who won the Academy Award for Best Original Story. It was also the first of Myrna Loy and William Powell's fourteen screen pairings.
Notorious criminal John Dillinger attended a showing of the film at Chicago's Biograph Theater on July 22, 1934. After leaving the theater, he was shot to death by federal agents. Myrna Loy was among those who expressed distaste at the studio's willingness to exploit this event for the financial benefit of the film. Scenes from Manhattan Melodrama, in addition to Dillinger's death, are depicted in the 2009 film Public Enemies.The Caveman (1926 film)
The Caveman, also styled as The Cave Man, is a 1926 silent film comedy produced and distributed by Warner Bros.. Lewis Milestone directed the Darryl Zanuck scripted story taken from the play The Cave Man by Gelett Burgess. Matt Moore, Marie Prevost, Hedda Hopper star. A small role is played by a young Myrna Loy, just starting out in her long career. This picture survives in the Library of Congress with a reel missing.Vitagraph, a predecessor of Warner Brothers, produced a version of this story in 1915 with Robert Edeson.The Midnight Taxi
The Midnight Taxi is a 1928 American early part-talkie thriller picture from Warner Bros. directed by John G. Adolfi and starring Antonio Moreno, Helen Costello, and Myrna Loy. It is unknown whether a sound copy survives, but a silent copy with no talking is in the care of the British Film Institute. The silent print runs just under 50 minutes.The Rains Came
The Rains Came is a 1939 20th Century Fox film based on an American novel by Louis Bromfield (published in June 1937 by Harper & Brothers). The film was directed by Clarence Brown and stars Myrna Loy, Tyrone Power, George Brent, Brenda Joyce, Nigel Bruce, and Maria Ouspenskaya.
A remake of the film was released in 1955 under the name The Rains of Ranchipur.The Wet Parade
The Wet Parade is a 1932 American pre-Code film drama directed by Victor Fleming and starring Robert Young, Myrna Loy, Walter Huston, Lewis Stone and Jimmy Durante.. It is based on a 1931 novel by Upton Sinclair.The Woman in Room 13 (1932 film)
The Woman in Room 13 is a 1932 American Pre-Code mystery film directed by Henry King and written by Guy Bolton and Max Marcin. The film stars Elissa Landi, Ralph Bellamy, Neil Hamilton, Myrna Loy, Gilbert Roland and Walter Walker. The film was released on May 15, 1932, by Fox Film Corporation.Third Finger, Left Hand (film)
Third Finger, Left Hand is a 1940 American romantic comedy film directed by Robert Z. Leonard and starring Myrna Loy and Melvyn Douglas. The screenplay concerns a woman who pretends to be married to fend off would-be suitors and jealous wives, then regrets her deception when she meets an artist.Thirteen Women
Thirteen Women is a 1932 American pre-Code psychological thriller film, produced by David O. Selznick and directed by George Archainbaud. It stars Myrna Loy, Irene Dunne and Ricardo Cortez. The film is based on the 1930 bestselling novel of the same name by Tiffany Thayer and was adapted for the screen by Bartlett Cormack and Samuel Ornitz.Several characters were deleted from the film's final release, including those played by Leon Ames, Phyllis Fraser, and Betty Furness (in what would have been Furness' film debut at the age of 16). The film portrays only eleven women, not thirteen, with Fraser and Furness playing the two characters edited out of the film.The film premiered in October at the Roxy Theater in New York City on October 15, 1932, then released in Los Angeles, and a few other cities in November 1932. A limited national release came in 1933. Originally running seventy-three minutes, the studio edited fourteen minutes out of the picture prior to release. The film was re-released in 1935 (post-Code) by RKO, hoping to turn a profit by cashing in on the growing popularity of stars Dunne and Loy. Thirteen Women has been cited as an early "female ensemble" film, as well as an early influence on the "slasher film" genre.Whipsaw (film)
Whipsaw is a 1935 American crime drama film directed by Sam Wood and starring Myrna Loy and Spencer Tracy. Written by Howard Emmett Rogers, based on a story by James Edward Grant, the film is about a government agent working undercover traveling across the country with an unsuspecting woman, hoping she will lead him to her gang of jewel thieves. The film was produced by Harry Rapf for Metro-Goldwyn-Mayer, and was released on December 18, 1935, in the United States.
Kennedy Center Honorees (1980s)