The Mutual Broadcasting System (commonly referred to simply as Mutual; sometimes referred to as MBS, Mutual Radio or the Mutual Radio Network) was an American commercial radio network in operation from 1934 to 1999. In the golden age of U.S. radio drama, Mutual was best known as the original network home of The Lone Ranger and The Adventures of Superman and as the long-time radio residence of The Shadow. For many years, it was a national broadcaster for Major League Baseball (including the All-Star Game and World Series), the National Football League, and Notre Dame football. From the mid-1930s and until the retirement of the network in 1999, Mutual ran a highly respected news service accompanied by a variety of popular commentary shows. During the late 1970s, Mutual pioneered the nationwide late night call-in radio show and introduced the country to Larry King.
In the early 1970s, acting in much the same style as rival ABC had two years earlier (in 1968), Mutual launched four radio networks: Mutual Black Network (MBN) (initially launched as "Mutual Reports"), which evolved to today's American Urban Radio Networks (AURN); Mutual Cadena Hispánica (trans. "Mutual Spanish Network"); Mutual Southwest Network, and Mutual Progressive Network (was later re-branded "Mutual Lifestyle Radio" in 1980, then cancelled in 1983).
Of the four national networks of American radio's classic era, Mutual had for decades the largest number of affiliates, but the least certain financial position  (which prevented Mutual from expanding into television broadcasting after World War II, as the other three networks did). For the first 18 years of its existence, Mutual was owned and operated as a cooperative (a system similar to that of today's National Public Radio), setting the network apart from its corporate owned competitors. Mutual's member stations shared their own original programming, transmission and promotion expenses, and advertising revenues. From December 30, 1936, when it debuted in the West, the Mutual Broadcasting System had affiliates from coast to coast. Its business structure would change after General Tire assumed majority ownership in 1952 through a series of regional and individual station acquisitions.
Once General Tire sold the network in 1957, Mutual's ownership was largely disconnected from the stations it served, leading to a more conventional, top-down model of program production and distribution. Not long after the sale, one of the network's new executive teams was charged with accepting money to use Mutual as a vehicle for foreign propaganda. The network's reputation was severely damaged, but soon rebounded. Mutual changed hands frequently in succeeding years—even leaving aside larger-scale acquisitions and mergers, its final direct corporate parent, Westwood One, which purchased Mutual in 1985, was the seventh in a string of new owners that followed General Tire.
|Mutual Broadcasting System|
|Type||Cooperative radio network (1934–52); corporate-controlled radio network (1952–99)|
|Founded||September 29, 1934 (organized); October 29, 1934 (incorporated)|
|Dissolved||April 17, 1999|
|Affiliates||4 founders (1934); 104 (1938); 384 (1945); 543 (1950); 443 (1960); 950 (1979); 810 (1985)|
Attempts at establishing cooperatively owned radio networks had been made since the 1920s. In 1929, a group of four radio stations in the major markets of New York City, Chicago, Cincinnati, and Detroit organized into a loose confederation known as the Quality Network. Five years later (in 1934), a similar or identical group of stations founded the Mutual Broadcasting System.[a] Mutual's original participating stations were WOR–Newark, New Jersey, just outside New York (owned by the Bamberger Broadcasting Service, a division of R.H. Macy and Company; in 1949, WOR-TV would begin broadcasting & Bamberger would be renamed General Teleradio, due to General Tire & Rubber's increased investment in the TV station), WGN–Chicago (owned by WGN Inc., a subsidiary of the Chicago Tribune), WXYZ–Detroit (owned by Kunsky-Trendle Broadcasting), and WLW–Cincinnati (owned by the Crosley Radio Company). The network was organized on September 29, 1934, with the members contracting for telephone-line transmission facilities and agreeing to collectively enter into contracts with advertisers for their networked shows. WOR and WGN, based in the two largest markets and providing the bulk of the programming, were the acknowledged leaders of the group. On October 29, 1934, Mutual Broadcasting System, Inc. was incorporated, with Bamberger and WGN Inc. each holding 50% of the stock—five each of the ten total shares.
The three national radio networks already in operation—the Columbia Broadcasting System and the National Broadcasting Company's NBC Red and NBC Blue—were corporate controlled: programming was produced by the network (or by advertising agencies of program sponsors that purchased airtime on the network) and distributed to affiliates, most of which were independently owned. In contrast, the Mutual Broadcasting System was run as a true cooperative venture, with programming produced by and shared between the group's members. The majority of the early programming, from WOR and WGN, consisted of musical features and inexpensive dramatic serials. WOR had The Witch's Tale, a horror anthology series whose "hunner-an'-thirteen-year-old" narrator invited listeners to "douse all [the] lights. Now draw up to the fire an' gaze into the embers ...gaaaaze into 'em deep!... an' soon ye'll be across the seas, in th' jungle land of Africa ... hear that chantin' and them savage drums?" WGN contributed the popular comedy series Lum and Abner. Detroit's WXYZ provided The Lone Ranger, which had debuted in 1933 and was already in demand. It is often claimed that Mutual was launched primarily as a vehicle for the Western serial, but Lum and Abner was no less popular at the time. What WLW brought was sheer power; billing itself as "The Nation's Station," in May 1934 it had begun night broadcasting at a massive 500,000 watts, ten times the clear-channel standard.
On May 24, 1935, the network aired its inaugural live event—the first-ever night baseball game, between the Cincinnati Reds and the Philadelphia Phillies. In September, WXYZ dropped out to join NBC Blue, though contractual obligations kept The Lone Ranger on Mutual, airing three times a week, through spring 1942. The hole in the Detroit market was immediately filled by CKLW in Windsor, Ontario, just across the river. In October, the network began a decades-long run as broadcaster of baseball's World Series, with airtime responsibilities shared between WGN's Bob Elson and Quin Ryan and WLW's Red Barber (NBC and CBS also carried the series that year; the Fall Classic would air on all three networks through 1938). Mutual broadcast its first Notre Dame football game that autumn as well, beginning another relationship that would last for decades. As an income-generating business, the Mutual network was a modest endeavor at the start: in the first eleven months of 1935, the cooperative garnered $1.1 million in advertising, compared to NBC's $28.3 million and CBS's $15.8 million.
In the fall of 1936, Mutual lost another of its founding members when WLW departed. The network, however, was in the midst of a major expansion: the first outside group of stations to sign on with Mutual was John Shepard's Colonial Network with its Boston flagship station, WAAB, and thirteen affiliates around New England. There was good reason for this affiliation: Shepard had been involved with the founding of Mutual, and served on its board of directors. Cleveland's WGAR also became an affiliate, as did five Midwestern stations: KWK–St. Louis, Mo.; KSO–Des Moines, Iowa; WMT–Cedar Rapids, Iowa; KOIL–Omaha, Neb.; and KFOR–Lincoln, Neb. The big prize came in December, when the Don Lee Network, the leading regional web on the West Coast, left CBS to become a central participant in Mutual. Don Lee brought its four owned-and-operated stations—KHJ–Los Angeles, KFRC–San Francisco, KGB–San Diego, and KDB–Santa Barbara—along with six California affiliates and, via shortwave hookup, two more in Hawaii. Mutual now had a nationwide presence. During 1936, as well, an offer by Warner Bros. to purchase the network was apparently made and rejected.
In January 1937, ownership of WAAB was consolidated with that of another Boston station controlled by Shepard: WNAC was flagship of the Yankee Network, a circuit of New England radio stations whose membership partially overlapped with that of Colonial. Yankee flagship WNAC had been an affiliate of CBS Radio, changing affiliation to NBC Red later in 1937 when CBS purchased WEEI in that city. The Texas Network soon added twenty-three more stations to the Mutual affiliate roster. WGAR dropped out, but the United Broadcasting Company, part of The Plain Dealer business, joined with its lead station, WHK. Within a few years, this new Ohio participant would become one of the network's central members, a shareowner in Mutual. By the end of 1938, Mutual had 74 exclusive affiliates; though the two leading radio network companies discouraged dual hookups, Mutual shared another 25 affiliates with NBC and 5 with CBS. The total of 104 affiliates put Mutual not far behind the leaders. Because of the corporate strength behind NBC and CBS, however, and the fact that the lion's share of the most powerful stations in the country had already signed with them before Mutual's emergence (the exceptional, and soon departed, WLW aside), the cooperative network would be at a permanent disadvantage.
On the programming front, 1936 saw Mutual launch the first network advice show, The Good Will Hour, hosted by John J. Anthony and sponsored by physical culture guru Bernarr Macfadden. The program was a new take on Ask Mister Anthony, which had aired on a local New York station in 1932, "dedicated to helping the sufferers from an antiquated and outmoded domestic relations code." Anthony, whose real name was Lester Kroll, brought a wealth of relevant experience to his work—he had once been jailed for failing to make alimony payments. In July 1937 came the premiere of a seven-part adaptation of Les Misérables, produced, written, and directed by Orson Welles and featuring many of his Mercury Theatre performers—Mercury's first appearance on the air. September 26, 1937, proved a particularly momentous date: that evening, The Shadow came to Mutual.[b] The show would become a mainstay of the network for more than a decade and a half and one of the most popular programs in radio history. For the first year of its Mutual run, Welles provided the voice of The Shadow and his newly created alter ego, Lamont Cranston. He played the part anonymously at first. But, as one chronicler put it, "nothing to do with Welles could remain a secret for very long."
In April 1938, the network picked up The Green Hornet from former member WXYZ. Mutual gave the twice-a-week series its first national exposure until November 1939, when it switched to NBC Blue. (The series would return very briefly to Mutual in the fall of 1940). Mutual also provided the national launching pad for Kay Kyser and his Kollege of Musical Knowledge radio show. Kyser's enormous success at Mutual soon allowed his show to move to NBC and its much larger audience. By May 1939, Mutual was broadcasting the Indianapolis 500. That autumn, Mutual won exclusive broadcast rights to the World Series. As described in a 1943 Supreme Court ruling upholding the regulatory power of the Federal Communications Commission, Mutual "offered this program of outstanding national interest to stations throughout the country, including NBC and CBS affiliates in communities having no other stations. CBS and NBC immediately invoked the 'exclusive affiliation' clauses of their agreements with these stations, and as a result thousands of persons in many sections of the country were unable to hear the broadcasts of the games." This was the first example given in the ruling of "abuses" perpetrated by the two leading broadcast companies.
Mutual also began building a reputation as a strong news service, rivaling the industry leaders in quality if not budget. The broadcasts of WOR reporter Gabriel Heatter from the Lindbergh kidnapping "trial of the century" in 1935, heard over Mutual, were highly regarded; Heatter soon had his own regularly scheduled newscast, aired nationally five nights a week. In 1936, also via WOR, Mutual began broadcasting the reports of news commentator Raymond Gram Swing, who became one of the country's leading voices on foreign affairs. In November 1937, conservative commentator Fulton Lewis Jr., heard five nights weekly from Mutual affiliate WOL, became the first national news personality to broadcast out of Washington, D.C.; he would remain with the network until his death almost three decades later. In 1938, Mutual started rebroadcasting news reports from the BBC and English-language newscasts from the European mainland. The network also began employing its own reporters in Europe as the continent headed toward crisis, including John Steele, Waverly Root, Arthur Mann, and Victor Lusinchi. Among these was Sigrid Schultz, the first accomplished female foreign correspondent to appear on American news radio.
Early in 1940, the corporate organization of Mutual became even more inclusive, as described by scholar Cornelia B. Rose:
Until January, 1940, six groups bore the expense of the network operation in varying degree: stations WGN and WOR owned all the stock of the corporation and guaranteed to make up any deficit; the Colonial Network in New England, the Don Lee System on the Pacific Coast, and the group of stations owned by the Cleveland Plain Dealer, participated in responsibility for running expenses. A new contract effective February 1, 1940, provides for contributing membership by all the above group[s] plus station CKLW in Detroit-Windsor. These groups now agree to underwrite expenses and become stockholders in the network.... An operating board for the network is comprised of representatives from each of these groups, together with additional representation appointed by other affiliated stations.
The new cooperative structure was also joined by the owners of WKRC in Cincinnati, which had replaced Mutual cofounder WLW in that market. The Mutual corporation now had 100 shares, apportioned as follows:
|Don Lee Network||KHJ||25|
|Western Ontario Broadcasting||CKLW||6|
|The Cincinnati Times-Star||WKRC||6|
|Fred Weber||Mutual general manager||1|
In 1941, WOR's official city of license was changed to New York. Within two years, the Colonial Network's affiliate roster and shares in Mutual had been fully absorbed into the Yankee Network by John Shepard III; WNAC was the sole flagship, WAAB having been moved to Worcester, in central Massachusetts, to avoid duopoly restrictions. With WBZ taking over the slot as the NBC Red affiliate in Boston, WNAC switched to Mutual. In January 1943, the Federal Communications Commission (FCC) approved the sale of the Yankee Network—with WNAC, its three other owned-and-operated stations, its contracts with 17 additional affiliates, and its Mutual shares—to the Ohio-based General Tire and Rubber Company.
By 1940, Mutual was already on a par with the industry leaders in terms of affiliate roster size.[c] Still, because Mutual affiliates were mostly in small markets or lesser stations in large ones, the network lagged way behind in advertising revenue—NBC took in eleven times as much as Mutual that year.[d] In 1941, the FCC, calling for NBC to divest one of its two networks, observed that the company "has utilized the Blue to forestall competition with the Red .... Mutual is excluded from, or only lamely admitted to, many important markets." On January 10, 1942, Mutual filed a $10.275 million suit against NBC and its parent company, RCA, alleging a conspiracy "hindering and restricting Mutual freely and fairly to compete in the transmission in interstate commerce of nationwide network programs." The FCC's Supreme Court victory in 1943 led to the sale of the Blue Network and Mutual dropping its lawsuit. These developments appear to have been of more symbolic than practical value to Mutual—the transfer of the NBC Blue stations to the new American Broadcasting Company did little to help Mutual's competitive position. In 1945 it reached 384 affiliates, and by December 1948, Mutual Broadcasting was heard on more than 500 stations in the United States. But this growth did not reflect any ability on Mutual's part to attract leading stations from the corporate-controlled networks. Rather, the FCC had eased its technical standards for local stations, facilitating the establishment of new outlets in small markets: between 1945 and 1952, the number of AM stations rose from around 940 to more than 2,350. It was these new, relatively weak stations Mutual kept picking up. Though by now it had many more affiliates than any other U.S. radio network, for the most part they remained "less desirable in frequency, power, and coverage," as the Supreme Court had put it. For instance, in the postwar era CBS and NBC covered all of North Carolina each with only four stations. Mutual needed fourteen affiliates to deliver comparable statewide coverage.
Late in the decade, there was a brief exploration into the idea of launching a Mutual television network, serious enough to prompt talks with Metro-Goldwyn-Mayer as a potential source of programming talent. In fact, Bamberger Broadcasting's WOR-TV & WOIC (the latter a Washington, D.C. video outlet) maintained letterhead with "Mutual Television" decorating their identifications. Beyond this, there is no confirmation, however, that a cooperative video service was ever seriously considered. The plans never got off the ground and Mutual thus became the only one of the "Big Four" U.S. radio networks not to start (and eventually be dominated by) a television network. While there was no Mutual TV network, this did not mean the group did not have an influence over commercial television's early development. Several Mutual radio affiliates launched their own television stations that would often be affiliated with the television networks of ABC, NBC, CBS or DuMont. The cooperative also held the rights to a number of valuable radio properties that made the transition to the new medium, including two of the era's most popular variations on what would later become known as the tabloid talk show and "reality" programming: the crabby gabfest Leave It to the Girls and, in particular, Queen for a Day, which both started on Mutual radio in 1945. Referred to by some as a "misery show," Queen for a Day "awarded prizes to women who could come up with the most heart-stabbing stories told by the sick and the downtrodden .... On one show, a mother of nine requested a washing machine to replace one that broke when it fell on her husband and disabled him—and who, by the way, also needed heart surgery." In May 1947, a simulcast version began airing on the Don Lee system's experimental TV station in Los Angeles, W6XAO (later KTSL). It was a smash hit, and by the turn of the decade TV stations all along the coast were broadcasting it to high ratings.[e] In the 1950s, Mutual would stare down NBC for four years as the mighty network sought to take control of the show.
Offscreen, Mutual remained an enterprising broadcaster. In 1940, a program featuring Cedric Foster joined Mutual's respected schedule of news and opinion shows. Foster's claim to fame was as the first daytime commentator to be heard nationally on a daily basis. The network aired that year's NFL Championship Game on December 8, the first national broadcast of the annual event. Over the following half decade, Mutual's war coverage held its own with that of the wealthier networks, featuring field correspondents such as Henry Shapiro and Piet Van T Veer and commentators such as Cecil Brown, formerly of CBS. At 2:26 p.m. Eastern time, on Sunday, December 7, 1941, Mutual flagship station WOR interrupted a football game broadcast with a news flash reporting the Japanese attack on Pearl Harbor. It was the first public announcement of the attack heard on the U.S. mainland. The first bombs had dropped 63 minutes earlier. In May 1945, Sigrid Schultz reported from one of the last Nazi concentration camps to be discovered, Ravensbrück. The following month, Meet the Press premiered with Martha Rountree as moderator. For a year and a half in the late 1940s, William Shirer came over from CBS to do current events commentary after his famous falling out with Edward Murrow. In 1948, Mutual's four-part series To Secure These Rights, dramatizing the findings of President Truman's Committee on Civil Rights, outraged many politicians and the network's own affiliates in the segregated South.
In the field of entertainment, Mutual built on the incomparable success of The Shadow. WGN's Chicago Theater of the Air, featuring hour-long opera and musical theater productions before a live audience, was broadcast for the first time in May 1940. By 1943, the weekly show was being recorded in front of houses 4,000 strong, gathered to see performances featuring a full orchestra and chorus. Chicago Theater of the Air would run on Mutual through March 1955. Mutual provided an early national outlet for the influential, iconoclastic satirist Henry Morgan, whose show Here's Morgan began its network run in October 1940. Though The Lone Ranger moved over to NBC Blue in May 1942, within a few months Mutual had another reliable, and no less famous, action hero. The Adventures of Superman, picked up from WOR, would run on the network from August 1942 to June 1949. In April 1943, Mutual launched what would turn into one of its longest-lasting shows: debuting as The Return of Nick Carter and later retitled Nick Carter, Master Detective, it would be a network staple through September 1955. From May 1943 through May 1946, Mutual aired The New Adventures of Sherlock Holmes starring Basil Rathbone and Nigel Bruce, reprising their roles from the Universal film series. An earlier incarnation of the show had run briefly on the network in 1936; a less starry version would return to Mutual from September 1947 through June 1949. The Mysterious Traveler, a proto–Twilight Zone anthology series, aired every week on Mutual from December 1943 until September 1952.
In February 1946, Mutual introduced a quiz show, Twenty Questions, that would run for more than seven years. In October, the detective series Let George Do It, starring Bob Bailey, launched as a Mutual/Don Lee presentation; it would also run into the mid-1950s. For two years, starting in 1946 as well, Steve Allen got his first network exposure on the Mutual/Don Lee morning show Smile Time, out of Los Angeles's KHJ. In February 1947, the religiously oriented Family Theater premiered; with frequent appearances by major Hollywood stars, the series aired on Mutual for ten and a half years. That March, Kate Smith, a major star on CBS since 1931, moved over to Mutual. During most of her initial run at the network, which lasted until September 1951, she had two distinct weekday shows, each 15 minutes long: Kate Smith Speaks, at noon, and Kate Smith Sings, later in the hour. The network gave an outlet to radio dramatist Wyllis Cooper and his highly regarded suspense anthology Quiet, Please, which ran on Mutual from June 1947 to September 1948. It also aired actor Alan Ladd's similarly lauded drama about a crime-solving mystery novelist, Box 13, which ran for precisely a year. Its 52 episodes, which aired every Sunday beginning August 22, 1948, were produced by Ladd's own company, Mayfair Productions.
Toward the end of 1950, the executors of the estate of Thomas S. Lee (the son of Don Lee, who had died in 1934) decided to liquidate the estate's interests in the broadcasting field. The Don Lee Broadcasting System, with its major station groups KHJ in Los Angeles and KFRC in San Francisco and its shares in the Mutual Broadcasting System, was sold to General Tire (which already had a stake in Mutual via its Yankee Network holdings).[f] Around the same time, Mutual acquired the television broadcast rights to the World Series and All-Star Game for the next six years. Mutual was likely reindulging in TV network dreams or was simply taking advantage of a long-standing business relationship; in either case, Mutual sold the broadcast rights to NBC in time for the following season's games at an enormous profit.[g]
Early in 1952, General Tire purchased General Teleradio from R.H. Macy and Company. With the deal, General Tire acquired the WOR radio and TV stations and the rights to the General Teleradio brand, under which the company merged its broadcasting interests as a new division (Bamberger had previously sold its TV station in the nation's capital, WOIC, to CBS and the Washington Post). Most importantly, WOR's founding shares in Mutual, when added to the Yankee and Don Lee holdings, gave General Tire majority control of the network. That same year, NBC began its attempts to win the television rights to Queen for a Day from Mutual. As a measure of the afternoon show's success, its audience at its new Los Angeles home, General Teleradio/Don Lee's KHJ-TV, was triple that of the city's six other stations combined. Mutual might not have had a TV network, but it controlled one of the most profitable properties in the early history of commercial television.[h]
Mutual was at this point the largest U.S. radio network in affiliate numbers, by far—it had 560, almost three times as many as its most powerful competitors, CBS (194) and NBC (191).[i] In 1955, General Tire expanded its media holdings by acquiring RKO Pictures from Howard Hughes, only to close the movie studio a year and a half later (General Teleradio, initially renamed RKO Teleradio Pictures in 1956 after the acquisition, then RKO Teleradio in 1957, would soon be known as RKO General by 1958). General Tire also decided to spin off its holdings in Mutual and sell it as a programming service even as it retained the stations that had given it control. Indeed, in 1956, General purchased a governing interest in yet another Mutual shareholder, Western Ontario Broadcasting, and its station in Windsor, CKLW. In July 1957, General Tire sold Mutual to a group led by Dr. Armand Hammer.
The network soon changed hands again: in September 1958, it was acquired by the Scranton Corporation. Scranton was under the control of the F.L. Jacobs Company, whose chairman, Alexander Guterma, envisioned a media empire uniting Mutual with another recent purchase, the Hal Roach movie studio. After being questioned by federal investigators in February 1959 about financial improprieties, Guterma stepped down. Mutual, by this point, was floundering. For some years it had been run by owners who were either uninterested (General Tire, Armand Hammer) or now, as a growing amount of evidence would show, criminal. Mutual was also confronted with the situation the entire radio industry was facing: major advertisers were abandoning radio for television. Commercial rates had been cut. Limited sponsorship packages had been introduced, in which an advertiser could back a show for an abbreviated period rather than an entire season—but there was no reversing the trend. The networks were left with the bills for an increasing number of nonsponsored programs, known in the industry as "sustaining" shows. The loss of mainstay advertisers was accompanied by what historian Ronald Garay describes as the "mass desertion of network radio talent, management and technicians for television .... [T]hese people were taking with them the programming that had popularized the radio networks."
Under its new chairman, Hal Roach Jr., F.L. Jacobs put Mutual into Chapter 11 bankruptcy. In September 1959, Guterma, Roach, and Garland Culpepper, a Scranton Corp. vice president, were indicted for failing to register as "foreign agents"; they were charged with secretly accepting money from Dominican Republic dictator Rafael Trujillo that previous January in return for favorable coverage of the country and its government on Mutual news programs. It was never proven that Guterma, who was identified as the primary player on Mutual's side and pleaded no contest to the charge, actually fulfilled his part of the deal and arranged for slanted coverage. Nonetheless, the incident led to a reported 130 stations cutting their affiliation with Mutual. Whether precipitated by the scandal or not, among the stations cutting its ties with Mutual in 1959 was one of the network's two original flagships, WOR. Businessman Albert G. McCarthy, meanwhile, had taken over the network, arranging to settle its debts while seeking an owner interested in running it on an ongoing basis.
Before the Guterma fiasco, the network had maintained its reputation for running a strong news organization. As the conflict on the Korean peninsula began to heat up in mid-1950, Mutual started airing two special reports nightly on the situation, featuring the commentary of Major George Fielding Eliot, military analyst for CBS during World War II. By August, Mutual was represented by six correspondents in Korea, more than ABC or NBC. In June 1958, just a few months before the Scranton takeover, the network had launched a nightly 25-minute newscast, The World Today, hosted by Westbrook Van Voorhis, famous as the voice of The March of Time. On occasion, Mutual's commentary programs made the news: On March 11, 1954, Fulton Lewis Jr. featured Senator Joseph McCarthy as his guest, two days after the senator's ethics had been called into question on the CBS TV show See It Now, hosted by Edward R. Murrow. In his radio interview, McCarthy dismissed Murrow as "the extreme left-wing, bleeding-heart element of television."
By the end of the 1950s, Mutual had forsworn original dramatic programming. Early in the decade, however, it picked up the adventure series Challenge of the Yukon, which had originated at Mutual cofounder WXYZ in 1938 after the station's departure from the network. The show, subsequently renamed Sergeant Preston of the Yukon, ran on Mutual from January 1950 until its finale in June 1955. In 1950 as well, Mutual introduced radio listeners to adult science fiction with 2000 Plus, which first aired on March 15, almost a month before the premiere of NBC's similarly themed Dimension X. The Shadow's long run finally ended in December 1954. In November 1957, Mutual aired the final episodes of its last two remaining half-hour original dramatic shows, Counterspy and Gang Busters, both picked up from other networks earlier in the decade. It would be 1973 before Mutual would broadcast a new dramatic series. In 1955, the famous comedy team Bob and Ray came over from NBC for a five-day-a-week afternoon show. Kate Smith returned in January 1958 for her final radio series, which ran until August. Sports began to occupy an increasing portion of Mutual's schedule: the network began regularly airing a Major League Baseball Game of the Day, every day except Sunday. This expansion into daily sports programming would run well into the 1960s.[j] While baseball's World Series and All-Star Game would go to rival NBC in 1957, Mutual secured exclusive national radio rights the following year to Notre Dame football, which would remain a cornerstone for the rest of the network's existence.
In the spring of 1960, the 3M Company stepped in, purchasing Mutual and restoring much-needed stability to the operation. Despite the recent scandal, Mutual still had 443 affiliates, easily the most of any network. By this time, as historian Jim Cox describes, both Mutual and ABC "had largely wiped their slates clean of most of their network programming—save news and sporting events and a few long-running features". This would characterize Mutual's essential approach for the next three and a half decades, through a further series of ownership changes.
In July 1966, 3M sold the network to a privately held company, Mutual Industries, Inc., headed by John P. Fraim. Upon Mutual Industries's acquisition of Mutual, it was renamed to "Mutual Broadcasting Corporation". The following month, after the death of Mutual stalwart Fulton Lewis Jr., his son Fulton Lewis III took over his Monday-to-Friday, 7 p.m. slot. When ABC Radio "split" into four demographically targeted networks on January 1, 1968, Mutual unsuccessfully sued to block the move. Meanwhile, the network was undergoing some management instability, with frequent changes at the top: for example, Matthew J. Culligan was Mutual's president from October 1966 to June 1968. He was replaced by Robert R. Pauley, who came over from the ABC radio division, where he had served as president for nearly seven years. But Pauley only lasted a year, and resigned after clashes with the board over the need for cost-cutting, and other decisions with which he disagreed. His replacement was Victor C. Diehm, owner of several Mutual-affiliated radio stations and active on the Mutual Affiliates Advisory Council. But Diehm also did not remain in the position of Mutual's president for very long. Four years later, he was replaced by a new president, a former Miami radio executive named C. Edward Little. Under Little, Mutual began its own niche programming services, taking advantage, like ABC, of the prevailing FCC requirement that all radio stations, of whatever primary format, regularly air news and public affairs (a responsibility that would be eliminated in the early 1980s).
In 1967, Ohio businessman Daniel H. Overmeyer looked to start his own TV network, and sought a merger with Mutual; the offer was quickly rebuffed, but three Mutual stockholders joined with eleven other investors to buy Overmyer's hookup and rename it the United Network. The net (and its only offering, "The Las Vegas Show") folded after only a month on the air. On May 1, 1972, the network launched the Mutual Black Network (MBN) and the Mutual Spanish Network (Mutual Cadena Hispánica); each provided 100 five-minute-long news and sports capsules a week, along with other programming. While the Spanish-language service would last only six months, by 1974 MBN had 98 affiliates. It was eventually spun off and acquired by the Sheridan Broadcasting Corporation, leading to the creation of American Urban Radio Networks. Additional targeted services, such as the Mutual Southwest Network and Mutual Lifestyle Radio, followed from Mutual.
In 1974, Mutual began using its distinctive "Mutualert" network cue tones, or "bee-doops" as they were frequently called. The Mutual "bee-doops" were heard at the beginning and end of Mutual newscasts, programs, and in and out of commercials and network identification breaks. The "bee-doops" were retained by Westwood One for several years after it dissolved Mutual in 1999. On September 30, 1977, Amway bought the network. Soon after the purchase, Mutual began developing what would become the first nationwide commercial broadcast satellite network, leading to the end of decades of reliance on telephone lines for the broadcast industry's transmission capacity. In 1979, Amway purchased WCFL from the Chicago Federation of Labor. For the first time, the network that had been founded by radio stations directly controlled a station of its own, and in one of the country's largest markets. Mutual also reached its greatest number of affiliates that year—950. This was fewer than ABC, whose multipronged approach had proven very successful, but far in front of NBC and CBS. It appeared that Amway was ready to pose a major challenge to the industry leaders.
One of the few primary network programs outside of news and sports that Mutual initiated during this era became one of the most successful in its history: the first nationwide, all-night call-in radio program, which launched on November 3, 1975, with Herb Jepko as host. Jepko, who had run a telephone talk show out of KSL in Salt Lake City for years, so determinedly avoided controversial topics, that some callers simply talked about the weather where they lived. Jepko was briefly succeeded by Long John Nebel and Candy Jones, before Mutual tapped a little-known local talk show host at WIOD in Miami. On January 30, 1978, Larry King made his national debut on Mutual; by early 1980, King's all-night show was being carried by around 200 stations and was credited with attracting many new affiliates to the network. King continued his Mutual call-in program until 1994, even long after he began appearing on a highly successful program for CNN television in 1985. From 1970 through 1977, Mutual was the national radio broadcaster for Monday Night Football.
During the 1970s the network carried a daily 5-minute show This is Liberty Lobby, which espoused far-right extremist views of the Liberty Lobby. At the conclusion of each episode, listeners were invited to get the organization's pamphlet "America First." Charges were made that Benjamin Gilbert, who was a principal owner of the network in the 1970s, had contributed thousands of dollars to the organization.
In 1980, Amway purchased WHN in New York, giving Mutual a second major-market owned-and-operated station. On a Country Road, a music show hosted by WHN's Lee Arnold, was introduced and given national distribution. At the beginning of the year, Mutual had begun broadcasting its final drama series, Mutual Radio Theater, formerly Sears Radio Theater, which it had just picked up. A number of well-regarded dramas were produced as part of the anthology series. In 1981, Mutual launched Dick Clark's National Music Survey, a three-hour-long weekly program combining music and interviews. Despite these developments and the fact that its satellite network was now fully on line, Amway was making little if any profit out of Mutual. The network's corporate parent began backing out of the radio business. Mutual Radio Theater, the network's last ever original dramatic series, aired its final new episode on December 19, 1981. In November 1983, Amway sold off Mutual's WCFL to Statewide Broadcasting. A year later, a deal was struck for the sale of WHN to Doubleday Broadcasting.
In 1985, Westwood One, a major radio production company and syndicator—that is, a budding network—was looking to expand its operations. Westwood and Mutual were a good match: The demographics of Mutual affiliates tended to be adult; most of the stations that bought Westwood's programming, much of it in the pop music field, had substantially younger audiences. Mutual had the news operations that Westwood lacked. And there was Mutual's size; though down from its peak, it still commanded 810 affiliates, a strong second among the Big Four. In September 1985, Amway sold the network to Westwood One for $39 million. "It's a perfect fit," declared Westwood head Norman J. Pattiz. Referring to the united company's ability to give advertisers access to a broad demographic sweep, he called it "a classic case of two plus two equaling five." In 1987, the number got even bigger: Westwood One snapped up Mutual's long-time competitor, the NBC Radio Network, for $50 million. Mutual was now part of a much larger programming service, and its identity was being gradually phased out. In 1993, when Larry King switched his all-night radio show to a shorter daytime version a year before giving it up, the late-night call-in slot went to WCFL alumnus Jim Bohannon; within a few years, it was a Westwood One–branded show. Westwood One was itself taken over by Infinity Broadcasting in 1994. In a deal announced in June 1996 and completed that December, CBS's new parent company, Westinghouse, acquired Infinity for just shy of $5 billion. The direct descendants of the three original U.S. network companies had merged.
By this time, Mutual was little more than a brand name for certain news and sports programming provided by the new conglomerate's Westwood One division. Mutual and NBC Radio newscasters sat back to back in the Westwood One studio, the former main Mutual facility in Crystal City, Virginia. In early 1999, Westwood One announced it was dropping the Mutual name in favor of CNN Radio, which it began distributing through a deal with Time Warner's Turner Broadcasting System. A former member of the Mutual news team described the end: "Official time of Mutual Radio's death was Midnight 4/17/99. No tribute, no mention it was the last newscast ... it just died." The Crystal City facility was closed in March 2001, and Westwood's primary operations were transferred to the CBS Broadcast Center in New York City.
Some current programming on Westwood One, which is now owned by Cumulus Media, can still trace its lineage directly to Mutual. Jim Bohannon remains on the air, hosting his interview/call-in show which is a direct descendant of Herb Jepko's 1975 launch on Mutual. Bohannon also hosted the morning news magazine, America in the Morning, from its premiere on Mutual in 1984, until he retired from the show in December, 2015. The current incarnation of Meet the Press, which launched on Mutual in 1945, has a simulcast on Westwood One. A simulcast of TV's Larry King Live continued to run until the end of 2009. Country Countdown USA, founded as a Mutual program after the Westwood One purchase, continues to air in its original format as CMT Country Countdown USA.
The radio rights to Notre Dame Fighting Irish football were eventually rebranded as a Westwood One product, years before the end of the Mutual network itself. At the conclusion of the 2007 football season, Notre Dame ended its relationship with Westwood One, citing financial reasons, and subsequently announced a deal with ISP Sports.
Mutual founding stations WOR and WLW are now both under the ownership of iHeartMedia, who operates a network of their own, Premiere Networks. WGN syndicates Orion Samuelson farm reports through its Tribune Radio Network, which also carried Chicago Cubs broadcasts until 2014. WOR syndicated some weekend talk programs through the WOR Radio Network, and several WLW hosts have been syndicated through Premiere.
Mutual Broadcasting System LLC, based in Spokane, Washington, uses the Mutual and Liberty names on its two stations, KTRW–Spokane and KTAC–Ephrata. These stations have no connection with the original network. They present adult standards, nostalgia, and some Christian programming, using the Mutual name as part of their old-time radio branding.
Mutual Reports eventually became Mutual Black Network (MBN)
2000 Plus (aka Two Thousand Plus and 2000+) was an American old-time radio series that ran on the Mutual Broadcasting System from March 15, 1950, to January 2, 1952, in various 30-minute time slots. A Dryer Weenolsen production, it was the first adult science fiction series on radio, airing one month prior to the better known Dimension X.2000 Plus was an anthology program, using all new material rather than adapting published stories. The series was the creation of Sherman H. Dryer (October 11, 1913–December 22, 1989) who scripted and produced the series with Robert Weenolsen (April 19, 1900–August 1979).Archie Andrews
Archibald "Archie" Andrews, created in 1941 by publisher John L. Goldwater and artist Bob Montana in collaboration with writer Vic Bloom, is the main character in the Archie Comics franchise, including the long-running Archie Andrews radio series, a syndicated comic strip, The Archie Show, Archie's Weird Mysteries, and Riverdale. The live action version of Archie is portrayed by KJ Apa in Riverdale.Backstage Wife
Backstage Wife is an American soap opera radio program that details the travails of Mary Noble, a girl from a small town in Iowa who came to New York seeking her future.Blackstone, the Magic Detective
Blackstone, the Magic Detective was a 15-minute radio series based on Elmer Cecil Stoner's short-lived comic book series Blackstone, Master Magician. The program aired Sunday afternoons at 2:45pm on the Mutual Broadcasting System from October 3, 1948, until March 26, 1950.Family Theater
Family Theater is a dramatic anthology radio show which aired on the Mutual Broadcasting System in the United States from February 13, 1947, to September 11, 1957.Hop Harrigan
Hop Harrigan (also known as The Guardian Angel and Black Lamp) first appeared in All American Comics #1 created by Jon Blummer (Fighting Yank, Little Boy Blue) as one of the first successful aviation heroes in comic history (Hop appeared after Tailspin Tommy, Barney Baxter, Connie Kurridge and others). Hop Harrigan was technically not a true superhero (as he had no costume or special powers) though he did meet the Justice Society of America in All-Star Comics #8, and he did eventually become a superhero from All American Comics #25 (April 1941) to #28 (July) as the costumed Guardian Angel.Land of the Lost (radio series)
For the television series with the same title, see Land of the Lost (1974 TV series)Land of the Lost was a 1940s radio fantasy adventure, written and narrated by Isabel Manning Hewson, about the adventures of two children who traveled underwater with the fatherly fish Red Lantern. Each week the show opened with the line, "In that wonderful kingdom at the bottom of the sea...", and then Red Lantern showed Billy and Isabel where different lost objects were stored beneath the waves.
The Land of the Lost radio series aired from 1943 to 1948 on the Mutual Broadcasting System and ABC. Betty Jane Tyler was the voice of the young Isabel, and Ray Ives was the voice of Billy. Several actors voiced Red Lantern, including Art Carney, Junius Matthews and William Keene. The announcer was Michael Fitzmaurice, and Cyril Armbrister directed.
With music by John Winters and lyrics by Barbara Miller, Peggy Marshall did the vocal arrangements. Organist Bob Hamilton provided background music.
A pioneer female radio commentor prior to Land of the Lost, Hewson did a food shopping show, Morning Market Basket, on the NBC Red network during World War II. She launched Land of the Lost October 9, 1943, and it was broadcast Saturday mornings at 11:30am on the ABC Blue network until September 22, 1945. In 1944, it also was on ABC Tuesdays at 7:00pm from July 4 until October 3. On October 14, 1945, the series moved to Mutual, where it was heard until July 6, 1946 (Sundays at 3:30 until mid-January and then Saturdays at 11:30am). Sponsored by Bosco, Land of the Lost aired on ABC from October 11, 1947 until the end of the run on July 3, 1948.Larry King Show
The Larry King Show was a national radio talk show hosted by Larry King which aired on the Mutual Broadcasting System from 1978 to 1994. A typical show consisted of King interviewing a guest, then taking phone calls from listeners for the guest, and then taking phone calls on any topic. In 1982 the show won a Peabody Award.Les Misérables (radio series)
Les Misérables is a seven-part radio series broadcast July 23 – September 3, 1937 (Fridays at 10 p.m. ET), on the Mutual Network. Orson Welles adapted Victor Hugo's novel, directed the series and starred as Jean Valjean. The 22-year-old Welles developed the idea of telling stories with first-person narration on the series, which was his first job as a writer-director for radio.Marking the radio debut of the Mercury Theatre, Welles's Les Misérables was described by biographer Simon Callow as "one of his earliest, finest and most serious achievements on radio". The production costarred Martin Gabel as Javert, Alice Frost as Fantine, and Virginia Nicolson, Welles's first wife, as the adult Cosette. The supporting cast included Ray Collins, Agnes Moorehead, Everett Sloane, Betty Garde, Hiram Sherman, Frank Readick, Richard Widmark, Richard Wilson and William Alland.Major League Baseball on Mutual
Major League Baseball on Mutual was the de facto title of the Mutual Broadcasting System's (MBS) national radio coverage of Major League Baseball games. Mutual's coverage came about during the Golden Age of Radio in the 1930s, 1940s, and 1950s. During this period, television sports broadcasting was in its infancy, and radio was still the main form of broadcasting baseball. For many years, Mutual was the national radio broadcaster for baseball's All-Star Game and World Series.Major League Baseball on the radio
Major League Baseball on the radio has been a tradition for almost 80 years, and still exists today. Baseball was one of the first sports to be broadcast in the United States. Every team in Major League Baseball has a flagship station, and baseball is also broadcast on national radio.Mutual Black Network
The Mutual Black Network (MBN) was founded by the Mutual Broadcasting System in 1972 as the first national full-service radio network aimed at African Americans; it was initially branded as Mutual Reports before the branding change to MBN. With 98 affiliated stations across the United States, including flagship WBLS in New York, the network broadcast an hourly five-minute newscast at 50 minutes past the hour. It also aired sports and feature programs, and for one year beginning in the spring of 1974, a 15-minute daily soap opera called Sounds Of The City. Some of its special programming focused on African American history, much of which was researched, written and narrated by MBN news anchor Ben Frazier.
Programming is what separated the Mutual Black Network from the rest of the pack. But its highest mark was made in the coverage of hard news and its savvy advocacy style of journalism. This was a genre of journalism, practiced by news anchors Ben Frazier, Glen Ford, John Askew and others. They would interview black news-makers who had largely been ignored by most traditional mass media outlets, including Mutual's main network. Thanks to the Mutual Black Network, those news-makers, their agenda, dreams and anger would finally make it to the forefront of the American body politic. Their sound bites made it to the air and to a new level of relevancy because of the Mutual Black Network’s hourly newscasts. Tape editors James Barber and Gregory S. Kearse provided the bulk of sound bites for the hourly newscasts. Kearse produced the Soul of Entertainment hosted by legendary newsman Ed Castleberry and interviewed stars such as Gladys Knight, Glynn Turman and the Pointer sisters. Kearse began as a weekend tape editor in 1974 while completing his B.A. degree in English, and left MBN to pursue a career in book publishing at Howard University Press in 1978.
In 1981, the Mutual Black Network was purchased by Sheridan Broadcasting, an African American-owned company which had been a minority stockholder in MBN, and renamed the Sheridan Broadcasting Network. A decade later, SBN merged with the rival National Black Network, forming the present-day American Urban Radio Networks.Mutual Lifestyle Radio
Mutual Lifestyle Radio was a radio network launched by the Mutual Broadcasting System. It was created in the early 1970s as Mutual Progressive Network (a.k.a. MPN) when Mutual, having lost their lawsuit attempting to prevent ABC from splitting into four radio networks in 1968, decided to take a similar tactic, also launching Mutual Black Network (a.k.a. MBN), Mutual Cadena Hispánica (translated to "Mutual Spanish Network"), & Mutual Southwest Network. The network was re-branded in 1980 and subsequently abandoned in 1983.
Mutual Lifestyle Radio aired an hourly newscast at 55 minutes past the hour, which focused primarily on "good news" and offbeat stories aimed at contemporary and AOR radio audiences. The newscast was originally branded "Progressive News" to differentiate itself from the "Comprehensive News" that aired on the hour and half-hour.Myrt and Marge (radio series)
Myrt and Marge was an American radio serial broadcast November 2, 1931 – March 27, 1942, on CBS Radio and the Mutual Broadcasting System. It was created and written by its main star, actress Myrtle Vail.NBA on Mutual
The NBA on Mutual is the de facto name for National Basketball Association radio broadcasts on the Mutual Broadcasting System. Mutual was the official national radio broadcaster of NBA games (including the All-Star Game and NBA Finals) from the 1968-69 through 1983-84 seasons. Mutual had previously broadcast NBA games as far back as 1954-55. Mutual was ultimately supplanted by the ABC Radio Network.National Hockey League on the radio
As with most professional sports, ice hockey is broadcast both on radio and television. This article will focus on the former, and radio broadcasts of the National Hockey League.Nick Carter, Master Detective
Nick Carter, Master Detective was a Mutual radio crime drama based on tales of the fictional private detective Nick Carter from Street & Smith's dime novels and pulp magazines. Nick Carter first came to radio as The Return of Nick Carter, a reference to the character's pulp origins, but the title was soon changed to Nick Carter, Master Detective. A veteran radio dramatist, Ferrin Fraser, wrote many of the scripts.The Amazing Nero Wolfe
The Amazing Nero Wolfe is a 1945 American radio drama series starring Francis X. Bushman as Rex Stout's fictional armchair detective Nero Wolfe. Broadcast July 17–November 30, 1945, the series was created by the Don Lee Network, a California affiliate of the Mutual Broadcasting System, and may have been broadcast only in that region. The Amazing Nero Wolfe was based on Stout's principal characters but not his stories.The Crime Club
The Crime Club was an imprint of the Doubleday publishing company, which later spawned a 1946-47 anthology radio series, and a 1937-1939 film series.
|Defunct or moribund|