Mockbuster

A mockbuster (also known as knockbuster or a drafting opportunity[1]) is a movie created with the intention of exploiting the publicity of another major motion picture with a similar title or subject. Mockbusters are often made with a low budget and quick production to maximize profit. Unlike films that are produced to capitalize on the popularity of a recent release by adopting similar genre or storytelling elements, mockbusters are generally produced concurrently with upcoming films, and released direct-to-video at the same time the real film reaches theaters or video outlets. A mockbuster may be similar enough in title, packaging, etc. in hopes that consumers confuse it with the actual film it mimics, but their producers maintain that they are simply offering additional products for consumers who want to watch additional films in the same subgenres.[2]

"Mockbuster" is a combination of the words "mock" and "blockbuster."

History

Mockbusters have a long history in Hollywood and elsewhere.[3][4][5][6] For example, the 1959 Vanwick film The Monster of Piedras Blancas was a clear derivative of Creature from the Black Lagoon, complete with a creature suit by the same designer, Jack Kevan. Attack of the 50 Foot Woman spawned Village of the Giants; The Land That Time Forgot spawned Legend of Dinosaurs & Monster Birds.

Such films tend to fit the classic B movie model, produced on a small budget and derivative of the target film and other similar projects. The reduced costs made available by using modern video and computer graphics equipment, and the tie-in to the mainstream film's advertising, has allowed the mockbuster to find a profitable niche in the home video market. Blockbuster, at one time one of the largest DVD and video game rental chains, gave implied support to the concept by buying 100,000 copies of The Asylum's version of War of the Worlds in time to coincide with the theatrical opening week of Steven Spielberg's film based on the same novel starring Tom Cruise.[2]

Most mockbusters capitalize on the popularity of theatrically released movies, but some are derivative of a TV series or other popular form of media. The 1979 film Angels Revenge bore many superficial similarities to the popular TV series Charlie's Angels; its promotional materials even resembled Charlie's Angels' graphic style.

GoodTimes Entertainment was notorious for distributing animated "mockbuster" counterparts to popular Disney films in the 1990s (such as those made by Golden Films); because Disney was creating its films based on public domain folk tales and historical stories, GoodTimes' actions were completely legal and survived Disney's legal challenge against it. Similarly, Vídeo Brinquedo is a Brazilian CGI animation studio that in 2006 began to produce low-budget direct-to-video films that are for the most part knockoffs of movies from Pixar, Disney, and DreamWorks. Their titles and the films they are considered to be derivative of include Little & Big Monsters (DreamWorks' Monsters vs. Aliens), The Little Cars series of cartoons (Pixar's Cars series), Ratatoing (Pixar's Ratatouille), Tiny Robots (Pixar's WALL-E), What's Up?: Balloon to the Rescue! (Pixar's Up), and The Frog Prince (Disney's The Princess and the Frog). In every case Vídeo Brinquedo's knockoff has been released suspiciously close to the release date of the more professional, higher-budgeted film that inspired it.

Dingo Pictures, a German animation company based in Friedrichsdorf, also created traditionally-animated cartoons based on fairy tales and concepts similar to those used by Disney, Pixar and DreamWorks. These cartoons are characterized by low-budget animation, small voice casts, and character designs that are very similar to equivalent characters in more high-profile movies. The cartoons have also been dubbed into Scandinavian languages notably Swedish, and also into Romance languages, notably Italian, and all of them have been released direct-to-video in Germany in their original languages. A European game publisher called Phoenix Games collaborated with Dingo Pictures in the early 2000s to produce interactive video game versions of some of their films for the PlayStation and PlayStation 2. These games included the film as well as a small collection of mini games. Phoenix Games went out of business in 2009.

The 2011 film Aliens vs Avatars was named to market it as a crossover to Alien and Avatar, even though it has no connection with the two films. The film follows the intergalactic battle between a quarrelsome alien race and shape-shifting extraterrestrials, while six college friends find themselves in the middle of the interstellar war.

A 1993 science fiction horror film titled Carnosaur, produced by Roger Corman and starring Diane Ladd as a mad scientist who plans to recreate dinosaurs and destroy humanity, is loosely based on the 1984 novel of the same name by John Brosnan, but the two have little in common. It was released by New Horizon Picture Corp two weeks before the blockbuster Jurassic Park. Carnosaur may be considered a mockbuster.[7] Diane Ladd's daughter Laura Dern starred in Jurassic Park.

In some cases, the knockoff film may bear little or no resemblance to the original. In 2012, Super K – The Movie, an Indian fantasy/science-fiction animated film about an artificially created boy named "Super Kloud" with superpowers, was released direct-to-video in the United States as Kiara the Brave. Its title and cover art focused on an incidental female character with red hair (i.e. Merida), in an obvious attempt to evoke the redheaded female protagonist of Brave, a Disney/Pixar movie set in medieval Scotland.[8]

In other cases, the knockoff film simply renames an already existing film into a name that is similar to a popular film. For example, The Legend of Sarila was renamed Frozen Land to cash in on Disney's 2013 film, Frozen.[9] In another case, a collection of animated shorts from the 90s animated series, Britannica's Tales Around the World, was rereleased under Tangled Up by Brightspark to cash in on Disney's 2010 film, Tangled.[10] [11] Brightspark also rereleased the film The Adventures of Scamper the Penguin under Tappy Feet: The Adventures of Scamper to cash in on Happy Feet.

Asylum CEO David Michael Latt responds to criticisms about loose plot lines by stating that "We don't have spies at the studios. We have a general sense of what the film is and we make our movie completely original, just based on that concept."

Mockbusters are low budget, and their revenue is based entirely on the sales of their DVDs.[12] Low budgets also mean that directors need to think of creative yet cheap ways to achieve the endings that they desire. For example, Snakes on a Train capitalized on the Internet hype surrounding Snakes on a Plane. Consumers wanted what they saw. Latt said, "With only four days left of shooting my partner called and said everyone is really excited about Snakes on a Train, but they’re more excited about the poster, which showed a snake swallowing a train. It was meant to be, you know, metaphorical. But the buyers wanted it, so I was given the mandate that the ending had to have the snake eat the train." At the same time another representative of Asylum, David Rimawi, says that while a handful of their movies do have "artistic elements", that's just not something they're concerned with. The Asylum does not claim to be an "artsy" production house.[13]

Soundalike titling

Mockbusters often use a title with a similar-sounding name to the mainstream feature it intends to piggy-back upon. For instance, the 2006 mockbuster Snakes on a Train traded on the publicity surrounding the theatrically released Snakes on a Plane.[14] Besides the aforementioned film, The Asylum has also released The Land That Time Forgot, Transmorphers, AVH: Alien vs. Hunter, The Da Vinci Treasure, Battle of Los Angeles, Atlantic Rim and Paranormal Entity.

Foreign knockoffs and illegitimate sequels

Mockbusters and ripoffs are often filmed and released outside of the original movie's country. Low-budget studios in foreign countries may produce completely illegitimate sequels to pre-existing higher budgeted movie series that began in other countries. These sequels are unofficial, and often even unknown to the creators and producers of the original films. These unofficial sequels are rarely, or never, released in the original country, usually due to licensing issues. In other cases, a film released in other countries is renamed as a sequel to another film in contrast to the original title.[15]

Two Italian directors directed unofficial sequels to George A. Romero's 1978 Dawn of the Dead: Lucio Fulci's Zombi 2 sold itself as the sequel to that film (which was called Zombi in Italy) and even used a line originally written for Dawn of the Dead.[16]

The Philippine film industry is also known for its unauthorised adaptations of popular Western films. The popularity of the Batman films, most especially the 1966 TV series, has led to numerous unauthorised remakes and pastiches, such as James Batman starring comedian Dolphy, Batman Fights Dracula, and Alyas Batman en Robin.[17] Dolphy also played leading roles in other mockbusters, including Wanted: Perfect Father, a comedy-drama based on the 1993 film Mrs. Doubtfire,[18] and Tataynic, a 1998 parody of James Cameron's Titanic. Other Filipino knockoffs include Bobo Cop (a parody of RoboCop)[19] and Rocky Plus V (a spoof of the Rocky series).[20]

Legality

Mockbusters based on popular animated films are known as a "drafting opportunity." For example, Kiara the Brave (a mockbuster of Pixar's Brave) and Puss in Boots: A Furry Tale (a mockbuster of Puss in Boots) use soundalike titling to "draft off" the marketing success ("slipstream") of popular films. "Can you trademark an actual noun? The idea of a battleship?," asks Boxoffice magazine editor Amy Nicholson.[13] The original Puss in Boots was made by DreamWorks Animation by 300 people working for four years at the cost of $130 million. The mockbuster, with nearly exactly the same name was made by 12 people, in six months, for less than $1 million. For these large production houses, it wasn't just a question of free riding on the marketing success of these more popular films; mockbusters have become a source of bad publicity. Customers who had accidentally bought the mockbuster Puss in Boots: A Furry Tale but did not know that it was a mockbuster gave the original movie bad reviews.[21] Mockbuster producers have had no legal troubles with drafting off as a result of Disney losing a case against GoodTimes Entertainment, which had used similar packaging for their own version of Aladdin.[22]

Mockbusters have also had legal complications with false advertising. They supposedly tweak the plot lines and the titles just enough to skirt legal trouble and yet ride on the publicity of major blockbusters. Until the Hobbit case, mockbuster production houses have been able to achieve soundalike titling to such an extent that even actors in the movies have been confused about which movie they are starring in. Some actors starring in the original have gone on to become fans of the mockbuster model. Kel Mitchell was the star in the mockbuster Battle of Los Angeles, the mockbuster to the original Battle: Los Angeles. His friend was in the original and they began promoting both movies together. Kel has since then became a fan of the studio's formula: "I laugh out loud when I see that a film is coming out; I wonder what The Asylum is going to do with it. They're going to remix that name and put it out."[13]

In December 2013, The Walt Disney Company filed in California federal court to get an injunction against the continued distribution of the French film The Legend of Sarila, retitled Frozen Land. In their suit, Disney alleges: "To enhance the commercial success of Sarila, the defendant redesigned the artwork, packaging, logo, and other promotional materials for its newly (and intentionally misleadingly) retitled film to mimic those used by [Disney] for Frozen and related merchandise." The suit was filed against distributor Phase 4 Films.[9]

Intent to deceive

Because mockbusters are deliberately similar to more famous movies, some movie studios have sued mockbuster studios for allegedly tricking consumers into renting or purchasing the wrong movie through intentionally deceptive marketing.

In one such lawsuit, Walt Disney Pictures sued the U.K.-based studio Brightspark, complaining that the studio was "misleading consumers with numerous releases that confuse and undermine the trust those consumers have in Disney." Among Brightspark's films mentioned in the lawsuit were Braver, Tangled Up, The Frog Prince, and Little Cars, which resemble Disney's Brave, Tangled, The Princess and the Frog, and Cars, respectively.[23]

Warner Bros. similarly sued The Asylum over their release of Age of the Hobbits. The judge ruled in favor of Warner Bros., writing that "There is substantial likelihood that consumers will be confused by Age Of Hobbits and mistakenly purchase the film intending to purchase The Hobbit: An Unexpected Journey.[24]

Most mockbusters follow the trend of releasing their movies close to the release dates of the original:[25]

The Asylum defend this practice, stating their intention is not to dupe customers. The Asylum cites reports from both Blockbuster LLC and Hollywood Video that show that less than 1% of customers who rent one of their films ask for a refund. The fact that the low return rate of their films has been used to argue that consumers are renting The Asylum's movies deliberately.[26] "There's a segment of people who watch them because they know they're bad and they're funny, and they're fun to make fun of with their friends," says Kyle Ryan, the managing editor of The A.V. Club, a sister publication of The Onion.[12]

The Asylum v. Warner Bros., 2012

In 2012, Warner Bros. Pictures, New Line Cinema, Metro-Goldwyn-Mayer, WingNut Films, and The Saul Zaentz Company (SZC) sued The Asylum for trademark infringement, false designation of origin, trademark dilution, false advertising, and unfair competition. Plaintiffs alleged that defendant's movie title Age of the Hobbits infringed the registered trademarks held by SZC in the designation "Hobbit." Unlike fairytales, which are in the public domain, the J. R. R. Tolkien novels have been exclusively licensed to Warner Bros. and SZC for production and film adaptation. The court described Global Asylum (the defendant in this case) as a low budget company that makes "mockbusters" of popular movies with similar titling. Warner Bros. and SZC submitted evidence to prove that consumers would be confused by the identical title and that they would lose not only ticket sales but also DVD revenue. The evidence included a survey showing that 48 percent of 400 surveyed respondents associated the term “Hobbit” with SZC, d/b/a “Tolkien Enterprises” and Tolkien properties. A separate survey conducted by Nielsen National Research Group showed that approximately 16 to 24 percent of survey respondents were confused about the source of Age of the Hobbits.[27]

The Asylum claimed that they were justified in using the word "Hobbit" as a fair use of scientific terminology after some scientists borrowed the term from the Hobbit stories a few years prior to describe a human subspecies in Indonesia. The Asylum argued that it provided warnings stating that this was not the Tolkien creature.[28] The films also featured major plot differences: "In an ancient age, the small, peace-loving Hobbits are enslaved by the Java Men, a race of flesh-eating dragon-riders. The young Hobbit Goben must join forces with their neighbor giants, the humans, to free his people and vanquish their enemies."[29]

The Federal Court found that Warner Bros. had a valid trademark on the word "Hobbit". The court rejected The Asylum's scientific fair use claims since there was no evidence to suggest that the movie was about prehistoric group of people who lived in Indonesia. The court rejected all of The Asylum's defenses: (i) that it was permitted to use “Hobbits” in the title of its film pursuant to the free speech test of the Second Circuit’s decision in Rogers v. Grimaldi, (ii) that its use of the mark constituted nominative fair use to indicate plaintiffs' movies and (iii) that the “Hobbits” mark was a generic name. The court decided that The Asylum had failed to prove its defenses and on December 10, 2012, found in favor of the plaintiffs and entered a temporary restraining order. This restraining order prevented the use by Global Asylum of the title Age of the Hobbits.[30] The Ninth Circuit court of appeals affirmed in 2013. The film was then released under the name Clash of the Empires.

Pornographic movies

Successful films frequently spawn pornographic knock-offs with punned titles. Examples include: Gilligan's Bi-Land (Gilligan's Island), Edward Penishands (Edward Scissorhands), Kinky Kong (King Kong), Foreskin Gump (Forrest Gump), Raiders of the Lost Arse (Raiders of the Lost Ark), Flesh Gordon (Flash Gordon), and The Devil in Miss Jones (The Devil and Miss Jones).

Some pornographic movies are mockbusters of other pornographic movies. For example, the 1985 film Black Throat is a mockbuster of an earlier, popular pornographic film, 1972's Deep Throat. Pornographic films are particularly prone to unauthorized sequels; Debbie Does Dallas, a 1978 porn film, spawned at least eleven sequels, most of which were never explicitly authorized by the original production team or cast.

In other media

The term has also been used for media besides film, such as video games capitalizing on the success of a known franchise like Grand Theft Auto or Call of Duty. A notable example of this are games developed by the French studio Gameloft.[31] Most of the games in their portfolio bear similarities to popular video game series, with reviewers commenting about Gameloft’s emulation of those games experiences brought onto mobile platforms.[32][33][34]

Notable studios and directors

See also

Further reading

  • Brian Raftery (December 21, 2009). "Now Playing: Cheap-and-Schlocky Blockbuster Ripoffs". Wired. Retrieved June 25, 2011.

References

  1. ^ Fritz, Ben (June 24, 2012). "Low-budget knockoff movies benefit from Hollywood blockbusters". Los Angeles Times. Retrieved 2012-06-25. The animated knockoff is what's known in the film industry as a 'drafting opportunity.' ... The Asylum, a production company in Burbank that built much of its business with what staffers lovingly call 'mockbusters,' ...
  2. ^ a b Potts, Rolf (October 7, 2007). "The New B Movie". The New York Times. Retrieved February 6, 2009.
  3. ^ Editorial Writer(s) (January 21, 2000). "Faux Film Festival". Suck.com. Retrieved May 10, 2009.
  4. ^ Gagliano, Rico (March 17, 2008). "Bollywood's copycat film industry". Marketplace. Archived from the original on July 5, 2008. Retrieved May 18, 2009.
  5. ^ Lovece, Frank (May 7, 1993). "Faux Lee Artists". Entertainment Weekly. Retrieved May 20, 2009.
  6. ^ Baby, Sean. "Turkish Star Wars, E.T., Wizard of Oz". Wave Magazine. Archived from the original on November 12, 2006. Retrieved May 20, 2009.
  7. ^ Brian Raftery. "Now Playing: Cheap-and-Schlocky Blockbuster Ripoffs", Wired, 21 December 2009. Retrieved 25 June 2011.
  8. ^ Brent Lang (2012-06-14). "Low-Budget 'Kiara the Brave' Capitalizes on Similarities to That Other 'Brave' Cartoon". The Wrap. Retrieved 2013-03-30.
  9. ^ a b Koch, Dave (28 December 2013). "Disney Acts To Freeze Out Competition". Big Cartoon News. Archived from the original on 28 December 2013. Retrieved 28 December 2013.
  10. ^ Prentice, Verity (6 September 2012). "Disney threatens legal action against 'copycat' DVDs". Retrieved 20 August 2016.
  11. ^ Acuna, Kirsten (12 September 2012). "Disney's Going After A UK Company For These Knockoff Films". Retrieved 20 August 2016.
  12. ^ a b Author Interviews (2012-09-10). "The Straight-To-DVD World Of 'Mockbusters'". NPR. Retrieved 2015-11-05.
  13. ^ a b c "Mockbuster Video «". Grantland.com. Retrieved 2015-11-05.
  14. ^ Lumenick, Lou (July 26, 2006). "B-list knockoffs of summer hits are fool's gold". The New York Post.
  15. ^ Roland-Martin, Tré (9 March 2015). "Some more quasi-mockbusters that some people might confuse for the real movie". Moviepilot. Retrieved 18 April 2015.
  16. ^ Glenn Kay (2008). Zombie Movies. Chicago Review Press. p. 95. ISBN 1-55652-770-5.
  17. ^ "The Unauthorized Batman Films of the 1960s". Nothing But Comics. Retrieved 17 April 2015.
  18. ^ Oca, Alysa. "5 Filipino knock-off versions of Hollywood blockbusters". Pacifiqa. Retrieved 17 April 2015.
  19. ^ "Bobo Cop". Internet Movie Database. Retrieved 2015-04-17.
  20. ^ "Rocky Plus V". Internet Movie Database. Retrieved 2015-04-17.
  21. ^ Fritz, Ben (June 24, 2012). "Low-budget knockoff movies benefit from Hollywood blockbusters". LA Times.
  22. ^ Nichols, Peter M. (September 10, 1993). "Home Video". The New York Times.
  23. ^ Smithers, Rebecca (September 6, 2012). "Disney challenges UK film company over 'misleading' DVDs". The Guardian. London.
  24. ^ Patten, Dominic (2012-12-10). "UPDATE: Warner Bros Hails 'Hobbit' Victory Over "Cynical" Mockbuster Producers". Deadline. Retrieved 2015-11-05.
  25. ^ Community User. "Mockbusters: Way Worse Than The Worst Blockbusters". Buzzfeed.com. Retrieved 2015-11-05.
  26. ^ "blog, "in defense of mockbusters"". Theasylum.cc. 2011-07-14. Retrieved 2015-11-05.
  27. ^ "Trademark Suit Blocks "Age of the Hobbits" Mockbuster Release". Sullivan Law.
  28. ^ Belloni, Matthew (2012-11-07). "'The Hobbit' Producers Sue 'Age of the Hobbits' Studio for Trademark Infringement (Exclusive)". The Hollywood Reporter. Retrieved 2013-04-30.
  29. ^ Moore, Trent (2012-11-08). "Warner Bros. officially trying to kill that Hobbit mockbuster". blastr. Retrieved 2013-04-30.
  30. ^ "IP/Entertainment Law Weekly Case Update for Motion Picture Studios and Television Networks". Loeb & Loeb, LP. 2012-12-20. Archived from the original on 2013-12-03. Retrieved 2013-04-30.
  31. ^ "Gameloft: The Asylum of Games - Destructoid". Destructoid. Retrieved 20 December 2012.
  32. ^ "Gameloft at peace with copycat reputation". GamesRadar. Retrieved 15 November 2013.
  33. ^ "Gameloft answers game cloning charge". Eurogamer. Retrieved 15 November 2013.
  34. ^ Nelson, Jared (14 November 2013). "What Do You Think About "Heavily Inspired" Games Like 'Oceanhorn'?". Retrieved 31 July 2016.
Hansel

Hansel (German: Hänsel) is a variant of the masculine given name Hans.

Hansel may refer to:

Hansel Mieth (1909–1998), German-born photojournalist for Life magazine

Howell Hansel (1860–1917), early American film director

Marion Hänsel (born 1949), Belgian film director, producer, actress and screenwriter

Charles Edward Mark Hansel (1917-2011), British psychologist

Phil Hansel (1925-2010), American swimming coach

Hansel Ltd., the central procurement unit of the Finnish government

Hansel (horse), an American thoroughbred racehorse

one of the main characters in the fairy tale Hansel and Gretel

Hansel, a fictional character in the 2001 film Zoolander, played by Owen Wilson

Hansel, a village in Ayrshire, Scotland

Jack the Giant Killer (2013 direct-to-video film)

Jack the Giant Killer is a 2013 American fantasy film produced by The Asylum and directed by Mark Atkins. A modern take of the fairy tales Jack the Giant Killer and Jack and the Beanstalk, the film stars Ben Cross and Jane March. It is a mockbuster of Jack the Giant Slayer. It was released on DVD in the UK as The Giant Killer.

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