The Minoan civilization was a Bronze Age civilization that flourished primarily on the island of Crete in the 3rd and 2nd millenia BC. It is widely considered the first advanced civilization in Europe. The Minoan civilization produced massive building complexes, tools, sophisticated artwork, seafaring ships and ship building technology, and writing systems. The Minoans were instrumental in bringing early Greek culture and mythos to many neighboring peoples.
The Minoan civilization is particularly notable for its large and elaborate palaces, some of which were four stories high, featured elaborate plumbing systems, and were decorated with frescoes. The most notable Minoan palaces are, first, the one in Knossos, followed by that of Phaistos. The Minoan period saw extensive trade routes spanning most of the territory in or bordering the Mediterranean Sea. Through their traders and artists, the Minoans' cultural influence reached beyond Crete to the Cyclades, the Old Kingdom of Egypt, copper-bearing Cyprus, Canaan and the Levantine coast and Anatolia. Some of the best Minoan art is preserved in the city of Akrotiri on the island of Santorini, which was destroyed by the volcanic eruption that may in turn have been a major contributor to the decline of the larger Minoan civilization.
The Minoans primarily wrote in the undeciphered Linear A and also in Cretan hieroglyphs, encoding a language labelled Minoan. The reasons for the decline of the Minoan civilization remain a cause for speculation, as do the mystery and inconsistencies in the "rediscovery" and other research heritage.
|Geographical range||Aegean Sea, especially Crete|
|Period||Aegean Bronze Age|
|Dates||c. 2700 – c. 1100 BC|
|Major sites||Knossos, Phaistos, Malia, Zakros|
|Preceded by||Cycladic culture|
|Followed by||Mycenaean Greece|
The term "Minoan" refers to the mythical King Minos of Knossos. Its origin is debated, but it is commonly attributed to archeologist Arthur Evans (1851–1941). Minos was associated in Greek mythology with the labyrinth, which Evans identified with the site at Knossos.
However, Karl Hoeck had already used the title Das Minoische Kreta in 1825 for volume two of his Kreta; this appears to be the first known use of the word "Minoan" to mean "ancient Cretan".
Evans probably read Hoeck's book, and continued using the term in his writings and findings: "To this early civilization of Crete as a whole I have proposed—and the suggestion has been generally adopted by the archaeologists of this and other countries—to apply the name 'Minoan'." Evans said that he applied it, not invented it.
Hoeck, with no idea that the archaeological Crete had existed, had in mind the Crete of mythology. Although Evans' 1931 claim that the term was "unminted" before he used it was called a "brazen suggestion" by Karadimas and Momigliano, he coined its archaeological meaning.
(Old Palace Period)
(New Palace Period)
Final Palace Period)
Instead of dating the Minoan period, archaeologists use two systems of relative chronology. The first, created by Evans and modified by later archaeologists, is based on pottery styles and imported Egyptian artifacts (which can be correlated with the Egyptian chronology). Evans' system divides the Minoan period into three major eras: early (EM), middle (MM) and late (LM). These eras are subdivided—for example, Early Minoan I, II and III (EMI, EMII, EMIII).
Another dating system, proposed by Greek archaeologist Nikolaos Platon, is based on the development of architectural complexes known as "palaces" at Knossos, Phaistos, Malia and Zakros. Platon divides the Minoan period into pre-, proto-, neo- and post-palatial sub-periods. The relationship between the systems in the table includes approximate calendar dates from Warren and Hankey (1989).
The Minoan eruption of Thera occurred during a mature phase of the LM IA period. Efforts to establish the volcanic eruption's date have been controversial. Radiocarbon dating has indicated a date in the late 17th century BC; this conflicts with estimates by archaeologists, who synchronize the eruption with conventional Egyptian chronology for a date of 1525–1500 BC.
Although stone-tool evidence suggests that hominins may have reached Crete as early as 130,000 years ago, evidence for the first anatomically-modern human presence dates to 10,000–12,000 YBP. The oldest evidence of modern human habitation on Crete is pre-ceramic Neolithic farming-community remains which date to about 7000 BC. A comparative study of DNA haplogroups of modern Cretan men showed that a male founder group, from Anatolia or the Levant, is shared with the Greeks. The Neolithic population lived in open villages. Fishermen's huts were found on the shores, and the fertile Messara Plain was used for agriculture.
The Early Bronze Age (3500 to 2100 BC) has been described as indicating a "promise of greatness" in light of later developments on the island. The Bronze Age began on Crete around 3200 BC. In the late third millennium BC, several locations on the island developed into centers of commerce and handiwork, enabling the upper classes to exercise leadership and expand their influence. It is likely that the original hierarchies of the local elites were replaced by monarchies, a precondition for the palaces.
At the end of the MMII period (1700 BC) there was a large disturbance on Crete—probably an earthquake, but possibly an invasion from Anatolia. The palaces at Knossos, Phaistos, Malia and Kato Zakros were destroyed.
At the beginning of the neopalatial period the population increased again, the palaces were rebuilt on a larger scale and new settlements were built across the island. This period (the 17th and 16th centuries BC, MM III-Neopalatial) was the apex of Minoan civilization. After around 1700 BC, material culture on the Greek mainland reached a new high due to Minoan influence.
Around 1450 BC, Minoan culture reached a turning point due to a natural catastrophe (possibly an earthquake). Although another eruption of the Thera volcano has been linked to this downfall, its dating and implications are disputed. Several important palaces, in locations such as Malia, Tylissos, Phaistos and Hagia Triada, and the living quarters of Knossos were destroyed. The palace in Knossos seems to have remained largely intact, resulting in its dynasty's ability to spread its influence over large parts of Crete until it was overrun by the Mycenaean Greeks.
After about a century of partial recovery, most Cretan cities and palaces declined during the 13th century BC (LHIIIB-LMIIIB). The last Linear A archives date to LMIIIA, contemporary with LHIIIA. Knossos remained an administrative center until 1200 BC. The last Minoan site was the defensive mountain site of Karfi, a refuge which had vestiges of Minoan civilization nearly into the Iron Age.
The influence of Minoan civilization is seen in Minoan handicrafts on the Greek mainland. The shaft tombs of Mycenae had several Cretan imports (such as a bull's-head rhyton), which suggests a prominent role for Minoan symbolism. Connections between Egypt and Crete are prominent; Minoan ceramics are found in Egyptian cities, and the Minoans imported items (particularly papyrus) and architectural and artistic ideas from Egypt. Egyptian hieroglyphs might even have been models for the Cretan hieroglyphs, from which the Linear A and Linear B writing systems developed. Archaeologist Hermann Bengtson has also found a Minoan influence in Canaanite artifacts.
Minoan palace sites were occupied by the Mycenaeans around 1420–1375 BC. Mycenaean Greek, a form of ancient Greek, was written in Linear B, which was an adaptation of Linear A. The Mycenaeans tended to adapt (rather than supplant) Minoan culture, religion and art, continuing the Minoan economic system and bureaucracy.
During LMIIIA (1400–1350 BC), k-f-t-w was listed as one of the "Secret Lands of the North of Asia" at the Mortuary Temple of Amenhotep III. Also mentioned are Cretan cities such as Amnisos, Phaistos, Kydonia and Knossos and toponyms reconstructed as in the Cyclades or the Greek mainland. If the values of these Egyptian names are accurate, the Pharaoh did not value LMIII Knossos more than other states in the region.
Crete is a mountainous island with natural harbors. There are signs of earthquake damage at many Minoan sites, and clear signs of land uplifting and submersion of coastal sites due to tectonic processes along its coast.
According to Homer, Crete had 90 cities. Judging by the palace sites, the island was probably divided into at least eight political units at the height of the Minoan period. The vast majority of Minoan sites are found in central and eastern Crete, with few in the western part of the island. There appears to be four major palaces on the island: Knossos, Phaistos, Malia, and Kato Zakros. The north is thought to have been governed from Knossos, the south from Phaistos, the central-eastern region from Malia, the eastern tip from Kato Zakros. Smaller palaces have been found elsewhere on the island.
The Minoans were traders, and their cultural contacts reached the Old Kingdom of Egypt, copper-containing Cyprus, Canaan and the Levantine coast and Anatolia. In late 2009 Minoan-style frescoes and other artifacts were discovered during excavations of the Canaanite palace at Tel Kabri, Israel, leading archaeologists to conclude that the Minoan influence was the strongest on the Canaanite city-state. These are the only Minoan artifacts which have been found in Israel.
Minoan techniques and ceramic styles had varying degrees of influence on Helladic Greece. Along with Santorini, Minoan settlements are found at Kastri, Kythera, an island near the Greek mainland influenced by the Minoans from the mid-third millennium BC (EMII) to its Mycenaean occupation in the 13th century. Minoan strata replaced a mainland-derived early Bronze Age culture, the earliest Minoan settlement outside Crete.
The Cyclades were in the Minoan cultural orbit and, closer to Crete, the islands of Karpathos, Saria and Kasos also contained middle-Bronze Age (MMI-II) Minoan colonies or settlements of Minoan traders. Most were abandoned in LMI, but Karpathos recovered and continued its Minoan culture until the end of the Bronze Age. Other supposed Minoan colonies, such as that hypothesized by Adolf Furtwängler on Aegina, were later dismissed by scholars. However, there was a Minoan colony at Ialysos on Rhodes.
Minoan cultural influence indicates an orbit extending through the Cyclades to Egypt and Cyprus. Fifteenth-century BC paintings in Thebes, Egypt depict Minoan-appearing individuals bearing gifts. Inscriptions describing them as coming from keftiu ("islands in the middle of the sea") may refer to gift-bringing merchants or officials from Crete.
Some locations on Crete indicate that the Minoans were an "outward-looking" society. The neo-palatial site of Kato Zakros is located within 100 meters of the modern shoreline in a bay. Its large number of workshops and wealth of site materials indicate a possible entrepôt for trade. Such activities are seen in artistic representations of the sea, including the "Flotilla" fresco in room five of the West House at Akrotiri.
The Minoans raised cattle, sheep, pigs and goats, and grew wheat, barley, vetch and chickpeas. They also cultivated grapes, figs and olives, grew poppies for seed and perhaps opium. The Minoans also domesticated bees.
Vegetables, including lettuce, celery, asparagus and carrots, grew wild on Crete. Pear, quince, and olive trees were also native. Date palm trees and cats (for hunting) were imported from Egypt. The Minoans adopted pomegranates from the Near East, but not lemons and oranges.
They may have practiced polyculture, and their varied, healthy diet resulted in a population increase. Polyculture theoretically maintains soil fertility and protects against losses due to crop failure. Linear B tablets indicate the importance of orchards (figs, olives and grapes) in processing crops for "secondary products". Olive oil in Cretan or Mediterranean cuisine is comparable to butter in northern European cuisine. The process of fermenting wine from grapes was probably a factor of the "Palace" economies; wine would have been a trade commodity and an item of domestic consumption. Farmers used wooden plows, bound with leather to wooden handles and pulled by pairs of donkeys or oxen.
Seafood was also important in Cretan cuisine. The prevalence of edible molluscs in site material and artistic representations of marine fish and animals (including the distinctive LM IIIC "Octopus" stirrup jar), indicate appreciation and occasional use of fish by the economy. However, scholars believe that these resources were not as significant as grain, olives and animal produce. "Fishing was one of the major activities...but there is as yet no evidence for the way in which they organized their fishing." An intensification of agricultural activity is indicated by the construction of terraces and dams at Pseira in the Late Minoan period.
Cretan cuisine included wild game: Cretans ate wild deer, wild boar and meat from livestock. Wild game is now extinct on Crete. A matter of controversy is whereas Minoans made use of the indigenous Cretan megafauna, which are typically thought to have been extinct considerably earlier at 10,000 BC. This is in part due to the presence of dwarf elephants in contemporary Egyptian art.
Not all plants and flora were purely functional, and arts depict scenes of lily-gathering in green spaces. The fresco known as the Sacred Grove at Knossos depicts women facing left, flanked by trees. Some scholars have suggested that it is a harvest festival or ceremony to honor the fertility of the soil. Artistic depictions of farming scenes also appear on the Second Palace Period "Harvester Vase" (an egg-shaped rhyton) on which 27 men led by another carry hoes. This demonstrates the importance of farming as an artistic motif.
The discovery of storage areas in the palace compounds has prompted debate. At the second "palace" at Phaistos, rooms on the west side of the structure have been identified as a storage area. Jars, jugs and vessels have been recovered in the area, indicating the complex's possible role as a re-distribution center for agricultural produce. At larger sites such as Knossos, there is evidence of craft specialization (workshops). The palace at Kato Zakro indicates that workshops were integrated into palace structure. The Minoan palatial system may have developed through economic intensification, where an agricultural surplus could support a population of administrators, craftsmen and religious practitioners. The number of sleeping rooms in the palaces indicates that they could have supported a sizable population which was removed from manual labor.
Tools, originally made of wood or bone, were bound to handles with leather straps. During the Bronze Age, they were made of bronze with wooden handles. Due to its round hole, the tool head would spin on the handle. The Minoans developed oval-shaped holes in their tools to fit oval-shaped handles, which prevented spinning. Tools included double adzes, double- and single-bladed axes, axe-adzes, sickles and chisels.
As Linear A, Minoan writing, has not been de-coded yet, almost all information available about Minoan women is from various art forms. Most importantly, women are depicted in fresco art paintings within various aspects of society such as child rearing, ritual participation, and worshiping.
Artistically, women were portrayed very differently compared to the representations of men. Most obviously, men were often artistically represented with dark skin while females were represented with lighter, fairer skin. Fresco paintings also portray three class levels of women; elite women, women of the masses, and servants. A fourth, smaller class of women are also included among some paintings, these women are those whom participated in religious and sacred tasks. Evidence for these different classes of women not only come from fresco paintings but from Linear B tablets as well. Elite women were depicted within paintings as having a stature twice the size of women in lower classes, artistically this was a way of emphasizing the important difference between the elite wealthy women and the rest of the female population within society.
Within paintings women were also portrayed as caretakers of children, however few frescoes portray pregnant women, most artistic representations of pregnant women are in the form of sculpted pots with the rounded base of the pots representing the pregnant belly. Additionally, no Minoan art forms portray women giving birth, breast feeding, or procreating. Lack of such actions leads historians to believe that these actions would have been recognized by Minoan society to be either sacred or inappropriate. As public art pieces such as frescoes and pots do not illustrate these acts, it can be assumed that this part of a women’s life was kept private within society as a whole.
Not only was childbirth a private subject within Minoan society but it was a dangerous process as well. Archeological sources have found numerous bones of pregnant women, identified as pregnant by the fetus bones within their skeleton found in the abdomen area. This leads to strong evidence that death during pregnancy and childbirth were common features within society. Further archeological evidence illustrates strong evidence for female death caused by nursing as well. Death of this population is attributed to the vast amount of nutrition and fat that women lost because of lactation which they often could not get back.
As stated above childcare was a central job for women within Minoan society, evidence for this can not only be found within art forms but also within the Linear B found in Mycenaean communities. Some of these sources describe the child-care practices common within Minoan society which help historians to better understand Minoan society and the role of women within these communities.
Other roles outside the household that have been identified as women’s duties are food gathering, food preparation, and household care-taking. Additionally, it was has been found that women were represented in the artisan world as ceramic and textile craftswomen.
As women got older it can be assumed that their job's taking care of children ended and transitions to more of a priority towards household management and job mentoring, teaching younger women the jobs that they themselves participated in.
Minoan dress representation also clearly marks the difference between men and women. Minoan men were often depicted clad in little clothing while women’s bodies, specifically later on, were more conservatively covered up. While there is evidence that the structure of women’s clothing originated as a mirror to the clothing that men wore, fresco art illustrates how women’s clothing evolved to be more and more elaborate throughout the Minoan era. Throughout all of the evolution's of women’s clothing a strong emphasis continued to be placed on the women’s sexual characteristics, particularly the breasts. Female clothing throughout the Minoan era emphasized the breasts by exposing cleavage or even the entire breast. Similarly, to the modern bodice women continue to wear today, Minoan women were portrayed with “wasp” waists. This means that the waist of women were constricted, made smaller by a tall belt or a tight lace bodice. Furthermore, not only women but men are illustrated wearing these accessories.
Within Minoan society and throughout the Minoan era, numerous documents written in Linear B have been found documenting Minoan families. Interestingly, spouses and children are not all listed together, in one section, fathers were listed with their sons, while mothers were listed with their daughter in a completely different section apart from the men who lived in the same household. This signifies the vast gender divide that was present within all aspects of society.
Minoan society was a highly gendered and divided society clearly separating men and women through clothing, art illustration, and societal duties. Within the last ten years research about women within prehistoric societies has increased however there is still a lack of scholarship regarding this group of women.
The Minoans were primarily a mercantile people who engaged in overseas trade. After 1700 BC, their culture indicates a high degree of organization. Minoan-manufactured goods suggest a network of trade with mainland Greece (notably Mycenae), Cyprus, Syria, Anatolia, Egypt, Mesopotamia and westward as far as the Iberian peninsula. Minoan religion apparently focused on female deities, with women officiants. While historians and archaeologists have long been skeptical of an outright matriarchy, the predominance of female figures in authoritative roles over male ones seems to indicate that Minoan society was matriarchal, and among the most well-supported examples known.
Because their language has yet to be deciphered, it is unknown what kind of government was practiced by the Minoans, though the palaces and throne rooms indicate a form of hierarchy.
A fresco of saffron-gatherers at Santorini is well-known. The Minoan trade in saffron, the stigma of a naturally-mutated crocus which originated in the Aegean basin, has left few material remains. According to Evans, the saffron (a sizable Minoan industry) was used for dye. Other archaeologists emphasize durable trade items: ceramics, copper, tin, gold and silver. The saffron may have had a religious significance. The saffron trade, which predated Minoan civilization, was comparable in value to that of frankincense or black pepper.
Minoan men wore loincloths and kilts. Women wore robes with short sleeves and layered, flounced skirts. The robes were open to the navel, exposing their breasts. Women could also wear a strapless, fitted bodice, and clothing patterns had symmetrical, geometric designs.
Several writing systems dating from the Minoan period been have unearthed in Crete, the majority of which are currently undeciphered.
The most well-known script is Linear A, dated to between 2500 BC and 1450 BC. Linear A is the parent of the related Linear B script, which encodes the earliest known form of Greek. Several attempts to translate Linear A have been made, but consensus is lacking and Linear A is currently considered undeciphered. The language encoded by Linear A is tentatively dubbed "Minoan". When the values of the symbols in Linear B are used in Linear A, they produce unintelligible words, and would make Minoan unrelated to any other known language. There is a belief that the Minoans used their written language primarily as an accounting tool and that even if deciphered, may offer little insight other than detailed descriptions of quantities.
Linear A is preceded by about a century by the Cretan hieroglyphs. It is unknown whether the language is Minoan, and its origin is debated. Although the hieroglyphs are often associated with the Egyptians, they also indicate a relationship to Mesopotamian writings. They came into use about a century before Linear A, and were used at the same time as Linear A (18th century BC; MM II). The hieroglyphs disappeared during the 17th century BC (MM III).
The Phaistos Disc features a unique pictorial script. Although its origin is debated, it is now widely believed to be of Cretan origin. Because it is the only find of its kind, the script on the Phaistos disc remains undeciphered.
In addition to the above, five inscriptions dated to the 7th and 6th centuries BC have been found in Eastern Crete (and possible as late as the 3rd century BC) written in an archaic Greek alphabet that encode a clearly non-Greek language, dubbed "Eteocretan" (lit. "True Cretan"). Given the small number of inscriptions, the language remains little-known. Eteocretan inscriptions are separated from Linear A by about a millennium, and it is thus unknown if Eteocretan represents a descendant of the Minoan language.
The Minoans seem to have prominently worshiped a Great Goddess, which had previously led to the belief that their society was matriarchal. However it is now known that this was not the case; the Minoan pantheon featured many deities, among which a young, spear-wielding male god is also prominent. Some scholars see in the Minoan Goddess a female divine solar figure. Although some depictions of women may be images of worshipers and priestesses officiating at religious ceremonies (as opposed to deities), goddesses seem to include a mother goddess of fertility, a goddess of animals and female protectors of cities, the household, the harvest and the underworld. They are often represented by serpents, birds, poppies or an animal on the head.
According to Nanno Marinatos, "The hierarchy and relationship of gods within the pantheon is difficult to decode from the images alone." Marinatos disagrees with earlier descriptions of Minoan religion as primitive, saying that it "was the religion of a sophisticated and urbanized palatial culture with a complex social hierarchy. It was not dominated by fertility any more than any religion of the past or present has been, and it addressed gender identity, rites of passage, and death. It is reasonable to assume that both the organization and the rituals, even the mythology, resembled the religions of Near Eastern palatial civilizations." It even seems that the later Greek pantheon would synthesize the Minoan female deity and Hittite goddess from the Near East.
Minoan horn-topped altars, which Arthur Evans called Horns of Consecration, are represented in seal impressions and have been found as far afield as Cyprus. Minoan sacred symbols include the bull (and its horns of consecration), the labrys (double-headed axe), the pillar, the serpent, the sun-disc and the tree.
Haralampos V. Harissis and Anastasios V. Harissis posit a different interpretation of these symbols, saying that they were based on apiculture rather than religion. A major festival was exemplified in bull-leaping, represented in the frescoes of Knossos and inscribed in miniature seals.
Similar to other Bronze Age archaeological finds, burial remains constitute much of the material and archaeological evidence for the period. By the end of the Second Palace Period, Minoan burial was dominated by two forms: circular tombs (tholoi) in southern Crete and house tombs in the north and the east. However, much Minoan mortuary practice does not conform to this pattern. Burial was more popular than cremation. Individual burial was the rule, except for the Chrysolakkos complex in Malia. Here, a number of buildings form a complex in the center of Mallia's burial area and may have been the focus for burial rituals or a crypt for a notable family. Evidence of possible human sacrifice by the Minoans has been found at three sites: at Anemospilia, in a MMII building near Mt. Juktas considered a temple; an EMII sanctuary complex at Fournou Korifi in south-central Crete, and in an LMIB building known as the North House in Knossos.
Minoan buildings often had flat, tiled roofs; plaster, wood or flagstone floors, and stood two to three stories high. Lower walls were typically constructed of stone and rubble, and the upper walls of mudbrick. Ceiling timbers held up the roofs.
Construction materials for villas and palaces varied, and included sandstone, gypsum and limestone. Building techniques also varied, with some palaces using ashlar masonry and others roughly-hewn, megalithic blocks.
In north-central Crete blue-greenschist was used as to pave floors of streets and courtyards between 1650 and 1600 BC. These rocks were likely quarried in Agia Pelagia on the north coast of central Crete.
Palaces (anaktora) are the best-known Minoan building types excavated on Crete. They are monumental buildings with administrative purposes, as evidenced by large archives unearthed by archaeologists. Each palace excavated to date has unique features, but they also share aspects which set them apart from other structures. Palaces are often multi-story, with interior and exterior staircases, lightwells, massive columns, storage areas and courtyards.
The first palaces were constructed at the end of the Early Minoan period in the third millennium BC at Malia. Although it was formerly believed that the foundation of the first palaces was synchronous and dated to the Middle Minoan period (around 2000 BC, the date of the first palace at Knossos), scholars now think that the palaces were built over a longer period in response to local developments. The main older palaces are Knossos, Malia and Phaistos. Elements of the Middle Minoan palaces (at Knossos, Phaistos and Malia, for example) have precedents in Early Minoan construction styles. These include an indented western court and special treatment of the western façade. One example is the House on the Hill at Vasiliki, dated to the Early Minoan II period. The palaces were centers of government, administrative offices, shrines, workshops and storage spaces.
The Middle Minoan palaces are characteristically aligned with their surrounding topography. The MM palace of Phaistos appears to align with Mount Ida and Knossos is aligned with Mount Juktas, both on a north-south axis. Scholars suggest that the alignment was related to the mountains' ritual significance; a number of peak sanctuaries (spaces for public ritual) have been excavated, including one at Petsofas. These sites have yielded clusters of clay figurines and evidence of animal sacrifice.
Late palaces are characterized by multi-story buildings with west facades of sandstone ashlar masonry; Knossos is the best-known example. Other building conventions included storage areas, north-south orientation, a pillar room and a western court. Architecture during the First Palace Period is identified by a square-within-a-square style; Second Palace Period construction has more internal divisions and corridors. The Palace of Knossos was the largest Minoan palace. The palace is about 150 meters across and it spreads over an area of some 20,000 square meters, with its original upper levels possibly having a thousand chambers. The palace is connected to the mythological story of The Bull of Minos, since it is in this palace where it was written that the labyrinth existed. Focusing on the architectural aspects of the Palace of Knossos, it was a combination of foundations that depended on the aspects of its walls for the dimensions of the rooms, staircases, porticos, and chambers. The palace was designed in such a fashion that the structure was laid out to surround the central court of the Minoans. Aesthetically speaking, the pillars along with the stone paved northern entrance gave the palace a look and feel that was unique to the Palace of Knossos. The space surrounding the court was covered with rooms and hallways, some of which were stacked on top of the lower levels of the palace being linked through multiple ramps and staircases. Others were built into a hill, as described by the site's excavator Arthur John Evans, "...The palace of Knossos is the most extensive and occupies several hills." On the east side of the court there was a grand staircase passing through the many levels of the palace, added for the royal residents. On the west side of the court, the throne room, a modest room with a ceiling some two meters high, can be found along with the frescoes that were decorating the walls of the hallways and storage rooms.
During the Minoan Era extensive waterways were built in order to protect the growing population. These system had two primary functions, first providing and distributing water, and secondly relocating sewage and stormwater. One of the defining aspects of the Minoan Era was the architectural feats of their waste management. The Minoans used technologies such as wells, cisterns, and aqueducts to manage their water supplies. Structural aspects of their buildings even played a part. Flat roofs and plentiful open courtyards were used for collecting water to be stored in cisterns. Significantly, the Minoans had water treatment devices. One such device seems to have been a porous clay pipe through which water was allowed to flow until clean.
For sustaining of the roof, some higher houses, especially the palaces, used columns made usually off cupressus sempervirens, and sometimes of stone. One of the most notable Minoan contributions to architecture is their inverted column, wider at the top than the base (unlike most Greek columns, which are wider at the bottom to give an impression of height). The columns were made of wood (not stone) and were generally painted red. Mounted on a simple stone base, they were topped with a pillow-like, round capital.
A number of compounds known as "villas" have been excavated on Crete. These structures share features of neopalatial palaces: a conspicuous western facade, storage facilities and a three-part Minoan Hall. These features may indicate a similar role or that the structures were artistic imitations, suggesting that their occupants were familiar with palatial culture. The villas were often richly decorated, as evidenced by the frescos of Haghia Triadha Villa A.
A common characteristic of the Minoan villas was having flat roofs. Their rooms didn't have windows to the streets, the light arriveing from courtyards. In the 2nd millennium BC, the villas had one or two floors, and the palaces even three.
The largest collection of Minoan art is in the museum at Heraklion, near Knossos, on the northern coast of Crete. Minoan art and other remnants of material culture, especially the sequence of ceramic styles, have been used by archaeologists to define the three phases of Minoan culture (EM, MM, LM).
Since wood and textiles have decomposed, the best-preserved (and most instructive) surviving examples of Minoan art are its pottery, palace architecture (with frescos which include landscapes), stone carvings and intricately-carved seal stones.
Frescoes were the primary art form of Minoan culture. They include many depictions of people, with sexes distinguished by color; the men's skin is reddish-brown, and the women's white. Several frescoes at Knossos and Santorini survive. In contrast to Egyptian frescoes, Crete had true frescoes. Probably the most famous fresco is the bull-leaping fresco. The main colors used in minoan frescos were black (carbonaceous shale), white (hydrate of lime), red (hematite), yellow (ochre), blue (silicate of cooper) and green (yellow and blue mixed together).
A variety of wares were produced in Crete. Early Minoan ceramics were characterized by patterns of spirals, triangles, curved lines, crosses, fish bones, and beak-spouts. During the Middle Minoan period, naturalistic designs (such as fish, squid, birds and lilies) were common. In the Late Minoan period, flowers and animals were still characteristic but more variety existed.
The palace style of the region around Knossos is characterized by geometric simplicity and monochromatic painting. Late Minoan art resembles that of Mycenae. Minoan knowledge of the sea was continued by the Mycenaeans in their frequent use of marine forms as artistic motifs. The so-called "marine style" has the entire surface of a pot covered with sea creatures, octopus, fish and dolphins, against a background of rocks, seaweed and sponges.
The Minoans created elaborate metalwork with imported gold and copper. Bead necklaces, bracelets and hair ornaments appear in the frescoes, and many labrys pins survive. The Minoans apparently mastered faience and granulation, as indicated by a gold bee pendant. Minoan metalworking included intense, precise temperature, to bond gold to itself without burning it.
Metal vessels were produced in Crete from at least as early as EM II (c. 2500 BC) in the Prepalatial period through to LM IA (c. 1450 BC) in the Postpalatial period and perhaps as late as LM IIIB/C (c. 1200 BC), although it is likely that many of the vessels from these later periods were heirlooms from earlier periods. The earliest were probably made exclusively from precious metals, but from the Protopalatial period (MM IB – MM IIA) they were also produced in arsenical bronze and, subsequently, tin bronze. The archaeological record suggests that mostly cup-type forms were created in precious metals, but the corpus of bronze vessels was diverse, including cauldrons, pans, hydrias, bowls, pitchers, basins, cups, ladles and lamps. The Minoan metal vessel tradition influenced that of the Mycenaean culture on mainland Greece, and they are often regarded as the same tradition. Many precious metal vessels found on mainland Greece exhibit Minoan characteristics, and it is thought that these were either imported from Crete or made on the mainland by Minoan metalsmiths working for Mycenaean patrons or by Mycenaean smiths who had trained under Minoan masters.
According to Arthur Evans, a "Minoan peace" (Pax Minoica) existed; there was little internal armed conflict in Minoan Crete until the Mycenaean period. However, it is difficult to draw hard-and-fast conclusions from the evidence and Evans' idealistic view has been questioned.
No evidence has been found of a Minoan army or the Minoan domination of peoples beyond Crete, and few signs of warfare appear in Minoan art: "Although a few archaeologists see war scenes in a few pieces of Minoan art, others interpret even these scenes as festivals, sacred dance, or sports events" (Studebaker, 2004, p. 27). Although armed warriors are depicted as stabbed in the throat with swords, the violence may be part of a ritual or blood sport.
On mainland Greece during the shaft-grave era at Mycenae, there is little evidence for major Mycenaean fortifications; the citadels follow the destruction of nearly all neopalatial Cretan sites. Warfare by other contemporaries of the ancient Minoans, such as the Egyptians and the Hittites, is well-documented.
Despite finding ruined watchtowers and fortification walls, Evans said that there was little evidence of ancient Minoan fortifications. According to Stylianos Alexiou (in Kretologia 8), a number of sites (especially early and middle Minoan sites such as Aghia Photia) are built on hilltops or otherwise fortified. Lucia Nixon wrote:
We may have been over-influenced by the lack of what we might think of as solid fortifications to assess the archaeological evidence properly. As in so many other instances, we may not have been looking for evidence in the right places, and therefore we may not end with a correct assessment of the Minoans and their ability to avoid war.
Chester Starr said in "Minoan Flower Lovers" that since Shang China and the Maya had unfortified centers and engaged in frontier struggles, a lack of fortifications alone does not prove that the Minoans were a peaceful civilization unparalleled in history. In 1998, when Minoan archaeologists met in a Belgian conference to discuss the possibility that the Pax Minoica was outdated, evidence of Minoan war was still scanty. According to Jan Driessen, the Minoans frequently depicted "weapons" in their art in a ritual context:
The construction of fortified sites is often assumed to reflect a threat of warfare, but such fortified centres were multifunctional; they were also often the embodiment or material expression of the central places of the territories at the same time as being monuments glorifying and merging leading power.
Stella Chryssoulaki's work on small outposts (or guardhouses) in eastern Crete indicates a possible defensive system; type A (high-quality) Minoan swords were found in the palaces of Mallia and Zarkos (see Sanders, AJA 65, 67, Hoeckmann, JRGZM 27, or Rehak and Younger, AJA 102). Keith Branigan estimated that 95 percent of Minoan "weapons" had hafting (hilts or handles) which would have prevented their use as such. However, tests of replicas indicated that the weapons could cut flesh down to the bone (and score the bone's surface) without damaging the weapons themselves. According to Paul Rehak, Minoan figure-eight shields could not have been used for fighting or hunting, since they were too cumbersome. Although Cheryl Floyd concluded that Minoan "weapons" were tools used for mundane tasks such as meat processing, Middle Minoan "rapiers nearly three feet in length" have been found.
About Minoan warfare, Branigan concluded:
The quantity of weaponry, the impressive fortifications, and the aggressive looking long-boats all suggested an era of intensified hostilities. But on closer inspection there are grounds for thinking that all three key elements are bound up as much with status statements, display, and fashion as with aggression;... Warfare such as there was in the southern Aegean early Bronze Age was either personalized and perhaps ritualized (in Crete) or small-scale, intermittent and essentially an economic activity (in the Cyclades and the Argolid/Attica).
Archaeologist Olga Krzyszkowska agreed: "The stark fact is that for the prehistoric Aegean we have no direct evidence for war and warfare per se."
Between 1935 and 1939, Greek archaeologist Spyridon Marinatos posited the Minoan eruption theory. An eruption on the island of Thera (present-day Santorini), about 100 kilometres (62 mi) from Crete, occurred during the LM IA period (1550–1500 BC). One of the largest volcanic explosions in recorded history, it ejected about 60 to 100 cubic kilometres (14 to 24 cu mi) of material and was measured at 7 on the Volcanic Explosivity Index. The eruption devastated the nearby Minoan settlement at Akrotiri on Santorini, which was entombed in a layer of pumice. Although it is believed to have severely affected the Minoan culture of Crete, the extent of its effects has been debated. Early theories proposed that volcanic ash from Thera choked off plant life on the eastern half of Crete, starving the local population; however, more-thorough field examinations have determined that no more than 5 millimetres (0.20 in) of ash fell anywhere on Crete. Based on archaeological evidence, studies indicate that a massive tsunami generated by the Thera eruption devastated the coast of Crete and destroyed many Minoan settlements. Although the LM IIIA (late Minoan) period is characterized by affluence (wealthy tombs, burials and art) and ubiquitous Knossian ceramic styles, by LM IIIB Knossos' wealth and importance as a regional center apparently declined.
Significant remains have been found above the late Minoan I-era Thera ash layer, implying that the Thera eruption did not cause the immediate collapse of Minoan civilization. The Minoans were a sea power, however, and the Thera eruption probably caused significant economic hardship. Whether this was enough to trigger a Minoan downfall is debated. Mycenaean Greece conquered the Minoans during the late Minoan II period, and Mycenaean weaponry has been found in burials on Crete soon after the eruption.
Many archaeologists believe that the eruption triggered a crisis, making the Minoans vulnerable to conquest by the Mycenaeans. According to Sinclair Hood, the Minoans were most likely conquered by an invading force. Although the civilization's collapse was aided by the Thera eruption, its ultimate end came from conquest. Archaeological evidence suggests that the island was destroyed by fire, with the palace at Knossos receiving less damage than other sites on Crete. Since natural disasters are not selective, the uneven destruction was probably caused by invaders who would have seen the usefulness of preserving a palace like Knossos for their own use. Several authors have noted evidence that Minoan civilization had exceeded its environmental carrying capacity, with archaeological recovery at Knossos indicating deforestation in the region near the civilization's later stages.
A 2013 archeogenetics study compared skeletal mtDNA from ancient Minoan skeletons that were sealed in a cave in the Lasithi Plateau between 3,700 and 4,400 years ago, to 135 samples from Greece, Anatolia, western and northern Europe, North Africa and Egypt. The researchers found that the Minoan skeletons were genetically very similar to modern-day Europeans — and especially close to modern-day Cretans, particularly those from the Lasithi Plateau. They were also genetically similar to Neolithic Europeans, but distinct from Egyptian or Libyan populations. "We now know that the founders of the first advanced European civilization were European," said study co-author George Stamatoyannopoulos, a human geneticist at the University of Washington. "They were very similar to Neolithic Europeans and very similar to present day-Cretans."
A 2017 archeogenetics study of mtDNA polymorphisms from Minoan remains published in the journal Nature concluded that the Mycenean Greeks were genetically closely related with the Minoans, and that both are closely related, but not identical, to modern Greek populations. The same study also stated that at least three-quarters of DNA of both the Minoans and the Myceneans came from the first Neolithic-era farmers that lived in Western Anatolia and the Aegean Sea, while most of the remainder came from ancient populations related to those of the Caucasus and Iran.
Greece was home to the earliest European civilizations, the Minoan civilization of Crete, which developed around 2000 BC, and the Mycenaean civilization on the Greek mainland, which emerged about 400 years later. The ancient Minoan
The Aegina Treasure or Aigina Treasure is an important Minoan gold hoard found on the island of Aegina, Greece. Since 1892, it has been part of the British Museum's collection.Akrotiri (Santorini)
Akrotiri (Greek: Ακρωτήρι, pronounced Greek: [akroˈtiri]) is a Minoan Bronze Age settlement on the volcanic Greek island of Santorini (Thera).
The settlement was destroyed in the Theran eruption sometime in the 16th century BC and buried in volcanic ash, which preserved the remains of fine frescoes and many objects and artworks. The settlement has been suggested as a possible inspiration for Plato's story of Atlantis. In any case the Atlantis speculation is only one of many. Akrotiri has been excavated since 1967.Cycladic culture
Cycladic culture (also known as Cycladic civilisation or, chronologically, as Cycladic chronology) was a Bronze Age culture (c. 3200–c. 1050 BC) found throughout the islands of the Cyclades in the Aegean Sea. In chronological terms, it is a relative dating system for artefacts which broadly complements Helladic chronology (mainland Greece) and Minoan chronology (Crete) during the same period of time.Greek art
Greek art began in the Cycladic and Minoan civilization, and gave birth to Western classical art in the subsequent Geometric, Archaic and Classical periods (with further developments during the Hellenistic Period). It absorbed influences of Eastern civilizations, of Roman art and its patrons, and the new religion of Orthodox Christianity in the Byzantine era and absorbed Italian and European ideas during the period of Romanticism (with the invigoration of the Greek Revolution), until the Modernist and Postmodernist.
Greek art is mainly five forms: architecture, sculpture, painting, pottery and jewelry making.History of Crete
The history of Crete goes back to the 7th millennium BC, preceding the ancient Minoan civilization by more than four millennia. The Minoan civilization was the first civilization in Europe and the first, in Europe, to build a palace.
After the Minoan civilization was devastated by the Thera eruption, Crete developed an Ancient Greece-influenced organization of city states, then successively became part of the Roman Empire, the Byzantine Empire, the Venetian Republic, the Ottoman Empire, autonomous state, and the modern state of Greece.Kernos
In the typology of ancient Greek pottery, the kernos (Greek κέρνος or κέρχνος, plural kernoi) is a pottery ring or stone tray to which are attached several small vessels for holding offerings. Its unusual design is described in literary sources, which also list the ritual ingredients it might contain. The kernos was used primarily in the cults of Demeter and Kore, and of Cybele and Attis.The form begins in the Neolithic in stone, in the earliest stages of the Minoan civilization, around 3,000 BC. They were produced in Minoan and Cycladic pottery, being the most elaborate shape in the latter, and right through ancient Greek pottery. The Duenos Inscription, one of the earliest known Old Latin texts, variously dated from the 7th to the 5th century BC, is inscribed round a kernos of three linked pots, of an Etruscan type.
The Greek term is sometimes applied to similar compound vessels from other cultures found in the Mediterranean, the Levant, Mesopotamia, and South Asia.Knossos
Knossos (also Cnossos, both pronounced ; Greek: Κνωσός, Knōsós [knoˈsos]), or The Labyrinth is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city.Settled as early as the Neolithic period, the name Knossos survives from ancient Greek references to the major city of Crete. The palace of Knossos eventually became the ceremonial and political centre of the Minoan civilization and culture. The palace was abandoned at some unknown time at the end of the Late Bronze Age, c. 1,380–1,100 BC. The reason why is unknown, but one of the many disasters that befell the palace is generally put forward.
In the first palace period around 2,000 BC the urban area reached a size of as many as 18,000 people. In its peak the palace and surrounding city boasted a population of 100,000 people shortly after 1700 BC.Larnax
A larnax (plural: larnakes; Ancient Greek: λάρναξ, lárnaks, plural: λάρνακες, lárnakes) is a type of small closed coffin, box or "ash-chest" often used as a container for human remains in the Minoan civilization and in Ancient Greece, either a body (bent on itself) or cremated ashes.
The first larnakes appeared in the Minoan period of the Aegean civilization, when they took the form of ceramic coffers designed to imitate wooden chests, perhaps on the pattern of Egyptian linen chests. They were richly decorated with abstract patterns, octopuses and scenes of hunting and cult rituals.During the later Hellenistic period, larnakes, in the form of small terracotta sarcophagi, became popular, some of which were painted in similar styles to contemporary Greek vases.
In a few special cases, larnakes appear to have been made out of precious materials, as in the 4th century BC example found at Vergina in northern Macedonia, of gold, with a sun motif (hence known as the "Vergina Sun" motif) on the lid.
Manolis Andronikos, the leader of the archaeological excavation, posited that the larnax most likely contained the remains of King Philip II of Macedon, father of Alexander the Great.List of Mycenaean deities
This is an incomplete list of Mycenaean Greek deities and of the way their names, epithets, or titles are spelled and attested in Mycenaean Greek, written in the Linear B syllabary, along with some reconstructions and equivalent forms in later Greek.Middle Bronze Age migrations (Ancient Near East)
Various and currently outdated theories have been proposed that postulate waves of migration during the Middle Bronze Age in the Ancient Near East. While the turmoils that separate the Late Bronze Age from the Early Iron Age are well documented (see Bronze Age collapse), theories of migration during the Middle Bronze Age (20th century BCE) have little direct support. Some suggestions connect these alleged "mass migrations" with the coming of the Greeks, moving from their former settlements into the southern and central Balkans displacing the former pre-Greek inhabitants of Greece. Others make reference to a supposed migration of the Hittites to their earliest known home in Kültepe during the same period.However, other theories and evidence provide further information of a supposed migration of the Hittites, suggesting that a Proto-Indo-Hittite language dates back to the fourth millennium BC. The migration theory is elaborated on by recent genetics research. This has revealed that the ancient Mycenaean and Minoan populations were highly similar, but not identical, and that their ancestors had migrated from Anatolia thousands of years before the Bronze Age, during the Neolithic. Nevertheless, the Mycenaean Greeks, and not the Minoans, also possessed an Ancient North Eurasian ancestry from eastern Europe and the Eurasian steppe associated with a migration of Indo-European speakers, likely proto-Greek. Thus, while this is evidence of Mycenaeans being related to the Minoans, it also provides support of a pre-Greek migration into mainland Greece which was in part ancestral to the Mycenaeans.Minoa
Minoa is the name of several Bronze-Age cities on the coasts of the Aegean islands and Corfu in Greece, as well as Sicily. The original meaning of the word remains unknown, but it seems that there is a strong connection with the mythic king of Crete, Minos, during the bronze-age Minoan civilization which flourished in Crete and in the Aegean islands in Greece between 2000-1470 BC. The inhabitants of Crete were named Minoans by Arthur Evans, after the legendary king. The root min- corresponds to a group of Aegean languages, and appears also in some toponyms like Minya, Minassos and in the name of the Minyans.
The name was given to some harbours in the north coast of Crete, and it is also an older indication in the islands Paros, Siphnos, Amorgos, Corfu and Sicily.
In Gaza the name was introduced later by the Philistines in 1200 BC. These settlements appear not only in the islands but also in harbours that were specially selected as support-points for thalassocracy. This is evident for an island outside of the Laconic coast with the present name Monemvasia, and for the small island outside of the harbour of Megara in Greece.
It seems that the Minoans travelled from Crete down to Egypt, Syria and Mari of Euphrates, to Asia Minor (Anatolia) and the Black Sea through the Aegean islands,
and to the west up to Lipari (Aeolian islands) to the north of Sicily.
Approximately in 1600 BC the routes to Italy and Asia Minor were gained by the rising Myceneans. They followed the same tradition with the establishment or use of commercial and supporting settlements in the Mediterranean coasts.Minoan language
The Minoan language is the language (or languages) of the ancient Minoan civilization of Crete written in the Cretan hieroglyphs and later in the Linear A syllabary. As the Cretan hieroglyphs are undeciphered and Linear A only partly deciphered, the Minoan language is unknown and unclassified: indeed, with the existing evidence, it seems impossible to be certain that the two scripts record the same language, or even that a single language is recorded in each. The Eteocretan language, attested in a few alphabetic inscriptions from Crete 1,000 years later, is possibly a descendant of Minoan, but it is itself unclassified.Minoan sealstone
Minoan seal-stones are carved gemstones produced in the Minoan civilization. They have been found in quantity at specific sites, for example in Knossos, Mallia and Phaistos.
Minoan seal-stones are of a small size, 'pocket-size', in the manner of a personal amulet. They might be thought of as equivalent to the pocket-sized, 1 inch (3 cm) scaraboid seals of Ancient Egypt. However Minoan seals can be larger, with largest examples of many inches.Myrtos Pyrgos
Pyrgos (also Myrtos-Pyrgos) is an archaeological site of the Minoan civilization near Myrtos in the municipality of Ierapetra on the south coast of Crete.Ourea
In Greek mythology, the Ourea (Ancient Greek: Oὔρεα "mountains," plural of Oὖρος) were progeny of Gaia, members of the Greek primordial deities, who were the first-born elemental gods and goddesses. According to Hesiod:
The ten ourea, Aitna, Athos, Helikon, Kithairon, Nysos, Olympus I, Olympus II (Mount Uludağ) Oreios, Parnes, and Tmolus, like Uranus, and Pontus, were parthenogenetic offspring of Gaia alone. The Greeks rarely personified an individual mountain; an exception might be Tmolus, both a king and a mountain in Lydia. Each mountain was said to have its own local nymph, an oread.
Peak sanctuaries, a feature of Minoan civilization on Crete, are also identified in some archaic sites in mainland Greece. They are not thought to be dedicated to the mountain itself.Perizoma (loincloth)
Perizoma (from Greek περίζωμα, from peri "around, about" and zoma "loin-cloth, drawers, band, belt") is a type of loincloth that originated with the Minoan civilization in Crete. Surviving depictions show it being worn by male and female acrobats (for example, in the Bull-Leaping Fresco).A perizoma was possibly worn by Jesus during his crucifixion. It is a standard feature of the crucifixion in the arts. However, Roman custom was to crucify victims naked, and there is no evidence to suggest that Jesus was an exception. Perizoma was likely added by later artists to preserve modesty (see fig leaf) and first appeared in the 8th century. Aachen Cathedral claims to have the actual relic of the perizoma, preserved inside the Marienschrein reliquary.Thalassocracy
A thalassocracy (from Classical Greek θάλασσα (thalassa), meaning "sea", and κρατεῖν (kratein), meaning "power", giving Koine Greek θαλασσοκρατία (thalassokratia), "sea power") is a state with primarily maritime realms, an empire at sea (such as the Phoenician network of merchant cities) or a seaborne empire. Traditional thalassocracies seldom dominate interiors, even in their home territories. Examples of this are Phoenician Tyre, Sidon, and Carthage, or Srivijaya and Majapahit in Southeast Asia. One can distinguish this traditional sense of thalassocracy from an "empire", where the state's territories, though possibly linked principally or solely by the sea lanes, generally extend into mainland interiors: the Bruneian Empire (1368–1888) in Asia. Compare to tellurocracy ("land-based hegemony").The term thalassocracy can also simply refer to naval supremacy, in either military or commercial senses of the word supremacy. The Ancient Greeks first used the word thalassocracy to describe the government of the Minoan civilization, whose power depended on its navy. Herodotus distinguishes sea-power from land-power and spoke of the need to counter the Phoenician thalassocracy by developing a Greek "empire of the sea".Warfare in Minoan Art
Minoan civilization in the Bronze Age (c. 3500-1100 B.C.E) was located on the island of Crete. Focusing on the palatial periods between c. 1900 and c. 1300 b.c. (Mid Bronze Age). Art that focuses on just scenes of war alone is impossible as there are many other references that can be made not relating to war at all. There are various meanings that can be interpreted from different perspectives and that is what Molloy wants readers to understand. There could be an overlap of religion, politics, social meanings added to an iconography of warfare. “Practitioners of violence” are called warriors, just an identity who performed their social acts depending on their society. These social acts ranges from bull-leaping, boxing, hunting, sports, combat, fighting and more. Malloy divides the art relating to warfare in Bronze Age Crete into four categories “glyptic art circulating in both social and administrative contexts; stone and ceramic portable art for repeated intimate consumption (dining/processions); coroplastic/bronze figural art for religious activity; and frescoes and relief mouldings fixed in architectural settings”.Zakros
Zakros (Greek: Ζάκρος) is a site on the eastern coast of the island of Crete, Greece, containing ruins from the Minoan civilization. The site is often known to archaeologists as Zakro or Kato Zakro. It is believed to have been one of the four main administrative centers of the Minoans, and its protected harbor and strategic location made it an important commercial hub for trade to the east. Flinders Petrie related Zakro with Tjeker of the Sea Peoples
The town was dominated by the Palace of Zakro, originally built around 1900 BC, rebuilt around 1600 BC, and destroyed around 1450 BC along with the other major centers of Minoan civilization. Extensive ruins of the palace remain, and are a popular tourist destination.
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