Midnight Oil (known informally as "The Oils") are an Australian rock band composed of Peter Garrett (vocals, harmonica), Rob Hirst (drums), Jim Moginie (guitar, keyboard), Martin Rotsey (guitar) and Bones Hillman (bass guitar). The group was formed in Sydney in 1972 by Hirst, Moginie and original bassist Andrew James as Farm: they enlisted Garrett the following year, changed their name in 1976, and hired Rotsey a year later. Peter Gifford served as bass player from 1980–1987.
Midnight Oil issued their self-titled debut album in 1978 and quickly gained a cult following in their homeland. The band became a mainstream act in Australasia with the release of 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982) – which spawned the singles "Power and the Passion" and "US Forces" – and also began to attract an audience in the United States. They achieved their first Australian number one album in 1984 with Red Sails in the Sunset, and topped their native country's singles chart for six weeks with the EP Species Deceases (1985).
The group garnered worldwide attention with 1987 album Diesel and Dust. Its singles "The Dead Heart" and "Beds Are Burning" illuminated the plight of indigenous Australians, with the latter charting at number one in multiple countries. Midnight Oil had continued global success with Blue Sky Mining (1990) and Earth and Sun and Moon (1993) – each buoyed by an international hit single in "Blue Sky Mine" and "Truganini", respectively – and remained a formidable album chart presence in Australia until their 2002 disbandment. The group held concerts sporadically during the remainder of the 2000s, and announced a full-scale reformation in 2016.
The band's music often broaches political subjects, and they have lent their support to multiple left-wing causes. They have won eleven Australian Recording Industry Association (ARIA) Awards, and were inducted into the ARIA Hall of Fame in 2006. Midnight Oil's legacy has grown since the late 1970s, with the outfit being cited as an influence, and their songs covered, by numerous popular artists. Aside from their studio output, the group are celebrated for their energetic live performances, which showcase the frenetic dancing of Garrett. Guardian writer Andrew Street described Midnight Oil as "one of Australia's most beloved bands".
Midnight Oil at Vieilles Charrues Festival, 2017
|Also known as||Farm (1972–1976)|
|Origin||Sydney, New South Wales, Australia|
While vocalist Peter Garrett was studying at Australian National University in Canberra, he answered an advertisement for a spot in Farm, and by 1975 the band was touring the east coast of Australia. By late 1976, Garrett moved to Sydney to complete his law degree, and Farm changed its name to Midnight Oil by drawing the name out of a hat.
Important to their development was manager Gary Morris, who successfully negotiated favourable contracts with tour promoters and record companies and frustrated rock journalists. Guitarist Martin Rotsey joined in 1977 and Midnight Oil, with Morris, established their own record label, Powderworks, which released their debut eponymous album in November 1978, and their first single "Run by Night" followed in December. Founding bass guitarist James, forced to leave due to illness in 1980, was replaced by Peter Gifford. Gifford was himself replaced by Bones Hillman in 1987. Through a long and distinguished career, the band became known for its driving hard-rock sound, intense live performances and political activism, particularly in aid of anti-nuclear, environmentalist and indigenous causes.
Aside from chart success, both "Power and the Passion" and "Beds Are Burning" were listed by Australasian Performing Right Association (APRA) in the Top 30 best Australian songs of all time in 2001, a chart in which Midnight Oil are the only artists to feature twice. In December 2002 Garrett announced that he would seek to further his political career and Midnight Oil disbanded. But they would reform for two warm-up shows in Canberra leading up to their performance at one of the "Sound Relief" charity concerts, in honour of the victims of the 2009 "Black Saturday" fires in Victoria and floods in Queensland.
In 1971, drummer Rob Hirst, bass guitarist Andrew James, and keyboard player/lead guitarist Jim Moginie were performing together. They adopted the name "Farm" in 1972, and played covers of Cream, Creedence Clearwater Revival and Led Zeppelin songs. They placed an advert for a band member and Peter Garrett (ex-Rock Island Line) became their new vocalist and synthesizer player, and began introducing progressive rock elements of Focus, Jethro Tull and Yes, as well as their own material. Garrett was studying at Australian National University in Canberra, so Farm was only a part-time band. They played for the northern Sydney surfing community, and by 1975 the band was touring the east coast. In late 1976, Garrett moved to Sydney to complete his Law degree. Farm then became a full-time group and changed its name to "Midnight Oil" by drawing a name out of a hat, leaving behind "Television," "Sparta," and "Southern Cross." Midnight Oil came from the Jimi Hendrix song, "Burning of the Midnight Lamp."
After changing its name to Midnight Oil, the group began to develop an aggressive, punk-hard rock sound for their pub rock audiences. Guitarist Martin Rotsey joined in 1977 and Midnight Oil, with their manager Gary Morris, established their own record label Powderworks. In June 1978 they entered the Alberts Studio in Sydney with producer Keith Walker, from local radio station 2JJ, to record their debut eponymous album, Midnight Oil, which was released by Powderworks in November 1978 and peaked at No. 43 on the Australian albums charts. Midnight Oil's first single "Run by Night" followed in December, but had very little chart success, peaking at No. 100 on the singles charts. The band built a dedicated fan base, initially restricted to Sydney, which was extended to other Australian cities through constant touring – performing some 200 gigs in their first year. They became known for their furious live performances, which featured the two guitarists Moginie and Rotsey, the drumming and vocals of Hirst and the presence of the towering, bald Garrett as lead singer.
The Midnight Oil LP disappointed some critics as it did not capture their powerful live performances, with undemanding playing and Garrett's vocals sounding stilted. Their second album Head Injuries, released on Powderworks in October 1979, was produced by former Supercharge member Leszek Karski. It mixed solid guitar rock with progressive flourishes and was an improvement by highlighting the group's strengths and growth. It peaked at No. 36 and by mid-1980 had achieved gold status. In April 1980 founding bass guitarist Andrew James left because of ill-health and was replaced by Peter Gifford (ex-Huntress, Ross Ryan Band). Further interest in Midnight Oil was generated by the popular Bird Noises EP, also produced by Karski, which peaked at No. 28 on the Australian singles charts. One of its four tracks was the surf-instrumental "Wedding Cake Island" named after the rock outcrop in the ocean off Sydney's Coogee Beach. The band's third LP Place without a Postcard, released by CBS Records in November 1981, was recorded in Sussex with English producer Glyn Johns (The Rolling Stones, The Who). Creative tensions between the band and Johns plagued the recording and the group were not totally happy with the outcome. Johns had an arrangement with A&M Records and they asked Midnight Oil to return to the studio to record material suitable for an American single release – they refused and returned to Australia. Place without a Postcard peaked at No. 12 on the albums charts and related singles "Don't Wanna be the One" and "Armistice Day" reached the Top 40 in Australia.
Driven largely by commercial pressures to stay with reliable chart-toppers and teenage pop sensations, the Australian music industry in the mid-1970s cast a dismissive eye toward most bands with an alternative outlook. Although consistently championed by Sydney alternative rock station Double Jay and its FM band successor Triple J, Midnight Oil was almost totally ignored by Australia's mainstream commercial radio stations in their early career. Manager Morris developed a reputation as one of the toughest managers and became notorious for banning critics or journalists, who were usually given free admission to concerts, for writing unfavourable reviews. Writer and critic Bruce Elder, in a mid-1980s newspaper review described their music as "narrow and xenophobic", and declared Midnight Oil were:
— Bruce Elder quoted in Crème de la Phlegm: Unforgettable Australian Reviews (2006), ed.:Angela Bennie. ISBN 0-522-85241-6
In retaliation, Morris banned Elder from Oils shows permanently. Elder later recanted, describing them as the only Australian band to have developed a truly Australian sound.
The frostiness of Midnight Oil's relationship with the traditional music media quickly saw the band develop a strong "street cred" and a reputation for making no compromises with the music industry. In the early 1980s the band was scheduled to appear on an episode of the all-powerful Australian Broadcasting Corporation (ABC) TV pop show Countdown, but on the day of the show they were "bumped" from the line-up. Countdown required artists to mime their songs during 'live' performances, Midnight Oil and Morris insisted they perform completely live and have their sound engineer supervising – neither side backed down. According to Countdown producer Michael Shrimpton, the band had arrived late for rehearsal, and due to the show's very tight schedule and budget there was a strict policy that latecomers were not allowed to appear, and as such they were told they could not perform that day. In response, the group declared that they would never appear on the show, a promise they faithfully kept. Countdown presenter Molly Meldrum shaved his head bald, imitating Garrett, for its final show on 19 July 1987 and expressed regret that Midnight Oil had never appeared on the show.
Fans of the group were drawn to the band's "us and them" mindset, and fan loyalty to the Oils' ideas and music was fierce. Two venues at which they built significant fan bases from their early live performances were the Sydney northern beaches pub The Royal Antler at Narrabeen and the Bondi Lifesaver club near Sydney's Bondi Beach. Politically oriented rock of the style produced by the band was something of a new concept for the Australian music scene, and Peter Garrett quickly earned a reputation as one of the most charismatic and outspoken musicians in the country. He recalled that there were dangers in playing the pub scene:
You get booked into a pub or hotel, say in the western suburbs of Sydney. Halfway through your set, two large, drunk truck drivers decide to have a fight. They're beating each other up and careening towards the corner where the band is set up. Meanwhile, everyone else is going, 'Aaah, turn it down, I'm trying to watch TV.' Try to contemplate that as an environment to play music in every night for three years.— Peter Garrett quoted in The Big Australian Rock Book (1985) published by Rolling Stone Magazine, ed.:Ed St John, ISBN 0-9590615-0-9
Their Australian breakthrough and first international recognition came in 1982, with the release of 10, 9, 8, 7, 6, 5, 4, 3, 2, 1, which included the singles "Power and the Passion" and "Read about It". The album peaked at No. 3 and "Power and the Passion" peaked at No. 8. The album also includes their denunciation of American military interference in foreign affairs in "US Forces" and their critique of imperialist repression in "Short Memory". 10 to 1 was recorded in London during September and produced by Englishman Nick Launay, who had previously worked with acts including The Jam, XTC, Peter Gabriel, PiL, Gang of Four and The Birthday Party. Launay worked on several other major Australian recordings in this period including INXS' The Swing, Models' The Pleasure of Your Company and The Church's Seance.
The album remained in the Australian charts for 171 weeks. It retained their live energy but was more adventurous and radical than previous work. Their ascendancy was signalled by a series of concerts on the release of the album at Sydney's Capitol Theatre, one of which was filmed and recorded and later released on their 2004 Best of Both Worlds DVD. The band also played their first shows outside Australia during this time, with the album being released in US on Columbia Records, where it charted in 1984 on the Billboard 200; in the UK it was released on CBS.
Midnight Oil undertook more politically motivated benefit concerts, including organising the Stop the Drop Nuclear Disarmament concert in 1983 which received a United Nations Media Peace Prize. 10 to 1 was followed by Red Sails in the Sunset in October 1984, which was recorded in Japan, produced by Launay again. It peaked at No. 1 for four weeks on the Australian charts, and charted on the Billboard 200. Singles from the album were released in US and UK but had no chart success. Whilst the album showed an overreliance on technical wizardry, their lyrical stance was positive. The band continued to expand their sound and explore themes of politics, consumerism, militarism, the threat of nuclear war and environmental issues. The album cover by Japanese artist Tsunehisa Kimura featured a photomontage of Sydney – both city and harbour – cratered and devastated after a hypothetical nuclear attack. Live concert footage of "Short Memory" was used in the Australian independent anti-nuclear war movie One Night Stand. A promotional video for "Best of Both Worlds", later on Best of Both Worlds, received airplay worldwide on cable music TV station MTV.
Garrett ran as a Nuclear Disarmament Party (NDP) candidate for a NSW seat in the Australian Senate during the December 1984 federal election, Garrett obtained 9.6% of votes but was unable to obtain the required quota of 12.5%. In April 1985, Garrett, with some 30 other members, walked out of the national conference and resigned from the NDP claiming it had been infiltrated by a Trotskyist group. Although unsuccessful in that federal election, Garrett was now a recognised public figure.
In January 1985, Midnight Oil performed Oils on the Water, a concert on Goat Island in Sydney Harbour to celebrate Triple J's tenth birthday, before a select audience of fans who had won tickets in a radio competition. The concert was filmed, simulcast on ABC-TV and Triple J, and released on video, which was remastered for their 2004 Best of Both Worlds DVD.
In December 1985 the four-track EP Species Deceases produced with Francois Kevorkian was released by CBS/Columbia; it peaked at No. 1 on the Australian singles charts for six weeks. Species Deceases, featuring the track "Hercules", featured a return to their pub rock sound with hard hitting firepower. Midnight Oil spent several months in 1986 on the Blackfella/Whitefella tour of outback Australia with indigenous groups Warumpi Band and Gondwanaland, playing to remote Aboriginal communities and seeing first hand the seriousness of the issues in health and living standards. The tour was criticised by some journalists for being a one-off event instead of a long-term attempt to build bridges between communities. The band was galvanised by the experiences and made them the basis of Diesel and Dust, released in 1987 and produced by Warne Livesey. The album focused on the need for recognition by white Australia of past injustices involving the Aboriginal nation and the need for reconciliation. Peter Gifford left the band before the album's release due to extensive touring schedules, and was replaced by Bones Hillman, formerly of The Swingers.
Diesel and Dust peaked at No. 1 on the Australian albums charts for six weeks, No. 21 on the Billboard 200 charts in 1988, and No. 19 on the UK albums charts. "Beds Are Burning" was their biggest international hit single, peaking at No. 6 in Australia, and No. 17 on the Billboard Hot 100, No. 6 on the UK singles charts. "The Dead Heart" peaked at No. 6 in Australia, and charted on the Hot 100 and in the UK. "Put Down that Weapon" also charted in Australia, while "Dreamworld" charted on Billboard's Mainstream Rock Tracks and at No. 16 on its Modern Rock Tracks.
At the Australian Recording Industry Association (ARIA) 1988 Awards ceremony, Midnight Oil won "Best Cover Art " for Diesel and Dust and both "Best Single" and "Best Song" for "Beds Are Burning". A fracas developed between Morris, accepting awards for Midnight Oil, and former Countdown compere Ian Meldrum who was presenting: Meldrum objected to Morris making political commentary from the podium.
There were concerns about Diesel and Dust and Midnight Oil's attempts to express indigenous issues to white urban audiences – namely, the question "who holds the power to tell whose history?" The lyrics of "The Dead Heart" tell the story of colonisation from an indigenous point of view but some critics felt they reinforced the "primitive" stereotype. Use of the bullroarer was criticised as belonging to sacred rituals, and therefore not appropriate for rock songs. "The Dead Heart" had been written in response to a request by organisers of the 1985 ceremony to return control of Uluru to its indigenous caretakers; Midnight Oil had originally resisted, arguing it would be more appropriate for an indigenous band to release the single. However, the organisers insisted, arguing that the band would reach a wider audience within the predominantly Caucasian urban centres. Midnight Oil requested that all royalties from the song go to indigenous communities. In addition, two indigenous groups, Warumpi Band and Gondwanaland, toured with them.
Following the 1988 American tour in support of Diesel and Dust with Australian band Yothu Yindi, Midnight Oil launched the Burning Bridges album with various artists contributing, including Paul Kelly, Scrap Metal, Coloured Stone, Hunters & Collectors, James Reyne, The Saints, Crowded House, INXS and Yothu Yindi. All sales proceeds were donated to the National Coalition of Aboriginal Organisations.
During 1989–1993 and 1998–2002 Garrett was the President of the Australian Conservation Foundation, whilst during 1993–1998 he was on the International Board of Greenpeace. In 1990 Midnight Oil played an impromptu lunchtime set in front of Exxon headquarters in New York with a banner reading, "Midnight Oil Makes You Dance, Exxon Oil Makes Us Sick," protesting the Exxon Valdez oil spill the previous year.
In February 1990, Blue Sky Mining, produced by Livesey, was released by CBS/Columbia. It peaked at No. 1 on the Australian Recording Industry Association (ARIA) albums charts. It stayed at No. 1 for two weeks in Australia and had Top 5 chart success in Sweden, Switzerland and Norway. It peaked at No. 20 on the Billboard 200 and No. 28 on the UK charts. The album was more defiant and outspoken; the single "Blue Sky Mine" describes asbestos exposure in the Wittenoom mine tragedy. The single peaked at No. 8 on the ARIA singles charts, top 15 in Norway and Switzerland, No. 47 on Billboard Hot 100 and No. 1 on both their Mainstream and Modern Rock Tracks charts, and appeared on the UK charts. The second single, "Forgotten Years," was more moderately successful, reaching No. 26 on the ARIA singles chart, No. 97 in the UK, No. 11 on the Mainstream Rock Tracks, and No. 1 on the Modern Rock Tracks.
In Sydney in 1990, while Midnight Oil were taking a break, Hirst joined up with guitarist Andrew Dickson, drummer Dorland Bray of Do-Ré-Mi, guitarist Leszek Karski (Midnight Oil producer) and bass guitarist Rick Grossman of Hoodoo Gurus to form a side project called Ghostwriters. The name refers to the practice of ghostwriting, wherein famous writers contribute under assumed names in order to remain anonymous. Ghostwriters' line-ups – both live and in the studio – changed considerably through the years, with only founders Hirst and Grossman being mainstays. Between successive album releases Hirst and Grossman returned to active involvement with Oils and Gurus respectively. Ghostwriters have released Ghostwriters (1991), Second Skin (1996), Fibromoon (1999) and Political Animal (2007).
At the 1991 ARIA Awards ceremony, Midnight Oil won 'Best Group' and an 'Outstanding Achievement Award' and 'Best Cover Artist', 'Best Video' and 'Album of the Year' for Blue Sky Mining. Morris, accepting awards for Midnight Oil, was criticised for a speech lasting 20 minutes.
Scream in Blue (Live), their June 1992 live album produced by Keith Walker, contained material from concerts between 1982–1990, including "Progress" from their Exxon Valdez protest gig. It peaked at No. 3 on the ARIA albums charts; Top 50 in Austria, Sweden and Switzerland; and appeared on the Billboard 200.
Midnight Oil's Earth and Sun and Moon album, produced with Nick Launay, was released in April 1993 and also drew critical acclaim and international success, peaking at No. 2 on the ARIA albums charts, top 20 in Sweden and Switzerland, Top 50 on Billboard 200, and top thirty in the UK albums chart. The single "Truganini" referenced multiple issues, including the 'last' Tasmanian Aboriginal, the treatment of indigenous artist Albert Namatjira, the Australian flag debate, and republicanism. Liner notes for the single claimed "Truganini was the sole surviving Tasmanian Aborigine, the last of her race, when she died in 1876." The Tasmanian Aboriginal Centre, representing over 7000 contemporary Tasmanians, called for the single to be boycotted as it perpetuated a 'white' myth about the extinction of Tasmanian Aborigines. Their Native Title claims hinged upon establishing links with ancestral lands. Morris responded with, "My suggestion to these people is to stop shooting themselves in the foot and let a band like Midnight Oil voice its appeal to White Australia on behalf of Black Australia". Critics contended that Morris disparaged Indigenous Australians' ability to represent themselves and overestimated Midnight Oil's ambassadorial powers while diminishing their errors, while some indigenous activists saw benefit in Midnight Oil's highlighting of the issues. Nevertheless, "Truganini" released in March peaked at No. 10 on the ARIA singles charts, No. 10 on Billboard Mainstream Rock Tracks and No. 4 on their Modern Rock Tracks charts, and top thirty for the UK charts. Peter Garrett issued an apology for the mistake in the liner notes.
In 1993, the band also participated in the Another Roadside Attraction tour in Canada, and collaborated with The Tragically Hip, Crash Vegas, Hothouse Flowers and Daniel Lanois on the one-off single "Land" to protest forest clearing in British Columbia.
Breathe was released in 1996. It was produced by Malcolm Burn and had a loose, raw style with almost a low-key sound. It peaked at No. 3 on the ARIA albums chart, and had Top 40 success in New Zealand and Switzerland. They returned to No. 1 on the ARIA albums charts with the compilation 20,000 Watt R.S.L. in 1997 on Sony Records, which achieved 4×Platinum sales. Later albums, Redneck Wonderland in 1998, The Real Thing in 2000 and Capricornia in 2002 again renuniting with producer Warne Livesey, all charted into the ARIA Top Ten.
Midnight Oil again brought the politics of Reconciliation to the fore during their performance at the closing ceremony of the Sydney 2000 Summer Olympics. Then Prime Minister John Howard had triggered controversy that year with his refusal to embrace symbolic reconciliation and apologise to Indigenous Australians and members of the Stolen Generations. But he had also claimed their reconciliation-themed single "Beds Are Burning" was his favourite Midnight Oil song. Midnight Oil performed the song at the ceremony with the word SORRY conspicuously printed on their clothes as a form of apology to indigenous people for their suffering under white settlement, and to highlight the issue to Howard, who was in the audience at the Olympic stadium as an estimated one billion people watched on television. Midnight Oil had consulted with tour mates Yothu Yindi and other indigenous activists, so that their performance would bring popular protest to the world arena. In 2001, when Australasian Performing Right Association (APRA) surveyed 100 music industry people for their Top 10 Best Australian songs of all time, "Beds Are Burning" was voted No. 3 behind The Easybeats' "Friday on My Mind" and Daddy Cool's "Eagle Rock". At the 2001 APRA Awards ceremony "Beds are Burning" was shown on video and introduced by Australian Democrats Senator Aden Ridgeway as an indigenous spokesperson on Reconciliation. "Power and the Passion" was also listed in APRA's Top 30 best Australian songs.
Garrett announced his decision to quit Midnight Oil on 2 December 2002, to refocus on his political career. In the 1984 federal election, Garrett had stood for the Australian Senate under the Nuclear Disarmament Party banner, and narrowly lost. He won the seat of Kingsford Smith at the 2004 General Election for the Australian Labor Party and was selected as Shadow Minister for Climate Change, Environment, Heritage and the Arts. On Thursday, 29 November 2007, Prime Minister elect Kevin Rudd named Garrett as Minister for the Environment, Heritage and the Arts. The other members of the band continued to work together but not under the Midnight Oil name, bringing the band's career to a close.
After a warm up gig the previous evening at the Manly-Warringah Leagues Club the band, including Garrett, reunited to perform at the WaveAid concert on 29 January 2005, to raise funds for the victims of the 26 December 2004 Indian Ocean tsunami. The concert, which took place at the Sydney Cricket Ground, also included performances by Powderfinger, Silverchair, Nick Cave, John Butler Trio, Finn Brothers and others.
On 29 October 2006 Midnight Oil was inducted into the ARIA Hall of Fame with ARIA chairman Denis Handlin describing them:
For 30 years, on their journey from inside Sydney's Royal Antler Hotel to outside the Exxon Building in New York, the Oils have always led from the front. They spoke to us – and to the world – in a uniquely Australian way. [...] Their music speaks first – it's powerful, it's uncompromising, it's unique rock music that inspires, entertains and will last forever. [...] My favourite Oils lyric, which summarises it all is: 'It's better to die on your feet than live on your knees.'— Denis Handlin, 2006
Rob Hirst in his acceptance speech thanked his family, bandmates, and support from fellow Australians. He also lamented the fact that unlike the Vietnam war which had inspired some of the best protest songs ever written, very few had been written in reaction to the invasion of Iraq. Flat Chat, another compilation album, was released in November and peaked at No. 21 on the ARIA album charts.
Rumours of an appearance by Midnight Oil at the Sydney leg of the Live Earth concert in July 2007 were false. However Ghostwriters, founded by drummer Hirst and Hoodoo Gurus bass guitarist Rick Grossman and including former Oils guitarist Martin Rotsey, performed six tracks including the Oils' song "When the Generals Talk", whilst Peter Garrett gave a speech introducing a reformed Crowded House.
Aside from Ghostwriters, Hirst has also been a member of Backsliders, performed with former Olympian Paul Greene, with fellow Backsliders member Dom Turner on The Angry Tradesmen and with Rotsey assisted on Jim Moginie's solo album Alas Folkloric in 2006.
On the evenings of 12 & 13 March 2009 a reformed Midnight Oil, with Garrett, played at the Royal Theatre in Canberra. The following day, 14 March they headlined the Sound Relief concert in Melbourne. This event was held at the Melbourne Cricket Ground (MCG) to raise money for victims of Victoria's February bushfire disaster. The event was held simultaneously with a concert at the Sydney Cricket Ground. All proceeds from the Melbourne Concert went to the Red Cross Victorian Bushfire relief. Appearing with Midnight Oil in Melbourne were Augie March, Bliss N Eso with Paris Wells, Gabriella Cilmi, Hunters & Collectors, Jack Johnson, Kasey Chambers & Shane Nicholson with Troy Cassar-Daley, Kings of Leon, Liam Finn, Crowded House, Jet, Paul Kelly, Split Enz and Wolfmother.
On 4 May 2016 it was announced on the band's website that Midnight Oil intended to reform and embark on a tour in 2017 (their first concerts in Australia since 2002, and their first world tour since 1997). Such plans were confirmed in February 2017, when the band announced The Great Circle Tour, which kicked off in April. After three warm up concerts in their native Australia, the band toured Brazil, the U.S., Canada, Europe, South Africa, Singapore and New Zealand before going back to play a series of concerts around the whole of Australia. The band performed 77 concerts in 16 countries during the tour. One of the tour's final concerts was held on Armistice Day at The Domain, in Sydney.
The Armistice Day concert was recorded and was scheduled for release on 9 November 2018 as an album, DVD and BluRay.
Midnight Oil had sold 12 million albums upon separating in 2002. They were inducted into the ARIA Hall of Fame in 2006, having won 11 ARIA Awards during their career. AllMusic noted that the band "brought a new sense of political and social immediacy to pop music", and were "inspirational and successful in their homeland", while critic Bernard Zuel wrote: "It's been said of Midnight Oil that 'this is what Australia sounds like'." Author Tim Winton remarked: "It was almost too much to believe that rock music could be about anything but itself. You know: life on the road and the inconvenience of VD. Dicks and chicks. Faux Americana. Finally someone was playing stuff that was musically idiosyncratic, fresh and strong. And authentic." Spin founder Bob Guccione Jr. said of Midnight Oil: "If they were from New Jersey they'd be bigger than U2."
The group have influenced international acts such as Green Day, R.E.M., Pearl Jam, Garbage, The Cranberries, Biffy Clyro, Candlebox, Maná, Hot Water Music and Shades Apart, as well as Australian performers like Crowded House, Powderfinger, The Living End, John Butler, DMA's and Tim Freedman. R.E.M. frontman Michael Stipe described Peter Garrett as a "brilliant" songwriter who is "able to imagine a situation, put [himself] into it and write about it", adding: "That, to me, is incredible". Crowded House singer Neil Finn went on to have multiple collaborations with Jim Moginie, whom he called "a great guy and an amazing guitar player". Biffy Clyro vocalist Simon Neil said of Midnight Oil: "Every night for about three weeks, driving home from the studio I would just put 'Beds Are Burning' on, just on loop... They're a really underrated band." The Living End founder Chris Cheney said that his ensemble listened to "a lot of [Midnight Oil's] 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 and Red Sails in the Sunset, and were blown away by their fearlessness in not being shackled to a style". The group have also inspired artists outside the realm of popular music, including poet Daniel Nester and painter Nicholas Harding.
Midnight Oil's songs have been covered by performers such as Pearl Jam (and frontman Eddie Vedder solo), U2, Patti Smith, The Killers, Imagine Dragons, Silverchair, Tom Morello (as The Nightwatchman), Billy Bragg and Anti-Flag. U2 singer Bono recorded a speech for Midnight Oil's ARIA Hall of Fame induction, sections of which aired intermittently. He recited the chorus lyrics of their song "Forgotten Years", and hailed the outfit as an "extraordinary" band whose music "brought people's differences together; not to resolve them, just to get them in the same room, up each other's noses". Killers vocalist Brandon Flowers said: "I wish I'd written 'Forgotten Years'... That song touches my heart." Midnight Oil's music is the subject of 2001 tribute album The Power & The Passion, which features covers by several mainstream rock acts from Australia and New Zealand, including Something for Kate, Regurgitator, Grinspoon, Jebediah, Augie March and Shihad. In 2009, a version of "Beds Are Burning" was recorded by numerous musicians – among them Duran Duran, Lily Allen, Bob Geldof, Fergie, Mark Ronson and Scorpions – in protest of global warming and climate change.
Music journalist Kurt Loder once noted that Midnight Oil were "reputed to be Australia's most formidable live act"; Tomas Mureika in AllMusic argued they were "the tightest band on the planet for a time". Writer John O'Donnell said that the group's performances "quickly became the stuff of legend and earned the band a large and fiercely loyal following". Cold Chisel singer Jimmy Barnes called them "one of the greatest bands ever and one of my favourite live bands in the world". The Smashing Pumpkins frontman Billy Corgan referred to the 2016 announcement of Midnight Oil's impending reformation as "awesome news", noting that they are "one of the greatest live bands I've ever seen". Corgan had previously likened his dancing to that of Peter Garrett. Garrett's onstage routine – described by critic Richard McGregor as "mesmerising" – incorporates a wild and eccentric dance style; Guardian journalist Andrew Stafford wrote that Garrett has a "unique dance step that captivated audiences for over 20 years" prior to the group's 2002 disbandment. His dancing was imitated in Parliament by Australian politicians Peter Costello and John Elferink.
Our early stuff was definitely informed by groups like... Midnight Oil.
[Shirley] Manson spoke effusively about The Oils' influence on her band's work.
Midnight Oil invited the Fingers to join them on the bill of the Woodford Folk Festival. It was a show that had a profound effect on the band... they watched Midnight Oil perform. The whole experience reinforced the concept of blending social consciousness with musicianship of the highest calibre.
John Butler cited The Oils... as the inspiration for him to make music which would 'contribute to a better world and for it to shine light into the shadows'... he said The Oils 'will always be a group that musicians and individuals to look up to'.(subscription required)
Midnight Oil... had a huge commercial hit with 1987's 'Beds Are Burning'. Pearl Jam covered the song twice over the course of four days during a trip to Australia during the Fall 2006 Tour.
The 19 November Melbourne audience was treated to a short cover of The Oils' 'Beds Are Burning'.
Elferink embraced the oddball in a light-hearted sort of way. He quoted Taylor Swift during estimates hearings, imitated Peter Garrett's dancing on the floor of Parliament.
10, 9, 8, 7, 6, 5, 4, 3, 2, 1 is the fourth studio album by Midnight Oil that was released on vinyl in 1982 under the Columbia Records label. It peaked at No. 3 on the Australian Kent Music Report Albums Chart and remained on the chart for 171 weeks.In October 2010, the album was listed in the top 30 in the book, 100 Best Australian Albums with 1987's Diesel and Dust at No. 1. In July 2011, the album was listed in Triple J Hottest 100 Australian Albums of All Time, 2011 at number 21.ARIA Music Awards of 1991
The Fifth Australian Recording Industry Association Music Awards (generally known as the ARIA Music Awards or simply The ARIAS) was held on 25 March 1991 at the Darling Harbour Convention Centre in Sydney. International host Bob Geldof was assisted by presenters to distribute 24 awards. There were live performances but the awards were not televised and the ceremony was noted for its three-hours plus length with Gary Morris, manager of Midnight Oil providing a 20-minute acceptance speech.In addition to previous categories, "Lifetime Achievement Award" was created and first awarded posthumously to record producer and Albert Productions label owner, Ted Albert (who died in November 1990); an "Outstanding Achievement Award" was presented to Midnight Oil. The ARIA Hall of Fame inducted four artists: Don Burrows, Peter Dawson, Glenn Shorrock and Billy Thorpe.Beds Are Burning
"Beds Are Burning" is a 1987 song by the Australian rock band Midnight Oil, the first track from their album Diesel and Dust. This song was the released as the second from the album.
It reached No. 1 in New Zealand, South Africa and Canada, No. 3 in the Netherlands, No. 5 in France, No. 6 in the United Kingdom and Australia, No. 11 in Ireland and No. 17 in the United States and Sweden.
It is one of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll.
It was named number 95 on VH1's 100 Greatest One Hit Wonders of the 80s and number 97 by the Triple J Hottest 100 of All Time in 2009.
In May 2001, Australasian Performing Right Association (APRA) celebrated its 75th anniversary by naming the Best Australian Songs of all time, as decided by a 100 strong industry panel. "Beds Are Burning" was declared third behind the Easybeats' "Friday on My Mind" and Daddy Cool's "Eagle Rock".Best of Both Worlds (Midnight Oil album)
Best of Both Worlds is a DVD-Video release of two significant concerts performed by Australian rock band Midnight Oil. The featured concerts are Oils on the Water (from 1985) and Saturday Night at the Capitol (1982). Best of Both Worlds was released in 2004 by Triple J as part of their Live at the Wireless programme.Blue Sky Mining
Blue Sky Mining is the seventh studio album by Australian alternative rock band Midnight Oil, released on 9 February 1990 under the Columbia Records label. It received high ratings from critics. In March the album peaked at number one on the ARIA Albums Chart for two weeks. A limited release of the record featured clear blue vinyl.Breathe (Midnight Oil album)
Breathe is the ninth studio album by Australian rock band, Midnight Oil, which was released on 15 October 1996 under the Columbia Records label. It peaked at No. 3 on the ARIA Albums Chart and appeared in the top 40 on the New Zealand and Swiss Albums Charts. The album was produced by Malcolm Burn and according to Australian musicologist, Ian McFarlane, it had a loose, raw style with almost a low-key sound.Diesel and Dust
Diesel and Dust is the sixth studio album by Australian rock band Midnight Oil, released in August 1987 by SPRINT Music label under Columbia Records. Diesel and Dust was produced by Warne Livesey and the band. It is a concept album about the struggles of Indigenous Australians and environmental causes, issues important to the band. It drew inspiration from the Blackfella/Whitefella Tour of remote Indigenous communities with the Warumpi Band and Gondwanaland in 1986. The album peaked at No. 1 on the Australian Kent Music Report Albums Chart for six weeks.
Diesel and Dust has been critically lauded since its release. Rolling Stone editors named it the best album of 1988 (the year of its United States release), and later ranked it the 13th greatest record of the 1980s. In October 2010, Diesel and Dust was listed at no.1 in the book, 100 Best Australian Albums.Dreamworld (Midnight Oil song)
"Dreamworld" is a song by Australian rock band Midnight Oil released in 1998 as the fourth and final single from their sixth studio album, Diesel and Dust. In the United States, the song reached No. 16 on the Modern Rock chart and No. 37 on the Mainstream Rock chart.The song laments the loss of much of Queensland's built heritage — including the Cloudland Dance Hall, where Midnight Oil had frequently performed — which was demolished under the then-ruling Joh Bjelke-Petersen state government. The Dreamworld theme park, which inspired the song's name, is briefly shown in the music video.Earth and Sun and Moon
Earth and Sun and Moon is the eighth studio album by Australian rock group, Midnight Oil, that was released in April 1993 under the Columbia Records label. It peaked at No.2 on the ARIA Albums Chart.Jim Moginie
James Moginie (born 18 May 1956) is an Australian musician. He is best known for his work with Midnight Oil, of which he was a founding member, guitarist, keyboardist and leading songwriter.
In addition to Midnight Oil, Moginie has worked and performed with many notable musicians from Australia and New Zealand, including Silverchair, Sarah Blasko, End of Fashion, Neil Murray, Kasey Chambers and Neil Finn. Moginie has also played live with his band The Family Dog comprising different members at times, including Trent Williamson, Kent Steedman, Paul Loughhead and Tim Kevin.
He has also released three solo works.
The four-track EP Fuzz Face was recorded in Moginie's small home studio with Midnight Oils' producer Nick Launay and released in 1996, with fellow Midnight Oils bassist Bones Hillman contributing under the pseudonym "The Family Dog" – a term that Moginie would later use for his live band.
Alas Folkloric (2006) is Moginie's first full-length solo album and first release after Midnight Oil disbanded. The album features contributions from Martin Rotsey and Rob Hirst, as well as Paul Dempsey in Something for Kate on the track "Halfway Home", and was released through the Virgin Music label.
No Vans Mary by Shameless Seamus (Moginie's folk pseudonym) was released in 2010.
His interest in the traditional music of Ireland has deepened and his 7 piece band Shameless Seamus and The Tullamore Dews released the live in the studio Ballroom Of Romance CD in 2012. Both are available through the Reverberama label. Moginie also sings and plays bouzouki and guitar with a smaller group, The Tinkers, with core members Alan Healy (tenor banjo, bouzouki, vocals) and Evelyn Finnerty (fiddle, vocals).
Moginie is still active in record production, co-producing Melbourne band The Fauves LP When Good Times Go Good released September 2008 and working with Bill Chambers, Lyn Bowtell, Blind Valley, Leah Flanagan, Backsliders, The New Christs, Jordan Leser, Catherine Britt, Kate Plummer, Love Parade and numerous others.
He has toured and recorded with Rob Hirst, Martin Rotsey and Brian Ritchie in The Break, whose surf rock album Church Of The Open Sky was produced by Moginie and released on 16 April 2010 on the Bombora label, distributed by MGM. The band's second release Space Farm, a more adventurous and psychedelic work including Jack Howard on trumpet, was also produced by Moginie and was released worldwide on 15 March 2013 through the Sony Music label.
With Brian Ritchie Moginie in 2013 and 2014 has been performing live with the ACO Underground (Australian Chamber Orchestra) performing in Sydney, Banff and New York City.
On November 8, 2017 during a performance as part of Midnight Oil's Great Circle Tour at The Sidney Myer Music Bowl in Melbourne, Moginie tore a hamstring during the last song of the main set. He finished the song but did not return for the encore.In 2018 APRA AMCOS announced that Midnight Oil were to be the recipients of the 2018 Ted Albert Award for Outstanding Services to Australian Music at the 2018 APRA Music Awards.
In 2018 Moginie co produced with Kent Steedman 'Bark Overtures' (released by Sony and Orchard) with his band The Family DOG, comprising Steedman, Paul Loughhead from Celibate Rifles and Tim Kevin (Houlihan, Knievel, La Huva, Youth Group). The album is an edited live off the floor recording produced at Oceanic Studio and recorded to analog recording tape. He is touring nationally throughout the summer months 2018-2019 in Australia with the band in 'The Summer Of The DOG tour'.Midnight Oil (Jerome Richardson album)
Midnight Oil is an album by saxophonist Jerome Richardson recorded in 1958 and released on the New Jazz label.Midnight Oil (album)
Midnight Oil is the debut album by Australian hard rock band Midnight Oil which was recorded in 1977 and released in November 1978 on the band's independent Powderworks label. It reached the top 50 on the Australian Kent Music Report Albums Chart. The album was later distributed by CBS Records and issued as a CD. The LP has a blue cover, however, the CD has a black cover. Because of the blue cover, the former version is often referred to, by fans, as the "blue album" or "the Blue Meanie". The lead single, "Run by Night", became the band's first minor hit in Australia and appeared on the Kent Music Report Singles Chart Top 100. It also had a video clip.Midnight Oil discography
The discography of Australian rock group Midnight Oil consists of eleven studio albums, forty singles, three EPs, four video albums, four live albums, and three compilation albums. As of 2002, the band had sold 12 million albums worldwide.Midnight Oil began under the name Farm in 1972, establishing their own record label 'Powderworks' in 1977. They released their debut self-titled album Midnight Oil in 1978 along with their first single "Run by Night". Their first three albums charted in the top 50 of the Australian Kent Music Report; in Australia, Head Injuries was certified gold and Place without a Postcard was certified platinum.
Their fourth album was their first to reach the top 10; 10, 9, 8, 7, 6, 5, 4, 3, 2, 1 (1982) peaked at number three in Australia pushing them to the level of mainstream recognition locally. It also brought their first appearance on the United States charts, peaking at number 178 on the Billboard 200. The album's first single, "Power and the Passion", was their first top ten single in Australia, at number eight. In 1984, Midnight Oil's Red Sails in the Sunset became their first number one album in Australia. It was the first of four in a row between 1984 and 1993. 1985 saw the release of the EP Species Deceases – the group's only number one entry on the Australian singles chart – which features the anti-war song "Hercules" and the environmentalist anthem "Pictures".
"The Dead Heart" in 1986 became the band's highest-charting Australian single, peaking at number four. It was followed by "Beds Are Burning" at number six, with both singles from the 1987 album Diesel and Dust which edged them into mainstream global recognition. In addition to number one in Australia, Diesel and Dust peaked at number 20 on the United Kingdom Albums Chart; it was certified platinum in the US and three times platinum in Canada. Midnight Oil followed up the success of Diesel and Dust with their seventh studio album Blue Sky Mining in 1990. It was their first and only to peak in the top 20 of the Billboard 200. It brought the single "Blue Sky Mine", which charted at number one on both the US Mainstream and Modern Rock charts. The second single "Forgotten Years" also charted at number one on the Modern Rock chart. Their last Australian number one studio album was Earth and Sun and Moon, bringing another three top ten singles on the US Modern Rock charts.
In the next decade, Midnight Oil released three further studio albums, all of which registered on the top ten in Australia, but did not match the success of their earlier efforts. In 1997, the band released the greatest hits album 20,000 Watt R.S.L., which has since achieved four times platinum sales in Australia. In 2002, lead vocalist Peter Garrett announced his decision to leave Midnight Oil, concluding the band's 30-year career. The group reformed in 2017.Peter Garrett
Peter Robert Garrett (born 16 April 1953) is an Australian musician, environmentalist, activist and former politician.
Garrett is the lead singer of the Australian rock band Midnight Oil. He served as President of the Australian Conservation Foundation for ten years and, in 2003, was appointed a Member of the Order of Australia for his contribution to the environment and music industry. He is also known for his signature bald head, his unique and eccentric dance style, and a "mesmerising onstage presence".He was the Australian Labor Party member of the House of Representatives for the seat of Kingsford Smith, New South Wales, from October 2004 to August 2013. After the Labor Party won in the November 2007 election, Garrett was appointed Minister for the Environment, Heritage and the Arts by Prime Minister Kevin Rudd. On 8 March 2010, his portfolio title was changed to Environment Protection, Heritage and the Arts. He continued in this role in Julia Gillard's first Ministry. He was re-elected at the 2010 election, and was appointed Minister for School Education, Early Childhood and Youth by Prime Minister Julia Gillard. He was sworn into this portfolio on 14 September 2010 as a member of the Second Gillard Ministry, and following a leadership spill in the Australian Labor Party, Garrett resigned his position as Minister for School Education, Early Childhood and Youth and moved to the backbench. He later announced that he would not be contesting his seat at the next federal election.Garrett became a Member of the Order of Australia in 2003 "For service to the community as a prominent advocate for environmental conservation and protection, and to the music industry."In 2009, the French Government appointed Garrett an Officer of the Order of Arts and Letters. In 2010, the World Wide Fund for Nature presented him with their Leaders for a Living Planet award.Red Sails in the Sunset (album)
Red Sails in the Sunset is the fifth studio album by Australian group Midnight Oil which was released in October 1984 under the Columbia Records label. It was recorded and produced in Tokyo, Japan and is significant for becoming their first No. 1 album in Australia – it also entered the United States Billboard 200. The cover image, by Japanese artist Tsunehisa Kimura, depicts Sydney Harbour after a hypothetical nuclear strike. Some of its tracks were performed live in January 1985 at a Sydney Harbour Goat Island concert to celebrate radio station Triple J's 10th birthday, which was simulcast on ABC Television and subsequently re-broadcast on their then-Tuesday night music program Rock Arena. In 2004 the film footage later became part of a DVD album, Best of Both Worlds. Red Sails in the Sunset contains the only Midnight Oil tracks with lead vocals provided by their drummer Rob Hirst, "When the Generals Talk" and "Kosciusko". The album spawned two singles, "When the Generals Talk" and "Best of Both Worlds" but neither appeared on the Australian singles chart.Redneck Wonderland
Redneck Wonderland is the tenth studio album by Midnight Oil that was released in July 1998 under the Columbia Records label, which peaked at No.7 on the ARIA Albums Chart. The title of the album was inspired by a wall graffiti, a picture of which can be seen in the promotional Oil Rag Vol. VI issued along with album release.
The album was certified Gold in Australia in 2014.Rob Hirst
Robert George "Rob" Hirst (born 3 September 1955) is an Australian musician from Camden, New South Wales. He is a founding member of rock band Midnight Oil on drums, percussion and backing vocals (sometimes lead vocals) from the 1970s until the band took a hiatus in 2002. The band resumed activity as a group in 2017. Hirst also wrote a book, Willie's Bar & Grill, recounting the experiences on the tour Midnight Oil embarked on shortly after the 11 September terrorist attacks in 2001.The Midnight Oil
The Midnight Oil is the third studio album released by American country singer Barbara Mandrell, released in 1973.
Mandrell had not released a solo studio album since 1971. It was her most successful album while under her Columbia label. This album brought Mandrell into riskier territory, especially with the title track, "The Midnight Oil" which discussed how a woman was cheating on her husband because when she comes home she still had the midnight oil all over her. The album spawned five Top 40 Country hits, "Tonight My Baby's Coming Home" (#10), "Show Me" (#11), "Holdin' On (To the Love I Got)" (#27), "Give a Little, Take a Little" (#24), and the title track (#7). This album brought Mandrell's first pair of solo Top 10 hits on the Hot Country Singles & Tracks chart. The album consisted of 11 tracks, some of which were cover versions, including Tanya Tucker's "Jamestown Ferry", Martha Carson's "Satisfied" and the George Jones and Tammy Wynette hit, "We're Gonna Hold On". The album peaked at #8 on the Top Country Albums chart in 1974.The Right Combination • Burning the Midnight Oil
The Right Combination • Burning the Midnight Oil is the seventh collaborative studio album by Porter Wagoner and Dolly Parton. It was released on January 3, 1972, by RCA Victor. It included the humorous "Her and the Car and the Mobile Home" (in which a wife leaves her husband, taking their trailer with her, leaving him abandoned and homeless), which became a concert favorite.
The two title songs, "The Right Combination" and "Burning the Midnight Oil" were both top twenty hits on the U.S. country chart; the album reached #6 on the country albums chart.