Knossos (also Cnossos, both pronounced /(kə)ˈnɒsɒs, -səs/; Greek: Κνωσός, Knōsós [knoˈsos]), or The Labyrinth [3] is the largest Bronze Age archaeological site on Crete and has been called Europe's oldest city.[4]

Settled as early as the Neolithic period, the name Knossos survives from ancient Greek references to the major city of Crete. The palace of Knossos eventually became the ceremonial and political centre of the Minoan civilization and culture. The palace was abandoned at some unknown time at the end of the Late Bronze Age, c. 1,380–1,100 BC.[5] The reason why is unknown, but one of the many disasters that befell the palace is generally put forward.

In the first palace period around 2,000 BC the urban area reached a size of as many as 18,000 people.[6] In its peak the palace and surrounding city boasted a population of 100,000 people shortly after 1700 BC.[7][8][9]


The name Knossos was formerly Latinized as Cnossus or Cnossos, and occasionally Knossus, Gnossus, or Gnossos[10][11] but is now almost always written Knossos.[12]

Neolithic period

The site of Knossos has had a very long history of human habitation, beginning with the founding of the first Neolithic settlement c. 7,000 BC. Neolithic remains are prolific in Crete. They are found in caves, rock shelters, houses, and settlements. Knossos has a thick Neolithic layer indicating the site was a sequence of settlements before the Palace Period. The earliest was placed on bedrock.[13]

Arthur Evans, who unearthed the palace of Knossos in modern times, estimated that c. 8,000 BC a Neolithic people arrived at the hill, probably from overseas by boat, and placed the first of a succession of wattle and daub villages (modern radiocarbon dates have raised the estimate to 7,000–6,500 BC[14]). Large numbers of clay and stone incised spools and whorls attest to local cloth-making. There are fine ground axe and mace heads of colored stone: greenstone, serpentine, diorite and jadeite, as well as obsidian knives and arrowheads along with the cores from which they were flaked. Most significant among the other small items were a large number of animal and human figurines, including nude sitting or standing females with exaggerated breasts and buttocks. Evans attributed them to the worship of the Neolithic mother goddess and figurines in general to religion.[15]

Emprunte d'un sceau de Cnossos
Goddess image found at Knossos (note the tufts on the tails)

Among the items found in Knossos is a Minoan depiction of a goddess flanked by two lionesses was found in Knossos that shows a goddess who appears in many other images.

John Davies Evans (no relation to Arthur Evans) undertook further excavations in pits and trenches over the palace, focusing on the Neolithic.[16] In the Aceramic Neolithic, 7,000–6,000 BC, a hamlet of 25–50 persons existed at the location of the Central Court. They lived in wattle and daub huts, kept animals, grew crops, and, in the event of tragedy, buried their children under the floor. In such circumstances as they are still seen today, a hamlet consisted of several families, necessarily interrelated, practicing some form of exogamy, living in close quarters, with little or no privacy and a high degree of intimacy, spending most of their time in the outdoors, sheltering only for the night or in inclement weather, and to a large degree nomadic or semi-nomadic.

Neolithic pottery, AMH, 079001
Bowl with fork handles, pottery. Knossos, Early Neolithic, 6,500–5,800 BC. Also a ladle, and a three-legged vessel from later periods

In the Early Neolithic, 6,000–5,000 BC, a village of 200–600 persons occupied most of the area of the palace and the slopes to the north and west. They lived in one- or two-room square houses of mud-brick walls set on socles of stone, either field stone or recycled stone artifacts. The inner walls were lined with mud-plaster. The roofs were flat, composed of mud over branches. The residents dug hearths at various locations in the center of the main room. This village had an unusual feature: one house under the West Court contained eight rooms and covered 50 m2 (540 sq ft). The walls were at right angles. The door was centered. Large stones were used for support under points of greater stress. The fact that distinct sleeping cubicles for individuals was not the custom suggests storage units of some sort.

The settlement of the Middle Neolithic, 5,000–4,000 BC, housed 500–1000 people in more substantial and presumably more family-private homes. Construction was the same, except the windows and doors were timbered, a fixed, raised hearth occupied the center of the main room, and pilasters and other raised features (cabinets, beds) occupied the perimeter. Under the palace was the Great House, a 100 m2 (1,100 sq ft) area stone house divided into five rooms with meter-thick walls suggesting a second story was present. The presence of the house, which is unlikely to have been a private residence like the others, suggests a communal or public use; i.e., it may have been the predecessor of a palace. In the Late or Final Neolithic (two different but overlapping classification systems), 4,000–3,000 BC, the population increased dramatically.

Minoan period

It is believed that the first Cretan palaces were built soon after c. 2,000 BC, in the early part of the Middle Minoan period, at Knossos and other sites including Mallia, Phaestos and Zakro. These palaces, which were to set the pattern of organisation in Crete and Greece through the second millennium, were a sharp break from the Neolithic village system that had prevailed thus far. The building of the palaces implies greater wealth and a concentration of authority, both political and religious. It is suggested that they followed eastern models such as those at Ugarit on the Syrian coast and Mari on the upper Euphrates.[17]

The early palaces were destroyed during Middle Minoan II, sometime before c. 1,700, almost certainly by earthquakes to which Crete is prone. By c. 1,650, they had been rebuilt on a grander scale and the period of the second palaces (c. 1,650–c. 1,450) marks the height of Minoan prosperity. All the palaces had large central courtyards which may have been used for public ceremonies and spectacles. Living quarters, storage rooms and administrative centres were positioned around the court and there were also working quarters for skilled craftsmen.[17]

The palace of Knossos was considerably the largest, covering three acres with its main building alone and five acres when separate out-buildings are considered. It had a monumental staircase leading to state rooms on an upper floor. A ritual cult centre was on the ground floor. The palace stores occupied sixteen rooms, the main feature in these being the pithoi that were large storage jars up to five feet tall. They were mainly used for storage of oil, wool, wine, and grain. Smaller and more valuable objects were stored in lead-lined cists. The palace had bathrooms, toilets, and a drainage system.[17] A theatre was found at Knossos that would have held 400 spectators (an earlier one has been found at Phaestos). The orchestral area was rectangular, unlike later Athenian models, and they were probably used for religious dances.[18]

Building techniques at Knossos were typical. The foundations and lower course were stonework with the whole built on a timber framework of beams and pillars. The main structure was built of large, unbaked bricks. The roof was flat with a thick layer of clay over brushwood. Internal rooms were brightened by light-wells and columns of wood, many fluted, were used to lend both support and dignity. The chambers and corridors were decorated with frescoes showing scenes from everyday life and scenes of processions. Warfare is conspicuously absent. The fashions of the time may be seen in depictions of women in various poses. They had elaborately dressed hair and wore long dresses with flounced skirts and puffed sleeves. Their bodices were tightly drawn in round their waists and their breasts were exposed.[18]

The prosperity of Knossos was primarily based upon the development of native Cretan resources such as oil, wine, and wool. Another factor was the expansion of trade.[19] Herodotus wrote that Minos, the legendary king of Knossos, established a thalassocracy (sea empire). Thucydides accepted the tradition and added that Minos cleared the sea of pirates, increased the flow of trade and colonised many Aegean islands.[20] Archaeological evidence supports the tradition because Minoan pottery is widespread, having been found in Egypt, Syria, Anatolia, Rhodes, the Cyclades, Sicily, and mainland Greece. There seem to have been strong Minoan connections with Rhodes, Miletus, and Samos. Cretan influence may be seen in the earliest scripts found in Cyprus. The main market for Cretan wares was the Cyclades where there was a demand for pottery, especially the stone vases. It is not known whether the islands were subject to Crete or just trading partners, but there certainly was strong Cretan influence.[21]

This also applies to the mainland because both tradition and archaeology have formed strong links between Crete and Athens. The main legend here is the Minotaur story wherein Athens was subject to Knossos and paying tribute. The legend concerns a creature living in a labyrinth who was half-man and half-bull. Bulls are frequently featured on pottery and frescoes found at Knossos, where the intricate layout of the palace might suggest a labyrinth. One of the most common cult-symbols, often seen on palace walls, is the double-headed axe called the labrys, which is a Carian word for that type of tool or weapon.[22]

At the height of Cretan power around 1,450 BC, the palaces at Mallia, Phaestus, and Zakro were destroyed along with smaller settlements elsewhere. Only Knossos remained and it survived until c. 1,370. At the time of its destruction, it was occupied by Greeks whose presence is suggested by a new emphasis on weapons and warfare in both art and burial. The Mycenaean-style chamber tombs had been adopted and there was a mainland influence on pottery style.[23] Confirmation came from writing after Michael Ventris deciphered the Linear B tablets and showed them to be written in an early form of Greek that was quite unlike the earlier Linear A. Sir Arthur Evans found the Linear B tablets at Knossos and, although the writing was different from the Linear A ones at Phaestus and elsewhere, he thought they were a development of the first and so called them Linear B.[24]

Despite speculation that Knossos was destroyed by the volcanic eruption on Santorini, it is generally accepted that the cause was human violence following an invasion of Crete by Greeks from the Argolid, most probably Mycenaean. Knossos was still prosperous at the time of its destruction c. 1,370 with trade and art continuing to thrive. Reasons for its destruction are speculative, but a likely one is that the Mycenaeans, now prospering on the mainland, decided to remove a rival power.[25]


In Greek mythology, King Minos dwelt in a palace at Knossos. He had Daedalus construct a labyrinth, a very large maze (by some connected with the double-bladed axe, or labrys) in which to retain his son, the Minotaur. Daedalus also built a dancing floor for Queen Ariadne.[26] The name "Knossos" was subsequently adopted by Arthur Evans.

As far as is currently known, it was William Stillman, the American consul who published Kalokairinos' discoveries, who, seeing the sign of the double axe on the massive walls partly uncovered by Kalokairinos, first associated the complex with the labyrinth of legend, calling the ruins "labyrinthine".[27] Evans agreed with Stillman. The myth of the Minotaur tells that Theseus, a prince from Athens, whose father is an ancient Greek king named Aegeus, the reason for the name of the Greek sea (the Aegean Sea), sailed to Crete, where he was forced to fight a terrible creature called the Minotaur. The Minotaur was a half man, half bull, and was kept in the Labyrinth – a building like a maze – by the king Minos, the ruler of Crete. The king's daughter Ariadne fell in love with Theseus. Before he entered the Labyrinth to fight the Minotaur, Ariadne gave him a ball of thread which he unwound as he went into the Labyrinth so that he could find his way back by following it. Theseus killed the Minotaur, and then he and Ariadne fled from Crete, escaping her angry father.

As it turns out, there probably was an association of the word labyrinth, whatever its etymology, with ancient Crete. The sign of the double axe was used throughout the Mycenaean world as an apotropaic mark: its presence on an object would prevent it from being "killed". Axes were scratched on many of the stones of the palace. It appears in pottery decoration and is a motif of the Shrine of the Double Axes at the palace, as well as of many shrines throughout Crete and the Aegean. And finally, it appears in Linear B on Knossos Tablet Gg702 as da-pu2-ri-to-jo po-ti-ni-ja, which probably represents the Mycenaean Greek, Daburinthoio potniai, "to the mistress of the Labyrinth," recording the distribution of one jar of honey.[28] A credible theory uniting all the evidence has yet to be formulated.

Hellenistic and Roman period

Fieldwork in 2015 revealed that during the early Iron Age, Knossos was rich in imports and was nearly three times larger than indicated by earlier excavations. Whilst archaeologists had previously believed that the city had declined in the wake of a socio-political collapse around 1,200 BC, the work found instead, that the city had prospered, with its final abandonment coming later.[29]

After the fall of the Minoans, Knossus was repopulated at approximately 1,000 BC and it remained one of the most important centers of Crete. The city had two ports: Amnisos and Heraklion. According to the ancient geographer Strabo the Knossians colonized the city of Brundisium in Italy.[30] In 343 BC Knossos was allied with Philip II of Macedon. The city employed a Phocian mercenary named Phalaikos against their enemy, the city of Lyttus. The Lyttians appealed to the Spartans who sent their king Archidamus III against the Knossians.[31] In Hellenistic times Knossos came under Egyptian influence, but despite considerable military efforts during the Chremonidean War (267–261 BC), the Ptolemies were not able to unify the warring city states. In the third century BC Knossos expanded its power to dominate almost the entire island, but during the Lyttian War in 220 BC it was checked by a coalition led by the Polyrrhenians and the Macedonian king Philip V.[32]

Twenty years later, during the Cretan War (205–200 BC), the Knossians were once more among Philip's opponents and through Roman, and Rhodian aid this time they managed to liberate Crete from the Macedonian influence.[33] With Roman aid, Knossus became once more the first city of Crete, but, in 67 BC, the Roman Senate chose Gortys as the capital of the newly created province Creta et Cyrene.[34] In 36 BC, Knossus became a Roman colony named Colonia Iulia Nobilis.[35] The colony, which was built using Roman-style architecture,[35] was situated within the vicinity of the palace, but only a small part of it has been excavated.

The identification of Knossos with the Bronze Age site is supported the Roman coins that were scattered over the fields surrounding the pre-excavation site, then a large mound named Kephala Hill, elevation 85 m (279 ft) from current sea level. Many of them were inscribed with Knosion or Knos on the obverse and an image of a Minotaur or Labyrinth on the reverse.[36] The coins came from the Roman settlement of Colonia Julia Nobilis Cnossus, a Roman colony placed just to the north of, and politically including, Kephala. The Romans believed they were the first to colonize Knossos.[37]

In Christian times Knossos became a titular see, but during the ninth century AD the local population shifted to the new town of Chandax (modern Heraklion). By the thirteenth century, it was called Makruteikhos 'Long Wall'; the bishops of Gortyn continued to call themselves bishops of Knossos until the nineteenth century.[38] Today, the name is used only for the archaeological site now situated in the expanding suburbs of Heraklion.

Discovery and modern history of the antiquities

The site of Knossos was discovered in 1878 by Minos Kalokairinos. The excavations in Knossos began in 1900 by the English archaeologist Sir Arthur Evans (1851–1941) and his team, and continued for 35 years. Its size far exceeded his original expectations, as did the discovery of two ancient scripts, which he termed Linear A and Linear B, to distinguish their writing from the pictographs also present. From the layering of the palace Evans developed an archaeological concept of the civilization that used it, which he called Minoan, following the pre-existing custom of labelling all objects from the location Minoan.

Since their discovery, the ruins have undergone a history of their own, from excavation by renowned archaeologists, education, and tourism, to occupation as a headquarters by governments warring over the control of the eastern Mediterranean in two world wars. This site history is to be distinguished from the ancient.

Palace complex

The features of the palace depend on the time period. Currently visible is an accumulation of features over several centuries, the latest most dominant. Thus, the palace was never exactly as depicted today. In addition, it has been reconstituted in modern materials. The custom began in an effort to preserve the site from decay and torrential winter rain. After 1922, the chief proprietor, Arthur Evans, intended to recreate a facsimile based on archaeological evidence. The palace is not exactly as it ever was, perhaps in places, not even close, and yet in general, judging from the work put in and the care taken, as well as parallels with other palaces, it probably is a good general facsimile. Opinions range, however, from most skeptical, viewing the palace as pure fantasy based on 1920s architecture and art deco, to most unquestioning, accepting the final judgements of Arthur Evans as most accurate. The mainstream of opinion falls between.


Armon Knossos P1060104
View to the east from the northwest corner, in the foreground is the west wall of the Lustral Basin
Knossos - 03
View to the south, the hill in the background is Gypsades, between it and Knossos is the Vlychia and the South Entrance is on the left
Reception courtyard in the palace of Knossos, the royal family would entertain guests here, members of the court would stand on the tiered platforms in the background

From an archaeological point of view, the terms "Knossos" and "palace" are somewhat ambiguous. The palace was never just the residence of a monarch, although it contained rooms that might have been suitable for a royal family. Most of the structures, however, were designed to serve a civic, religious, and economic center. The term palace complex is more accurate. In ancient times, Knossos was a town surrounding and including the Kephala. This hill was never an acropolis in the Greek sense. It had no steep heights, remained unfortified, and was not very high off the surrounding ground. These circumstances cannot necessarily be imputed to other Minoan palaces. Phaistos, contemporaneous with Knossos, was placed on a steep ridge, controlling access to the Messara Plain from the sea, and was walled.[39] To what degree Minoan civilization might be considered warlike remains debatable. It can, however, be said that Knossos bore no resemblance to a Mycenaean citadel, whether before or during Mycenaean Greek occupation.

The complex was constructed ultimately around a raised central court on the top of Kephala. The previous structures were razed and the top was made level to make way for the court. The court is oblong, with the long axis, which points north-northeast, generally described as pointing "north". Plot plans typically show the court with the long axis horizontal, apparently east-west with the north on the right, or vertical with the north on the top. Either arrangement is confusing unless the compass points are carefully marked. About 5 km (3.1 mi) to the north of the palace complex is the sea at the Port of Heraklion. Directly to the south is Vlychia Stream, an east-west tributary of the north-south Kairatos. Kephala is an isolated hill at the confluence.

The Kairatos River reaches the sea between the modern port of Heraklion and Heraklion Airport to the east. In ancient times the flow continued without interruption. Today the stream loses itself in the sewers of Heraklion before emerging from under a highway on the shore east of the port. It flows down from higher ground at Arkhanes to the south, where part of it was diverted into the Knossos Aqueduct. The water at that point was clean enough for drinking. When it reached Knossos it became the main drain of the sewer system of a town of up to 100,000 people, according to Pendlebury's estimate.[40] Today the population is mainly to the north, but the sewer function continues, in addition to which much of the river is siphoned off, and the water table is tapped for irrigation. Looming over the right bank of the Vlychia, on the opposite shore from Knossos, is Gypsades Hill, where the Minoans quarried their gypsum. The limestone was quarried from the ridge on the east.

The archaeological site, Knossos, refers either to the palace complex or, to that complex and several houses of similar antiquity nearby, which were inadvertently excavated along with the palace. To the south across the Vlychia is the Caravanserai. Further to the south are Minoan houses. The Minoan Road crossed the Vlychia on a Minoan Bridge, immediately entering the Stepped Portico, or covered stairway, to the palace complex. Near the northwest corner of the complex are the ruins of the House of the Frescoes. Across the Minoan Road entering from the northwest is the Arsenal. On the north side of the palace is the Customs House and the Northeast House. From there to the northeast is the modern village of Makrotoichos. Between it and the palace complex is the Royal Villa. On the west side is the Little Palace.[41]

The Royal Road is the last vestige of a Minoan road that connected the port to the palace complex. Today a modern road, Leoforos Knosou, built over or replacing the ancient roadway, serves that function and continues south. The excavated ancient Royal Road is part of the complex. The junction of the ancient and the modern roads is partly over the Little Palace. Just to the northwest of there, off the modern road, is where Evans chose to have Villa Ariadne built as his home away from home and an administrative center. The villa is on a slope overlooking the ruins. At the edge of the property, on the road, is a pre-excavation house renovated many times as a residence for the official keeper, called the Taverna. Immediately to the south of the villa, over parts of the Little Palace, is the modern Stratigraphical Museum, a square building. Excavation continues sporadically on its grounds. To the south of the museum is a modern settlement across from the entrance to the west court. Parking facilities are to the north, off Leoforos Knosou. A band of fields has been left on the northwest between the palace complex and the city streets of Heraklion. The east and west are protected by north-south mountain ridges, between which is the valley of the Kairatos.

General features

Pithoi in Knossos
Magazine 4 with giant pithoi placed by the archaeologists for display. The compartments in the floor were the permanent locations of pithoi, or storage jars, such as these, which stored wet and dry consumables, such as wine, oil, and grain. When full, they were multi-ton and immoveable. They were sunken for easier access to the wide mouths and for support.

The great palace was built gradually between 1,700 and 1,400 BC, with periodic rebuildings after destructions. Structures preceded it on Kephala hill. The features currently most visible date mainly to the last period of habitation, which Evans termed, Late Minoan. The palace has an interesting layout [42][43][44] – the original plan can no longer be seen due to the subsequent modifications. The 1,300 rooms are connected with corridors of varying sizes and direction, which differ from other contemporaneous palaces that connected the rooms via several main hallways. The 6 acres (24,000 m2) of the palace included a theater, a main entrance on each of its four cardinal faces, and extensive storerooms (also called magazines). Within the storerooms were large clay containers (pithoi) that held oil, grains, dried fish, beans, and olives. Many of the items were processed at the palace, which had grain mills, oil presses, and wine presses. Beneath the pithoi were stone holes that were used to store more valuable objects, such as gold. The palace used advanced architectural techniques: for example, part of it was built up to five stories high.

Water management

The palace had at least three separate water-management systems: one for supply, one for drainage of runoff, and one for drainage of waste water.

Aqueducts brought fresh water to Kephala hill from springs at Archanes, about 10 km away. Springs there are the source of the Kairatos river, in the valley in which Kephala is located. The aqueduct branched to the palace and to the town. Water was distributed at the palace by gravity feed through terracotta pipes to fountains and spigots. The pipes were tapered at one end to make a pressure fit, with rope for sealing. No hidden springs have been discovered as at Mycenae.

Sanitation drainage was through a closed system leading to a sewer apart from the hill. The queen's megaron contained an example of the first known water-flushing system latrine adjoining the bathroom. This toilet was a seat over a drain that was flushed by pouring water from a jug. The bathtub located in the adjoining bathroom similarly had to be filled by someone heating, carrying, and pouring water, and must have been drained by overturning into a floor drain or by bailing. This toilet and bathtub were exceptional structures within the 1,300-room complex.

As the hill was periodically drenched by torrential rains, a runoff system was a necessity. It began with channels in the flat surfaces, which were zigzag and contained catchment basins to control the water velocity. Probably the upper system was open. Manholes provided access to parts that were covered.

Some links to photographs of parts of the water-collection-management system follow.

  • Runoff system.[45] Sloped channels lead from a catchment basin.
  • Runoff system.[46] Note the zig-zags and the catchment basin.


Due to its placement on the hill, the palace received sea breezes during the summer. It had porticoes and air shafts.

Minoan columns

The palace also includes the Minoan column, a structure notably different from Greek columns. Unlike the stone columns that are characteristic of Greek architecture, the Minoan column was constructed from the trunk of a cypress tree, which is common to the Mediterranean. While Greek columns are smaller at the top and wider at the bottom to create the illusion of greater height (entasis), the Minoan columns are smaller at the bottom and wider at the top, a result of inverting the cypress trunk to prevent sprouting once in place.[47] The columns at the Palace of Minos were painted red and mounted on stone bases with round, pillow-like capitals.


Armon Knossos P1060018
Pithoi, or storage jars, at Knossos

Pottery at Knossos is prolific, heavily-decorated and uniquely-styled by period. It is used as a layer diagnostic. Comparing it to similar pottery elsewhere in the eastern Mediterranean, Evans established a wider chronology, which, on that account, is difficult to question successfully. On the negative side, careful records of the locations of some objects were not always kept, due to the very size of the project and the difficulties under which the archaeologists and workmen had to labor.


Armon Knossos P1060030
Bull-leaping fresco now in the Heraklion Archaeological Museum, the duplicate shown here is fixed to the wall of the upper throne room

The palace at Knossos was a place of high color, as were Greek buildings in the classical period, and as are Greek buildings today. In the EM Period, the walls and pavements were coated with a pale red derived from red ochre. In addition to the background coloring, the walls displayed fresco panel murals, entirely of red. In the subsequent MM Period, with the development of the art, white and black were added, and then blue, green, and yellow. The pigments were derived from natural materials, such as ground hematite. Outdoor panels were painted on fresh stucco with the motif in relief; indoor, on fresh, pure plaster, softer than the plaster with additives ordinarily used on walls.[48]

The decorative motifs were generally bordered scenes: people, mythological creatures, real animals, rocks, vegetation, and marine life. The earliest imitated pottery motifs. Most have been reconstructed from various numbers of flakes fallen to the floor. Evans had various technicians and artists work on the project, some artists, some chemists, and restorers. The symmetry and use of templates made possible a degree of reconstruction beyond what was warranted by only the flakes. For example, if evidence of the use of a certain template existed scantily in one place, the motif could be supplied from the template found somewhere else. Like the contemporary murals in the funerary art of the Egyptians, certain conventions were used that also assisted prediction. For example, male figures are shown with darker or redder skin than female figures.

Some archaeological authors have objected that Evans and his restorers were not discovering the palace and civilization as it was, but were creating a modern artefact based on contemporary art and architecture.[49]

Throne room

Throne Hall Knossos
The throne from which the room was named, not the only throne at Knossos

The centerpiece of the "Minoan" palace was the so-called Throne Room or Little Throne Room,[50] dated to LM II. This chamber has an alabaster seat identified by Evans as a "throne" built into the north wall. On three sides of the room are gypsum benches. A sort of tub area is opposite the throne, behind the benches, termed a lustral basin, which means that Evans and his team saw it as a place for ceremonial purification.

The room was accessed from an anteroom through double doors. The anteroom was connected to the central court, which was four steps up through four doors. The anteroom had gypsum benches also, with carbonized remains between two of them thought possibly, to be a wooden throne. Both rooms are located in the ceremonial complex on the west of the central court.

Knossos fresco in throne palace
Griffin couchant (lying down) facing throne

The throne is flanked by the Griffin Fresco, with two griffins couchant (lying down) facing the throne, one on either side. Griffins were important mythological creatures, also appearing on seal rings, which were used to stamp the identities of the bearers into pliable material, such as clay or wax.

The actual use of the room and the throne is unclear.

The two main theories are as follows:

  • The seat of a priest-king or a queen. This is the older theory, originating with Evans. In that regard Matz speaks of the "heraldic arrangement" of the griffins, meaning that they are more formal and monumental than previous Minoan decorative styles. In this theory, the Mycenaeans would have held court in this room, as they came to power in Knossos at about 1,450. The "lustral basin" and the location of the room in a sanctuary complex cannot be ignored; hence, "priest-king."
  • A room reserved for the epiphany of a goddess,[51] who would have sat in the throne, either in effigy, or in the person of a priestess, or in imagination only. In that case the griffins would have been purely a symbol of divinity rather than a heraldic motif.

Additional speculation is, since the indentation of the seat seems to be shaped for a woman's buttocks, that the throne was made specifically for a female individual. Also, the extensive use of curved edges and the crescent moon carved at its base both symbolize femininity.

The lustral basin was originally thought to have had a ritual washing use, but the lack of drainage has more recently brought some scholars to doubt this theory. It is now speculated that the tank was used as an aquarium, or possibly a water reservoir.


"Prince of lilies" or "Priest-king Relief", plaster relief at the end of the Corridor of Processions, restored by Gilliéron, believed by Arthur Evans to be a priest-king, wearing a crown with peacock feathers and a necklace with lilies on it, leading an unseen animal to sacrifice

A long-standing debate between archaeologists concerns the main function of the palace, whether it acted as an administrative center, a religious center, or both, in a theocratic manner. Other important debates consider the role of Knossos in the administration of Bronze Age Crete, and whether Knossos acted as the primary center, or was on equal footing with the several other contemporaneous palaces that have been discovered on Crete. Many of these palaces were destroyed and abandoned in the early part of the fifteenth century BC, possibly by the Mycenaeans, although Knossos remained in use until it was destroyed by fire about one hundred years later. Knossos showed no signs of being a military site; for example, it had neither fortifications nor stores of weapons.

Notable residents

Palace of Minos – short movie

See also


  1. ^ Papadopoulos, John K (1997), "Knossos", in Delatorre, Marta (ed.), The conservation of archaeological sites in the Mediterranean region : an international conference organized by the Getty Conservation Institute and the Paul Getty Museum, 6–12 May 1995, Los Angeles: The Paul Getty Trust, p. 93
  2. ^ McEnroe, John C. (2010). Architecture of Minoan Crete: Constructing Identity in the Aegean Bronze Age. Austin: University of Texas Press. p. 50. However, Davaras & Doumas 1957, p. 5, an official guide book in use in past years, gives the dimensions of the palace as 150 m (490 ft) square, about 20,000 m2 (220,000 sq ft).
  3. ^ Doob, Penelope Reed (1992). The Idea of the Labyrinth: from Classical Antiquity through the Middle Ages. Ithaca: Cornell University Press. ISBN 0-80142-393-7.
  4. ^ Todd Whitelaw 2012, p. 223.
  5. ^ Castleden, Rodney (1993). Life in Bronze Age Crete. London; New York: Routledge. p. 35.
  6. ^ Castleden, Rodney (2002). "Life in the Towns". Minoan Life in Bronze Age Crete. Routledge. p. 68. ISBN 978-1-134-88064-5.
  7. ^ Ring, Trudy; Noelle Watson; Paul Schellinger (2013). "Crete (Greece)". Southern Europe: International Dictionary of Historic Places. Routledge. p. 172. ISBN 978-1-134-25958-8.
  8. ^ Mithen, Steven (2012). Thirst: For Water and Power in the Ancient World. Harvard University Press. p. 77. ISBN 978-0-674-07219-0.
  9. ^ Humphrey, John William (2006). "Bronze Age Civil Engineering". Ancient Technology. Greenwood Publishing Group. p. 56. ISBN 978-0-313-32763-6.
  10. ^ EB (1878).
  11. ^ EB (1911), p. 573.
  12. ^ "Google Ngram Viewer". Retrieved 29 June 2018.
  13. ^ Evans 1921, pp. 32–35.
  14. ^ Düring, Bleda S (2011). The prehistory of Asia Minor: from complex hunter-gatherers to early urban societies. New York, NY: Cambridge University Press. p. 126.
  15. ^ Evans 1921, pp. 36–55.
  16. ^ McEnroe, John C (2010). Architecture of Minoan Crete: constructing identity in the Aegean Bronze Age. Austin: University of Texas Press. pp. 12–17.
  17. ^ a b c Bury and Meiggs 1975, p. 9
  18. ^ a b Bury and Meiggs 1975, p. 10
  19. ^ Bury and Meiggs 1975, p. 11
  20. ^ Bury and Meiggs 1975, pp. 11–12
  21. ^ Bury and Meiggs 1975, p. 12
  22. ^ Bury and Meiggs 1975, p. 14
  23. ^ Bury and Meiggs 1975, p. 17
  24. ^ Bury and Meiggs 1975, pp. 17–18
  25. ^ Bury and Meiggs 1975, p. 19
  26. ^ Homer, Iliad 18.590-2.
  27. ^ Evans 1894, p. 281.
  28. ^ Ventris, Michael; Chadwick, John (1973). Documents in Mycenaean Greek (2nd ed.). Cambridge: Cambridge University Press. pp. 310, 538, 574.
  29. ^ "Ancient Greek City of Knossos Was Larger than Previously Thought -". Retrieved 29 June 2018.
  30. ^ Strabo, 6,3,6.
  31. ^ Diodorus Siculus, XVI 61,3-4.
  32. ^ Polybius, Histories, IV 53-55.
  33. ^ Theocharis Detorakis, A History of Crete, Heraklion, 1994.
  34. ^ "Crete". Retrieved 2016-11-24.
  35. ^ a b Sweetman, Rebecca J. (10 June 2011). "Roman Knossos: Discovering the City through the Evidence of Rescue Excavations". The Annual of the British School at Athens. 105: 339–379. doi:10.1017/S0068245400000459.
  36. ^ Gere 2009, p. 25.
  37. ^ Chaniotis, Angelos (1999). From Minoan farmers to Roman traders: sidelights on the economy of ancient Crete. Stuttgart: Steiner. pp. 280–282.
  38. ^ Oliver Rackham and Jennifer Moody (1996). The Making of the Cretan Landscape. Manchester University Press. pp. 94, 104. ISBN 0-7190-3646-1.
  39. ^ Hall, HR (November 20, 1902). "The Mycenaean Discoveries in Crete". Nature. 67 (1725): 58. doi:10.1038/067057a0.
  40. ^ Pendlebury & Evans 2003, p. 35.
  41. ^ Costis & Davaras 1957, pp. 32–33
  42. ^ "Palace at Knossos · Knossos, Crete". GreatBuildings. Retrieved 25 July 2018. Plot plans of the palace are given at the following sites
  43. ^ Macdonald, Colin F. (2003). "The Palaces of Minos at Knossos". Athena Review. Athena Publications, Inc. The British School of Archaeology at Athens. 3 (3). Retrieved 25 July 2018.
  44. ^ "Rough Plan of Mino's Palace at Knossos". Tours of Historical Sites. Retrieved 25 July 2018.
  45. ^ JPEG image., Ian Swindale. Retrieved on 2013-05-12.
  46. ^ JPEG image. Retrieved on 2012-01-02.
  47. ^ C. Michael Hogan, Knossos fieldnotes, Modern Antiquarian (2007)
  48. ^ Evans 1921, pp. 532–536.
  49. ^ Gere 2009, Chapter Four: The Concrete Labyrinth: 1914–1935.
  50. ^ Matz, The Art of Crete and Early Greece Kessinger Publishing, LLC, 2010, ISBN 1-163-81544-6, uses this term.
  51. ^ Peter Warren: Minoan Religion as Ritual Action, Volume 72 of Studies in Mediterranean Archaeology, 1988, the University of Michigan


  • Wikisource Baynes, T.S., ed. (1878), "Cnossus" , Encyclopædia Britannica, 6 (9th ed.), New York: Charles Scribner's Sons, p. 44
  • Wikisource Chisholm, Hugh, ed. (1911), "Cnossus" , Encyclopædia Britannica, 6 (11th ed.), Cambridge University Press, pp. 573–574
  • Begg, D.J. Ian (2004), "An Archaeology of Palatial Mason's Marks on Crete", in Chapin, Ann P. (ed.), ΧΑΡΙΣ: Essays in Honor of Sara A. Immerwahr, Hesperia Supplement 33, pp. 1–28
  • Benton, Janetta Rebold and Robert DiYanni.Arts and Culture: An introduction to the Humanities, Volume 1 (Prentice Hall. New Jersey, 1998), 64–70.
  • Bourbon, F. Lost Civilizations (New York, Barnes and Noble, 1998), 30–35.
  • Castleden, Rodney (1990). The Knossos Labyrinth: A New View of the 'Palace of Minos' at Knossos. London; New York: Routledge.
  • Bury, J. B.; Meiggs, Russell (1975). A History of Greece (Fourth Edition). London: MacMillan Press. ISBN 0-333-15492-4.
  • Davaras, Costos; Doumas, Alexandra (Translator) (1957). Knossos and the Herakleion Museum: Brief Illustrated Archaeological Guide. Athens: Hannibal Publishing House.
  • Driessen, Jan (1990). An early destruction in the Mycenaean palace at Knossos: a new interpretation of the excavation field-notes of the south-east area of the west wing. Acta archaeologica Lovaniensia, Monographiae, 2. Leuven: Katholieke Universiteit.
  • Evans, Arthur John (1894). "Primitive Pictographs and Script from Crete and the Peloponnese". The Journal of Hellenic Studies. XIV: 270–372. doi:10.2307/623973. JSTOR 623973.
  • —— (1901). "Minoan Civilization at the Palace of Knosses" (PDF). Monthly Review.
  • —— (1906A) [1905]. Essai de classification des Époques de la civilization minoenne: résumé d’un discours fait au Congrès d’Archéologie à Athènes (Revised ed.). London: B. Quaritch.
  • —— (1906B). The prehistoric tombs of Knossos: I. The cemetery of Zapher Papoura, with a comparative note on a chamber-tomb at Milatos. II. The Royal Tomb at Isopata. Archaeologia 59 (1905) pages 391–562. London: B. Quaritch.
  • —— (1909). Scripta Minoa: The Written Documents of Minoan Crete: with Special Reference to the Archives of Knossos. Volume I: The Hieroglyphic and Primitive Linear Classes: with an account of the discovery of the pre-Phoenician scripts, their place in the Minoan story and their Mediterranean relatives: with plates, tables and figures in the text. Oxford: Clarendon Press.
  • —— (1912). "The Minoan and Mycenaean Element in Hellenic Life". The Journal of Hellenic Studies. 32: 277–287. doi:10.2307/624176. JSTOR 624176.
  • —— (1914). "The 'Tomb of the Double Axes' and Associated Group, and the Pillar Rooms and Ritual Vessels of the 'Little Palace' at Knossos". Archaeologia. 65: 1–94. doi:10.1017/s0261340900010833.
  • ——. The Palace of Minos (PM): a comparative account of the successive stages of the early Cretan civilization as illustrated by the discoveries at Knossos. London: MacMillan and Co.
    • —— (1921). PM. Volume I: The Neolithic and Early and Middle Minoan Ages.
    • —— (1928A). PM. Volume II Part I: Fresh lights on origins and external relations: the restoration in town and palace after seismic catastrophe towards close of M. M. III and the beginnings of the New Era.
    • —— (1928B). PM (PDF). Volume II Part II: Town-Houses in Knossos of the New Era and restored West Palace Section, with its state approach.
    • —— (1930). PM. Volume III: The great transitional age in the northern and eastern sections of the Palace: the most brilliant record of Minoan art and the evidences of an advanced religion.
    • —— (1935A). PM. Volume IV Part I: Emergence of outer western enceinte, with new illustrations, artistic and religious, of the Middle Minoan Phase; Chryselephantine "Lady of Sports", "Snake Room" and full story of the cult Late Minoan ceramic evolution and "Palace Style".
    • —— (1935B). PM. Volume IV Part II: Camp-stool Fresco, long-robed priests and beneficent genii ; Chryselephantine Boy-God and ritual hair-offering ; Intaglio Types, M.M. III – L. M. II, late hoards of sealings, deposits of inscribed tablets and the palace stores ; Linear Script B and its mainland extension, Closing Palatial Phase ; Room of Throne and final catastrophe.
    • Evans, Joan (1936). PM. Index to the Palace of Minos.
  • —— (1952). Scripta Minoa: The Written Documents of Minoan Crete: with special reference to the archives of Knossos. Volume II: The Archives of Knossos: clay tablets inscribed in linear script B: edited from notes, and supplemented by John L. Myres. Oxford: Clarendon Press.
  • Gere, Cathy (2009). Knossos and the Prophets of Modernism. Chicago: The University of Chicago Press. ISBN 0226289540.
  • Landenius Enegren, Hedvig. The People of Knossos: prosopographical studies in the Knossos Linear B archives (Uppsala: Acta Universitatis Upsaliensis, 2008) (Boreas. Uppsala studies in ancient Mediterranean and Near Eastern civilizations, 30).
  • Macdonald, Colin F. (2005). Knossos. Lost Cities of the Ancient World. London: Folio Society.
  • —— (2003). "The Palace of Minos at Knossos". Athena Review. 3 (3).
  • MacGillivray, Joseph Alexander (2000). Minotaur: Sir Arthur Evans and the Archaeology of the Minoan Myth. New York: Hill and Wang (Farrar, Straus and Giroux).
  • Pendlebury, JDS; Evans, Arthur (Forward) (2003) [1954]. A handbook to the palace of Minos at Knossos with its dependencies. Oxford; Belle Fourche, SD: Oxford University Press; Kessinger Publishing Company.
  • Whitelaw, Todd (2000). "Beyond the palace:A century of investigation at Europe's oldest city". Bulletin of the Institute of Classical Studies: 223, 226.

External links


Antheia (Ancient Greek: Ἀνθεία) was one of the Charites, or Graces, of Greek mythology and was the goddess of flowers and flowery wreaths. She was depicted in Athenian vase painting as one of the attendants of Aphrodite.Her name Antheia is derived from the Ancient Greek word ἄνθος means "flower" or "blossom". Her symbols are gold colored items. She was known to the Romans as Anthea. Her center of worship was on the island of Crete. The name Antheia was also given to Hera and connected to the Horae, under which she had a temple at Argos. It was also an epithet of Aphrodite at Knossos. She was the goddess of vegetation, gardens, blossoms, especially worshipped in spring and near lowlands and marshlands, favorable to the growth of vegetation. She was also the goddess of human love.Antheia is also the Greek name of Ancient Sozopolis in modern Bulgaria, and another Antheia was a village which was later adopted into Patras around 1000 BC.

Arthur Evans

Sir Arthur John Evans (8 July 1851 – 11 July 1941) was an English archaeologist and pioneer in the study of Aegean civilization in the Bronze Age. He is most famous for unearthing the palace of Knossos on the Greek island of Crete. Evans continued Heinrich Schliemann's concept of a Mycenaean civilization, but found that he needed to distinguish another civilization, the Minoan, from the structures and artifacts found there and throughout the eastern Mediterranean. Evans was also the first to define Cretan scripts Linear A and Linear B, as well as an earlier pictographic writing.

Although not a professional statesman or soldier, and probably never a paid agent of the government, he nevertheless negotiated or played a role in negotiating unofficially with foreign powers in the Balkans and Middle East. He was, on request of the revolutionary organizations of the peoples of the Balkans, a significant player in the formation of the nation of Yugoslavia.

Cretan hieroglyphs

Cretan hieroglyphs are generally considered undeciphered hieroglyphs found on artefacts of early Bronze Age Crete, during the Minoan era. It predates Linear A by about a century, but the two writing systems continued to be used in parallel for most of their history.


Crete (Greek: Κρήτη, Kríti ['kriti]; Ancient Greek: Κρήτη, Krḗtē) is the largest and most populous of the Greek islands, the 88th largest island in the world and the fifth largest island in the Mediterranean Sea, after Sicily, Sardinia, Cyprus, and Corsica. It bounds the southern border of the Aegean sea. Crete lies approximately 160 km (99 mi) south of the Greek mainland. With an area of 8,336 km2 (3,219 sq mi) and a coastline of 1,046 km (650 mi), Crete is a recognisable feature of the islands of Greece.

Crete and a number of surrounding islands and islets constitute the region of Crete (Greek: Περιφέρεια Κρήτης), the southernmost of the 13 top-level administrative units of Greece; the region is the fifth most populous region of Greece. Its capital and largest city is Heraklion, located on the northern shore of the island. As of 2011, the region had a population of 623,065. The Dodecanese are located to the northeast of Crete, while the Cyclades are situated to northwest, separated by the Sea of Crete. The Peloponnese is to the region's northwest.

Humans have inhabited the island before 130,000 years ago, during the Paleolithic age. Crete was the centre of Europe's first advanced civilization, the Minoans, from 2700 to 1420 BC; the Minoan civilization was overrun by the Mycenaean civilization from mainland Greece. Later, Crete would fall under Roman rule, and afterwards the Byzantines Empire, Arabs, the Venetian Republic, and the Ottoman Empire successively ruled Crete. The Cretan people, who maintained a desire to join the Greek state, achieved independence from the Ottomans in 1898 as the Cretan State and became part of Greece in December 1913.

The island is mountainous, and its character is defined by a high mountain range crossing from west to east; the range of Lefka Ori contains Crete's highest point, Mount Ida. Crete forms a significant part of the economy and cultural heritage of Greece, while retaining its own local cultural traits (such as its own poetry and music). The Nikos Kazantzakis at Heraklion and the Daskalogiannis airport at Chania serve international travellers. The palace of Knossos, a Bronze age settlement and ancient Minoan city, lies in Heraklion in Crete.

Cycladic culture

Cycladic culture (also known as Cycladic civilisation or, chronologically, as Cycladic chronology) was a Bronze Age culture (c. 3200–c. 1050 BC) found throughout the islands of the Cyclades in the Aegean Sea. In chronological terms, it is a relative dating system for artefacts which broadly complements Helladic chronology (mainland Greece) and Minoan chronology (Crete) during the same period of time.


Epimenides of Cnossos (; Greek: Ἐπιμενίδης) was a semi-mythical 7th or 6th century BC Greek seer and philosopher-poet.

Ergoteles of Himera

Ergoteles (Ancient Greek: Ἐργοτέλης) or Ergotelis, was a native of Knossos and Olympic runner in the Ancient Olympic Games.

Civil disorder (ancient Greek: Stasis) had compelled him to leave Crete. He came to Sicily and was naturalized as a citizen of Himera. He won the Olympic dolichos (running race) of 472 BC and 464 BC, as well as winning twice in both Pythian and Isthmian games.

A four-line inscribed epigram of c. 450 BC found in Olympia commemorates the six Ergotelian victories. The base of an inscribed statue at Olympia, which was seen and exploited by the geographer Pausanias, was rediscovered in 1953. Pindar honoured Ergoteles with the following Epinikion hymn:

The Ergotelis multi-sport club established in 1929 in Heraklion, Crete, was named after Ergoteles, in commemoration of the first Olympic champion native to the modern Heraklion prefecture.

Foreign War

The Foreign War (Greek: Ξενικὸς Πόλεμος, Xenikos Polemos) was fought between the forces of Knossos with the help of mercenaries under the ousted Phocian leader Phalaikos and the forces of Lyttos who received help from the Spartans (who were founders of their city) under their King Archidamus III. The war took place in 346 BC.

Knossos wanted to strengthen their hegemony of Crete but received opposition from the Lyttians. In response Knossos employed foreign mercenaries under the former Phocian leader Phalaikos. In 346, Knossos declared war against Lyttos. Phalaikos who was given command of the forces of Knossos and of the mercenaries was about to seize Lyttos when the Lyttians asked the Spartans for help. The Spartans under King Archidamus rushed to help the Lyttians. The Spartans came in time to save Lyttos and defeat Phalaikos. Phalaikos then turned against Kydonia. This decision proved fatal for Phalaikos who was slain in the siege and his army was destroyed.

This war proved to be a turning point in Cretan history since it was the first time foreign forces had come to Crete and interfered in Cretan affairs.

HSF Festos Palace

Festos Palace is a Ro-Pax high speed ferry, built in 2001 at the Sestri Ponente shipyards by Fincantieri and owned by Minoan Lines. It can accommodate up to 2,500 passengers and 700 cars, and has 758 beds plus 742 airseats for passengers. The vessel is powered by four Wärtsilä 16V46C diesel engines with a combined power of 67,517 kW, which give her a top speed of 31,6 knots.It is named after the Minoan palace of Phaistos and its sister ship is HSF Knossos Palace. The cabins are equipped with en suite bathrooms, telephones, TV sets and are soundproof. It has an internet cafe, ATMs and a pool on the top deck (open only during summer).

HSF Knossos Palace

HSF Knossos Palace is a Ro-Pax high speed ferry, built in 2000 at the Sestri Ponente shipyards by Fincantieri and owned by Minoan Lines. It can accommodate up to 2,500 passengers and 700 cars, and has 758 beds plus 742 airseats for passengers. The vessel is powered by four 4x Wärtsilä 16V46C diesel engines with a combined power of 67,517 kW, which give her a top speed of 31,6 knots.It is named after the Minoan palace of Knossos and its sister ship is HSF Festos Palace. The cabins are equipped with en suite bathrooms, telephones, TV sets and are soundproof. It has an internet cafe, ATM machines and a pool on the top deck (open only during summer).


Heraklion or Heraclion (; Greek: Ηράκλειο, Irákleio, pronounced [iˈraklio]) is the largest city and the administrative capital of the island of Crete and capital of Heraklion regional unit. It is the fifth largest city in Greece. According to the results of the 2011 census, the municipality's population was 173,993 and according to the results of 2011 census, the metropolitan area has a population of 225,574 and it extends over an area of 684.3 km2 (264.2 sq mi).

The Bronze Age palace of Knossos, also known as the Palace of Minos, is located nearby.

Heraklion announced as Europe’s fastest growing tourism destination for 2017, according to Euromonitor, showing an 11.2% growth in international arrivals. According to the ranking, Heraklion was ranked as the 20th most visited region in Europe, as the 66th area on the Planet and as the 2nd in Greece for the year 2017, with 3.2 million visitors and the 19th in Europe for 2018, with 3,4 million visitors.

History of Crete

The history of Crete goes back to the 7th millennium BC, preceding the ancient Minoan civilization by more than four millennia. The Minoan civilization was the first civilization in Europe and the first, in Europe, to build a palace.

After the Minoan civilization was devastated by the Thera eruption, Crete developed an Ancient Greece-influenced organization of city states, then successively became part of the Roman Empire, the Byzantine Empire, the Venetian Republic, the Ottoman Empire, autonomous state, and the modern state of Greece.

Linear B

Linear B is a syllabic script that was used for writing Mycenaean Greek, the earliest attested form of Greek. The script predates the Greek alphabet by several centuries. The oldest Mycenaean writing dates to about 1450 BC. It is descended from the older Linear A, an undeciphered earlier script used for writing the Minoan language, as is the later Cypriot syllabary, which also recorded Greek. Linear B, found mainly in the palace archives at Knossos, Cydonia, Pylos, Thebes and Mycenae, disappeared with the fall of Mycenaean civilization during the Late Bronze Age collapse. The succeeding period, known as the Greek Dark Ages, provides no evidence of the use of writing. It is also the only one of the Bronze Age Aegean scripts to have been deciphered, by English architect and self-taught linguist Michael Ventris.Linear B consists of around 87 syllabic signs and over 100 ideographic signs. These ideograms or "signifying" signs symbolize objects or commodities. They have no phonetic value and are never used as word signs in writing a sentence.

The application of Linear B appears to have been confined to administrative contexts. In all the thousands of clay tablets, a relatively small number of different "hands" have been detected: 45 in Pylos (west coast of the Peloponnese, in southern Greece) and 66 in Knossos (Crete). It is possible that the script was used only by a guild of professional scribes who served the central palaces. Once the palaces were destroyed, the script disappeared.

MV Ancona

MV Ancona was a car-passenger ferry owned by Blue Line International and operated on their service linking Ancona, Italy to Split, Croatia. She was built in 1966 by Lindholmens varv in Gothenburg, Sweden for Rederi AB Svea as MS Svea. As Svea she was used on the joint Sweden–United Kingdom service operated by Ellerman's Wilson Line, Swedish Lloyd and Rederi AB Svea. In 1969 Svea was sold to Swedish Lloyd and renamed MS Hispania. In 1972 she was renamed MS Saga. In 1978 she was sold to Minoan Lines following the closure of Swedish Lloyd's passenger services and renamed MS Knossos. In 1998 she passed to Diler Lines, becoming their MS Captain Zaman II. In 2003 she was sold to Blue Line and was renamed Ancona. She was sold for scrap in October 2010 and breaking up was commenced on 15 December 2010.

Minoan chronology

The Minoan chronology dating system is a measure of the phases of the Minoan civilization. Initially established as a relative dating system by English archaeologist Sir Arthur Evans between 1900 and 1903 via pottery and artifact analysis during his excavations at Knossos on Crete, new technologies including carbon dating and DNA analysis have led to significant revisions to the date ranges.

Minoan civilization

The Minoan civilization was a Bronze Age Aegean civilization on the island of Crete and other Aegean Islands, flourishing from c. 2700 to c. 1450 BC until a late period of decline, finally ending around 1100 BC. It represents the first advanced civilization in Europe, leaving behind massive building complexes, tools, stunning artwork, writing systems, and a massive network of trade. The civilization was rediscovered at the beginning of the 20th century through the work of British archaeologist Sir Arthur Evans. The name "Minoan" derives from the mythical King Minos and was coined by Evans, who identified the site at Knossos with the labyrinth and the Minotaur. The Minoan civilization has been described as the earliest of its kind in Europe, and historian Will Durant called the Minoans "the first link in the European chain".The Minoan civilization is particularly notable for its large and elaborate palaces up to four stories high, featuring elaborate plumbing systems and decorated with frescoes. The most notable Minoan palace is that of Knossos, followed by that of Phaistos. The Minoan period saw extensive trade between Crete, Aegean, and Mediterranean settlements, particularly the Near East. Through their traders and artists, the Minoans' cultural influence reached beyond Crete to the Cyclades, the Old Kingdom of Egypt, copper-bearing Cyprus, Canaan and the Levantine coast and Anatolia. Some of the best Minoan art is preserved in the city of Akrotiri on the island of Santorini, which was destroyed by the Minoan eruption.

The Minoans primarily wrote in the undeciphered Linear A and also in undeciphered Cretan hieroglyphs, encoding a language hypothetically labelled Minoan. The reasons for the slow decline of the Minoan civilization, beginning around 1550 BC, are unclear; theories include Mycenaean invasions from mainland Greece and the major volcanic eruption of Santorini.

Minoan pottery

Minoan pottery has been used as a tool for dating the mute Minoan civilization. Its restless sequence of quickly maturing artistic styles reveals something of Minoan patrons' pleasure in novelty while they assist archaeologists in assigning relative dates to the strata of their sites. Pots that contained oils and ointments, exported from 18th century BC Crete, have been found at sites through the Aegean islands and mainland Greece, on Cyprus, along coastal Syria and in Egypt, showing the wide trading contacts of the Minoans.

The pottery consists of vessels of various shapes, which as with other types of Ancient Greek pottery may be collectively referred to as "vases", and also "terracottas", small ceramic figurines, models of buildings and some other types. Some pieces, especially the cups of rhyton shape, overlap the two categories, being both vessels for liquids but essentially sculptural objects. Several pottery shapes, especially the rhyton cup, were also produced in soft stones such as steatite, but there was almost no overlap with metal vessels. Pottery sarcophagus chests were also made for cremated ashes, as in an example now in Hanover.

The finest achievements came in the Late Minoan period, with the palace pottery called Kamares ware, and the Late Minoan all-over patterned "Marine Style" and "Floral Style". These were widely exported around the Aegean civilizations and sometimes beyond, and are the high points of the Minoan pottery tradition.

The best and most comprehensive collection is in the Heraklion Archaeological Museum (AMH) on Crete (where most pieces illustrated are held).

Minoan sealstone

Minoan seal-stones are carved gemstones produced in the Minoan civilization. They have been found in quantity at specific sites, for example in Knossos, Mallia and Phaistos.

Minoan seal-stones are of a small size, 'pocket-size', in the manner of a personal amulet. They might be thought of as equivalent to the pocket-sized, 1 inch (3 cm) scaraboid seals of Ancient Egypt. However Minoan seals can be larger, with largest examples of many inches.


Phaistos (Greek: Φαιστός, pronounced [feˈstos]; Ancient Greek: Φαιστός, pronounced [pʰai̯stós]), also transliterated as Phaestos, Festos and Latin Phaestus, currently refers to a Bronze Age archaeological site at modern Phaistos, a municipality in south central Crete. Ancient Phaistos was located about 5.6 km (3.5 mi) east of the Mediterranean Sea and 62 km south of Heraklio, the second largest city of Minoan Crete. The name Phaistos survives from ancient Greek references to a city in Crete of that name at or near the current ruins.

The name is substantiated by the coins of the classical city. They display motifs such as Europa sitting on a bull, Talos with wings, Heracles without beard and being crowned, or Zeus in a form of a naked youth sitting on a tree. On either the obverse or the reverse the name of the city, or its abbreviation, is inscribed, such as ΦΑΙΣ or ΦΑΙΣΤΙ, for Phaistos or Phaistios ("Phaistian" adjective) written either right-to-left or left-to-right. These few dozen coins were acquired by collectors from uncontrolled contexts. They give no information on the location of Phaistos.

Phaistos was located by Thomas Abel Brimage Spratt, commander of the Spitfire, a paddle steamer, in the Mediterranean Survey of 1853, which surveyed the topography, settlements and monuments of Crete. Spratt followed the directions of Strabo, who said:Of the three cities that were united under one metropolis by Minos, the third, which was Phaestus, was razed to the ground by the Gortynians; it is sixty stadia distant from Gortyn, twenty from the sea, and forty from the seaport Matalum; and the country is held by those who razed it.

The simple geometric problem posed by these distances from known points was solved with no difficulty by the survey. The location pinpointed was the eastern end of a hill, or ridge, rising from the middle of the Yeropotamos river valley extending from the sea to the Messara Plain in an east-west direction. The hill was called Kastri ("fort", "small castle"). A military man, Spratt understood the significance of the location immediately:I thus found that Phaestus had occupied the extremity of a ridge that divides the maritime plain of Debaki from the plain of the Messara, so as to command the narrow valley of communication....

A village of 16 houses remained on the ridge, but the vestiges of fortification walls indicated a city had once existed there. A half-century later, on removing the houses, Federico Halbherr and his crew began to discover the remains of an extensive palace complex. As he had begun excavation before Evans at Knossos in 1900, he did not have the advantage of Arthur Evans' concepts of Minoan civilization nor the knowledge acquired after the decipherment of the Linear B syllabary by Michael Ventris. Excavation ended in 1904, to begin again after another half-century, in 1950. By this time it was understood that the palace had been constructed at the beginning of the Proto-Palace Period, along with all the others. After 1955 the place name, 𐀞𐀂𐀵, pa-i-to, interpreted as Phaistos (written in Mycenaean Greek), began to turn up in the Linear B tablets at Knossos, then under the Mycenaean Greeks. There was every reason to think that pa-i-to was located at Kastri.

No Linear B has been found at Phaistos, and yet tradition and the Knossos tablets suggest that Phaistos was a dependency of Knossos. Moreover, only a few pieces of Linear A have been found. As Phaistos appears to have been an administrative center, the lack of records is paradoxical. However, the lack of an expected event is not an argument for any conclusion. There are many possible reasons for the deficit. Records may yet be found.

Major cities

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