Journal of the Society for American Music

The Journal of the Society for American Music is a peer-reviewed academic journal and the official journal of the Society for American Music. It is published by Cambridge University Press and edited by Loren Kajikawa at George Washington University. The journal is the continuation of American Music, which was published from 1983 and obtained its current title in spring 2007.

Journal of the Society for American Music
DisciplineMusic
LanguageEnglish
Edited byLoren Kajikawa
Publication details
Former name(s)
American Music
Publication history
1983-present
Publisher
Standard abbreviations
J. Soc. Am. Music
Indexing
ISSN1752-1963 (print)
1752-1971 (web)
LCCN2007219399
OCLC no.472936948
American Music:
ISSN0734-4392
Links

External links

Afrofuturism

Afrofuturism is a cultural aesthetic, philosophy of science, and philosophy of history that explores the developing intersection of African Diaspora culture with technology. It was coined by Mark Dery in 1994 and explored in the late 1990s through conversations led by Alondra Nelson. Afrofuturism addresses themes and concerns of the African diaspora through technoculture and science fiction, encompassing a range of media and artists with a shared interest in envisioning black futures that stem from Afrodiasporic experiences. Seminal Afrofuturistic works include the novels of Samuel R. Delany and Octavia Butler; the canvases of Jean-Michel Basquiat and Angelbert Metoyer, and the photography of Renée Cox; the explicitly extraterrestrial mythoi of Parliament-Funkadelic, the Jonzun Crew, Warp 9, Deltron 3030, and Sun Ra; and the Marvel Comics superhero Black Panther.

Anthony Heinrich

Anthony Philip Heinrich (March 11, 1781 – May 3, 1861) was the first "full-time" American composer, and the most prominent before the American Civil War. He did not start composing until he was 36, after losing his business fortune in the Napoleonic Wars. For most of his career he was known as "Father Heinrich," an emeritus figure of America's small classical music community. He chaired the founding meeting of the New York Philharmonic Society in 1842.

Bristol sessions

The Bristol Sessions are considered by some as the "Big Bang" of modern country music., though in a 2015 roundtable discussion published in the periodical The Appalachian Journal several music scholars examined the "Big Bang" myth and suggested that other early recording sessions were equally important to the rise of country music. The Bristol Sessions were held in 1927 in Bristol, Tennessee by Victor Talking Machine Company producer Ralph Peer. Bristol was one of the stops on a two-month, $60,000 trip that took Peer through several major southern cities and yielded important recordings of blues, ragtime, gospel, ballads, topical songs, and string bands. The Bristol Sessions marked the commercial debuts of Jimmie Rodgers and the Carter Family. As a result of the influence of these recording sessions, Bristol has been called the "birthplace of country music". Since 2014, the town has been home to the Birthplace of Country Music Museum.

Bunt Stephens

John L. "Bunt" Stephens (February 2, 1879 — May 25, 1951), known as Uncle Bunt, was an American Old-time fiddle player. After rising from relative obscurity in 1926 to win a nationwide fiddle contest hosted by automobile magnate Henry Ford, Stephens went on to record several tracks for Columbia Records and made several guest appearances on what would later become the Grand Ole Opry in Nashville before retiring to his farm near Lynchburg, Tennessee. His style of fiddle playing is believed to resemble a style that was popular before the American Civil War.

Civilization Phaze III

Civilization Phaze III is the sixty-third album by Frank Zappa, released posthumously as a double album on October 31, 1994. It was the first studio album of new material from Zappa since 1986's Jazz from Hell. The album marks the third part of a conceptual continuity that started with We're Only in It for the Money (1968), with the second part being a re-edited version of Zappa's 1967 album Lumpy Gravy. Zappa described the album as a "two-act opera", but in lieu of traditional recitatives and arias, it alternates brief spoken word passages with musical numbers created on a Synclavier using a combination of sampled and synthesized sounds. Much of the sampled material in the second half of the album was originally recorded by Ensemble Modern and other musicians to Zappa's specifications.The storyline of Civilization Phaze III involves a group of people living inside a piano, and the menacing reality of the outside world. The album's themes include personal isolation and nationalism. Much of the album's improvised dialogue was originally recorded as part of sessions which produced We're Only in It for the Money and Uncle Meat, which contained some dialogue by the same speakers, and some of the dialogue on this album previously appeared on the re-edited version of Lumpy Gravy released in 1968. New dialogue was recorded by Zappa in 1991, and includes similarly improvised dialogue by members of Ensemble Modern, Zappa's daughter Moon Unit and actor Michael Rapaport.

Forbidden Planet

Forbidden Planet is a 1956 American science fiction film, produced by Nicholas Nayfack, directed by Fred M. Wilcox, that stars Walter Pidgeon, Anne Francis, and Leslie Nielsen. Shot in Eastmancolor and CinemaScope, it is considered one of the great science fiction films of the 1950s, a precursor of contemporary science fiction cinema. The characters and isolated setting have been compared to those in William Shakespeare's The Tempest, and the plot contains certain analogues to the play.

Forbidden Planet pioneered several aspects of science fiction cinema. It was the first science fiction film to depict humans traveling in a faster-than-light starship of their own creation. It was also the first to be set entirely on another planet in interstellar space, far away from Earth. The Robby the Robot character is one of the first film robots that was more than just a mechanical "tin can" on legs; Robby displays a distinct personality and is an integral supporting character in the film. Outside science fiction, the film was groundbreaking as the first of any genre to use an entirely electronic musical score, courtesy of Bebe and Louis Barron.

Forbidden Planet's effects team was nominated for the Academy Award for Best Visual Effects at the 29th Academy Awards. In 2013, the picture was entered into the Library of Congress' National Film Registry, being deemed "culturally, historically, or aesthetically significant".

George Lewis (trombonist)

George Emanuel Lewis (born July 14, 1952) is an American composer, electronic performer, installation artist, trombone player, and scholar in the fields of improvisation and experimental music. He has been a member of the Association for the Advancement of Creative Musicians (AACM) since 1971 and is a pioneer of computer music.

James Tenney

James Tenney (August 10, 1934 – August 24, 2006) was an American composer and music theorist. He made significant early musical contributions to plunderphonics, sound synthesis, algorithmic composition, process music, spectral music, microtonal music, and tuning systems including extended just intonation. His theoretical writings variously concern musical form, texture, timbre, consonance and dissonance, and harmonic perception.

John King (ukulelist)

John Robert King (John) (October 13, 1953 – April 3, 2009) was a ukulele player known for his interpretation of classical music.

Michael Callen

Michael Callen (April 11, 1955 – December 27, 1993) was an American singer, songwriter, composer, author, and AIDS activist. Callen was diagnosed with AIDS in 1982 and proceeded to become a pioneer of AIDS activism in New York City, working closely with his doctor, Dr. Joseph Sonnabend, and Richard Berkowitz. Together, they published articles and pamphlets to raise awareness about the correlation between risky sexual behaviors and AIDS. As a major contributor to the foundation of AIDS activism, specifically activism from people with AIDS, Callen helped draft unprecedented documents such as How to Have Sex in an Epidemic: One Approach, and The Denver Principles. In addition to his written work, Callen was a leader and founder of activist organizations including The People with AIDS Coalition and the Community Research Initiative. As a musician, he was a member of the openly gay and politically active a cappella quintet The Flirtations and released his own solo album, "Purple Heart" in 1988. He consistently spoke out for AIDS activist and gay and lesbian organizations and made frequent speaking appearances. Callen remained a primary public figure in AIDS activism until he died at age 38 from AIDS-related complications of pulmonary Kaposi's sarcoma at Midway Hospital in Los Angeles, California.

Michael Hicks (musicologist)

Michael Dustin Hicks (born 1956) is an American Professor of Music, poet and artist, who has studied a broad array of topics, although his work on music and The Church of Jesus Christ of Latter-day Saints has been ground-breaking in that field.

Hicks was born and raised in California. Hicks has a DMA from the University of Illinois at Urbana-Champaign. He has been on the music faculty at Brigham Young University (BYU) since 1984. Hicks has a bachelor's degree from BYU. He has been a full professor at BYU since 1996.

Hicks first book was Mormonism and Music: A History (1989). This work received awardss from both the Mormon History Association and the Association of Mormon Letters. In 1990 his work Sixties Rock: Garage, Psychedelic and Other Satisfactions was published. This book received significant coverage in Music and History: Bridging the Disciplines edited by Jeffrey H. Jackson and Stanley C Pelkey. His book Henry Cowell: Bohemian was published in 2002. In 2012 his work Christian Wolff was published. In 2015 his work The Mormon Tabernacle Choir: A Biography was published. All these works have been published by Illinois University Press.

Hicks has created a variety of chamber and solo works.

From 2007 to 2010 Hicks was editor of the journal American Music published by the University of Illinois (not to be confused with the Journal of the Society for American Music which used to be published as American Music).

Music in psychological operations

Music has been used in psychological operations. The term music torture is sometimes used by critics of the practice of playing loud music incessantly to prisoners or people besieged.

The United Nations and the European Court of Human Rights have banned the use of loud music in interrogations. The term torture is sometimes used to describe the practice. While it is acknowledged by US interrogation experts that it causes discomfort, it has also been characterized by them as causing no "long-term effects".Music and sound have been usually used as part of a combination of interrogation methods, today recognized by international bodies as amounting to torture. Attacking all senses without leaving any visible traces, they have formed the basis of the widely discussed torture in Guantanamo and Abu Ghraib. They were, however, devised much earlier in the 1950s and early 1960s, as a way to counter so-called Soviet "brainwashing". They include:

sensory deprivation

stress positions

sleep deprivation

food and drink deprivation

continuous music or sound

Pamela Z

Pamela Z (born 1956, in Buffalo, New York) is an American composer, performer, and media artist who is best known for her solo works for voice with electronic processing. In performance, she combines various vocal sounds including operatic bel canto, experimental extended techniques and spoken word, with samples and sounds generated by manipulating found objects. Z's musical aesthetic is one of sonic accretion, and she typically processes her voice in real time through a software program called MAX MSP on a MacBook Pro as a means of layering, looping, and altering her live vocal sound. Her performance work often includes video projections and special controllers with sensors that allow her to use physical gestures to manipulate the sound and projected media.

Peggy King

Peggy King (born February 16, 1930, Greensburg, Pennsylvania) is a jazz and pop vocalist and former TV personality. She got her start with the bands of Charlie Spivak, Ralph Flanagan and Ray Anthony and was featured on an early TV series with Mel Tormé.

Society for American Music

The Society for American Music (SAM) was founded in 1975 and was first named the Sonneck Society in honor of Oscar George Theodore Sonneck, early Chief of the Music Division in the Library of Congress and pioneer scholar of American music. The Society for American Music is a non-profit scholarly and educational organization incorporated in the District of Columbia as a 501 (c) (3) and is a constituent member of the American Council of Learned Societies. It is based at the Stephen Foster Memorial on the campus of the University of Pittsburgh in Pittsburgh, Pennsylvania.

Techno

Techno is a form of electronic dance music that emerged in Detroit, Michigan, in the United States during the mid-to-late 1980s. The first recorded use of the word techno in reference to a specific genre of music was in 1988. Many styles of techno now exist, but Detroit techno is seen as the foundation upon which a number of sub-genres have been built.In Detroit, techno resulted from the melding of black styles including Chicago house, funk, electro, and electric jazz with electronic music by artists such as Kraftwerk, Giorgio Moroder, and Yellow Magic Orchestra. Added to this is the influence of futuristic and fictional themes relevant to life in American late capitalist society, with Alvin Toffler's book The Third Wave being a notable point of reference. Pioneering producer and DJ Juan Atkins cites Toffler's phrase "techno rebels" as inspiring him to use the word techno to describe the musical style he helped to create. This unique blend of influences aligns techno with the aesthetic referred to as afrofuturism.To producers such as Derrick May, the transference of spirit from the body to the machine is often a central preoccupation; essentially an expression of technological spirituality. In this manner: "techno dance music defeats what Adorno saw as the alienating effect of mechanisation on the modern consciousness".Stylistically, techno is generally repetitive instrumental music, often produced for use in a continuous DJ set. The central rhythmic component is most often in common time (4/4), where time is marked with a bass drum on each quarter note pulse, a backbeat played by snare or clap on the second and fourth pulses of the bar, and an open hi-hat sounding every second eighth note. The tempo tends to vary between approximately 120 to 150 beats per minute (bpm), depending on the style of techno. The creative use of music production technology, such as drum machines, synthesizers, and digital audio workstations, is viewed as an important aspect of the music's aesthetic. Many producers use retro electronic musical devices to create what they consider to be an authentic techno sound. Drum machines from the 1980s such as Roland's TR-808 and TR-909 are highly prized, and software emulations of such retro technology are popular among techno producers.

Music journalists and fans of techno are generally selective in their use of the term; so a clear distinction can be made between sometimes related but often qualitatively different styles, such as tech house and trance.

The Death of Klinghoffer

The Death of Klinghoffer is an American opera, with music by John Adams to an English-language libretto by Alice Goodman. First produced in Brussels and New York in 1991, the opera is based on the hijacking of the passenger liner Achille Lauro by the Palestine Liberation Front in 1985, and the hijackers' murder of 69-year-old Jewish-American passenger Leon Klinghoffer, who was wheelchair bound.

The concept of the opera originated with theatre director Peter Sellars, who was a major collaborator, as was choreographer Mark Morris. It was commissioned by five American and European opera companies, and the Brooklyn Academy of Music.

The opera has generated controversy, including allegations by Klinghoffer's two daughters and others that the opera is antisemitic and glorifies terrorism. The work's creators and others have disputed these criticisms.

Thea Musgrave

Thea Musgrave CBE (born 27 May 1928) is a Scottish composer of opera and classical music. She has lived in the United States since 1972.

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