John Towner Williams (born February 8, 1932) is an American composer, conductor, and pianist. With a career spanning over six decades, he has composed some of the most popular, recognizable, and critically acclaimed film scores in cinematic history, including those of the Star Wars series, Jaws, Close Encounters of the Third Kind, Superman, E.T. the Extra-Terrestrial, the Indiana Jones series, the first two Home Alone films, Hook, the first two Jurassic Park films, Schindler's List, and the first three Harry Potter films. Williams has been associated with director Steven Spielberg since 1974, composing music for all but four of his feature films––Duel, The Color Purple, Bridge of Spies, and Ready Player One. Other works by Williams include theme music for the 1984 Summer Olympic Games, NBC Sunday Night Football, "The Mission" theme used by NBC News and Seven News in Australia, the television series Lost in Space and Land of the Giants, and the incidental music for the first season of Gilligan's Island. Williams has also composed numerous classical concertos and other works for orchestral ensembles and solo instruments. He served as the Boston Pops's principal conductor from 1980 to 1993, and is currently the orchestra's laureate conductor.
Williams has won 24 Grammy Awards, seven British Academy Film Awards, five Academy Awards, and four Golden Globe Awards. With 51 Academy Award nominations, Williams is the second most-nominated individual, after Walt Disney. In 2005, the American Film Institute selected Williams's score to 1977's Star Wars as the greatest American film score of all time. The soundtrack to Star Wars was additionally preserved by the Library of Congress into the National Recording Registry for being "culturally, historically, or aesthetically significant". Williams was inducted into the Hollywood Bowl's Hall of Fame in 2000, and was a recipient of the Kennedy Center Honors in 2004 and the AFI Life Achievement Award in 2016. Williams composed the score for eight of the top 20 highest-grossing films at the U.S. box office (adjusted for inflation).
Williams at the Avery Fisher Hall in 2007
|Birth name||John Towner Williams|
|Born||February 8, 1932|
Floral Park, New York, U.S.
|Associated acts||Boston Pops Orchestra|
John Towner Williams was born on February 8, 1932 in Floral Park, New York, to Esther (née Towner) and Johnny Williams, a jazz percussionist who played with the Raymond Scott Quintet. Williams has said of his lineage, "My father was a Maine man—we were very close. My mother was from Boston. My father's parents ran a department store in Bangor, Maine, and my mother's father was a cabinetmaker. [...] People with those roots are not inclined to be lazy."
In 1948, the Williams family moved to Los Angeles where John attended North Hollywood High School, graduating in 1950. He later attended the University of California, Los Angeles, and studied privately with the Italian composer Mario Castelnuovo-Tedesco. Williams also attended Los Angeles City College for one semester as the school had a Studio Jazz Band.
In 1952, Williams was drafted into the U.S. Air Force, where he played the piano, brass and conducted and arranged music for The U.S. Air Force Band as part of his assignments. In a 2016 interview with the US Air Force band, he recounted having attended basic Air Force training at Lackland base (San Antonio, Texas), after which he served as a pianist and brass player, with secondary duties of making arrangements for three years. He also attended music courses at the University of Arizona as part of his service.
In 1955, following his Air Force service, Williams moved to New York City and entered the Juilliard School, where he studied piano with Rosina Lhévinne. During this time Williams worked as a jazz pianist in the city's many jazz clubs.
After moving to Los Angeles, he began working as a session musician, most notably for composer Henry Mancini. He worked with Mancini on the Peter Gunn soundtrack, along with guitarist Bob Bain, bassist Rolly Bundock, and drummer Jack Sperling, many of whom were also featured on the Mr. Lucky television series.
Known as "Johnny" during the 1950s and early 1960s, Williams composed the music for many television programs (including several episodes of M Squad), and served as music arranger and bandleader for a series of popular music albums with the singer Frankie Laine.
While skilled in a variety of 20th-century compositional idioms, Williams's most familiar style may be described as a form of neoromanticism, inspired by the late 19th century's large-scale orchestral music—in the style of Tchaikovsky or Richard Wagner and their concept of leitmotif—that inspired his film music predecessors.
After his studies at Juilliard and the Eastman School of Music, Williams returned to Los Angeles, where he began working as an orchestrator at film studios. Among other composers, Williams worked with Franz Waxman, Bernard Herrmann, and Alfred Newman, and also with his fellow orchestrators Conrad Salinger and Bob Franklyn.
Williams was also a studio pianist, performing on film scores by composers such as Jerry Goldsmith, Elmer Bernstein, and Henry Mancini. With Mancini Williams recorded the scores of 1959's Peter Gunn, 1962's Days of Wine and Roses, and 1963's Charade. (Williams actually played the well-known opening riff of Mancini's Peter Gunn theme.)
Williams (sometimes credited as "Johnny Williams", because of the already established actor of the same name) composed music for various television programs in the 1960s: the pilot episode of Gilligan's Island, Bachelor Father (1959–60), the Kraft Suspense Theatre, Lost in Space (1965–68), The Time Tunnel (1966–67), and Land of the Giants (the last three created by the prolific TV producer Irwin Allen).
Williams's first film composition was for the 1958 B movie Daddy-O, and his first screen credit came two years later in Because They're Young. He soon gained notice in Hollywood for his versatility in composing jazz, piano, and symphonic music. Williams received his first Academy Award nomination for his score for 1967's Valley of the Dolls, and was nominated again for his score for 1969's Goodbye, Mr. Chips. Williams won his first Academy Award for his score for the 1971 film Fiddler on the Roof. In 1972, he composed the score for the Robert Altman-directed psychological thriller Images (recorded in collaboration with noted percussionist Stomu Yamashta), which earned him another nomination in the category Best Music, Original Dramatic Score at the 1973 Academy Awards.
During the early 1970s, Williams's prominence grew thanks to his work for now–film producer Irwin Allen's disaster films, composing the scores for 1972's The Poseidon Adventure and 1974's The Towering Inferno. In addition, he scored Universal's 1974 film Earthquake for director Mark Robson, completing a "trinity" of scores for the decade's highest-grossing "disaster films". He also scored the 1972 film The Cowboys, a western starring John Wayne and directed by Mark Rydell.
In 1974, director Steven Spielberg approached Williams to compose the music for his feature directorial debut, The Sugarland Express. They teamed up again a year later for Spielberg's second film, Jaws. Widely considered a classic suspense film, its score's ominous, two-note ostinato has become synonymous with sharks and approaching danger. The score earned Williams his second Academy Award, his first for an original composition.
Shortly thereafter, Spielberg and Williams began a long collaboration on their next feature film, Close Encounters of the Third Kind. During the two-year collaboration, they crafted its distinctive five-note figure that functions both in the background music and as the communications signal of the film's extraterrestrials. Williams also used a system of musical hand signals in the film that were based on hand signs created by John Curwen and refined by Zoltán Kodály.
During the same period, Spielberg recommended Williams to his friend and fellow director George Lucas, who needed a composer to score his ambitious 1977 space epic film Star Wars. Williams delivered a grand symphonic score in the fashion of Richard Strauss, Antonín Dvořák, and Golden Age Hollywood composers Max Steiner and Erich Wolfgang Korngold. Its main theme, "Luke's Theme", is among the most widely recognized in film history, and the "Force Theme" and "Princess Leia's Theme" are well-known examples of leitmotif. Both the film and its score were immensely successful—it remains the highest grossing non-popular music recording of all time—and Williams won another Academy Award for Best Original Score.
In 1980, Williams returned to score The Empire Strikes Back, introducing "The Imperial March" as the theme for Darth Vader and the Galactic Empire, "Yoda's Theme", and "Han Solo and the Princess". The original Star Wars trilogy concluded with the 1983 film Return of the Jedi, for which Williams's score provided most notably the "Emperor's Theme", "Parade of the Ewoks", and "Luke and Leia". Both scores earned him Academy Award nominations.
Williams scored the 1976 Alfred Hitchcock film Family Plot. Williams did not much like the film, but did not want to turn down the chance to work for Hitchcock. Hitchcock merely told him to remember one thing, "Murder can be fun." Hitchcock was very satisfied with the result.
Williams worked with director Richard Donner to score the 1978 film Superman. The score's heroic and romantic themes, particularly the main march, the Superman fanfare and the love theme, known as "Can You Read My Mind," appeared in the four sequel films. For the 1981 film Raiders of the Lost Ark, created by Lucas and directed by Spielberg, Williams wrote a rousing main theme known as "The Raiders March" to accompany the film's hero, Indiana Jones. He composed separate themes to represent the Ark of the Covenant, the character Marion, and the story's Nazi villains. Additional themes were featured in his scores to the subsequent Indiana Jones and the Temple of Doom, a prequel (1984), Indiana Jones and the Last Crusade (1989), and Indiana Jones and the Kingdom of the Crystal Skull (2008). Williams composed an emotional and sensitive score to Spielberg's 1982 fantasy film E.T. the Extra-Terrestrial, for which he was awarded a fourth Academy Award.
The Spielberg-Williams collaboration resumed with the 1987 film Empire of the Sun, and still continues, spanning genres from science fiction thrillers (1993's Jurassic Park) to somber tragedies (1993's Schindler's List, 2005's Munich) to Eastern-tinged melodramas (2005's Memoirs of a Geisha, directed by Rob Marshall) to dramatic war films (1998's Saving Private Ryan). Spielberg has said, "I call it an honorable privilege to regard John Williams as a friend."
In 1999, George Lucas launched the first of a series of prequels to the original Star Wars trilogy. Williams was asked to score all three films, starting with The Phantom Menace. Along with themes from the previous films, Williams created new themes to be used as leitmotifs in 2002's Attack of the Clones and 2005's Revenge of the Sith. Most notable of these was "Duel of the Fates", an aggressive choral movement in the style of Verdi's Requiem, utilizing harsh Sanskrit lyrics that broadened the style of music used in the Star Wars films. Also of note was "Anakin's Theme", which begins as an innocent childlike melody and morphs insidiously into a quote of the sinister "Imperial March." For Episode II, Williams composed "Across the Stars", a love theme for Padmé Amidala and Anakin Skywalker (mirroring the love theme composed for The Empire Strikes Back). The final installment combined many of the themes created for the series' previous films, including "The Emperor's Theme," "The Imperial March", "Across the Stars", "Duel of the Fates", "The Force Theme", "Rebel Fanfare", "Luke's Theme", and "Princess Leia's Theme", as well as new themes for General Grievous and the film's climax, titled "Battle of the Heroes".
In the new millennium, Williams was asked to score the film adaptations of J. K. Rowling's widely successful book series, Harry Potter. He went on to score the film franchise's first three installments. As with his Superman theme, the most important theme from Williams's scores for the Harry Potter films, dubbed "Hedwig's Theme", has been used in the fourth through eighth films (Harry Potter and the Goblet of Fire, Harry Potter and the Order of the Phoenix, Harry Potter and the Half-Blood Prince, Harry Potter and the Deathly Hallows – Part 1 and Harry Potter and the Deathly Hallows – Part 2), scored by Patrick Doyle (Goblet of Fire), Nicholas Hooper (Order of the Phoenix and Half-Blood Prince) and Alexandre Desplat (Deathly Hallows). Like the main themes from Jaws, Star Wars, Superman, and Indiana Jones, fans have come to identify the Harry Potter films with Williams's original compositions. Williams was asked to return to score the film franchise's final installment, Harry Potter and the Deathly Hallows – Part 2, but director David Yates stated that "their schedules simply did not align" as he would have had to provide Williams with a rough cut of the film sooner than was possible.
In the 20th anniversary edition of E.T. The Extra-Terrestrial in 2002, Williams composed a reorchestrated score for the Universal Pictures logo with the variant of the movie itself, segueing to the notes from the movie.
In 2006, Superman Returns was directed by Bryan Singer, best known for directing the first two films in the X-Men series. Singer did not request Williams to compose a score for the intentionally Donner-esque film, but he employed the skills of X2 composer John Ottman to incorporate Williams's original Superman theme, as well as those for Lois Lane, Krypton and Smallville. In 2011, the "Main Title Theme" and elements of "Can You Read My Mind" were notably used in the final scene of "Finale," the series finale of the WB/CW television series Smallville. Don Davis performed a similar role for Jurassic Park III, recommended by Williams himself to the producers.
In 2008, Williams returned to the Indiana Jones series to score the fourth film—Indiana Jones and the Kingdom of the Crystal Skull. He received a Grammy nomination for his work on the film. Indiana Jones and the Kingdom of the Crystal Skull was also the only film score from the Indiana Jones film series not to be nominated for an Academy Award. Also in 2008, he composed music for two documentaries, Warner at War, and A Timeless Call, the latter directed by Spielberg.
After a three-year absence from film scoring, Williams composed the scores for Spielberg's The Adventures of Tintin and War Horse in 2011. Both scores received overwhelmingly positive reviews and earned Academy Award nominations, the latter also being nominated for a Golden Globe. The Oscar nominations were Williams's 46th and 47th, making him the most nominated musician in Academy Award history (having previously been tied with Alfred Newman's 45 nominations), and the second most nominated overall, behind Walt Disney. Williams won an Annie Award for his score for The Adventures of Tintin in 2012. In 2012, Williams scored Spielberg's film Lincoln and subsequently received his 48th Academy Award nomination.
In February 2013, Williams expressed his interest in working on the Star Wars sequel trilogy, saying: "Now we're hearing of a new set of movies coming in 2015, 2016... so I need to make sure I'm still ready to go in a few years for what I hope would be continued work with George." He also scored the 2013 film The Book Thief, his first collaboration with a director other than Spielberg since 2005. The score earned him an Academy Award, Golden Globe and BAFTA nominations and a Grammy Award for Best Instrumental Composition. It was his 44th nomination for Best Original Score (and 49th overall), setting a new record for the most nominations in that category (he tied Alfred Newman's record of 43 nominations in 2013).
In 2015, he scored Star Wars: The Force Awakens, earning him his 50th Academy Award nomination. Williams was also set to write the score for Bridge of Spies that year, which would have been his 27th collaboration with Spielberg, but in March 2015, it was announced that Thomas Newman would replace Williams for the film, as Williams's schedule was interrupted by a minor health issue and he became unavailable to score the film. This is the first Spielberg film since The Color Purple (1985) not scored by Williams.
In 2016, Williams composed the score for Spielberg's The BFG, which opened in July 2016.
Williams wrote the music for Star Wars: The Last Jedi, the eighth episode of the saga, released on December 15, 2017, and is presumed to be working on Star Wars Episode IX. Also in 2017, he composed the score for Steven Spielberg's drama film The Post.
Williams contributed "The Adventures of Han" for the 2018 standalone Star Wars film Solo: A Star Wars Story while John Powell wrote the film's original score. Williams is attached to score the fifth Indiana Jones film.
A three-disc box set compilation of all of Williams's musical scores for Spielberg's films, John Williams & Steven Spielberg: The Ultimate Collection, was released on March 17, 2017, and includes two previous score compilations from 1991 and 1995.
In March 2018, Williams announced that following Star Wars: Episode IX, which is due for release on December 20, 2019, he will retire from composing music for the Star Wars franchise: "We know J. J. Abrams is preparing one Star Wars movie now that I will hopefully do next year for him. I look forward to it. It will round out a series of nine, that will be quite enough for me."
From 1980–93, Williams succeeded Arthur Fiedler as the Boston Pops Orchestra's Principal Conductor. Williams never met Fiedler in person but spoke with him by telephone. His arrival as the Pops' new leader in the spring of 1980 allowed him to devote part of the Pops' first PBS broadcast of the season to presenting his new compositions for The Empire Strikes Back.
Williams almost ended his tenure with the Pops in 1984. Considered a customary practice of opinion, some players hissed while sight-reading a new Williams composition in rehearsal; Williams abruptly left the session and turned in his resignation. He initially cited mounting conflicts with his film composing schedule, but later admitted a perceived lack of discipline in, and respect from, the Pops' ranks, culminating in this latest instance. After entreaties by the management and personal apologies from the musicians, Williams withdrew his resignation and continued as principal conductor for nine more years. In 1995, he was succeeded by Keith Lockhart, the former associate conductor of the Cincinnati Symphony Orchestra and Cincinnati Pops Orchestra.
Williams is now the Pops' Laureate Conductor, thus maintaining his affiliation with its parent, the Boston Symphony Orchestra (BSO). Williams leads the Pops on several occasions each year, particularly during their Holiday Pops season and typically for a week of concerts in May. He conducts an annual Film Night at both Boston Symphony Hall and Tanglewood, where he frequently enlists the Tanglewood Festival Chorus, the BSO's official chorus.
Williams has written many concert pieces, including a symphony; a Concerto for Horn written for Dale Clevenger, the Chicago Symphony Orchestra's Principal Hornist; a Concerto for Clarinet written for Michele Zukovsky (the Los Angeles Philharmonic's Principal Clarinetist) in 1991; a sinfonietta for wind ensemble; a cello concerto premiered by Yo-Yo Ma and the Boston Symphony Orchestra at Tanglewood in 1994; concertos for the flute and violin recorded by the London Symphony Orchestra; and a trumpet concerto, which was premiered by The Cleveland Orchestra and their principal trumpet Michael Sachs in September 1996.
His bassoon concerto, "The Five Sacred Trees", which was premiered by the New York Philharmonic and principal bassoon player Judith LeClair in 1995, was recorded for Sony Classical by Williams with LeClair and the London Symphony Orchestra. Williams was the subject of an hour-long documentary for the BBC in 1980, and was featured in a report on 20/20 in 1983.
In 1985, Williams was commissioned by NBC to compose a television news music package for various network news spots. The package, which Williams named "The Mission," consists of four movements, two of which are still used heavily by NBC today for Today, NBC Nightly News, and Meet the Press. He composed the "Liberty Fanfare" for the Statue of Liberty's rededication, "We're Lookin' Good!" for the Special Olympics in celebration of the 1987 International Summer Games, and themes for the 1984, 1988, 1996, and 2002 Olympic Games. His most recent concert work, "Seven for Luck", for soprano and orchestra, is a seven-piece song cycle based on the texts of former U.S. Poet Laureate Rita Dove. "Seven for Luck" was given its world premiere by the Boston Symphony under Williams with soprano Cynthia Haymon.
Williams makes annual appearances with the Los Angeles Philharmonic at the Hollywood Bowl, and took part as conductor and composer in the orchestra's opening gala concerts for the Walt Disney Concert Hall in 2003. In 2004, Williams both served as the Grand Marshal for the Rose Parade, and directed "The Star Spangled Banner" at the Rose Bowl's beginning. In April 2005, Williams and the Boston Pops performed the "Throne Room Finale" from Star Wars at opening day in Fenway Park as the Boston Red Sox, having won their first World Series championship since 1918, received their championship rings. For Game 1 of the 2007 World Series, Williams conducted a brass-and-drum ensemble through a new dissonant arrangement of the "Star Spangled Banner."
In February 2004, April 2006, and September 2007, he conducted the New York Philharmonic at Avery Fisher Hall in New York City. The initial program was intended to be a one-time special event, and featured Williams's medley of Oscar-winning film scores first performed at the previous year's Academy Awards. Its unprecedented popularity led to two concerts in 2006: fundraising gala events featuring personal recollections by film directors Martin Scorsese and Steven Spielberg. Continuing demand fueled three more concerts in 2007, which all sold out. These featured a tribute to the musicals of film director Stanley Donen, and had the distinction of serving as the New York Philharmonic season's opening event. After a three-season absence, Williams conducted the Philharmonic once again in October 2011.
Maestro Williams also conducted the National Symphony Orchestra, the U.S. Army Herald Trumpets, the Joint Armed Forces Chorus, and the Choral Arts Society of Washington performing his new arrangement of "The Star-Spangled Banner" for its 200th anniversary. The performance was held at A Capitol Fourth, an Independence Day celebration concert in Washington, D.C., on July 4, 2014.
At Star Wars Celebration Orlando, Williams performed a surprise concert along with the Orlando Philharmonic Orchestra, featuring "Princess Leia's Theme" (a tribute to the recently deceased Carrie Fisher), "The Imperial March" and "Main Title" followed by George Lucas saying, "The secret sauce of Star Wars, the greatest composer-conductor in the universe, John Williams."
John Williams has been nominated for 51 Academy Awards, winning 5; 6 Emmy Awards, winning 3; 25 Golden Globe Awards, winning 4; 67 Grammy Awards, winning 23; and has received 7 British Academy Film Awards. With 51 Oscar nominations, Williams currently holds the record for the most Oscar nominations for a living person, and is the second most nominated person in Academy Awards history behind Walt Disney's 59. Forty-six of Williams's Oscar nominations are for Best Original Score and five are for Best Original Song. He won four Oscars for Best Original Score and one for Best Scoring: Adaptation and Original Song Score (Fiddler on the Roof).
Williams has been inducted into the American Classical Music Hall of Fame and the Hollywood Bowl Hall of Fame. Williams was honored with the annual Richard Kirk award at the 1999 BMI Film and TV Awards, recognizing his contribution to film and television music. In 2004, he received Kennedy Center Honors. He won a Classic Brit Award in 2005 for his soundtrack work of the previous year.
Notably, Williams has won the Grammy Award for Best Instrumental Composition for his scores for Star Wars, Close Encounters of the Third Kind, Superman, The Empire Strikes Back, E.T. the Extra-Terrestrial, Angela's Ashes, Munich, Indiana Jones and the Kingdom of the Crystal Skull, and The Book Thief. The competition includes not only composers of film scores, but also composers of instrumental music of any genre, including composers of classical fare such as symphonies and chamber music.
In 2009, Williams received the National Medal of Arts in the White House in Washington, D.C. for his achievements in symphonic music for films, and "as a pre-eminent composer and conductor [whose] scores have defined and inspired modern movie-going for decades."
In 2005, the American Film Institute selected Williams's richly thematic and highly popular score to 1977's Star Wars as the greatest American film score of all time. His scores for Jaws and E.T. also appeared on the list, at No. 6 and No. 14, respectively. He is the only composer to have three scores on the list. Williams received the AFI Life Achievement Award in June 2016, becoming the first composer to receive the award.
|1967||Valley of the Dolls||Best Score Adaptation||Nominated|
|1969||Goodbye, Mr Chips||Best Score Adaptation||Nominated|
|The Reivers||Best Original Score||Nominated|
|1971||Fiddler on the Roof||Best Scoring Adaptation and Original Song Score||Won|
|1972||Images||Best Original Dramatic Score||Nominated|
|The Poseidon Adventure||Best Original Dramatic Score||Nominated|
|1973||Cinderella Liberty||Best Original Dramatic Score||Nominated|
|"Nice to Be Around" (from Cinderella Liberty)||Best Original Song||Nominated|
|Tom Sawyer||Best Score Adaptation||Nominated|
|1974||The Towering Inferno||Original Score||Nominated|
|1975||Jaws||Best Original Dramatic Score||Won|
|1977||Star Wars||Original Score||Won|
|Close Encounters of the Third Kind||Original Score||Nominated|
|1980||The Empire Strikes Back||Original Score||Nominated|
|1981||Raiders of the Lost Ark||Original Score||Nominated|
|1982||E.T. the Extra-Terrestrial||Original Score||Won|
|"If We Were in Love" (from Yes, Giorgio)||Best Original Song||Nominated|
|1983||Return of the Jedi||Original Score||Nominated|
|1984||Indiana Jones and the Temple of Doom||Original Score||Nominated|
|The River||Original Score||Nominated|
|1987||Empire of the Sun||Original Score||Nominated|
|The Witches of Eastwick||Original Score||Nominated|
|1988||The Accidental Tourist||Original Score||Nominated|
|1989||Born on the Fourth of July||Original Score||Nominated|
|Indiana Jones and the Last Crusade||Original Score||Nominated|
|1990||Home Alone||Original Score||Nominated|
|"Somewhere in My Memory" (from Home Alone)||Best Original Song||Nominated|
|"When You're Alone" (from Hook)||Best Original Song||Nominated|
|1993||Schindler's List||Original Score||Won|
|1995||Nixon||Best Original Dramatic Score||Nominated|
|Sabrina||Best Original Musical or Comedy Score||Nominated|
|"Moonlight" (from Sabrina)||Best Original Song||Nominated|
|1996||Sleepers||Best Original Dramatic Score||Nominated|
|1997||Amistad||Best Original Dramatic Score||Nominated|
|1998||Saving Private Ryan||Best Original Dramatic Score||Nominated|
|1999||Angela's Ashes||Original Score||Nominated|
|2000||The Patriot||Original Score||Nominated|
|2001||A.I. Artificial Intelligence||Original Score||Nominated|
|Harry Potter and the Sorcerer's Stone||Original Score||Nominated|
|2002||Catch Me If You Can||Original Score||Nominated|
|2004||Harry Potter and the Prisoner of Azkaban||Original Score||Nominated|
|2005||Memoirs of a Geisha||Original Score||Nominated|
|2011||The Adventures of Tintin||Original Score||Nominated|
|War Horse||Original Score||Nominated|
|2013||The Book Thief||Original Score||Nominated|
|2015||Star Wars: The Force Awakens||Original Score||Nominated|
|2017||Star Wars: The Last Jedi||Original Score||Nominated|
|1975||Jaws||Best Film Music||Won|
|1978||Star Wars||Best Film Music||Won|
|Close Encounters of the Third Kind||Best Film Music||Nominated|
|1980||The Empire Strikes Back||Best Film Music||Won|
|1981||Raiders of the Lost Ark||Best Film Music||Nominated|
|1982||E.T. the Extra-Terrestrial||Best Film Music||Won|
|1988||Empire of the Sun||Best Film Music||Won|
|1993||Schindler's List||Best Film Music||Won|
|1998||Saving Private Ryan||Best Film Music||Nominated|
|2002||Catch Me If You Can||Best Film Music||Nominated|
|2005||Memoirs of a Geisha||Best Film Music||Won|
|2011||War Horse||Best Film Music||Nominated|
|2012||Lincoln||Best Film Music||Nominated|
|2013||The Book Thief||Best Film Music||Nominated|
|2015||Star Wars: The Force Awakens||Best Film Music||Nominated|
|1962||Alcoa Premiere||Outstanding Achievement in Original Music Composed for Television||Nominated|
|1963||Alcoa Premiere||Outstanding Achievement in Composing Original Music||Nominated|
|1968||Heidi||Outstanding Achievement in Musical Composition||Won|
|1971||Jane Eyre||Outstanding Achievement in Musical Composition||Won|
|2002||74th Academy Awards||Outstanding Music Direction||Nominated|
|2009||Great Performances||Outstanding Original Main Title Theme Music||Won|
|1972||The Poseidon Adventure||Best Original Score||Nominated|
|1973||Cinderella Liberty||Best Original Score||Nominated|
|Tom Sawyer (with Richard M. Sherman and Robert B. Sherman)||Best Original Score||Nominated|
|1974||Earthquake||Best Original Score||Nominated|
|1975||Jaws||Best Original Score||Won|
|1977||Star Wars||Best Original Score||Won|
|Close Encounters of the Third Kind||Best Original Score||Nominated|
|1978||Superman||Best Original Score||Nominated|
|1980||The Empire Strikes Back||Best Original Score||Nominated|
|1982||E.T. the Extra-Terrestrial||Best Original Score||Won|
|"If We Were In Love" (with Alan and Marilyn Bergman) from Yes, Giorgio||Best Original Song||Nominated|
|1984||The River||Best Original Score||Nominated|
|1987||Empire of the Sun||Best Original Score||Nominated|
|1988||The Accidental Tourist||Best Original Score||Nominated|
|1989||Born on the Fourth of July||Best Original Score||Nominated|
|1993||Schindler's List||Best Original Score||Nominated|
|1995||"Moonlight" (with Alan and Marilyn Bergman) from Sabrina||Best Original Song||Nominated|
|1997||Seven Years in Tibet||Best Original Score||Nominated|
|1998||Saving Private Ryan||Best Original Score||Nominated|
|1999||Angela's Ashes||Best Original Score||Nominated|
|2001||A.I. Artificial Intelligence||Best Original Score||Nominated|
|2005||Memoirs of a Geisha||Best Original Score||Won|
|2011||War Horse||Best Original Score||Nominated|
|2012||Lincoln||Best Original Score||Nominated|
|2013||The Book Thief||Best Original Score||Nominated|
|2017||The Post||Best Original Score||Nominated|||
|1962||Checkmate||Best Soundtrack Album or Recording or Score from Motion Picture or Television||Nominated|
|1975||Jaws||Album of Best Original Score Written for a Motion Picture or a Television Special||Won|
|1978||"Main Title" from Star Wars||Best Instrumental Composition||Won|
|Star Wars||Best Pop Instrumental Recording||Won|
|Best Original Score Written For A Motion Picture Or A Television Special||Won|
|Album of the Year||Nominated|
|1979||"Theme from Close Encounters of the Third Kind"||Best Instrumental Composition||Won|
|Close Encounters of the Third Kind||Best Album of Original Score Written for a Motion Picture||Won|
|1980||"Main Title Theme from Superman"||Best Instrumental Composition||Won|
|Best Pop Instrumental Performance||Nominated|
|Superman||Best Album of Original Score Written for a Motion Picture||Won|
|1981||"Yoda's Theme"||Best Pop Instrumental Performance||Nominated|
|Best Instrumental Composition||Nominated|
|"The Empire Strikes Back"||Won|
|"Imperial March" (Darth Vader's Theme)||Nominated|
|Star Wars Episode V: The Empire Strikes Back||Best Album of Original Score Written for a Motion Picture||Won|
|1982||Raiders of the Lost Ark||Best Album of Original Score Written for a Motion Picture||Won|
|1983||"Adventures on Earth"||Best Instrumental Composition||Nominated|
|"Flying" (Theme from E.T.)||Won|
|Best Arrangement on an Instrumental Recording||Won|
|E.T. the Extra-Terrestrial||Best Pop Instrument Performance||Nominated|
|Best Album of Original Score Written for a Motion Picture||Won|
|1984||Star Wars Episode VI: Return of the Jedi||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1985||Olympic Fanfare and Theme||Best Instrumental Composition||Won|
|1986||Prokofiev: Peter and the Wolf||Best Recording for Children||Nominated|
|1988||The Witches of Eastwick||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1989||"Olympic Spirit"||Best Instrumental Composition||Nominated|
|Empire of the Sun||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1990||Indiana Jones and the Last Crusade||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1991||Born on the Fourth of July||Best Arrangement on an Instrumental Recording||Nominated|
|1992||The Star Wars Trilogy||Best Pop Instrumental Performance||Nominated|
|"Home Alone Main Title"||Best Arrangement on an Instrumental||Nominated|
|"Somewhere in My Memory" (with Leslie Bricusse) from Home Alone||Best Song Written Specifically for a Motion Picture or for Television||Nominated|
|1993||Hook||Best Pop Instrumental Performance||Nominated|
|Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1994||Jurassic Park||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|1995||Schindler's List||Instrumental Composition for a Motion Picture or Television||Won|
|1997||"Moonlight" (with Alan and Marilyn Bergman) from Sabrina||Best Song Written Specifically for a Motion Picture or for Television||Nominated|
|1998||Seven Years in Tibet||Best Instrumental Composition Written for a Motion Picture or for Television||Nominated|
|The Lost World: Jurassic Park||Nominated|
|1999||Saving Private Ryan||Best Instrumental Composition Written for a Motion Picture or for Television||Won|
|Gershwin Fantasy||Best Classical Crossover Album||Nominated|
|2000||Star Wars Episode I: The Phantom Menace||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|"Stella by Starlight" (from The Uninvited) from: Cinema Serenade 2: The Golden Age||Best Instrumental Arrangement||Nominated|
|2001||"Theme" from Angela's Ashes||Best Instrumental Composition||Won|
|2002||Artificial Intelligence: A.I.||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|2003||"Hedwig's Theme"||Best Instrumental Composition||Nominated|
|Harry Potter and the Sorcerer's Stone||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|2004||Catch Me If You Can||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|Harry Potter and the Chamber of Secrets||Nominated|
|2005||Harry Potter and the Prisoner of Azkaban||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|2006||Star Wars Episode III: Revenge of the Sith||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|2007||Memoirs of a Geisha||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Won|
|"A Prayer For Peace" (Theme from Munich)||Best Instrumental Composition||Won|
|"Sayuri's Theme and End Credits" (Theme from Memoirs of a Geisha)||Nominated|
|2009||Indiana Jones and the Kingdom of the Crystal Skull||Best Score Soundtrack Album for Motion Picture, Television or Other Visual Media||Nominated|
|"The Adventures of Mutt" from Indiana Jones and the Kingdom of the Crystal Skull||Best Instrumental Composition||Won|
|2012||The Adventures of Tintin||Best Score Soundtrack For Visual Media||Nominated|
|2013||Lincoln||Best Score Soundtrack for Visual Media||Nominated|
|2014||"The Book Thief" from The Book Thief||Best Instrumental Composition||Won|
|2016||Star Wars: The Force Awakens||Best Score Soundtrack for Visual Media||Won|
|2017||"Escapades for Alto Saxophone and Orchestra" from Catch Me If You Can||Best Arrangement, Instrumental or A Cappella||Won|
|2018||Star Wars: The Last Jedi||Best Score Soundtrack for Visual Media||Nominated|
|"Mine Mission" from Solo: A Star Wars Story||Best Instrumental Composition||Nominated|
|1975||Main Title (Theme from "Jaws")|
|1977||Star Wars (Main Title)|
|1978||Theme from "Close Encounters of the Third Kind"|
| Conductor, Boston Pops Orchestra
|First|| Laureate Conductor, Boston Pops Orchestra
A.I. Artificial Intelligence, also known as A.I., is a 2001 American science fiction drama film directed by Steven Spielberg. The screenplay by Spielberg and screen story by Ian Watson were based on the 1969 short story "Supertoys Last All Summer Long" by Brian Aldiss. The film was produced by Kathleen Kennedy, Spielberg and Bonnie Curtis. It stars Haley Joel Osment, Jude Law, Frances O'Connor, Brendan Gleeson and William Hurt. Set in a futuristic post-climate change society, A.I. tells the story of David (Osment), a childlike android uniquely programmed with the ability to love.
Development of A.I. originally began with producer-director Stanley Kubrick, after he acquired the rights to Aldiss' story in the early 1970s. Kubrick hired a series of writers until the mid-1990s, including Brian Aldiss, Bob Shaw, Ian Watson, and Sara Maitland. The film languished in protracted development for years, partly because Kubrick felt computer-generated imagery was not advanced enough to create the David character, whom he believed no child actor would convincingly portray. In 1995, Kubrick handed A.I. to Spielberg, but the film did not gain momentum until Kubrick's death in 1999. Spielberg remained close to Watson's film treatment for the screenplay.
The film received positive reviews, and grossed approximately $235 million. The film was nominated for two Academy Awards at the 74th Academy Awards, for Best Visual Effects and Best Original Score (by John Williams).
In a 2016 BBC poll of 177 critics around the world, Steven Spielberg's A.I. Artificial Intelligence was voted the eighty-third-greatest film since 2000. A.I. is dedicated to Stanley Kubrick.Academy Award for Best Original Score
The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer.Amistad (film)
Amistad is a 1997 American historical drama film directed by Steven Spielberg, based on the true story of the events in 1839 aboard the slave ship La Amistad, during which Mende tribesmen abducted for the slave trade managed to gain control of their captors' ship off the coast of Cuba, and the international legal battle that followed their capture by the Washington, a U.S. revenue cutter. The case was ultimately resolved by the U.S. Supreme Court in 1841.
Morgan Freeman, Nigel Hawthorne, Anthony Hopkins, Djimon Hounsou, and Matthew McConaughey had starring roles. David Franzoni's screenplay was based on the book Mutiny on the Amistad: The Saga of a Slave Revolt and Its Impact on American Abolition, Law, and Diplomacy (1987), by the historian Howard Jones.BAFTA Award for Best Film Music
This is a list of winners and nominees for the Anthony Asquith Award for Film Music (or BAFTA Award for Best Film Music), which is presented to film composers, given out by the British Academy of Film and Television Arts since 1968.
With seven wins out of sixteen nominations, John Williams is both the most nominated and most awarded in this category. Ennio Morricone is the only composer to win in consecutive years; for The Mission in 1986 and The Untouchables in 1987. Morricone also has the highest perfect score and record, with six wins from six nominations. In 2019, Lady Gaga became the first and currently only woman to win this award for A Star Is Born.Golden Globe Award for Best Original Score
The Golden Globe Award for Best Original Score is one of several categories presented by the Hollywood Foreign Press Association (HFPA), an organization of journalists who cover the United States film industry, but are affiliated with publications outside North America, since its institution in 1947. Since the 5th Golden Globe Awards (1947), the award is presented annually, except from 1953 to 1958. The nominations from 1947 and 1948 are not available. The first Golden Globe Award for Best Original Score went to Max Steiner for his compositional work on Life with Father.
John Williams is the artist with the most nominations (24); those resulted in 4 wins. Dimitri Tiomkin had the same number of wins, but out of only 5 nominations. Other notable achievers include Maurice Jarre (10 nominations, 4 wins) and Alan Menken (5 nominations, 3 wins). Artists like Jerry Goldsmith (9 nominations) and Michel Legrand (7 nominations) were nominated several times but never received the award. Dmitri Tiomkin, Alan Menken and Howard Shore are the only composers to win two consecutive awards. Additionally, Dimitri Tiomkin received Special Achievement Awards for his services to film music in 1955 and 1957, as did Hugo Friedhofer in 1958. The most recent recipient of this award was Justin Hurwitz for the film First Man.
† – indicates an Academy Award-winning score.
‡ – indicates an Academy Award-nomination.
§ – indicates a Golden Globe Award-winning score that was not nominated for an Academy Award.Grammy Award for Best Score Soundtrack for Visual Media
The Grammy Award for Best Score Soundtrack for Visual Media is an honor presented to a composer or composers for an original score created for a film, TV show or series, video games or other visual media at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".It has been awarded since the 2nd Annual Grammy Awards in 1959. The first recipient was American composer and pianist Duke Ellington, for the soundtrack to the 1959 film Anatomy of a Murder. Originally known as the Grammy Award for Best Sound Track Album – Background Score from a Motion Picture or Television, the award is now known as the Grammy Award for Best Score Soundtrack for Visual Media. Until 2001, the award was presented to the composer of the music alone. From 2001 to 2006, the producer and engineers shared in this award. In 2007, the award reverted to a composer-only award. John Williams holds the record for most wins and nominations for the award, with eleven wins out of thirty-two nominations.Home Alone
Home Alone is a 1990 American Christmas comedy film written and produced by John Hughes and directed by Chris Columbus. The film stars Macaulay Culkin as Kevin McCallister, an 8-year-old boy who is mistakenly left behind when his family flies to Paris for their Christmas vacation. Kevin initially relishes being home alone, but soon has to contend with two burglars, played by Joe Pesci and Daniel Stern. The film also features John Heard and Catherine O'Hara as Kevin's parents.
Culkin was nominated for the Golden Globe Award for Best Actor – Musical or Comedy, and the film was nominated for two Academy Awards: Best Original Score, which was written by John Williams, and Best Original Song for "Somewhere in My Memory". After its release, Home Alone became the highest-grossing live action comedy film of all time in the United States, and also held the record worldwide until it was overtaken by The Hangover Part II in 2011. For nearly three decades, the film was also the highest-grossing Christmas film of all time until it was surpassed by The Grinch in 2018. Despite the mixed critical reception upon its initial release, Home Alone has been hailed as a holiday classic among audiences, and is often ranked as one of the best Christmas films of all time.Home Alone spawned a successful film franchise with four sequels, including the 1992 film Home Alone 2: Lost in New York, which is the only Home Alone sequel to have the original cast reprising their roles.Hook (film)
Hook is a 1991 American fantasy adventure film directed by Steven Spielberg and written by James V. Hart and Malia Scotch Marmo. It stars Robin Williams as Peter Banning / Peter Pan, Dustin Hoffman as Captain Hook, Julia Roberts as Tinker Bell, Bob Hoskins as Smee, Maggie Smith as Wendy, Caroline Goodall as Moira Banning, and Charlie Korsmo as Jack Banning. It acts as a sequel to J. M. Barrie's 1911 novel Peter and Wendy focusing on an adult Peter Pan who has forgotten all about his childhood. In his new life, he is known as Peter Banning, a successful but unimaginative and workaholic corporate lawyer with a wife (Wendy's granddaughter) and two children. However, when Captain Hook, the enemy of his past, kidnaps his children, he returns to Neverland in order to save them. Along the journey, he reclaims the memories of his past and becomes a better person.
Spielberg began developing the film in the early 1980s with Walt Disney Productions and Paramount Pictures, which would have followed the storyline seen in the 1924 silent film and 1953 animated film. It entered pre-production in 1985, but Spielberg abandoned the project. James V. Hart developed the script with director Nick Castle and TriStar Pictures before Spielberg decided to direct in 1989. It was shot almost entirely on sound stages at Sony Pictures Studios in Culver City, California. Released on December 11, 1991, Hook received mixed reviews from critics, and while it was a commercial success, its box office take was lower than expected. It was nominated in five categories at the 64th Academy Awards. It also spawned merchandise, including video games, action figures, and comic book adaptations.John Williams (archbishop of York)
John Williams (22 March 1582 – 25 March 1650) was a Welsh clergyman and political advisor to King James I. He served as Bishop of Lincoln 1621–1641, Lord Keeper of the Great Seal 1621–1625, and Archbishop of York 1641–1646. He was the last bishop to serve as lord chancellor.John Williams (offensive lineman)
John McKay Williams (October 27, 1945 – July 8, 2012) was a National Football League offensive lineman from 1968 through 1979. During that span he appeared in three Super Bowls: Super Bowl III and Super Bowl V for the Baltimore Colts; and Super Bowl XIV for the Los Angeles Rams. He played college football at the University of Minnesota where he was a First Team All-Big Ten tackle in 1967 and led the Gophers to the Big Ten title. Williams died on July 8, 2012 in Minneapolis, Minnesota, at the age of 66, while out for a walk. He had recently been the recipient of a kidney transplant.Jurassic Park (film)
Jurassic Park is a 1993 American science fiction adventure film directed by Steven Spielberg and produced by Kathleen Kennedy and Gerald R. Molen. The first installment in the Jurassic Park franchise, it is based on the 1990 novel of the same name by Michael Crichton and a screenplay written by Crichton and David Koepp. The film is set on the fictional island of Isla Nublar, located off Central America's Pacific Coast near Costa Rica. There billionaire philanthropist John Hammond and a small team of genetic scientists have created a wildlife park of de-extinct dinosaurs. When industrial sabotage leads to a catastrophic shutdown of the park's power facilities and security precautions, a small group of visitors, and Hammond's grandchildren, struggle to survive and escape the perilous island.
Before Crichton's novel was published, four studios put in bids for its film rights. With the backing of Universal Studios, Spielberg acquired the rights for $1.5 million before its publication in 1990; Crichton was hired for an additional $500,000 to adapt the novel for the screen. Koepp wrote the final draft, which left out much of the novel's exposition and violence and made numerous changes to the characters. Filming took place in California and Hawaii between August and November 1992, and post-production rolled until May 1993, supervised by Spielberg in Poland as he filmed Schindler's List.
The dinosaurs were created with groundbreaking computer-generated imagery by Industrial Light & Magic (ILM) and with life-sized animatronic dinosaurs built by Stan Winston's team. To showcase the film's sound design, which included a mixture of various animal noises for the dinosaur roars, Spielberg invested in the creation of DTS, a company specializing in digital surround sound formats. Following an extensive $65 million marketing campaign, which included licensing deals with 100 companies, Jurassic Park premiered on June 9, 1993, at the Uptown Theater in Washington, D.C., and was released on June 11 in the United States. It went on to gross over $914 million worldwide in its original theatrical run becoming the highest-grossing film of 1993 and the highest-grossing film ever at the time, a record held until the release of Titanic in 1997. It was well received by critics, who praised its special effects, John Williams' musical score, and Spielberg's direction. Following its 3D re-release in 2013 to celebrate its 20th anniversary, Jurassic Park became the seventeenth film in history to surpass $1 billion in ticket sales.
The film won more than twenty awards, including three Academy Awards for its technical achievements in visual effects and sound design. Jurassic Park is considered a landmark in the development of computer-generated imagery and animatronic visual effects and was followed by four commercially successful sequels, The Lost World: Jurassic Park (1997), Jurassic Park III (2001), Jurassic World (2015) and Jurassic World: Fallen Kingdom (2018), with a fifth sequel, currently titled Jurassic World 3, scheduled for a 2021 release.
In 2018, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".Munich (film)
Munich is a 2005 historical drama film produced and directed by Steven Spielberg and written by Tony Kushner and Eric Roth. It is based on the book Vengeance, an account of Operation Wrath of God, the Israeli government's secret retaliation against the Palestine Liberation Organization after the Munich massacre at the 1972 Summer Olympics.
Munich received five Academy Awards nominations: Best Picture, Best Director, Best Adapted Screenplay, Best Editing and Best Score. The film made $130 million worldwide but just $47 million in the United States, making it one of Spielberg's lowest-grossing films domestically. In 2017, the film was named the sixteenth "Best Film of the 21st Century So Far" by The New York Times.Schindler's List
Schindler's List is a 1993 American epic historical period drama film directed and co-produced by Steven Spielberg and written by Steven Zaillian. It is based on the novel Schindler's Ark by Australian novelist Thomas Keneally. The film follows Oskar Schindler, a Sudeten German businessman, who saved the lives of more than a thousand mostly Polish-Jewish refugees from the Holocaust by employing them in his factories during World War II. It stars Liam Neeson as Schindler, Ralph Fiennes as SS officer Amon Göth, and Ben Kingsley as Schindler's Jewish accountant Itzhak Stern.
Ideas for a film about the Schindlerjuden (Schindler Jews) were proposed as early as 1963. Poldek Pfefferberg, one of the Schindlerjuden, made it his life's mission to tell the story of Schindler. Spielberg became interested in the story when executive Sidney Sheinberg sent him a book review of Schindler's Ark. Universal Pictures bought the rights to the novel, but Spielberg, unsure if he was ready to make a film about the Holocaust, tried to pass the project to several other directors before finally deciding to direct the film himself.
Principal photography took place in Kraków, Poland, over the course of 72 days in 1993. Spielberg shot the film in black and white and approached it as a documentary. Cinematographer Janusz Kamiński wanted to give the film a sense of timelessness. John Williams composed the score, and violinist Itzhak Perlman performs the film's main theme.
Schindler's List premiered on November 30, 1993, in Washington, D.C. and it was released on December 15, 1993, in the United States. Often listed among the greatest films ever made, it was also a box office success, earning $322 million worldwide on a $22 million budget. It was the recipient of seven Academy Awards (out of twelve nominations), including Best Picture, Best Director, Best Adapted Screenplay, and Best Original Score, as well as numerous other awards (including seven BAFTAs and three Golden Globes). In 2007, the American Film Institute ranked the film 8th on its list of the 100 best American films of all time. The Library of Congress selected it for preservation in the National Film Registry in 2004.The Post (film)
The Post is a 2017 American historical political thriller film directed and produced by Steven Spielberg, and written by Liz Hannah and Josh Singer. It stars Meryl Streep as Katharine Graham, the first female publisher of a major American newspaper, and Tom Hanks as Ben Bradlee, the executive editor of The Washington Post, with Sarah Paulson, Bob Odenkirk, Tracy Letts, Bradley Whitford, David Cross, Bruce Greenwood, Carrie Coon, Alison Brie, and Matthew Rhys in supporting roles. Set in 1971, The Post depicts the true story of attempts by journalists at The Washington Post to publish the Pentagon Papers, classified documents regarding the 30-year involvement of the United States government in the Vietnam War.
Principal photography began in New York City in May 2017. The film premiered at the Newseum in Washington, D.C. on December 14, 2017, and went into limited release in the United States on December 22, 2017. It entered wide release on January 12, 2018, and grossed $179 million worldwide.
The film received positive reviews: critics praised the performances—particularly those of Streep, Hanks, and Odenkirk—and the film's references and allusions to the presidencies of Richard Nixon and Donald Trump. The Post was chosen by the National Board of Review as the best film of 2017 and was named as one of the top 10 films of the year by Time and the American Film Institute. The Post was nominated for Best Picture and Best Actress (for Streep) at the 90th Academy Awards, and received six nominations at the 75th Golden Globe Awards: Best Motion Picture – Drama, Best Director, Best Actress – Drama (for Streep), Best Actor – Drama (for Hanks), Best Screenplay, and Best Original Score.The Terminal
The Terminal is a 2004 American comedy-drama film co-produced and directed by Steven Spielberg and starring Tom Hanks, Catherine Zeta-Jones, and Stanley Tucci. The film is about an Eastern European man who becomes stuck in New York's John F. Kennedy Airport terminal when he is denied entry into the United States and at the same time cannot return to his native country because of a military coup.
The film is partially inspired by the 18-year stay of Mehran Karimi Nasseri in Terminal 1 of Paris-Charles de Gaulle Airport, France, from 1988 to 2006. After finishing his previous film, Catch Me If You Can, Spielberg decided to direct The Terminal because he wanted to make another film "that could make us laugh and cry and feel good about the world". Due to a lack of suitable airports willing to provide their facilities for the production, an entire working set was built inside a large hangar at the LA/Palmdale Regional Airport, while most of the film's exterior shots were from the Montréal–Mirabel International Airport.
The film was released in North America on June 18, 2004 to general acclaim and commercial success, earning $77.9 million in domestic grosses and $219.4 million worldwide.