John Cassavetes

John Nicholas Cassavetes (/ˌkæsəˈvɛtiːz/;[1] December 9, 1929 – February 3, 1989) was a Greek-American actor, film director, and screenwriter.[2] Cassavetes was a pioneer of American independent film, writing and directing over a dozen movies, which he partially self-financed, and pioneered the use of improvisation and a cinéma vérité style. He also acted in many Hollywood films, notably Rosemary's Baby (1968) and The Dirty Dozen (1967). He studied acting with Don Richardson, utilizing an alternative technique to method acting which privileged character over traditional narrative.[3][4] His income from acting made it possible for him to direct his own films independently.[5]

Cassavetes was nominated for three separate Academy Awards: Best Supporting Actor for The Dirty Dozen (1967), Best Original Screenplay for Faces (1968) and Best Director for A Woman Under the Influence (1974). He collaborated frequently with various actors, including his wife Gena Rowlands, Peter Falk, Ben Gazzara, and Seymour Cassell.

His children Nick Cassavetes, Zoe Cassavetes, and Xan Cassavetes are also filmmakers.

John Cassavetes
John Cassavetes Johnny Staccato 1959
John Cassavetes as Johnny Staccato, (1959)
Born
John Nicholas Cassavetes

December 9, 1929
New York City, U.S.
DiedFebruary 3, 1989 (aged 59)
Los Angeles, California, U.S.
Resting placeWestwood Village Memorial Park Cemetery
NationalityAmerican
EducationBlair Academy
Alma materAmerican Academy of Dramatic Arts
Occupation
  • Actor
  • filmmaker
Years active1951–1989
Spouse(s)
Gena Rowlands
(m. 1954)
Children
Parent(s)Katherine Cassavetes

Early life

Cassavetes was born in New York City, the son of Greek American Katherine Cassavetes (née Demetre), who was to be featured in some of his films, and Greek immigrant Nicholas John Cassavetes; in Greek, his name is Ιωάννης Νικόλαος Κασσαβέτης. His early years were spent with his family in Greece; when he returned at age seven, he spoke no English.[6] He was reared on Long Island, New York. He attended Port Washington High School from 1945 to 1947 and participated in Port Weekly (the school paper), Red Domino (interclass play), football, and the Port Light (yearbook). Next to his photo on page 55 of his 1947 yearbook is written: "'Cassy' is always ready with a wisecrack, but he does have a serious side. A 'sensational' personality. Drives his 'heap' all over." Cassavetes attended Blair Academy in New Jersey and spent a semester at Champlain College before being expelled due to his failing grades. He spent a few weeks hitchhiking down to Florida and transferred to the American Academy of Dramatic Arts after running into friends who had just enrolled, stating the school was packed with girls, encouraging Cassavetes to enroll.[7] He graduated in 1950 and met his future wife Gena Rowlands at her audition into the Academy[8] in 1953 and they were married four months later in 1954.[9] He continued acting in the theater, took small parts in films and began working on television in anthology series, such as Alcoa Theatre.

The middle years

Acting workshop and Shadows

By 1956, Cassavetes had begun teaching an alternative to method acting in his own workshop in New York City. An improvisation exercise in his workshop inspired the idea for his writing and directorial debut, Shadows (1959; first version 1957). Cassavetes raised the funds for the production from friends and family, as well as listeners to Jean Shepherd's late-night radio talk-show Night People. His stated purpose was to make a film about little people, different from Hollywood studio productions.

Cassavetes was unable to gain American distribution of Shadows, but it won the Critics Award at the Venice Film Festival. European distributors later released the movie in the United States as an import. Although the box-office of Shadows in the United States was slight, it did gain attention from the Hollywood studios.

Television and acting jobs

John Cassavetes Gena Rowlands Johnny Staccato 1959
Cassavetes with his wife Gena Rowlands

Cassavetes played bit-parts in B pictures and in television serials, until gaining notoriety in 1955 as a vicious killer in The Night Holds Terror, and as a juvenile delinquent in the live TV drama Crime in the Streets. Cassavetes would repeat this performance in the 1956 film version. His first starring role in a feature film was Edge of the City (1957), which co-starred Sidney Poitier. He was briefly under contract to Metro-Goldwyn-Mayer and co-starred with Robert Taylor in the western Saddle the Wind, written by Rod Serling. In the late 1950s, Cassavetes guest-starred in Beverly Garland's groundbreaking crime drama, Decoy, about a New York City woman police undercover detective. Thereafter, he played Johnny Staccato, the title character in a television series about a jazz pianist who also worked as a private detective. In total he directed five episodes of the series, which also features a guest appearance by his wife Gena Rowlands. It was broadcast on NBC between September 1959 and March 1960 when it was acquired by ABC and although critically acclaimed, the series was cancelled in September 1960. Cassavetes would appear on the NBC interview program, Here's Hollywood.

In 1961 Cassavetes signed a seven year deal with Paramount.[10]

Cassavetes directed two movies for Hollywood in the early 1960s – Too Late Blues (1961) and A Child Is Waiting. A Child Is Waiting (1963) starred Burt Lancaster and Judy Garland. He also starred in the CBS western series Rawhide, in the episode "Incident Near Gloomy River" (1961). In the 1962–1963 season, Cassavetes guest-starred on the CBS anthology series, The Lloyd Bridges Show, and directed two episodes, including "A Pair of Boots", in which his friend Seymour Cassel guest-starred. In the 1963–1964 season, Cassavetes appeared in Jason Evers's ABC drama about college life, Channing. That same season he was cast in the ABC medical drama about psychiatry, Breaking Point. In 1964, he again co-starred with his wife, this time in an episode of The Alfred Hitchcock Hour anthology program, and in 1965, he appeared on ABC's western series, The Legend of Jesse James. The same year he also guest-starred in the World War II series, Combat!, in the episode "S.I.W." as well as insane nuclear scientist Everett Lang in Voyage to the Bottom of the Sea, season 2, episode "The Peacemaker".

With payment for his work on television, as well as a handful of film acting jobs, he was able to relocate to California and to make his subsequent films independent of any studio, as Shadows had been. The films in which he acted with this intention include Don Siegel's The Killers (1964), the motorcycle gang movie Devil's Angels (1967), The Dirty Dozen (1967), for which he was nominated for an Academy Award for Best Supporting Actor, Roman Polanski's Rosemary's Baby (1968), and The Fury (1978). Cassavetes portrayed the murderer in a 1972 episode of the TV crime series Columbo entitled "Étude in Black". Cassavetes and series star Peter Falk had previously starred together in the 1969 mob action thriller Machine Gun McCain.

The Faces International films

Faces (1968) was the second film to be both directed and independently financed by Cassavetes. The film starred his wife Gena Rowlands, whom he had married during his struggling actor days, John Marley, Seymour Cassel and Val Avery, as well as several first time actors, such as lead actress Lynn Carlin. It depicts the slow disintegration of a contemporary marriage. The film reportedly took three years to make, and was made largely in the Cassavetes home. Faces was nominated for three Academy Awards (Best Original Screenplay, Best Supporting Actor and Best Supporting Actress). Around this time, Cassavetes formed "Faces International" as a distribution company to handle all of his films.

In 1970, Cassavetes directed and acted in Husbands, with actors Peter Falk and Ben Gazzara. They played a trio of married men on a spree in New York and London after the funeral of one of their best friends. Cassavetes stated this was a personal film for him; his older brother died at the age of 30.[11]

Minnie and Moskowitz (1971), about two unlikely lovers, featured Rowlands and Cassel.

A Woman Under the Influence (1974) stars Rowlands as an increasingly troubled housewife. Rowlands received an Academy Award nomination for Best Actress, while Cassavetes was nominated for Best Director.

In The Killing of a Chinese Bookie (1976), Gazzara plays a small-time strip-club owner with an out-of-control gambling habit, pressured by mobsters to commit a murder to pay off his debt.

Opening Night (1977) Rowlands plays the lead alongside Cassavetes and the film also stars Gazzara and Joan Blondell. Rowlands portrays an aging film star named Myrtle Gordon working in the theater and suffering a personal crisis. Alone and unloved by her colleagues, in fear of aging and always removed from others due to her stardom, she succumbs to alcohol and hallucinations after witnessing the accidental death of a young fan. Ultimately, Gordon fights through it all delivering the performance of her life in a play. Rowlands won the Silver Bear for Best Actress at the 28th Berlin International Film Festival for her performance.[12]

Last years

Cassavetes directed the film Gloria (1980), featuring Rowlands as a Mob moll who tries to protect an orphan boy whom the Mob wants to kill. Rowlands earned another Best Actress nomination for it. In 1982, Cassavetes starred in Paul Mazursky's Tempest, which co-starred Rowlands, Susan Sarandon, Molly Ringwald, Raúl Juliá and Vittorio Gassman.

Cassavetes penned the stage play Knives, the earliest version of which he allowed to be published in the 1978 premiere issue of On Stage, the quarterly magazine of the American Community Theatre Association, a division of the American Theatre Association.[13] The play was produced and directed as one of his Three Plays of Love and Hate at Hollywood, California's Center Theater in 1981. The trio of plays included versions of Canadian playwright Ted Allan's The Third Day Comes and Love Streams, the latter of which served as the blueprint for Cassavetes's 1984 film of the same name.[14]

After receiving the prognosis from his doctor that he had six months to live, Cassavetes made Love Streams (1984), which featured him as an aging playboy who suffers the overbearing affection of his recently divorced sister. It was entered into the 34th Berlin International Film Festival where it won the Golden Bear.[15] The film is often considered Cassavetes's "last film" in that it brought together many aspects of his previous films. He despised the film Big Trouble (1986), which he took over during filming from Andrew Bergman, who wrote the original screenplay. Cassavetes came to refer to the film as "The aptly titled 'Big Trouble,'" since the studio vetoed many of his decisions for the film and eventually edited most of it in a way with which Cassavetes disagreed.[16]

In January 1987, Cassavetes was facing health problems but having outlasted his doctor's prognosis, he wrote the three-act play Woman of Mystery and brought it to the stage in May and June at the Court Theater.[17]

Cassavetes worked during the last year of his life to produce a last film which was to be titled She's Delovely. He was in talks with Sean Penn to star, though legal and financial hurdles proved insurmountable and the project was forgotten about until after Cassavetes's death, when it was finally made as She's So Lovely, directed by his son Nick Cassavetes.[18]

Death and legacy

John Cassavetes grave at Westwood Village Memorial Park Cemetery in Brentwood, California
John Cassavetes's grave

Cassavetes died from cirrhosis of the liver on February 3, 1989, at the age of 59, caused by many years of alcoholism. He is buried at Westwood Village Memorial Park cemetery in Los Angeles.

At the time of his death, Cassavetes had amassed a collection of more than 40 unproduced screenplays, as well as a novel, Husbands.[19] He also left three unproduced plays: Sweet Talk, Entrances and Exits and Begin the Beguine. But Begin the Beguine, in German translation, was co-produced by Needcompany of Belgium and Burgtheater of Vienna; it premiered on stage at Vienna's Akademietheater in 2014.[20][21]

Cassavetes is the subject of several books about the actor/filmmaker's life. Cassavetes on Cassavetes is a collection of interviews collected or conducted by Boston University film scholar Ray Carney, in which the filmmaker recalled his experiences, influences and outlook on the film industry. In the Oscar 2005 edition of Vanity Fair, one article features a tribute to Cassavetes by three members of his stock company, Rowlands, Ben Gazzara and Peter Falk.

Many of Cassavetes's films are owned by Faces Distribution, a company overseen by Gena Rowlands and Julian Schlossberg, distributed by Jumer Films (Schlossberg's own company), with additional sales and distribution by Janus Films. In September 2004 The Criterion Collection produced a Region 1 DVD box set of his five independent films: Shadows, Faces, A Woman Under the Influence, The Killing of a Chinese Bookie and Opening Night. Also featured in the set is a documentary about the life and works of Cassavetes, A Constant Forge, a booklet featuring critical assessments of the director's work and tributes by old friends. Criterion released a Blu-ray version of the set in October 2013. In 2005 a box set of the same films was released in Region 2 by Optimum Releasing. The Optimum DVD of Shadows has a voice-over commentary by Seymour Cassel. Then, in 2014, the Faces/Jumer library became the property of Shout! Factory, which acquired the films' holding parent company, Westchester Films.

Cassavetes's son Nick Cassavetes followed in his father's footsteps as an actor and director. In 1997, Nick Cassavetes made the film She's So Lovely from the She's Delovely screenplay his father had written. The film starred Sean Penn, as John Cassavetes had wanted. Alexandra Cassavetes directed the documentary Z Channel: A Magnificent Obsession in 2004, and in 2006 served as 2nd Unit Director on her brother Nick's film, Alpha Dog. Cassavetes's younger daughter Zoe Cassavetes wrote and directed the 2007 film Broken English, featuring Rowlands and Parker Posey.

The New Yorker wrote that Cassavetes "may be the most influential American director of the last half century"—this in announcing that all the films he directed, plus others he acted in, were being screened in a retrospective tribute at the Brooklyn Academy of Music throughout July 2013.[22]

The Independent Spirit Awards named one of their categories after Cassavetes, the Independent Spirit John Cassavetes Award.

A one person show about John Cassavetes titled Independent [23] premiered at Essential Theatre in Atlanta in August 2017. The play was written by John D. Babcock III and starred actor Dan Triandiflou as Cassavetes.

The song What's Yr Take on Cassavetes? by the band Le Tigre is about John Cassavetes and questions whether he can be considered a feminist.[24].

Filmmaking style

Directing

Aside from presenting difficult characters whose inner desires were not easily understood, Cassavetes paid little attention to the "impressionistic cinematography, linear editing, and star-centred scene making"[25] that are fashionable in Hollywood and art films. Instead, he chose to shoot mostly hand held with general lighting or documentary style to accommodate the spontaneity of his actors.

Cassavetes was never interested in working with actors who were more concerned with their images than with that of the characters whom they were portraying, which is why he rarely had actors of note (other than Gena Rowlands, Peter Falk and Ben Gazzara) in his films. As Cassavetes said, he strove "to put [actors] in a position where they may make asses of themselves without feeling they're revealing things that will eventually be used against them."[26]

The manner in which Cassavetes employed improvisation is frequently misunderstood. With the exception of the original version of Shadows, his films were completely scripted. Confusion arises in part because Cassavetes allowed actors to bring their own interpretations of characters to their performances. Dialogue and action were scripted but delivery was not.

Cassavetes's unorthodox characters reflected his similarly unconventional method in the making of his films. He employed mostly his friends as actors and set personnel, generally for little or no money guarantee and a share in the profits of the film. Both Shadows and Faces were shot over a four-year period on weekends and whenever funds became available.

Cassavetes said: "The hardest thing for a film-maker, or a person like me, is to find people … who really want to do something … They've got to work on a project that's theirs."[27] This method differs greatly from the 'director run' sets of big-budget Hollywood productions.

According to Marshall Fine, "Cassavetes, who provided the impetus of what would become the independent film movement in America … spent the majority of his career making his films 'off the grid' so to speak … unfettered by the commercial concerns of Hollywood.[28] To make the kind of films he wanted to make, it was essential to work in this 'communal', 'off the grid' atmosphere because Hollywood's "basis is economic rather than political or philosophical",[29] and no Hollywood executives were interested in Cassavetes's studies of human behaviour. He mortgaged his house to acquire the funds to shoot A Woman Under the Influence, instead of seeking money from an investor who might try to change the script so as to make the film more marketable.

Music

Cassavetes was passionate about a wide range of music, from jazz to classical to rock, "I like all music. It makes you feel like living. Silence is death."[30]

For the soundtrack of Shadows, Cassavetes worked with jazz composer and musician Charles Mingus and Shafi Hadi to provide the score. Mingus's friend, Diane Dorr-Dorynek, described Cassavetes's approach to film-making in jazz terms:

The script formed the skeleton around which the actors might change or ad lib lines according to their response to the situation at the moment, so that each performance was slightly different. A jazz musician works in this way, using a given musical skeleton and creating out of it, building a musical whole related to a particular moment by listening to and interacting with his fellow musicians. Jazz musicians working with actors could conceivably provide audiences with some of the most moving and alive theater they have ever experienced.[31]

When asked by André S. Labarthe during the making of Faces whether he had the desire to make a musical film, Cassavetes responded he wanted to make only one musical, Dostoyevsky's Crime and Punishment.[32]

Cassavetes worked with Bo Harwood from 1970 to 1984 on six films in several different capacities, even though Harwood had initially only signed on to do "a little editing" for Husbands, and "a little sound editing" for Minnie and Moskowitz. Harwood composed poignant music for Cassavetes's following three films, and was also credited as "Sound" for two of them. During these projects, Harwood wrote several songs, some with Cassavetes.[33]

During his work with Cassavetes, Harwood claimed the notoriously unpredictable director preferred to use the "scratch track" version of his compositions, rather than to let Harwood refine and re-record them with an orchestra. Some of these scratch tracks were recorded in Cassavetes's office, with piano or guitar, as demos, and then eventually ended up in the final film. While this matched the raw, unpolished feel that marks most of Cassavetes's films, Harwood was sometimes surprised and embarrassed.[34]

The relationship between Harwood and Cassavetes ended amicably. When asked by documentarian Michael Ventura during the making of Cassavetes's last film Love Streams, what he had learned from working with Cassavetes, Harwood replied:

I learned a lot through John. I've done a lot of editing for him. Picture editing, sound editing, music editing, shot sound, composed score, and I've learned a lot about integrity ... I think you know what I mean. You know, thirty years from now, I can say I rode with Billy the Kid.[35]

References

  1. ^ "Martin Scorsese on John Cassavetes"
  2. ^ Sutherland, John (June 7, 2007). "Message in a bottle". The Guardian. Archived from the original on April 19, 2014. Cassavetes was a second generation American-Greek, and he had a long and fruitful relationship with the actor Ben Gazzara – one of the first of his profession to parade his immigrant origins with an unchanged, aggressively "wop", professional name. Long before David Chase (né "de Caesare"), Cassavetes and Gazzara investigated ethnic edginess.
  3. ^ Ankeny, Jason. John Cassavetes. AllMovie.
  4. ^ Schlosberg III, Richard. "Don Richardson; Director, Acting Teacher". Los Angeles Times. Retrieved July 9, 2012.
  5. ^ "John + Gena: dynamite on screen and off". British Film Institute. Retrieved May 21, 2016.
  6. ^ Ventura, Michael. 2007. Cassavetes Directs: John Cassavetes and the Making of Love Streams, ISBN 1-84243-228-1; p. 176
  7. ^ "A Constant Forge documentary", 2000. Written and directed by Charles Kiselyak
  8. ^ "The Hollywood Reporter Interview with Gena Rowlands". March 29, 2015.
  9. ^ "A Constant Forge" documentary, 2000. Written and directed by Charles Kiselyak
  10. ^ Cassavetes Signs Seven-Year Pact: Will Direct Sidney Poitier; Elvis on Movies, Cooking Hopper, Hedda. Los Angeles Times 19 May 1961: B8.
  11. ^ "A Constant Forge" documentary, 2000. Written and directed by Charles Kiselyak
  12. ^ "Berlinale 1978: Prize Winners". berlinale.de. Retrieved August 8, 2010.
  13. ^ Cassavetes, John (1978). Bayshore, Irenedianna (ed.). "Knives". On Stage. American Community Theatre Association (premiere issue): 21–47, journal 1978 Institute for Dramatic Research, Fullerton, California.
  14. ^ Linden, Sheri. "John Cassavetes 'Three Plays of Love and Hate'". cassevetesevent.com. Steve Reisch. Retrieved August 24, 2017.
  15. ^ "Berlinale: 1984 Winners". berlinale.de. Retrieved January 4, 2011.
  16. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: pp. 501–502.
  17. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: p. 506.
  18. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: pp. 508–510.
  19. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: p. 503.
  20. ^ D.S.K. "Begin at last". The Economist. Economist Group. Retrieved August 24, 2017.
  21. ^ "World Premiere Begin the Beguine". Facebook events, Needcompany host. Facebook. Retrieved August 24, 2017.
  22. ^ The New Yorker, July 1, 2013, p. 17 "On the Horizon: Movies: Wild Man Blues July 6–31"
  23. ^ http://www.essentialtheatre.com/play/independent/
  24. ^ https://genius.com/Le-tigre-whats-yr-take-on-cassavetes-lyrics
  25. ^ Bendedetto, Lucio. "Forging an Original Response: A Review of Cassavetes Criticism in English", Post Script V. 11 n. 2. (Winter 1992): 101.
  26. ^ Gelmis, Joseph. "John Cassavetes", in The Film Director as Superstar. London: Seckler & Warburg, 1971, p. 80.
  27. ^ Gelmis, Joseph. "John Cassavetes". The Film Director as Superstar. London: Seckler & Warburg, 1971. P. 79.
  28. ^ Fine, Marshall. Accidental Genius: How John Cassavetes Invented American Independent Film, Miramax Books: New York, 2005. P. 99.
  29. ^ Powdermaker, Hortense. Hollywood: The Dream Factory. Little, Brown and Company: Boston, 1950. P. 327.
  30. ^ André S. Labarthe and Hubert Knapp, Cinéaste de notre temps: John Cassavetes on YouTube, 1968.
  31. ^ Diane Dorr-Dorynek, Liner notes to the Charles Mingus album, Ah Um (1959), as reprinted in Brian L. Knight's Four by Mingus.
  32. ^ Cineaste de notre temps on YouTube, 1968.
  33. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: p. 349.
  34. ^ Ray Carney, Cassavetes on Cassavetes, London: Faber and Faber, 2001: pp. 349–350.
  35. ^ Michael Ventura, I'm Almost Not Crazy:John Cassavetes—the Man and His Work on YouTube, 1984.

Further reading

  • Ray Carney. The Films of John Cassavetes: Pragmatism, Modernism, and the Movies. Cambridge: Cambridge University Press, 1994.
  • Ray Carney. Cassavetes on Cassavetes. London: Faber and Faber, 2001.
  • Charles Warren, "Cavell, Altman and Cassavetes" in the Stanley Cavell special issue, Jeffrey Crouse (ed.) Film International, Issue 22, Vol. 4, No. 4, 2006, pp. 14–20.

External links

34th Berlin International Film Festival

The 34th annual Berlin International Film Festival was held from 17–28 February 1984. The festival opened with The Noah's Ark Principle by Roland Emmerich.The Golden Bear was awarded to the American film Love Streams directed by John Cassavetes. The retrospective dedicated to German-American actor, screenwriter, producer and film director Ernst Lubitsch was shown at the festival.

A Child Is Waiting

A Child Is Waiting is a 1963 American drama film written by Abby Mann based on his 1957 Westinghouse Studio One teleplay of the same name. The film was produced by Stanley Kramer and directed by John Cassavetes. Burt Lancaster portrays the director of a state institution for mentally handicapped and emotionally disturbed children, and Judy Garland is a new teacher who challenges his methods.

A Woman Under the Influence

A Woman Under the Influence is a 1974 American drama film written and directed by John Cassavetes. The story follows a woman (Gena Rowlands) whose unusual behavior leads to conflict with her blue-collar husband (Peter Falk) and family. It received two Academy Award nominations for Best Actress and Best Director. In 1990, the film was selected for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant", one of the first fifty films to be so honored.

Ben Gazzara

Biagio Anthony Gazzarra (August 28, 1930 – February 3, 2012), known as Ben Gazzara, was an American film, stage, and television actor and director. His best known films include Anatomy of a Murder (1959), Voyage of the Damned (1976), Inchon (1981), Road House (1989), The Big Lebowski (1998), Buffalo '66 (1998), Happiness (1998), The Thomas Crown Affair (1999), Summer of Sam (1999), Dogville (2003) and Paris, je t'aime (2006). He was a recurring collaborator with John Cassavetes, working with him on Husbands (1970), The Killing of a Chinese Bookie (1976) and Opening Night (1977).

As the star of the television series Run for Your Life (1965–1968), Gazzarra was nominated for three Golden Globe Awards and two Emmy Awards. He won his first, and only, Emmy Award for his role in the television film Hysterical Blindness (2002).

Big Trouble (1986 film)

Big Trouble is a 1986 American comedy film. It was director John Cassavetes' last film. He took over from screenwriter Andrew Bergman (who was going to direct). The cast reunited Peter Falk and Alan Arkin, co-stars of The In-Laws, also featured Beverly D'Angelo, Charles Durning and Valerie Curtin.

The film's plot was so similar to that of Double Indemnity that, prior to production, Columbia Pictures was forced to trade the ownership of their unused script called Back to the Future with Universal Pictures (rights-holder for Double Indemnity) to reuse the plot of the earlier film.

Devil's Angels

Devil's Angels (also known as The Checkered Flag) is a 1967 American outlaw biker film written by Charles B. Griffith and directed by Daniel Haller. It stars John Cassavetes.

Faces (1968 film)

Faces is a 1968 drama film, written and directed by John Cassavetes, and starring John Marley, Cassavetes' wife Gena Rowlands, Fred Draper, Seymour Cassel, and Lynn Carlin. In 2011, it was added to the National Film Registry of the Library of Congress.

Gena Rowlands

Virginia Cathryn "Gena" Rowlands (born June 19, 1930) is an American actress, whose career in film, stage, and television has spanned over six decades. A four-time Emmy and two-time Golden Globe winner, she is known for her collaborations with her late actor-director husband John Cassavetes in ten films, including A Woman Under the Influence (1974) and Gloria (1980), which earned her nominations for the Academy Award for Best Actress. She also won the Silver Bear for Best Actress for Opening Night (1977). In November 2015, Rowlands received an Honorary Academy Award in recognition of her unique screen performances.

Gloria (1980 film)

Gloria is a 1980 American thriller crime drama film written and directed by John Cassavetes. It tells the story of a gangster's girlfriend who goes on the run with a young boy who is being hunted by the mob for information he may or may not have. It stars Gena Rowlands, Julie Carmen, Buck Henry, and John Adames.

Husbands (film)

Husbands is a 1970 film written and directed by John Cassavetes. This ensemble film, which depicts three middle class men in the throes of a midlife crisis following the death of a close friend, stars Ben Gazzara, Peter Falk and Cassavetes.

The film, in cinéma vérité style, was described by Time magazine as Cassavetes' finest work while condemned by other prominent critics. One recent critic described it as a "devastatingly bleak view of the emptiness of suburban life."

Independent Spirit John Cassavetes Award

The Independent Spirit John Cassavetes Award is presented to the creative team of a film budgeted at less than $500,000 by the Film Independent, a non-profit organization dedicated to independent film and independent filmmakers. It is named after actor/screenwriter/director John Cassavetes, a pioneer of American independent film.

During the first year, the award was given to a feature film that featured a first-time director with the film being budgeted under $500,000. Films budgeted higher were eligible for the Independent Spirit Award for Best First Feature. From 2001 onward, the award has been given to any feature film budgeted under $500,000 regardless of how many films the director has made.

John Cassavetes filmography

John Cassavetes began his career in film in 1953 and ended it in 1986, between which times he was involved in every aspect of the film, television, and stage arts, including acting, directing, scoring, shooting, editing, producing, and marketing.

Love Streams (film)

Love Streams is a 1984 American film directed by John Cassavetes that tells the story of a middle-aged brother and sister who find themselves caring for one another after the other loves in their lives abandon them. The film was Cassavetes' 11th and penultimate film. He later made the more mainstream Big Trouble.

Minnie and Moskowitz

Minnie and Moskowitz is a 1971 film by John Cassavetes, starring his wife, Gena Rowlands, and actor Seymour Cassel in the title roles of Minnie and Moskowitz, respectively.

Opening Night (1977 film)

Opening Night is a 1977 American drama film written and directed by John Cassavetes, and starring Gena Rowlands, Ben Gazzara, Joan Blondell, Paul Stewart, Zohra Lampert, and Cassavetes.

She's So Lovely

She's So Lovely is a 1997 American romantic drama film directed by Nick Cassavetes, written by John Cassavetes. At the time of its release, it received special attention because, eight years after his death, it was the first (and still only) posthumous film to feature previously unreleased material from John Cassavetes.

The film stars Sean Penn and John Travolta as the respective men who bid for the affection of Maureen Murphy Quinn (Robin Wright). Harry Dean Stanton co-stars as a friend of Penn's character, and James Gandolfini plays the abusive neighbor.

Tempest (1982 film)

Tempest is a 1982 American comedy-drama film directed by Paul Mazursky. It is a loosely based, modern-day adaptation of the William Shakespeare play, The Tempest. The picture features John Cassavetes, Gena Rowlands, Susan Sarandon, Raúl Juliá and Molly Ringwald in her feature film debut.

The Killing of a Chinese Bookie

The Killing of a Chinese Bookie is a 1976 American crime film directed and written by John Cassavetes and starring Ben Gazzara.

A rough and gritty film, this is the second of their three collaborations, following Husbands and preceding Opening Night.

Gazzara's character of the formidable strip club owner Cosmo Vittelli was in part based on an impersonation he did for his friend Cassavetes in the 1970s. But in an interview for the Criterion Collection in the mid 2000s, Gazzara stated that he believed Vittelli, who cares deeply about the rather peculiar "art" aspect of the routines put on at his nightclub but can't get his patrons (who are only there for naked girls) to, was a double of sorts of Cassavetes himself. Gazzara described his friend as a writer and director that totally believed in the importance and value of his work, because the work represented his heart and soul.

Too Late Blues

Too Late Blues is a 1961 black-and-white American film directed by John Cassavetes and starring Bobby Darin, Stella Stevens and Everett Chambers. It is the story of jazz musician "Ghost" Wakefield and his relationship with both his fellow band members and his love interest, Jess, a beautiful would-be singer. The film was written by Cassavetes and Richard Carr.It was the first film that Cassavetes produced for a major Hollywood studio, Paramount, and Darin's first nonsinging role.

John Cassavetes
Films
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Family
1967–2000
2001–present

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