Jill Clayburgh (April 30, 1944 – November 5, 2010) was an American actress known for her work in theater, television, and cinema. She won Best Actress at the Cannes Film Festival and was nominated for the Academy Award for Best Actress for her role in the 1978 film An Unmarried Woman. She would receive a second Best Actress Academy Award nomination for the 1979 film Starting Over as well as four Golden Globe nominations for her film performances.
Clayburgh made her Broadway debut in 1968 and starred in the original Broadway productions of the musicals The Rothschilds (1970) and Pippin (1972), and returned in 1984 for the revival of the play Design for Living. On television, she appeared in episodes of Medical Center, Maude, and The Rockford Files, before starring in the 1975 TV film Hustling, which earned her the first of two Emmy Award nominations. She received a second Emmy nomination for her 2004 guest role in the drama series Nip/Tuck, and went on to star in the drama series Dirty Sexy Money (2007–09). Her film roles included Gable and Lombard (1976), Silver Streak (1976), Semi-Tough (1977), La Luna (1979), First Monday in October (1981), Hanna K. (1983), Shy People (1987), Fools Rush In (1997), Running With Scissors (2006) and Bridesmaids (2011).
Jill Clayburgh in Griffin and Phoenix (1976)
|Born||April 30, 1944|
New York City, U.S.
|Died||November 5, 2010 (aged 66)|
Lakeville, Connecticut, U.S.
|Education||Sarah Lawrence College|
(m. 1979; her death 2010)
Clayburgh was born in New York City, the daughter of Julia Louise (née Dorr; 1910–1975), an actress and theatrical production secretary for producer David Merrick, and Albert Henry "Bill" Clayburgh, a manufacturing executive. Her paternal grandmother was concert and opera singer Alma Lachenbruch Clayburgh.
Clayburgh's mother was Protestant and her father was Jewish, though she reportedly never talked about her religious background and was raised in no faith. Clayburgh never got along with her parents and began therapy at an early age: "I was very rebellious as a teenager, aside from having an unhappy, neurotic childhood. But I just can't go into it. I think I had a lot of energy and undirected need so I just kind of rebelled in a general fashion. I got myself in terrible, very personal trouble. Therapy has helped me a lot in my life."
As a child, Clayburgh was inspired to become an actor when she saw Jean Arthur as Peter Pan on Broadway in 1950. She was raised on Manhattan's Upper East Side, where she attended the Brearley School. She then attended Sarah Lawrence College, where she studied religion, philosophy and literature, but ultimately decided to be an actress. She received her acting training at HB Studio.
Clayburgh began acting as a student in summer stock and, after graduating, joined the Charles Street Repertory Theater in Boston, where she met another up-and-coming actor and future Academy Award-winning star, Al Pacino, in 1967. They met after starring in Jean-Claude Van Itallie's play America, Hurrah. They had a five-year romance and moved back together to New York City.
In 1968, Clayburgh debuted off-Broadway in the double bill of Israel Horovitz's The Indian Wants the Bronx and It's Called the Sugar Plum, also starring Pacino. Clayburgh and Pacino were cast in "Deadly Circle of Violence", an episode of the ABC television series NYPD, premiering November 12, 1968. Clayburgh at the time was also appearing on the soap opera Search for Tomorrow, playing the role of Grace Bolton. Her father would send the couple money each month to help with finances.
She eventually made her Broadway debut in 1968 in The Sudden and Accidental Re-Education of Horse Johnson, co-starring Jack Klugman, which ran for 5 performances. In 1969, she starred in an off-Broadway production of the Henry Bloomstein play Calling in Crazy, at the Andy Warhol owned Fortune theatre. She was in a TV pilot that did not sell, The Choice (1969) and appeared off Broadway in The Nest (1970).
In 1969, Clayburgh made her screen debut in The Wedding Party, written and directed by Brian De Palma. The Wedding Party was filmed in 1963 (during which Clayburgh was at Sarah Lawrence) but not released until six years later. The film focuses on a soon-to-be groom and his interactions with various relatives of his fiancée and members of the wedding party; Clayburgh played the bride-to-be. Her co-stars included Robert De Niro, in one of his early film roles, and Jennifer Salt. In his review from The New York Times, Howard Thompson wrote, "As the harassed engaged couple, two newcomers, Charles Pfluger and Jill Clayburgh, are as appealing as they can be."
Clayburgh attracted attention when she appeared in the Broadway musical The Rothschilds (1970-72) which ran for 502 performances. She then went on to play Desdemona opposite James Earl Jones in the 1971 production of Othello in Los Angeles, and had another Broadway success with Pippin (1972-75), which ran for 1944 performances. Clive Barnes of The New York Times found Clayburgh to be "all sweet connivance as the widow out to get her man."
During this time, Clayburgh had a string of brief character parts in film and television. Some of these include a small role in The Telephone Book (1971) and Portnoy's Complaint (1972), Tiger on a Chain (1973), Shock-a-bye, Baby (1973) and 1974's The Terminal Man, opposite George Segal.
After guest-starring on an episode of The Snoop Sisters, Clayburgh played Ryan O'Neal's ex wife in The Thief Who Came to Dinner (1973) and starred in a TV pilot that was not picked up, Going Places (1973). She also guest starred on Medical Centre, Maude, and The Rockford Files. She later returned to Broadway for Tom Stoppard's Jumpers, which ran for 48 performances.
Clayburgh was praised for her performances in the TV movies Hustling (1975), where she played a prostitute, and The Art of Crime (1975). Hustling was a departure for her: "Before I did Hustling I was always cast as a nice wife. I wasn't very good at it. Then with Hustling, it was a nice role and it was a departure. People saw a different dimension." Her performance in the TV film eventually earned her an Emmy nomination; she later said it revitalised her career. "It changed my career,” Clayburgh said. “It was a part that I did well, and suddenly people wanted me. Sidney Furie saw me, and wanted me for Gable and Lombard."
Clayburgh first came to prominence when cast as Carole Lombard in the 1976 biopic Gable and Lombard with James Brolin as Clark Gable. Critical reaction was mostly mixed, but Clayburgh received some praise for her performance. Variety called it a film with many major assets, not the least of which is the stunning and smashing performance of Jill Clayburgh as Carole Lombard" and Time Out London felt she "produced a very modern version of the Lombard larkishness." Vincent Canby of the New York Times suggested that Clayburgh's performance "comes off better" than Brolin's Gable, as "she appears to be creating a character whenever the fearfully bad screenplay allows it." Despite this, he felt both actors were miscast as the famous couple, writing further, "Miss Clayburgh could be an interesting actress, but there are always problems when small performers try to portray the kind of giant legends that Gable and Lombard were. Because both Gable and Lombard are still very much alive in their films on television and in repertory theaters, there is difficulty in responding to Mr. Brolin and Miss Clayburgh in any serious way."
She starred in the acclaimed TV movie Griffin and Phoenix (1976) co-starring with Peter Falk. It tells the story of two ill-fated middle-aged characters who both face a terminal cancer diagnosis and have months left to live. Notably, Clayburgh developed the same type of cancer her character had in this film, succumbing to it in 2010. Also in 1976, she had her first big box office success playing the love interest of Gene Wilder's character in the comedy-mystery Silver Streak, also starring Richard Pryor. Critics felt Clayburgh had little to do in Silver Streak, and The New York Times called her "an actress of too much intelligence to be able to fake identification with a role that is essentially that of a liberated ingenue."
In 1977, she had another hit with Semi-Tough, a comedy set in the world of American professional football, which also starred Burt Reynolds and Kris Kristofferson. Clayburgh played Barbara Jane Bookman, who has a subtle love triangle relationship with both Reynolds and Kristofferson's characters. Vincent Canby liked her performance, writing, "Miss Clayburgh, who's been asked to play zany heroines in Gable and Lombard and Silver Streak by people who failed to provide her with material, has much better luck this time. She's charming," and The Washington Post enjoyed her chemistry with Reynolds: "Reynolds and Clayburgh look wonderful together. They seem to harmonize in a way that would only be more apparent - and make their eventual recognition of being in love seem more appropriate." Both Semi Tough and Silver Streak earned her a reputation "as a popular modern stylist of screwball comedy."
Clayburgh's breakthrough came in 1978 when she received the first of her two nominations for the Academy Award for Best Actress for Paul Mazursky's An Unmarried Woman. In what would be her career-defining role, Clayburgh was cast as Erica, the courageous abandoned wife who struggles with her new 'single' identity after her stockbroker husband leaves her for a younger woman. Upon release, An Unmarried Woman drew praise and was popular at the box office, briefly making Clayburgh, at 34, a star. Clayburgh's performance garnered some of the best reviews of her career: Roger Ebert called the film "a journey that Mazursky makes into one of the funniest, truest, sometimes most heartbreaking movies I've ever seen. And so much of what's best is because of Jill Clayburgh, whose performance is, quite simply, luminous. We know that almost from the beginning", and commented further, "Clayburgh takes chances in this movie. She's out on an emotional limb. She's letting us see and experience things that many actresses simply couldn't reveal." The New York Times wrote, "Miss Clayburgh is nothing less than extraordinary in what is the performance of the year to date. In her we see intelligence battling feeling – reason backed against the wall by pushy needs," and Pauline Kael in The New Yorker noted, "Jill Clayburgh has a cracked, warbly voice -- a modern polluted-city huskiness. And her trembling, near-beautiful prettiness suggests a lot of pressure. When Erica's life falls apart and her reactions go out of control, Clayburgh's floating, not-quite-sure, not-quite-here quality is just right. And she knows how to use it: she isn't afraid to get puffy-eyed from crying, or to let her face go slack. No other film has made such a sensitive, empathic case for a modern woman's need to call her soul her own." Clayburgh also earned her first Golden Globe nomination for Best Actress in a Motion Picture – Drama and won the Best Actress Award at the Cannes Film Festival, which she tied with Isabelle Huppert.
During this time, she turned down the lead in Norma Rae, a film that brought Sally Field her first Oscar. Still, in 1979, Clayburgh had a career peak after starring in two movies that garnered her widespread acclaim. The first was Bernardo Bertolucci's La Luna (1979), which she made in Italy. The film presents an incestuous relationship between a mother and her drug-addicted son, and was poorly received at the time. Clayburgh agreed to star in this film because she felt that "most great roles explore something that is socially taboo.” Bertolucci was especially impressed with her work, having complimented her ability "to move from one extreme to the other in the same shot, be funny and dramatic within the same scene." Despite the film's controversy, Clayburgh's performance as a manipulative opera singer was generally praised: Critic Richard Brody called it "her most extravagant role" and a review in the New York Times felt she was "extraordinary under impossible circumstances." Also, in the London Review of Books, Angela Carter wrote, "Jill Clayburgh, seizing by the throat the opportunity of working with a great European director, gives a bravura performance: she is like the life force in person". Her second and last film of 1979 was Alan J. Pakula's Starting Over, a romantic comedy with Burt Reynolds and Candice Bergen. Pakula hired her because, “the extraordinary thing is that she’s so many people. In a Jill Clayburgh movie you don’t know what you’re going to get." As a nursery-school teacher who falls reluctantly in love with Reynold's divorced character, Clayburgh's performance was lauded by The New York Times: "Miss Clayburgh delivers a particularly sharp characterization that's letter-perfect during the first part of the story and unconvincing in the second, through no fault of her own." Starting Over also earned her a second Oscar and Golden Globe nomination for Best Actress in a row. Also that year, she later returned to the stage with In the Boom Boom Room as a go-go dancer. Clayburgh had wanted to play this role since 1972, but she lost the role to Madeline Kahn. Although she wasn't cast in David Rabe's play, she later married him in 1979.
Her back-to-back success with An Unmarried Woman and Starting Over led writer Mel Gussow to suggest that Clayburgh was one of the few "stars for the 80's fresh, natural anti‐ingenues" alongside Meryl Streep and Diane Keaton, adding, "These are stage actresses who have become movie stars on their own terms, free of “glamour,” ready to clown as well as to play heroines." In 1980, she was cast opposite Michael Douglas in a romantic comedy, It's My Turn, in which she teaches the proof of the snake lemma. Novelist Eleanor Bergstein, who had written the screenplay, was delighted with Clayburgh's casting. “To me,” says Bergstein. “Jill is one of the few actresses who looks like she has imagined her life, made her life happen. I think that divides women in a way, women whose intelligence animates their faces. They have willed themselves to be beautiful, to be exactly who they are. Their minds in form their faces. I think Jill is like that. Lots of actresses are just the opposite.” Clayburgh herself was attracted to the part because “Kate is the closest person to myself that I have ever played. People always say, ‘Oh, An Unmarried Woman, that’s you.' But really, of course, it’s not.” The following year, she was a conservative Supreme Court justice in First Monday in October, a comedy with Walter Matthau. Her performance was praised and earned her a Golden Globe nomination for Best Actress in a Motion Picture – Comedy or Musical.
By the late 1980s, Clayburgh appeared in fewer and less successful films, despite turning to more dramatic material. She was a valium addict and documentarist in I'm Dancing as Fast as I Can (1981), written by David Rabe, her husband. "I guess people look at me and they think I'm a ladylike character," said Clayburgh, "but it's not what I do best. I do best with characters who are coming apart at the seams." The film received negative reviews, but Janet Maslin of The New York Times liked Clayburgh's performance and wrote that she played her high-powered career woman "earnestly and vigorously." In Hanna K. (1983) she was a court-appointed Israeli-American lawyer assigned to defend a Palestinian man for director Costa Gravas. The film was a box office failure and hurt Clayburgh's career. Although Dave Kehr of the Chicago Reader called the film "predictably dire", he felt Clayburgh "still has her mysterious power, left over from An Unmarried Woman, to make every man she comes into contact with melt with undying passion." Clayburgh returned to Broadway for a revival of Design For Living (1984-85), directed by George C. Scott, which ran for 245 performances.
She was in Ben Gazzara's Beyond the Ocean (1990), and the unreleased Pretty Hattie's Baby (1991).
Gradually Clayburgh shifted into being more of a supporting player: Trial: The Price of Passion (1992), Whispers in the Dark (1992), Rich in Love (1992), Le Grand Pardon II (1992), Lincoln (1992), Firestorm: 72 Hours in Oakland (1993), Naked in New York (1993), Honor Thy Father and Mother: The True Story of the Menendez Murders (1993), For the Love of Nancy (1994), and The Face on the Milk Carton (1995).
Clayburgh was in My Little Assassin (1999), and The Only Living Boy in New York (2000).
She returned to off-Broadway for a role in The Exonerated (2002-04).
In 2005 she returned to Broadway in A Naked Girl on the Appian Way which ran for 69 performances. More successful was The Busy World is Hushed (2005-06) on off Broadway.
In 2006, she appeared on Broadway in Neil Simon's Barefoot in the Park with Patrick Wilson and Amanda Peet; she played Peet's mother, a role originated by Mildred Natwick. It ran for 109 performances.
She returned to the screen as a therapist's eccentric wife in the all-star ensemble dramedy Running With Scissors, an autobiographical tale of teenage angst and dysfunction based on the book by Augusten Burroughs.
She did one last play, The Clean House (2006-07).
Clayburgh had chronic lymphocytic leukemia for more than 20 years and dealt with it privately before dying from the disease at her home in Lakeville, Connecticut, on November 5, 2010. The movie Love & Other Drugs was dedicated to her memory. The 2011 film Bridesmaids was Clayburgh's final film appearance.
In 2012, friend and fellow actor Frank Langella wrote about their friendship (which spanned more than forty years) in a chapter of his book Dropped Names: Famous Men and Women As I Knew Them. Her close friend and playwright Richard Greenberg wrote about her last days in a chapter of his book Rules for Others to Live By: Comments and Self-Contradictions, released in 2016.
Clayburgh married screenwriter and playwright David Rabe in 1979. They had one son, Michael Rabe, and one daughter, actress Lily Rabe. Prior to this, she had dated actor Al Pacino for five years (and briefly appeared with him in a November 1968 N.Y.P.D. episode, "Deadly Circle of Violence").
|1968||N.Y.P.D.||Woman in park||Episode: "Deadly Circle of Violence"|
|1969||Search for Tomorrow||Grace Bolton||Portrayed biological mother of child fathered by Len Whiting, adopted by him and his wife Patti|
|1969||The Wedding Party||Josephine|
|1971||The Telephone Book||Eyemask|
|1972||The Snoop Sisters||Mary Nero||Episode: "The Female Instinct"|
|1973||The Thief Who Came to Dinner||Jackie|
|1974||The Terminal Man||Angela Black|
|1974||Medical Center||Beverly||Episode: "Choice of Evils"|
|1974||Maude||Adele||Episode: "Walter's Heart Attack"|
|1974||The Rockford Files||Marilyn Polonski||Episode: "The Big Ripoff"|
Nominated — Primetime Emmy Award for Outstanding Lead Actress in a Miniseries or a Movie
|1976||Gable and Lombard||Carole Lombard|
|1976||Griffin and Phoenix||Sarah Phoenix||Television movie|
|1976||Silver Streak||Hilly Burns|
|1977||Semi-Tough||Barbara Jane Bookman|
|1978||An Unmarried Woman||Erica||Cannes Film Festival Best Actress Award|
Nominated — Academy Award for Best Actress
Nominated — BAFTA Award for Best Actress in a Leading Role
Nominated — Golden Globe Award for Best Actress – Motion Picture Drama
|1979||La Luna||Caterina Silveri||Nominated — Golden Globe Award for Best Actress – Motion Picture Drama|
|1979||Starting Over||Marilyn Holmberg||Nominated — Academy Award for Best Actress|
Nominated — American Movie Award for Best Actress
Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy
|1980||It's My Turn||Kate Gunzinger|
|1981||First Monday in October||Ruth Loomis||Nominated — Golden Globe Award for Best Actress – Motion Picture Musical or Comedy|
|1982||I'm Dancing as Fast as I Can||Barbara Gordon|
|1983||Hanna K.||Hanna Kaufman|
|1986||Miles To Go||Moira Browning||Television movie|
|1986||Where Are the Children?||Nancy Holder Eldridge|
|1987||Shy People||Diana Sullivan|
|1989||Fear Stalk||Alexandra Maynard||Television movie|
|1990||Oltre l'oceano||Ellen||a.k.a. Beyond the Ocean (USA)|
|1991||Pretty Hattie's Baby||Unknown|
|1991||Reason For Living: The Jill Ireland Story||Jill Ireland||Television movie|
|1992||Whispers in the Dark||Sarah Green|
|1992||Rich in Love||Helen Odom|
|1992||Le grand pardon II||Sally White||a.k.a. Day of Atonement|
|1993||Naked in New York||Shirley, Jake's mother|
|1994||For the Love of Nancy||Sally Walsh||Television movie|
|1995||The Face on the Milk Carton||Miranda Jessmon||Television movie|
|1997||Going All the Way||Alma Burns|
|1997||When Innocence Is Lost||Susan French|
|1997||Fools Rush In||Nan Whitman|
|1998||Law & Order||Sheila Atkins||Episode: "Divorce"|
|1998||Frasier||Marie||Episode: "The Perfect Guy"|
|1998||Trinity||Eileen McCallister||3 episodes|
|1999||Everything's Relative||Mickey Gorelick||4 episodes|
|1999–2001||Ally McBeal||Jeannie McBeal||4 episodes|
|2002||Leap of Faith||Cricket Wardwell||6 episodes|
|2004||The Practice||Victoria Stewart||3 episodes|
|2004||Nip/Tuck||Bobbi Broderick||2 episodes|
Nominated — Primetime Emmy Award for Outstanding Guest Actress in a Drama Series
|2006||Running with Scissors||Agnes Finch|
|2007–2009||Dirty Sexy Money||Letitia Darling||23 episodes|
|2010||Love & Other Drugs||Mrs. Randall||Posthumous release|
|2011||Bridesmaids||Judy Walker||Posthumous release|
Washington DC Area Film Critics Association Award for Best Acting Ensemble
Nominated — Screen Actors Guild Award for Outstanding Performance by a Cast in a Motion Picture
Nominated — Broadcast Film Critics Association Award for Best Cast
Nominated — Phoenix Film Critics Society Award for Best Cast
Nominated — Central Ohio Film Critics Association for Best Ensemble
An Unmarried Woman is a 1978 American comedy-drama film written and directed by Paul Mazursky and starring Jill Clayburgh and Alan Bates. The film was nominated for the Academy Award for Best Picture and Clayburgh was nominated for an Academy Award for Best Actress.Crowned and Dangerous
Crowned and Dangerous was a 1997 made-for-TV movie based on a true story and starred Yasmine Bleeth, Cassidy Rae, George Eads, Jill Clayburgh and Gates McFadden.Day of Atonement (film)
Day of Atonement (original French title:Le Grand Pardon II) is a 1992 127-minute longer sequel to film Le Grand pardon, film directed by Alexandre Arcady starring Roger Hanin, Richard Berry, Gérard Darmon and Jill Clayburgh. The film also features famous American film stars Christopher Walken and Jennifer Beals. Filming locations include: Miami, Florida, United States and France.First Monday in October (film)
First Monday in October is a 1981 American comedy-drama film from Paramount Pictures, produced by Paul M. Heller and Martha Scott, directed by Ronald Neame, that is based on the play of the same name by Jerome Lawrence and Robert E. Lee. The film stars Walter Matthau (for which he was nominated for a Golden Globe Award for Best Actor – Motion Picture Musical or Comedy) and Jill Clayburgh (for which she was nominated for a Golden Globe Award for Best Actress – Motion Picture Musical or Comedy). The cast also co-stars Jan Sterling in her final feature film role.
First Monday in October was originally scheduled for a February 1982 release, but President Ronald Reagan's appointment of Sandra Day O'Connor as the first female Supreme Court justice on July 7, 1981, forced the film's release a month after the presidential nomination, in August 1981.Griffin and Phoenix (1976 film)
Griffin and Phoenix (sometimes subtitled "A Love Story") is a 1976 American made-for-television romantic drama film produced by ABC Circle Films starring Peter Falk and Jill Clayburgh as title characters Geoffrey Griffin and Sarah Phoenix. Written by John Hill and directed by Daryl Duke, it first premiered on the ABC television network on February 27, 1976, and was also released to theaters in select countries under the title Today Is Forever from 1977 through 1980. It was nominated in the category of Outstanding Achievement in Cinematography at the 28th Primetime Emmy Awards.It tells the story of two ill-fated middle-aged characters who both face a terminal cancer diagnosis and have months left to live. A chance meeting brings them together and they fall in love, both unaware of the other's shared fate. Notably, Jill Clayburgh developed the same type of cancer her character had in this film, succumbing to it in 2010. Peter Falk died just over six months later in 2011 from complications relating to Alzheimer's disease. Griffin and Phoenix was first distributed on VHS by 20th Century Fox in 1982, but has never been formally released on DVD or Blu-ray.Hanna K.
Hannah K. is a 1983 drama film directed by Costa-Gavras, starring Jill Clayburgh and Gabriel Byrne.The film attempted to depict the Palestinian-Israeli conflict in human terms, and was not a critical success.I'm Dancing as Fast as I Can
I'm Dancing as Fast as I Can is a 1982 American biographical film directed by Jack Hofsiss and starring Jill Clayburgh. The screenplay by David Rabe is based on the memoir of the same title by Emmy Award-winning documentary filmmaker Barbara Gordon, whose addiction to and difficult withdrawal from Valium serves as the basis of the plot.It's My Turn (film)
It's My Turn is a 1980 American romantic comedy-drama film starring Jill Clayburgh, Michael Douglas and Charles Grodin.
The film was directed by Claudia Weill and written by Eleanor Bergstein. The film's title track, played during the final credits—"It's My Turn"—was sung by Diana Ross, with music by Michael Masser and lyrics by Carole Bayer Sager.La Luna (1979 film)
La Luna, also known as Luna, is a 1979 Italian film directed by Bernardo Bertolucci and starring Jill Clayburgh. The film concerns the troubled life of a teenage boy and his relationship with his parents, including an incestuous relationship with his mother.Naked in New York
Naked in New York is a 1993 American romantic comedy film directed by Daniel Algrant and starring Eric Stoltz, Mary-Louise Parker, Ralph Macchio, Jill Clayburgh, Tony Curtis, Timothy Dalton, and Kathleen Turner, and featuring multiple celebrity cameos, including William Styron listing all of his authored, penned and film work, Whoopi Goldberg as a bas-relief mask, and former New York Dolls singer David Johansen as a talking monkey, which were arranged by executive producer Martin Scorsese.Never Again (2001 film)
Never Again is a 2001 American comedy film written and directed by Eric Schaeffer. The film stars Jeffrey Tambor, Jill Clayburgh, Caroline Aaron, Bill Duke, Sandy Duncan and Michael McKean. The film was released on July 12, 2002, by USA Films.Rich in Love
Rich in Love is a 1992 drama film directed by Bruce Beresford and starring Albert Finney, Kathryn Erbe, Kyle MacLachlan, Jill Clayburgh, Suzy Amis, and Ethan Hawke. It is based on the 1987 novel Rich in Love by Josephine Humphreys.Running with Scissors (film)
Running with Scissors is a 2006 American comedy-drama film written and directed by Ryan Murphy, based on Augusten Burroughs' 2002 memoir of the same name, and starring Joseph Cross, Annette Bening, Brian Cox, Joseph Fiennes, Evan Rachel Wood, Alec Baldwin, Jill Clayburgh and Gwyneth Paltrow. The semi-autobiographical account of Burroughs' childhood (when his real name was still Christopher Robison), based on his best-selling book, received mixed reviews as a film.Shy People
Shy People is a 1987 American drama about two branches of a family that reunite with tragic results, starring Barbara Hershey, Jill Clayburgh, and Martha Plimpton. It was directed by Andrei Konchalovsky, written by Konchalovsky, Marjorie David and Gerard Brach, and features music by the German electronic music group Tangerine Dream.
Hershey won the Best Actress award at the 1987 Cannes Film Festival for her performance. It was one of the last movie roles for actor Merritt Butrick, who died from AIDS in 1989. It was filmed by the bayous of South Louisiana. The film was later released on VHS on September 1, 1998, however, as of October 2014, it has not been released on DVD.Starting Over (1979 film)
Starting Over is a 1979 American comedy film based on Dan Wakefield's novel, produced by James L. Brooks, and directed by Alan J. Pakula. Starring Burt Reynolds, Jill Clayburgh, and Candice Bergen, it follows a recently divorced man who is torn between his new girlfriend and his ex-wife.
It was nominated for two Academy Awards for Best Actress in a Leading Role (Clayburgh) and Best Actress in a Supporting Role (Bergen). Marvin Hamlisch and Carole Bayer Sager wrote three original songs for the film: "Easy For You," "Better Than Ever", and "Starting Over", which is sung by Bergen.The Thief Who Came to Dinner
The Thief Who Came to Dinner is a 1973 American comedy film directed by Bud Yorkin. Based on the novel by Terrence Lore Smith, the film stars Ryan O'Neal and Jacqueline Bisset, with Charles Cioffi, Warren Oates, and in an early appearance, Jill Clayburgh.The Wedding Party (1969 film)
The Wedding Party is a 1969 American film farce created as a joint effort by Sarah Lawrence theatre professor Wilford Leach and two of his students, protégé Brian De Palma and Cynthia Monroe, who bankrolled the project. Leach went on to a successful career as a Tony Award-winning theatre director, while De Palma continued as a well-known film director.
The film focuses on a soon-to-be groom and his interactions with various relatives of his fiancée and members of the wedding party prior to the ceremony on the family's estate on Shelter Island.
The film was made in 1963, with copyright year of 1966, but not released until 1969, after one of its supporting players, Robert De Niro, had begun to draw notice for his work in off-Broadway theatre and De Palma's 1968 release Greetings. Also in the cast were Jennifer Salt and William Finley, both of whom were De Palma regulars, and fellow Sarah Lawrence student Jill Clayburgh as the bride-to-be.
The film is now available on DVD from Troma Films, and on Blu-ray as part of Arrow Films' 2018 boxset 'De Niro & De Palma: The Early Films'.Trinity (U.S. TV series)
Trinity is an American family drama series created by Matthew Carnahan that aired on the broadcast network NBC from October 16, 1998 to February 28, 1999. Only eight of the first season's 10 episodes were aired before the series was cancelled by NBC in March 1999. Among the main cast was Louis Ferreira, Jill Clayburgh, Tate Donovan, and Sam Trammell.Where Are the Children?
Where Are the Children? is a 1986 film directed by Bruce Malmuth and starring Jill Clayburgh, Max Gail, Harley Cross, Elizabeth Wilson, and Barnard Hughes. It is based on the novel of the same name by Mary Higgins Clark.