Jean Paul

Jean Paul (German: [ʒɑ̃ paʊl]; born Johann Paul Friedrich Richter, 21 March 1763 – 14 November 1825) was a German Romantic writer, best known for his humorous novels and stories.

Johann Paul Friedrich Richter
Portrait of Jean Paul by Heinrich Pfenninger (1798)
Portrait of Jean Paul by Heinrich Pfenninger (1798)
BornJohann Paul Friedrich Richter
21 March 1763
Wunsiedel, Holy Roman Empire
Died14 November 1825 (aged 62)
Bayreuth, German Confederation
Pen nameJean Paul
OccupationNovelist
NationalityGerman
Alma materUniversity of Leipzig
Period1783–1825
GenreHumorous novels and stories
SubjectEducation, politics
Literary movementRomanticism
Notable awardsPhD (Hon):
University of Heidelberg (1817)

Life and work

Jean Paul was born at Wunsiedel, in the Fichtelgebirge mountains (Franconia). His father was an organist at Wunsiedel. In 1765 his father became a pastor at Joditz near Hof and, in 1767 at Schwarzenbach, but he died on 25 April 1779,[1] leaving the family in great poverty. Later in life, Jean Paul noted, "The words that a father speaks to his children in the privacy of home are not heard by the world, but as in whispering-galleries, they are clearly heard at the end and by posterity."[2] After attending the Gymnasium at Hof, in 1781 Jean Paul went to the University of Leipzig. His original intention was to enter his father's profession, but theology did not interest him, and he soon devoted himself wholly to the study of literature. Unable to maintain himself at Leipzig he returned in 1784 to Hof, where he lived with his mother. From 1787 to 1789 he served as a tutor at Töpen, a village near Hof; and from 1790 to 1794 he taught the children of several families in a school he had founded in nearby Schwarzenbach.[1]

Jean Paul began his career as a man of letters with Grönländische Prozesse ("Greenland Lawsuits"), published anonymously in Berlin in 1783–84, and Auswahl aus des Teufels Papieren ("Selections from the Devil's Papers", signed J. P. F. Hasus), published in 1789. These works were not received with much favour, and in later life even their author had little sympathy for their satirical tone.

Jean Paul's outlook was profoundly altered by a spiritual crisis he suffered on November 15, 1790, in which he had a vision of his own death. His next book, Die unsichtbare Loge ("The Invisible Lodge"), a romance published in 1793 under the pen-name Jean Paul (in honour of Jean-Jacques Rousseau), had all the qualities that were soon to make him famous, and its power was immediately recognized by some of the best critics of the day.[1]

Encouraged by the reception of Die unsichtbare Loge, Richter composed a number of books in rapid succession: Leben des vergnügten Schulmeisterleins Maria Wutz in Auenthal ("Life of the Cheerful Schoolmaster Maria Wutz", 1793), the best-selling Hesperus (1795), which made him famous, Biographische Belustigungen unter der Gehirnschale einer Riesin ("Biographical Recreations under the Brainpan of a Giantess", 1796), Leben des Quintus Fixlein ("Life of Quintus Fixlein", 1796), Der Jubelsenior ("The Parson in Jubilee", 1797), and Das Kampaner Tal ("The Valley of Campan", 1797). Also among these was the novel Blumen- Frucht- und Dornenstücke, oder Ehestand, Tod, und Hochzeit des Armenadvokaten Siebenkäs ("Flower, Fruit, and Thorn Pieces; or, the Married Life, Death, and Wedding of Siebenkäs, Poor Man's Lawyer") in 1796–97.

Siebenkäs' slightly supernatural theme, involving a Doppelgänger and pseudocide, stirred some controversy over its interpretation of the Resurrection, but these criticisms served only to draw awareness to the author. This series of writings assured Richter a place in German literature, and during the rest of his life every work he produced was welcomed by a wide circle of admirers.

After his mother's death in 1797, Richter went to Leipzig, and in the following year, to Weimar,[1] where he started work on his most ambitious novel, Titan, published between 1800 and 1803.[1] Richter became friends with such Weimar notables as Johann Gottfried Herder, by whom he was warmly appreciated, but despite their close proximity, Richter never became close to Johann Wolfgang von Goethe or Friedrich Schiller, both of whom found his literary methods repugnant; but in Weimar, as elsewhere, his remarkable conversational powers and his genial manners made him a favorite in general society.[1] The English writers Thomas Carlyle and Thomas De Quincey took an interest in Jean Paul's work.[3]

Jean-Paul-Denkmal (02)
The Jean Paul monument in Bayreuth, created by Ludwig von Schwanthaler and unveiled in 1841 on the 16th anniversary of Richter's death

In 1801 he married Caroline Meyer, whom he had met in Berlin the year before. They lived first at Meiningen, then at Coburg; and finally, in 1804, they settled at Bayreuth. Here Richter spent a quiet, simple, and happy life, constantly occupied with his work as a writer. In 1808 he was delivered from anxiety about outward necessities by Prince Primate Karl Theodor von Dalberg, who gave him an annual pension of 1,000 florins,[1] which was later continued by the king of Bavaria.[3]

Jean Paul's Titan was followed by Flegeljahre ("The Awkward Age", 1804–5).[1] His later imaginative works were Dr Katzenbergers Badereise ("Dr Katzenberger's Trip to the Medicinal Springs", 1809), Des Feldpredigers Schmelzle Reise nach Flätz ("Army Chaplain Schmelzle's Voyage to Flätz", 1809), Leben Fibels ("Life of Fibel", 1812), and Der Komet, oder Nikolaus Marggraf ("The Comet, or, Nikolaus Markgraf", 1820–22). In Vorschule der Aesthetik ("Introduction to Aesthetics", 1804) he expounded his ideas on art; he discussed the principles of education in Levana, oder Erziehungslehre ("Levana, or, Pedagogy", 1807); and the opinions suggested by current events he set forth in Friedenspredigt ("Peace Sermon", 1808), Dämmerungen für Deutschland ("Twilights for Germany", 1809), Mars und Phöbus Thronwechsel im Jahre 1814 ("Mars and Phoebus Exchange Thrones in the Year 1814", 1814), and Politische Fastenpredigten ("Political Lenten Sermons", 1817). In his last years he began Wahrheit aus Jean Pauls Leben ("The Truth from Jean Paul's Life"), to which additions from his papers and other sources were made after his death by C. Otto and E. Förster.[1]

Also during this time he supported the younger writer E. T. A. Hoffmann, who long counted Richter among his influences. Richter wrote the preface to Fantasy Pieces, a collection of Hoffmann's short stories published in 1814.

In September 1821 Jean Paul lost his only son, Max, a youth of the highest promise; and he never quite recovered from this shock.[1] He lost his sight in 1824, and died of dropsy at Bayreuth, on 14 November 1825.[1]

Characteristics of his work

Jean Paul occupies an unusual position in German literature and has always divided the literary public. Some hold him in highest veneration while others treat his work with indifference. He took the Romantic formlessness of the novel to extremes: Schlegel called his novels soliloquies, in which he makes his readers take part (in this respect going even further than Laurence Sterne in Tristram Shandy). Jean Paul habitually played with a multitude of droll and bizarre ideas: his work is characterized by wild metaphors as well as by digressive and partly labyrinthine plots. He mixed contemplation with literary theory: alongside spirited irony the reader finds bitter satire and mild humour; next to soberly realistic passages there are romanticized and often ironically-curtailed idylls, social commentary and political statements. The quick changes of mood attracted the composer Schumann whose Papillons was inspired by Jean Paul.[4]

His novels were especially admired by women. This was due to the empathy with which Jean Paul created the female characters in his works: never before in German literature were women represented with such psychological depth. At the same time however, his work contains misogynistic quips. Jean Paul's character may have been as diverse and as confusing as many of his novels: he was said to be very sociable and witty, while at the same time extremely sentimental: having an almost childlike nature, quickly moved to tears. It is obvious from his works that his interests encompassed not only literature but also astronomy and other sciences.

It is no surprise that the relationship of so capricious an author with the Weimar classicists Goethe and Schiller always remained ambivalent: Schiller once remarked that Jean Paul was as alien to him as someone who fell from the moon, and that he might have been worthy of admiration "if he had made as good use of his riches as other men made of their poverty."[1] Herder and Wieland on the other hand fully appreciated his work and supported him. Although he always kept his distance from the classicists, who wanted to "absolutize" art, and although his theoretical approach (most notably in his Introduction to Aesthetics) was considerably influenced by Romanticism, it would be misleading to call him a Romantic without qualification. Here too he kept his distance: with all his subjectivism he didn't absolutize the subject of the author as the Romantics often did. Jean Paul had what had become rare amidst classical severity and romantic irony: humour. He also was one of the first who approached humour from a theoretical standpoint.

He thought that both the Enlightenment and metaphysics had failed, though they still held importance for his worldview. He arrived at a philosophy without illusions, and a state of humorous resignation. Correspondingly he was one of the first defenders of Schopenhauer's philosophy. He didn't try to indoctrinate but to portray human happiness, even (and especially) in an increasingly alienated environment — the rococo castles and bleak villages of Upper Franconia. Jean Paul was not only the first to use and name the literary motif of the Doppelgänger, he also utilised it in countless variations (e.g. Siebenkäs and Leibgeber, Liane and Idoine, Roquairol and Albano). In his novel Siebenkäs he defines the Doppelgänger as the "people who see themselves."

Other

Rudolf Steiner edited a multi-volume collection of the works of Jean Paul.[5] In published lectures, Steiner often mentioned the realization by the 7-year-old Jean Paul that he was an individual "Ego", expressed in Paul's surprise at understanding that "I am an I".

Quotations

  • The long sleep of death closes our scars, and the short sleep of life our wounds. (Der lange Schlaf des Todes schliesst unsere Narben zu, und der kurze des Lebens unsere Wunden, Hesperus, XX).

Works

Jean Paul – Titan vol 1 – BEIC 3988100
Titan. 1
  • Abelard und Heloise 1781
  • Grönländische Prozesse 1783–1784
  • Auswahl aus des Teufels Papieren 1789
  • Leben des vergnügten Schulmeisterlein Maria Wutz in Auenthal. Eine Art Idylle 1790
  • Die unsichtbare Loge 1793
  • Hesperus 1795
  • Biographische Belustigungen 1796
  • Leben des Quintus Fixlein 1796
  • Siebenkäs 1796
  • Der Jubelsenior 1797
  • Das Kampaner Tal 1797
  • Konjekturalbiographie 1798
  • Des Luftschiffers Giannozzo Seebuch 1801
  • Titan 1800–03
  • Vorschule der Aesthetik 1804
  • Flegeljahre (unfinished) 1804–05
  • Freiheitsbüchlein'' 1805
  • Levana oder Erziehlehre 1807
  • Dr. Katzenbergers Badereise 1809
  • Des Feldpredigers Schmelzle Reise nach Flätz 1809
  • Leben Fibels 1812
  • Bemerkungen über uns närrische Menschen
  • Clavis Fichtiana (see also Johann Gottlieb Fichte)
  • Das heimliche Klaglied der jetzigen Männer
  • Der Komet 1820–1822
  • Der Maschinenmann
  • Die wunderbare Gesellschaft in der Neujahrsnacht
  • Freiheits-Büchlein
  • Selberlebenbeschreibung posthum 1826
  • Selina posthum 1827

English translations

Richter's more important works have been translated into English, for example:[3]

  • Quintus Fixlein and Schmelzles Reise, by Carlyle
  • Walt and Vult [Flegeljahre] by Eliza Lee (1846)
  • Titan by Brooks (1863)
  • Flower, Fruit, and Thorn Pieces by Alexander Ewing (1877)
  • Levana by Wood (1887)

Musical reception (selection)

Franziskanerkloster 2
Jean-Paul-Gymnasium Hof
  • Robert Schumann: Papillons pour le pianoforte seul, 1832.
  • Johann Friedrich Kittl: Wär’ ich ein Stern, 1838.
  • Robert Schumann: Blumenstück, 1839.
  • Carl Grünbaum: Lied (Es zieht in schöner Nacht der Sternenhimmel), 1840.
  • Ernst Friedrich Kauffmann: Ständchen nach Jean Paul, 1848.
  • Carl Reinecke: O wär’ ich ein Stern (from: Flegeljahre), 1850.
  • Stephen Heller: Blumen-, Frucht- und Dornenstücke (Nuits blanches), 1850.
  • Marta von Sabinin: O wär ich ein Stern, 1855.
  • Ernst Methfessel: An Wina, 1866.
  • Gustav Mahler: Sinfonie Nr. 1 in D-Dur (Titan), 1889.
  • Ferdinand Heinrich Thieriot: Leben und Sterben des vergnügten Schulmeisterlein Wuz, 1900.
  • Hugo Leichtentritt: Grabschrift des Zephyrs, 1910.
  • Henri Sauguet: Polymetres, 1936.
  • Eduard Künnecke: Flegeljahre, 1937.
  • Karl Kraft: Fünf kleine Gesänge auf Verse des Jean Paul für Singstimme und Klavier, 1960.
  • Walter Zimmermann: Glockenspiel für einen Schlagzeuger, 1983.
  • Wolfgang Rihm: Andere Schatten (from: Siebenkäs), 1985.
  • Oskar Sala: Rede des toten Christus vom Weltgebäude herab, dass kein Gott sei, 1990.
  • Iván Eröd: Blumenstück für Viola solo, 1995.
  • Thomas Beimel: Idyllen, 1998/99.
  • Christoph Weinhart: Albanos Traum, 2006.
  • Georg Friedrich Haas: Blumenstück (from: Siebenkäs), 2009.
  • Ludger Stühlmeyer: Zum Engel der letzten Stunde (from: Das Leben des Quintus Fixlein), 2013.

Notes

  1. ^ a b c d e f g h i j k l Chisholm 1911.
  2. ^ Chamberlain, Alexander (1896). The Child and Childhood in Folk Thought: (The Child in Primative Culture), p. 389. MacMillan.
  3. ^ a b c Americana staff 1920.
  4. ^ Explicating Jean Paul: Robert Schumann's Program for "Papillons," Op. 2 Eric Frederick Jensen 19th-Century Music, Vol. 22, No. 2 (Autumn, 1998), pp. 127-143 Published by: University of California Press. Accessed via JSTOR (subscription required). Article DOI: 10.2307/746854 Article Stable URL: https://www.jstor.org/stable/746854
  5. ^ Selg, Peter (1 August 2015). Rudolf Steiner, Life and Work Volume 2 (1890-1900). SteinerBooks. ISBN 9781621480877.

References

Attribution

Further reading

  • Fleming, Paul. The Pleasures of Abandonment: Jean Paul and the Life of Humor. Würzburg: Königshausen & Neumann, 2006.

Nineteenth-century works on Jean Paul

Richter's Sämtliche Werke (Complete Works) appeared in 1826–1828 in 60 volumes, to which were added 5 volumes of Literarischer Nachlass (literary bequest) in 1836–1838; a second edition was published in 1840–1842 (33 volumes); a third in 1860–1862 (24 volumes). The last complete edition is that edited by R. Gottschall (60 parts, 1879).[1]

Editions of selected works appeared in 16 volumes (1865), in Kürschner's Deutsche Nationalliteratur (edited by P. Nerrlich, 6 vols, pp. 388–487), &c. The chief collections of Richter's correspondence are:[1]

  • Jean Pauls Briefe an F. H. Jacobi (1828)
  • Briefwechsel Jean Pauls mit seinem Freunde C. Otto (1829–33)
  • Briefwechsel zwischen H. Voss und Jean Paul (1833)
  • Briefe an eine Jugendfreundin (1858)
  • P. Nerrlich, Jean Pauls Briefwechsel mit seiner Frau und seinem Freunde Otto (1902).

See further:[1]

  • The continuation of Richter's autobiography by C. Otto and E. Fürster (1826–33)
  • H. Dring, J. P. F. Richter's Leben und Charakteristik (1830–32)
  • Richard Otto Spazier, JPF Richter: ein biographischer Commentar zu dessen Werken (5 vols, 1833)
  • E. Förster, Denkwürdigkeiten aus dem Leben von J. P. F. Richter (1863)
  • Paul Nerrlich, Jean Paul und seine Zeitgenossen (1876)
  • J. Firmery, Étude sur la vie et les œuvres de J. P. F. Richter (1886)
  • P. Nerrlich, Jean Paul, sein Leben und seine Werke (1889)
  • Ferdinand Josef Schneider, Jean Pauls Altersdichtung (1901); and Jean Pauls Jugend und erstes Auftreten in der Literatur (1906).
  • Thomas Carlyle's two essays on Richter.

External links

  1. ^ a b c Chisholm 1911.
Azrael (comics)

Azrael is a fictional character in the DC Comics universe. Azrael is a member of a group of assassins who were created by The Sacred Order of Saint Dumas.

Cyrano de Bergerac (1990 film)

Cyrano de Bergerac is a 1990 French comedy-drama film directed by Jean-Paul Rappeneau and based on the 1897 play of the same name by Edmond Rostand, adapted by Jean-Claude Carrière and Rappeneau. It stars Gérard Depardieu, Anne Brochet and Vincent Pérez. The film was a co-production between companies in France and Hungary.

The film is the first theatrical film version of Rostand's original play in colour, and the second theatrical film version of the play in the original French. It is also considerably more lavish and more faithful to the original than previous film versions of the play. The film had 4,732,136 admissions in France.Subtitles are used for the non-French market; the English-language version uses Anthony Burgess's translation of the text, which uses five-beat lines with a varying number of syllables and a regular couplet rhyming scheme, in other words, a sprung rhythm. Although he sustains the five-beat rhythm through most of the play, Burgess sometimes allows this structure to break deliberately: in Act V, he allows it collapse completely, creating a free verse.

In 2010, Cyrano de Bergerac was ranked number 43 in Empire magazine's "The 100 Best Films Of World Cinema".

Existentialism

Existentialism () is the philosophical study that begins with the human subject—not merely the thinking subject, but the acting, feeling, living human individual. It is associated mainly with certain 19th and 20th-century European philosophers who, despite profound doctrinal differences, shared the belief in that beginning of philosophical thinking.

While the predominant value of existentialist thought is commonly acknowledged to be freedom, its primary virtue is authenticity. In the view of the existentialist, the individual's starting point is characterized by what has been called "the existential attitude", or a sense of disorientation, confusion, or dread in the face of an apparently meaningless or absurd world. Many existentialists have also regarded traditional systematic or academic philosophies, in both style and content, as too abstract and remote from concrete human experience.Søren Kierkegaard is generally considered to have been the first existentialist philosopher, though he did not use the term existentialism. He proposed that each individual—not society or religion—is solely responsible for giving meaning to life and living it passionately and sincerely, or "authentically".Existentialism became popular in the years following World War II, thanks to Sartre who read Heidegger while in a POW camp, and strongly influenced many disciplines besides philosophy, including theology, drama, art, literature, and psychology.

French literature

This article is a general introduction to French literature. For detailed information on French literature in specific historic periods, see the separate historical articles in the template to the right.French literature is, generally speaking, literature written in the French language, particularly by citizens of France; it may also refer to literature written by people living in France who speak traditional languages of France other than French. Literature written in French language, by citizens of other nations such as Belgium, Switzerland, Canada, Senegal, Algeria, Morocco, etc. is referred to as Francophone literature. France itself ranks first in the list of Nobel Prizes in literature by country.

French literature has been for French people an object of national pride for centuries, and it has been one of the most influential components of the literature of Europe.The French language is a Romance language derived from Latin and heavily influenced principally by Celtic and Frankish. Beginning in the 11th century, literature written in medieval French was one of the oldest vernacular (non-Latin) literatures in western Europe and it became a key source of literary themes in the Middle Ages across the continent.

Although the European prominence of French literature was eclipsed in part by vernacular literature in Italy in the 14th century, literature in France in the 16th century underwent a major creative evolution, and through the political and artistic programs of the Ancien Régime, French literature came to dominate European letters in the 17th century.

In the 18th century, French became the literary lingua franca and diplomatic language of western Europe (and, to a certain degree, in America), and French letters have had a profound impact on all European and American literary traditions while at the same time being heavily influenced by these other national traditions Africa, and the far East have brought the French language to non-European cultures that are transforming and adding to the French literary experience today.

Under the aristocratic ideals of the Ancien Régime (the "honnête homme"), the nationalist spirit of post-revolutionary France, and the mass educational ideals of the Third Republic and modern France, the French have come to have a profound cultural attachment to their literary heritage. Today, French schools emphasize the study of novels, theater and poetry (often learnt by heart). The literary arts are heavily sponsored by the state and literary prizes are major news. The Académie française and the Institut de France are important linguistic and artistic institutions in France, and French television features shows on writers and poets (one of the most watched shows on French television was Apostrophes, a weekly talk show on literature and the arts). Literature matters deeply to the people of France and plays an important role in their sense of identity.

As of 2006, French literary people have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country. (However, writers in English—USA, UK, India, Ireland, South Africa, Australia, Canada, Nigeria and Saint Lucia—have won twice as many Nobels as the French.) In 1964 Jean-Paul Sartre was awarded the Nobel Prize in Literature, but he declined it, stating that "It is not the same thing if I sign Jean-Paul Sartre or if I sign Jean-Paul Sartre, Nobel Prize winner. A writer must refuse to allow himself to be transformed into an institution, even if it takes place in the most honorable form."

Guerlain

Guerlain (French pronunciation: ​[ɡɛʁlɛ̃]) is a French perfume, cosmetics and skincare house, which is among the oldest in the world. Many traditional Guerlain fragrances are characterized by a common olfactory accord known as the "Guerlinade". The house was founded in Paris in 1828 by the perfumer Pierre-François Pascal Guerlain. It was run by the Guerlain family until 1994, when it was bought by the French multinational company LVMH. Its flagship store is 68, Avenue des Champs-Elysées in Paris.

J. Paul Getty

Jean Paul Getty (; December 15, 1892 – June 6, 1976), known widely as J. Paul Getty, was a naturalized British American petrol-industrialist, and the patriarch of the Getty family. He founded the Getty Oil Company, and in 1957 Fortune magazine named him the richest living American, while the 1966 Guinness Book of Records named him as the world's richest private citizen, worth an estimated $1.2 billion (approximately $7.2 billion in 2018). At his death, he was worth more than $6 billion (approximately $21 billion in 2018). A book published in 1996 ranked him as the 67th richest American who ever lived, based on his wealth as a percentage of the concurrent gross national product.Despite his vast wealth, Getty was famously frugal, notably negotiating his grandson's Italian kidnapping ransom in 1973. Getty was an avid collector of art and antiquities. His collection formed the basis of the J. Paul Getty Museum in Los Angeles, California, and more than $661 million of his estate was left to the museum after his death. He established the J. Paul Getty Trust in 1953. The trust is the world's wealthiest art institution, and operates the J. Paul Getty Museum Complexes: The Getty Center, The Getty Villa and the Getty Foundation, the Getty Research Institute, and the Getty Conservation Institute.

J. Paul Getty Museum

The J. Paul Getty Museum, commonly referred to as the Getty, is an art museum in California housed on two campuses: the Getty Center and Getty Villa. The two locations received over two million visitors in 2016.The primary museum, the Getty Center, is located in Brentwood neighborhood of Los Angeles, on a hill top above the west side of the Sepulveda Pass and I-405 freeway. Its collection features Western art from the Middle Ages to the present.

The secondary museum, the Getty Villa, is in the Malibu neighborhood and displays art from Ancient Greece, Rome, and Etruria.

JP Duminy

Jean-Paul Duminy, often shortened to JP Duminy, (born 14 April 1984) is an international South African cricketer. He is vice-captain of the South Africa T20I team. He is a left-handed batsman and a right-arm off spin bowler. Duminy, who is a Cape Coloured, was raised in the Western Cape and currently plays domestic cricket for his home team, the Cape Cobras, PSL cricket team Islamabad United and the IPL cricket team Mumbai Indians. In September 2017, he retired from Test cricket after playing 46 matches between 2008 and 2017. He is the only player who has never been dismissed "run out" in international cricket.

Jean-Paul Belmondo

Jean-Paul Belmondo (French: [ʒɑ̃pɔl bɛlmɔ̃do]; born 9 April 1933) is a French actor initially associated with the New Wave of the 1960s and one of the biggest French film stars of the 1960s, 1970s and 1980s. His best known credits include Breathless (1960) and That Man from Rio (1964).

Jean-Paul Cara

Jean-Paul Cara (born 9 September 1948, Montpellier) is a French singer and composer. He has authored several songs that have won prizes at the Eurovision contest, most notably the single L'Oiseau et l'Enfant in collaboration with Joe Gracy and performed by Marie Myriam (1st place for France, 1977 Eurovision Song Contest).

France has not won a Eurovision since. Cara wrote the song "Un, deux, trois", performed by Catherine Ferry, that came in 2nd place (for France) at Eurovision 1976. He collaborated with Pierre Delanoë on the French lyrics for the song Ein bißchen Frieden, composed by Ralph Siegel, that won 1st place for Germany at Eurovision 1982.

In January 2010 Jean-Paul Cara was named an Officier in the Ordre des Arts et des Lettres. He lives in Nébian, France and continues to perform.

Jean-Paul Emorine

Jean-Paul Emorine (born 20 March 1944) is a member of the Senate of France, representing the Saône-et-Loire department. He is a member of the Union for a Popular Movement.

Jean-Paul Fournier

Jean-Paul Fournier (born 16 October 1945 in Génolhac) is a French politician and a member of the Senate of France and mayor of Nîmes. He represents the Gard department and is a member of The Republicans Party.

Jean-Paul Gaultier

Jean-Paul Gaultier (French: [ʒɑ̃ pɔl ɡotje]; born 24 April 1952) is a French haute couture and prêt-à-porter fashion designer. He was the creative director of Hermès from 2003 to 2010. He co-presented the television series Eurotrash with Antoine de Caunes.

Jean-Paul Marat

Jean-Paul Marat (French: [ʒɑ̃pɔl maʁa]; 24 May 1743 – 13 July 1793) was a French political theorist, physician, and scientist. He was a journalist and politician during the French Revolution.

He was a vigorous defender of the sans-culottes and seen as a radical voice. He published his views in pamphlets, placards and newspapers. His periodical L'Ami du peuple (Friend of the People) made him an unofficial link with the radical republican Jacobin group that came to power after June 1793.

Through his journalism, renowned for its fierce tone, advocacy of basic human rights for the poorest members of society, and uncompromising stance towards the new leaders and institutions of the revolution, he called for prisoners of the Revolution to be killed before they could be freed in the September Massacres.Marat was assassinated by Charlotte Corday, a Girondin sympathizer, while taking a medicinal bath for his debilitating skin condition. Corday was executed four days later for his assassination, on 17 July 1793.

In death, Marat became an icon to the Jacobins as a revolutionary martyr. He is portrayed in Jacques-Louis David's famous painting, The Death of Marat.

Jean-Paul Sartre

Jean-Paul Charles Aymard Sartre (, US also ; French: [saʁtʁ]; 21 June 1905 – 15 April 1980) was a French philosopher, playwright, novelist, political activist, biographer, and literary critic. He was one of the key figures in the philosophy of existentialism and phenomenology, and one of the leading figures in 20th-century French philosophy and Marxism. His work has also influenced sociology, critical theory, post-colonial theory, and literary studies, and continues to influence these disciplines.

Sartre was also noted for his open relationship with prominent feminist and fellow existentialist philosopher and writer Simone de Beauvoir. Together, Sartre and de Beauvoir challenged the cultural and social assumptions and expectations of their upbringings, which they considered bourgeois, in both lifestyle and thought. The conflict between oppressive, spiritually destructive conformity (mauvaise foi, literally, "bad faith") and an "authentic" way of "being" became the dominant theme of Sartre's early work, a theme embodied in his principal philosophical work Being and Nothingness (L'Être et le Néant, 1943). Sartre's introduction to his philosophy is his work Existentialism Is a Humanism (L'existentialisme est un humanisme, 1946), originally presented as a lecture.

He was awarded the 1964 Nobel Prize in Literature despite attempting to refuse it, saying that he always declined official honours and that "a writer should not allow himself to be turned into an institution".

Jean Casimir-Perier

Jean Paul Pierre Casimir-Perier (French: [ʒɑ̃ kazimiʁ pɛʁje]; 8 November 1847 – 11 March 1907) was a French politician who served as President of the French Third Republic.

Marat/Sade

The Persecution and Assassination of Jean-Paul Marat as Performed by the Inmates of the Asylum of Charenton Under the Direction of the Marquis de Sade (German: Die Verfolgung und Ermordung Jean Paul Marats dargestellt durch die Schauspielgruppe des Hospizes zu Charenton unter Anleitung des Herrn de Sade), usually shortened to Marat/Sade (pronounced [ma.ʁa.sad]), is a 1963 play by Peter Weiss. The work was first published in German.

Incorporating dramatic elements characteristic of both Artaud and Brecht, it is a depiction of class struggle and human suffering that asks whether true revolution comes from changing society or changing oneself.

The Hot Tub

"The Hot Tub" is the 115th episode of NBC sitcom Seinfeld. This was the fifth episode for the seventh season. It aired on October 19, 1995.

Triple H

Paul Michael Levesque (born July 27, 1969), better known by the ring name Triple H (an abbreviation of the ring name Hunter Hearst Helmsley), is an American business executive, professional wrestler, and actor. He has been the Executive Vice President of Talent, Live Events and Creative for WWE since 2013, as well as being the founder and senior producer of NXT.

Levesque, under the ring name Terra Ryzing, began his professional wrestling career in 1992 with the International Wrestling Federation (IWF). In 1994, he joined World Championship Wrestling (WCW), where he was soon repackaged as a French-Canadian aristocrat named Jean-Paul Lévesque. In 1995, Levesque moved to the World Wrestling Federation (WWF, now WWE), where he became Hunter Hearst Helmsley and later Triple H. In 1997, he co-founded the influential D-Generation X stable, which became a major element of the WWF's "Attitude Era". After winning his first WWF Championship and beginning a storyline marriage with Stephanie McMahon in 1999, Triple H became a fixture of the company's main event scene. According to the Pro Wrestling Torch, he was "widely regarded as the best wrestler in North America" by the turn of the millennium.After legitimately marrying Stephanie McMahon in 2003, Levesque became a member of the McMahon family, which maintains majority ownership of WWE. Since 2011, he has curtailed his in-ring appearances as he has taken on a greater behind-the-scenes role within WWE. Over the course of his career, Levesque has held a total of 25 championships including nine reigns as WWF/WWE Champion and five as WWE's World Heavyweight Champion. In addition, he was also the winner of the 1997 King of the Ring tournament and the 2002 and 2016 Royal Rumbles. His total of 14 world championships is the third-most all-time (recognized by WWE) behind only Ric Flair (16) and John Cena (16). He has headlined WrestleMania, WWE's flagship pay-per-view, seven times. Levesque was inducted into the WWE Hall of Fame (Class of 2019) as part of D-Generation X.

Countries
Movements
Writers
Music
Theologians and
philosophers
Visual artists
Related articles
Related categories
Medieval literature
Early modern
literature
18th century
19th century
20th century
Contemporary
writers
German-language
Nobel laureates
German-language
literary awards

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.