J. Allen St. John

James Allen St. John (October 1, 1872 in Chicago – May 23, 1957 in Chicago) was an American author, artist and illustrator. He is especially remembered for his illustrations for the novels of Edgar Rice Burroughs, although he illustrated works of many types. He taught at the Chicago Art Institute and with the American Academy of Art. He is considered by many to be 'The Godfather of Modern Fantasy Art'. His most famous disciples were Roy Krenkel and Frank Frazetta,[1] the latter of whom has also been styled as the grandmaster of the Genre.

St. John's artistic career began in 1898. He studied at the Art Students League of New York which included William Merritt Chase, F.V. Du Mond, George de Forest Brush, H. Siddons Mowbray, Carol Beckwith and Kenyan Cox. This was followed by his first commercial relationship with the New York Herald. During this period he spent time in Paris from 1906 to 1908 at the Académie Julian, then moved to Chicago around 1912 and would eventually live at Tree Studios art colony until his death. While in Chicago he became close friends with artist Louis Grell. Here he began his work with the publisher A.C. McClurg & Co., although he had already produced his best-known work for this publisher back in 1905, The Face in the Pool, which he had both written and illustrated.

Face in the Pool frontispiece
Frontispiece to 1905 edition of The Face in the Pool, written and illustrated by J. Allen St. John, published by A.C. McClurg & Co.


  1. ^ Heavy Metal Magazine, January 2009 p. 19

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Barsoom is a fictional representation of the planet Mars created by American pulp fiction author Edgar Rice Burroughs. The first Barsoom tale was serialized as Under the Moons of Mars in 1912, and published as a novel as A Princess of Mars in 1917. Ten sequels followed over the next three decades, further extending his vision of Barsoom and adding other characters. The first five novels are in the public domain in U.S., and the entire series is free around the world on Project Gutenberg Australia, but the books are still under copyright in most of the rest of the world.

The world of Barsoom is a romantic vision of a dying Mars. Writers and science popularizers like Camille Flammarion, who were convinced that Mars was at a later stage of evolution than Earth and therefore much drier, took the ideas farther and published books like Les Terres du Ciel (1884), which contained illustrations of a planet covered with canals. Burroughs gives credits to him in his writings, and goes as far as to say that he based his vision of Mars on that of Flammarion. John Carter is transported to Mars in a way described by Flammarion in Urania (1889), where a man from Earth is transported to Mars as an astral body where he wakes up to a lower gravity, two moons, strange plants and animals and several races of advanced humans. In The Plurality of Inhabited Worlds and Lumen, he further speculates about plant people and other creatures on far away planets, elements that would later appear in the Barsoom stories.The Barsoom series, where John Carter in the late 19th century is mysteriously transported from Earth to a Mars suffering from dwindling resources, has been cited by many well known science fiction writers as having inspired and motivated them in their youth, as well as by key scientists involved in both space exploration and the search for extraterrestrial life. Elements of the books have been adapted by many writers, in novels, short stories, comics, television and film.

Canaveral Press

Canaveral Press was a New York-based publisher of fantasy, science fiction and related material, active from the early 1960s through the mid-1970s. Richard A. Lupoff was the editor for publishers Jack Biblo and Jack Tannen.

After many years of operating their lower Manhattan bookstore, Biblo and Tannen Booksellers, at 63 Fourth Avenue, the two began a publishing subsidiary, named Biblo and Tannen, to republish out-of-print historical novels that were purchased mainly by school libraries. They also reprinted books on archaeology, including Arthur Evans's The Palace of Minos at Knossos.

Darrell C. Richardson

Dr. Darrell Coleman Richardson (May 17, 1918 – September 19, 2006) was an American Baptist minister and bibliographer, the author of 44 books. He served as Director of the National Fantasy Fan Federation and was involved in the Cincinnati Fantasy Group and the Memphis Science Fiction Association. Richardson was a noted authority on authors Frederick Faust and Edgar Rice Burroughs. The Darrell Awards are named in his honor. His best known work, Max Brand: The Man and His Work, was published by Fantasy Publishing Company, Inc. in 1952.

Edith Ogden Harrison

Edith Ogden Harrison (16 November 1862 – 22 May 1955) was a well-known and prolific author of children's books and fairy tales in the early decades of the twentieth century. She was also the wife of Carter Harrison, Jr., five-term mayor of Chicago.

Edith Ogden was born to Robert N. Ogden, Jr. and Sarah L Beattie, and raised in New Orleans, Louisiana; she was a "belle of cultured, aristocratic habits who acquitted herself well in the parlors of the Potter Palmers and Marshall Fields" and other Chicago notables. She married Carter Harrison on December 14, 1887. Their first child died in infancy in 1889; they had two surviving children, Carter Henry Harrison V, born June 28, 1891, and Edith Ogden Harrison II, born January 21, 1896. (Their son was the fifth of that name because his father was, formally, Carter Henry Harrison IV. He was known in his political career as "Junior" because his father, Carter Henry Harrison III, had preceded him in office and had been one of Chicago's most famous mayors. Confusion arises when "Junior" is erroneously referred to as "Carter Harrison II.") The couple celebrated the fiftieth wedding anniversary of an apparently happy marriage in 1937.

In the first phase of her literary career, Edith O. Harrison concentrated on children's literature; later she wrote travel books and autobiographical works. Her early book Prince Silverwings was adapted by family acquaintance L. Frank Baum for a dramatization that never made it to the stage. (All Chicago theaters were closed after the Iroquois Theater fire on 30 December 1903 caused 570 fatalities.) In the process, influences from Harrison's book appear to have found their way into Baum's works.She did not abandon her theatrical ambitions: over a number of years Harrison and Baum tried to establish a children's theater in Chicago. They were still working on the project as late as 1915, but without success.Harrison's 1912 novel The Lady of the Snows was made into a film of the same title in 1915. [1]

Fantastic Adventures

Fantastic Adventures was an American pulp fantasy and science fiction magazine, published from 1939 to 1953 by Ziff-Davis. It was initially edited by Raymond A. Palmer, who was also the editor of Amazing Stories, Ziff-Davis's other science fiction title. The first nine issues were in bedsheet format, but in June 1940 the magazine switched to a standard pulp size. It was almost cancelled at the end of 1940, but the October 1940 issue enjoyed unexpectedly good sales, helped by a strong cover by J. Allen St. John for Robert Moore Williams' Jongor of Lost Land. By May 1941 the magazine was on a regular monthly schedule. Historians of science fiction consider that Palmer was unable to maintain a consistently high standard of fiction, but Fantastic Adventures soon developed a reputation for light-hearted and whimsical stories. Much of the material was written by a small group of writers under both their own names and house names. The cover art, like those of many other pulps of the era, focused on beautiful women in melodramatic action scenes. One regular cover artist was H.W. McCauley, whose glamorous "MacGirl" covers were popular with the readers, though the emphasis on depictions of attractive and often partly clothed women did draw some objections.

In 1949 Palmer left Ziff-Davis and was replaced by Howard Browne, who was knowledgeable and enthusiastic about fantasy fiction. Browne briefly managed to improve the quality of the fiction in Fantastic Adventures, and the period around 1951 has been described as the magazine's heyday. Browne lost interest when his plan to take Amazing Stories upmarket collapsed, and the magazine fell back into predictability. In 1952, Ziff-Davis launched another fantasy magazine, titled Fantastic, in a digest format; it was successful, and within a few months the decision was taken to end Fantastic Adventures in favor of Fantastic. The March 1953 issue of Fantastic Adventures was the last.

J. David Spurlock

Jess David Spurlock (born November 18, 1959) is an author, illustrator, editor, and artist's-rights advocate best known as the founder of Vanguard Productions, a publisher of art books, graphic novels, and prints.

Jane Porter (Tarzan)

Jane Porter (later Jane Clayton, Lady Greystoke) is a major fictional character in Edgar Rice Burroughs's series of Tarzan novels and in adaptations of the saga to other media, particularly film.

John Carter of Mars

John Carter of Mars is a fictional Virginian—a veteran of the American Civil War—transported to Mars and the initial protagonist of Edgar Rice Burroughs' Barsoom stories. His character is enduring, having appeared in various media since his 1912 debut in a magazine serial. The 2012 feature film John Carter marked the 100th anniversary of the character's first appearance.

Joy and Tom Studios

Joy and Tom Studios, Inc. produces hand sculpted prototypes for the pre-painted statues and collectibles industry. The company, located in Sanford, Florida, was founded in 1983 by Joy and Tom Snyder. Their portfolio of work consists of many statues, busts, and portraits based on licensed properties from companies such as Disney, Warner Brothers, Marvel Comics, DC Comics, and others. In addition to their work in the collectibles industry, they have produced many sculpted and painted likenesses for Plastic Earth, that have appeared on the stop-motion animated program Robot Chicken on Cartoon Network's Adult Swim.


The Kaldanes are a fictitious sapient species existing in the region of Bantoom on the planet Barsoom in the John Carter series of books by Edgar Rice Burroughs. Introduced in the book Chessmen of Mars, the Kaldanes are almost all head, but for six arachnoid legs and a pair of chelae. Their racial goal is to achieve pure intellect against bodily existence:

It is only your brain that makes you superior to the banth, but your brain is bound by the limitations of your body. Not so, ours. With us brain is everything. Ninety per centum of our volume is brain. We have only the simplest of vital organs and they are very small for they do not have to assist in the support of a complicated system of nerves, muscles, flesh and bone. We have no lungs, for we do not require air. Far below the levels to which we can take the rykors is a vast network of burrows where the real life of the kaldane is lived. There the air-breathing rykor would perish as you would perish. There we have stored vast quantities of food in hermetically sealed chambers. It will last forever. Far beneath the surface is water that will flow for countless ages after the surface water is exhausted. We are preparing for the time we know must come -- the time when the last vestige of the Barsoomian atmosphere is spent -- when the waters and food are gone. For this purpose were we created, that there might not perish from the planet Nature's divinest creation -- the perfect brain.

In order to function in the physical realm, the Kaldanes have bred the Rykors: a nonsentient complementary species composed of a body similar to that of a Red Martian but lacking a head; when the Kaldane places itself upon the shoulders of the Rykor, a bundle of tentacles connects with the Rykor's spinal cord, allowing the brain of the Kaldane to control its motor nerves and sensory nerves. Should the Rykor become damaged or die, the Kaldane climbs upon another.

Immediately I control every muscle of the rykor's body—it becomes my own, just as you direct the movement of the muscles of your body. I feel what the rykor would feel if he had a head and brain. If he is hurt, I would suffer if I remained connected with him, but the instant one of them is injured or becomes sick we desert it for another. As we could suffer the pains of their physical injuries, similarly do we enjoy the physical pleasures of the rykors.

Although the Rykors breed like other animals, the Kaldanes do not breed except for their "king":

He produces many eggs from which we, the workers and the warriors, are hatched; and one in every thousand eggs is another king egg, from which a king is hatched. Did you notice the sealed openings in the room where you saw Luud? Sealed in each of those is another king. If one of them escaped he would fall upon Luud and try to kill him and if he succeeded we should have a new king; but there would be no difference. His name would be Luud and all would go on as before, for are we not all alike? Luud has lived a long time and has produced many kings, so he lets only a few live that there may be a successor to him when he dies. The others he kills.

The Kaldanes are also imbued with conscious race memory, obtained through selective breeding. They are carnivorous, and sometimes feed upon the Rykors.

Ghek had never seen an ulsio, since these great Martian rats had long ago disappeared from Bantoom, their flesh and blood having been greatly relished by the kaldanes; but Ghek had inherited, almost unimpaired, every memory of every ancestor, and so he knew that ulsio inhabited these lairs and that ulsio was good to eat, and he knew what ulsio looked like and what his habits were, though he had never seen him nor any picture of him. As we breed animals for the transmission of physical attributes, so the Kaldanes breed themselves for the transmission of attributes of the mind, including memory and the power of recollection, and thus have they raised what we term instinct, above the level of the threshold of the objective mind where it may be commanded and utilized by recollection.

In the Wold Newton Universe, the kaldanes are mentioned as mutated Sarmaks and possibly descended from Cthulhuoids. In Larry Niven's Rainbow Mars, Kaldanes also appear, although they are called the Tunnel Crabs.

Meriem (Tarzan)

Meriem is a character in Edgar Rice Burroughs's series of Tarzan novels, and the heroine of the fourth, The Son of Tarzan.

Other Worlds, Universe Science Fiction, and Science Stories

Other Worlds, Universe Science Fiction, and Science Stories were three related US magazines edited by Raymond A. Palmer. Other Worlds was launched in November 1949 by Palmer's Clark Publications and lasted for four years in its first run, with well-received stories such as "Enchanted Village" by A. E. van Vogt and "Way in the Middle of the Air", one of Ray Bradbury's "Martian Chronicle" stories. Since Palmer was both publisher and editor, he was free to follow his own editorial policy, and presented a wide array of science fiction.

Palmer entered a partnership with a Chicago businessman in 1953 to create Bell Publications, and printed Universe Science Fiction from June 1953. Palmer used the new company to abandon Other Worlds and launch Science Stories, in order to escape from Clark Publications' financial difficulties. Hence Science Stories can be considered a continuation of Other Worlds. Science Stories was visually attractive but contained no memorable fiction. Universe, on the other hand, was drab in appearance, but included some well-received stories, such as Theodore Sturgeon's "The World Well Lost", which examined homosexuality, a controversial topic for the time.

Palmer's Chicago partner lost interest, so he took over both Science Stories and Universe Science Fiction under a new company. In 1955 he culled both magazines and brought back Other Worlds, numbering the issues to make the new magazine appear a continuation of both the original Other Worlds and also of Universe. In this new incarnation the magazine was less successful, but did print Marion Zimmer Bradley's first novel, Falcons of Narabedla. In 1957 Palmer changed the focus of the magazine to unidentified flying objects (UFOs), retitling it Flying Saucers from Other Worlds, and after the September 1957 issue no more fiction appeared. Palmer eventually settled on Flying Saucers, Mysteries of the Space Age as the title, and in that form it survived until June 1976.


Pellucidar is a fictional Hollow Earth invented by American writer Edgar Rice Burroughs for a series of action adventure stories. In a crossover event between Burroughs's series, there is a Tarzan story in which he travels into Pellucidar.

The stories initially involve the adventures of mining heir David Innes and his inventor friend Abner Perry after they use an "iron mole" to burrow 500 miles into the Earth's crust. Later protagonists include indigenous caveman Tanar and additional visitors from the surface world, notably Tarzan, Jason Gridley, and Frederich Wilhelm Eric von Mendeldorf und von Horst.

Robert Moore Williams

Robert Moore Williams (June 19, 1907 – May 12, 1977) was an American writer, primarily of science fiction. Pseudonyms included John S Browning, H. H. Harmon, Russell Storm and E. K. Jarvis (a house name).

Williams was born in Farmington, Missouri. He graduated from the Missouri School of Journalism in 1931. His first published story was "Zero as a Limit", which appeared in Astounding Science Fiction in 1937, under the pseudonym of "Robert Moore". He was a prolific author throughout his career, his last novel appearing in 1972. His "Jongor" series was originally published in Fantastic Adventures in the 1940s and 1950s, and appeared in book form in 1970. By the 1960s he had published over 150 stories.

Roy Krenkel

Roy Gerald Krenkel (11 July 1918 – 24 February 1983), who often signed his work RGK, was an American illustrator who specialized in fantasy and historical drawings and paintings for books, magazines and comic books.

St John (name)

St John or St. John is a given name and surname. It can be pronounced or , as if written Sinjin or Sinjun, particularly if it is the first part of a hyphenated family name or a given name in the United Kingdom. Use of the full stop separator is uncommon in some countries, especially those that use Commonwealth English.


Superman is a fictional superhero created by writer Jerry Siegel and artist Joe Shuster. He first appeared in Action Comics #1, a comic book published on April 18, 1938. He appears regularly in American comic books published by DC Comics, and has been adapted to radio shows, newspaper strips, television shows, movies, and video games.

Superman was born on the planet Krypton, and as a baby named Kal-El, was sent to Earth in a small spaceship by his scientist father Jor-El, moments before Krypton was destroyed in a natural cataclysm. His ship landed in the American countryside, where he was discovered and adopted by Jonathan and Martha Kent, a farming couple. They named him Clark Kent. Clark displayed various superhuman abilities such as incredible strength and impervious skin. His foster parents advised him to use his gifts for the benefit of humanity, and he decided to use his powers to fight crime as a vigilante. To protect his privacy, he changes into a colorful costume and uses the alias "Superman" when fighting crime. Clark Kent resides in the fictional American city of Metropolis, where he works as a journalist for the Daily Planet. Superman's love interest is his fellow journalist Lois Lane, and his classic archenemy is the genius inventor Lex Luthor. He is a friend of many other superheroes in the DC Universe, such as Batman and Wonder Woman.

Superman is a cultural icon of the United States. Superman popularized the superhero genre and defined its conventions, and is still to this day one of the most lucrative superhero franchises.

Tree Studio Building and Annexes

The Tree Studio Building and Annexes was an artist colony established in Chicago, Illinois in 1894 by Judge Lambert Tree and his wife, Anne Tree.

Weird Tales

Weird Tales is an American fantasy and horror fiction pulp magazine founded by J. C. Henneberger and J. M. Lansinger in late 1922. The first issue, dated March 1923, appeared on newsstands February 18th. The first editor, Edwin Baird, printed early work by H. P. Lovecraft, Seabury Quinn, and Clark Ashton Smith, all of whom would go on to be popular writers, but within a year the magazine was in financial trouble. Henneberger sold his interest in the publisher, Rural Publishing Corporation, to Lansinger and refinanced Weird Tales, with Farnsworth Wright as the new editor. The first issue under Wright's control was dated November 1924. The magazine was more successful under Wright, and despite occasional financial setbacks it prospered over the next fifteen years. Under Wright's control the magazine lived up to its subtitle, "The Unique Magazine", and published a wide range of unusual fiction.

Lovecraft's Cthulhu mythos stories first appeared in Weird Tales, starting with "The Call of Cthulhu" in 1928. These were well-received, and a group of writers associated with Lovecraft wrote other stories set in the same milieu. Robert E. Howard was a regular contributor, and published several of his Conan the Barbarian stories in the magazine, and Seabury Quinn's series of stories about Jules de Grandin, a detective who specialized in cases involving the supernatural, was very popular with the readers. Other well-liked authors included Nictzin Dyalhis, E. Hoffmann Price, Robert Bloch, and H. Warner Munn. Wright published some science fiction, along with the fantasy and horror, partly because when Weird Tales was launched there were no magazines specializing in science fiction, but he continued this policy even after the launch of magazines such as Amazing Stories in 1926. Edmond Hamilton wrote a good deal of science fiction for Weird Tales, though after a few years he used the magazine for his more fantastic stories, and submitted his space operas elsewhere.

In 1938 the magazine was sold to William Delaney, the publisher of Short Stories, and within two years Wright, who was ill, was replaced by Dorothy McIlwraith as editor. Although some successful new authors and artists, such as Ray Bradbury and Hannes Bok, continued to appear, the magazine is considered by critics to have declined under McIlwraith from its heyday in the 1930s. Weird Tales ceased publication in 1954, but since then numerous attempts have been made to relaunch the magazine, starting in 1973. The longest-lasting version began in 1988 and ran with an occasional hiatus for over 20 years under an assortment of publishers. In the mid-1990s the title was changed to Worlds of Fantasy & Horror because of licensing issues, with the original title returning in 1998. As of 2018, the most recent published issue was dated Spring 2014.

The magazine is regarded by historians of fantasy and science fiction as a legend in the field, with Robert Weinberg, author of a history of the magazine, considering it "the most important and influential of all fantasy magazines". Weinberg's fellow historian, Mike Ashley, is more cautious, describing it as "second only to Unknown in significance and influence", adding that "somewhere in the imagination reservoir of all U.S. (and many non-U.S.) genre-fantasy and horror writers is part of the spirit of Weird Tales".

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