Internet radio

Internet radio (also web radio, net radio, streaming radio, e-radio, IP radio, online radio) is a digital audio service transmitted via the Internet. Broadcasting on the Internet is usually referred to as webcasting since it is not transmitted broadly through wireless means. It can either be used as a stand-alone device running through the internet, or as a software running through a single computer. [1]

Internet radio is generally used to communicate and easily spread messages through the form of talk. It is distributed through a wireless communication network connected to a switch packet network (the internet) via a disclosed source.'[2]

Internet radio involves streaming media, presenting listeners with a continuous stream of audio that typically cannot be paused or replayed, much like traditional broadcast media; in this respect, it is distinct from on-demand file serving. Internet radio is also distinct from podcasting, which involves downloading rather than streaming.

Internet radio services offer news, sports, talk, and various genres of music—every format that is available on traditional broadcast radio stations.[3] Many Internet radio services are associated with a corresponding traditional (terrestrial) radio station or radio network, although low start-up and ongoing costs have allowed a substantial proliferation of independent Internet-only radio stations.

The first Internet radio service was launched in 1993. As of 2017, the most popular internet radio platforms and applications in the world include (but are not limited to) TuneIn Radio, iHeartRadio,and Sirius XM.

An Internet radio studio

Internet radio technology

Internet radio services are usually accessible from anywhere in the world with a suitable internet connection available; one could, for example, listen to an Australian station from Europe and America. This has made internet radio particularly suited to and popular among expatriate listeners. Nevertheless, some major networks like TuneIn Radio, Entercom, Pandora Radio, iHeartRadio and Citadel Broadcasting (except for news/talk and sports stations) in the United States, and Chrysalis in the United Kingdom, restrict listening to in-country due to music licensing and advertising issues.

Internet radio is also suited to listeners with special interests, allowing users to pick from a multitude of different stations and genres less commonly represented on traditional radio.[4]


Internet radio is typically listened to on a standard home PC or similar device, through an embedded player program located on the respective station's website. In recent years, dedicated devices that resemble and offer the listener a similar experience to a traditional radio receiver have arrived on the market.


Streaming technology is used to distribute Internet radio, typically using a lossy audio codec. Streaming audio formats include MP3, Ogg Vorbis, Windows Media Audio, RealAudio, and HE-AAC (or aacPlus).[5] Audio data is continuously transmitted serially (streamed) over the local network or internet in TCP or UDP packets, then reassembled at the receiver and played a second or two later. The delay is called lag, and is introduced at several stages of digital audio broadcasting.[6]


A local tuner simulation program includes all the online radios that can also be heard in the air in the city.


In 2003, revenue from online streaming music radio was US$49 million. By 2006, that figure rose to US$500 million.[7] A February 21, 2007 "survey of 3,000 Americans released by consultancy Bridge Ratings & Research" found that "[a]s much as 19% of U.S. consumers 12 and older listen to Web-based radio stations." In other words, there were "some 57 million weekly listeners of Internet radio programs. More people listen to online radio than to satellite radio, high-definition radio, podcasts, or cell-phone-based radio combined."[7][8] An April 2008 Arbitron survey[9] showed that, in the US, more than one in seven persons aged 25–54 years old listen to online radio each week.[10] In 2008, 13 percent of the American population listened to the radio online, compared to 11 percent in 2007. Internet radio functionality is also built into many dedicated Internet radio devices, which give an FM like receiver user experience.

In the fourth quarter (Q4) of 2012, Pandora, TuneIn Radio, iHeart Radio, and other subscription-based and free Internet radio services accounted for nearly one quarter (23 percent) of the average weekly music listening time among consumers between the ages of 13 and 35, an increase from a share of 17 percent the previous year.[11]

As Internet-radio listening rose among the 13-to-35 age group, listening to AM/FM radio, which now accounts for 24 percent of music-listening time, declined 2 percentage points. In the 36-and-older age group, by contrast, Internet radio accounted for just 13 percent of music listening, while AM/FM radio dominated listening methods with a 41 percent share.[11]

Currently, 47% of all Americans ages 12 and older—an estimated 124 million people—said they have listened to online radio in the last month, while 36% (94 million people) have listened in the last week. These figures are up from 45% and 33%, respectively, in 2013. The average amount of time spent listening increased from 11 hours, 56 minutes per week in 2013 to 13 hours 19 minutes in 2014. As might be expected, usage numbers are much higher for teens and younger adults, with 75% of Americans ages 12–24 listening to online radio in the last month, compared to 50% of Americans ages 25–54 and 21% of Americans 55+. The weekly figures for the same age groups were 64%, 37% and 13%, respectively.[12] In 2015, it was recorded that 53% of Americans, or 143 million people, ages 12 and up currently listen to internet radio.[13]

Broadcasting freedoms

Some stations, such as Primordial Radio, use Internet radio as a platform as opposed to other means such as FM or DAB, as it gives greater freedom to broadcast as they see fit, without being subject to regulatory bodies such as Ofcom in the UK. For example, Ofcom has very strict rules about presenters endorsing products and product placement;[14] being an Internet radio station they are free of this constraint.


Internet radio was pioneered by Carl Malamud. In 1993, Malamud launched "Internet Talk Radio", which was the "first computer-radio talk show, each week interviewing a computer expert".[15][16] The first Internet concert was broadcast on June 24, 1993, by the band Severe Tire Damage.[17][18] In March 1994, an unofficial automated rebroadcast of Irish radio news was setup as the RTE To Everywhere Project [19], allowing Irish people across the World daily access to radio news from home until it was rendered obsolete in 1998. In November 1994, a Rolling Stones concert was the "first major cyberspace multicast concert." Mick Jagger opened the concert by saying, "I want to say a special welcome to everyone that's, uh, climbed into the Internet tonight and, uh, has got into the M-bone. And I hope it doesn't all collapse."[20]

On November 7, 1994, WXYC (89.3 FM Chapel Hill, North Carolina, USA) became the first traditional radio station to announce broadcasting on the Internet. WXYC used an FM radio connected to a system at SunSite, later known as Ibiblio, running Cornell's CU-SeeMe software. WXYC had begun test broadcasts and bandwidth testing as early as August 1994.[21] WREK (91.1 FM, Atlanta, GA USA) started streaming on the same day using their own custom software called CyberRadio1. However, unlike WXYC, this was WREK's beta launch and the stream was not advertised until a later date.[22]

On December 3, 1994, KJHK 90.7 FM, a campus radio station located in Lawrence, Kansas, at the University of Kansas, became one of the first radio stations in the world to broadcast a live and continuous stream over Internet radio.[23] Time magazine said that RealAudio took "advantage of the latest advances in digital compression" and delivered "AM radio-quality sound in so-called real time."[24] Eventually, companies such as Nullsoft and Microsoft released streaming audio players as free downloads.[25] As the software audio players became available, "many Web-based radio stations began springing up."[25]

In 1995, Scott Bourne founded as the world's first Internet-only radio network. was a pioneer in Internet radio. It was the first Internet-only network to be licensed by ASCAP. NetRadio eventually went on to an IPO in October 1999. Most of the current Internet radio providers followed the path that carved out in digital media. [26] In March 1996, Virgin Radio – London became the first European radio station to broadcast its full program live on the Internet.[27] It broadcast its FM signal, live from the source, simultaneously on the Internet 24 hours a day.[28] On May 1, 1997, (now Pure Rock Radio) launched in Saskatoon, Canada. The internet-only station celebrated 20 years on air in 2017 as the longest-running Canadian internet station.

Internet radio attracted significant media and investor attention in the late 1990s. In 1998, the initial public stock offering for set a record at the time for the largest jump in price in stock offerings in the United States. The offering price was US$18 and the company's shares opened at US$68 on the first day of trading.[29] The company was losing money at the time and indicated in a prospectus filed with the Securities Exchange Commission that they expected the losses to continue indefinitely.[29] Yahoo! purchased on July 20, 1999,[30] for US$5.7 billion.[31]

With the advent of streaming RealAudio over HTTP, streaming became more accessible to a number of radio shows. One such show, TechEdge Radio in 1997, was broadcast in three formats – live on the radio, live from a RealAudio server and streamed from the web over HTTP.In 1998, the longest running internet radio show,[32] The Vinyl Lounge, began netcasting from Sydney, Australia, from Australia's first Internet radio station, NetFM ( In 1999, Australian telco "Telstra" launched The Basement Internet Radio Station but it was later shut down in 2003 as it was not a viable business for the company.

From 2000 onwards, most Internet radio stations increased their stream quality as bandwidth became more economical. Today, most stations stream between 64 kbit/s and 128 kbit/s providing near CD quality audio. As of 2017 the mobile app Radio Garden, a research project of the Netherlands Institute for Sound and Vision, was streaming approximately 8,000 radio stations to a global audience.[33]

US royalty controversy

In October 1998, the US Congress passed the Digital Millennium Copyright Act (DMCA), one result of which is that performance royalties are to be paid for satellite radio and Internet radio broadcasts in addition to publishing royalties. In contrast, traditional radio broadcasters pay only publishing royalties and no performance royalties.[34][35]

A rancorous dispute ensued over how performance royalties should be assessed for Internet broadcasters.[7][31][35][36][37][38][39] Some observers said that royalty rates that were being proposed were overly burdensome and intended to disadvantage independent Internet-only stations[35]—that "while Internet giants like AOL may be able to afford the new rates, many smaller Internet radio stations will have to shut down."[38] The Digital Media Association (DiMA) said that even large companies, like Yahoo! Music, might fail due to the proposed rates.[7] Some observers said that some U.S.-based Internet broadcasts might be moved to foreign jurisdictions where US royalties do not apply.[37]

Many of these critics organized, "a coalition of listeners, artists, labels and webcasters"[36] that opposed the proposed royalty rates. To focus attention on the consequences of the impending rate hike, many US Internet broadcasters participated in a "Day of Silence" on June 26, 2007. On that day, they shut off their audio streams or streamed ambient sound, sometimes interspersed with brief public service announcements voiced, written and produced by popular voiceover artist Dave Solomon.[40] Notable participants included Rhapsody, Live365, MTV, Pandora, Digitally Imported and SHOUTcast.

Some broadcasters did not participate, such as, which had just been purchased for US$280 million by CBS Music Group.[41] According to a employee, they were unable to participate because participation "may compromise ongoing license negotiations."[42]

SoundExchange, representing supporters of the increase in royalty rates, pointed out that the rates were flat from 1998 through 2005 (see above), without being increased to reflect cost-of-living increases. They also declared that if Internet radio is to build businesses from the product of recordings, the performers and owners of those recordings should receive fair compensation.

On May 1, 2007, SoundExchange came to an agreement with certain large webcasters regarding the minimum fees that were modified by the determination of the Copyright Royalty Board. While the CRB decision imposed a $500 per station or channel minimum fee for all webcasters, certain webcasters represented through DiMA negotiated a $50,000 "cap" on those fees with SoundExchange.[43] However, DiMA and SoundExchange continue to negotiate over the per song, per listener fees.

SoundExchange has also offered alternative rates and terms to certain eligible small webcasters, that allow them to calculate their royalties as a percentage of their revenue or expenses, instead of at a per performance rate.[44] To be eligible, a webcaster had to have revenues of less than US $1.25 million a year and stream less than 5 million "listener hours" a month (or an average of 6830 concurrent listeners).[45] These restrictions would disqualify independent webcasters like AccuRadio, Digitally Imported, Club977 and others from participating in the offer, and therefore many small commercial webcasters continue to negotiate a settlement with SoundExchange.[46]

An August 16, 2008 Washington Post article reported that although Pandora was "one of the nation's most popular Web radio services, with about 1 million listeners daily...the burgeoning company may be on the verge of collapse" due to the structuring of performance royalty payment for webcasters. "Traditional radio, by contrast, pays no such fee. Satellite radio pays a fee but at a less onerous rate, at least by some measures." The article indicated that "other Web radio outfits" may be "doomed" for the same reasons.[47]

On September 30, 2008, the United States Congress passed "a bill that would put into effect any changes to the royalty rate to which [record labels and web casters] agree while lawmakers are out of session."[48] Although royalty rates are expected to decrease, many webcasters nevertheless predict difficulties generating sufficient revenue to cover their royalty payments.[48]

In January 2009, the US Copyright Royalty Board announced that "it will apply royalties to streaming net services based on revenue."[49] Since then, websites like Pandora Radio, AccuRadio, Mog, 8tracks and recently Google Music have changed the way people discover and listen to music.

The Webcaster Settlement Act of 2009 expired in January 2016, ending a 10-year period in which smaller online radio stations, Live365 among them, could pay reduced royalties to labels. On January 31, 2016, webcasters who are governed by rules adopted by the Copyright Royalty Board were required to pay to SoundExchange an annual, nonrefundable minimum fee of $500 for each channel and station,[50] the fee for services with greater than 100 stations or channels being $50,000 annually.[51]

See also


  1. ^ [1], Kiraly, Jozsef, "Method and system for implementing an internet radio device for receiving and/or transmitting media information"
  2. ^ [2], Cerf, Vinton & Scott Huddle, "Internet radio communication system"
  3. ^ Fries, Bruce; Fries, Marty (2005). Digital Audio Essentials. O'Reilly Media. pp. 98–99. ISBN 9780596008567.
  4. ^ Sanghoon, Jun (Spring 2013). "SmartRadio: Cloning Internet Radio Broadcasting Stations". International Information Institute (Tokyo). Information. 16: 2701–2709 – via School of Electrical Engineering, Korea University.
  5. ^ Hoeg, Wolfgang; Lauterbach, Thomas (2009). Digital audio broadcasting: principles and applications of DAB, DAB+ and DMB. Wiley. p. 26. ISBN 978-0-470-51037-7.
  6. ^ Hoeg, p 43.
  7. ^ a b c d Olga Kharif, The Last Days of Internet Radio?, March 7, 2007. Retrieved on March 7, 2007.
  8. ^ The "HD" in "HD radio" actually stands for hybrid digital, not high-definition. It's hybrid because analog and digital signals are broadcast together.
  9. ^ Joe Lensky; Bill Rose (June 24, 2008). "The Infinite Dial 2008: Radio's Digital Platforms" (PDF). Digital Radio Study 2008. Arbitron and Edison Research.
  10. ^ "Weekly online radio audience increases from 11 percent to 13 percent of Americans in last year, according to the latest Arbitron/Edison media research study". Arbitron & Edison Research. Red Orbit. April 9, 2008.
  11. ^ a b Streaming Music is Gaining on Traditional Radio Among Younger Music Listeners by The NPD Group:
  12. ^ "Half Of U.S. Listeners Tune Into Online Radio". Retrieved October 5, 2017.
  13. ^ "Monthly Online Radio Listeners Now Exceed Half The Population 12+ – Edison Research". Edison Research. February 26, 2015. Retrieved October 28, 2017.
  14. ^ "Radio Sponsorship Rules" (PDF). Archived from the original (PDF) on December 22, 2017.
  15. ^ "Internet Talk Radio". Retrieved May 30, 2010.
  16. ^ "Cable company is set to plug into Internet". The Wall Street Journal. August 24, 1993. Retrieved March 18, 2008.
  17. ^ Randy Alfred (June 24, 2009). "This day in Tech". Wired. Retrieved April 11, 2013.
  18. ^ Savetz, K., Randall, N., and Lepage, Y., "MBONE: Multicasting Tomorrow's Internet" (in the Musical Events section: "Severe Tire Damage was the first live band on the Internet. On June 24, 1993"), John Wiley, 1996, ISBN 1-56884-723-8
  19. ^ [
  20. ^ Peter H. Lewis (February 8, 1995). "Peering Out a 'Real Time' Window". New York Times. Retrieved February 9, 2009.
  21. ^ WXYC's groundbreaking internet simulcast is now 10 years old November 12, 2004. WXYC Chapel Hill, North Carolina, 89.3 FM.
  22. ^ "We got here first. Sort of". WREK Atlanta, 91.1 FM. August 22, 2006. Archived from the original on September 27, 2007.
  23. ^ "KJHK turns 30 years as the Sound Alternative". Archived from the original (English) on March 3, 2006. Retrieved March 26, 2007.
  24. ^ Josh Quittner (May 1, 1995). "Radio Free Cyberspace". Time. Retrieved March 5, 2009.
  25. ^ a b Richard D. Rose (May 8, 2002). "Connecting the Dots: Navigating the Laws and Licensing Requirements of the Internet Music Revolution" (PDF). IDEA: The Intellectual Property Law Review. Retrieved March 5, 2009.
  26. ^ ", AudioNet & ASCAP sign licensing agreement. – Free Online Library". Retrieved October 5, 2017.
  27. ^ Adam Bowie (September 26, 2008). "A brief history of Virgin Radio". One Golden Square. Retrieved March 30, 2009.
  28. ^ "An Introduction to Internet Radio" (PDF). European Broadcasting Union (EBU). October 26, 2005. Retrieved July 26, 2016.
  29. ^ a b Saul Hansell (July 20, 1998). " Faces Risks After Strong Initial Offering". New York Times. Retrieved November 23, 2008.
  30. ^ "Yahoo! Completes Acquisition". Yahoo! Media Relations. July 20, 1999. Retrieved January 10, 2009.
  31. ^ a b Doc Searls, (July 17, 2002) "Why Are So Many Internet Radio Stations Still on the Air?" Linux Journal. Retrieved March 14, 2010.
  32. ^ National Film & Sound Archive (September 20, 2010). "National Film & Sound Archive". National Film & Sound Archive.
  33. ^ Visnjic, Filip (July 9, 2017). "Radio Garden – Radio in the age of globalisation and digitisation". Creative Applications Network.
  34. ^ Stockment, Andrew (December 2009). "Internet Radio: The Case for a Technology Neutral Royalty Standard". Virginia Law Review. Retrieved October 6, 2013.
  35. ^ a b c Michael Roberts (May 2, 2002). "Digital Dilemma: Will new royalty fees kill Web radio?". Westword. Retrieved March 14, 2010.
  36. ^ a b Carlos Militante (April 26, 2007). "Stagnant royalty rates may bring end to Internet radio". Spartan Daily (San Jose State U.). The Daily Collegian. Archived from the original on February 9, 2008. Retrieved March 14, 2010.
  37. ^ a b Michael Geist (April 9, 2007). Web radio may stream north to Canada. The Toronto Star.
  38. ^ a b Gray, Hiawatha (March 14, 2007). Royalty hike could mute Internet radio: Smaller stations say rise will be too much, The Boston Globe.
  39. ^ Broache, Anne (April 26, 2007). "Lawmakers propose reversal of Net radio fee increases". CNet News. Archived from the original on January 19, 2013. Retrieved March 14, 2010.
  40. ^ Official SaveNetRadio PSAs & Day Of Silence Network Audio. The Toronto Star.
  41. ^ Duncan Riley (May 30, 2007). CBS Acquires Europe’s Last.FM for $280 million Techcrunch. Retrieved March 14, 2010.
  42. ^ Russ Garrett (June 25, 2007). Post by Russ on Forum - Day of Silence, June 25, 2007. Retrieved June 24, 2012.
  43. ^ Olga Kharif (August 23, 2007). "Webcasters and SoundExchange Shake Hands". Retrieved August 24, 2007.
  44. ^ Mark Hefflinger (August 22, 2007). "SoundExchange Offers Discounted Music Rates To Small Webcasters". Archived from the original on September 29, 2007. Retrieved August 24, 2007.
  45. ^ Rusty Hodge, (August 1, 2007) SoundExchange extends (not very good) offer to small webcasters. SomaFM. Retrieved March 14, 2010.
  46. ^ David Oxenford (September 19, 2007) SoundExchange Announces 24 Agreements - But Not One a Settlement With Small Webcasters Archived June 30, 2008, at the Wayback Machine. Broadcast Law Blog.
  47. ^ Peter Whoriskey (August 16, 2008) Giant Of Internet Nears Its 'Last Stand'. The Washington Post. Retrieved March 14, 2010.
  48. ^ a b Miller, Cain Claire (Oct.27, 2008) Even If Royalties for Web Radio Fall, Revenue Remains Elusive, The New York Times.
  49. ^ Scott M. Fulton, III (January 29, 2009) Copyright Board begrudgingly adopts revenue-based streaming royalties. Retrieved March 14, 2010.
  50. ^ "2016 Broadcasters Calendar" (PDF). Wilkinson Barker Knauer LLP. Retrieved February 1, 2016.
  51. ^ "commercial webcaster 2016 rates". soundexchange. Retrieved February 1, 2016.

Further reading

AOL Radio

AOL Radio powered by Slacker (formerly AOL Radio powered by CBS Radio, and prior AOL Radio featuring XM) was an online radio service available in the United States only. It had over 200 free internet radio stations.

Beats 1

Beats 1 is a 24/7 music radio station owned and operated by Apple Inc. It is accessible through iTunes on a computer, and Apple Music on a smartphone or tablet.

The station airs a mix of pop, rap and indie music. Prime-time presenters include Zane Lowe, Ebro Darden, Julie Adenuga and Matt Wilkinson.Beats 1 is streamed at 64kbit/s and 256kbit/s, utilising HTTP Live Streaming protocol and the HE-AAC audio codec.

Content delivery network

A content delivery network or content distribution network (CDN) is a geographically distributed network of proxy servers and their data centers. The goal is to provide high availability and high performance by distributing the service spatially relative to end-users. CDNs serve a large portion of the Internet content today, including web objects (text, graphics and scripts), downloadable objects (media files, software, documents), applications (e-commerce, portals), live streaming media, on-demand streaming media, and social media sites.CDNs are a layer in the internet ecosystem. Content owners such as media companies and e-commerce vendors pay CDN operators to deliver their content to their end users. In turn, a CDN pays ISPs, carriers, and network operators for hosting its servers in their data centers.

CDN is an umbrella term spanning different types of content delivery services: video streaming, software downloads, web and mobile content acceleration, licensed/managed CDN, transparent caching, and services to measure CDN performance, load balancing, Multi CDN switching and analytics and cloud intelligence. CDN vendors may cross over into other industries like security, with DDoS protection and web application firewalls (WAF), and WAN optimization.


DI.FM (also known as Digitally Imported) is an Internet radio broadcaster consisting of over 90 channels dedicated exclusively to electronic music, such as house, trance, techno, drum and bass, and dubstep. DI.FM broadcasts handpicked selections consisting of classic, new and up-and-coming hits, as well as weekly and monthly mixed shows from professional DJs. It was founded in December 1999 as a hobby project by Ari Shohat in his Binghamton University dorm room and was one of the first Internet radio stations. It has often been listed as one of the top internet radio stations.During the 2000s, DI.FM participated in a number of protests against high royalty fees for Internet radio. In July 2009, Digitally Imported, radioIO and AccuRadio reached a revenue-sharing deal with royalty collector SoundExchange securing music rights. It also licenses out its own proprietary streaming platform to power other popular internet radio sites which play non-electronic dance music genres such as pop hits, jazz and rock across nearly 250 channels. These sites include RadioTunes (formerly ),JazzRadio, RockRadio, and ClassicalRadio.

DZST (Manila)

DZST (860 kHz) was an AM radio station owned and operated by the University of Santo Tomas in the Philippines. It was also served both as a campus station and as a Catholic station.The station was housed in the Main Building of the campus and broadcast from 1950 to 1969. The frequency is formerly occupied by Radyo Veritas (which is also a Catholic-run station).

Hauppauge MediaMVP

The Hauppauge MediaMVP is a network media player. It consists of a hardware unit with remote control, along with software for a Windows PC. Out of the box, it is capable of playing video and audio, displaying pictures, and "tuning in" to Internet radio stations. Alternative software is also available to extend its capabilities. It can be used as a front-end for various PVR projects.

The MediaMVP is popular with some PVR enthusiasts because it is inexpensive and relatively easy to modify.


iHeartRadio is a free broadcast and internet radio platform owned by iHeartMedia, Inc. It was founded in April 2008 as the website As of 2017, iHeartRadio functions as a music recommender system and is the national umbrella brand for iHeartMedia's radio network aggregating its over 850 local iHeartMedia radio stations across the United States, as well as hundreds of other stations from various other media (with companies such as Cumulus Media, Cox Radio and Beasley Broadcast Group also using this service). In addition, the service includes thousands of podcasts and now also offers on demand functionality and is the only service that allows listeners to save and replay songs right from live broadcast radio to their digital playlists. The on demand features require a subscription fee. iHeartRadio is available across more than 90 device platforms including online, via mobile devices, and on some video-game consoles.iHeartRadio launched national-branded marquee events starting with the inaugural iHeartRadio Music Festival in 2011. Other major iHeartRadio events include the iHeartRadio Fiesta Latina, iHeartCountry Festival, the nationwide iHeartRadio Jingle Ball Tour, iHeartSummer’17 Weekend and the iHeartRadio Music Awards, which generated 165 billion social media impressions. iHeartRadio regularly hosts concerts at the iHeartRadio Theaters in Los Angeles and New York.


Koffee is a digital radio station broadcast by NOVA Entertainment in Sydney, Melbourne and Brisbane. It was launched on 16 April 2009 prior to the commencement of DAB+ broadcasts.

List of Internet radio stations

This is a list of Internet radio stations, including traditional broadcast stations which stream programming over the Internet as well as Internet-only stations.

Mormon Channel

Mormon Channel is also the name of a waterway in Stockton, California.Mormon Channel is an over the air and Internet radio station owned and operated by The Church of Jesus Christ of Latter-day Saints (LDS Church). It is based in Salt Lake City, Utah.Broadcasting 24/7 from facilities at the LDS Church's headquarters, Mormon Channel broadcasts over the Internet via the station website at and over the HD2 and HD3 channels of six FM stations: KIRO-FM in Seattle, KSL-FM in Salt Lake City, KTAR-FM in Phoenix, WARH in St. Louis, WSHE-FM in Chicago, and WYGY in Cincinnati. KIRO, KSL, and KTAR are owned by Bonneville International, itself owned by the LDS Church; WARH, WSHE-FM, and WYGY are owned by Hubbard Broadcasting, but were owned by Bonneville as well until 2011. KSWD in Los Angeles formerly aired Mormon Channel on HD4 until the station's sale to Entercom.

Pandora Radio

Pandora (also known as Pandora Media or Pandora Radio) is an American music streaming and automated music recommendation internet radio service powered by the Music Genome Project. The service, operated by Sirius XM Satellite Radio, is available in the United States. The service plays songs that have similar musical traits. The user then provides positive or negative feedback (as thumbs up or thumbs down) for songs chosen by the service, and the feedback is taken into account in the subsequent selection of other songs to play. The service can be accessed either through a web browser or with its mobile app. Pandora is a freemium service; basic features are free with advertisements or limitations, while additional features, such as improved streaming quality, music downloads and offline channels are offered via paid subscriptions.

In 2014, Pandora had about 76 million monthly users, and about a 70% share of the internet radio market in the U.S.Pandora's Promoted Stations rely on its core Music Genome Project. Overall, the Music Genome Project of more than 450 attributes assigned to each song with a human-curated database of recorded music.In February 2019, Sirius XM Satellite Radio acquired Pandora for $3.5 billion in stock. is a free broadcast and Internet radio platform owned by Entercom. functions as a music recommender system and is the national umbrella brand for Entercom's radio network aggregating its over 235 local Entercom radio stations across the United States. In addition, the service includes thousands of podcasts. It was originally created by CBS Radio and was acquired by Entercom as part of the company's takeover of CBS Radio. The service's main competitors are rival station group iHeartMedia's iHeartRadio, and TuneIn. is available online, via mobile devices, and devices such as Chromecast.


SHOUTcast DNAS is cross-platform proprietary software for streaming media over the Internet. The software, developed by Nullsoft, is available free of charge. It allows digital audio content, primarily in MP3 or High-Efficiency Advanced Audio Coding format, to be broadcast to and from media player software, enabling the creation of Internet radio "stations".

The most common use of SHOUTcast is for creating or listening to Internet audio broadcasts; however, video streams exist as well. Some traditional radio stations use SHOUTcast to extend their presence onto the Web.

SHOUTcast Radio is a related website which provides a directory of SHOUTcast stations.

Sirius XM Satellite Radio

Sirius XM Holdings, Inc., doing business as Sirius XM Satellite Radio, is an American broadcasting company headquartered in Midtown Manhattan, New York City that provides satellite radio and online radio services operating in the United States. The companies Sirius Satellite Radio and XM Satellite Radio are now merged into Sirius XM Radio. The company also has a minor interest in SiriusXM Canada, an affiliate company that provides Sirius and XM service in Canada. At the end of 2013, Sirius XM reorganized their corporate structure, which made Sirius XM Radio Inc. a direct, wholly owned subsidiary of Sirius XM Holdings, Inc.Sirius XM Radio was formed after the U.S. Federal Communications Commission (FCC) approved the acquisition of XM Satellite Radio Holding, Inc. by Sirius Satellite Radio, Inc. on July 29, 2008, 17 months after the companies first proposed the merger. The merger brought the combined companies a total of more than 18.5 million subscribers based on current subscriber numbers on the date of merging. The deal was valued at $3.3 billion, not including debt. Through Q2 2017, Sirius XM has more than 32 million subscribers.The proposed merger was opposed by those who felt it would create a monopoly. Sirius and XM argued that a merger was the only way that satellite radio could survive.In September 2018, the company agreed to purchase the competing streaming music service Pandora, and this transaction was successfully completed on February 1, 2019.

Spinner (website)

Spinner was an online music and entertainment service. An AOL Music property, it was acquired by AOL on June 1, 1999, along with Nullsoft for $400 million. Based in San Francisco, California, the website was the first Internet music service and was the largest by 2001, while offering promotional features from high-profile recording artists. In 2002, AOL combined Spinner with the former's Netscape portal to form Netscape Radio. Spinner broadcast over 100 radio stations, including Radio CMJ.In 2008, Spinner was revamped by AOL as a music website aimed at the "music aficionado". The website offers exclusive interviews of recording artists, streams of albums and live performances, and a free music download daily.Spinner, along with all AOL music sites, was abruptly shut down in April 2013. The URLs to all former AOL music sites, including Spinner, were re-directed to starting in August 2013. Several AOL Music blogs, along with Comics Alliance, were sold to Townsquare Media in June 2013.

Springbok Radio

Springbok Radio was a South African radio station that operated from 1950 to 1985.

Stitcher Radio

Stitcher is an on-demand Internet radio service that focuses on news and information radio and podcasts. It provides free online streaming through the website and via native mobile applications such as the Android, BlackBerry, iPhone, and Palm webOS. It has been described as "the most popular alternative to the default Apple podcast app" as of 2016.The company was founded in August 2008 and is privately held and venture backed.Stitcher aggregates content from thousands of content providers and organizes the content into "stations" that listeners can browse and listen to. Audio content is delivered from large media providers such as AP, BBC, CNN, Fox News, MSNBC, NPR, TechCrunch, and thousands of smaller providers. Content is kept continually up to date via Stitcher's proprietary back-end application, allowing listeners to have access to fresh content while on the go without having to sync their mobile device. However, this access may require costly usage of mobile data in contrast to true podcasts which can be synced through WiFi Internet access and listened to "on the go".In October 2014, music streaming service Deezer announced that Stitcher Radio would be merging into Deezer, and that by 2015 users would be able to use Stitcher Radio features within Deezer. In June 2016, it changed ownership again, becoming a subsidiary of E.W. Scripps Company in the U.S., as part of Midroll Media. At that time, Stitcher was reported to have around a dozen employees. A representative of Midroll dismissed concerns that it would convert Stitcher into a walled garden ecosystem.


A webcast is a media presentation distributed over the Internet using streaming media technology to distribute a single content source to many simultaneous listeners/viewers. A webcast may either be distributed live or on demand. Essentially, webcasting is "broadcasting" over the Internet.

The largest "webcasters" include existing radio and TV stations, who "simulcast" their output through online TV or online radio streaming, as well as a multitude of Internet only "stations". Webcasting usually consists of providing non-interactive linear streams or events. Rights and licensing bodies offer specific "webcasting licenses" to those wishing to carry out Internet broadcasting using copyrighted material.

Yahoo! Music

Yahoo! Music, owned by Yahoo!, was the provider of a variety of music services, including Internet radio, music videos, news, artist information, and original programming. Previously, users with Yahoo! accounts could gain access to hundreds of thousands of songs sorted by artist, album, song and genre.

and funding
Network topology
and switching


This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.