Homer

Homer (/ˈhoʊmər/; Ancient Greek: Ὅμηρος Greek pronunciation: [hómɛːros], Hómēros) is the legendary author of the Iliad and the Odyssey, two epic poems that are the central works of ancient Greek literature. The Iliad is set during the Trojan War, the ten-year siege of the city of Troy by a coalition of Greek kingdoms. It focuses on a quarrel between King Agamemnon and the warrior Achilles lasting a few weeks during the last year of the war. The Odyssey focuses on the journey home of Odysseus, king of Ithaca, around 20 years after the fall of Troy. Many accounts of Homer's life circulated in classical antiquity, the most widespread being that he was a blind bard from Ionia, a region of central coastal Anatolia in present-day Turkey. Modern scholars consider these accounts legendary.[2][3][4]

The Homeric Question – concerning by whom, when, where and under what circumstances the Iliad and Odyssey were composed – continues to be debated. Broadly speaking, modern scholarly opinion falls into two groups. One holds that most of the Iliad and (according to some) the Odyssey are the works of a single poet of genius. The other considers the Homeric poems to be the result of a process of working and reworking by many contributors, and that "Homer" is best seen as a label for an entire tradition.[4] It is generally accepted that the poems were composed at some point around the late eighth or early seventh century BC.[5]

The poems are in Homeric Greek, also known as Epic Greek, a literary language which shows a mixture of features of the Ionic and Aeolic dialects from different centuries; the predominant influence is Eastern Ionic.[6][7] Most researchers believe that the poems were originally transmitted orally.[8] From antiquity until the present day, the influence of the Homeric epics on Western civilization has been great, inspiring many of its most famous works of literature, music, art and film.[9] The Homeric epics were the greatest influence on ancient Greek culture and education; to Plato, Homer was simply the one who "has taught Greece" – ten Hellada pepaideuken.[10][11]

Homer British Museum
Roman bust of Homer from the second century AD, portrayed with traditional iconography, based on a Greek original dating to the Hellenistic Period[1]

Works attributed to Homer

William-Adolphe Bouguereau (1825-1905) - Homer and his Guide (1874)
Homer and His Guide (1874) by William-Adolphe Bouguereau

Today only the Iliad and Odyssey are associated with the name 'Homer'. In antiquity, a very large number of other works were sometimes attributed to him, including the Homeric Hymns, the Contest of Homer and Hesiod, the Little Iliad, the Nostoi, the Thebaid, the Cypria, the Epigoni, the comic mini-epic Batrachomyomachia ("The Frog-Mouse War"), the Margites, the Capture of Oechalia, and the Phocais. These claims are not considered authentic today and were by no means universally accepted in the ancient world. As with the multitude of legends surrounding Homer's life, they indicate little more than the centrality of Homer to ancient Greek culture.[12][13][14]

Ancient biographies of Homer

Many traditions circulated in the ancient world concerning Homer, most of which are lost. Modern scholarly consensus is that they have no value as history.

Some claims were established early and repeated often. They include that Homer was blind (taking as self-referential a passage describing the blind bard Demodocus[15][16]), that he was born in Chios, that he was the son of the river Meles and the nymph Critheïs, that he was a wandering bard, that he composed a varying list of other works (the "Homerica"), that he died either in Ios or after failing to solve a riddle set by fishermen, and various explanations for the name "Homer". The two best known ancient biographies of Homer are the Life of Homer by the Pseudo-Herodotus and the Contest of Homer and Hesiod.[17][18]

History of Homeric scholarship

Ancient

Townley Homer
Part of an eleventh-century manuscript, "the Townley Homer". The writings on the top and right side are scholia.

The study of Homer is one of the oldest topics in scholarship, dating back to antiquity.[19][20][21] Nonetheless, the aims of Homeric studies have changed over the course of the millennia.[19] The earliest preserved comments on Homer concern his treatment of the gods, which hostile critics such as the poet Xenophanes of Colophon denounced as immoral.[21] The allegorist Theagenes of Rhegium is said to have defended Homer by arguing that the Homeric poems are allegories.[21] The Iliad and the Odyssey were widely used as school texts in ancient Greek and Hellenistic cultures.[19][21][22] They were the first literary works taught to all students.[22] The Iliad, particularly its first few books, was far more intently studied than the Odyssey during the Hellenistic and Roman periods.[22]

As a result of the poems' prominence in classical Greek education, extensive commentaries on them developed to explain parts of the poems that were culturally or linguistically difficult.[19][21] During the Hellenistic and Roman Periods, many interpreters, especially the Stoics, who believed that Homeric poems conveyed Stoic doctrines, regarded them as allegories, containing hidden wisdom.[21] Perhaps partially because of the Homeric poems' extensive use in education, many authors believed that Homer's original purpose had been to educate.[21] Homer's wisdom became so widely praised that he began to acquire the image of almost a prototypical philosopher.[21] Byzantine scholars such as Eustathius of Thessalonica and John Tzetzes produced commentaries, extensions and scholia to Homer, especially in the twelfth century.[23][21] Eustathius's commentary on the Iliad alone is massive, sprawling nearly 4,000 oversized pages in a twenty-first century printed version and his commentary on the Odyssey an additional nearly 2,000.[21]

Modern

Nuremberg chronicles f 043r 1
Homer as depicted in the 1493 Nuremberg Chronicle

In 1488, the Greek scholar Demetrios Chalkokondyles published the editio princeps of the Homeric poems.[21] The earliest modern Homeric scholars started with the same basic approaches towards the Homeric poems as scholars in antiquity.[21][20][19] The allegorical interpretation of the Homeric poems that had been so prevalent in antiquity returned to become the prevailing view of the Renaissance.[21] Renaissance humanists praised Homer as the archetypically wise poet, whose writings contain hidden wisdom, disguised through allegory.[21] In western Europe during the Renaissance, Virgil was more widely read than Homer and Homer was often seen through a Virgilian lens.[24] In 1664, contradicting the widespread praise of Homer as the epitome of wisdom, François Hédelin, abbé d'Aubignac wrote a scathing attack on the Homeric poems, declaring that they were incoherent, immoral, tasteless, and without style, that Homer never existed, and that the poems were hastily cobbled together by incompetent editors from unrelated oral songs.[20] Fifty years later, the English scholar Richard Bentley concluded that Homer did exist, but that he was an obscure, prehistoric oral poet whose compositions bear little relation to the Iliad and the Odyssey as they have been passed down.[20] According to Bentley, Homer "wrote a Sequel of Songs and Rhapsodies, to be sung by himself for small Earnings and good Cheer at Festivals and other Days of Merriment; the Ilias he wrote for men, and the Odysseis for the other Sex. These loose songs were not collected together in the Form of an epic Poem till Pisistratus' time, about 500 Years after."[20]

Friedrich August Wolf's Prolegomena ad Homerum, published in 1795, argued that much of the material later incorporated into the Iliad and the Odyssey was originally composed in the tenth century BC in the form of short, separate oral songs,[25][26][20] which passed through oral tradition for roughly four hundred years before being assembled into prototypical versions of the Iliad and the Odyssey the sixth century BC by literate authors.[25][26][20] After being written down, Wolf maintained that the two poems were extensively edited, modernized, and eventually shaped into their present state as artistic unities.[25][26][20] Wolf and the "Analyst" school, which led the field in the nineteenth century, sought to recover the original, authentic poems which were thought to be concealed by later excrescences.[25][26][20][27] Within the Analyst school were two camps: proponents of the "lay theory," which held that the Iliad and the Odyssey were put together from a large number of short, independent songs,[20] and proponents of the "nucleus theory", which held that Homer had originally composed shorter versions of the Iliad and the Odyssey, which later poets expanded and revised.[20] A small group of scholars opposed to the Analysts, dubbed "Unitarians", saw the later additions as superior, the work of a single inspired poet.[25][26][20] By around 1830, the central preoccupations of Homeric scholars, dealing with whether or not "Homer" actually existed, when and how the Homeric poems originated, how they were transmitted, when and how they were finally written down, and their overall unity, had been dubbed "the Homeric Question".[20]

Following World War I, the Analyst school began to fall out of favor among Homeric scholars.[20] It did not die out entirely, but it came to be increasingly seen as a discredited dead end.[20] Starting in around 1928, Milman Parry and Albert Lord, after their studies of folk bards in the Balkans, developed the "Oral-Formulaic Theory" that the Homeric poems were originally composed through improvised oral performances, which relied on traditional epithets and poetic formulas.[28][27][20] This theory found very wide scholarly acceptance[28][27][20] and explained many previously puzzling features of the Homeric poems, including their unusually archaic language, their extensive use of stock epithets, and their other "repetitive" features.[27] Many scholars concluded that the "Homeric question" had finally been answered.[20] Meanwhile, the 'Neoanalysts' sought to bridge the gap between the 'Analysts' and 'Unitarians'.[29][30] The Neoanalysts sought to trace the relationships between the Homeric poems and other epic poems, which have now been lost, but which modern scholars do possess some patchy knowledge of.[20]

Contemporary

Most contemporary scholars, although they disagree on other questions about the genesis of the poems, agree that the Iliad and the Odyssey were not produced by the same author, based on "the many differences of narrative manner, theology, ethics, vocabulary, and geographical perspective, and by the apparently imitative character of certain passages of the Odyssey in relation to the Iliad."[31][32][33][20] Nearly all scholars agree that the Iliad and the Odyssey are unified poems, in that each poem shows a clear overall design, and that they are not merely strung together from unrelated songs.[20] It is also generally agreed that each poem was composed mostly by a single author, who probably relied heavily on older oral traditions.[20] Nearly all scholars agree that the Doloneia in Book X of the Iliad is not part of the original poem, but rather a later insertion by a different poet.[20]

Some ancient scholars believed Homer to have been an eyewitness to the Trojan War; others thought he had lived up to 500 years afterwards.[34] Contemporary scholars continue to debate the date of the poems.[35][36][20] A long history of oral transmission lies behind the composition of the poems, complicating the search for a precise date.[37] At one extreme, Richard Janko has proposed a date for both poems to the eighth century BC based on linguistic analysis and statistics.[35][36] Barry B. Powell dates the composition of the Iliad and the Odyssey to sometime between 800 and 750 BC, based on the statement from Herodotus, who lived in the late fifth century BC, that Homer lived four hundred years before his own time "and not more" (καὶ οὐ πλέοσι), and on the fact that the poems do not mention hoplite battle tactics, inhumation, or literacy.[38] At the other extreme, scholars such as Gregory Nagy see "Homer" as a continually evolving tradition, which grew much more stable as the tradition progressed, but which did not fully cease to continue changing and evolving until as late as the middle of the second century BC.[35][36][20] Martin Litchfield West has argued that the Iliad echoes the poetry of Hesiod, and that it must have been composed around 660–650 BC at the earliest, with the Odyssey up to a generation later.[39][40][20] He also interprets passages in the Iliad as showing knowledge of historical events that occurred in the ancient Near East during the middle of the seventh century BC, including the destruction of Babylon by Sennacherib in 689 BC and the Sack of Thebes by Ashurbanipal in 663/4 BC.[20]

"'Homer" is a name of unknown etymological origin, around which many theories were erected in antiquity. One such linkage was to the Greek ὅμηρος (hómēros), "hostage" (or "surety"). The explanations suggested by modern scholars tend to mirror their position on the overall Homeric question. Nagy interprets it as "he who fits (the song) together". West has advanced both possible Greek and Phoenician etymologies.[41][42]

Historicity of the Homeric epics and Homeric society

Homeric Greece-en
Greece according to the Iliad

Scholars continue to debate questions such as whether the Trojan War actually took place – and if so when and where – and to what extent the society depicted by Homer is based on his own or one which was, even at the time of the poems' composition, known only as legend. The Homeric epics are largely set in the east and center of the Mediterranean, with some scattered references to Egypt, Ethiopia and other distant lands, in a warlike society that resembles that of the Greek world slightly before the hypothesized date of the poems' composition.[43][44][45][46]

In ancient Greek chronology, the sack of Troy was dated to 1184 BC. By the nineteenth century, there was widespread scholarly skepticism that the Trojan War had ever happened and that Troy had even existed, but in 1873 Heinrich Schliemann announced to the world that he had discovered the ruins of Homer's Troy at Hissarlik in modern Turkey. Some contemporary scholars think the destruction of Troy VIIa circa 1220 BC was the origin of the myth of the Trojan War, others that the poem was inspired by multiple similar sieges that took place over the centuries.[47]

Most scholars now agree that the Homeric poems depict customs and elements of the material world that are derived from different periods of Greek history.[27][48][49] For instance, the heroes in the poems use bronze weapons, characteristic of the Bronze Age in which the poems are set, rather than the later Iron Age during which they were composed;[27][48][49] yet the same heroes are cremated (an Iron Age practice) rather than buried (as they were in the Bronze Age).[27][48][49] In some parts of the Homeric poems, heroes are accurately described as carrying large shields like those used by warriors during the Mycenaean period,[27] but, in other places, they are instead described carrying the smaller shields that were commonly used during the time when the poems were written in the early Iron Age.[27]

In the Iliad 10.260–265, Odysseus is described as wearing a helmet made of boar's tusks. Such helmets were not worn in Homer's time, but were commonly worn by aristocratic warriors between 1600 and 1150 BC.[50][51][52] The decipherment of Linear B in the 1950s by Michael Ventris and continued archaeological investigation has increased modern scholars' understanding of Aegean civilisation, which in many ways resembles the ancient Near East more than the society described by Homer.[53] Some aspects of the Homeric world are simply made up;[27] for instance, the Iliad 22.145–56 describes there being two springs that run near the city of Troy, one that runs steaming hot and the other that runs icy cold.[27] It is here that Hector takes his final stand against Achilles.[27] Archaeologists, however, have uncovered no evidence that springs of this description ever actually existed.[27]

Homeric language

Cropped image of Homer from Raphael's Parnassus
Detail of The Parnassus (painted 1509–1510) by Raphael, depicting Homer wearing a crown of laurels atop Mount Parnassus, with Dante Alighieri on his right and Virgil on his left

The Homeric epics are written in an artificial literary language or 'Kunstsprache' only used in epic hexameter poetry. Homeric Greek shows features of multiple regional Greek dialects and periods, but is fundamentally based on Ionic Greek, in keeping with the tradition that Homer was from Ionia. Linguistic analysis suggests that the Iliad was composed slightly before the Odyssey, and that Homeric formulae preserve older features than other parts of the poems.[54][55]

Homeric style

The Homeric poems were composed in unrhymed dactylic hexameter; ancient Greek metre was quantity rather than stress-based.[56][57] Homer frequently uses set phrases such as epithets ('crafty Odysseus', 'rosy-fingered Dawn', 'owl-eyed Athena', etc.), Homeric formulae ('and then answered [him/her], Agamemnon, king of men', 'when the early-born rose-fingered Dawn came to light', 'thus he/she spoke'), simile, type scenes, ring composition and repetition. These habits aid the extemporizing bard, and are characteristic of oral poetry. For instance, the main words of a Homeric sentence are generally placed towards the beginning, whereas literate poets like Virgil or Milton use longer and more complicated syntactical structures. Homer then expands on these ideas in subsequent clauses; this technique is called parataxis.[58]

The so-called 'type scenes' (typischen Scenen), were named by Walter Arend in 1933. He noted that Homer often, when describing frequently recurring activities such as eating, praying, fighting and dressing, used blocks of set phrases in sequence that were then elaborated by the poet. The 'Analyst' school had considered these repetitions as un-Homeric, whereas Arend interpreted them philosophically. Parry and Lord noted that these conventions are found in many other cultures.[59][60]

'Ring composition' or chiastic structure (when a phrase or idea is repeated at both the beginning and end of a story, or a series of such ideas first appears in the order A, B, C... before being reversed as ...C, B, A) has been observed in the Homeric epics. Opinion differs as to whether these occurrences are a conscious artistic device, a mnemonic aid or a spontaneous feature of human storytelling.[61][62]

Both of the Homeric poems begin with an invocation to the Muse.[63] In the Iliad, the poet invokes her to sing of "the anger of Achilles",[63] and, in the Odyssey, he asks her to sing of "the man of many ways".[63] A similar opening was later employed by Virgil in his Aeneid.[63]

Textual transmission

Sir Lawrence Alma-Tadema, English (born Netherlands) - A Reading from Homer - Google Art Project
A Reading from Homer (1885) by Lawrence Alma-Tadema

The orally transmitted Homeric poems were put into written form at some point between the eighth and sixth centuries BC. Some scholars believe that they were dictated by the poet; Albert Lord noted that, in the process of dictating, the Balkan bards he recorded revised and extended their lays. Some scholars hypothesize that a similar process occurred when the Homeric poems were first written.[64][65]

Other scholars such as Gregory Nagy hold that, after the poems were formed in the eight century, they were orally transmitted with little deviation until they were written down in the sixth century.[66] After textualisation, the poems were each divided into 24 rhapsodes, today referred to as books, and labelled by the letters of the Greek alphabet. These divisions probably date from before 200 BC, and may have been made by Homer.[67]

In antiquity, it was widely held that the Homeric poems were collected and organised in Athens in the late sixth century BC by the tyrant Peisistratos (died 528/7 BC), in what subsequent scholars have dubbed the "Peisistratean recension".[68][21] The idea that the Homeric poems were originally transmitted orally and first written down during the reign of Peisistratos is referenced by the first-century BC Roman orator Cicero and is also referenced in a number of other surviving sources, including two ancient Lives of Homer.[21] From around 150 BC, the texts of the Homeric poems seem to have become relatively established. After the establishment of the Library of Alexandria, Homeric scholars such as Zenodotus of Ephesus, Aristophanes of Byzantium and in particular Aristarchus of Samothrace helped establish a canonical text.[69]

The first printed edition of Homer was produced in 1488 in Milan. Today scholars use medieval manuscripts, papyri and other sources; some argue for a "multi-text" view, rather than seeking a single definitive text. The nineteenth-century edition of Arthur Ludwich mainly follows Aristarchus's work, whereas van Thiel's (1991, 1996) follows the medieval vulgate. Others, such as Martin West (1998–2000) or T.W. Allen, fall somewhere between these two extremes.[69]

See also

Notes

  1. ^ "Portrait Bust". britishmuseum.org. The British Museum.
  2. ^ Wilson, Nigel (2013). Encyclopedia of Ancient Greece. Routledge. p. 366. ISBN 978-1136788000. Retrieved 22 November 2016.
  3. ^ Romilly, Jacqueline de (1985). A Short History of Greek Literature. University of Chicago Press. p. 1. ISBN 978-0226143125. Retrieved 22 November 2016.
  4. ^ a b Graziosi, Barbara (2002). Inventing Homer: The Early Reception of Epic. Cambridge University Press. p. 15. ISBN 978-0521809665. Retrieved 22 November 2016.
  5. ^ Croally, Neil; Hyde, Roy (2011). Classical Literature: An Introduction. Routledge. p. 26. ISBN 978-1136736629. Retrieved 23 November 2016.
  6. ^ Hose, Martin; Schenker, David (2015). A Companion to Greek Literature. John Wiley & Sons. p. 445. ISBN 978-1118885956.
  7. ^ Miller, D. Gary (2013). Ancient Greek Dialects and Early Authors: Introduction to the Dialect Mixture in Homer, with Notes on Lyric and Herodotus. Walter de Gruyter. p. 351. ISBN 978-1614512950. Retrieved 23 November 2016.
  8. ^ Ahl, Frederick; Roisman, Hanna (1996). The Odyssey Re-formed. Cornell University Press. ISBN 978-0801483356. Retrieved 23 November 2016.
  9. ^ Latacz, Joachim (1996). Homer, His Art and His World. University of Michigan Press. ISBN 978-0472083534. Retrieved 22 November 2016.
  10. ^ Too, Yun Lee (2010). The Idea of the Library in the Ancient World. OUP Oxford. p. 86. ISBN 978-0199577804. Retrieved 22 November 2016.
  11. ^ MacDonald, Dennis R. (1994). Christianizing Homer: The Odyssey, Plato, and the Acts of Andrew. Oxford University Press. p. 17. ISBN 978-0195358629. Archived from the original on 30 June 2017. Retrieved 22 November 2016.
  12. ^ Kelly, Adrian D. (2012). Homerica. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0606. ISBN 978-1405177689.
  13. ^ Graziosi, Barbara; Haubold, Johannes (2005). Homer: The Resonance of Epic. A&C Black. pp. 24–26. ISBN 978-0715632826.
  14. ^ Graziosi, Barbara (2002). Inventing Homer: The Early Reception of Epic. Cambridge University Press. pp. 165–168. ISBN 978-0521809665.
  15. ^ Graziosi, Barbara (2002). Inventing Homer: The Early Reception of Epic. Cambridge University Press. p. 138. ISBN 978-0521809665.
  16. ^ Odyssey, 8:64ff.
  17. ^ Lefkowitz, Mary R. (2013). The Lives of the Greek Poets. A&C Black. pp. 14–30. ISBN 978-1472503077.
  18. ^ Kelly, Adrian D. (2012). Biographies of Homer. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0243. ISBN 978-1405177689.
  19. ^ a b c d e Dickey, Eleanor (2012). Scholarship, Ancient. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1307. ISBN 978-1405177689.
  20. ^ a b c d e f g h i j k l m n o p q r s t u v w x y z aa West, M.L. (December 2011). "The Homeric Question Today". Proceedings of the American Philosophical Society. 155 (4): 383–393. JSTOR 23208780.
  21. ^ a b c d e f g h i j k l m n o p Lamberton, Robert (2010). "Homer". In Grafton, Anthony; Most, Glenn W.; Settis, Salvatore. The Classical Tradition. Cambridge, Massachusetts and London, England: The Belknap Press of Harvard University Press. pp. 449–452. ISBN 978-0-674-03572-0.
  22. ^ a b c Hunter, Richard L. (2018). The Measure of Homer: The Ancient Reception of the Iliad and the Odyssey. Cambridge, England: Cambridge University Press. pp. 4–7. ISBN 978-1-108-42831-6.
  23. ^ Kaldellis, Anthony (2012). Scholarship, Byzantine. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1308. ISBN 978-1405177689.
  24. ^ Heiden, Bruce (2012). Scholarship, Renaissance through 17th Century. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1310. ISBN 978-1405177689.
  25. ^ a b c d e Heiden, Bruce (2012). Scholarship, 18th Century. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1311. ISBN 978-1405177689.
  26. ^ a b c d e Heiden, Bruce (2012). Scholarship, 19th Century. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1312. ISBN 978-1405177689.
  27. ^ a b c d e f g h i j k l m Taplin, Oliver (1986). "2: Homer". In Boardman, John; Griffin, Jasper; Murray, Oswyn. The Oxford History of the Classical World. Oxford, England: Oxford University Press. pp. 50–77. ISBN 978-0198721123.
  28. ^ a b Foley, John Miles (1988). The Theory of Oral Composition: History and Methodology. Indiana University Press. ISBN 978-0253342607.
  29. ^ Heiden, Bruce (2012). Scholarship, 20th Century. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1313. ISBN 978-1405177689.
  30. ^ Edwards, Mark W. (2012). Neoanalysis. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0968. ISBN 978-1405177689.
  31. ^ West, M.L. (1999). "The Invention of Homer". Classical Quarterly. 49 (2): 364–382. doi:10.1093/cq/49.2.364. JSTOR 639863.
  32. ^ West, Martin L. (2012). Homeric Question. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0605. ISBN 978-1405177689.
  33. ^ Latacz, Joachim; Bierl, Anton; Olson, S. Douglas (2015). "New Trends in Homeric Scholarship" in Homer's Iliad: The Basel Commentary. De Gruyter. ISBN 978-1614517375.
  34. ^ Saïd, Suzanne (2011). Homer and the Odyssey. OUP Oxford. pp. 14–17. ISBN 978-0199542840.
  35. ^ a b c Graziosi, Barbara (2002). Inventing Homer: The Early Reception of Epic. Cambridge University Press. pp. 90–92. ISBN 978-0521809665.
  36. ^ a b c Fowler, Robert; Fowler, Robert Louis (2004). The Cambridge Companion to Homer. Cambridge University Press. pp. 220–232. ISBN 978-0521012461.
  37. ^ Burgess, Jonathan S. (2003). The Tradition of the Trojan War in Homer and the Epic Cycle. JHU Press. pp. 49–53. ISBN 978-0801874819.
  38. ^ Barry, Barry B. (1996). Homer and the Origins of the Greek Alphabet. Cambridge, England: Cambridge University Press. pp. 217–222. ISBN 978-0-521-58907-9.
  39. ^ Hall, Jonathan M. (2002). Hellenicity: Between Ethnicity and Culture. University of Chicago Press. pp. 235–236. ISBN 978-0226313290.
  40. ^ West, Martin L. (2012). Date of Homer. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0330. ISBN 978-1405177689.
  41. ^ Graziosi, Barbara (2002). Inventing Homer: The Early Reception of Epic. Cambridge University Press. pp. 51–89. ISBN 978-0521809665.
  42. ^ West, M.L. (1997). The East Face of Helicon: West Asiatic Elements in Greek Poetry and Myth. Oxford: Clarendon Press. p. 622.
  43. ^ Raaflaub, Kurt A. (2012). Historicity of Homer. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0601. ISBN 978-1405177689.
  44. ^ Finley, Moses I. (1991). The World of Odysseus. Penguin. ISBN 978-0140136869.
  45. ^ Wees, Hans van (2009). War and Violence in Ancient Greece. ISD LLC. ISBN 978-1910589298.
  46. ^ Morris, Ian (1986). "The Use and Abuse of Homer". Classical Antiquity. 5 (1): 81–138. doi:10.2307/25010840. JSTOR 25010840.
  47. ^ Dowden, Ken; Livingstone, Niall (2011). A Companion to Greek Mythology. John Wiley & Sons. p. 440. ISBN 978-1444396935.
  48. ^ a b c Sacks, David; Murray, Oswyn; Brody, Lisa R. (2014). Encyclopedia of the Ancient Greek World. Infobase Publishing. p. 356. ISBN 978-1438110202.
  49. ^ a b c Morris, Ian; Powell, Barry B. (1997). A New Companion to Homer. BRILL. pp. 434–435. ISBN 978-9004217607.
  50. ^ Wood, Michael (1996). In Search of the Trojan War. Berkeley, California: University of California Press. p. 130. ISBN 978-0-520-21599-3. Retrieved 1 September 2017.
  51. ^ Schofield, Louise (2007). The Mycenaeans. Los Angeles, California: The J. Paul Getty Museum. p. 119. ISBN 978-0-89236-867-9. Retrieved 1 September 2017.
  52. ^ Everson, Tim (2004). Warfare in Ancient Greece: Arms and Armour from the Heroes of Homer to Alexander the Great. Brimscombe Port: The History Press. pp. 9–10. ISBN 978-0-7524-9506-4. Retrieved 1 September 2017.
  53. ^ Morris, Ian; Powell, Barry B. (1997). A New Companion to Homer. BRILL. p. 625. ISBN 978-9004217607.
  54. ^ Willi, Andreas (2012). Language, Homeric. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0792. ISBN 978-1405177689.
  55. ^ Bakker, Egbert J. (2010). A Companion to the Ancient Greek Language. John Wiley & Sons. p. 401. ISBN 978-1444317404.
  56. ^ W. Edwards, Mark (2012). Meter. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0913. ISBN 978-1405177689.
  57. ^ Nussbaum, G.B. (1986). Homer's Metre: A Practical Guide for Reading Greek Hexameter Poetry. Bristol Classical Press. ISBN 978-0862921729.
  58. ^ Edwards, Mark W. (2012). Style. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1377. ISBN 978-1405177689.
  59. ^ Reece, Steve T. (2012). Type-Scenes. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1488. ISBN 978-1405177689.
  60. ^ Edwards, MW (1992). "Homer and Oral Tradition: The Type-Scene". Oral Tradition. 7: 284–330.
  61. ^ Stanley, Keith (2014). The Shield of Homer: Narrative Structure in the Illiad. Princeton University Press. ISBN 978-1400863372.
  62. ^ Minchin, Elizabeth (2012). Ring Composition. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1287. ISBN 978-1405177689.
  63. ^ a b c d Adler, Eve (2003). Vergil's Empire: Political Thought in the Aeneid. Lanham, Maryland: Rowman & Littlefield Publishers, Inc. p. 4. ISBN 978-0-7425-2167-4.
  64. ^ Kirk, G.S. (1976). Homer and the Oral Tradition. Cambridge University Press. p. 117. ISBN 978-0521213097.
  65. ^ Foley, John Miles (2012). Oral Dictated Texts. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1029. ISBN 978-1405177689.
  66. ^ Nagy, Gregory (1996). Poetry as Performance: Homer and Beyond. Cambridge University Press. ISBN 978-0521558488.
  67. ^ West, Martin L. (2012). Book Division. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe0253. ISBN 978-1405177689.
  68. ^ Jensen, Minna Skafte (1980). The Homeric Question and the Oral-formulaic Theory. Museum Tusculanum Press. p. 128. ISBN 978-8772890968.
  69. ^ a b Haslam, Michael (2012). Text and Transmission. The Homer Encyclopedia. doi:10.1002/9781444350302.wbhe1413. ISBN 978-1405177689.

Selected bibliography

Editions

Texts in Homeric Greek
  • Demetrius Chalcondyles editio princeps, Florence, 1488
  • the Aldine editions (1504 and 1517)
  • 1st ed. with comments, Micyllus and Camerarius, Basel, 1535, 1541 (improved text), 1551 (incl. the Batrachomyomachia)
  • Th. Ridel, Strasbourg, c. 1572, 1588 and 1592.
  • Wolf (Halle, 1794–1795; Leipzig, 1804 1807)
  • Spitzner (Gotha, 1832–1836)
  • Bekker (Berlin, 1843; Bonn, 1858)
  • La Roche (Odyssey, 1867–1868; Iliad, 1873–1876, both at Leipzig)
  • Ludwich (Odyssey, Leipzig, 1889–1891; Iliad, 2 vols., 1901 and 1907)
  • W. Leaf (Iliad, London, 1886–1888; 2nd ed. 1900–1902)
  • William Walter Merry and James Riddell (Odyssey i–xii., 2nd ed., Oxford, 1886)
  • Monro (Odyssey xiii–xxiv. with appendices, Oxford, 1901)
  • Monro and Allen (Iliad), and Allen (Odyssey, 1908, Oxford).
  • D.B. Monro and T.W. Allen 1917–1920, Homeri Opera (5 volumes: Iliad = 3rd edition, Odyssey = 2nd edition), Oxford. ISBN 0-19-814528-4, ISBN 0-19-814529-2, ISBN 0-19-814531-4, ISBN 0-19-814532-2, ISBN 0-19-814534-9
  • H. van Thiel 1991, Homeri Odyssea, Hildesheim. ISBN 3-487-09458-4, 1996, Homeri Ilias, Hildesheim. ISBN 3-487-09459-2
  • M.L. West 1998–2000, Homeri Ilias (2 volumes), Munich/Leipzig. ISBN 3-598-71431-9, ISBN 3-598-71435-1
  • P. von der Mühll 1993, Homeri Odyssea, Munich/Leipzig. ISBN 3-598-71432-7
  • M.L. West 2017, Homerus Odyssea, Berlin/Boston. ISBN 3-11-042539-4

Interlinear translations

  • The Iliad of Homer a Parsed Interlinear Handheldclassics.com (2008) Text ISBN 978-1-60725-298-6

English translations

This is a partial list of translations into English of Homer's Iliad and Odyssey.

  • Augustus Taber Murray (1866–1940)
  • Robert Fitzgerald (1910–1985)
    • The Iliad, Farrar, Straus and Giroux (2004) ISBN 0-374-52905-1
    • The Odyssey, Farrar, Straus and Giroux (1998) ISBN 0-374-52574-9
  • Robert Fagles (1933–2008)
    • The Iliad, Penguin Classics (1998) ISBN 0-14-027536-3
    • The Odyssey, Penguin Classics (1999) ISBN 0-14-026886-3
  • Stanley Lombardo (b. 1943)
    • Iliad, Hackett Publishing Company (1997) ISBN 0-87220-352-2
    • Odyssey, Hackett Publishing Company (2000) ISBN 0-87220-484-7
    • Iliad, (Audiobook) Parmenides (2006) ISBN 1-930972-08-3
    • Odyssey, (Audiobook) Parmenides (2006) ISBN 1-930972-06-7
    • The Essential Homer, (Audiobook) Parmenides (2006) ISBN 1-930972-12-1
    • The Essential Iliad, (Audiobook) Parmenides (2006) ISBN 1-930972-10-5
  • Barry B. Powell (b. 1942)
    • "Iliad", Oxford University Press (2013) ISBN 978-0-19-932610-5
    • "Odyssey", Oxford University PressI (2014) ISBN 978-0-19-936031-4
    • "Homer's Iliad and Odyssey: The Essential Books", Oxford University Press (2014) ISBN 978-0-19-939407-4
  • Samuel Butler (1835–1902)
    • The Iliad, Red and Black Publishers (2008) ISBN 978-1-934941-04-1
    • The Odyssey, Red and Black Publishers (2008) ISBN 978-1-934941-05-8
  • Herbert Jordan (b. 1938)
    • Iliad, University of Oklahoma Press (2008) ISBN 978-0-8061-3974-6 (soft cover)
  • Emily Wilson (b. 1971)
    • The Odyssey, W.W. Norton & Company (2017) ISBN 978-0-393-08905-9
  • Rodney Merrill
    • The Iliad, University of Michigan Press (2007) ISBN 978-0-472-11617-1
    • The Odyssey, University of Michigan Press (2002) ISBN 978-0-472-11231-9
  • Jerome Whitcroft
    • Odyssey of Homer, Zeus Press (2018) ISBN 978-1-790-72563-2

General works on Homer

  • Carlier, Pierre (1999). Homère (in French). Paris: Les éditions Fayard. ISBN 978-2-213-60381-0.
  • de Romilly, Jacqueline (2005). Homère (5th ed.). Paris: Presses Universitaires de France. ISBN 978-2-13-054830-0.
  • Fowler, Robert, ed. (2004). The Cambridge Companion to Homer. Cambridge: Cambridge University Press. ISBN 978-0-521-01246-1.
  • Latacz, J.; Windle, Kevin, Tr.; Ireland, Rosh, Tr. (2004). Troy and Homer: Towards a Solution of an Old Mystery. Oxford: Oxford University Press. ISBN 978-0-19-926308-0. In German, 5th updated and expanded edition, Leipzig, 2005. In Spanish, 2003, ISBN 84-233-3487-2. In modern Greek, 2005, ISBN 960-16-1557-1.
  • Wikisource Monro, David Binning (1911). "Homer" . Encyclopædia Britannica. 12 (11th ed.). pp. 626–39.
  • Morris, Ian; Powell, Barry B., eds. (1997). A New Companion to Homer. Leiden: Brill. ISBN 978-90-04-09989-0.
  • Powell, Barry B. (2007). Homer (2nd ed.). Malden, MA; Oxford, UK; Carlton, Victoria: Wiley-Blackwell. ISBN 978-1-4051-5325-6.
  • Vidal-Naquet, Pierre (2000). Le monde d'Homère (in French). Paris: Perrin. ISBN 978-2-262-01181-9.
  • Wace, A.J.B.; F.H. Stubbings (1962). A Companion to Homer. London: Macmillan. ISBN 978-0-333-07113-7.

Influential readings and interpretations

  • Auerbach, Erich (1953). "Chapter 1". Mimesis: The Representation of Reality in Western Literature. Princeton: Princeton University Press. ISBN 978-0-691-11336-4. (orig. publ. in German, 1946, Bern)
  • de Jong, Irene J.F. (2004). Narrators and Focalizers: the Presentation of the Story in the Iliad (2nd ed.). London: Bristol Classical Press. ISBN 978-1-85399-658-0.
  • Edwards, Mark W. (1987). Homer, Poet of the Iliad. Baltimore: Johns Hopkins University Press. ISBN 978-0-8018-3329-8.
  • Fenik, Bernard (1974). Studies in the Odyssey. Hermes, Einzelschriften 30. Wiesbaden: Steiner.
  • Finley, Moses (2002). The World of Odysseus. New York: New York Review of Books. ISBN 978-1-59017-017-5.
  • Nagy, Gregory (1979). The Best of the Achaeans: Concepts of the Hero in Archaic Greek Poetry. Baltimore; London: Johns Hopkins University Press.
  • Nagy, Gregory (2010). Homer: the Preclassic. Berkeley: University of California Press. ISBN 978-0-520-95024-5.

Commentaries

  • Iliad:
    • P.V. Jones (ed.) 2003, Homer's Iliad. A Commentary on Three Translations, London. ISBN 1-85399-657-2
    • G.S. Kirk (gen. ed.) 1985–1993, The Iliad: A Commentary (6 volumes), Cambridge. ISBN 0-521-28171-7, ISBN 0-521-28172-5, ISBN 0-521-28173-3, ISBN 0-521-28174-1, ISBN 0-521-31208-6, ISBN 0-521-31209-4
    • J. Latacz (gen. ed.) 2002 Homers Ilias. Gesamtkommentar. Auf der Grundlage der Ausgabe von Ameis-Hentze-Cauer (1868–1913) (6 volumes published so far, of an estimated 15), Munich/Leipzig. ISBN 3-598-74307-6, ISBN 3-598-74304-1
    • N. Postlethwaite (ed.) 2000, Homer's Iliad: A Commentary on the Translation of Richmond Lattimore, Exeter. ISBN 0-85989-684-6
    • M.W. Willcock (ed.) 1976, A Companion to the Iliad, Chicago. ISBN 0-226-89855-5
  • Odyssey:
    • A. Heubeck (gen. ed.) 1990–1993, A Commentary on Homer's Odyssey (3 volumes; orig. publ. 1981–1987 in Italian), Oxford. ISBN 0-19-814747-3, ISBN 0-19-872144-7, ISBN 0-19-814953-0
    • P. Jones (ed.) 1988, Homer's Odyssey: A Commentary based on the English Translation of Richmond Lattimore, Bristol. ISBN 1-85399-038-8
    • I.J.F. de Jong (ed.) 2001, A Narratological Commentary on the Odyssey, Cambridge. ISBN 0-521-46844-2

Dating the Homeric poems

  • Janko, Richard (1982). Homer, Hesiod and the Hymns: Diachronic Development in Epic Diction. Cambridge Classical Studies. Cambridge: Cambridge University Press. ISBN 978-0-521-23869-4.

Further reading

  • Buck, Carl Darling (1928). The Greek Dialects. Chicago: University of Chicago Press.
  • Evelyn-White, Hugh Gerard (tr.) (1914). Hesiod, the Homeric hymns and Homerica. The Loeb Classical Library. London; New York: Heinemann; MacMillen.
  • Ford, Andrew (1992). Homer : the poetry of the past. Ithaca, NY: Cornell University Press. ISBN 978-0-8014-2700-8.
  • Graziosi, Barbara (2002). Inventing Homer: The Early Perception of Epic. Cambridge Classical Studies. Cambridge: Cambridge University Press.
  • Kirk, G.S. (1962). The Songs of Homer. Cambridge: Cambridge University Press.
  • Liddell, Henry George; Scott, Robert (1940). A Greek-English Lexicon (Revised ed.). Oxford: Clarendon Press; Perseus Digital Library.
  • Murray, Gilbert (1960). The Rise of the Greek Epic (Galaxy Books ed.). New York: Oxford University Press.
  • Schein, Seth L. (1984). The mortal hero : an introduction to Homer's Iliad. Berkeley: University of California Press. ISBN 978-0-520-05128-7.
  • Silk, Michael (1987). Homer: The Iliad. Cambridge: Cambridge University Press. ISBN 978-0-521-83233-5.
  • Smith, William, ed. (1876). A Dictionary of Greek and Roman Biography and Mythology. Vol. I, II & III. London: John Murray.

External links

D'oh!

"D'oh!" () is a catchphrase used by the fictional character Homer Simpson, from the longest running American scripted primetime television series, The Simpsons, an animated sitcom (1989–present). It is typically used when Homer injures himself, realizes that he has done something stupid, or when something bad has happened or is about to happen to him. All his prominent blood relations—son Bart, daughters Lisa and Maggie, his father, his mother and half-brother—have also been heard to use it themselves in similar circumstances. On a few occasions Homer's wife Marge and even non-related characters such as Mr. Burns and Sideshow Bob have also used this phrase.

In 2006, "d'oh!" was listed as number six on TV Land's list of the 100 greatest television catchphrases. The spoken word "d'oh" is a sound trademark of 20th Century Fox. Since 2001, the word "doh" has appeared in the Oxford English Dictionary, without the apostrophe. Early recorded usages of the sound "d'oh" are in numerous episodes of the BBC Radio series It's That Man Again between 1945 and 1949, but the OxfordWords blog notes "Homer was responsible for popularizing it as an exclamation of frustration." The term also appeared in an early issue of Mad comics, with a different spelling but the same meaning, in issue 8 (December 1953 – January 1954); in a one-page story by Harvey Kurtzman entitled "Hey Look!", a man seeking peace and quiet suddenly hears a loud radio and, grimacing, says, "D-oooh – the neighbors [sic] radio!!"

Dan Castellaneta

Daniel Louis Castellaneta (; born October 29, 1957) is an American actor, voice actor, comedian and screenwriter, best known for his long-running role as Homer Simpson on the Fox Broadcasting Company animated sitcom The Simpsons. He also voices many other characters for the show including Abraham "Grampa" Simpson, Barney Gumble, Krusty the Clown, Sideshow Mel, Groundskeeper Willie, Mayor Quimby and Hans Moleman. Castellaneta also had roles in several other programs, including Futurama for Fox Broadcasting Company, Sibs and Darkwing Duck for ABC, The Adventures of Dynamo Duck for Fox Kids, Back to the Future: The Animated Series for CBS, Aladdin for Toon Disney, Taz-Mania for Warner Bros. Animation and Hey Arnold! for Nicktoons.

In 1999, he appeared in the Christmas special Olive, the Other Reindeer, and won an Annie Award for his portrayal of the Postman. He released a comedy album I Am Not Homer, and wrote and starred in a one-person show titled Where Did Vincent van Gogh?

Home run

In baseball, a home run (abbreviated HR) is scored when the ball is hit in such a way that the batter is able to circle the bases and reach home

safely in one play without any errors being committed by the defensive team in the process. In modern baseball, the feat is typically achieved by hitting the ball over the outfield fence between the foul poles (or making contact with either foul pole) without first touching the ground, resulting in an automatic home run. There is also the "inside-the-park" home run where the batter reaches home safely while the baseball is in play on the field.

When a home run is scored, the batter is also credited with a hit and a run scored, and an RBI for each runner that scores, including himself. Likewise, the pitcher is recorded as having given up a hit, and a run for each runner that scores including the batter.

Home runs are among the most popular aspects of baseball and, as a result, prolific home run hitters are usually the most popular among fans and consequently the highest paid by teams—hence the old saying, "Home run hitters drive Cadillacs, and singles hitters drive Fords (coined, circa 1948, by veteran pitcher Fritz Ostermueller, by way of mentoring his young teammate, Ralph Kiner).

Homer, Alaska

Homer is a city in Kenai Peninsula Borough in the U.S. state of Alaska. It is 218 miles southwest of Anchorage. According to the 2010 Census, the population is 5,003, up from 3,946 in 2000. Long known as The "Halibut Fishing Capital of the World." Homer is also nicknamed "the end of the road," and more recently, "the cosmic hamlet by the sea."

Homer Plessy

Homer Adolph Plessy (March 17, 1862 – March 1, 1925) was a Louisiana French-speaking Creole plaintiff in the United States Supreme Court decision in Plessy v. Ferguson.

Arrested, tried and convicted in New Orleans of a violation of one of Louisiana's racial segregation laws, he appealed through Louisiana state courts to the U.S. Supreme Court and lost. The resulting "separate but equal" decision against him had wide consequences for civil rights in the United States. The decision legalized state-mandated segregation anywhere in the United States so long as the facilities provided for both blacks and whites were putatively "equal".

The son of French-speaking creoles (Haitian refugees who fled the revolution), Homer Plessy was born on St. Patrick's Day in 1862, at a time when federal troops under General Benjamin Franklin Butler were occupying Louisiana as a result of the American Civil War and Reconstruction, and had liberated African Americans in New Orleans who had been in bondage but Plessy was a free person of color and his family came to America free from Haiti and France. Blacks could then marry whomever they chose, sit in any streetcar seat and, briefly, attend integrated schools.As an adult, Plessy experienced the reversal of the gains achieved under the federal occupation, following the withdrawal of federal troops in 1877 on the orders of U.S. President Rutherford B. Hayes.Due to Plessy's phenotype being white, Plessy could have ridden in a railroad car restricted to people classified as white. However, under the racial policies of the time, he was an "octoroon" having 1/8th African-American heritage, and therefore was considered black. Hoping to strike down segregation laws, the Citizens' Committee of New Orleans (Comité des Citoyens) recruited Plessy to deliberately violate Louisiana's 1890 separate-car law. To pose a clear test, the Citizens' Committee gave notice of Plessy's intent to the railroad, which opposed the law because it required adding more cars to its trains.On June 7, 1892, Plessy bought a first-class ticket on a train from New Orleans and sat in the car for white riders only. The Committee had hired a private detective with arrest powers to take Plessy off the train at Press and Royal streets, to ensure that he was charged with violating the state's separate-car law and not some other misdemeanor.Everything that the committee had organized occurred as planned, except for the decision of the Supreme Court in 1896.

By then the composition of the U.S. Supreme Court had gained a more segregationist tilt, and the committee knew it would likely lose. But it chose to press the cause anyway, [author Keith] Medley said. 'It was a matter of honor for them, that they fight this to the very end.'

Homer Simpson

Homer Jay Simpson is a fictional character and one of the main protagonists of the American animated sitcom The Simpsons. He is voiced by Dan Castellaneta and first appeared on television, along with the rest of his family, in The Tracey Ullman Show short "Good Night" on April 19, 1987. Homer was created and designed by cartoonist Matt Groening while he was waiting in the lobby of James L. Brooks' office. Groening had been called to pitch a series of shorts based on his comic strip Life in Hell but instead decided to create a new set of characters. He named the character after his father, Homer Groening. After appearing for three seasons on The Tracey Ullman Show, the Simpson family got their own series on Fox that debuted December 17, 1989.

As the patriarch of the eponymous family, Homer and his wife Marge have three children: Bart, Lisa and Maggie. As the family's provider, he works at the Springfield Nuclear Power Plant as safety inspector. Homer embodies many American working class stereotypes: he is crude, obese, incompetent, lazy, clumsy, dim-witted, hot-tempered, childish and addicted to beer, junk food and watching television. However, he often tries his hardest to be a decent man and is fiercely devoted to his family, especially when his wife and children need him the most. Despite the suburban blue-collar routine of his life, he has had a number of remarkable experiences, including going to space, climbing the tallest mountain in Springfield by himself, fighting former President George H. W. Bush and winning a Grammy Award as a member of a barbershop quartet.

In the shorts and earlier episodes, Castellaneta voiced Homer with a loose impression of Walter Matthau; however, during the second and third seasons of the half-hour show, Homer's voice evolved to become more robust, to allow the expression of a fuller range of emotions. He has appeared in other media relating to The Simpsons—including video games, The Simpsons Movie, The Simpsons Ride, commercials, and comic books—and inspired an entire line of merchandise. His signature catchphrase, the annoyed grunt "D'oh!", has been included in The New Oxford Dictionary of English since 1998 and the Oxford English Dictionary since 2001.

Homer is one of the most influential characters in the history of television, and is widely considered to be an American cultural icon. The British newspaper The Sunday Times described him as "The greatest comic creation of [modern] time". He was named the greatest character "of the last 20 years" in 2010 by Entertainment Weekly, was ranked the second-greatest cartoon character by TV Guide, behind Bugs Bunny, and was voted the greatest television character of all time by Channel 4 viewers. For voicing Homer, Castellaneta has won four Primetime Emmy Awards for Outstanding Voice-Over Performance and a special-achievement Annie Award. In 2000, Homer and his family were awarded a star on the Hollywood Walk of Fame.

Homer in the Gloamin'

The Homer in the Gloamin' is one of the most famous walk-off home runs in baseball folklore, hit by Gabby Hartnett of the Chicago Cubs near the end of the 1938 Major League Baseball season. The expression was a play on the popular song, "Roamin' In The Gloamin' " and was used in the lead paragraph of a story about the game written by Earl Hilligan for the Associated Press.

Iliad

The Iliad (; Ancient Greek: Ἰλιάς Iliás, pronounced [iː.li.ás] in Classical Attic; sometimes referred to as the Song of Ilion or Song of Ilium) is an ancient Greek epic poem in dactylic hexameter, traditionally attributed to Homer. Set during the Trojan War, the ten-year siege of the city of Troy (Ilium) by a coalition of Greek states, it tells of the battles and events during the weeks of a quarrel between King Agamemnon and the warrior Achilles.

Although the story covers only a few weeks in the final year of the war, the Iliad mentions or alludes to many of the Greek legends about the siege; the earlier events, such as the gathering of warriors for the siege, the cause of the war, and related concerns tend to appear near the beginning. Then the epic narrative takes up events prophesied for the future, such as Achilles' imminent death and the fall of Troy, although the narrative ends before these events take place. However, as these events are prefigured and alluded to more and more vividly, when it reaches an end the poem has told a more or less complete tale of the Trojan War.

The Iliad is paired with something of a sequel, the Odyssey, also attributed to Homer. Along with the Odyssey, the Iliad is among the oldest extant works of Western literature, and its written version is usually dated to around the 8th century BC. In the modern vulgate (the standard accepted version), the Iliad contains 15,693 lines; it is written in Homeric Greek, a literary amalgam of Ionic Greek and other dialects. According to Michael N. Nagler, the Iliad is a more complicated epic poem than the Odyssey.

List of The Simpsons couch gags

The Simpsons is an American animated television sitcom created by Matt Groening for the Fox Broadcasting Company. The opening sequence of The Simpsons features a couch gag; a "twist of events that befalls the Simpson family at the end of every credit sequence as they converge on their living-room couch to watch TV." The couch gag is a running visual joke near the end of the opening sequence.

The couch gag changes from episode to episode and usually features the Simpson family's living room couch. A typical gag features the Simpsons running into the living room, only to find some abnormality with the couch, be it a bizarre and unexpected occupant, an odd placement of the couch, such as on the ceiling, or any number of other situations, such as to make a pop culture reference. Longer couch gags have sometimes been used to fill time in shorter episodes, such as in "Lisa's First Word", "The Front" and "Cape Feare". The show's 500th episode "At Long Last Leave" showcases each couch gag that was used in the series.

List of The Simpsons episodes

The Simpsons is an American animated television sitcom created by Matt Groening for the Fox Broadcasting Company. It is a satirical depiction of a middle class American lifestyle epitomized by its eponymous family, which consists of Homer, Marge, Bart, Lisa, and Maggie. The show is set in the fictional town of Springfield, and lampoons American culture, society, and television, as well as many aspects of the human condition. The family was conceived by Groening shortly before a pitch for a series of animated shorts with producer James L. Brooks. Groening created a dysfunctional family and named the characters after members of his own family, substituting Bart for his own name. The shorts became a part of the Fox series The Tracey Ullman Show on April 19, 1987. After a three-season run, the sketch was developed into a half-hour prime-time show that was an early hit for Fox.Since its debut on December 17, 1989, The Simpsons has broadcast 656 episodes. The show holds several American television longevity records. It is the longest-running prime-time animated series and longest-running sitcom in the United States. In February 2012, The Simpsons reached its 500th episode in the twenty-third season. With its twenty-first season (2009–10), the series surpassed Gunsmoke in seasons to claim the spot as the longest-running American prime-time scripted television series, and later also surpassed Gunsmoke in episode count with the episode "Forgive and Regret" on April 29, 2018.Episodes of The Simpsons have won dozens of awards, including 31 Emmy Awards (with ten for Outstanding Animated Program), 30 Annie Awards, and a Peabody Award. The Simpsons Movie, a feature-length film, was released in theaters worldwide on July 26 and 27, 2007 and grossed US$526.2 million worldwide. The first eighteen seasons are available on DVD in regions 1, 2, and 4, with the twentieth season released on both DVD and Blu-ray in 2010 to celebrate the 20th anniversary of the series. On April 8, 2015, showrunner Al Jean announced that there would be no more DVD or Blu-ray releases, shifting focus to digital distribution, although this was later reversed on July 22, 2017.On November 4, 2016, The Simpsons was renewed for seasons 29 and 30. It reached its 600th episode on October 16, 2016, in its twenty-eighth season. The thirtieth season premiered on September 30, 2018. On February 6, 2019, The Simpsons was renewed for seasons 31 and 32, in which the latter will contain the 700th episode.

Odyssey

The Odyssey (; Greek: Ὀδύσσεια Odýsseia, pronounced [o.dýs.sej.ja] in Classical Attic) is one of two major ancient Greek epic poems attributed to Homer. It is, in part, a sequel to the Iliad, the other Homeric epic. The Odyssey is fundamental to the modern Western canon; it is the second-oldest extant work of Western literature, while the Iliad is the oldest. Scholars believe the Odyssey was composed near the end of the 8th century BC, somewhere in Ionia, the Greek coastal region of Anatolia.The poem mainly focuses on the Greek hero Odysseus (known as Ulysses in Roman myths), king of Ithaca, and his journey home after the fall of Troy. It takes Odysseus ten years to reach Ithaca after the ten-year Trojan War. In his absence, it is assumed Odysseus has died, and his wife Penelope and son Telemachus must deal with a group of unruly suitors, the Mnesteres (Greek: Μνηστῆρες) or Proci, who compete for Penelope's hand in marriage.

The Odyssey continues to be read in the Homeric Greek and translated into modern languages around the world. Many scholars believe the original poem was composed in an oral tradition by an aoidos (epic poet/singer), perhaps a rhapsode (professional performer), and was more likely intended to be heard than read. The details of the ancient oral performance and the story's conversion to a written work inspire continual debate among scholars. The Odyssey was written in a poetic dialect of Greek—a literary amalgam of Aeolic Greek, Ionic Greek, and other Ancient Greek dialects—and comprises 12,110 lines of dactylic hexameter. Among the most noteworthy elements of the text are its non-linear plot, and the influence on events of choices made by women and slaves, besides the actions of fighting men. In the English language as well as many others, the word odyssey has come to refer to an epic voyage.

The Odyssey has a lost sequel, the Telegony, which was not written by Homer. It was usually attributed in antiquity to Cinaethon of Sparta. In one source, the Telegony was said to have been stolen from Musaeus of Athens by either Eugamon or Eugammon of Cyrene (see Cyclic poets).

Stark Raving Dad

"Stark Raving Dad" is the first episode of the third season of the American animated television series The Simpsons. It first aired on the Fox network in the United States on September 19, 1991. In the episode, Homer Simpson is mistaken for an anarchist and sent to a mental institution, where he shares a room with a man who claims to be pop star Michael Jackson. Meanwhile, Bart promises his sister Lisa that he will get her the best birthday present ever.

The episode was written by Al Jean and Mike Reiss, and directed by Rich Moore. Michael Jackson guest-starred as Leon Kompowsky, but went uncredited for contractual reasons; his role was not confirmed until later. Jackson was a fan of the show and called creator Matt Groening one night offering to do a guest spot. Jackson pitched several story ideas for the episode and wrote the song "Happy Birthday Lisa" for the episode. The character's singing voice would be performed by a soundalike, Kipp Lennon, due to contractual obligations Jackson had with his record company at the time. The episode contains references to Jackson's career, with Kompowsky singing portions of the songs "Billie Jean" and "Ben".

"Stark Raving Dad" received generally positive reviews, particularly for its writing and Jackson's performance. A sequel in which Kompowsky would be voiced by Prince was canceled after Prince refused the script. A 1992 rerun featured an alternate opening in response to a speech by President George H. W. Bush, in which he said Americans needed to be "a lot more like the Waltons and a lot less like the Simpsons". Following the release of the 2019 documentary Leaving Neverland, which follows allegations of child sexual assault against Jackson, the episode was pulled from circulation.

The OA

The OA is an American mystery drama web television series with science fiction, supernatural and fantasy elements, which debuted on Netflix on December 16, 2016. Created and executive produced by Brit Marling and Zal Batmanglij, the series is their third collaboration. The series consists of eight episodes, all directed by Batmanglij, and is produced by Plan B Entertainment and Anonymous Content. In the series, Marling stars as a young woman named Prairie Johnson who resurfaces after having been missing for seven years. Prairie now calls herself "The OA" and can see, despite having been blind before her disappearance.

The OA received generally favorable critical reception. The series' directing, visuals and acting were often singled out. Reviews also ranged from highly positive to negative, with several reviewers drawing both favorable and unfavorable comparisons with Stranger Things, another science fiction series that debuted on Netflix earlier that year.

On February 8, 2017, Netflix renewed the series for a second season, dubbed "Part II". Production started in January 2018 with Brit Marling reprising her lead role as Prairie.The second season (Part II) is set to be released on March 22, 2019.

The Simpsons (season 10)

The Simpsons' tenth season was originally broadcast on the Fox network in the United States between August 23, 1998, and May 16, 1999. It contains twenty-three episodes, starting with "Lard of the Dance". The Simpsons is a satire of a middle class American lifestyle epitomized by its family of the same name, which consists of Homer, Marge, Bart, Lisa and Maggie. Set in the fictional city of Springfield, the show lampoons American culture, society, television, and many aspects of the human condition.

The showrunner for the tenth season was Mike Scully. Before production began, a salary dispute between the main cast members of The Simpsons and Fox arose. However, it was soon settled and the actors' salaries were raised to $125,000 per episode. In addition to the large Simpsons cast, many guest stars appeared in season ten, including Phil Hartman in his last appearance before his death.

Season 10 won an Annie Award for "Outstanding Achievement in an Animated Television Program". It ranked twenty-fifth in the season ratings with an average of 13.5 million viewers per episode. The tenth season DVD boxset was released in the United States and Canada on August 7, 2007. It is available in two different packagings.

Season 10 also happens to be the 'Most Repeated Simpson's Series' of all, on UK television, with an estimated 3567 repeats of D'oh-in' in the Wind alone since 1999.

The Simpsons (season 2)

The Simpsons' second season originally aired on the Fox network between October 11, 1990 and July 11, 1991, and contained 22 episodes, beginning with "Bart Gets an "F"". Another episode, "Blood Feud", aired during the summer after the official season finale. The executive producers for the second production season were Matt Groening, James L. Brooks, and Sam Simon, who had also been EPs for the previous season. The DVD box set was released on August 6, 2002 in Region 1, July 8, 2002 in Region 2 and in September, 2002 in Region 4. The episode "Homer vs. Lisa and the 8th Commandment" won the Primetime Emmy Award for Outstanding Animated Program (for Programming Less Than One Hour), and was also nominated in the "Outstanding Sound Mixing for a Comedy Series or a Special" category.

The Simpsons (season 3)

The Simpsons' third season originally aired on the Fox network between September 19, 1991 and August 27, 1992. The showrunners for the third production season were Al Jean and Mike Reiss who executive produced 22 episodes for the season, while two other episodes were produced by James L. Brooks, Matt Groening, and Sam Simon. An additional episode, "Brother, Can You Spare Two Dimes?", aired on August 27, 1992 after the official end of the third season and is included on the Season 3 DVD set. Season three won six Primetime Emmy Awards for "Outstanding Voice-Over Performance" and also received a nomination for "Outstanding Animated Program" for the episode "Radio Bart". The complete season was released on DVD in Region 1 on August 26, 2003, Region 2 on October 6, 2003, and in Region 4 on October 22, 2003.

The Simpsons (season 4)

The Simpsons' fourth season originally aired on the Fox network between September 24, 1992 and May 13, 1993, beginning with "Kamp Krusty". The showrunners for the fourth production season were Al Jean and Mike Reiss. The aired season contained two episodes which were hold-over episodes from season three, which Jean and Reiss also ran. Following the end of the production of the season, Jean, Reiss and most of the original writing staff left the show. The season was nominated for two Primetime Emmy Awards and Dan Castellaneta would win one for his performance as Homer in "Mr. Plow". The fourth season was released on DVD in Region 1 on June 15, 2004, Region 2 on August 2, 2004 and in Region 4 on August 25, 2004.

The Simpsons (season 9)

The Simpsons' ninth season originally aired on the Fox network between September 1997 and May 1998, beginning on Sunday, September 21, 1997, with "The City of New York vs. Homer Simpson". With Mike Scully as showrunner for the ninth production season, the aired season contained three episodes which were hold-over episodes from season eight, which Bill Oakley and Josh Weinstein ran. It also contained two episodes which were run by David Mirkin, and another two hold-over episodes which were run by Al Jean and Mike Reiss.Season nine won three Emmy Awards: "Trash of the Titans" for Primetime Emmy Award for Outstanding Animated Program (for Programming Less Than One Hour) in 1998, Hank Azaria won "Outstanding Voice-Over Performance" for the voice of Apu Nahasapeemapetilon, and Alf Clausen and Ken Keeler won the "Outstanding Music and Lyrics" award. Clausen was also nominated for "Outstanding Music Direction" and "Outstanding Music Composition for a Series (Dramatic Underscore)" for "Treehouse of Horror VIII". Season nine was also nominated for a "Best Network Television Series" award by the Saturn Awards and "Best Sound Editing" for a Golden Reel Award.The Simpsons 9th Season DVD was released on December 19, 2006 in Region 1, January 29, 2007 in Region 2 and March 21, 2007 in Region 4. The DVD was released in two different forms: a Lisa-shaped head, to match the Maggie, Homer and Marge shaped heads from the three previous DVD sets, and also a standard rectangular shaped box. Like the previous DVD sets, both versions are available for sale separately.

Winslow Homer

Winslow Homer (February 24, 1836 – September 29, 1910) was an American landscape painter and printmaker, best known for his marine subjects. He is considered one of the foremost painters in 19th-century America and a preeminent figure in American art.

Largely self-taught, Homer began his career working as a commercial illustrator. He subsequently took up oil painting and produced major studio works characterized by the weight and density he exploited from the medium. He also worked extensively in watercolor, creating a fluid and prolific oeuvre, primarily chronicling his working vacations.

Attributed to Homer
About Homer
Associated subjects

This page is based on a Wikipedia article written by authors (here).
Text is available under the CC BY-SA 3.0 license; additional terms may apply.
Images, videos and audio are available under their respective licenses.