Hill Street Blues is an American serial police drama that aired on NBC in primetime from 1981 to 1987 for 146 episodes. The show chronicled the lives of the staff of a single police station located on the fictional Hill Street, in an unnamed large city, with "blues" being a slang term for police officers for their blue uniforms. The show received critical acclaim, and its production innovations influenced many subsequent dramatic television series produced in the United States and Canada. Its debut season was rewarded with eight Emmy Awards, a debut season record surpassed only by The West Wing. The show received 98 Emmy nominations during its run.
|Hill Street Blues|
|Theme music composer||Mike Post|
|Country of origin||United States|
|No. of seasons||7|
|No. of episodes||146 (list of episodes)|
|Production location(s)||Republic Studios, Los Angeles, California|
|Running time||49 minutes|
|Production company(s)||MTM Enterprises|
|Distributor||MTM Television Distribution Group|
|Original release||January 15, 1981 –|
May 12, 1987
|Followed by||Beverly Hills Buntz|
MTM Enterprises developed the series on behalf of NBC, appointing Steven Bochco and Michael Kozoll as series writers. The writers were allowed considerable creative freedom and created a series that brought together a number of emerging ideas in TV drama for the first time. Each episode featured a number of intertwined storylines, some of which were resolved within the episode, with others developing over a number of episodes throughout a season. The conflicts between the work lives and private lives of the individual characters were also large elements of storylines.
The series featured a strong focus on the workplace struggle between "what is right" and "what works". Almost every episode began with a pre-credit sequence (or "teaser") consisting of (mission) briefing and roll call at the beginning of the day shift (from season three it experimented with a "Previously on..." montage of clips of up to six previous episodes before the roll call).
Many episodes were written to take place over the course of a single day, and often concluded with Capt. Frank Furillo (Daniel J. Travanti) and public defender Joyce Davenport (Veronica Hamel) in a domestic situation, often in bed, discussing how their respective days went. The series dealt with real-life issues and employing commonly used language and slang to a greater extent than had been seen before, which brought a sense of verisimilitude to the production.
The filming of Hill Street Blues employed what was, at that time, a unique style of camera usage for weeknight television productions, incorporating techniques such as filming being held close in with action cuts rapidly between stories. Rather than studio (floor) cameras, handhelds were used to enhance this style. Extensive use of overheard, off-screen dialogue aurally-augmented the "documentary" feel with respect to the filmed action of a scene.
Although filmed in Los Angeles (both on location and at CBS Studio Center in Studio City), the series is set in a generic unnamed inner-city location with a feel of a U.S. urban center in the Midwest or Northeast. Bochco reportedly intended this fictional city to be a hybrid of Chicago, Buffalo, and Pittsburgh.
The program's focus on failure and those at the bottom of the social scale is pronounced, very much in contrast to Bochco's later project L.A. Law. Inspired by police procedural detective novels such as Ed McBain's 1956 Cop Hater, the show has been described as Barney Miller out of doors; the focus on the bitter realities of 1980s urban living was revolutionary for its time (later seasons were accused of becoming formulaic).
Some trace the origins of this shift to the death of Michael Conrad (Sgt. Phil Esterhaus) midway through season four, leading to the replacement of the beloved Sgt. Esterhaus by Sgt. Stan Jablonski, played by Robert Prosky. The series' influence was seen in such later series as NYPD Blue, Law & Order and ER. In 1982, St. Elsewhere was hyped as Hill Street Blues in a hospital.
The theme song for "Hill Street Blues" was written by Mike Post (featuring Larry Carlton on guitar), was released as a single and reached #10 on the US Billboard's Hot 100 in November 1981. It was also an Adult Contemporary hit in the U.S. and in Canada.
Pilot: Brandon Tartikoff commissioned a series from MTM Productions, which assigned Bochco and Kozoll to the project. The pilot was produced in 1980, but was held back as a mid-season replacement so as not to get lost among the other programs debuting in the fall of 1980. Barbara Bosson, who was married to Bochco, had the idea to fashion the series into four- or five-episode story "arcs". Robert Butler directed the pilot, developing a look and style inspired by the 1977 documentary The Police Tapes, in which filmmakers used handheld cameras to follow police officers in the South Bronx.
Butler went on to direct the first four episodes of the series, and Bosson had hoped he would stay on permanently. However, he felt he was not being amply recognized for his contributions to the show's look and style and left to pursue other projects. He would return to direct just one further episode, "The Second Oldest Profession" in season two.
Season 1: The pilot aired on Thursday, January 15, 1981, at 10:00 pm, which would be the show's time slot for nearly its entire run. The second episode aired two nights later; the next week followed a similar pattern (episode 3 on Thursday, episode 4 on Saturday). NBC had ordered 13 episodes and the season was supposed to end on May 25 with a minor cliffhanger (the resolution of Sgt. Esterhaus' wedding). Instead, growing critical acclaim prompted NBC to order an additional four episodes to air during the May sweeps. Bochco and Kozoll quickly fashioned this into a new story arc, which aired as two two-hour episodes to close the season. In the first series' original ending, Officer Joe Coffey (Ed Marinaro), is shot dead during a vehicle stop. However, later on the producers decided that Coffey should remain, so the scene was edited to show him being seriously wounded and taken to hospital. (The character would eventually be killed in the sixth season)
In early episodes, the opening theme had several clearly audible edits; this was replaced by a longer, unedited version partway through the second season. The end credits for the pilot differed from the rest of the series in that the background still shot of the station house was completely different; it was also copyrighted 1980 instead of 1981. Ranking 87th out of 96 shows, it became the lowest-rated program ever renewed for a second season at the time. However, it was only renewed for ten episodes. A full order was picked up partway through the season.
Season 2: A writers strike pushed the start of the season forward to October 29, meaning that only 19 episodes were completed that year. Kozoll was now listed as a consultant, signifying his diminished role in the show. He later stated he was already feeling burnt out, and in fact was relying more on car chases and action to fill the scripts. A less muted version of the closing theme was played over the end credits.
Season 3: Kozoll left the show at the end of season two, replaced for the most part by Anthony Yerkovich (who later created Miami Vice after leaving Hill Street Blues at the end of this season) and David Milch. This was the show's most popular in terms of viewership, as it finished at #21. This was also the birth of "Must See TV", as the show was joined by Cheers, Taxi and Fame. The network promoted Thursdays as "the best night of television on television." Michael Conrad was increasingly absent from the show due to his ongoing, and ultimately unsuccessful, battle with cancer.
Season 4: Following his death on November 22, 1983, Michael Conrad's final appearance was broadcast halfway through the season in February 1984 in a memorable send-off episode, "Grace Under Pressure". Det. Harry Garibaldi (Ken Olin) was introduced at the end of the season as a temporary replacement for the disgraced Det. J.D. LaRue (Kiel Martin). The show won its fourth and final Emmy for Outstanding Drama Series this season.
Season 5: The show changed drastically this season, entering a somewhat "soap opera-ish" period according to Bochco. New characters included Sgt. Stanislaus Jablonski (Robert Prosky) and Det. Patsy Mayo (Mimi Kuzyk). Det. Garibaldi was now a regular, while Mrs. Furillo (Bosson) became a full-time member of the squad room. Bochco was dismissed at season's end by then-MTM President Arthur Price. The firing was due to Bochco's cost overruns, coupled with the fact that the show had achieved the 100-episode milestone needed to successfully syndicate it.
Betty Thomas won an Emmy for Outstanding Supporting Actress In a Drama Series this season. However, at the awards ceremony, an imposter rushed the stage ahead of Thomas and claimed she was unable to attend. He then claimed the award and left the stage, confusing viewers and robbing Thomas of her moment in the sun, although she returned and spoke after the ad break. Presenter Peter Graves suggested that the imposter was "on his way to the cooler."
Season 6: Major changes occurred as Det. Mayo, Det. Garibaldi, Lt. Ray Calletano (René Enríquez), Fay Furillo (Barbara Bosson) and Officer Leo Schnitz (Robert Hirschfeld) were all phased out at the start of the season, and Joe Coffey left near the end. The sole addition was the arrogant and dislikable Lt. Norman Buntz, played by Dennis Franz, who had played a different character, the corrupt "bad guy" Detective Sal Benedetto, in several season 3 episodes. Buntz and Benedetto were doppelgängers. Peter Jurasik played a new recurring character ("Sid the Snitch"), who often teamed with Buntz. In a 1991 interview on Later with Bob Costas, Ken Olin claimed these characters were removed so the new show-runners would receive royalties. Bosson's departure, however, was voluntary. She left after a salary conflict with the new executive producer who, according to the actress, had also wanted her character, Fay, to go back to being a shrewish "thorn in her ex-husband's side".
The season premiere opened with a roll call filled with officers never before seen on the show, briefly fooling viewers into thinking the entire cast had been replaced. It was then revealed that this was, in fact, the night shift. The action then cut to the day shift pursuing their after-work activities. Another unique episode from this season explained through flashbacks how Furillo and Davenport met and fell in love. This was the first season that Travanti and Hamel were not nominated for the Emmy for Outstanding Lead Actor/Actress in a Drama Series.
Season 7: While each episode of the series starts with the morning roll call, episodes from season 7 breaks away from tradition, showing characters at home or working. The roll call becomes a minor part of the beginning. Some episodes don't show roll call at all.
Officer Patrick Flaherty (Robert Clohessy) and Officer Tina Russo (Megan Gallagher) joined this season in an attempt to rekindle the Bates/Coffey relationship of years past. Stan Jablonski became a secondary character part way through this season, and when Travanti announced he would not return the next year, the producers decided to end the show in 1987. The program was also moved to Tuesday nights almost midway through the season after nearly six years to make way for L.A. Law on Thursdays.
This was the only season that Bruce Weitz (Det. Mick Belker) was not nominated for the Emmy for Outstanding Supporting Actor in a Drama Series. Only Betty Thomas was nominated, making her the sole member of the cast to be nominated all seasons. This was the only season for which the show was not nominated for Outstanding Drama Series.
|1||Thursdays at 10:00 pm (January 15–22, 1981)
Saturdays at 10:00 pm (January 17 - March 21, 1981)
Tuesdays at 9:00 pm (May 19–26, 1981)
|not in the Top 30|
|2||Thursdays at 10:00 pm||#27|
|4||not in the Top 30|
|6||not in the Top 30|
|7||Thursdays at 10:00 pm (October 2 - November 27, 1986)
Tuesdays at 9:00 pm (December 2, 1986 - February 10, 1987)
Tuesdays at 10:00 pm (March 3 - May 12, 1987)
|not in the Top 30|
The series later aired in reruns on TV Land, Bravo, AmericanLife TV, and NuvoTV. It has been running since September 2015 on Heroes & Icons network. Seasons one through seven can also be viewed on hulu.com. Season three can be viewed as streaming video on commercial sites and is also available in many countries from Channel 4 on YouTube.
Most scenes of Hill Street Blues were filmed in Los Angeles (on location and at CBS Studio Center in Studio City). Cutaway shots from Chicago were used in production, with Metro Police cars made up to look like contemporary Chicago counterparts.
The exact city the series was set in was never specified, and the producers left this detail deliberately vague. For example, the call letters of local TV stations were obscured to avoid showing whether they began with "W" (the Federal Communications Commission designation for stations east of the Mississippi) or "K" (signifying a station west of the Mississippi). However, one episode in season three specifically mentions a radio station of WDPD. There are several mentions through the series of characters going down to "the shore", which implies a coast or lake setting. One general indication of setting within the show was given by the Southern-accented Renko's (Charles Haid) statement to his partner in the season one episode "Politics As Usual": "Just drop that 'cowboy' stuff. I was born in New Jersey, [and] never been west of Chicago in my life." Season 2 episode 18 mentions Delaware Park, and shows an elevated train on which "CTA" can clearly be seen, suggesting Chicago, and previous mention of a location being across the river in Newark, suggests a location in or near Philadelphia. Season five Episode four mentions a subway, and specifically shows a shot of an elevated train system, reinforcing Philadelphia as the best location.
Show writer Steven Bochco attended college at the Carnegie Institute of Technology (now Carnegie Mellon University) in Pittsburgh. The run-down, shabby, drug-ridden impression of Pittsburgh's Hill District that Bochco acquired was apparently part of the inspiration for the show. He intended the setting to resemble several cities, including Chicago, Pittsburgh, and Buffalo.
Although the city is never named, the state flag for Illinois is clearly visible over the Judge's left shoulder in the courtroom scenes in Season 2, Episode 5 - "Fruits of the Poisonous Tree".
Hill Street Blues refers to the blue uniforms worn by many police officers in the US, and is perhaps an intentional pun on the musical style "blues," which is depressing in its tone ("Hill Street" is the name of the precinct). The phrase is uttered only once within the series, by Detective Emil Schneider (Dolph Sweet) in the first-season episode "Gatorbait". Schneider says it in a slightly mocking tone, in reference to officers Hill and Renko, who he feels are out of their league at a particular crime scene. The precinct bowling team is the "Hill Street Blue Ballers".
Officers are listed by the rank they held at first appearance on the program; some officers later held higher ranks.
Initially, Hill Street Blues received rave reviews from critics alongside dismal Nielsen ratings. Early schedule switching did not help; the show was broadcast once weekly on four different nights during its first season alone but gradually settled into a Thursday night slot. The NBC Broadcast Standards Unit deemed it "too violent, too sexy, too grim." The producers described the show as "an hour drama with 13 continuing characters living through a Gordian knot of personal and professional relationships." John J. O'Connor in a May 1981 review charted its growing popularity and called it "a comfortable balance between comedy and drama".
The choice to include African-Americans as mainstays in the core ensemble cast and to feature several inter-racial and inter-ethnic cop partnerships drew notice and praise, as did the overlapping plots and examinations of moral conundrums such as police corruption, racism, alcoholism, and both interpersonal and institutional forgiveness.
Audience reception of certain portrayals of minority characters drew concern, with author Larry Landrum urging skepticism from an audience "already in the ambiguous position of identifying with individuals representing an armed authority." Landrum also criticized the series' frenetic pace as ultimately requiring the use of stereotypes — narrative devices which constitute "an assault on the competence of audiences, obscure reflection on the causes of perceived social, political, and economic problems, and foster fragmented views of everyday life."
Despite these shortcomings the show was very influential, with many others imitating its use of handheld cameras, ensemble cast, and multiple overlapping story arcs lasting for several episodes, set in urban decay. Alan Sepinwall wrote in 2014 that it "is on the short list of the most influential TV shows ever made. Whether through shared actors, writers, directors or through stylistic and thematic complexity, its DNA can be found in nearly every great drama produced in the 30-plus years since it debuted". He compared Hill Street Blues to Casablanca, which was so influential on other films that "if you come to see it for the first time after a lifetime of watching the copies, it could be at risk of playing like a bundle of clichés—even though it invented those clichés".
In 1993, TV Guide named the series The All-Time Best Cop Show in its issue celebrating 40 years of television. In 1997, the episode "Grace Under Pressure" was ranked number 49 on TV Guide's 100 Greatest Episodes of All Time. When the list was revised in 2009, "Freedom's Last Stand" was ranked number 57. In 2002, Hill Street Blues was ranked number 14 on TV Guide's 50 Greatest TV Shows of All Time, and in 2013 TV Guide ranked it #1 in its list of The 60 Greatest Dramas of All Time and #23 of the 60 Best Series.
20th Century Fox released the first two seasons of Hill Street Blues on DVD in Region 1 in 2006. Both releases contain special features including gag reel, deleted scenes, commentary tracks, and featurettes.
On December 5, 2013, it was announced that Shout! Factory had acquired the rights to the series in Region 1. They subsequently released Hill Street Blues: The Complete Series on DVD on April 29, 2014.
On December 4, 2013, Shock Records also released a complete series set.
|Region 1||Region 2||Region 4|
|The Complete 1st Season||17||January 31, 2006||March 25, 2013||December 4, 2013|
|The Complete 2nd Season||18||May 16, 2006|
|The Complete 3rd Season||22||November 4, 2014||—|
|The Complete 4th Season||22||March 3, 2015||April 30, 2014|
|The Complete 5th Season||23||May 26, 2015|
|The Complete 6th Season||22||September 8, 2015|
|The Complete 7th Season||22||January 12, 2016|
|The Complete Series||146||April 29, 2014||—||December 4, 2013|
Beverly Hills Buntz aired on NBC from November 5, 1987 to April 22, 1988. It was a half-hour comedy, a hybrid between light private eye fare and a sitcom. The main character, Norman Buntz (Dennis Franz) quit Hill Street, moved to Beverly Hills with Sid "The Snitch" Thurston (Peter Jurasik), and became a private investigator. Thirteen episodes were filmed, of which only nine were broadcast.
Hill Street Blues has inspired parodies, storylines, characters, and cultural references in numerous media vehicles.
In 1991, Krisalis Software (developed by Simeon Pashley and Rob Hill) released the computer game Hill Street Blues, based on the TV show. The game runs on the Amiga, Atari ST, and DOS platforms and places the player in charge of Hill Street Station and its surrounding neighborhood, with the aim of promptly dispatching officers to reported crimes, apprehending criminals, and making them testify at court. If certain areas have less serious crimes unresolved, such as bag-snatching, they soon escalate to more serious ones, such as murder in broad daylight. The game is still available for download at computer game sites and outlets, and has received mixed reviews.
The 33rd Primetime Emmy Awards were held on Sunday, September 13, 1981. The ceremony was broadcast on CBS. It was hosted by Shirley MacLaine and Edward Asner.
For the third consecutive year, the Emmy for Outstanding Comedy Series went to Taxi. The top show on the drama side was Hill Street Blues which, in its first season, tied the record for most major nominations (14) and wins (6) by a non-miniseries. NBC's ratings juggernaut Shōgun received eight major nominations, but only won one, for Outstanding Limited Series.34th Primetime Emmy Awards
The 34th Primetime Emmy Awards were held on Sunday, September 19, 1982. The ceremony was broadcast on ABC. It was hosted by John Forsythe and Marlo Thomas.
In its eighth and final season, Barney Miller finally won the Emmy for Outstanding Comedy Series, it had been nominated and lost the previous six seasons. On the drama side, it was once again all about Hill Street Blues. It set multiple records on the night, including receiving 16 major nominations (winning four), breaking the long-held record (subsequently broken) of 14 for a comedy or drama set by Playhouse 90 in 1959. It also received nine acting nominations for regular cast members, this has since been tied by L.A. Law, and The West Wing. Included in those acting nominations was another milestone, Hill Street Blues received every nomination for Outstanding Supporting Actor in a Drama Series, this achievement has not been duplicated by a comedy or drama in a major acting category since. Another milestone was set by Andrea Martin, who became the first actor from a variety series, in this case Second City Television, to be nominated in the comedy acting field since the categories merged in 1979.
Ingrid Bergman won her final award posthumously, for A Woman Called Golda. It was not only the fourth posthumous acting award in Emmy history, but also the second performance ever to have won from a non-Network Syndicated show.35th Primetime Emmy Awards
The 35th Primetime Emmy Awards were held on September 25, 1983. The ceremony was broadcast on NBC, from the Pasadena Civic Auditorium, Pasadena, California. It is remembered for the vulgar language during the ceremony, much of it from Joan Rivers who cohosted the ceremony with Eddie Murphy. Rivers also wore nine dresses throughout the ceremony.
Despite being one the lowest-rated shows of the season, the critically acclaimed first season of Cheers won Outstanding Comedy Series as well as three other major awards. For the third straight year, Hill Street Blues won Outstanding Drama Series, it received at least 14 major nominations for the third straight year, unprecedented at the time, and also received every nomination in the Outstanding Writing in a Drama Series field. Second City Television also garnered every nomination in a category, for Outstanding Writing in a Variety, Music or Comedy Program. NBC dominated the night, on the strength of the shows mentioned, it received 71 of the 128 major nominations, and won 19 of 25 major categories.
In its final ceremony, M*A*S*H was once again nominated for Outstanding Comedy Series. M*A*S*H was nominated every year it was on the air, 11/11, winning once in 1974, this record would be tied by Cheers a decade later when it too went 11/11, finishing with four victories.36th Primetime Emmy Awards
The 36th Primetime Emmy Awards were held on September 23, 1984. The ceremony was broadcast on CBS, from the Pasadena Civic Auditorium, Pasadena, California.
The top shows of the night were Cheers and Hill Street Blues. Cheers won its second straight Emmy for Outstanding Comedy Series, while Hill Street Blues made history. It became the first show to win the Emmy for Outstanding Drama Series four consecutive years. This record still stands today, but has been tied twice, by The West Wing and Mad Men. Hill Street Blues also added to another streak. It received at least 14 major nominations for the fourth straight year, winning four. Cheers received the most nominations on the comedy side (10), winning three.
Sir Laurence Olivier won the last of his five career Emmys this evening. His win was also the last time a non-Network Syndicated performance won an Acting Award.37th Primetime Emmy Awards
The 37th Primetime Emmy Awards were held on September 22, 1985. The ceremony was broadcast on ABC, from the Pasadena Civic Auditorium, Pasadena, California.
The Cosby Show defeated two-time reigning champion Cheers to win Outstanding Comedy Series, one of three major awards it won. Although it only took home one major award, Cheers did tie the then-record for most major nominations by a comedy series (11), set by The Mary Tyler Moore Show in 1977. In the drama field Cagney & Lacey, en route to winning four major awards on the night, defeated presumed favorite Miami Vice to win Outstanding Drama Series, four time defending champion Hill Street Blues still received nine major nominations, but only won one award. This was Hill Street Blues 18th and final major award, setting an Emmy record for a drama series that still stands.
The ceremony also had a memorable unscripted moment involving the arrest of impersonator Barry Bremen for grand theft while attempting to accept the Outstanding Supporting Actress in a Drama Series award on behalf of Betty Thomas, who would show up on the auditorium stage a few minutes late39th Primetime Emmy Awards
The 39th Primetime Emmy Awards were held on Sunday, September 20, 1987. The ceremony was broadcast on Fox for the first time as the network premiered a year earlier from the Pasadena Civic Auditorium in Pasadena, California.
For the second straight year, The Golden Girls won Outstanding Comedy Series. The winner for Outstanding Drama Series was L.A. Law, which, for its first season, won four major awards, and led all shows with 13 major nominations. The winner for Outstanding Drama/Comedy Special, Promise, set a new record with five major wins. This record still stands for TV movies, though it was tied by Temple Grandin in 2010. The Tracey Ullman Show received three major nominations on the night, making it the first ceremony in which the network Fox received a major nomination. This was the only time that Hill Street Blues wasn't nominated for Outstanding Drama Series in its seventh and last season, also no males actors of Hill Street Blues were nominated (even with 20 previous nominations), only Betty Thomas for Outstanding Supporting Actress in a Drama Series was nominated and did not win, making her the only one in the cast to be nominated in all seasons.
NBC continued its dominance of the field, becoming the first network to gain over eighty major nominations (82). Its résumé was highlighted by gaining all five nominations for Outstanding Comedy Series, this had been done only once before (in 1977, but with a field of only four shows) and has not been matched in either field since.Bruce Weitz
Bruce Peter Weitz (born May 27, 1943) is an American actor who is perhaps best known for his role as Sgt. Michael "Mick" Belker in the NBC police drama Hill Street Blues, which ran from 1981 until 1987. Weitz won an Emmy Award for Outstanding Supporting Actor in a Drama Series in 1984 for his role in the series.Charles Haid
Charles Maurice Haid III (born June 2, 1943) is an American actor and film director, with notable work in both movies and television. He is best known for his portrayal of Officer Andy Renko in Hill Street Blues.
Haid was born in San Francisco, California, the son of Grace Marian (née Folger) and Charles Maurice Haid, Jr. He attended Carnegie Institute of Technology (now Carnegie Mellon University), where he met Steven Bochco. He was associate producer of the original stage production of Godspell in 1971, which was developed at CMU.
Haid's acting credits include the 1976/1977 series Delvecchio as Sgt. Paul Schonski, the 1980s series Hill Street Blues as Officer Andy Renko, and the 1980 movie Altered States as Dr. Mason Parrish. In 1984, Haid was cast as "The Fatman" (or just "Fats") in the never released movie The House of God.
In 2004–05, he played C.T. Finney, a corrupt New York police captain on the sixth season of the NBC show Third Watch. Haid provided the voice of the one-legged rabbit "Lucky Jack" in the 2004 Disney animated film Home on the Range. Twenty years earlier, Haid had voiced main character "Montgomery Moose" in the pilot episode of The Get Along Gang, produced by Nelvana. He was replaced by Sparky Marcus for the subsequent series.
His directing credits include an episode of ER that earned him a Directors Guild Award and nominations for the TV movie Buffalo Soldiers and an episode of NYPD Blue. He was a regular director on the FX series Nip/Tuck. He also directed for the FX series Sons of Anarchy and AMC's Breaking Bad. He is a regular director for the CBS series Criminal Minds, for which he also portrayed serial killer Randall Garner (a.k.a. "The Fisher King").Gregory Hoblit
Gregory King Hoblit (born November 27, 1944) is an American film director, television director and television producer. He is best known for directing the films Primal Fear, Fallen , Frequency, Hart's War, Fracture. He has won nine Primetime Emmy Awards for directing and producing Hill Street Blues, NYPD Blue, L.A. Law, Hooperman and the television film Roe vs. Wade.
Hoblit was born in Abilene, Texas, the son of Elizabeth Hubbard King and Harold Foster Hoblit, an FBI agent. Much of Hoblit's work is oriented towards police, attorneys and legal cases.
Hoblit has directed and produced the pilot and series of such acclaimed television series such as NYPD Blue, L.A. Law and Hill Street Blues. He also wrote an episode of the latter series. Hoblit received Primetime Emmy Awards for his directing of the pilot episodes of Hooperman and L.A. Law.
He was married to actress Debrah Farentino from 1994-2009. They have one child together.Hill Street Station
"Hill Street Station" is the first episode of the first season of the American serial police drama Hill Street Blues. "Hill Street Station" originally aired in the United States on NBC on Thursday January 15, 1981 at 10:00 PM Eastern time as part of a two-week five-episode limited-run pilot airing on Thursdays and Saturdays. The episode won numerous Primetime Emmy Awards (Directing, Writing, Sound Editing, and Cinematography), a Directors Guild of America Award, a Writers Guild of America Award, and an Edgar Award as well as Emmy Award nominations for film editing, music composition, and art direction. The episode was directed by Robert Butler and written by Michael Kozoll and Steven Bochco.
Unlike other high-profile debuts from the 1980–81 network television season that had two- and three-hour premieres, such as Dynasty and Flamingo Road, this premiere episode debuted by itself as a one-hour offering. That season, even some holdovers, such as B. J. and the Bear and Buck Rogers, had multi-hour season premieres. The main storyline involves a hostage situation that arose from an attempted armed robbery. The episode also introduces a host of unique characters. At the time of the debut, Robert McLean described the cast as a "cast of unknowns".Jeff Lewis (writer)
Jeffrey Jeff Lewis is an American screenwriter, best known for his work with Hill Street Blues. He earned 8 Emmy Award nominations as a writer and one win as well as 8 Writers Guild of America Award nominations, including 1 win as a writer, all for Hill Street Blues. He was a Yale University roommate with David Milch and recruited him to join Hill Street Blues staff.Mark Frost
Mark Frost (born November 25, 1953) is an American novelist, screenwriter, director and film producer, best known as a writer for the television series Hill Street Blues and as the co-creator of the television series Twin Peaks.Michael Conrad
Michael Conrad (October 16, 1925 – November 22, 1983) was an American actor perhaps best known for his portrayal of veteran cop Sgt. Phil Esterhaus on Hill Street Blues, in which he ended the introductory roll call to each week's show with "Let's be careful out there". He won two Emmy Awards for Outstanding Supporting Actor in a Drama Series for Hill Street Blues in 1981 and 1982.Michael Warren (actor)
Lloyd Michael "Mike" Warren (born March 5, 1946) is an American TV actor and former college basketball player, best known for playing Officer Bobby Hill on the NBC television series Hill Street Blues.Primetime Emmy Award for Outstanding Directing for a Drama Series
The Primetime Emmy Award for Outstanding Directing for a Drama Series is presented to the best directing of a television drama series, usually for a particular episode.Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series
This is a list of winners and nominees of the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. In early Primetime Emmy Award ceremonies, the supporting categories were not always genre, or even gender, specific. Beginning with the 22nd Primetime Emmy Awards, supporting actors in drama have competed alone. However, these dramatic performances often included actors from miniseries, telefilms, and guest performers competing against main cast competitors. Such instances are marked below:
# – Indicates a performance in a Miniseries or Television film, prior to the category's creation.
§ – Indicates a performance as a guest performer, prior to the category's creation.Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series
This is a list of winners and nominees of the Primetime Emmy Award for Outstanding Supporting Actress in a Drama Series. In early Primetime Emmy Award ceremonies, the supporting categories were not always genre, or even gender, specific. Beginning with the 22nd Primetime Emmy Awards, supporting actresses in drama have competed alone. However, these dramatic performances often included actresses from miniseries, telefilms, and guest performers competing against main cast competitors. Such instances are marked below:
# – Indicates a performance in a Miniseries or Television film, prior to the category's creation.
§ – Indicates a performance as a guest performer, prior to the category's creation.Robert Butler (director)
Robert Butler (born November 16, 1927) is an American film and Emmy Award-winning television director. He is best known for his work in television, where he directed the pilots for a number of series including Star Trek and Hill Street Blues.Steven Bochco
Steven Ronald Bochco (December 16, 1943 – April 1, 2018) was a television producer and writer. He developed a number of television series, including Hill Street Blues, L.A. Law, Doogie Howser, M.D., and NYPD Blue.
Hill Street Blues
Awards for Hill Street Blues
Television series created or produced by Steven Bochco