Harry Lucey (November 13, 1913 – August 28, 1984) was an American comic artist best known for his work in MLJ and Archie Comics. He was the primary artist on Archie, the company's flagship title, from the late '50s through the mid-'70s.
Lucey, who graduated from the Pratt Institute in 1935, worked on both adventure and humor titles for MLJ, including acting as the regular artist on The Hangman, before being drafted into the United States Army. After being discharged, he spent several years working in advertising. In 1949 he re-joined MLJ, which by that time had changed its name to Archie Comics. Though he continued to draw action and romance comics for the company, including the hard-boiled mystery Sam Hill, Private Eye, his primary work was on their popular teen humor titles. During the '60s and early '70s, Lucey drew most of the stories in the Archie title, as well as drawing stories for many of the other titles. He also drew most of the company's in-house ads, and contributed many covers to titles like Pep Comics.
In the late '60s, Lucey's health began to deteriorate. He developed an allergy to graphite which required him to wear gloves while drawing. In 1976, he was diagnosed with Amyotrophic lateral sclerosis, and abruptly retired from Archie comics; his inker, Chic Stone, temporarily succeeded him as penciller on Archie. He died of cancer in 1984.
Since his death, Lucey's work has been rediscovered by younger cartoonists who celebrate his mastery of body language and physical comedy. Jaime Hernandez frequently cites Lucey as one of his biggest influences in cartooning, preferring Lucey's work to that of his more famous colleague Dan DeCarlo. "I like them both," Hernandez explained, "but Lucey just happens to be a personal favorite, because I think he was better at drawing natural characters — just their expressions taught me a lot about how I do my comics." 
|Born||November 13, 1913|
|Died||August 28, 1984 (aged 70)|
|Area(s)||Cartoonist, Penciller, Inker|
|Archie Comics |
Notable events of 1984 in comics. See also List of years in comics.Archie's Family Restaurants
Archie's Family Restaurants was a short-lived American restaurant chain based on the characters by Archie Comics. The facades showed Jughead Jones eating a hamburger. Around 1972, Archie Comics' parent company, Archie Enterprises, Inc., decided it wanted to further diversify into food service operations. Barbara Kovacs and Gary Kovacs, sole owners of the recently founded BarKo Group, Inc., became interested in the venture and bought stock in the Archie companies. Consequently, BarKo received the contract to develop the restaurants.In 1973, the first Archie's restaurant opened in Joliet, Illinois, on the north-east corner of Hammes and Jefferson (U.S. Route 52). An 8-page promotional comic, written by Frank Doyle, illustrated by Harry Lucey, and titled "Archie's Restaurant," was published in the 136th issue of Life with Archie. The comic notably featured Maurice Berlinsky, then the real-life mayor of Joliet, and Bob Anderson, then the real-life director of First National Bank of Joliet. The Joliet restaurant was also mentioned in "A Share of Happening," a story published in the 29th issue of Everything's Archie in October 1973.The next restaurant opened in Merrillville, Indiana. By May 1974, two more were on the drawing boards, for Matteson and Homewood. Within five years, Kovacs hoped to open Archie's restaurants throughout the states of Illinois, Indiana, Michigan, Ohio, Pennsylvania, New Jersey, and New York. However, the two existing locations were badly mismanaged, which prompted Archie Comics to close them down and buy the stock back from BarKo.Archie (comic book)
Archie (also known as Archie Comics) is an ongoing comic book series featuring the Archie Comics character Archie Andrews. The character first appeared in Pep Comics #22 (cover dated December 1941). Archie proved to be popular enough to warrant his own self-titled ongoing comic book series which began publication in the winter of 1942 and ran until June 2015. A second series began publication in July 2015, featuring a reboot of the Archie universe with a new character design aesthetic and a more mature story format and scripting, aimed for older, contemporary teenage and young adult readers. The printed comic book format is different from the previous publications.Bob Bolling
Bob Bolling (born June 9, 1928) is an American cartoonist best known for his work in Archie Comics. He created the company's popular spin-off title Little Archie.
Bolling was born in Brockton, Massachusetts. After serving in the U.S. Navy, he graduated from Vesper George Art School in Boston. His first job in comics was assisting cartoonist George Shedd on the adventure comic strip Marlin Keel. In 1954 he began freelancing for Archie Comics, writing and drawing joke pages. Deciding that Bolling was better at drawing children than adults or teenagers, Archie editor Harry Shorten assigned him to work on Pat the Brat, a comic about a child with an obvious resemblance to Dennis the Menace.In 1956, Archie publisher John Goldwater decided to do a comic about the adventures of Archie as a little boy. Shorten asked Bolling to create designs for Archie and his friends as small children. When the designs were approved by Goldwater and Shorten, Bolling was assigned to write and draw the first issue of Little Archie. After the debut issue was a success, Bolling was assigned full-time to Little Archie, and was permitted to sign his stories starting with the second issue.
From 1957 to 1965, Bolling worked exclusively on Little Archie, writing, drawing, inking and lettering approximately half the stories in each giant-sized quarterly issue. (Most of the other stories were written and drawn by Dexter Taylor, Bolling's former roommate.) Bolling also drew the covers for most issues. Bolling created a number of characters who had no counterparts in the "big" Archie universe at the time, including Little Archie's dog Spotty, Betty's cat Caramel, Little Archie's "picked-on pal" Ambrose Pipps, Betty's siblings Chick and Polly Cooper, and the South Side Serpents, a gang of tough kids who frequently went to war against Little Archie's "Good Ol' Gang." In issue # 24, he created his most popular recurring villain, Mad Doctor Doom, a green-skinned mad scientist trying to take over the world with the help of his dimwitted assistant Chester. The character made his debut at "approximately the same time" as Marvel Comics' Victor Von Doom.Bolling also did several Little Archie spinoffs, including Little Archie in Animal Land, a four-issue series that mixed humor with educational stories about animals and the natural world, a one-shot comic starring Ambrose, and two issues of Little Archie Mystery Comics.
Bolling's Little Archie stories were usually longer than the typical Archie story, and incorporated a much wider range of material and approaches, ranging from light comedy to adventure to science fiction (Little Archie is taken to Mars in issue # 18) to tearjerking sentimentality. He would also change the designs of the characters depending on the nature of the story: in his adventure stories, the adults are usually drawn in a realistic style to contrast with the cartoony style of Little Archie and his friends. His stories are also notable for their lush backgrounds and specific references to the geography of Riverdale. His own favorite story is "The Long Walk" from Little Archie # 20, where Betty's attempt to walk home with Little Archie is told with a mix of comedy and sentiment; one entire page is devoted to a giant map charting everything that happens on their walk home, and the story uses a fantasy framing device where Betty's toys come to life and discuss her situation.In 1965, Bolling was relieved of his duties on Little Archie (Dexter Taylor took over the title full-time) and moved to the regular Archie comics. After getting tips from both Dan DeCarlo and Harry Lucey on how to draw the teenaged Archie characters, he spent the next decade and a half drawing stories for such titles as Archie's Pals and Gals, sometimes from his own scripts, but more often from scripts by Frank Doyle.In 1979, Archie Comics began to give Bolling more work as a writer-artist, starting by returning him to Little Archie on a part-time basis. From 1983 to 1985 he both wrote and drew Archie and Me, injecting the title with drama and adventure as well as comedy, and bringing some Little Archie characters, including Spotty, into the "big" Archie universe. In between Archie assignments, Bolling wrote and drew the first two issues of Marvel Comics' Wally the Wizard. Today, he continues to work for Archie Comics, drawing new stories for digests.
Bolling's work on Little Archie has earned him comparisons to Carl Barks for the wide emotional and stylistic range of his work. Scott Shaw! has written that "Bolling's clever, sometimes surprisingly emotional writing, his imaginative storytelling and staging and his dramatic, Will Eisner-ish inking" make Little Archie "add up to a comic book series unlike any other ever published by Archie Comics." Jaime Hernandez has said that Bolling's influence "is the reason I write the way I write," adding that he is influenced by Bolling's controlled sentimentality – "he knows when to back off; he knows exactly what to put in and what to take out, and when" – and by his ability to convey moods and times of day in his stories: "As a kid, I could just feel myself outside when I was reading them – being by myself when the stillness of the afternoon is spookier than the dark of the night, you know? He would draw lone silhouettes off in the distance, and they seemed so lonely it made me want to cry. We've been trying to write stories like that ever since, trying to convey those feelings that he put into those stories."
Bolling received the Inkpot Award in 2005 in recognition of his work on Little Archie.Comics Code Authority
The Comics Code Authority (CCA) was formed in 1954 by the Comics Magazine Association of America as an alternative to government regulation, to allow the comic publishers to self-regulate the content of comic books in the United States. Its code, commonly called "the Comics Code", lasted until the early 21st century. Many have linked the CCA's formation to a series of Senate hearings and the publication of psychiatrist Fredric Wertham's book Seduction of the Innocent.
Members submitted comics to the CCA, which screened them for adherence to its Code, then authorized the use of their seal on the cover if the book was found to be in compliance. At the height of its influence, it was a de facto censor for the U.S. comic book industry.
By the early 2000s, publishers bypassed the CCA and Marvel Comics abandoned it in 2001. By 2010, only three major publishers still adhered to it: DC Comics, Archie Comics, and Bongo Comics. Bongo broke with the CCA in 2010. DC and Archie followed in January 2011, rendering the Code completely defunct.Dan DeCarlo
Daniel S. DeCarlo (December 12, 1919 – December 18, 2001) was an American cartoonist best known for having developed the look of Archie Comics in the late 1950s and early 1960s, modernizing the characters to their contemporary appearance and establishing the publisher's house style up until his death. As well, he is the generally recognized co-creator of the characters Sabrina the Teenage Witch, Josie and the Pussycats (the title character of which was named for his wife), and Cheryl Blossom.Gilbert Hernandez
Gilberto Hernández (born February 1, 1957), usually credited as Gilbert Hernandez and also by the nickname Beto (Spanish: [ˈbeto]), is an American cartoonist. He is best known for his Palomar/Heartbreak Soup stories in Love and Rockets, an alternative comic book he shared with his brothers Jaime and Mario.Hangman (Archie Comics)
The Hangman is the name of several fictional superheroes that appear in periodicals published by MLJ Comics and later Dark Circle Comics.Hangman Comics
Hangman Comics was the name of an American anthology comic book series published by MLJ Magazines Inc., more commonly known as MLJ Comics, for seven issues between Spring 1942 and Fall 1943. It featured MLJs costumed vigilante The Hangman, and "Boy Buddies", featuring Shield's partner 'Dusty the Boy Detective' and Wizard's side-kick 'Roy the Superboy', throughout the series.Life with Archie
Life with Archie is a comic book published by Archie comics from 1958 to 1991. It featured Archie Andrews in adventure stories that were more dramatic than the standard Archie tales. In 2010, it was revived as a magazine-sized comic devoted to stories that grew out of Archie Marries Veronica/Archie Marries Betty. Archie's character was killed in the second to last issue, Life with Archie #36.List of Eisner Award winners
The following is a list of winners of the Eisner Award, sorted by category.
No awards were presented in 1990 because the Eisner administration was transferred to San Diego Comic-Con during that year.Pep Comics
Pep Comics is the name of an American comic book anthology series published by the Archie Comics predecessor MLJ Magazines Inc. (commonly known as MLJ Comics) during the 1930s and 1940s period known as the Golden Age of Comic Books. The title continued under the Archie Comics imprint for a total of 411 issues until March 1987.
Pep Comics was the comics title that introduced the superhero character The Shield, the first of the super-patriotic heroes with a costume based on a national flag (pre-dating Captain America by over a year), The Comet, who was the first superhero to die, and Archie Andrews, who eventually became the main focus of the company's extensive range of publications.Samm Schwartz
Samm Schwartz (October 15, 1920 – November 13, 1997) was an American comic artist best known for his work in MLJ and Archie Comics, specifically on the character Jughead Jones.Tower Comics
Tower Comics was an American comic book publishing company that operated from 1965 to 1969, best known for Wally Wood's T.H.U.N.D.E.R. Agents, a strange combination of secret agents and superheroes; and Samm Schwartz's Tippy Teen, an Archie Andrews clone. The comics were published by Harry Shorten and edited by Schwartz and Wood. Tower Comics was part of Tower Publications, a paperback publisher at that point best known for their Midwood Books line of soft-core erotic fiction aimed at male readers.
Tower Comics set themselves apart by publishing 25-cent, 64-page comics, during a time of 12-cent, 32-page comics. The comics were something of a throw-back to the Golden Age, in that they had more pages than most of their contemporaries and usually featured five or six independent stories, with all the main characters coming together for the final story of the issue, a common Golden Age plotting device used in team books such as DC Comics's Justice Society of America.