H. L. Gold

Horace Leonard "H. L." Gold (April 26, 1914 – February 21, 1996) was an American science fiction writer and editor. Born in Canada, Gold moved to the United States at the age of two. He was most noted for bringing an innovative and fresh approach to science fiction while he was the editor of Galaxy Science Fiction, and also wrote briefly for DC Comics.

H. L. Gold
Hl gold
BornHorace Leonard Gold
April 26, 1914
Montreal, Quebec, Canada
DiedFebruary 21, 1996 (aged 81)
Laguna Hills, California
Pen nameClyde Crane Campbell, Dudley Dell, Leigh Keith, Richard Storey
OccupationEditor, novelist, short story author
GenreScience fiction, Fantasy
Notable works"Trouble with Water", "The Old Die Rich"
SpouseEvelyn Stein (1939-1957; divorced)
Muriel "Nicky" (Nicholson) Conley (1965-his death)
Galaxy 195303
Gold's novella "The Old Die Rich" was the cover story for the March 1953 issue of Galaxy Science Fiction.
Galaxy 195910
Gold and his brother Floyd, writing as "Christopher Grimm", took the cover of the October 1959 issue of Galaxy with their novella "Someone To Watch Over Me"

Life and family

H. L. Gold was Jewish, and there are claims that he at first had to write under pseudonyms because publishers feared the readers' potential antisemitism. He was drafted in to the US Army during the Second World War, serving in the Pacific theater of Operations. His marriage to Evelyn Stein ended in divorce in 1957, and his second marriage was to Muriel "Nicky" (Nicholson) Conley. He died in 1996.

His brother Floyd C. Gold, writing under the pen name Floyd C. Gale, was the primary book reviewer for Galaxy from 1955-1963. His son E. J. Gold is an artist, writer, musician and one of the oldest online gamers.

Author and editor

Science Fiction

After becoming editor of Galaxy Gold wrote that as a "dazzled boy" he "discovered science fiction in 1927, at the age of 13":[1]

Amazing Stories had been out for a year then, but it was Wells' War of the Worlds, sitting innocently on a Providence library shelf, that I found first. The personal impact was that of an explosive harpoon, and when I belatedly discovered those beautifully garish Paul covers, decorated with heroically paralyzed men in jodhpurs and simperingly paralyzed women in blowy veils, among giant insects and plants with leering heads, I was hooked.[1]

During the 1930s, Gold unsuccessfully wrote stories for pulp magazines. The day he was fired from his regular job because his boss believed that a writer should not work as a busboy, Gold learned that he had made his first sale.[2] Beginning with "Inflexure" (as Clyde Crane Campbell) in Astounding Science Fiction (October 1934), Gold later worked for Standard Magazines, Fawcett Comics and Timely Comics.[3] He used the Campbell pen-name for his first half-dozen or so stories in 1934/35. When he resumed his writing career in 1938 he took the billing Horace L. Gold, but soon shortened it to the now more familiar H. L. Gold.

Gold's most noted stories tended more toward fantasy, like his "Trouble with Water" (1939). In 1939-41 he was an assistant editor on a trio of science fiction magazines -- Captain Future, Thrilling Wonder Stories and Startling Stories. His 1939 novel, None But Lucifer in Unknown (September 1939) was a collaboration with L. Sprague de Camp.

Comics and World War II

During the early 1940s, Gold teamed with Kendell Foster Crossen on comic book scripts, freelancing with DC Comics writing for Batman, Superman, Superboy, Boy Commandos and Wonder Woman from "roughly the end of 1942" until World War II interrupted his career.[3] He was drafted in 1944, although he was Canadian, flatfooted, overage and had a newborn child. He returned on compassionate leave (possibly in May 1946[3]) to be at his dying father Henry's bedside in Fall River, Massachusetts. He had been offered directorship of Armed Forces Radio postwar, which he declined. After serving, he returned to New York City, where he scripted for comic books and radio programs. Gold's story "The Old Die Rich" (Galaxy Science Fiction, March 1953), written at the same time as Marcia Davenport's My Brother's Keeper, may have been inspired by the New York Times articles about the Collyer brothers as was Davenport's novel. Gold often found story ideas in newspaper clippings.

Galaxy and Beyond

HL Gold Amazing 5304
Gold as depicted in Amazing Stories in 1953.

H. L. Gold is perhaps best known as a leading magazine editor during the American post-World War II science fiction boom. In 1949 he began in that direction, and launched Galaxy Science Fiction in 1950, which was soon followed by its companion fantasy magazine, Beyond Fantasy Fiction (1953–55).

Gold's Galaxy "made a startling impact on the world of science fiction", successor Frederik Pohl said in 1965, with "wit and relevance"; "It is difficult to exaggerate that impact". Some writers saw Gold as "a sort of slave-driver" but, Pohl said, "as one of the most frequently flogged of the slaves ... the results were worth it".[4][5] With Galaxy Gold created a different kind of science fiction magazine by focusing less on technology, hardware and pulp adventures. Instead, he introduced themes leaning toward sociology, psychology and satire. He paid more than was common at the time and had the advantage that several talented authors had become alienated from John W. Campbell due to his enthusiasm for Dianetics.

Gold also edited several anthologies (1952–62) related to the magazine. He suffered from increasing agoraphobia (originating from war trauma), and retired from Galaxy in 1961 due to his health problems.[3] Gold lived the rest of his life in seclusion, though he published occasional short stories and guest editorials through the early 1980s.

Collected stories

His collection The Old Die Rich (Crown, 1955) includes "And Three to Get Ready", "At the Post", "The Biography Project" (as Dudley Dell), "Don't Take It to Heart", "Hero", "Love in the Dark" (also known as "Love Ethereal"), "Man of Parts", "The Man with English", "No Charge for Alterations", "The Old Die Rich", "Problem in Murder" and "Trouble with Water". While Anthony Boucher praised Gold as "almost the only s.f. writer capable of creating lower and lower-middle class background," he found that the stories "are simply not up to the standards of craftsmanship" that Gold set as an editor.[6]


  • 1953 - Hugo for Best Prozine Editor
  • 1975 - Westercon Life Achievement Award
  • 1987 - Milford Award


Short Stories

  • "Inflexure", Astounding Science Fiction (October 1934)
  • "Trouble with Water" (1939)
  • "The Old Die Rich", Galaxy Science Fiction (March 1953)
  • "Someone to Watch Over Me" (with Floyd Gold), Galaxy Science Fiction (October 1959)
  • "Inside Man", Galaxy Science Fiction, October 1965
  • "The Transmogrification of Wamba's Revenge", Galaxy, October 1967
  • "The Riches of Embarrassment", Galaxy, April 1968
  • "The Villains from Vega IV" (with E. J. Gold), Galaxy, October 1968
  • "And Three to Get Ready"
  • "At the Post"
  • "Don't Take It to Heart"
  • "Hero"
  • "Love in the Dark"
  • "Man of Parts"
  • "The Man with English"
  • "No Charge for Alterations"
  • "Problem in Murder"
  • "Trouble with Water"



  • The Old Die Rich (1955)


  1. ^ a b Gold, H. L. (June 1951). "Looking Forward". Galaxy Science Fiction. p. 2. Retrieved 25 November 2013.
  2. ^ Gold, H. L. (July 1954). "Career Offered". Galaxy. p. 4. Retrieved 2 December 2013.
  3. ^ a b c d Biography by Joe Desris, in Batman Archives, Volume 3 (DC Comics, 1994), p. 223 ISBN 1-56389-099-2
  4. ^ Pohl, Frederik (August 1965). "Old Home Month". Editorial. Galaxy Science Fiction. pp. 4–7.
  5. ^ Pohl, Frederik (October 1965). "The Day After Tomorrow". Editorial. Galaxy Science Fiction. pp. 4–7.
  6. ^ "Recommended Reading," F&SF, August 1955, p.94.


External links

Audio files

11th World Science Fiction Convention

The 11th World Science Fiction Convention, also known as Philcon II, was held in September 1953 at the Bellevue-Stratford Hotel in Philadelphia, Pennsylvania, USA. It was the first Worldcon to present the Hugo Awards. The supporting organization was the Philadelphia Science Fiction Society. The guest of honor was Willy Ley. The chairman was Milton A. Rothman, replacing the late James A. Williams. Isaac Asimov was toastmaster.


Agoraphobia is an anxiety disorder characterized by symptoms of anxiety in situations where the person perceives their environment to be unsafe with no easy way to escape. These situations can include open spaces, public transit, shopping centers, or simply being outside their home. Being in these situations may result in a panic attack. The symptoms occur nearly every time the situation is encountered and last for more than six months. Those affected will go to great lengths to avoid these situations. In severe cases people may become completely unable to leave their homes.Agoraphobia is believed to be due to a combination of genetic and environmental factors. The condition often runs in families, and stressful or traumatic events such as the death of a parent or being attacked may be a trigger. In the DSM-5 agoraphobia is classified as a phobia along with specific phobias and social phobia. Other conditions that can produce similar symptoms include separation anxiety, posttraumatic stress disorder, and major depressive disorder. Those affected are at higher risk of depression and substance use disorder.Without treatment it is uncommon for agoraphobia to resolve. Treatment is typically with a type of counselling called cognitive behavioral therapy (CBT). CBT results in resolution for about half of people. Agoraphobia affects about 1.7% of adults. Women are affected about twice as often as men. The condition often begins in early adulthood and becomes less common in old age. It is rare in children. The term "agoraphobia" is from Greek ἀγορά, agorá, meaning a "public square" and -φοβία, -phobia, meaning "fear".

Beyond Fantasy Fiction

Beyond Fantasy Fiction was a US fantasy fiction magazine edited by H. L. Gold, with only ten issues published from 1953 to 1955. The last two issues carried the cover title of Beyond Fiction, but the publication's name for copyright purposes remained as before.Although not a commercial success, it included several short stories by authors such as Isaac Asimov, Ray Bradbury and Philip K. Dick. The publication has been described by critics as a successor to the tradition of Unknown, a fantasy magazine that ceased publication in 1943. It was noted for printing fantasy with a rational basis such as werewolf stories that included scientific explanations. A selection of stories from Beyond was published in paperback form in 1963, also under the title Beyond.

James Gunn, a historian of science fiction, regarded the magazine as the best of the fantasy magazines launched in the early 1950s, and science fiction encyclopedist Donald H. Tuck contended it printed very good material. Not every critic viewed Beyond as completely successful, however; P. Schuyler Miller, in a 1963 review, commented that the stories were most successful when they did not try to emulate Unknown.

By the Waters of Babylon

"By the Waters of Babylon" is a post-apocalyptic short story by American writer Stephen Vincent Benét, first published July 31, 1937, in The Saturday Evening Post as "The Place of the Gods". It was republished in 1943 in The Pocket Book of Science Fiction, and was adapted in 1971 into a one-act play by Brainerd Duffield.

Canadian science fiction

A strong element in contemporary Canadian culture is rich, diverse, thoughtful and witty science fiction.

Dick Francis (illustrator)

Richard David "Dick" Francis was born May 16, 1927, in Greenfield, Franklin County, Massachusetts.Francis served in the U.S. Navy during World War II.Francis is an artist best known for his Galaxy Science Fiction illustrations during the 1950s and 1960s.In 1951-53, Francis was illustrating for Amazing Stories, Fantastic Adventures and Galaxy. In the January 1957 issue of Galaxy, Francis illustrated the lead story by Kris Neville, prompting Gabriel Mckee's comment:

It's for Kris Neville's "Moral Equivalent," the lead story in the same issue of Galaxy. The Bible doesn't figure nearly as much in that story as the illustration suggests.Francis employed a loose, sketchy style that sometimes resembled the illustrational approach of Ed Emshwiller. Unlike Emshwiller, he did not do covers for Galaxy, only interior illustrations. In the January 1954 issue of Galaxy, the interiors were by Francis, Emshwiller, Don Sibley and Sandy Kossin, and editor H. L. Gold employed this core group to illustrate for Galaxy on a regular basis during the 1950s.Francis also contributed to Gold's Beyond Fantasy Fiction. the fantasy companion magazine to Galaxy, beginning with his illustration for Frederik Pohl's "The Ghost Maker" in the January 1954 issue. For Beyond he also illustrated stories by Theodore R. Cogswell and Reginald Bretnor.During the late 1950s to the mid-1990s Francis lived at 107 Christopher Street in Greenwich Village.Francis died January 30, 1997 in New York City.

Galaxy Science Fiction

Galaxy Science Fiction was an American digest-size science fiction magazine, published from 1950 to 1980. It was founded by a French-Italian company, World Editions, which was looking to break into the American market. World Editions hired as editor H. L. Gold, who rapidly made Galaxy the leading science fiction (sf) magazine of its time, focusing on stories about social issues rather than technology.

Gold published many notable stories during his tenure, including Ray Bradbury's "The Fireman", later expanded as Fahrenheit 451; Robert A. Heinlein's The Puppet Masters; and Alfred Bester's The Demolished Man. In 1952, the magazine was acquired by Robert Guinn, its printer. By the late 1950s, Frederik Pohl was helping Gold with most aspects of the magazine's production. When Gold's health worsened, Pohl took over as editor, starting officially at the end of 1961, though he had been doing the majority of the production work for some time.

Under Pohl Galaxy had continued success, regularly publishing fiction by writers such as Cordwainer Smith, Jack Vance, Harlan Ellison, and Robert Silverberg. Pohl never won the annual Hugo Award for his stewardship of Galaxy, winning three Hugos instead for its sister magazine, If. In 1969 Guinn sold Galaxy to Universal Publishing and Distribution Corporation (UPD) and Pohl resigned, to be replaced by Ejler Jakobsson. Under Jakobsson the magazine declined in quality. It recovered under James Baen, who took over in mid-1974, but when he left at the end of 1977 the deterioration resumed, and there were financial problems—writers were not paid on time and the schedule became erratic. By the end of the 1970s the gaps between issues were lengthening, and the title was finally sold to Galileo publisher Vincent McCaffrey, who brought out only a single issue in 1980. A brief revival as a semi-professional magazine followed in 1994, edited by H. L. Gold's son, E. J. Gold; this lasted for eight bimonthly issues.

At its peak, Galaxy greatly influenced the science fiction genre. It was regarded as one of the leading sf magazines almost from the start, and its influence did not wane until Pohl's departure in 1969. Gold brought a "sophisticated intellectual subtlety" to magazine science fiction according to Pohl, who added that "after Galaxy it was impossible to go on being naive." SF historian David Kyle agreed, commenting that "of all the editors in and out of the post-war scene, the most influential beyond any doubt was H. L. Gold". Kyle suggested that the new direction Gold set "inevitably" led to the experimental New Wave, the defining science fiction literary movement of the 1960s.

Galaxy Science Fiction Novels

Galaxy novels, sometimes titled Galaxy Science Fiction Novels, were a series of mostly reprint American science fiction novels published between 1950 and 1961.

The series was started by H.L. Gold, the editor of Galaxy Science Fiction, in 1950 as a companion to the main Galaxy magazine. There was one (often abridged) novel per issue, which appeared in digest size format, which made the books in the series look like digest magazines.

In 1959, after 35 issues, the series was sold to Beacon Books, which changed the format to mass-market (small size) paperback and introduced its own numbering scheme, continuing the series for another 11 issues. They also had the contents of some books revised to add mild sexual content and changed their titles accordingly.

Hugo Award for Best Professional Magazine

The Hugo Awards are given every year by the World Science Fiction Society for the best science fiction or fantasy works and achievements of the previous year. The award is named after Hugo Gernsback, the founder of the pioneering science fiction magazine Amazing Stories, and was once officially known as the Science Fiction Achievement Award. The award has been described as "a fine showcase for speculative fiction" and "the best known literary award for science fiction writing". The Hugo Award for Best Professional Magazine was given each year for professionally edited magazines related to science fiction or fantasy and which had published four or more issues with at least one issue appearing in the previous calendar year. Awards are also given out for non-professional magazines in the fanzine category, and for semi-professional magazines in the semiprozine category.

The award was first presented in 1953, the first year any Hugo Award was given, and with the exception of 1954 was given annually through 1972 when it was retired in favor of the newly created professional editor category. For the 1957 awards, the category was split into American and British magazine categories, a distinction which was not repeated any other year. In addition to the regular Hugo awards, beginning in 1996 Retrospective Hugo Awards, or "Retro Hugos", have been available to be awarded for years 50, 75, or 100 years prior in which no awards were given. To date, Retro Hugo awards have been awarded for 1946, 1951, and 1954, but only for the professional editor category, not the professional magazine category that would have existed at the time.Hugo Award nominees and winners are chosen by supporting or attending members of the annual World Science Fiction Convention (Worldcon) and the presentation evening constitutes its central event. The selection process is defined in the World Science Fiction Society Constitution as instant-runoff voting with five nominees, except in the case of a tie. These five works on the ballot are the five most-nominated by members that year, with no limit on the number of works that can be nominated. The 1953 through 1956 and 1958 awards did not include any recognition of runner-up magazines, but since 1959 all five candidates were recorded. Initial nominations are made by members in January through March, while voting on the ballot of five nominations is performed roughly in April through July, subject to change depending on when that year's Worldcon is held. Worldcons are generally held near the start of September, and are held in a different city around the world each year.During the nineteen nomination years, twelve magazines run by fifteen editors were nominated. Of these, only five magazines run by eight editors won. Astounding Science-Fiction/Analog Science Fact & Fiction and The Magazine of Fantasy & Science Fiction each won eight times, out of eighteen and fifteen nominations, respectively. If won three of five nominations, New Worlds won one of its six nominations—though its win was in the 1957 "British Professional Magazine" category—and Galaxy Science Fiction won only one out of its fifteen nominations, for the first award in 1953. Of the magazines which never won, Amazing Stories was nominated the most at eight times, while the only other magazine to be nominated more than twice was Science Fantasy with three nominations. John W. Campbell, Jr. received both the most nominations and awards, as he edited Analog Science Fact & Fiction for all eighteen nominations and eight wins. Edward L. Ferman and Robert P. Mills both won four times, while Frederik Pohl won three. H. L. Gold received the second most number of nominations at twelve, while Cele Goldsmith received the most number of nominations without winning at ten for her work on two separate magazines; she was the only female editor to be nominated.

Hydra Club

The Hydra Club was a social organization of science fiction professionals and fans. It met in New York City during the 1940s and 1950s.

It was founded October 25, 1947 in the apartment of Judith Merril and Frederik Pohl on Grove Street in the Greenwich Village neighborhood of New York. As nine founders were present, the club took its name from the legendary nine-headed monster, the Hydra.

Among its members were Lester del Rey, David A. Kyle, Frederik Pohl, Judith Merril, Martin Greenberg, Robert W. Lowndes, Philip Klass, Jack Gillespie, David Reiner, L. Jerome Stanton, Fletcher and Inga Pratt, Willy Ley, George O. Smith, Basil Davenport, Sam Merwin, Harry Harrison, Jerome Bixby, Groff Conklin, Bea Mahaffey, Murray Leinster, Jack Coggins, and J. Harry Dockweiler.An article by Merril about the club in the November 1951 Marvel Science Fiction was accompanied by Harry Harrison's drawing caricaturing 41 members:

Harrison's caption adds, "The remaining twenty-odd members showed up too late at the meeting."

If (magazine)

If was an American science-fiction magazine launched in March 1952 by Quinn Publications, owned by James L. Quinn.

The magazine was moderately successful, though for most of its run it was not considered to be in the first tier of science-fiction magazines. It achieved its greatest success under editor Frederik Pohl, winning the Hugo Award for best professional magazine three years running from 1966 to 1968. If published many award-winning stories over its 22 years, including Robert A. Heinlein's novel The Moon Is a Harsh Mistress and Harlan Ellison's short story "I Have No Mouth and I Must Scream". The most prominent writer to make his first sale to If was Larry Niven, whose story "The Coldest Place" appeared in the December 1964 issue.

If was merged into Galaxy Science Fiction after the December 1974 issue, its 175th issue overall.

James L. Quinn (editor)

James L. Quinn was an American science fiction editor and publisher.

Quinn was the founding publisher of the science fiction magazine If and, after Paul W. Fairman left shortly after its launch in 1952, became its editor as well as publisher until 1958. During his tenure, the magazine's circulation never sold as well as he'd hoped, even with the assistance of Larry Shaw and a short tenure by Damon Knight as editor of the magazine. After several issues edited by Knight failed to reverse the circulation slide (many sf magazines saw a drop in circulation after the 1957 launch of Sputnik, probably for a variety of reasons), Quinn sold the title to Robert Guinn, publisher of Galaxy, where it continued with H.L. Gold as the editor, with assistance from eventual editor Frederik Pohl.

Quinn continued primarily as a publisher of word-puzzle magazines into the 1970s; several of his titles continue to be published by Kappa Publishers Group (as of 2011). (If was merged with Galaxy in 1974, though there have been attempts to revive the title since then.)

Jim Harmon

James Judson Harmon (21 April 1933 – 16 February 2010), better known as Jim Harmon, was an American short story author and popular culture historian who wrote extensively about the Golden Age of Radio. He sometimes used the pseudonym Judson Grey, and occasionally he was labeled Mr. Nostalgia.

John W. Campbell

John Wood Campbell Jr. (June 8, 1910 – July 11, 1971) was an American science fiction writer and editor. He was editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death and was part of the Golden Age of Science Fiction. Campbell wrote super-science space opera under his own name and stories under his primary pseudonym, Don A. Stuart. Campbell also used the pen names Karl Van Kampen and Arthur McCann. His novella Who Goes There? was adapted as the films The Thing from Another World (1951), The Thing (1982), and The Thing (2011).

Campbell began writing science fiction at age 18 while attending MIT. He published six short stories, one novel, and six letters in the science fiction magazine Amazing Stories from 1930 to 1931. This work established Campbell's reputation as a writer of space adventure. When in 1934 he began to write stories with a different tone, he wrote as Don A. Stuart. From 1930 until the later part of that decade, Campbell was prolific and successful under both names, though he stopped writing fiction shortly after he became editor of Astounding in 1937.

It is as editor of Astounding Science Fiction (later called Analog Science Fiction and Fact) from late 1937 until his death for which Campbell is primarily remembered today. As well, in 1939, Campbell started the fantasy magazine Unknown, although it was canceled after only four years. Referring to his time spent as an editor, The Encyclopedia of Science Fiction wrote: "More than any other individual, he helped to shape modern sf." Isaac Asimov called Campbell "the most powerful force in science fiction ever" and said the "first ten years of his editorship he dominated the field completely." In his capacity as an editor, Campbell published some of the very earliest work, and helped shape the careers, of virtually every important sf author to debut between 1938 and 1946, including Robert A. Heinlein, Theodore Sturgeon, Isaac Asimov, and Arthur C. Clarke.

An increasingly strong interest in pseudoscience later alienated Campbell from many of the writers whose careers he had nurtured; Heinlein, Sturgeon, Asimov, and Clarke rarely worked with him after about 1950. As well, beginning in the 1960s, Campbell's controversial essays supporting segregation, and other remarks and writings surrounding slavery and race, served to distance him from many in the science fiction community. Nevertheless, Campbell remained an important figure in science fiction publishing up until his death. Campbell and Astounding shared one of the inaugural Hugo Awards with H. L. Gold and Galaxy at the 1953 World Science Fiction Convention. Subsequently, Campbell and Astounding (later renamed Analog) won the Hugo Award for Best Professional Magazine seven times.

Shortly after his death in 1971, the University of Kansas science fiction program established the annual John W. Campbell Memorial Award for Best Science Fiction Novel and also renamed after him its annual Campbell Conference. The World Science Fiction Society established the annual John W. Campbell Award for Best New Writer. The Science Fiction and Fantasy Hall of Fame inducted Campbell in 1996, in its inaugural class of two deceased and two living persons.

Kid Stuff

"Kid Stuff" is a science fiction short story by American writer Isaac Asimov. It was first published in the September 1953 issue of Beyond Fantasy Fiction and reprinted in the 1957 collection Earth Is Room Enough. Asimov wrote the story in January 1953, intending it for a new magazine called Fantastic, but it was rejected by its editor, Harold Browne. Asimov then submitted it to H. L. Gold, who accepted it for a new sister magazine of Galaxy Science Fiction called Beyond Fantasy Fiction.

List of X Minus One episodes

List of episodes for the X Minus One radio show.

The Demolished Man

The Demolished Man is a science fiction novel by American writer Alfred Bester, which was the first Hugo Award winner in 1953. An example of inverted detective story, it was first serialized in three parts, beginning with the January 1952 issue of Galaxy Science Fiction, followed by publication of the novel in 1953. The novel is dedicated to Galaxy's editor, H. L. Gold, who made suggestions during its writing. Bester's title was Demolition!, but Gold talked him out of it.

The World That Couldn't Be

The World That Couldn't Be is an anthology of science fiction short-stories selected by Galaxy Science Fiction editor, H. L. Gold.

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