Greg Mitchell (born 1947) is an American author and journalist who has written twelve non-fiction books on United States politics and history of the 20th and 21st centuries. His latest book, published by Crown in October 2016, is The Tunnels: Escapes Under the Berlin Wall and the Historic Films the JFK White House Tried to Kill. From 2009 to 2016 he blogged on the media and politics for The Nation, where he closely covered WikiLeaks. He co-produced the acclaimed 2014 film documentary "Following the Ninth," about the political and cultural influence of Beethoven's Ninth Symphony.
In three recent books, he has addressed issues of the relations between the press and government, especially related to the conduct of the 21st-century United States wars in Iraq and Afghanistan. He was the editor of Editor & Publisher (E&P) (2002 through 2009), which covers the news and newspaper industry. His book, The Campaign of the Century (1992), about Upton Sinclair's run for governor of California and the rise of media politics, received the 1993 Goldsmith Book Prize for journalism. It was adapted by PBS as a documentary episode for its seven-part series on The Great Depression (1993). In addition, it was adapted as a vaudeville-style musical and received an award in California in 2006 for musical theatre.
Mitchell was editor of Nuclear Times magazine (1982 to 1986), and became interested in the history of the United States' use of the atom bomb during World War II. He addressed issues related to this in a 1996 book co-written with Robert Jay Lifton, "Hiroshima in America," and a later book "Atomic Cover-up." Mitchell served as senior editor of Crawdaddy magazine in the 1970s.
|Born||1947 (age 71–72)|
New York, United States
|Genre||Politics, history, journalism|
Greg Mitchell was born in 1947 in Upstate New York.
He first worked in journalism as a summer intern for the Niagara Falls (N.Y.) Gazette (now the Niagara Gazette).
In the 1970s, Mitchell began working for Crawdaddy! magazine, where he became a senior editor. With fellow editor Peter Knobler, Mitchell is credited with helping to create in December 1972 and publish the first magazine article about the now-prominent musician Bruce Springsteen. They first met Springsteen and watched him perform at a promo gig in Sing Sing Prison before his first album was released.
From his first marriage Mitchell has a daughter Jeni, who lives in London.
After divorce, he married the writer Barbara Bedway. They live in Nyack, New York. The couple has a son, Andy, who has become a filmmaker. Mitchell wrote about their experiences in Little League baseball in his memoir Joy in Mudville (2000).
Mitchell served as editor of Nuclear Times magazine from 1982 to 1986. He has written numerous articles about the atomic bombings during World War II, published in magazines and newspapers including The New York Times and the Washington Post. His book on how the U.S. suppressed shocking footage shot by American military film crews in Hiroshima and Nagasaki, Atomic Cover-Up, was published in 2011.
Mitchell is co-author with Robert Jay Lifton of Hiroshima in America: A Half Century of Denial (1996) on the perceptions in the United States of the nuclear bombing of Hiroshima and Nagasaki during World War II. In an interview, he discussed the long-censored stories of the Chicago Tribune correspondent George Weller, the first Western news reporter to reach Nagasaki after the atomic bombing.
He wrote a second book with Lifton about capital punishment called Who Owns Death? (2002).
Mitchell has written two books about notable California political campaigns: The Campaign of the Century (1992) examined Upton Sinclair's race for governor in 1934 and the birth of media-driven elections. PBS adapted it as "We Have a Plan", the fourth of seven documentary episodes featured in The Great Depression (1993) series, produced and directed by Lyn Goldfarb. In 2011 the book was republished in new print and e-book editions.
It was also adapted as a vaudeville-style musical and first produced in a concert version at the Chicago Humanities Festival in 2004. The book is by Robert L. Freedman, lyrics by Freedman and Steven Lutvak, and music by Lutvak. In 2006 it won the California Musical Theatre Award from the Beverly Hills Theatre Guild.
Mitchell's Tricky Dick and the Pink Lady: Richard Nixon Vs Helen Gahagan Douglas--Sexual Politics and the Red Scare, 1950 (1998) studies an era in California politics as it reflected and influenced national issues in the post-World War II years. He also wrote an e-book on the Obama-Romney race in 2012 titled "Truth, Lies, and Videotape."
In 2003 and 2004, Mitchell wrote and spoke about issues in journalistic integrity. In an E&P column in 2003, Mitchell wrote about having made up some quotes in a man-in-the-street article at age 21, while working as a summer intern (what he described as his Jayson Blair moment). He was then working for the Niagara Falls (N.Y.) Gazette (now the Niagara Gazette) and assigned to gather quotes from tourists at Niagara Falls. He wrote that he and other journalists learn from their mistakes.
In a 2004 interview with the Echo Chamber Project, Mitchell discussed the duty of news reporters to be "skeptical." He cited coverage of the Bush administration's justification of the 2003 War in Iraq as a failure of the media to exercise skepticism.
[A]ll our coverage on all subjects—is not to be partisan or not to be left or right or anything like that. But we believe in the—what should be the main principle of journalism, besides being accurate and fair, is to be skeptical—to raise questions, to not take what officials say as the gospel truth—unless it's really proven—if there's documents.
Whether covering Washington or a small town, Mitchell said,
[T]he journalistic principle is the same: to be skeptical unless there's hard evidence and proof. And you report what someone says—"It's their claim." "It's what they say." "It's what they allege." "It's what they're trying to prove." But you don't present these things as fact if you're not sure they're fact. And what happened with the Iraq coverage was that too often newspapers—and especially television—went with stories that were based on official claims, and in retrospect, were really propaganda. Because in some cases, the officials were well-meaning. Maybe they thought that they had the evidence. But in other cases, they knew their evidence was incredibly shaky—or should have known—and yet went with the evidence claiming it was fact. And the press just, in most cases, accepted it.
Three of Mitchell's recent books have dealt with relations between the press and government, inspired in part by revelations of Bush administration misdirection related to justification of the War in Iraq, as well as issues related to the WikiLeaks scandal. These are So Wrong for So Long: How the Press, the Pundits—and the President—Failed in Iraq (2008)—re-published as an e-book in 2013, Bradley Manning: Truth and Consequences (2011, coauthor with Kevin Gosztola), and The Age of WikiLeaks (2011).
Mitchell blogs regularly as his own site, Pressing Issues. He also blogs for the Huffington Post, among other sites. His Twitter feed is @GregMitch.
Brian Gregory Mitchell is a research biologist and senior lecturer working at the Scripps Institution of Oceanography, a department of the University of California, San Diego.Crawdaddy (magazine)
Crawdaddy was an American rock music magazine launched in 1966. It was created by Paul Williams, a Swarthmore College student at the time, in response to the increasing sophistication and cultural influence of popular music. The magazine was named after the Crawdaddy Club in London and published during its early years with an exclamation point, as Crawdaddy!According to The New York Times, Crawdaddy was "the first magazine to take rock and roll seriously", while the magazine's rival Rolling Stone acknowledged it as "the first serious publication devoted to rock & roll news and criticism". Preceding both Rolling Stone and Creem, Crawdaddy was the training ground for many rock writers just finding the language to describe rock and roll, which was only then beginning to be written about as studiously as folk music and jazz. The magazine spawned the career of numerous rock and other writers. Early contributors included Jon Landau, Sandy Pearlman, Richard Meltzer and Peter Knobler.After Williams left Crawdaddy in 1968, the magazine was edited by Knobler from 1972 until its last issue in 1979. From 1993 to 2003 Williams self-published a Crawdaddy reincarnation. In 2006 it was sold to Wolfgang's Vault and later resurrected as a daily webzine. Effective August 5, 2011, visits began redirecting to the music website Paste, which announced that Crawdaddy "relaunches as a blog on Paste, where we’ll share stories from the Crawdaddy archives and publish new content on legacy artists".