Grammy Award

A Grammy Award (stylized as GRAMMY, originally called Gramophone Award), or Grammy, is an award presented by The Recording Academy to recognize achievements in the music industry. The annual presentation ceremony features performances by prominent artists, and the presentation of those awards that have a more popular interest. The Grammys are the second of the Big Three major music awards held annually (between the American Music Awards in the Fall, and the Billboard Music Awards in the Summer).

It shares recognition of the music industry as that of the other performance awards such as the Academy Awards (film), the Emmy Awards (television), the Tony Awards (theater), and the Game Awards (video games).

The first Grammy Awards ceremony was held on May 4, 1959, to honor and respect the musical accomplishments by performers for the year 1958. Following the 2011 ceremony, the Academy overhauled many Grammy Award categories for 2012.

The 61st Annual Grammy Awards, honoring the best achievements from October 1, 2017 to September 30, 2018, were held on February 10, 2019, at the Staples Center in Los Angeles.

Grammy Awards
61st Annual Grammy Awards
Grammy Award 2002
Awarded forOutstanding achievements in the music industry
Country United States
Presented byThe Recording Academy
First awardedMay 4, 1959 (as Gramophone Award)
Websitegrammy.com
Television/radio coverage
NetworkNBC (1959–1970)
ABC (1971–1972)
CBS (1973–present)
Most recent Grammy Award winners
Best in 2017-18
  Kacey Musgraves 2014 Donald Glover TIFF 2015
Award Album of the Year Record of the Year
Winner Kacey Musgraves
(Golden Hour)
Childish Gambino
("This Is America")
  Donald Glover TIFF 2015 Dua Lipa 02 12 2018 -2 (40157502064)
Award Song of the Year Best New Artist
Winner Childish Gambino
("This Is America")
Dua Lipa

Previous Record of the Year

"24K Magic"

Record of the Year

"This Is America"

History

The Grammys had their origin in the Hollywood Walk of Fame project in the 1950s.[1][2] As the recording executives chosen for the Walk of Fame committee worked at compiling a list of important recording industry people who might qualify for a Walk of Fame star, they realized there were many more people who were leaders in their business who would never earn a star on Hollywood Boulevard. The music executives decided to rectify this by creating an award given by their industry similar to the Oscars and the Emmys. This was the beginning of the National Academy of Recording Arts and Sciences. After it was decided to create such an award, there was still a question of what to call it; one working title was the Eddie, to honor the inventor of the phonograph, Thomas Edison. They finally settled on using the name of the invention of Emile Berliner, the gramophone, for the awards, which were first given for the year 1958.[3][4][5]

The first award ceremony was held simultaneously in two locations on May 4, 1959 - Beverly Hilton Hotel in Beverly Hills California, and Park Sheraton Hotel in New York City,[6] and 28 Grammys were awarded. The number of awards given grew and fluctuated over the years with categories added and removed, at one time reaching over 100.[7] The second Grammy Awards, also held in 1959, was the first ceremony to be televised,[8] but the ceremony was not aired live until the 13th Annual Grammy Awards in 1971.[9]

Gramophone trophy

The gold-plated trophies, each depicting a gilded gramophone, are made and assembled by hand by Billings Artworks in Ridgway, Colorado. In 1990 the original Grammy design was revamped, changing the traditional soft lead for a stronger alloy less prone to damage, making the trophy bigger and grander.[10] Billings developed a zinc alloy named grammium, which is trademarked.[11] The trophies with the recipient's name engraved on them are not available until after the award announcements, so "stunt" trophies are re-used each year for the broadcast.[12][13]

By February 2009, a total of 7,578 Grammy trophies had been awarded.[14]

Categories

The "General Field" are four awards which are not restricted by genre.

  • Record of the Year is awarded to the performer and the production team of a single song if other than the performer.
  • Album of the Year is awarded to the performer and the production team of a full album if other than the performer.
  • Song of the Year is awarded to the writer(s)/composer(s) of a single song.
  • Best New Artist is awarded to a promising breakthrough performer who releases, during the Eligibility Year, the first recording that establishes the public identity of that artist (which is not necessarily their first proper release).

The only two artists to win all four of these awards are Christopher Cross, who won all four in 1980, and Adele, who won the Best New Artist award in 2009 and the other three in 2012 and 2017.

Other awards are given for performance and production in specific genres, as well as for other contributions such as artwork and video. Special awards are given for longer-lasting contributions to the music industry.

Because of the large number of award categories (78 in 2012, 81 in 2013 and 82 in 2014), and the desire to feature several performances by various artists, only the ones with the most popular interest - typically about 10 to 12, including the four General Field categories and one or two categories in the most popular music genres (i.e. pop, rock, country, rap) - are presented directly at the televised award ceremony. The many other Grammy trophies are presented in a pre-telecast 'Premiere Ceremony' earlier in the afternoon before the Grammy Awards telecast.

2012 category restructuring

On April 6, 2011, The Recording Academy announced a drastic overhaul of many Grammy Award categories for 2012.[15] The number of categories was cut from 109 to 78. The most important change was the elimination of the distinction between male and female soloists and between collaborations and duo/groups in various genre fields (pop, rock, R&B, country, and rap). Also, several categories for instrumental soloists were discontinued. Recordings in these categories now fall under the general categories for best solo performances.

In the rock field, the separate categories for hard rock and metal albums were combined and the Best Rock Instrumental Performance category was eliminated due to a waning number of entries.

In R&B, the distinction between best contemporary R&B album and other R&B albums has been eliminated. They now feature in one, general Best R&B Album category.[16]

In rap, the categories for best rap soloist and best rap duo or group have been merged into the new Best Rap Performance category.

The most eliminations occurred in the roots category. Up to and including 2011, there were separate categories for various regional American music forms, such as Hawaiian music, Native American music and Zydeco/Cajun music. Due to the consistently low number of entries for these categories, The Recording Academy decided to combine all these music variations into the new Best Regional Roots Music Album, including polka, which lost its own separate category in 2009.[17][18]

In the same genre field, the traditional and contemporary blues categories and the traditional and contemporary folk categories each were consolidated into one per genre, due to the number of entries and given the challenges in distinguishing between contemporary folk and Americana, and contemporary and traditional blues. In the world music genre field, the traditional and contemporary categories also merged.

In the classical genre field, its main category Best Classical Album was discontinued because most recipients in this category had also won in one of the other classical categories for the same album. Classical recordings are now eligible for the main Album of the Year category.

There were also a few minor name changes to better reflect the nature of the separate categories. It was determined by the Recording Academy that the word "gospel" in the gospel genre field tends to conjure up the images and sounds of traditional soul gospel and leaves out the current contemporary Christian music (CCM). Therefore, the genre field and some categories were renamed as Gospel/Contemporary Christian Music.[19]

Since 2012 there have been a small number of adjustments made to the list of categories and genre fields. The number of categories has gone up from 78 in 2012 to 84 in 2017.[20]

Entry process and selection of nominees

Media companies registered with the National Academy of Recording Arts and Sciences and individual members of NARAS (artists and other professionals working in the industry who meet certain criteria) may enter recordings for consideration. Entries are made online and a physical copy of the work is sent to NARAS. Once a work is entered, reviewing sessions are held, involving more than 150 experts from the recording industry, to determine whether the work is entered in the correct category.

The resulting lists of eligible entries are circulated to Voting Members, each of whom may vote to nominate in the general fields (Record of the Year, Album of the Year, Song of the Year, and Best New Artist) and in no more than nine out of 30 other fields on their ballots. The five recordings that earn the most votes in each category become the nominees, while in some categories (craft and specialized categories) there are review committees in place that determine the final 5 nominees.[21] There may be more than five nominees if there is a tie in the nomination process.

Whereas members of the Academy of Motion Picture Arts and Sciences are generally invited to screenings or are sent DVDs of films nominated for Oscars, NARAS members do not receive nominated recordings. Instead, they receive access to a private online listening function.

Final voting

After nominees have been determined, final voting ballots are sent to NARAS voting members, who may then vote in the general fields and in no more than nine of the 30 fields. Members are encouraged, but not required, to vote only in their fields of expertise. Ballots are tabulated secretly by the major independent accounting firm Deloitte Touche Tohmatsu.[22] Following the tabulation of votes the winners are announced at the Grammy Awards. The recording with the most votes in a category wins and it is possible to have a tie (in which case the two or more nominees who tie are all considered winners). Winners are presented with the Grammy Award and those who do not win are given a medal for their nomination.

In both voting rounds, Academy members are required to vote based upon quality alone, and not to be influenced by sales, chart performance, personal friendships, regional preferences or company loyalty. The acceptance of gifts is prohibited. Members are urged to vote in a manner that preserves the integrity of the Academy and their member community. Although registered media companies may submit entries they may not vote in either round of voting.

The eligibility period for the 61st Annual Grammy Awards was October 1, 2017 to September 30, 2018.

Grammy Legend

A special Grammy Award of merit is awarded intermittently to recognize "ongoing contributions and influence in the recording field".[23] It has been called the Grammy Legend Award and the Grammy Living Legend Award at different ceremonies. As of 2018, only fourteen solo musicians and one band have received this award.

Salute to Industry Icons Award

This is another special award, given only five times as of 2018. Recipients:

In Memoriam

In recent years, the remarks given by the president of The Recording Academy has been followed by an In Memoriam segment. The segment was later preceded by the final commercial break of the broadcast.

Venue

Prior to 1971 the Grammy Award ceremonies were held in different locations on the same day. Originally New York City and Los Angeles were the host cities. Chicago joined being a host city in 1962, and then Nashville became the fourth location in 1965.

The 1971 ceremony, held at the Hollywood Palladium in Los Angeles, was the first to take place in one location. The ceremony was then moved to Madison Square Garden's Felt Forum in New York City, and then Nashville's Tennessee Theatre in the following two years. Then from 1974 to 2003, the Grammys were held in various venues in New York City and Los Angeles. Notable locations included New York City's Madison Square Garden and Radio City Music Hall; and Los Angeles's Shrine Auditorium, the Staples Center and the Hollywood Palladium.

In 2004 the Staples Center became the permanent home of the award ceremonies. The Grammy Museum was built across the street from Staples Center in LA Live to preserve the history of the Grammy Awards. Embedded on the sidewalks at the museum streets are bronze disks, similar to the Hollywood Walk of Fame, honoring each year's top winners, Record of the Year, Best New Artist, Album of the Year, and Song of the Year. During May 2017 it was announced that the 60th Annual Grammy Awards would take place at Madison Square Garden in New York City, marking the first time the Grammys have taken place outside of Los Angeles since 2003.[24]

The awards ceremony forces the Los Angeles Kings, Los Angeles Lakers and Los Angeles Clippers to play an extended length of road games.

Leading winners

With 31 Grammy Awards, Sir Georg Solti is the artist with the most Grammy wins.[25] Alison Krauss is the biggest winner among female artists with 27 awards.[26] U2, with 22 Grammy Awards, holds the record for most awards won by a group.[27]

Criticism

The Grammy Awards has received criticism from various recording artists and music journalists.

When Pearl Jam won a Grammy in the category Best Hard Rock Performance in 1996, the band's lead singer Eddie Vedder commented on stage: "I don't know what this means. I don't think it means anything."[28] Glen Hansard, leader of the Irish rock group The Frames, stated in 2008 that the Grammys represent something outside of the real world of music "that's fully industry based". He said he wasn't that interested in attending that year's ceremony, even though he had been nominated for two different awards.[29] Maynard James Keenan, lead singer of metal band Tool, did not attend the Grammy Awards ceremony to receive one of their awards. He explained his reasons:[30]

I think the Grammys are nothing more than some gigantic promotional machine for the music industry. They cater to a low intellect and they feed the masses. They don't honor the arts or the artist for what he created. It's the music business celebrating itself. That's basically what it's all about.

They have also been criticized for generally awarding or nominating more commercially successful albums rather than critically successful ones.[31][32] In 1991, Sinead O'Connor became the first musician to refuse a Grammy, boycotting the ceremony after being nominated for Record of the Year, Best Female Pop Vocal Performance, and Grammy Award for Best Alternative Music Performance. O'Connor would go on to win the latter category.[33] She said that her reasoning came from the Grammys' extreme commercialism.[34]

In 2011, Los Angeles Times journalist Randall Roberts criticised the exclusion of Kanye West's My Beautiful Dark Twisted Fantasy from Album of the Year category nominations for the 54th Grammy Awards. He described West's album as "the most critically acclaimed album of the year, a career-defining record".[35] Roberts went on to criticize the Grammy Awards for being "mired in the past" and out of touch with "new media" and trends amongst music listeners such as music sharing, stating:[35]

The major nominations for the 54th annual awards clearly show that the recording academy has been working overtime to be all-inclusive, but more significantly, they also reveal a deep chasm between its goals and the listening habits of the general population... [T]he focus is still on the old music industry model of cash-cow hits, major label investments and commercial radio...

In an article for Time, journalist Touré also responded to the snub and expressed his general displeasure with the awards, stating "I don't pretend to understand the Grammys. I have never been able to discern a consistent logic around who gets nominated or who gets statues. I comprehend the particular logic of the Oscars, but not the big awards for music. My normal state of confusion around what drives Grammy decisions was exponentialized this week when, to the shock of many, Kanye's masterpiece My Beautiful Dark Twisted Fantasy was not nominated for a Grammy for Album of the Year."[36] He went on to compare understanding the Grammy Awards to Kremlinology and commented on The Recording Academy's exclusion of more "mature" hip hop albums as Album of the Year nominees, noting that it occasionally opts to nominate "pop-friendly" hip hop albums instead.[36]

In a 2011 profile for The New York Times following the 53rd Grammy Awards, frontman Justin Vernon of indie band Bon Iver was asked his opinion of the Grammys and how he would react to a nomination for his group, to which he responded:[37]

You know I was thinking about that a couple of months ago, someone asked me that, and I was like "I would go and I would" – and I don't think the Bon Iver record is the kind of record that would get nominated for a Grammy – "I would get up there and be like, 'This is for my parents, because they supported me,' because I know they would think it would be stupid of me not to go up there. But I kinda felt like going up there and being like: "Everyone should go home, this is ridiculous. You should not be doing this. We should not be gathering in a big room and looking at each other and pretending that this is important." That's what I would say.

He reaffirmed this sentiment and commented about the Grammys, saying:[37]

[Ninety-eight] percent of the people in that room, their art is compromised by the fact that they're thinking that, and that they're hoping to get that award. And who is that award given by? It's like they think it's literally handed down by the musical-history gods. And I don't know who the voters are. Like, I have a friend who's a voter who was like, "I had to be a voter because I don't trust the other voters." And I was like, "Me either!" And it's just not important and people spend too much time thinking about it.

Bon Iver subsequently received four nominations in November for the 54th Grammy Awards.[37] After winning the award, Vernon said in his acceptance, "It's really hard to accept this award. There's so much talent out here [...] and there's a lot of talent that's not here tonight. It's also hard to accept because you know, when I started to make songs I did it for the inherent reward of making songs, so I'm a little bit uncomfortable up here."[38]

In his article "Everything Is Praised Again", Jon Caramanica of The New York Times criticized Grammy voters for being "conservative" and disregarding more "forward-looking" music, and wrote in response to the 54th Grammy Awards, "for the umpteenth time, the Grammys went with familiarity over risk, bestowing album of the year honors (and several more) on an album that reinforced the values of an older generation suspicious of change."[39] He cited the Grammy successes of Lauryn Hill's The Miseducation (1999), Norah Jones' Come Away with Me (2003), and Adele's 21 (2011) as examples of "the Grammys dropp[ing] a boatload of awards on a young female singer-songwriter and her breakthrough album". Of Kanye West's absence from the ceremony, Caramanica stated, "He didn't even bother to show up for the broadcast, which was well enough, because hip-hop was almost completely marginalized."[39]

In an article for The Huffington Post, music executive and author Steve Stoute criticized the Recording Academy and the Grammy Awards for having "lost touch with contemporary popular culture" and noted "two key sources" for it: "(1) over-zealousness to produce a popular show that is at odds with its own system of voting and (2) fundamental disrespect of cultural shifts as being viable and artistic."[40] Stoute accused them of snubbing artists with more cultural impact, citing respective losses by the critical and commercial successes in Eminem's The Marshall Mathers LP (2000) and Kanye West's Graduation (2007) in the Album of the Year category, and stated:[40]

As an institution that celebrates artistic works of musicians, singers, songwriters, producers and technical specialists, we have come to expect that the Grammys upholds all of the values that reflect the very best in music that is born from our culture. Unfortunately, the awards show has become a series of hypocrisies and contradictions, leaving me to question why any contemporary popular artist would even participate. [...] While there is no doubt in my mind of the artistic talents of Steely Dan or Herbie Hancock, we must acknowledge the massive cultural impact of Eminem and Kanye West and how their music is shaping, influencing and defining the voice of a generation. It is this same cultural impact that acknowledged the commercial and critical success of Michael Jackson's Thriller in 1984.

The Grammys' eligibility period – which runs from October 1 to September 30 each year[41] – is also a perennial source of complaints and confusion. Because records that are released in the last quarter of a given year are not eligible for that year's awards, fans often think a favorite artist has been snubbed (e.g., Adele, whose 25 was released in November 2015 and so was not nominated that year despite massive sales[42]). Conversely, the same issue means that the Grammys often recognize work that no longer feels current by the time it wins. Taylor Swift's 1989, for example, won Album of the Year in 2016, even though the album was released in October 2014. The same was the case with Adele’s 25. It was released in November 2015 but received the award in 2017.[43]

The Grammys have also been accused of being unfavorable and racist to black recording artists. Canadian artist Drake accused the awards in a 2017 interview of seeing him only as a rapper and not as a pop-music artist because of his previous work and because of his heritage. He criticized the snubbing of "One Dance" for the prestigious award of Record of the Year and the nomination of "Hotline Bling" for Best Rap Song and Best Rap/Sung Performance despite it not being a rap song.[44] The Atlantic's Spencer Kornhaber accused the Grammys of "sidelining a black visionary work in favor of a white traditionalist one".[45] Drake did not attend the 2017 Awards Ceremony where he was nominated. He had a performance in Manchester, England on February 12, 2017, the same night as the ceremony. Frank Ocean was vocal about boycotting the same Grammy Awards and did not submit his album for awards consideration as a protest.[46]

The Grammys have also received criticism for their treatment of female artists. Notably at the 60th Grammy Awards, New Zealand singer Lorde made media headlines after turning down an offer to perform at the ceremony. She claimed that she was invited to perform alongside several other artists in a tribute to Tom Petty but was refused a solo slot, despite being nominated for the Album of the Year Award and stated that each of the male nominees were allowed solo performances. Lorde's mother also criticized the Grammys, pointing out an article which stated that only nine percent of nominees at the previous six Grammy Awards were women.[47] Following the 60th ceremony, many media outlets reported that the ceremony had failed women, specifically pointing to the most nominated female artist SZA who did not win in any of her five nominated categories and to the Best Pop Solo Performance category which was composed of four female nominees but won by Ed Sheeran.[48] In an interview, Neil Portnow, President of the Recording Academy attracted controversy by stating that female artists need to "step up" in order to win awards. Portnow's comments drew criticism from many female musicians including Pink, Katy Perry, Vanessa Carlton, Sheryl Crow, Iggy Azalea, Halsey and Charli XCX.[49] They also prompted the hashtag #GrammysSoMale on social media.[50]

The same issue that happened to singer Lorde would occur again before 61st Annual Grammy Awards where singer Ariana Grande decided to not perform and attend that years ceremony over a disagreement over the song choices for the singer's performance. It was reported that Grande felt "insulted" when producers refused to allow the singer to perform her latest single "7 Rings". They compromise by having the singer perform the song as part of a melody under the condition that the producers choose the second song, causing Grande to pull out of the show. It was also speculated that the same stipulations were not imposed on the other performers of the show.[51] Few days later, the singer would break her silence when she accuses Grammy producer Ken Ehrlich for lying about why she dropped out of the show. Ehrlich stated that Grande "felt it was too late for her to pull something together". Grande responded stating:

I can pull together a performance over night and you know that, Ken, it was when my creativity & self expression was stifled by you, that I decided not to attend. I hope the show is exactly what you want it to be and more.

[52]

TV broadcasts and ratings

Prior to the first live Grammys telecast in 1971 on ABC, a series of filmed annual specials in the 1960s called The Best on Record were broadcast on NBC. The first Grammy Award telecast took place on the night of November 29, 1959, as an episode of the NBC anthology series NBC Sunday Showcase, which was normally devoted to plays, original TV dramas, and variety shows. Until 1971, awards ceremonies were held in both New York and Los Angeles, with winners accepting at one of the two. Pierre Cossette bought the rights to broadcast the ceremony from the National Academy of Recording Arts and Sciences and organized the first live telecast.[53] CBS bought the rights in 1973 after moving the ceremony to Nashville, Tennessee; the American Music Awards were created for ABC (by Dick Clark) as a result.

The Recording Academy announced on June 21, 2011, that it had reached a new deal with CBS to keep the awards show on the network for another 10 years. As part of the new contract the network also could air "nominations concert" special in the last week of November where the nominees are released during the special that is exclusive to CBS, rather than the traditional early-morning press conference with a release of the nominations seen with most major awards ceremonies which any network takes as part of a press pool. This was discontinued after the 2016 concert due to low ratings and criticism about the announcement format, and as of the 2017 nominations, they are revealed during a roundtable conversation about the nominations with Recording Academy representatives during CBS This Morning. In 2016, the Grammys became the first awards show to be broadcast live in all U.S. territories, and for decades, alongside the Academy Awards, Primetime Emmy Awards and Tony Awards, have aired live in more than 150 countries worldwide.

For years, the Grammys were usually held on the second Sunday of February, with two exceptions: if that day was February 14 (Valentine's Day), it was moved to the following day; if it was a Winter Olympics year, it was held earlier on the last Sunday of January. In 2020, the Academy Awards moved their ceremony back to the second Sunday of February, forcing the Grammys to move theirs back to the last Sunday of January to avoid a conflict with either the Oscars or the Super Bowl on the first Sunday in February.[54][55]

Viewership by year

Year Viewers (Millions) Rating/Share (Households) Average Ad Price (30s) Source(s)
2019 22.00 5.9/21 [56]
2018 19.80 5.9/21 [57]
2017 26.05 7.8/22 [58]
2016 24.95 7.7/22 $1,200,000 [59]
2015 25.30 8.5/23 $1,000,000 [60][61]
2014 28.51 9.9/25 $800,000-$850,000 [62][63][64]
2013 28.37 10.1/25 $850,000-$900,000+ [64][65]
2012 39.91 14.1/32 $766,000 [66][67]
2011 26.55 10.0/25 $630,000 [63][68][69]
2010 25.80 TBD $426,000 [63][70]
2009 19.04 10.3/16 $592,000 [71]
2008 17.18 10.3/16 $572,700 [71]
2007 20.05 12.1/19 $557,300 [71]
2006 17.00 10.9/17 $675,900 [71]
2005 18.80 11.6/18 $703,900 [71]
2004 26.29 15.7/24 $654,600 [71]
2003 24.82 14.7/23 $610,300 [71]
2002 18.96 11.9/19 $573,900 [71]
2001 26.65 16.7/26 $574,000 [71]
2000 27.79 17.3/27 $505,500 [71]
1999 24.88 16.6/26 $472,000 [71]
1998 25.04 17.0/27 $315,600 [71]
1997 19.21 13.4/22 $346,300 [71]
1996 21.50 14.6/23 $304,800 [71]
1995 17.27 11.8/19 $399,100 [71]
1994 23.69 16.1/24 $407,700 [71]
1993 29.87 19.9/31 $401,500 [71]
1992 23.10 16.2/27 $352,900 [71]
1991 28.89 18.8/31 $319,200 [71]
1990 28.83 18.9/31 $330,600 [71]
1989 23.57 16.0/26 $318,300 [71]
1988 32.76 21.1/33 $299,900 [71]
1987 27.91 18.3/27 $264,200 [71]
1986 30.39 20.3/32 $205,500 [71]
1985 37.12 23.8/35 N/A [71]
1984 51.67 30.8/45 N/A [71]
1983 30.86 25.6/33 N/A [71]
1982 24.02 18.2/29 N/A [71]
1981 28.57 21.2/34 N/A [71]
1980 32.39 23.9/39 N/A [71]
1979 31.31 21.9/34 N/A [71]
1978 N/A 26.6/44 N/A [71]
1977 28.86 21.3/38 N/A [71]
1976 N/A 23.8/47 N/A [71]
1975 N/A 16.4/30 N/A [71]
1974 N/A 30.3/52 N/A [71]

The Grammys and record sales

When the televised Grammys came into renown in 1975, a relationship between Grammy Award winners and subsequent record sales began.[72] Many articles of Billboard magazine communicate the commercial impact of winning a Grammy—improved record sales.[73]

However, it was not until after 1984 that Grammy recipients' records displayed a substantial increase in sales. This was largely due to an agreement made by NARAS and the National Association of Record Merchandisers (NARM). Under this agreement "record labels provided stickers, posters and other point-of-purchase material emblazoned 'Grammy Nominee' or 'Grammy Award Winner' that retailers could use in order to improve marketing effects."[72]

See also

Notes and references

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  2. ^ "Hollywood Walk of Fame History". Hollywood Walk of Fame. Retrieved May 21, 2011.
  3. ^ Thomas, Bob (April 8, 1959). "Record Academy Plans TV Spectacular of Its Own". Ocala Star-Banner. Retrieved January 29, 2011.
  4. ^ "Recording Stars Plan Eddie To Join Oscar And Emmy". The Deseret News. August 9, 1957. Retrieved February 2, 2011.
  5. ^ "Bronze Stars Begot Grammy". The Robesonian. February 22, 1976. Retrieved May 2, 2011.
  6. ^ "Grammy Awards 1959 (May)". Grammy.
  7. ^ "Grammys history and winners through the years". Los Angeles Times. January 28, 2015.
  8. ^ "Grammy Awards 1959". Grammy.
  9. ^ "Grammy Awards 1971". Grammy.
  10. ^ "Making the Grammy". Billingsartworks.com. 2006. Archived from the original on April 23, 2010. Retrieved August 28, 2010.
  11. ^ Williams, Nick (February 13, 2016). "And the Grammy Comes From...". Billboard. 128 (4): 56–57.
  12. ^ "About Billings Artworks". Billingsartworks.com. 2006. Archived from the original on April 23, 2010. Retrieved August 28, 2010.
  13. ^ Best, Tamara. "How the Grammy Awards Are Made: 4 Craftsmen and 'Grammium'". New York Times. Retrieved February 8, 2017.
  14. ^ "Neil Portnow's 50th Grammy's Telecast Remarks". grammy com. February 10, 2008. Archived from the original on February 21, 2009. Retrieved August 28, 2010.
  15. ^ "THE RECORDING ACADEMY® CONTINUES EVOLUTION OF GRAMMY® AWARDS". April 6, 2011.
  16. ^ "Explanation For Category Restructuring". GRAMMY.com. 5 April 2011.
  17. ^ "Grammy board axes polka category to stay 'relevant and responsive'". CBC News. June 4, 2009. Archived from the original on June 10, 2009. Retrieved July 20, 2010.
  18. ^ Sisario, Ben (June 5, 2009). "Polka Music Is Eliminated as Grammy Award Category". The New York Times. The New York Times Company. p. C5. Retrieved October 18, 2010.
  19. ^ "The Academy Continues Evolution Of GRAMMY Awards Process". April 6, 2011.
  20. ^ "See The Full List Of 60th GRAMMY Nominees". GRAMMY.com. 2017-11-27. Retrieved 2017-12-08.
  21. ^ "Grammy Awards Voting Process". Retrieved January 17, 2014.
  22. ^ "Grammy Awards Voting Process". grammy com. Archived from the original on August 20, 2010. Retrieved August 28, 2010.
  23. ^ "Grammy Legend Award". Grammy.com. Archived from the original on December 7, 2010. Retrieved December 20, 2009.
  24. ^ "When are the 2018 GRAMMYs?". Grammy.com. 9 May 2017. Retrieved 30 December 2017.
  25. ^ Tommasini, Anthony (February 23, 2003). "Music: the Grammys/Classical; Fewer Records, More Attention". The New York Times. Retrieved August 28, 2010.
  26. ^ Todd Leopold CNN (February 9, 2009). "Plant, Krauss rise with 'Raising Sand' at Grammys". CNN. Retrieved August 28, 2010.
  27. ^ Michael Paolette, Gail Mitchell, Melinda Newman (February 18, 2006). "U2's Big Grammy Night". Billboard. Retrieved July 20, 2015.CS1 maint: Uses authors parameter (link)
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External links

Grammy Award for Album of the Year

The Grammy Award for Album of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales, chart position, or critical reception." Album of the Year is the most prestigious award category at the Grammys having been presented since 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented:

For albums containing at least 51% playing time of new vocal or instrumental recordings. Award to the artist(s), and to the album producer(s), recording engineer(s) and/or mixer(s), and mastering engineer(s) if other than the artist.

Album of the Year is related to but is conceptually different from Record of the Year or Song of the Year:

Album of the Year is awarded for a whole album, and the award is presented to the artist, producer, recording engineer, and mastering engineer for that album. In this context, "album" means a recorded collection of songs (a multi-track LP, CD, or download package), not the individual songs or their compositions.

Record of the Year is awarded for a single or for one track from an album. This award goes to the performing artist, the producer, recording engineer and/or mixer for that song. In this sense, "record" means a particular recorded song, not its composition or an album of songs.

Song of the Year is also awarded for a single or individual track, but the recipient of this award is the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording.

Grammy Award for Best Alternative Music Album

The Grammy Award for Best Alternative Music Album is an award presented to recording artists for quality albums in the alternative genre at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".While the definition of "alternative" has been debated, the award was first presented in 1991 to recognize non-mainstream rock albums "heavily played on college radio stations". After several updates of the category description, the Grammy organisation issued the following statement for the 2019 Grammy season:

Alternative is defined as a genre of music that embraces attributes of progression and innovation in both the music and attitudes associated with it. It is often a less intense version of rock or a more intense version of pop and is typically regarded as more original, eclectic, or musically challenging. It may embrace a variety of subgenres or any hybrids thereof and may include recordings that don't fit into other genre categories.

In 1991, and from 1994 to 1999, the award was known as Best Alternative Music Performance. Beginning in 2001, award recipients included the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists.As of 2018, Radiohead, The White Stripes and Beck share the record for the most wins in this category, having won three times each. Two female solo artists have won the award, Sinéad O'Connor and St. Vincent. With eight nominations to date, Radiohead and Björk hold the record for the most nominations in this category; Radiohead singer Thom Yorke was also nominated for the 2007 award for his solo album, while Björk also holds the record for the most nominations for a solo artist, as well as the record for the most nominations without a win. Coldplay has each received the award twice, and are the only group to win two years consecutively. American artists have been presented with the award more than any other nationality, though it has been presented to musicians or groups from the United Kingdom five times, from Ireland twice, and from France once.

Grammy Award for Best Dance Recording

The Grammy Award for Best Dance Recording is an award presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for works containing quality vocal performances in the dance music genre. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".The award for Best Dance Recording was first presented to Donna Summer and Giorgio Moroder in 1998 for the song "Carry On". In 2003, the Academy moved the category from the "Pop" field into a new "Dance" field, which currently contains the category Best Dance/Electronic Album as well. According to the Academy, the award is designated for solo, duo, group or collaborative performances (vocal or instrumental), and is limited to singles or tracks only. Award recipients have often included the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists.

Skrillex, Justin Timberlake and Diplo are the only artists to win the award more than once, having won three, two and two times, respectively. Madonna holds the record for the most nominations, with five. Gloria Estefan holds the record for the most nominations without a win, with three.

Grammy Award for Best Female Pop Vocal Performance

The Grammy Award for Best Female Pop Vocal Performance was a Grammy Award recognizing superior vocal performance by a female in the pop category, the first of which was presented in 1959. It was discontinued after the 2011 Grammy season. The award went to the artist. Singles or tracks only are eligible.

The award has had quite a convoluted history:

From 1959 to 1960 there was an award called Best Vocal Performance, Female, which was for work in the pop field

In 1961 the award was separated into Best Vocal Performance Single Record Or Track and Best Vocal Performance Album, Female

From 1962 to 1963 the awards from the previous year were combined into Best Solo Vocal Performance, Female

From 1964 to 1968 the award was called Best Vocal Performance, Female

In 1969, the awards were combined and streamlined as the award for Best Contemporary-Pop Vocal Performance, Female

From 1970 to 1971 the award was known as Best Contemporary Vocal Performance, Female

From 1972 to 1994 the award was known as Best Pop Vocal Performance, Female

From 1995 to 2011 it was known as Best Female Pop Vocal PerformanceThe award was discontinued in 2012 in a major overhaul of Grammy categories. From 2012, all solo performances in the pop category (male, female, and instrumental) were shifted to the newly formed Best Pop Solo Performance category.

Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.

Grammy Award for Best Metal Performance

The Grammy Award for Best Metal Performance is an award presented at the Grammy Awards to recording artists for works (songs or albums) containing quality performances in the heavy metal music genre. The Grammy Awards is an annual ceremony, where honors in several categories are presented by The Recording Academy of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position". The ceremony was established in 1958 and originally called the Gramophone Awards.The Recording Academy recognized heavy metal music artists for the first time at the 31st Annual Grammy Awards (1989). The category was originally presented as Best Hard Rock/Metal Performance Vocal or Instrumental, combining two of the most popular music genres of the 1980s. Jethro Tull won that award for the album Crest of a Knave, beating Metallica, which were expected to win with the album ...And Justice for All. This choice led to widespread criticism of The Recording Academy, as journalists suggested that the music of Jethro Tull did not belong in the hard rock or heavy metal genres. In response, The Recording Academy created the categories Best Hard Rock Performance and Best Metal Performance, separating the genres.

The Best Metal Performance category was first presented at the 32nd Annual Grammy Awards in 1990, and was again the subject of controversy when rock musician Chris Cornell (lead vocalist for the band Soundgarden) was perplexed by the organization's nomination of the band Dokken in this category. Metallica won in the first three years. The awards were presented for the song "One", a cover version of Queen's "Stone Cold Crazy", and the album Metallica. During 2012–2013, the award was temporarily discontinued in a major overhaul of Grammy categories; all solo or duo/group performances in the hard rock and metal categories were shifted to the newly formed Best Hard Rock/Metal Performance category. However, in 2014, the Best Hard Rock/Metal Performance category was split, returning the Best Metal Performance category and recognizing quality hard rock performances in the Best Rock Performance category.As of 2011, Metallica holds the record for the most wins in this category, with a total of six. The bands Black Sabbath, Nine Inch Nails, Slayer, and Tool have each received the award twice. The band Ministry holds the record for the most nominations without a win, with six.

Grammy Award for Best Music Video

The Grammy Award for Best Music Video is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to performers, directors, and producers of quality short form music videos. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".Originally called the Grammy Award for Best Video, Short Form, the award was first presented in 1984, as was a similar award for Best Long Form Music Video. From 1986 to 1997, the category name was changed to Best Music Video, Short Form. However, in 1988 and 1989, the award criteria were changed and the video awards were presented under the categories Best Concept Music Video and Best Performance Music Video. The awards were returned to the original format in 1990. The category was called Best Short Form Music Video until 2012, from 2013 it was shortened to Best Music Video. Award recipients include the performers, directors, and producers associated with the winning videos.

Johnny Cash, Peter Gabriel, Kendrick Lamar, Janet Jackson, and Michael Jackson hold the record for the most wins as a performer in this category, with two each (Michael was also a member of the supergroup USA for Africa and was highly involved in the "We Are the World" project). Mark Romanek holds the record for the most wins as a director, with a total of three. Icelandic singer Björk holds the record for the most nominations as a performer without a win, with four.

Grammy Award for Best Musical Theater Album

The Grammy Award for Best Musical Theater Album has been awarded since 1959. The award was given only to the album producer, and to the composer and lyricist who wrote at least 51% of the music which had not been recorded previously.

Over the years, the qualifications for the individual nominees has fluctuated with principal artists, composers, and producers at one point being the sole eligible nominee, to the more recent standard which includes those whose contributions accounted for the majority of the album. As of 2012, the award description is as follows: "Award to the principal vocalist(s) and the album producer(s) of 51% or more playing time of the album. The lyricist(s) and composer(s) of a new score are eligible for an Award if they have written and/or

composed a new score which comprises 51% or more playing time of the album." Therefore, composers and lyricists are ineligible when recordings contain a majority of previously released material (revivals, collected works). Also, while they are not listed among the nominees, since 2001 the Recording Academy has awarded an official Grammy to the engineers/mixers of the winning Album.

Years reflect the year in which the Grammy Awards were handed out, for music released in the previous year. As of 2008, the current eligibility year is defined by the Recording Academy as beginning October 1, and ending the following September 30. Awards are given in February following the eligibility period.

Grammy Award for Best New Artist

The Grammy Award for Best New Artist has been awarded since 1959. Years reflect the year in which the Grammy Awards were handed out, for records released in the previous year. The award was not presented in 1967. The official guidelines are as follows: "For a new artist who releases, during the Eligibility Year, the first recording which establishes the public identity of that artist." Note that this is not necessarily the first album released by an artist.

It is sometimes asserted, with varying degrees of sincerity, that winning the award is a curse, as several award winners (particularly from the late 1970s and early 1980s) were never able to duplicate the success they experienced in their debut year. This viewpoint was expressed by former Starland Vocal Band member Taffy Danoff in a 2002 interview for VH1's 100 Greatest One Hit Wonders: "We got two of the five Grammys – one was Best New Artist. So that was basically the kiss of death and I feel sorry for everyone who's gotten it since."The category is also notable for being the only one of its kind in which a Grammy Award was vacated. This occurred in 1990 after it was revealed winners Milli Vanilli did not contribute their own vocals on their debut album. The award was revoked, but was not handed out to another artist.

Of the 54 awards presented in the category since its inception, the honor has been presented to 26 solo female artists, 18 duos or groups, and 11 solo male artists. Between 1997 and 2003, all the winners were solo female artists. Also, from 1993 to 2005, no winner was a solo male artist. In 2006, John Legend broke this trend, which started with Marc Cohn in 1992. Only four artists have won both Best New Artist and Album of the Year in the same year: Bob Newhart in 1961, Christopher Cross in 1981, Lauryn Hill in 1999, and Norah Jones in 2003. Only two artists have lost Best New Artist yet won Album of the Year in the same year: Vaughn Meader in 1963 and Alanis Morissette in 1996.

Of all the winners, only one (Esperanza Spalding) has been a jazz artist and only three have been country artists. In 1997, LeAnn Rimes became the first country artist to win the award. She was followed by Carrie Underwood in 2007 and Zac Brown Band in 2010. Additionally, 2017 marked the first time that two country artists were nominated in this category in the same year, in which Maren Morris and Kelsea Ballerini were both nominated.1984 marked the first time that all of the nominees were from outside the United States (Winner Culture Club, Eurythmics, and Musical Youth were from England, Big Country was from Scotland, and Men Without Hats were from Canada).

Grammy Award for Best Pop Vocal Album

The Grammy Award for Best Pop Vocal Album is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality pop music albums. Awards in several categories are distributed annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position."The honor was first presented in 1968 at the 10th Grammy Awards as Best Contemporary Album to The Beatles for Sgt. Pepper's Lonely Hearts Club Band. The category was then discontinued until 1995 where it emerged with the new name Best Pop Album. In 2001, the category became known as Best Pop Vocal Album. According to the category description guide for the 52nd Grammy Awards, the award is presented to artists that perform "albums containing at least 51% playing time of newly recorded pop vocal tracks."Kelly Clarkson and Adele are the only two-time winners of this award, Clarkson was the first to win twice. Clarkson and Justin Timberlake have both been nominated five times, more than any other artist, though Clarkson is the only artist to have the most solo albums nominated. Three of Timberlake's are solo, two are from NSYNC.

Grammy Award for Best Rap/Sung Performance

The Grammy Award for Best Rap/Sung Performance (awarded as Best Rap/Sung Collaboration until 2017) is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards, to recording artists for quality songs on which rappers and singers collaborate. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".According to the category description guide for the 52nd Grammy Awards, the award is presented to artists for "a newly recorded Rap/Sung collaborative performance by artists who do not normally perform together", and the "collaborative artist(s) should be recognized as a featured artist(s)".Americans Eve and Gwen Stefani won the first award in 2002 with "Let Me Blow Ya Mind". The pair were unsuccessfully nominated a second time in 2006 for "Rich Girl". American rapper Jay-Z has received seven Grammys in the category— four times as lead artist and three times as featured artist; he has also been nominated for three other songs. Rihanna is the female artist with the most wins in the category, with five wins out of nine total nominations. John Legend has received the most nominations in the category without a win, with six.

From 2017, the award will be known as Best Rap/Sung Performance. Solo recordings are no longer excluded, "to represent the current state and future trajectory of rap by expanding the category beyond collaborations between rappers and vocalists to include recordings by a solo artist who blurs the lines between rapping and singing".

Grammy Award for Best Rap Album

The Grammy Award for Best Rap Album is an award presented to recording artists for quality albums with rapping at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".In 1995, the Academy announced the addition of the award category Best Rap Album. The first award was presented to the group Naughty by Nature at the 38th Grammy Awards the following year. According to the category description guide for the 52nd Grammy Awards, the award is presented for "albums containing at least 51% playing time of tracks with newly recorded rapped performances". Award recipients often include the producers, engineers, and/or mixers associated with the nominated work in addition to the recording artists.As of 2019, Eminem holds the record for the most wins in this category, with six. Lauryn Hill was the first female artist to win in this category, when she won in 1997 with the Fugees. Cardi B became the first solo female rapper to win for Invasion of Privacy. Kanye West was presented the award four times, and the duo known as Outkast received the award twice. Jay-Z holds the record for the most nominations, with eleven. Drake became the first non-American winner in this category when he won in 2013. The Roots have received the most nominations without a win, with five. Eminem and West are the only artists to win the award in consecutive years, with Eminem achieving the feat twice. In 2016, Drake's If You're Reading This It's Too Late became the first mixtape to get nominated for the award. In 2017, Chance the Rapper's Coloring Book became the first mixtape to win the award.

Grammy Award for Best Recording Package

The Grammy Award for Best Recording Package is one of a series of Grammy Awards presented for the visual look of an album. It is presented to the art director of the winning album, not to the performer(s), unless the performer is also the art director.

The Grammy Award for Best Album Cover dates back to the first Grammy Awards in 1959. From 1962 to 1965 it was separated into Classical and Non-Classical divisions. From 1966 to 1968 it was separated into Graphic Arts and Photography divisions. In 1974, the name of the award was changed to Best Album Package, and changed again in 1994 to the current name.

In 1995, boxed sets were no longer eligible, as they were split off into a separate award, currently known as the Grammy Award for Best Boxed or Special Limited Edition Package.

Grammy Award for Best Score Soundtrack for Visual Media

The Grammy Award for Best Score Soundtrack for Visual Media is an honor presented to a composer or composers for an original score created for a film, TV show or series, video games or other visual media at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. Honors in several categories are presented at the ceremony annually by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position".It has been awarded since the 2nd Annual Grammy Awards in 1959. The first recipient was American composer and pianist Duke Ellington, for the soundtrack to the 1959 film Anatomy of a Murder. Originally known as the Grammy Award for Best Sound Track Album – Background Score from a Motion Picture or Television, the award is now known as the Grammy Award for Best Score Soundtrack for Visual Media. Until 2001, the award was presented to the composer of the music alone. From 2001 to 2006, the producer and engineers shared in this award. In 2007, the award reverted to a composer-only award. John Williams holds the record for most wins and nominations for the award, with eleven wins out of thirty-two nominations.

Grammy Award for Best Song Written for Visual Media

The Grammy Award for Best Song Written for Visual Media (including its previous names) is the Grammy Award awarded to songs written for films, television, video games or other visual media. Through the years it's been awarded, since 1988, it has gone through several name changes:

1988–1999: The Grammy Award for Best Song Written Specifically for a Motion Picture or for Television

2000–2011: The Grammy Award for Best Song Written for a Motion Picture, Television or Other Visual Media

2012–present: The Grammy Award for Best Song Written for Visual MediaThe award goes to the composer(s) of the winning song, not to the performing artist(s) (except if the artist is also the composer).

Alan Menken has the most wins (5 times). After him, only James Horner, Howard Ashman and T Bone Burnett have multiple wins (2 each).

Diane Warren has the most nomination with 10, followed by Alan Menken with 9, Babyface with 7, James Horner and T Bone Burnett with 4 each, Madonna, Howard Ashman, Tim Rice and Michael Kamen with 3 each (all of them won at least one Grammy).

Sting is the most nominated artist without wins (nominated 3 times). Stephen Sondheim, Elton John, Elvis Costello and U2 were nominated 2 times without winning.

Babyface was the artist with more nominations in a single year with 3 nominations in 1997 but failed to win the award that year.

Grammy Award for Record of the Year

The Grammy Award for Record of the Year is presented by the National Academy of Recording Arts and Sciences of the United States to "honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to sales or chart position." The Record of the Year award is one of the four most prestigious categories at the awards (alongside Best New Artist, Song of the Year and Album of the Year) presented annually since the 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented:

for commercially released singles or tracks of new vocal or instrumental recordings. Tracks from a previous year's album may be entered provided the track was not entered the previous year and provided the album did not win a Grammy. Award to the artist(s), producer(s), recording engineer(s) and/or mixer(s) if other than the artist.

Since the 55th Grammy Awards in 2013, mastering engineers are considered nominees and award recipients in this category.Record of the Year is related to but is conceptually different from Song of the Year or Album of the Year:

Record of the Year is awarded for a single or for one track from an album. This award goes to the performing artist, the producer, recording engineer and/or mixer for that song. In this sense, "record" means a particular recorded song, not its composition or an album of songs.

Song of the Year is also awarded for a single or individual track, but the recipient of this award is the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording.

Album of the Year is awarded for a whole album, and the award is presented to the artist, producer, recording engineer, and mastering engineer for that album. In this context, "album" means a recorded collection of songs (a multi-track LP, CD, or download package), not the individual songs or their compositions.

Grammy Award for Song of the Year

The Grammy Award for Song of the Year is an honor presented at the Grammy Awards, a ceremony that was established in 1958 and originally called the Gramophone Awards. The Song of the Year award is one of the four most prestigious categories at the awards (alongside Best New Artist, Record of the Year and Album of the Year) presented annually since the 1st Grammy Awards in 1959. According to the 54th Grammy Awards description guide, the award is presented:

to honor artistic achievement, technical proficiency and overall excellence in the recording industry, without regard to album sales or chart position.

Song of the Year is related to but is conceptually different from Record of the Year or Album of the Year:

Song of the Year is awarded for a single or for one track from an album. This award goes to the songwriter who actually wrote the lyrics and/or melodies to the song. "Song" in this context means the song as composed, not its recording.

Record of the Year is also awarded for a single or individual track, but the recipient of this award is the performing artist, the producer, recording engineer and/or mixer for that song. In this sense, "record" means a particular recorded song, not its composition or an album of songs.

Album of the Year is awarded for a whole album, and the award is presented to the artist, producer, recording engineer, and mastering engineer for that album. In this context, "album" means a recorded collection of songs (a multi-track LP, CD, or download package), not the individual songs or their compositions.

Latin Grammy Award

A Latin Grammy Award is an award by The Latin Recording Academy to recognize outstanding achievement in the Latin music industry. The Latin Grammy honors works produced anywhere around the world that were recorded in either Spanish or Portuguese and is awarded in the United States. Submissions of products recorded in regional languages from Latin America and the Iberian Peninsula of Hispanophone or Lusophone countries such as Catalan, Guarani, Quechua may also be considered. Both the regular Grammy Award and the Latin Grammy Award have similar nominating and voting processes, in which the selections are decided by peers within the Latin music industry.

The first annual Latin Grammys ceremony was held at the Staples Center in Los Angeles on September 13, 2000. Broadcast by CBS, that first ceremony became the first primarily Spanish language primetime program carried on an English-language American television network. The most-recent ceremony, the 19th Annual Latin Grammy Awards, was held on November 16, 2017 at the MGM Grand Garden Arena in Las Vegas, Nevada.

Since 2005, the awards are broadcast in the United States by the television network Univision. In 2013, 9.8 million people watched the Latin Grammy Awards on Univision, making the channel a top-three network for the night in the U.S.

Marc Anthony

Marco Antonio Muñiz (born September 16, 1968), known professionally as Marc Anthony, is an American singer, actor, record producer and television producer. Anthony is also the top selling tropical salsa artist of all time. The two-time Grammy Award and five-time Latin Grammy Award winner has sold more than 12 million albums worldwide. He is best known for his Latin salsa numbers and ballads. Anthony has won numerous awards and his achievements have been honored through various recognitions. He was the recipient of the 2009 Congressional Hispanic Caucus Institute (CHCI) Chair's Award. He also received the "2009 CHCI Chair's Lifetime Achievement Award" on September 16, 2009. He holds the Guinness World Record for best-selling tropical/salsa artist and the most number-one albums on the Billboard Tropical Albums year-end charts.

Vicente Fernández

Vicente "Chente" Fernández Gómez (born 17 February 1940) is a Mexican retired singer, actor, and film producer. Nicknamed "El Rey de la Música Ranchera" (The King of Ranchera Music), Fernández started his career singing for tips on the street, and has since become a cultural icon, recording more than 50 albums and contributing to more than 30 films. His repertoire consists of rancheras and other Mexican classics. He is accompanied live by a mariachi group, but he is not technically a mariachi musician, as he only sings live. Vicente's fame rose after the death of Javier Solís (El Rey del Bolero Ranchero).

Fernández's work has earned him three Grammy Awards, eight Latin Grammy Awards, fourteen Lo Nuestro Awards, and a star on the Hollywood Walk of Fame. He has sold over 50 million copies worldwide, making him one of the best-selling regional Mexican artists of all time. In 2016, Fernández retired from performing live, although he continues to record and publish music.

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