Ghost Stories was a U.S. pulp magazine that published 64 issues between 1926 and 1932. It was one of the earliest competitors to Weird Tales, the first magazine to specialize in the fantasy and occult fiction genre. It was a companion magazine to True Story and True Detective Stories, and focused almost entirely on stories about ghosts, many of which were written by staff writers but presented under pseudonyms as true confessions. These were often accompanied by faked photographs to make the stories appear more believable. Ghost Stories also ran original and reprinted contributions, including works by Robert E. Howard, Carl Jacobi, and Frank Belknap Long. Among the reprints were Agatha Christie's "The Last Seance" (under the title "The Woman Who Stole a Ghost"), several stories by H.G. Wells, and Charles Dickens' "The Signal-Man". The magazine was initially successful, but began to lose readers, and in 1930 was sold to Harold Hersey. Hersey was unable to reverse the magazine's decline, and Ghost Stories ceased publication at the start of 1932.
Fantasy and occult fiction had often appeared in popular magazines prior to the twentieth century, but the first magazine to specialize in the genre, Weird Tales, did not appear until 1923. Ghost Stories, which was launched by Bernarr Macfadden in July 1926, was one of Weird Tales' earliest competitors. Macfadden also published true confession magazines such as True Story; Ghost Stories followed this format, with the contents mostly produced by the publisher's staff writers, and attributed in print to a first-person narrator. The magazine was initially printed on slick paper, which was sufficiently good quality to allow photographs to be used, and many of the stories had accompanying photographs purporting to be of their protagonists. These were replaced by line drawings when the magazine switched to pulp paper in July 1928. Ghost Stories occasionally printed contributions from outside writers, including "The Apparition in the Prize Ring", by Robert E. Howard, under the pseudonym "John Taverel". Popular writers such as Frank Belknap Long, Hugh B. Cave, Victor Rousseau, Stuart Palmer, and Robert W. Sneddon all sold stories to Ghost Stories, though the quality suffered because of the limited scope the magazine's formula gave them. Carl Jacobi's first published story, "The Haunted Ring", appeared in the final issue.[note 1]
In addition to original material, Ghost Stories included a substantial number of reprints, including well-known Victorian ghost stories such as "The Signalman" by Charles Dickens, and "The Open Door" by Mrs. Oliphant. Agatha Christie's "The Last Seance" appeared in the November 1926 issue, under the title "The Woman Who Stole a Ghost", and six stories by H.G. Wells were reprinted, including ghost stories such as "The Red Room" and stories with less obvious appeal to Ghost Stories' readership, such as "Pollock and the Porroh Man". Arthur Conan Doyle's "The Captain of the Polestar" appeared in the April 1931 issue, and he also contributed a non-fiction piece, "Houdini's Last Escape", which appeared in March 1930.
Macfadden set up an arrangement with Walter Hutchinson, a U.K. publisher, to exchange suitable material with The Sovereign Magazine and Mystery-Story Magazine, two of Hutchinson's U.K. genre pulps, and many stories appeared on both sides of the Atlantic as a result.
The magazine was initially fairly successful, but sales soon began to fall. In March 1930 Harold Hersey bought the magazine from Macfadden and took over as editor, but he was unable to revive the magazine's fortunes. In 1931 the schedule slipped to bimonthly, and three issues later the magazine ceased publication, probably because readers grew bored: the limited scope meant that the contents of the magazine eventually became predictable. The final issue was dated December 1931/January 1932.
|Issues of Ghost Stories, showing volume/issue number. The sequence of|
editors is not known with enough certainty to be indicated in the table. Note that
the last issue (volume 11 number 4) was dated December 1931/January 1932
and spans two rows in the table.
Ghost Stories was published by Bernarr Macfadden, under the imprint Constructive Publishing Co., of Dunellin, New Jersey, until the March 1930 issue, after which it was taken over by Good Story Magazine Co. of New York, which was run by Harold Hersey, who had earlier edited The Thrill Book. The editorial director of Constructive Publishing during MacFadden's ownership was Fulton Oursler; his assistants, Harry A. Keller, W. Adolphe Roberts, George Bond, Daniel Wheeler, and Arthur B. Howland, each (in that order) spent close to a year editing, though the dates of transition between them are not known. When Hersey took over, his assistant was Stuart Palmer.
The magazine began as a slick, in bedsheet format and switched to pulp layout with the July 1928 issue; it remained as a pulp until the end of its run with the exception of eight issues in large pulp format from April to December 1929. There were 64 issues, with six issues per volume, except for the last volume which included only four issues. The price was 25 cents throughout; it had 128 pages when pulp-sized, and 96 pages when a bedsheet and when it was a large pulp.
No anthologies have selected their contents solely from Ghost Stories, but two magazines have done so: True Twilight Tales and Prize Ghost Stories, both published by League Publications, a subsidiary of the company that owned the rights to the original stories, MacFadden-Bartell. Prize Ghost Stories published one issue, dated 1963, and True Twilight Tales published two, dated Fall 1963 and Spring 1964: both magazines were in large pulp format, with 96 pages, priced at 50 cents. The first issue of True Twilight Tales was edited by Helen Gardiner, who probably also was the editor of Prize Ghost Stories; the second issue of True Twilight Tales was edited by John M. Williams. There may have been other issues of both titles, as neither was numbered.
Double Sin and Other Stories is a short story collection written by Agatha Christie and first published in the US by Dodd, Mead and Company in 1961 and retailed for $3.50. The collection contains eight short stories and was not published in the UK; however all of the stories were published in other UK collections (see UK book appearances of stories below).Flannan Isles
The Flannan Isles (Scottish Gaelic: Na h-Eileanan Flannach) or alternatively, the Seven Hunters are a small island group in the Outer Hebrides of Scotland, approximately 32 kilometres (20 mi) west of the Isle of Lewis. They may take their name from Saint Flannan, the seventh-century Irish preacher and abbot.The islands have been devoid of permanent residents since the automation of Flannan Isles Lighthouse in 1971. They are the location of an enduring mystery that occurred in December 1900, when all three lighthouse keepers vanished without trace.Ghost story
A ghost story may be any piece of fiction, or drama, that includes a ghost, or simply takes as a premise the possibility of ghosts or characters' belief in them. The "ghost" may appear of its own accord or be summoned by magic. Linked to the ghost is the idea of "hauntings", where a supernatural entity is tied to a place, object or person. Ghost stories are commonly examples of ghostlore.
Colloquially, the term "ghost story" can refer to any kind of scary story. In a narrower sense, the ghost story has been developed as a short story format, within genre fiction. It is a form of supernatural fiction and specifically of weird fiction, and is often a horror story.
While ghost stories are often explicitly meant to be scary, they have been written to serve all sorts of purposes, from comedy to morality tales. Ghosts often appear in the narrative as sentinels or prophets of things to come. Belief in ghosts is found in all cultures around the world, and thus ghost stories may be passed down orally or in written form.Mike Ashley (writer)
Michael Raymond Donald Ashley (born 1948) is a British bibliographer, author and editor of science fiction, mystery, and fantasy.
He edits the long-running Mammoth Book series of short story anthologies, each arranged around a particular theme in mystery, fantasy, or science fiction. He has a special interest in fiction magazines and has written a multi-volume History of the Science Fiction Magazine and a study of British fiction magazines, The Age of the Storytellers. He won the Edgar Award for The Mammoth Encyclopedia of Modern Crime Fiction. In addition to the books listed below he edited and prepared for publication the novel The Enchantresses (1997) by Vera Chapman. He has contributed to many reference works including The Encyclopedia of Fantasy (as Contributing Editor) and The Encyclopedia of Science Fiction (as Contributing Editor of the third edition). He wrote the books to accompany the British Library's exhibitions, Taking Liberties in 2008 and Out of This World: Science Fiction But Not As You Know It in 2011.
He lives in Chatham, Kent, England.Nictzin Dyalhis
Nictzin Wilstone Dyalhis (June 4, 1873 – May 8, 1942) was an American chemist and short story writer who specialized in the genres of science fiction and fantasy. He wrote as Nictzin Dyalhis. During his lifetime he attained a measure of celebrity as a writer for the pulp fiction magazine Weird Tales.Stuart Palmer
Stuart Palmer (June 21, 1905 – February 4, 1968) was a popular mystery novel author and screenwriter, best known for his character Hildegarde Withers. He also wrote under the names Theodore Orchards and Jay Stewart.Sue de Beer
Sue de Beer (born September 8, 1973 in Tarrytown, New York) is a contemporary artist who lives and works in New York City. De Beer's work is located at the intersection of film, installation, sculpture, and photography, and she is primarily known for her large-scale film-installations.Victor Rousseau Emanuel
For the Belgian sculptor see Victor Rousseau.Victor Rousseau Emanuel, originally born as Avigdor Rousseau Emanuel, was born 2 January 1879 in England to Joel Emanuel and Georgiana Rousseau. He died 6 April 1960 in Tarryton, New York.
Primarily a writer of pulp fiction, he was active in Great Britain and the United States during the first half of the 20th century. Regarding the first two decades of his career, he wrote predominantly under the pen names Victor Rousseau, H. M. Egbert, and V. R. Emanuel, but, come the 1930s, officially abandoned these and numerous others in favour of establishing Victor Rousseau as a recognisable name in the pulp fiction field.