In Greek mythology, Ganymede or Ganymedes (/ˈɡænɪˌmiːd/; /ˈɡænɪmiːd/; Ancient Greek: Γανυμήδης Ganymēdēs) is a divine hero whose homeland was Troy. Homer describes Ganymede as the most beautiful of mortals, and in one version of the myth Zeus falls in love with his beauty and abducts him in the form of an eagle to serve as cup-bearer in Olympus.
[Ganymedes] was the loveliest born of the race of mortals, and therefore
the gods caught him away to themselves, to be Zeus' wine-pourer,
for the sake of his beauty, so he might be among the immortals.
The myth was a model for the Greek social custom of paiderastía, the socially acceptable romantic relationship between an adult male and an adolescent male. The Latin form of the name was Catamitus (and also "Ganymedes"), from which the English word "catamite" is derived. According to Plato, The Cretans were regularly accused of inventing the myth because they wanted to justify their "unnatural pleasures" (i.e. homosexuality).
Ganymede was the son of Tros of Dardania, from whose name "Troy" was supposedly derived, either by his wife Callirrhoe, daughter of the river god Scamander, or Acallaris, daughter of Eumedes. He was the brother of Ilus, Assaracus, Cleopatra and Cleomestra. 
The traditions about Ganymedes, however, differ greatly in their detail, for some call him a son of Laomedon, others a son of Ilus in some version of Dardanus and others, again, of Erichthonius or Assaracus.
Ganymede was abducted by Zeus from Mount Ida, near Troy in Phrygia. Ganymede had been tending sheep, a rustic or humble pursuit characteristic of a hero's boyhood before his privileged status is revealed. Zeus either summoned an eagle or turned into an eagle himself to transport the youth to Mount Olympus.
In the Iliad, Zeus is said to have compensated Ganymede's father Tros by the gift of fine horses, "the same that carry the immortals", delivered by the messenger god Hermes. Tros was consoled that his son was now immortal and would be the cupbearer for the gods, a position of much distinction.
In Olympus, Zeus granted him eternal youth and immortality and the office of cupbearer to the gods, in place of his daughter Hebe who was relieved of her duties as cupbearer upon her marriage to Herakles. Edmund Veckenstedt associated Ganymede with the genesis of the intoxicating drink mead, which had a traditional origin in Phrygia. All the gods were filled with joy to see the youth, except for Hera, Zeus's consort, who regarded Ganymede as a rival for her husband's affection. Zeus later put Ganymede in the sky as the constellation Aquarius ( the "water-carrier" or "cup-carrier"), which is associated with that of the Eagle (Aquila). A moon of Jupiter, the planet named after Zeus's Roman counterpart, was named Ganymede by the German astronomer Simon Marius.
Plato accounts for the pederastic aspect of the myth by attributing its origin to Crete, where the social custom of paiderastía was supposed to have originated (see "Cretan pederasty"). Athenaeus recorded a version of the myth where Ganymede was abducted by the legendary King Minos to serve as his cupbearer instead of Zeus. Some authors have equated this version of the myth to Cretan pederasty practices, as recorded by Strabo and Ephoros, that involved abduction of a youth by an older lover for a period of two months before the youth was able to re-enter society as a man. Xenophon portrays Socrates as denying that Ganymede was the catamite of Zeus, and instead asserting that the god loved him for his psychē, "mind" or "soul," giving the etymology of his name as ganu-, "taking pleasure," and mēd-, "mind." Xenophon's Socrates points out that Zeus did not grant any of his lovers immortality, but that he did grant immortality to Ganymede.
In poetry, Ganymede became a symbol for the beautiful young male who attracted homosexual desire and love. He is not always portrayed as acquiescent: in the Argonautica of Apollonius of Rhodes, Ganymede is furious at the god Eros for having cheated him at the game of chance played with knucklebones, and Aphrodite scolds her son for "cheating a beginner." The Augustan poet Virgil portrays the abduction with pathos: the boy's aged tutors try in vain to draw him back to Earth, and his hounds bay uselessly at the sky. The loyal hounds left calling after their abducted master is a frequent motif in visual depictions, and is referenced also by Statius:
Here the Phrygian hunter is borne aloft on tawny wings, Gargara’s range sinks downwards as he rises, and Troy grows dim beneath him; sadly stand his comrades; vainly the hounds weary their throats with barking, pursue his shadow or bay at the clouds."
One of the earliest depictions of Ganymede is a red-figure krater by the Berlin Painter in the Musée du Louvre. Zeus pursues Ganymede on one side, while on the other side the youth runs away, rolling along a hoop while holding aloft a crowing cock. In fifth-century Athens, vase-painters often depicted the mythological story, which was so suited to the all-male symposium or formal banquet. The Ganymede myth was treated in recognizable contemporary terms, illustrated with common behavior of homoerotic courtship rituals, as on a vase by the "Achilles Painter" where Ganymede also flees with a cock. Ganymede is usually depicted as a well-developed, muscular young man. Leochares (about 350 BCE), a Greek sculptor of Athens who was engaged with Scopas on the Mausoleum at Halicarnassus cast a (lost) bronze group of Ganymede and the Eagle, a work that was held remarkable for its ingenious composition, which boldly ventured to the verge of what is allowed by the laws of sculpture, and also for its charming treatment of the youthful form as it soars into the air. It is apparently imitated in a well-known marble group in the Vatican, half life-size. Such Hellenistic gravity-defying feats were influential in the sculpture of the Baroque.
In Shakespeare's As You Like It (1599), a comedy of mistaken identity in the magical setting of the Forest of Arden, Celia, dressed as a shepherdess, becomes "Aliena" (Latin "stranger", Ganymede's sister) and Rosalind, because she is "more than common tall", dresses up as a boy, Ganymede, a well-known image to the audience. She plays on her ambiguous charm to seduce Orlando, but also (involuntarily) the shepherdess Phoebe. Thus behind the conventions of Elizabethan theater in its original setting, the young boy playing the girl Rosalind dresses up as a boy and is then courted by another boy playing Phoebe.
When painter-architect Baldassare Peruzzi included a panel of The Rape of Ganymede in a ceiling at the Villa Farnesina, Rome, (ca 1509–1514), Ganymede's long blond hair and girlish pose make him identifiable at first glance, though he grasps the eagle's wing without resistance. In Antonio Allegri Correggio's Ganymede Abducted by the Eagle (Vienna) Ganymede's grasp is more intimate. Rubens' version portrays a young man. But when Rembrandt painted the Rape of Ganymede for a Dutch Calvinist patron in 1635, a dark eagle carries aloft a plump cherubic baby (Paintings Gallery, Dresden) who is bawling and urinating in fright. A 1685 statue of Ganymede and Zeus entitled Ganymède Médicis by Pierre Laviron stands in the gardens of Versailles.
Examples of Ganymede in 18th century France have been studied by Michael Preston Worley. The image of Ganymede was invariably that of a naive adolescent accompanied by an eagle and the homoerotic aspects of the legend were rarely dealt with. In fact, the story was often "heterosexualized." Moreover, the Neoplatonic interpretation of the myth, so common in the Italian Renaissance, in which the rape of Ganymede represented the ascent to spiritual perfection, seemed to be of no interest to Enlightenment philosophers and mythographers. Jean-Baptiste Marie Pierre, Charles-Joseph Natoire, Guillaume II Coustou, Pierre Julien, Jean-Baptiste Regnault and others contributed images of Ganymede to French art during this period.
My first thought, my first flash was that it was a beautiful woman.... The angel was beautiful, with a face dominated by immense, lustrous green eyes and framed by golden ringlets, and with a bow mouth and full lips and brilliant white teeth.
And only then, only after I had felt that first rush of improbable carnal lust, did it occur to me that this angel was a man.
Ganymede is named by various ancient Greek and Roman authors:
Acantha (Ancient Greek: Ἀκάνθα, English translation: "thorny") is often claimed to be a minor character in Greek mythology whose metamorphosis was the origin of the Acanthus plant.Eagle
Eagle is the common name for many large birds of prey of the family Accipitridae. Eagles belong to several groups of genera, not all of which are closely related. Most of the 60 species of eagle are from Eurasia and Africa. Outside this area, just 14 species can be found—2 in North America, 9 in Central and South America, and 3 in Australia.Ganymede
Ganymede most commonly refers to:
Ganymede (mythology), Trojan prince in Greek mythology
Ganymede (moon), Jupiter's largest moon, named after the mythological characterGanymede, Ganymed or Ganymedes may also refer to:
Ganymede (band), a 2000s American band
Ganymed (band), a 1970s Austrian disco band
Ganymedes (eunuch), tutor of Arsinoe IV of Egypt and adversary to Julius Caesar
"Ganymed" (Goethe), a poem by Goethe
Ganymede (software), a GPL-licensed network directory management system
1036 Ganymed, an asteroid
USS Ganymede (AK-104), a United States Navy vessel in World War II
Rosalind (As You Like It) or Ganymede, a character in As You Like It by William Shakespeare
Ganymede, a novel in Cherie Priest's Clockwork Century series
"Ganymede", a short story by Daphne du Maurier in The Breaking Point
Ganymede, a character in Die schöne Galathee by Franz von Suppé
Ganymede, a character in Overwatch
Ganymede, a 2008 annual project release by the Eclipse Software Foundation
Ganymede de la Trémoille, a character in the Terra Ignota series by Ada Palmer
Ganymede, a Marvel Comics characterJosignacio
José Ignacio Sánchez Rius, better known as Josignacio, is a contemporary Cuban artist who is associated with neo-figurative and abstract painting.
Born in Havana, Cuba, on October 24, 1963, he has resided in the USA since 1989. Josignacio is one of the artists of the controversial "La Generacion de los 80" The 80's Generation Contemporary Cuban Art or New Cuban Art is a movement within the Cuban plastic arts that develops from the 80s, they express as no manifestation of conscience, many burning issues of the reality of the country. A new attitude towards art is established, a moment of artistic inspiration in which the social role of art and its reflection of a critical self-awareness constitute the fundamental sense of the movement The decade of the 80's culturally contrasted a Cuba that was in a process of transition, confrontation and artistic revelations that consecrated the time as one of the most fertile. And those artists that get notoriety in the Island and abroad at that time, which includes and beginning in 1981 with the breakthrough of “Volume I” Rubén Torres Llorca, José Bedia Valdés, de:Ricardo Brey, Juan Francisco Elso, Rogelio López Marín (Gory), Gustavo Pérez Monzón, José Manuel Fors, Leandro Soto Ortiz, Israel León, Tomás Sánchez and Carlos Alfonzo.
In the second half of the decade, other groups are formed as 4 x 4, Hexágono, Arte Calle, Grupo Provisional, the duet René Francisco Rodríguez and Eduardo Ponjuán González ABTV, among others, being the strongest “Grupo Puré” with a new wave of young artists all graduated from ISA: Ana Albertina Delgado Álvarez, Adriano Buergo, Ciro Quintana, Ermi Taño and Lázaro Saavedra which were greatly influenced by the German Kitsch art movement to express themselves. In addition, a large number of talented creators also excelled independently like Florencio Gelabert (sculptor), Arturo Cuenca Sigarreta, Rigoberto Mena, Humberto Castro, Gustavo Acosta, Kcho, Antonio Eligio Fernandez (Tonel), Adriano Buergo, Flavio Garciandía, Tania Bruguera, Juan Francisco Elso, Carlos Rodríguez Cárdenas, Quisqueya Henríquez, Glexis Novoa, José Toirac, Carlos García, Heriberto Mora, Segundo Planes and Pedro Vizcaíno among others.
Some of his artwork are available on display at artnet.
In 1984, he created the Plastic Paint Medium, a technique consisting of the use of epoxy resins as an "agglutinating medium" and "pigment" as colorants, obtaining a real plastic finish with a new visual effect.
Josignacio resides in Sunny Isles Beach, Florida.Treasure of Nagyszentmiklós
The Treasure of Nagyszentmiklós is an important hoard of 23 early medieval gold vessels, in total weighing 9.945 kg (about 22 lbs), found in 1799 near the modern Romanian town of Sânnicolau Mare, then in Austria-Hungary. The town was called then Nagyszentmiklós in Hungarian or Groß-Sankt-Niklaus in German, all meaning "Great St Nicholas". After the excavation, the treasure was transferred to Vienna, the capital of the empire. Ever since, it has been in the possession of the Kunsthistorisches Museum there, where it is on permanent display. A wide range of views continue to be held as to the dating and the origins of the styles of the pieces, and the context in which they were made, which may well vary between the pieces. Unusually, the inscriptions on some pieces have increased the complexity of the arguments rather than reduced them. Recently, Romanian officials have asked the Austrian government for the treasure's repatriation.
Ancient Greek deities by affiliation