From Here to Eternity

From Here to Eternity is a 1953 American romantic drama film directed by Fred Zinnemann, and written by Daniel Taradash, based on the novel of the same name by James Jones. The picture deals with the tribulations of three U.S. Army soldiers, played by Burt Lancaster, Montgomery Clift, and Frank Sinatra, stationed on Hawaii in the months leading up to the attack on Pearl Harbor. Deborah Kerr and Donna Reed portray the women in their lives, and the supporting cast includes Ernest Borgnine, Philip Ober, Jack Warden, Mickey Shaughnessy, Claude Akins, and George Reeves.

The film won eight Academy Awards out of 13 nominations, including awards for Best Picture, Best Director (Fred Zinnemann), Adapted Screenplay, Supporting Actor (Frank Sinatra), and Supporting Actress (Donna Reed).[3] The film's title originally comes from a quote from Rudyard Kipling's 1892 poem "Gentlemen-Rankers", about soldiers of the British Empire who had "lost [their] way" and were "damned from here to eternity".

In 2002, From Here to Eternity was selected for preservation in the National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant".

From Here to Eternity
From Here to Eternity film poster
Theatrical release poster
Directed byFred Zinnemann
Produced byBuddy Adler
Screenplay byDaniel Taradash
Based onFrom Here to Eternity
by James Jones
Music byGeorge Duning
CinematographyBurnett Guffey
Edited byWilliam A. Lyon
Distributed byColumbia Pictures
Release date
  • August 5, 1953
Running time
118 minutes
CountryUnited States
Budget$1.7–2.5 million[1][2]
Box office$30.5 million[1]


In 1941, bugler and career soldier Private Robert E. Lee Prewitt transfers to a rifle company at Schofield Barracks on the island of Oahu. Captain Dana "Dynamite" Holmes has heard he is a talented middleweight boxer, and wants him to join his regimental team to secure a promotion for Holmes. Prewitt refuses, having stopped fighting because he blinded his sparring partner and close friend over a year before.

Holmes makes life as miserable as possible for Prewitt, hoping that he will change his mind, and then orders First Sergeant Milton Warden to prepare general court-martial papers, after Sergeant Galovitch first insults Prewitt and then gives an unreasonable order that Prewitt refuses to obey. Warden suggests, however, that he try to get Prewitt to change his mind by doubling up on company punishment. The other non-commissioned officers join in the hazing, and Prewitt is supported only by his close friend, Private Angelo Maggio.

Burt Lancaster and Deborah Kerr in the iconic beach scene at Halona Cove, Oahu, Hawaii.

Meanwhile, Warden, at the risk of a prison sentence, begins an affair with Holmes' neglected wife, Karen. Sergeant Maylon Stark has told Warden about Karen's many previous affairs at Fort Bliss, including with himself, though he adds "There's something mighty strange about that woman." As their relationship develops, Warden asks Karen about her affairs to test her sincerity, and Karen relates that Holmes has been unfaithful to her most of their marriage. She miscarried one night when Holmes returned home from seeing a hat-check girl, drunk and unable to call a doctor, rendering her barren. She then affirms her love for Warden, and tells him that if he became an officer, she could divorce Holmes and marry him; Warden reluctantly agrees to consider it.

Prewitt and Maggio spend their liberty at the New Congress Club, a gentlemen's club where Prewitt falls for Lorene. She wants to marry a "proper" man with a "proper" job, and live a "proper" life. Maggio and Staff Sergeant James R. Judson nearly come to blows at the club over Judson's loud piano playing. Later, Judson provokes Maggio by taking his photograph of his sister from him, kissing it, and whispering in Prewitt's ear. Maggio smashes a barstool over Judson's head. Judson pulls a switchblade, but then, Warden intervenes. Judson backs down, but warns Maggio that sooner or later, he will end up in the stockade, where Judson is in charge.

During a weekend liberty, while Prewitt is with Lorene at the New Congress Club, Maggio walks in drunk and in uniform having deserted his post. The military police arrest Maggio, and he is sentenced to six months in the stockade.

Sergeant Galovitch later picks a fight with Prewitt while he is on detail, and a crowd gathers as the two start fighting. At first, Prewitt resorts only to body blows, and even then pulling his punches, but his fighting spirit reemerges and he comes close to knocking Galovitch out before Holmes, who had been watching for some time from outside the crowd, finally steps in and stops the fight. Galovitch accuses Prewitt of starting the fight, but when the man in charge of the detail says that it was Galovitch, Holmes abruptly lets him off the hook and disperses the crowd.

The entire incident is witnessed by the base commander, who orders an investigation by the Inspector General. When the truth about Holmes is revealed to the commander he orders a court martial, but when Holmes begs for an alternative, an aide suggests that Holmes resign his commission; the commander accepts the suggestion and orders Holmes' resignation within the hour. Holmes' replacement, Captain Ross, reprimands the others involved in the hazing and orders the boxing team's framed photographs and trophies be destroyed; he then demotes Galovitch to private and puts him in charge of the latrine.

Maggio escapes from the stockade and, after telling of the abuse he suffered at Judson's hands, dies in Prewitt's arms. After tearfully playing Taps in tribute to his friend, Prewitt hunts Judson down and kills him with the same switchblade Judson pulled on Maggio earlier, but in so doing sustains a serious stomach wound, and so he goes into hiding at Lorene's house.

The military is caught completely by surprise on Sunday morning when the Japanese commence a pre-dawn attack on Pearl Harbor. Against Lorene's wishes, Prewitt attempts to rejoin his company under cover of darkness, but is shot dead by a patrol guarding against possible saboteurs. Warden sadly notes the irony of the boxing tournament being canceled because of the attack.

When Karen finds out that Warden never applied for officer training, she realizes they have no future together, and regretfully sails back to the mainland with her husband. On board the ship, Lorene and Karen meet, and Lorene says that her fiancé, named Prewitt, was a bomber pilot who was heroically killed during the attack. Karen recognizes Prewitt's name, but says nothing.



Hollywood legend has it that Frank Sinatra got the role in the film by means of his alleged Mafia connections, and it was the basis for a similar subplot in The Godfather.[4] However, that has been dismissed on several occasions by the cast and crew of the film. Director Fred Zinnemann commented that "the legend about a horse's head having been cut off is pure invention, a poetic license on the part of Mario Puzo, who wrote The Godfather".[4] One explanation of Sinatra's casting is that his then-wife Ava Gardner persuaded studio head Harry Cohn's wife to use her influence with him; this version is related by Kitty Kelley in her Sinatra biography.[4]

Joan Crawford and Gladys George were offered roles, but George lost her role when the director decided he wanted to cast the female roles against type, and Crawford's demands to be filmed by her own cameraman led the studio to take a chance on Deborah Kerr, also playing against type.

Kim Stanley heavily campaigned for the role of Lorene.[5]

The on-screen chemistry between Lancaster and Kerr may have spilled off-screen; it was alleged that the stars became sexual partners during filming.[6]

Two songs are noteworthy: "Re-Enlistment Blues", and "From Here to Eternity",[7] by Robert Wells and Fred Karger.

Differences from the novel

Several of the novel's controversial plot points were changed or eliminated for the film to satisfy the Production Code Office and the U.S. Army.[8][9] Army cooperation was necessary in order to shoot on location at Schofield Barracks, use training aircraft, and obtain military footage of Pearl Harbor for use in the film, as well as for cost reasons.[10][11] According to screenwriter Daniel Taradash, both the Code Office and the Army were impressed by his script, which reduced the number of censorship problems.[12]

In the novel, Lorene was a prostitute at a brothel, but in the film, she is a hostess at a private social club.[8] Karen's hysterectomy in the novel was caused by the unfaithful Holmes transmitting gonorrhea to her, but in the film, her hysterectomy resulted from a miscarriage, thus avoiding the topic of venereal disease. The changes were made to meet Code Office standards.[9]

In the novel, several of the enlisted men fraternize with homosexuals, and one soldier commits suicide as a result, but homosexuality is not mentioned or directly explored in the film. Again, the change was made to satisfy the Code Office.[9][13] However, J. E. Smyth has written that the film's treatment of Judson's behavior towards Maggio "has all the indications of sexual abuse, and therefore reintroduces the fear of homosexuality in the 1930s military that the rest of the script had to repress for obvious reasons of censorship".[14]

In the novel, Captain Holmes ironically receives his desired promotion, and is transferred out of the company. In the film, Holmes is forced to resign from the Army under threat of court-martial for his ill-treatment of Prewitt. The Army insisted on this change, which the filmmakers reluctantly made.[8][11][15] Director Zinnemann later complained that the scene where Holmes is reprimanded was "the worst moment in the film, resembling a recruiting short",[11] and wrote, "It makes me sick every time I see it."[16]

In the novel, Judson's systematic abuse of Maggio and other prisoners, including Prewitt himself at one point, is portrayed in detail. However, in the film, Maggio's abuse happens offscreen, and is told only verbally to Prewitt, who remains free. The Army required that the abuse of Maggio not be shown, and that Judson's behavior towards Maggio be portrayed as "a sadistic anomaly, and not as the result of Army policy, as depicted in Jones' book".[11] The filmmakers agreed, seeing these changes as improvements.[11][16] Maggio, who survives and is discharged in the novel, dies in the film,[8] having been combined with two other prisoner characters from the novel (one of whom is killed by Judson in the novel) to add drama and make Maggio a stronger, more tragic figure.[17][18][19] The Army was further pacified by the filmmakers' inclusion of a line suggesting that Maggio's death was partially caused by his falling off a truck during a prison break, rather than solely by Judson's beatings.[20]


Opening to rave reviews, From Here to Eternity proved to be an instant hit with critics and public alike, the Southern California Motion Picture Council extolling: "A motion picture so great in its starkly realistic and appealing drama that mere words cannot justly describe it."

Variety agreed:

The James Jones bestseller, From Here to Eternity, has become an outstanding motion picture in this smash screen adaptation. It is an important film from any angle, presenting socko entertainment for big business. The cast names are exceptionally good, the exploitation and word-of-mouth values are topnotch, and the prospects in all playdates are very bright, whether special key bookings or general run.[21]

Of the actors, Variety went on to say,

Burt Lancaster, whose presence adds measurably to the marquee weight of the strong cast names, wallops the character of Top Sergeant Milton Warden, the professional soldier who wet-nurses a weak, pompous commanding officer and the GIs under him. It is a performance to which he gives depth of character as well as the muscles which had gained marquee importance for his name. Montgomery Clift, with a reputation for sensitive, three-dimensional performances, adds another to his growing list as the independent GI who refuses to join the company boxing team, taking instead the 'treatment' dished out at the C.O.'s instructions. Frank Sinatra scores a decided hit as Angelo Maggio, a violent, likeable Italo-American GI. While some may be amazed at this expression of the Sinatra talent versatility, it will come as no surprise to those who remember the few times he has had a chance to be something other than a crooner in films.[21]

The New York Post applauded Frank Sinatra, remarking, "He proves he is an actor by playing the luckless Maggio with a kind of doomed gaiety that is both real and immensely touching." Newsweek also stated that, "Frank Sinatra, a crooner long since turned actor, knew what he was doing when he plugged for the role of Maggio." John McCarten of The New Yorker concurred, writing that the film "reveals that Frank Sinatra, in the part of Mr. Clift's best friend who winds up in the stockade, is a first-rate actor."[22]

The cast agreed; Burt Lancaster commented in the book Sinatra: An American Legend that, "[Sinatra's] fervour, his bitterness had something to do with the character of Maggio, but also with what he had gone through the last number of years. A sense of defeat and the whole world crashing in on him... They all came out in that performance."[4]

Despite the rivalry between their respective characters, Sinatra and Borgnine, both from Italian roots, became lifelong friends. They corresponded each other at Christmas season interchanging cards signed Maggio and Fatso. At a Dean Martin Celebrity Roast honoring Sinatra, Borgnine mockingly reprised his Fatso Judson character.

With a gross of $30.5 million equating to earnings of $12.2 million, From Here to Eternity was not only one of the top-grossing films of 1953, but one of the ten highest-grossing films of the decade. Adjusted for inflation, its box office gross would exceed US$277 million in 2017 dollars.[1]

Despite the positive response of the critics and public, the Army was reportedly not pleased with its depiction in the finished film, and refused to let its name be used in the opening credits.[23] The Navy also banned the film from being shown to its servicemen, calling it "derogatory of a sister service" and a "discredit to the armed services".[24]

American Film Institute recognition

Awards and nominations

Award Category Nominee(s) Result
Academy Award[3] Best Picture Buddy Adler Won
Best Director Fred Zinnemann Won
Best Actor Montgomery Clift Nominated
Burt Lancaster Nominated
Best Actress Deborah Kerr Nominated
Best Writing, Screenplay Daniel Taradash Won
Best Supporting Actor Frank Sinatra Won
Best Supporting Actress Donna Reed Won
Best Cinematography (Black-and-White) Burnett Guffey Won
Best Costume Design (Black-and-White) Jean Louis Nominated
Best Film Editing William Lyon Won
Best Score of a Dramatic or Comedy Picture George Duning and Morris Stoloff Nominated
Best Sound (Recording) John P. Livadary Won
Golden Globe Award[25] Best Supporting Actor Frank Sinatra Won
Best Director Fred Zinneman Won
New York Film Critics Circle Awards Best Film Won
Best Actor Burt Lancaster Won
Best Director Fred Zinneman Won
Cannes Film Festival[26] Special Award of Merit Won
Grand Prize of the Festival Nominated
BAFTA Award[27] Best Film from Any Source Nominated
Directors Guild of America Outstanding Directorial Achievement Fred Zinneman Won
Writers Guild of America Best Written American Drama Won
Photoplay Award Gold Medal Won

William Holden, who won the Best Actor Oscar for Stalag 17, felt that Lancaster or Clift should have won. Sinatra would later comment that he thought his performance of heroin addict Frankie Machine in The Man with the Golden Arm was more deserving of an Oscar than his role as Maggio.


An unsuccessful 30 minute television pilot starring Darren McGavin as 1st Sgt Warden, Roger Davis as Pvt Pruitt, and Tom Nardini as Pvt Di Maggio was made in 1966.[28]

In 1979, William Devane starred as 1st Sgt Warden in a miniseries that became a television series in 1980.



  1. ^ a b c "Box Office Information for 'From Here to Eternity'." The Numbers. Retrieved: April 12, 2012.
  2. ^ Webster, David Kenyon. "Film Fare: Hollywood producers concentrate on fewer, more lavish pictures, theatre owners complain, but studios' profits are the best in year's Genghis Khan and Ben Hur." The Wall Street Journal, July 13, 1954, p. 1.
  3. ^ a b "The 26th Academy Awards (1954) Nominees and Winners." Retrieved: December 20, 2015..
  4. ^ a b c d Sinatra 1995, p. 106
  5. ^ "From Here to Eternity (1953)." Archived 2011-09-29 at the Wayback Machine Retrieved: May 31, 2011.
  6. ^ Buford 2000
  7. ^ Gilliland, John (1969). "Show 22 – Smack Dab in the Middle on Route 66: A skinny dip in the easy listening mainstream. [Part 1]" (audio). Pop Chronicles. University of North Texas Libraries. Track 2.
  8. ^ a b c d Hischak 2012, p. 75.
  9. ^ a b c Suid, 2002, p. 148
  10. ^ Smyth 2014, pp. 130–131.
  11. ^ a b c d e Nixon, Rob. "From Here to Eternity: The Essentials." Turner Classic Movies. Retrieved: December 20, 2015.
  12. ^ Dick 1992, p. 50.
  13. ^ Beidler 1998, p. 127.
  14. ^ Smyth 2014, pp. 139–140.
  15. ^ Smyth 2014, p. 136.
  16. ^ a b Eagan 2010, p. 472.
  17. ^ Smyth p. 126, 2014, pp. 135–136.
  18. ^ Dick 1992, p. 146.
  19. ^ Dick 1992, p. 149.
  20. ^ Suid 2002, pp. 145–146.
  21. ^ a b Brogdon, William. "Review:'From Here to Eternity'". Variety, July 29, 1953. Retrieved: January 14, 2010.
  22. ^ McCarten, John (August 8, 1953). "The Current Cinema". The New Yorker: 52.
  23. ^ Smyth 2014, p. 148.
  24. ^ Smyth 2014, p. 147.
  25. ^ "From Here to Eternity". Golden Globes. Retrieved November 17, 2017.
  26. ^ "From Here to Eternity." Festival de Cannes. Retrieved: January 25, 2009.
  27. ^ "Film in 1954". BAFTA. Retrieved November 17, 2017.
  28. ^ Goldberg, Lee Unsold Television Pilots: 1955-1989 Adventures in Television, 5 Jul. 2015


  • Beidler, Philip D. The Good War's Greatest Hits: World War II and American Remembering. Athens, Georgia: University of Georgia Press, 1998. ISBN 0-8203-2001-3.
  • Buford, Kate. Burt Lancaster: An American Life. New York: Knopf, 2000. ISBN 0-679-44603-6.
  • Dick, Bernard F., ed. "Chapter 6: An Interview with Daniel Taradash: From Harvard to Hollywood". Columbia Pictures: Portrait of a Studio. Lexington, Kentucky: University Press of Kentucky, 1992. ISBN 978-0-8131-3019-4.
  • Dolan, Edward F., Jr. Hollywood Goes to War. London: Bison Books, 1985. ISBN 0-86124-229-7.
  • Eagan, Daniel. America's Film Legacy: The Authoritative Guide to the Landmark Movies in the National Film Registry. New York City: Continuum International Publishing Group, 2010. ISBN 978-0826-41849-4.
  • Evans, Alun. Brassey's Guide to War Films. Dulles, Virginia: Potomac Books, 2000. ISBN 1-57488-263-5.
  • Hischak, Thomas S. American Literature on Stage and Screen: 525 Works and Their Adaptations. Jefferson, North Carolina: McFarland & Company, 2012. ISBN 978-0-7864-6842-3.
  • Sinatra, Nancy. Frank Sinatra: An American Legend. Chappaqua, New York: Readers Digest Association, 1995. ISBN 0-7621-0134-2.
  • Smyth, J.E. Fred Zinnemann and the Cinema of Resistance. Jackson, Mississippi: University Press of Mississippi, 2014. ISBN 978-1-61703-964-5.
  • Suid, Lawrence H. Guts & Glory: The Making of the American Military Image in Film. Lexington, Kentucky: University Press of Kentucky, 2002. ISBN 0-8131-2225-2.

External links

1953 New York Film Critics Circle Awards

The 19th New York Film Critics Circle Awards, honored the best filmmaking of 1953.

26th Academy Awards

The 26th Academy Awards ceremony was held on March 25, 1954. It took place at the RKO Pantages Theatre in Hollywood, and the NBC Century Theatre in New York City.

The second national telecast of the Awards show drew an estimated 43 million viewers. Shirley Booth, appearing in a play in Philadelphia, presented the Best Actor award through a live broadcast cut-in, and privately received the winner's name over the telephone from co-host Donald O'Connor. (Actor Fredric March co-hosted from New York City.) Gary Cooper filmed his presentation of the Best Actress award in advance on a set in Mexico, with O'Connor announcing the winner's name.

All the major winners in this year were black-and-white films. The big winner was Fred Zinnemann's From Here to Eternity, with thirteen nominations and eight awards including Best Picture, Best Supporting Actor, Best Supporting Actress, Best Director, Best Screenplay (Daniel Taradash), Best Cinematography (Burnett Guffey), Best Sound, and Best Film Editing. All five of its major actors and actresses were nominated, with secondary players Donna Reed and Frank Sinatra taking home Oscars. The candid film was based on James Jones' controversial, best-selling novel about Army life on a Hawaiian (Oahu) military base just prior to the Pearl Harbor attack and World War II, illustrating the conflict between an individualistic private (Montgomery Clift) and rigid institutional authority (exemplified by the Army). Its achievement of eight awards matched the then record held by Gone with the Wind (1939). The record would be tied again the following year by On the Waterfront (1954). Walt Disney won four awards, which remains the record for the most Oscars won in the same year.

William Holden's speech for Best Actor for his role in Stalag 17 was simply "Thank You", making it one of the shortest speeches ever; the TV broadcast had a strict cutoff time which forced Holden's quick remarks. The frustrated Holden personally paid for advertisements in the Hollywood trade publications to thank everyone he wanted to on Oscar night. He also remarked that he felt that either Burt Lancaster or Montgomery Clift should have won the Best Actor Oscar for From Here to Eternity, instead of him.

Burnett Guffey

Burnett Guffey, A.S.C. (May 26, 1905 – May 30, 1983) was an American cinematographer.He won two Academy Awards: From Here to Eternity (1953) and Bonnie and Clyde (1967).

Daniel Taradash

Daniel Taradash (January 29, 1913 – February 22, 2003) was an American screenwriter.

Taradash's credits include Golden Boy (1939), From Here to Eternity (1952), Rancho Notorious (1952), Don't Bother to Knock (1952), Désirée (1954), Picnic (1955), Storm Center (1956), which he also directed, Bell, Book and Candle (1958), Morituri (1965), Hawaii (1966), Castle Keep (1969), Doctors' Wives (1971), and Bogie (1980), a film biography of Humphrey Bogart.

Frank Sinatra filmography

Frank Sinatra (1915–1998) was an American singer, actor, and producer who was one of the most popular and influential musical artists of the 20th century. Over the course of his acting career he created a body of work that one biographer described as being "as varied, impressive and rewarding as that of any other Hollywood star".Sinatra began his career as a singer, initially in his native Hoboken, New Jersey, but increasing success led to a contract to perform on stage and radio across the United States. One of his earliest film roles was in the 1935 short film Major Bowes' Amateur Theatre of the Air, a spin off from the Major Bowes Amateur Hour radio show. He appeared in a full-length film in an uncredited cameo singing performance in Las Vegas Nights, singing "I'll Never Smile Again" with Tommy Dorsey's The Pied Pipers. His work with Dorsey's band also led to appearances in the full-length films Las Vegas Nights (1941) and Ship Ahoy (1942). As Sinatra's singing career grew, he appeared in larger roles in feature films, several of which were musicals, including three alongside Gene Kelly: Anchors Aweigh (1945), On the Town (1949) and Take Me Out to the Ball Game (1949). As his acting career developed further, Sinatra also produced several of the film's in which he appeared, and directed one—None but the Brave—which he also produced and in which he starred.Sinatra's film and singing careers had declined by 1952, when he was out-of-contract with both his record company and film studio. In 1953 he re-kindled his film career by targeting serious roles: he auditioned for—and won—a role in From Here to Eternity for which he won the Academy Award for Best Supporting Actor and the Golden Globe for Best Supporting Actor – Motion Picture. Other serious roles followed, including a portrayal of an ex-convict and drug addict in The Man with the Golden Arm, for which he was nominated for the Academy Award for Best Actor and the British Academy Film Award for the Best Actor in a Leading Role.Sinatra received numerous awards for his film work. He won the Golden Globe for Best Actor – Motion Picture Musical or Comedy for Pal Joey (1957), and was nominated in the same category for Come Blow Your Horn (1963). Three of the films in which Sinatra appears, The House I Live In (1945), The Manchurian Candidate (1962) and From Here to Eternity (1953)—have been added to the Library of Congress's National Film Registry. The House I Live In—a film that opposes anti-Semitism and racism—was awarded a special Golden Globe and Academy Award. In 1970, at the 43rd Academy Awards, Sinatra was presented with the Jean Hersholt Humanitarian Award; the following year he was awarded the Golden Globe Cecil B. DeMille Award.

Fred Zinnemann

Alfred Zinnemann (April 29, 1907 – March 14, 1997) was an Austrian-born American film director. He won four Academy Awards for directing films in various genres, including thrillers, westerns, film noir and play adaptations. He made 25 feature films during his 50-year career.

He was among the first directors to insist on using authentic locations and for mixing stars with civilians to give his films more realism. Within the film industry, he was considered a maverick for taking risks and thereby creating unique films, with many of his stories being dramas about lone and principled individuals tested by tragic events. According to one historian, Zinnemann's style demonstrated his sense of "psychological realism and his apparent determination to make worthwhile pictures that are nevertheless highly entertaining."

Among his films were The Men (1950), High Noon (1952), From Here to Eternity (1953), Oklahoma! (1955), The Nun's Story (1959), A Man For All Seasons (1966), The Day of the Jackal (1973), and Julia (1977). His films have received 65 Oscar nominations, winning 24.

Zinnemann directed and introduced a number of stars in their U.S. film debuts, including Marlon Brando, Rod Steiger, Pier Angeli, Julie Harris, Brandon deWilde, Montgomery Clift, Shirley Jones and Meryl Streep. He directed 19 actors to Oscar nominations, including Frank Sinatra, Montgomery Clift, Audrey Hepburn, Glynis Johns, Paul Scofield, Robert Shaw, Wendy Hiller, Jason Robards, Vanessa Redgrave, Jane Fonda, Gary Cooper and Maximilian Schell.

From Here to Eternity (Envy album)

From Here To Eternity is the second album by the band Envy. It was released in Japan in 1998 by the label H.G. Fact in both CD and LP formats. As has been noted by reviewers, this album shows a logical progression from the previous one, and indicates to the listener which direction the band will take their sound in the future.

From Here to Eternity (Giorgio Moroder album)

From Here to Eternity is a 1977 studio album by Giorgio Moroder. It peaked at number 130 on the Billboard 200 chart. The album's title track, together with "Too Hot to Handle" and "First Hand Experience in Second Hand Love", reached number 2 on Billboard's Dance Music/Club Play Singles chart. The first five songs comprise a continuous disco medley built around the title track, while the remaining songs are not connected to each other.

From Here to Eternity (Giorgio Moroder song)

"From Here to Eternity" is a song by Italian singer, songwriter, and producer Giorgio Moroder, released in 1977 as a single from an album of the same name.

From Here to Eternity (Iron Maiden song)

"From Here to Eternity" is a song by English heavy metal band Iron Maiden, released as the second single from their album Fear of the Dark, released in 1992.

From Here to Eternity (TV series)

From Here to Eternity is a dramatic television series that aired in 1980. It is a spinoff of the 1979 miniseries of the same title. The series features most of the cast members from the original miniseries, including William Devane and Kim Basinger. Barbara Hershey replaced Natalie Wood for the role of Karen Holmes.

From Here to Eternity (disambiguation)

From Here to Eternity is a 1953 film.

From Here to Eternity may also refer to:

From Here to Eternity (novel), a 1951 novel by James Jones; basis for the 1953 film

From Here to Eternity the Musical, a 2013 musical by Tim Rice based on the novel

From Here to Eternity (miniseries), a 1979 TV miniseries

From Here to Eternity (TV series), a 1980 TV series based on the novel

"From Here to Eternity", an episode of the TV series The Best Years

"From Here to Eternity", an episode of the anime television series RahXephon

From Here to Eternity: Traveling the World to Find the Good Death, a 2017 book by Caitlin Doughty

From Here to Eternity (miniseries)

From Here to Eternity is a 1979 American three-part, six-hour television miniseries and a remake of the 1953 film From Here to Eternity based on the 1951 novel of the same name. All three conclude with the December 7, 1941 attack on Pearl Harbor. The miniseries originally aired in three two-hour installments on three consecutive Wednesdays on NBC on February 14, 21 and 28, 1979.

The story details the men and families of G Company, 24th Infantry Division, United States Army. There are two main sub-plots: First Sergeant Milt Warden’s (William Devane) ongoing affair with Karen Holmes (Natalie Wood), the wife of his commanding officer, and Private Robert E. Lee Prewitt's (Steve Railsback) affair with Lorene Rogers (Kim Basinger), a local prostitute.

From Here to Eternity (novel)

From Here to Eternity is the debut novel of American author James Jones, published by Scribner's in 1951. Set in 1941, the novel focuses on several members of a U.S. Army infantry company stationed in Hawaii in the months leading up to the Japanese attack on Pearl Harbor. It is loosely based on Jones' experiences in the pre-World War II Hawaiian Division's 27th Infantry and the unit in which he served, Company E ("The Boxing Company"). Fellow company member Hal Gould said that while the novel was based on the company, including some depictions of actual persons, the characters are fictional, and the harsh conditions and described events are inventions.

From Here to Eternity won the National Book Award and was named one of the 100 Best Novels of the 20th century by the Modern Library Board. The book was later made into an Academy Award-winning film starring Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed, Frank Sinatra, and Ernest Borgnine as well as two television adaptations and a stage musical.

From Here to Eternity the Musical

From Here to Eternity the Musical is a musical with music and lyrics by Stuart Brayson and Tim Rice and a book by Bill Oakes. Based on the novel of the same name, written by James Jones, the musical made its West End and world premiere in 2013, at the Shaftesbury Theatre, London.

Jones's novel From Here to Eternity was a best-seller and well known for its successful movie adaptation. Jones's manuscript was heavily censored by his publisher to remove profanity and references to gay prostitution; the unexpurgated version was not published until 2011. Once it was, composer Stuart Brayson thought it might be adapted as a musical, and proposed the project to Tim Rice, who acquired the stage rights and wrote the lyrics.

The musical was announced in May 2011 and opened on 23 October 2013, a year later than originally planned. The West End production stars Darius Campbell as Warden, Robert Lonsdale as Private Prewitt, and Ryan Sampson as Maggio. The work received mixed reviews, though Brayson was praised for an imaginative score. The production closed on 29 March 2014, after a run of six and a half months.

James Jones (author)

James Ramon Jones (November 6, 1921 – May 9, 1977) was an American novelist known for his explorations of World War II and its aftermath. He won the 1952 National Book Award for his first published novel, From Here to Eternity, which was adapted for the big screen immediately and made into a television series a generation later.

John P. Livadary

John Paul Livadary (born 20 May 1896, Istanbul, Turkey, died 7 April 1987, Newport Beach, California, USA ) was a sound designer.

He started work in 1928 at Columbia Pictures and won the Academy Award for Best Sound Mixing three times and was nominated another 14 times, in a career that spanned 30 years. The first Oscar was for One Night of Love (1934), the second for The Jolson Story (1946) and the third for From Here to Eternity (1953). He also won the Academy Award for Technical Achievement three times (shared twice) and the Academy Scientific and Technical Award once (shared).

William Lyon (film editor)

William A. Lyon (January 21, 1903 – March 18, 1974) was an American film editor, from 1935 to 1971.

He was born in Texas, and died in Los Angeles, California. Employed by Columbia Pictures for most of his career, he was nominated for the Academy Award for Best Film Editing six times, and won twice, for From Here to Eternity (1953) and Picnic (1955).

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