The first film adaptation of Frankenstein in 1910 by Edison Studios
The first film adaptation of the tale, Frankenstein, was made by Edison Studios in 1910, written and directed by J. Searle Dawley, with Augustus Phillips as Frankenstein, Mary Fuerte as Elizabeth, and Charles Ogle as the Monster. The brief (16 min.) story has Frankenstein chemically create his creature in a vat. The monster haunts the scientist until Frankenstein's wedding night, when true love causes the creature to vanish. For many years, this film was believed lost. A collector announced in 1980 that he had acquired a print in the 1950s and had been unaware of its rarity.
The Edison version was followed soon after by another adaptation entitled Life Without Soul (1915), directed by Joseph W. Smiley, starring William A. Cohill as Dr. William Frawley, a modern-day Frankenstein who creates a soulless man, played to much critical praise by Percy Standing, who wore little make-up in the role. The film was shot at various locations around the United States, and reputedly featured much spectacle. In the end, it turns out that a young man has dreamed the events of the film after falling asleep reading Mary Shelley's novel. This film is now considered a lost film.
There was also at least one European film version, the Italian Il Mostro di Frankenstein ("The Monster of Frankenstein") in 1921. The film's producer Luciano Albertini essayed the role of Frankenstein, with the creature being played by Umberto Guarracino, and Eugenio Testa directing from a screenplay by Giovanni Drivetti. The film is also now considered a lost film.
For the reboot film, Guillermo del Toro said his Frankenstein would be a faithful "Miltonian tragedy", citing Frank Darabont's "near perfect" script, which evolved into Kenneth Branagh's Frankenstein. Del Toro said of his vision, "What I'm trying to do is take the myth and do something with it, but combining elements of Frankenstein and Bride of Frankenstein without making it just a classical myth of the monster. The best moments in my mind of Frankenstein, of the novel, are yet to be filmed ... The only guy that has ever nailed for me the emptiness, not the tragic, not the Miltonian dimension of the monster, but the emptiness is Christopher Lee in the Hammer films, where he really looks like something obscenely alive. Boris Karloff has the tragedy element nailed down but there are so many versions, including that great screenplay by Frank Darabont that was ultimately not really filmed." He has also cited Bernie Wrightson's illustrations as inspiration, and said the film will not focus on the monster's creation, but be an adventure film featuring the character. Del Toro said he would like Wrightson to design his version of the creature. The film will also focus on the religious aspects of Shelley's tale. In June 2009, del Toro stated that production on Frankenstein was not likely to begin for at least four years. Despite this, he has already cast frequent collaborator Doug Jones in the role of Frankenstein's monster. In an interview with Sci Fi Wire, Jones stated that he learned of the news the same day as everybody else; that "Guillermo did say to the press that he’s already cast me as his monster, but we’ve yet to talk about it. But in his mind, if that’s what he’s decided, then it's done ... It would be a dream come true." The film will be a period piece. It is unclear what stage of development this film is in.
Universal Studios has since begun development of their own cinematic universe featuring their classic monsters. Variety reported that Academy Award-winner Javier Bardem was in negotiations to star as the Frankenstein Monster.
In Great Britain, a long-running series by Hammer Films focused on the character of Dr. Frankenstein (usually played by Peter Cushing) rather than his monster. Peter Cushing played Dr. Frankenstein in all of the films except for Horror of Frankenstein, in which the character was played by Ralph Bates. Cushing also played a creation in Revenge of Frankenstein. David Prowse played two different Monsters.
The Hammer films are a series in the loosest sense, since there is only tenuous continuity between the films after the first two (which are carefully connected). Starting with The Evil of Frankenstein, the films are standalone stories with occasional vague references to previous films, much the way the James Bond films form a series. In some of the films, the Baron is a kindly, even heroic figure, while in others he is ruthless and cruel and clearly the villain of the piece.
The Hammer Films series (and the actor playing The Creature) consisted of:
In 1959, Hammer shot a half-hour pilot episode for a TV series to be called Tales of Frankenstein, in association with Columbia Pictures. Anton Diffring played the Baron, and Don Megowan his creation. Curt Siodmak directed. The series was scrapped, largely because of the two companies's disagreement over what the basic thrust of the series would be. Hammer wanted to do a series about Baron Frankenstein involved in various misadventures, while Columbia wanted a series of science fiction stories loosely based around the idea of science gone wrong. Though unshown at the time of its production, the episode is available on DVD from several sources.
Depictions of The Monster have varied widely, from mindless killing machines to the depiction of The Monster as a kind of tragic hero (closest to the Shelley version in behavior) in Mary Shelley's Frankenstein, The Bride, and Van Helsing. Throughout the Universal series, he evolves from the latter to the former.
1958: Another differing adaptation is the 1958 film Frankenstein 1970, which focuses on the themes of nuclear power, impotence, and the film industry. Boris Karloff stars as Dr. Frankenstein, who harvests the bodies of actors to create a clone of himself using his nuclear-powered laboratory. His intention is to have this clone carry on his genes into future generations.
1958: This year also brought the bizarre Frankenstein's Daughter, in which a modern descendant of Frankenstein (Donald Murphy) experiments with a Jekyll/Hyde type of serum before stitching together a grotesque female creature. John Ashley and Sandra Knight co-starred.
1965: Ishirō Honda's 1965 tokusatsukaiju film Frankenstein Conquers the World (Furankenshutain tai Chitei Kaijû Baragon) was produced by Toho Company Ltd. The film's prologue is set in World War II; the monster's heart is stolen by Nazis from the laboratory of Dr. Reisendorf in war-torn Frankfurt, and taken to Imperial Japan. Immortal, the heart survives the atomic bombing of Hiroshima and regenerates a new body, which feeds on protein, eventually growing into a giant humanoid monster named Frankenstein that breaks loose and battles the subterranean monster Baragon that was destroying villages and devouring people and animals. There is also a sequel to this film (see below).
1965: Frankenstein Meets the Space Monster. Martians come to Earth to steal our women, with the goal of repopulating their planet. When they cause a NASA space craft to crash, the humanoid robot pilot (Captain Frank Saunders) becomes horribly disfigured. Becoming a "Frankenstein"-like monster, he must save the women of Earth.
1966: The War of the Gargantuas (Furankenshutain no Kaijû: Sanda tai Gaira), also directed by Honda, is a sequel to Frankenstein Conquers the World (although this fact is obscured in the US version), with samples of Frankenstein's cells growing into two giant humanoid brother monsters: Sanda (the Brown Gargantua), the strong and gentle monster raised by scientists in his youth, and Gaira (the Green Gargantua), the violent and savage monster who devours humans. The two monsters eventually battle each other in Tokyo.
1970s and 1980s
1971: Dracula vs. Frankenstein by Al Adamson is an extremely low-budget horror thriller, starring aged film stars J. Carroll Naish and Lon Chaney Jr. In the film, Count Dracula (Zandor Vorkov) has the last living descendant of Frankenstein (Naish) revive his famous ancestor's creation (played by John Bloom).
1971: The Italian La Figlia di Frankenstein ("The Daughter of Frankenstein"), released in North America as Lady Frankenstein. Joseph Cotten plays Baron Frankenstein, who is killed by his creation early in the film. Sara Bay, as the Baron's daughter, creates her own creature from a handsome young man and the brain of her homely but brilliant lover (Paul Muller).
1972: Jesús Franco contributed Dracula Contra Frankenstein ("Dracula Vs. Frankenstein"), which hit the North American drive-in circuit as Dracula, Prisoner of Frankenstein. Baron Frankenstein (played by Dennis Price) revives Count Dracula (Howard Vernon) in order to enslave an army of vampires to help his monster (Fred Harrison) conquer the world.
1972: Franco followed up his Dracula/Frankenstein effort with The Erotic Rites of Frankenstein (also known as The Curse of Frankenstein, but bearing no relation to the Hammer film). Here, Baron Frankenstein (Dennis Price again) is killed off early on by minions of the evil Count Cagliostro (Howard Vernon), who wants to use the monster in his plots to rule the world.
1972: Frankenstein '80, a film by Mario Mancini, featured a modern-day scientist named Albrechtstein (Gordon Mitchell) creating a monster called Mosaico (Xiro Papas). Mosaico is driven to homicidal mania by lust, and by his body's constant rejection of its constituent parts. The ingenue was played by Dalila Di Lazzaro (under the pseudonym "Dalila Parker"), who later appeared as the female creation in 1973's Flesh for Frankenstein (see below).
1985: The Bride was an adaptation directed by Franc Roddam. It stars Clancy Brown as the monster, with rocker Sting as Dr. Charles Frankenstein. The plot features the Monster wandering about Europe with a tragic circus midget (David Rappaport) while the Doctor himself engages in a Pygmalion-inspired relationship with a female creation, the eponymous monster's bride played by Jennifer Beals. A love triangle between Doctor, Monster, and Bride provides the film's conflict.
1992: In Frankenstein, directed and written by David Wickes, the Creature was not pieced together from body parts but a clone (of sorts) of Frankenstein himself, establishing a psychic bond between Creator (Patrick Bergin) and Creature (Randy Quaid). A female creature was nearly created the same way, using Elizabeth (Fiona Gillies) as the model.
2004: Van Helsing. This film is a reinvention of the famous Universal stable of monsters of the 1930s and 1940s. Shuler Hensley plays the Monster who, contrary to usual practice, is directly referred to by the name Frankenstein in the film's publicity, but he is named mostly in the film as "the monster" or "the creature". The portrayal of the creature in this movie as intelligent, articulate, sympathetic, and as a hero who only wants to live, is somewhat close to the portrayal in the book. Physically, he is large and bulky, as opposed to his tall and thin portrayal in the classic films, and bears many physical features of Boris Karloff's portrayal, such as the bolted neck and flat head. He also has a visible brain and heart, which glow green and protected under glass casings, and a large engine in his left leg. He plays a vital role in the birth of Dracula's numerous offspring, the combination of his 'father's' machine that gave him life in the first place and the use of himself as a power source allowing the numerous stillborn children Dracula has conceived with his brides over the centuries to be brought to life, requiring Van Helsing to kill Dracula himself in order to destroy the vampires' progeny.
2004: Frankenstein A two episode mini-series that is faithful to the novel.
2006: Perfect Woman. This film, produced by Olympic Productions, is a modern spin on the tale. The plot follows a reality game show that is looking for the perfect woman to win the perfect man, played by Marcus Schenkenberg. Little do the girls know that the game show is a mask for an evil genius who is literally trying to make the perfect woman, using various body parts.
2006: Subject Two. This film, written and directed by Philip Chidel, has a modern nanotechnology spin on the tale. The plot follows a disillusioned medical student's journey to a remote snowbound mountain location where he is met by Dr. Vic.
2008: In Death Race, the Jason Statham character takes the place of a racecar driver who goes by the name Frankenstein; the same character's beginnings are explored in the direct to video prequels, Death Race 2 and Death Race 3: Inferno.
2009: Army of Frankenstein, This film is directed by Richard Raaphorst, the story tells over a fight in the year 1945 between Polish and German Borderlines at the end of the Second World War.
2011: "Frankenstein's Wedding – Live in Leeds": Broadcast live on BBC Three, this adaptation uses the romance between Victor and Elizabeth as a basis for a music drama portraying the rest of the story and was filmed live on 19 March 2011 at Kirkstall Abbey in Leeds. The drama used popular music, such as "Wires" by Athlete, sung by Andrew Gower, portraying the Scientist, Frankenstein. Other members of the cast included Lacey Turner as Elizabeth "Liz" Lavenza and David Harewood as the Creature
2011: Frankenstein: Day of the Beast is an independent, American horror film directed by Ricardo Islas.
2012: In Hotel Transylvania, Frankenstein's Monster is one of the monsters to go check in at Hotel Transylvania. This film gives him the name Frank, and he is shown as the uncle of Dracula's daughter Mavis. He is voiced by Kevin James. His bride appears as well and is given the name Eunice in the film. The bride is voiced by Fran Drescher in the film.
2014: I, Frankenstein is a more action based adaptation, which includes Frankenstein's monster, now named Adam, and a centuries old feud between two immortal races.
2015: Bernard Rose'sFrankenstein is a modern-set adaptation of the novel, with an emphasis on portraying elements which have not typically been included in screen adaptations, particularly the monster's intelligence and organic (as opposed to reanimated) genesis. In the film, Victor Frankenstein and his wife Elizabeth create the monster by manipulating DNA instead of reviving corpses, and the film unfold from the monster's point of view.
In a 1968 episode of The Inspector entitled "Transylvania Mania", a smart Dracula-like character and a stupid Frankenstein-like creature try to steal the Inspector's brain to put it in a new creature the vampire is building.
The 1970 cartoon Groovie Goolies featured Frankie, a friendly version of the Monster.
Franken Berry (1971), the mascot of the General Mills cereal of the same name, is a friendly parody of the Monster (cartoon and movie clip versions of the actual Frankenstein's Monster has appeared in some commercials).
The Rocky Horror Picture Show (1975) was a musical parody of the story. In this twisted comedic tale, Dr. Frank N. Furter creates a creature for his own pleasure (named 'Rocky') and finds that his creature has heterosexual lusts as well.
The 1980s cartoon Drak Pack featured Frankie, a descendant of the Monster who could assume his form as a superhero guise.
The 1980s cartoon series Goof Troop had an episode of Dr Frankengoof and his Pete Frankenstein monster that ran on electricity.
The 1995 Disney Mickey Mouse short Runaway Brain features Mickey going to the nefarious Dr. Frankenollie and having his brain switched with a monster's.
The 1982 young adult novel Frank and Stein and Me by Kin Platt has the protagonist meet the strange Dr. Stein and his hulking creature Frank while on the run from smugglers. In the novel Frank is described as an accident victim that Dr Stein has saved from death and rebuilt. The book features a running joke with Stein being confused by references to Frankenstein, being unfamiliar with the story.
The 1985 teen comedy Weird Science stars two high school students, who are inspired by the original Universal film to create an idealistic girlfriend. The film and the music video for the theme and the song of the same name by Oingo Boingo features a clip of the "It's Alive!" scene and frontman Danny Elfman doing an impression of Dr. Frankenstein in the music video.
Frankenhooker (1990) is a parody of the Universal films in which "Jeffrey Franken" gathers body parts from various streetwalkers in order to build the "perfect" woman. This same concept was borrowed for 2006's Perfect Woman (mentioned above).
A 2001 short film called Frankenthumb, directed by Steve Oedekerk, a parody of the 1931 film told with thumbs with superimposed faces and elaborate miniature sets.
Return of the Killer Tomatoes (1988) includes a scene in which the lead character is watching a movie called Frankenstein's Mummy (as a spoof of the 1930s sequel titles) on nighttime television. Return also features a character named Igor who parodies the "hunchbacked assistant" cliche upon his first appearance in the film.
Frank Enstein (1992) is a direct-to-video children's film about a robot named "Frank Enstein" who goes on an adventure.
The Frankenstein story and its elements have been adapted many times for television:
In the 1960s series The Addams Family, the family butler was Lurch, who looked and behaved very much like the creature. His vocabulary was limited, much like Boris Karloff's creature, but he became iconic for the catchphrase, "You rang?"
The 1965 Doctor Who serial The Chase features a sequence set in what appears to be a mysterious old house where various horror film monsters, including Frankenstein's monster, menace first the Doctor and his companions and later the Daleks. The house is subsequently revealed to be a Haunted House exhibit at an event entitled the "Festival of Ghana, 1996"
A 1976 Doctor Who serial, The Brain of Morbius, has a Time Lord criminal brought back to life by a mad scientist, using the Time Lord's brain and a body composed of various alien races who had crashed onto the planet where Morbius' brain had been stored since his defeat.
The regeneration sequence of the seventh Doctor, Sylvester McCoy, into the eighth incarnation, Paul McGann, in the 1996 TV movie Doctor Who is set in a hospital morgue. The night attendant at the morgue is watching the 1931 Frankenstein in the next room, and scenes in which the monster is brought to life are intercut with images of the Doctor's "resurrection", his appearance out of the storage room then causing the attendant to pass out.
Milton the Monster (1965–67) was a cartoon character developed shortly after The Munsters about a kind-hearted Frankenstein monster who famously "flipped his lid" (emitted steam like a whale's blowhole) when angered, and who was constantly nearly kicked out of the lab by his scheming creator.
The Gothic drama Dark Shadows featured a plotline running from April 1968 until December 1968 in which an artificial man named Adam is stitched together from corpses and reanimated using the life force of vampire Barnabas Collins.
The 1971 Canadian series The Hilarious House of Frightenstein included a failed Frankenstein's-monster-like creation named Brucie who needed to be revived by Count Frightenstein in order to return from exile to Transylvania.
In an episode of Fantasy Island, Dr. Anne Frankenstein, a descendant of Dr. Frankenstein, visits the island to try to find out about her ancestor. A being created by the elder scientist appears, and Anne is determined to take the being with her, naively believing that it will be treated with proper care in the 1980s.
The comedy series called Weird Science (1994–98) was inspired by the Frankenstein storyline (just as the 1985 film of the same name). The series follows the adventures of two high school students who design their "perfect" woman simulation by filling their computer with various forms of data and images, which is accidentally turned into life after a freak lightning storm.
"Frankenbone", a 1995 episode of the PBS children's series Wishbone, had an adaptation of Shelley's novel that stayed true to the original story with the canine star in the role of Victor and Matthew Tompkins as the Monster.
The 1996-98 Fox Kids series Big Bad Beetleborgs (later Beetleborgs Metallix) featured a "hulking stitched-up" character named Frankenbeans, "brought to life" by David Fletcher. The zany character owes a great debt to Herman Munster and Peter Boyle in Young Frankenstein. Strangely, the character is celebrated every year on the Thursday before the last Friday of October on a day called Frankenbeans Thursday.
Buffy the Vampire Slayer has also faced "Frankensteinian" creations. In the season two episode "Some Assembly Required, the creation was Darryl Epps, a reanimated high school jock whose brother reanimated him after an accident, but after his brother refused to complete a project to create a bride for him as the rapid decay rate of brain tissue would have required him to actually kill someone, Darryl allowed himself to die in a fire rather than have to live alone. The season four Big Bad was Adam, a conglomeration of robot, human, and demon parts created by a government scientist in charge of a demon research facility who rebelled against his creator, who her referred to as 'Mother', mirroring the statements of the Creature, who believed that Frankenstein should have been a better father, and tried to create a new society of creatures like him before he was destroyed.
A season five episode of The X-Files, "The Post-Modern Prometheus" retold the Frankenstein legend updated with genetic engineering technology. The episode, the only one of the series filmed exclusively in black and white, was inspired by the film adaptations of the legend; the creature, shunned by the mad scientist who created him, seeks a mate in a small town.
Frankenstein's monster was one of the monster trio from various skits on The Electric Company, portrayed by Skip Hinnant.
"Dr. What's-his-name", an episode of the 1975 live-action series The Ghost Busters, features a long-suffering Doctor Frankenstein whose goal is to make his gigantic, childlike Creature more obedient with the brain of "the world's most gullible fool". Spenser (Larry Storch), of course, is the world's most gullible fool...
In the 1994 animated series Monster Force, Frankenstein's monster alias "Frankenstein" or "the Monster" becomes humanity's ally in a desperate fight against evil Creatures of the Night.
The children's animated series Arthur has an episode depicting a reenactment of the night the novel was created. Titled Fernkenstein's Monster, it was described as: "Inspired by Mary Shelley's Frankenstein, Fern tells a tale so scary that Arthur and the gang become afraid of her. Can Fern prove her skills as a writer and create a different story that's fun instead of frightening?"
The 2000 anime television series Argento Soma draws a large amount of inspiration from Frankenstein. The series' plotline revolves around an ambitious scientist assembling a giant silver creature from scattered components. The giant (aptly nicknamed "Frank") possesses a tender and compassionate nature but has a bizarre and hideous exterior and the potential to inflict death and destruction.
The Duck Dodgers episode "Castle High" revolved around the main character explaining to I.Q. High what had happened to his castle, the flashback based on the story.
One of Arale's classmates in Dr. Slump was named Monsuta (aka Frank).
In Dragonball, young Goku befriends a cyborg named Number 8 (whom he nicknames Ha-chan) who was similar in appearance to Frankenstein's monster.
An episode of Goof Troop had a spoof called "Frankengoof"; despite the title, the monster is a mirror image of Black Pete.
An episode of Darkwing Duck had a spoof called "Steerminator" in which dead supervillain Taurus Bulba is rebuilt into a cyborg.
An episode of The Catillac Cats has Riff Raff as a mad scientist about to be beaten up by Mungo/Frankenstein's monster.
The Moosylvania episode of Rocky and His Friends showed Boris and Natasha attempting to pass off some small Western town as Washington, D.C....and the Capitol Building is topped off with a statue of Frankenstein's Monster!
In the Scooby-Doo television movie Scooby-Doo and the Ghoul School, Scooby, Shaggy and Scrappy-Doo meet the daughters of several monsters at "Miss Grimwood's School for Girls". One of the 'girl ghouls' (as they are called in the movie) is named Elsa Frankenteen, her father being Frankenteen Sr. Frankenteen Sr. is the best representation of Boris Karloff's creature, with his daughter more closely resembling Elsa Lanchester's interpretation of the Bride of Frankenstein. 'Frankenteen' is also a portmanteau of 'Frankenstein' and 'teen' because Elsa is a teenager.
There were two instances where the concept of Frankenstein's monster was used in the Super Sentai and Power Rangers series. In Kyōryū Sentai Zyuranger, the monster Dora Frank was an obvious nod to the monster, as well as its Mighty Morphin Power Rangers counterpart, which was simply referred to as the "Frankenstein Monster". Then in Mahou Sentai Magiranger one of the main villains, Victory General Branken, was inspired by Frankenstein's Monster. Branken's Power Rangers: Mystic Force counterpart was Morticon.
In the series Kamen Rider Kiva, Dogga's race, the Franken, is an obvious nod to the monster, along with Kiva's Dogga form.
An episode of SpongeBob SquarePants called "Frankendoodle" involves SpongeBob using a human artist's "magic pencil" to create a living, evil doodle of himself.
In the Halloween special of another Nickelodeon series, The Adventures of Jimmy Neutron: Boy Genius, Jimmy's father, Hugh, mistakes an invention for a game he calls "Name that Monster" and is transformed into a Frankenstein's monster-like being.
In Ben 10, Transylians are a race of electrokinetic aliens from Anur Transyl that resemble Frankenstein's monster, with Frankenstrike (formerly known as Benvicktor) as their DNA sample for the Omnitrix.
In the original Transformers episode "Autobot Spike", Sparkplug Witwicky creates an Autobot using mismatched robot parts that he names Autobot X, but the robot is a mindless monster and goes berserk. Later, Spike Witwicky is injured and his consciousness is transferred to the giant robot body. Spike makes several direct references to the invention as a "robot Frankenstein monster".
Also, the character of Rampage in the Transformers: Beast Wars series has a great many similarities to Frankenstein's monster, especially his origins as a product of science gone horribly wrong; the main differences are his status as an irredeemable psychopath and that his body wasn't created by piecing others together. In a later episode, Megatron's cloning of Dinobot bears a strong resemblance to the creation of the monster.
In an episode of Time Warp Trio entitled Nightmare on Joe's Street, Mary Shelley accidentally draws her first impression of the monster in The Book, causing her dream to become a reality. Unlike typical versions of the creature, which have one-colored complexions, this render of the monster is seen with patchwork-colored skin, signifying his construction from various corpse parts.
In The Super Mario Bros. Super Show! episode "Koopenstein", Bowser (under the guise of Dr. Koopenstein) plans to use Mario and Luigi's brains for a robotic Koopa Troopa he has made, but through the result of a horrific accident, he mutates into a Frankenstein's Monster-esque version of himself and proceeds to rampage through a nearby village. A live action segment from another episode, titled "The Mario Monster Mash", features Mario and Luigi meeting Dr. Frankenstein (played by Eugene Liebowitz) and his monster, where a laboratory mishap causes Mario's brain to be switched with the monster's.
In a 15-minute episode of Sonic the Hedgehog, Rotor the Walrus, assisted by Antoine, creates a robot named Ro-Becca. Antoine accidentally activates Ro-Becca and she falls in love with him.
Two segments from Braingames showed Frankenstein's monster. One was "Splatnarnt", in which two scientists assembling a Frankenstein's-monster-like creature using interior body parts whose names were scrambled; the idea was for the viewer to unscramble the names. The other was "Whosamawhatchamacallits", in which Frankenstein's monster was the last character portrayed in the game.
An animated segment on Sesame Street showed a mad doctor bringing to life a Frankenstein's monster-like creature that was actually a capital letter H.
An ITV modern adaptation simply titled Frankenstein was aired on 24 October 2007, where a mother uses lab equipment to try to create a "body of organs" for her dying eight-year-old son.
The fifth season episode of Highlander: The Series titled The Modern Prometheus has Mary Shelley draw her inspiration from two immortals battling during the long winter in the Swiss Alps. Upon seeing Byron (in the series secretly an Immortal) restored to life by lightning, she asks Methos why her child rots in her grave while Byron simply gets up and walks away. Methos admonishes her to pity their kind, for life can go on when it should not. The isolation he describes enables Shelley to write her classic.
Two animated segments from Sesame Street teaching basic geography were hosted by Dr. Geo and his Frankenstein-like unnamed assistant who would mimic everything Geo said behind his back. One segment talked about the concept of a globe and the other about mountains.
In a season 3 episode of the NBC television series Chuck, Chuck refers to John Casey as "Trank-enstein", due to the NSA colonel's love of weaponry (in this case, tranquilizer darts) and typical brutish mannerisms.
In the animated series Frankenstein, Jr. and The Impossibles, a boy scientist Buzz Conroy and his father Professor Conroy fight supervillains with the aid of a powerful heroic robot named "Frankenstein Jr." who is like a mix between "Gigantor" and Frankenstein's monster.
Frankenstein's monster and the Bride of Frankenstein's monster are the father and mother of Frankie Stein in Monster High.
In an episode of the cartoon series The Venture Bros., entitled "¡Viva los Muertos!", Dr. Venture reanimates the corpse of a Monarch henchman killed by Brock Samson, naming the creature "Venturestein".
Episode 7x07 of Criminal Minds deals with a serial killer who murders young men and removes their body parts in an attempt to build a new body for his deceased brother.
In the anime/manga Soul Eater, Professor Frank N. Stein is a teacher and meister at the DWMA (Death Weapon Meister Academy).
In 2014, PBS and Pemberley Digital created a webseries based on the original novel, called Frankenstein, M.D.; the series brings the story to modern days, following the medical student who subsequently becomes Doctor Victoria Frankenstein.
In the Supernaturalseason 10 episode Dark Dynasty, Eldon Styne reveals that his family, the Styne Family and the main enemies of Book of the Damned, Dark Dynasty and The Prisoner are in actuality members of the House of Frankenstein, one of the oldest families in Europe.
In the television series Grimm, the sixth season episode "The Son Also Rises" features a group of scientists attempting to bring the son of one of their number back to life in a Frankenstein-esque experiment, but their work goes wrong when the reanimated body was created using the body parts taken from dead wesen, causing an extreme reaction that provokes the scientists to try and kill him, prompting the boy to go after them in revenge.
The 1962 novelty song "Monster Mash" is narrated by a Dr. Frankenstein-like character, who talks about his monster learning a new dance.
"Frankenstein" is a 1973 instrumental by the Edgar Winter Group - so named because it was constructed from bits and pieces of several different takes.
The video for Yazoo's song "Don't Go" featured a Frankenstein theme.
In the video for her 1983 song "Telephone (Long Distance Love Affair)", Sheena Easton is pursued through a haunted house by Frankenstein's monster.
In The Dead Milkmen video "Big Time Operator" lead singer Rodney is depicted as FrankenElvis.
For their 1987 single, "Doin' It All for My Baby", Huey Lewis and the News used a Frankenstein theme in a video performance.
Rock musician Alice Cooper recorded a song titled "Teenage Frankenstein" for his 1986 album Constrictor, and recorded "Feed My Frankenstein" for his 1991 album Hey Stoopid. The latter song was also featured in the 1992 film Wayne's World.
Sam Cooke's song "Another Saturday Night" includes a verse that goes: "Another fellow told me / He had a sister who looked just fine. / Instead of being my deliverance, she had a strange resemblance / To a cat [guy] named Frankenstein."
In 2012, BBC Radio 4 broadcast a two-part adaptation as part of their Gothic Imagination series written by Lucy Catherine and directed by Marc Beeby, with Jamie Parker as Frankenstein, Shaun Dooley as The Monster and Susie Riddell as Elizabeth.
A Broadway adaptation of the story by Victor Gialanella played for one performance on January 4, 1981 (after 29 previews) and was considered the most expensive non-musical flop ever produced to that date. However, the New York Times writer Carol Lawson observed that "critics have remarked that Mr. (Bran) Ferren's work on this play (the special effects & sound designer), which included the spectacular destruction of Dr. Frankenstein's laboratory by his monster, had the lavishness that audiences have come to expect in films, but have never before seen in the theater." It is noteworthy for John Carradine's playing the part of the blind "DeLacey". Also starring were David Dukes as "Victor Frankenstein", Dianne Wiest as "Elizabeth", John Glover as "Henry Clervel", and Keith Joachim as "The Creature".
The Guthrie Theater in Minneapolis commissioned Barbara Field to write a response/adaptation to Shelley's novel. The play, called "Frankenstein - Playing with Fire," went on a national tour in early 1988 before playing at the Guthrie during the summer of 1988. The Guthrie restaged the play in September–October 2018.
FRANKENSTEIN, a musical theatre adaptation by Eric B. Sirota (book, music & lyrics) opened at St. Luke's Theatre, an Off-Broadway venue in NYC on Oct. 9 2017, and continues its open run there. It is described as "a sweeping romantic musical about the human need for love and companionship." www.TheFrankensteinMusical.com
Joined At The Heart is a musical with music & lyrics by Graham Brown & Geoff Meads, book by Frances Anne Bartam and directed by Frances Brownlie. It tells the love story of Victor Frankenstein and his step sister Elizabeth, a young orphan girl taken in by Victor's parents and cared for as if she were their own daughter. When Victor's mother dies, he vows to end the suffering that death brings by pursuing eternal life. Joined At The Heart reached the final of the Worldwide Search for Musicals competition. The show was produced at The Junction 2 in Cambridge, UK from 1–4 August 2007 and at the Edinburgh Fringe in Scotland from 12–18 August 2007.
Frankenstein - A New Musical, a pop-opera adaptation which adhered closely to the original novel, opened at 37 Arts Theatre, New York, in Autumn 2007 and closed in December 2007. The first UK performance was at The Stables Theatre Hastings in May 2009. Music was by Mark Baron, book by Jefferey Jackson and Gary P Cohen.
A performance storytelling production of Frankenstein is currently touring both in the UK and internationally. It is performed by storyteller Ben Haggarty and the composer, singer and musician Sianed Jones.
A Korean musical adaptation of the book, written and directed by Wang Yong-beom and songs by Lee Seong-joon, premiered on March 11, 2014. The show achieved unprecedented level of success for an original domestic production, and future Japanese and Chinese productions are on the way,
The Royal Ballet's production of 'Frankenstein' in collaboration with San Francisco Ballet was produced and choreographed by Liam Scarlett, score by Lowell Liebermann and costume and set by John Macfarlane, with Federico Bonelli as Victor, Laura Morera as Elizabeth and Steven Mcrae as 'The Creature' on opening night. It was also broadcast live to cinemas on 18 May 2016. The production premiered 4 May 2016 and the run lasted until 24 May 2016. The ballet is being revived for the first time in the 2018/2019 season from the 5–23 March 2019 with a run of 9 shows.
The story of Frankenstein and "Frankenstein's monster", has formed the basis of many original novels over the years, some of which were considered sequels to Shelley's original work, and some of which were based more upon the character as portrayed in the Universal films. Yet others were completely new tales inspired by Frankenstein.
1957: French screenwriterJean-Claude Carrière wrote six Frankenstein novels in 1957 and 1958 for Angoisse, the horror imprint of publisher Fleuve Noir, under the house pseudonym of Benoît Becker (with plotting assistance from Guy Bechtel for the first novel).
1. La Tour de Frankenstein [The Tower of Frankenstein] (FNA No. 30, 1957)
2. Le Pas de Frankenstein [The Step of Frankenstein] (FNA No. 32, 1957)
3. La Nuit de Frankenstein [The Night of Frankenstein] (FNA No. 34, 1957)
4. Le Sceau de Frankenstein [The Seal of Frankenstein] (FNA No. 36, 1957)
6. La Cave de Frankenstein [The Cellar of Frankenstein] (FNA No. 50, 1959)
Carrière followed the footsteps of the Monster, christened Gouroull, as he made his way back from Iceland, to Scotland, and then Germany and Switzerland, from the late 1800s to the 1920s. The plots have the Monster pursuing his own, evil agenda, unafraid of the weaker humans. Even people who try to help or reason with him are just as likely to be killed by the inhuman fiend. Two further novels were published in the series by Black Coat Press. The books, The Quest of Frankenstein and The Triumph of Frankenstein were written by Frank Schildiner.
1972: Popular Library published the Frankenstein Horror Series of novels. Despite the title of the series, only the first volume, The Frankenstein Wheel (catalogue # 01544), by Paul W. Fairman, actually concerns the further exploits of Frankenstein's creation. The remaining eight books were unrelated stories using different horror themes.
1973: Frankenstein Unbound, by Brian Aldiss, combining the titles of Mary Shelley's novel with Percy Bysshe Shelley's Prometheus Unbound (1820), sends a time traveller from the twenty-first century back to Geneva in 1816 when Mary Wollstonecraft Godwin (as she was then) was engaged in writing the original Frankenstein story.
1975: Robert J. Myers wrote a sequel to Shelley's novel called The Cross of Frankenstein (ISBN 0-397-01086-9), in which the illegitimate son of Victor Frankenstein finds the creature alive and well and plotting the destruction of mankind in the wilds of America in 1816. Myers followed up the next year with The Slave of Frankenstein (ISBN 0-397-01126-1), where racism is added to the creature's long list of sins as Frankenstein's son again thwarts his plans to create a race of perfect slaves in the pre-Civil War America of 1859. A third novel in the series was announced, but never appeared.
1986: In The Frankenstein Papers, Fred Saberhagen retells Shelley's story (with significant modifications) from the creature's point of view. It is revealed that the novel had actually taken place during the American Revolution and Benjamin Franklin and his son play a major role in the novel. It is revealed through a series of letters as well as the monster's diary that the monster is actually an amnesiac humanoid alien who was disfigured by the electric explosion used in Victor's experiments, and that the creature that Victor had stitched together never in fact came to life. It is also revealed that Victor had performed the experiments under the behest of the sinister British nobleman Roger Saville, who had wished to create a race of super-men so as to form a colony of slaves and to defeat the American rebels. It is also implied that Saville and his hunchbacked assistant Small had murdered Victor's family in order to blackmail him, and that the novel was actually written by Robert Walton (who wanted to profit from the slave business) as a means to spread distrust to the monster. However, Benjamin rescues the Alien and helps him regain his memory with the help of Cagliostro, the book ends with the alien departing Earth, and deciding that despite the cruelty men like Saville are capable of, men like Benjamin Freeman are the true examples of the human race.
1986: In Stephen King's It, the monster "It" takes the form of Frankenstein's monster.
1986: Margaret Tarner wrote an adaptation of the novel for elementary students as part of the Macmillan Readers series from Macmillan Publishers (ISBN 978-0435271060). An audiobook of this version was published in 1992 (ISBN 978-0435272876).
1994: Leonore Fleischer wrote a novelization of the Kenneth Branagh film.
1997: Frankenstein According to Spike Milligan is one of a series of parody novels by Spike Milligan. In this, Milligan crafts a bizarre story, with many gags based on specific moments and instances from the text of the novel, such as "I am self-educated: for the first fourteen years of my life I ran wild on the common. At the end of that time I fell exhausted to the ground."
2003: Jim Benton has written a series of children's chapter books about a female mad scientist that goes by the name Franny K. Stein
2004: Dean Koontz has written a series of Frankenstein novels: Dean Koontz's Frankenstein. These stories are set in modern-day New Orleans, looking at Victor Frankenstein and his monster (now known as Deucalion) having survived to the present day, with Deucalion recruiting a pair of New Orleans detectives to oppose the plans of Victor Helios (Frankenstein's modern alias) to destroy humanity and replace them with his 'New Race'.
2005: Joseph Covino Jr has written a classical horror novel faithful in both spirit and style to Mary Shelley's original: "Frankenstein Resurrected"
2017 William A. Chanler has written a direct sequel to Frankenstein that begins in the Arctic shortly after Victor's death (ISBN 1541343085).
The Monster has also been the subject of many comic book adaptations, ranging from the ridiculous (a 1960s series portraying The Monster as a superhero; see below), to more straightforward interpretations of Shelley's work.
Dick Briefer's Frankenstein (1940–1954)
In 1940, cartoonistDick Briefer wrote and drew a Frankenstein's-monster comic book title for Crestwood Publications's Prize Comics, beginning with a standard horrific version, updated to contemporary America, but then in 1945 crafting an acclaimed and well-remembered comedic version that spun off into his own title, Frankenstein Comics. The series ended with issue #17 (Jan.-Feb. 1949, but was revived as a horror title from #18-33 (March 1952 - Oct.-Nov. 1954). The original Prize version served as catalyst for an intra-company crossover, where all characters starring in Prize Comics at the time teamed up to fight Frankenstein.
The Monster appeared in Superman No. 143 (February 1961), in a story entitled "Bizarro Meets Frankenstein!"
In 1973 the "Spawn of Frankenstein" appeared in the Phantom Stranger comic, written by Len Wein. The portrayal of the monster was as a reclusive, sympathetic character who had been living alone in the Arctic since the death of his creator.
A 1995Batman special called Batman: Castle of the Bat by Jack C. Harris and Bo Hampton amalgamates Batman and Frankenstein. Bruce Wayne fills the role of Victor Frankenstein, wishing to revive his deceased father. Having successfully done so, his creation becomes the monstrous "Bat-Man", a hulking figure in a rough analogue of the Batman costume who preys upon highwaymen, similar to the one who took the lives of the (this story's) parents of Bruce Wayne. Batman's butler Alfred Pennyworth is changed to a hunchbacked dwarf named Alfredo, filling the "Igor" role.
In The Superman Monster (1999), Lex Luthor is Viktor Luther, the creator. He discovers the spacecraft that would have carried the infant Superman to Earth. Inside, however, is only the skeleton of a child. Using the Kryptonian technology, he is able to animate his (unintentionally) super-powered creature, which initially resembles Bizarro. The creature flees and is raised by the kindly couple Johann and Marta Kant. They name the creature Klaus, after their dead son. The story features the Lois Lane character becoming "The Bride" to Superman's Creature.
In Warren Ellis and John Cassaday's Planetary, the protagonist, Elijah Snow, discovers an abandoned laboratory, filled with patchwork undead monsters. It is heavily implied that the lab belonged to Victor Frankenstein, and that, alongside Count Dracula, the Invisible Man, and Sherlock Holmes, Frankenstein had been part of a covert, 19th century conspiracy to shape the direction of the future.
In the comic book Major Bummer, Louie defends the common misnaming of the monster as "Frankenstein": Dr. Frankenstein is, so to speak, the monster's "father", and it is only right that a son should have his father's family name. This is also the argument taken by the Seven Soldiers incarnation.
The monster appeared as a foe to Marvel Comics' X-Men in issue #40 of their eponymous series (January 1968). In the story, written by Roy Thomas, the monster had various powers, including incredible strength, optic beams, and magnetized feet. He was an ambassador sent to Earth by aliens in the 1850s, but upon arrival, he went berserk. His fellow aliens followed him to the North Pole, where he was frozen. In the present, he was discovered by scientists and thawed. According to Professor X, this android was the inspiration for Shelley's novel.
The Monster of Frankenstein, the first five issues of which (Jan.-September 1973) contained a faithful (in spirit at least) retelling of Shelley's tale before transferring The Monster into the present day and pitting him against James Bond-inspired evil organizations. The artist, Mike Ploog, recalled, "I really enjoyed doing Frankenstein because I related to that naive monster wandering around a world he had no knowledge of — an outsider seeing everything through the eyes of a child."
Invaders #31 The Invaders, searching for the Human Torch and Toro, disappear in Switzerland. The Invaders’ investigation brings them face to fist with Frankenstein. A wheel-chair-bound Nazi scientist and Japanese doctor plan to transplant said Nazi scientist’s brain into Captain America’s body. The Invaders have to fight Frankenstein in the issue (Frankenstein is dressed as a Nazi officer)
Dell Comics published a superhero version of the character in the comic book series Frankenstein #2-4 (September 1966 - March 1967; issue #1, published Oct. 1964, featured a very loose adaptation/update of the 1931 Universal Pictures movie).
In 1972, French comics publisher Aredit devoted seven issues of its digest-sizedHallucinations horror comic magazine to adapt Jean-Claude Carrière's Frankenstein novels.
The Monster is Monster in My Pocket #13. He appears among the good monsters in the comic book (1991), the video game (1991), the animated special (1992), and the 2003 animated series. In the comics, he was relatively inarticulate, represented by hyphens between each syllable he spoke, but possessed of simple wisdom and strong morals. This characterization was essentially characterized in the video game, where he was a playable character, and his only line of dialogue in the cut scenes was "Yeah..." In the animated special, he was known as "Big Ed" and was essentially a comic simpleton.
Junji Ito serialized a manga adaptation of the novel, which was collected and published by Asahi Sonorama as the last tankōbon volume of The Junji Ito Horror Comic Collection in 1999.
In 2001, Curtis Jobling released a picture book titled Frankenstein's Cat, which focused on Frankenstein's first creation; a cat named Nine (due to being made up of nine different cats). A television adaption aired in 2008 on CBBC.
In 2004, manga artist Atsushi Ōkubo produced the manga Soul Eater; in the fifth chapter a character known as Franken Stein made his debut, much of his design was referenced from the novel "Frankenstein" including his body being covered in dozens of self-inflicted stitches. Like his namesake Franken Stein is both a skilled doctor and scientist, actually accomplishing in resurrecting another character into a zombie. But otherwise the rest of Victor Frankentsin's character was mostly tossed aside (the character was obsessed with taking things apart, usually with scalpels, and he was also a skilled fighter, especially in hand to hand combat). the major difference between Franken Stein and Mary Shelley's Victor Frankenstein is the fact that Franken Stein has the classic personality of a psychopath or serial killer.
In 2005, Dead Dog Comics produced a sequel to the Frankenstein mythos with Frankenstein: Monster Mayhem, written by R. D. Hall with art by Jerry Beck. In Dead Dog's version, the monster sets out to create his own Necropolis.
Also in 2005, Speakeasy Comics put out their sequel, The Living and the Dead, written by Todd Livingston and Robert Tinnell, with art by Micah Farritor. In it, Victor, now calling himself Hans, must create a new body for his first cousin who wants her syphilitic son to remain alive after a vicious beating, and she coerces him to do so under fear of exposing him for who he really is. Half-crazed due to the disease, the newly born monster proceeds to start a Grand Guignol theater in Ingolstadt until Victor puts him down with the help of the first monster he ever created. As thanks, Victor begins work on the last attempt he will make at playing God, and begins to build the original creature a mate.
The 2006 Beckett Entertainment/Image comics graphic novel The Cobbler's Monster: A Tale of Gepetto's Frankenstein features an amalgamation between Gepetto and Victor Frankenstein, who reanimates his dead son.
In 2006, Eros Comix published Adult Frankenstein, a comic book with Frankenstein x-rated stories (featuring also other classic monsters) all written by Enrico Teodorani (creator of Djustine), with cover by Joe Vigil and interior art by some of the best Italian authors in the erotic comics field.
Also in 2006, Big Bang Comics published an issue of Big Bang Presents featuring a superhero incarnation of the monster called Super Frankenstein.
Manga artist Mitsukazu Mihara published a volume collection of six short stories entitled Beautiful People on October 20, 2001. The main story, also titled "beautiful people", follows a woman who had plastic surgery done hoping to become beautiful and loved, but after she meets a young girl stitched together from corpses, she realizes that girl was the truly beautiful one because of the love she gave.
The 2007 manga series Embalming -The Another Tale of Frankenstein-, published by Shueisha, is based on the idea that Victor Frankenstein actually existed and created an artificial human from bodyparts of dead people and that 150 years after this event, numerous doctors across Europe are using what's left of his notes to try and create their own monsters. The series also features characters reading Frankenstein; or, The Modern Prometheus.
In 2009 Papercutz published a Classics Illustrated Deluxe Graphic Novel adaptation of Frankenstein by French cartoonist Marion Mousse. His adaptation was originally published in French in three volumes, and was all collected and translated into English for the Papercutz version. Of all the comic book adaptations this one is probably the most faithful to the original book.
Toys and games
Frankenstein's monster appears in the Konamivideo game series Castlevania numerous times, with its name being "The Monster" or "The Creature", often as a major boss, but sometimes as a regular enemy. The monster usually has the appearance of the Karloff/Universal version; however, the 2010 series reboot Castlevania: Lords of Shadow features a completely different-looking boss known as the "Mechanical Monstrosity", created some time prior to 1047 by "Friedrich von Frankenstein".
In the 1995 Super NES game Donkey Kong Country 3: Dixie Kong's Double Trouble!, Kong's archenemy, King K. Rool, assumes the persona of Baron K. Roolenstein.
A Frankenstein-like monster called Victor von Gerdenheim is a playable character in the fighting game series Darkstalkers, along with many other monsters from popular culture.
Frankenstein's monster also appears in the video game adaptation of the film Van Helsing. He only appears as a non-playable character.
The role-playing game Promethean: The Created by White Wolf Publishing, focuses on beings created from human remains and animated by "the Divine Fire" who seek to attain humanity. One of the "Lineages" (groupings) of said creatures is that of the Frankensteins, who, like their namesake, are crafted from the best parts of multiple corpses and brought to life by lightning. The monster himself, going by the name John Verney, appears in some of the book's fiction and illustrations.
In 2002, LEGO released a Dr. Frankenstein and monster set as part of the LEGO Studios toy line. In 2011, a new green skined Minifigure called Monster resembles the creature.
The 2008 video game Fable II contains a quest in which a man named Victor is attempting to reanimate the body of a deceased woman, both homages to the book. Upon completion of the quest, if the player buys the house, it unlocks an area known as "The Shelley Tomb", a reference to the author of the novel.
In the 2009 Wii game MadWorld, Frankenstein's monster appears as a boss battle at the base of a dungeon, and is simply called "Frank" with bolts in his back, rather than his neck as common stereotypes depict. He is also shown as being regenerative when connected to an electric chair, and his size well exceeds the usually large 7'0" to go as much as 20'0".
In Atlus' popular Persona series, the residents of the "Velvet Room", a supernatural room that is "Between mind and matter", are named after characters from the Frankenstein series, namely Igor, Elizabeth, Margret, Theodore, Marie, Caroline, and Justine.
Frankensteining is a term used by abusers of crystal methamphetamine to calm themselves by diassembling and reassembling objects. The term is used in that subculture and is recently gaining wider currency: it has been used in an episode of CSI: Miami and has four different definitions in Urban Dictionary, all with the same meaning of assembling parts from diverse sources. It is especially common when discussing assembling bicycles from parts stripped from others, illegally or otherwise, as can be seen from a Google search of frankensteining bicycles.
Frankenstein or Franken- is sometimes used as a prefix to imply artificial monstrosity as in "frankenfood", a politically charged name for genetically manipulated foodstuffs. The Franken- prefix can also mean anything assembled haphazardly from originally disparate elements, especially if those parts were previously discarded by others—for example, a car built from parts salvaged from many other cars. For many years Eddie Van Halen played a guitar built in such a manner which he called the "Frankenstrat".
In 1971, General Mills introduced "Franken Berry", a strawberry-flavored corn cereal whose mascot is a variation of the monster from the 1931 movie.
Mewtwo of the Pokémon franchise has been likened to Frankenstein's monster in regards to being born through an artificial means and discontent with the fact.
Stitch, the main protagonist of Disney's Lilo & Stitch franchise, was somewhat influenced by the monster, as he was created by a scientist from miscellaneous alien DNA. Unlike Shelley's monster, however, his intentions were initially evil until he discovered an inner loneliness, causing him, and eventually his creator, to turn from crime to justice. Throughout the franchise, Stitch also demonstrates the monster's herculean strength and childlike curiosity.
In season 3 of Beast WarsMegatron clones Dinobot, making a Frankenstein's monster out of the clone by transmetallizing him with the Transmetal Driver and adding the half of Rampage's mutant spark he cut out earlier. The result was an extremely mutated Transmetal II minion under the influence of his "half-brother's" evil.
In 2006, the book The 101 Most Influential People Who Never Lived listed Dr. Frankenstein's Monster (sic) at #6.
The California Medical Association, in a rather humorous gesture, chose Halloween 2006 to announce that Dr. Richard Frankenstein had been elected president of the organization. He had previously been president of the Orange County Medical Association in 1995-1996.
Frankenstein is a character in the Korean web-comic manhwaNoblesse. He, like that of the actual character Frankenstein, is a scientist, but the similarities end there. Through his research he has gained immortality and immense power. He now serves the most powerful of all vampires, the Noblesse.
Pop artist Eric Millikin created a large mosaic portrait of Frankenstein's monster out of Halloween candy and spiders as part of his "Totally Sweet" series in 2013.
The character Professor Franken Stein from Soul Eater is based loosely off Frankenstein's monster but with Frankstein himself in the mix.
In Hellsing, Alexander Anderson is based on Frankenstein's monster given that his name came from a song that has a reference about Frankenstein's monster and his abilities are similar and he is referred to as God's Monster after using the nail of Helena.
Frankenstein's Monster appears as the Berserker class Servant of the Black Faction in the Fate/stay night spin-off Fate/Apocrypha. This depiction of the monster is a young female homunculus in a wedding gown.
^Gingold, Michael (February 23, 2016). "Q&A: "CANDYMAN's" Bernard Rose Brings New "FRANKENSTEIN" to Life". fangoria.com. Retrieved April 27, 2017. I felt that, in two important respects, the novel had never been translated properly onto the screen. The first is that Mary Shelley did not write a novel about reanimating corpses... She says that he creates life, and then when the ship’s captain asks him how he did it, he refuses to answer... I think there’s a big difference between reanimating corpses and creating life...Also, I wanted to give the monster the voice he has in the novel. When he tells his story to Victor, he sounds like a romantic poet, like Byron, and no one has ever done that [on film].
Frankenstein; or, The Modern Prometheus is a novel written by English author Mary Shelley (1797–1851) that tells the story of Victor Frankenstein, a young scientist who creates a hideous, sapient creature in an unorthodox scientific experiment. Shelley started writing the story when she was 18, and the first edition of the novel was published anonymously in London on 1 January 1818, when she was 20. Her name first appeared on the second edition, published in 1823.
Shelley travelled through Europe in 1814, journeying along the river Rhine in Germany with a stop in Gernsheim, which is 17 kilometres (11 mi) away from Frankenstein Castle, where, two centuries before, an alchemist was engaged in experiments. Later, she travelled in the region of Geneva (Switzerland)—where much of the story takes place—and the topic of galvanism and occult ideas were themes of conversation among her companions, particularly her lover and future husband, Percy Shelley. Mary, Percy and Lord Byron decided to have a competition to see who could write the best horror story. After thinking for days, Shelley dreamt about a scientist who created life and was horrified by what he had made; her dream later evolved into the novel's story.
Frankenstein is infused with elements of the Gothic novel and the Romantic movement. At the same time, it is an early example of science fiction. Brian Aldiss has argued that it should be considered the first true science fiction story because, in contrast to previous stories with fantastical elements resembling those of later science fiction, the central character "makes a deliberate decision" and "turns to modern experiments in the laboratory" to achieve fantastic results. It has had a considerable influence in literature and popular culture and spawned a complete genre of horror stories, films and plays.
Since the novel's publication, the name "Frankenstein" has often been used to refer to the monster itself. This usage is considered erroneous, but some usage commentators regard it as well-established and acceptable. In the novel, the monster is identified by words such as "creature", "monster", "daemon", "wretch", "abortion", "fiend" and "it". Speaking to Victor Frankenstein, the monster says "I ought to be thy Adam, but I am rather the fallen angel" (which ties to Lucifer in Paradise Lost, which the monster reads, and which relates to the disobedience of Prometheus in the book's subtitle).
Frankenstein is a 1931 American pre-Code horror monster film from Universal Pictures. It is about a scientist and his assistant who dig up corpses to build a man animated by electricity. The project goes awry when Dr. Frankenstein's assistant accidentally gives the creature an abnormal, murderer's brain. The film was directed by James Whale, and adapted from the play by Peggy Webling, which in turn was based on Mary Shelley's 1818 novel, Frankenstein; or, The Modern Prometheus. The created "monster" is portrayed by Boris Karloff in the film. A hit with both audiences and critics, the film was followed by multiple sequels and has become arguably the most iconic horror film in history.
Frankenstein stars Colin Clive, Mae Clarke, John Boles and Karloff, and features Dwight Frye and Edward van Sloan. The Webling play was adapted by John L. Balderston and the screenplay written by Francis Edward Faragoh and Garrett Fort, with uncredited contributions from Robert Florey and John Russell. The make-up artist was Jack Pierce.
In 1991, the Library of Congress selected Frankenstein for preservation in the United States National Film Registry as being "culturally, historically, or aesthetically significant."
Frankenstein Created Woman is a 1967 British Hammer horror film directed by Terence Fisher. It stars Peter Cushing as Baron Frankenstein and Susan Denberg as his new creation. It is the fourth film in Hammer's Frankenstein series.
Where Hammer's previous Frankenstein films were concerned with the physical aspects of the Baron's work, the interest here is in the metaphysical dimensions of life, such as the question of the soul, and its relationship to the body.
Frankenstein Meets the Wolf Man is a 1943 American horror film produced by Universal Studios starring Lon Chaney, Jr. as the Wolf Man and Bela Lugosi as Frankenstein's monster. This was the first of a series of "ensemble" monster films combining characters from several film series. This film, therefore, is both the fifth in the series of films based upon Mary Shelley's Frankenstein, directly after The Ghost of Frankenstein, and a sequel to The Wolf Man.
Frankenstein Must Be Destroyed is a 1969 British horror film directed by Terence Fisher for Hammer Film Productions, starring Peter Cushing, Freddie Jones, Veronica Carlson and Simon Ward. The film is the fifth in a series of Hammer films focusing on Baron Frankenstein, who, in this entry, terrorises those around him in a bid to uncover the secrets of a former associate confined to a lunatic asylum.
Frankenstein and the Monster From Hell is a 1974 British horror film, directed by Terence Fisher and produced by Hammer Film Productions. It stars Peter Cushing, Shane Briant and David Prowse. Filmed at Elstree Studios in 1972 but not released until 1974, it was the final chapter in the Hammer Frankenstein saga of films as well as director Fisher's last film.The film was released on UK DVD+Blu-ray on 28 April 2014, with all previously censored scenes restored.
Mary Shelley's Frankenstein is a 1994 horror drama film directed by Kenneth Branagh and starring Robert De Niro, Kenneth Branagh, Tom Hulce, Helena Bonham Carter, Ian Holm, John Cleese, and Aidan Quinn. The film was produced on a budget of $45 million and is considered the most faithful film adaptation of Mary Shelley's novel Frankenstein, despite several differences and additions in plot from the novel.
Peggy Webling (1 January 1871 – 27 June 1949) was a British playwright, novelist and poet. Her 1927 play version of Mary Shelley's Frankenstein is notable for naming the creature "Frankenstein" after its creator, and for being the inspiration of the classic 1931 film directed by James Whale.
Son of Frankenstein is a 1939 horror film directed by Rowland V. Lee, and is the third entry in Universal Studios' Frankenstein series and the last to feature Boris Karloff as the Monster. It is also the first to feature Bela Lugosi as Ygor. The film is the sequel to James Whale's Bride of Frankenstein, and stars top-billed Basil Rathbone, Karloff, Lugosi and Lionel Atwill.
The film was a reaction to the popular re-releases of Dracula with Lugosi and Frankenstein with Karloff as a double-feature in 1938. Universal's declining horror output was revitalized with the enormously successful Son of Frankenstein, in which the studio cast both stars.
The Curse of Frankenstein is a 1957 British horror film by Hammer Film Productions, loosely based on the novel Frankenstein (1818) by Mary Shelley. It was Hammer's first colour horror film, and the first of their Frankenstein series. Its worldwide success led to several sequels, and the studio's new versions of Dracula (1958) and The Mummy (1959), and established "Hammer Horror" as a distinctive brand of Gothic cinema.The film was directed by Terence Fisher and stars Peter Cushing as Victor Frankenstein and Christopher Lee as the Creature, with Hazel Court and Robert Urquhart. Professor Patricia MacCormac called it the "first really gory horror film, showing blood and guts in colour."
The Ghost of Frankenstein is a 1942 American horror film, and the fourth in a series of films produced by Universal Studios based upon characters in Mary Shelley's novel Frankenstein. The film features Lon Chaney Jr. as the Monster, taking over from Boris Karloff, who played the role in the first three films of the series, and Bela Lugosi in his second and final appearance as the demented Ygor. The supporting cast features Lionel Atwill, Cedric Hardwicke, Ralph Bellamy and Evelyn Ankers.
The Horror of Frankenstein is a 1970 British horror film by Hammer Film Productions that is both a semi-parody and remake of the 1957 film The Curse of Frankenstein. It was produced and directed by Jimmy Sangster, starring Ralph Bates, Kate O'Mara, Veronica Carlson and David Prowse as the monster. The original music score was composed by Malcolm Williamson.
House of Frankenstein is a 1944 American monster crossover horror film starring Boris Karloff and Lon Chaney Jr., directed by Erle C. Kenton, written by Curt Siodmak, and produced by Universal Studios as a sequel to Frankenstein Meets the Wolf Man and Son of Dracula the previous year. The cast includes a mad scientist (Karloff), the Wolf Man (Chaney), Count Dracula (John Carradine), a hunchback (J. Carrol Naish), and Frankenstein's monster (Glenn Strange). This "monster rally" approach would continue in the following film, House of Dracula, as well as the 1948 comedy Abbott and Costello Meet Frankenstein.
The Monster of Frankenstein (Italian title: Il mostro di Frankenstein) is a 1920 Italian silent horror film, produced by Luciano Albertini, directed by Eugenio Testa, starring Luciano Albertini, Aldo Mezzanotte and Umberto Guarracino, and is an adaptation of Mary Shelley's novel Frankenstein. It was one of a very few Italian horror films produced in the silent era, since after Benito Mussolini seized control of the country, horror films were strictly forbidden. The Mary Shelley novel had been filmed twice before during the silent era, as Thomas Edison's Frankenstein (1910) and as Life Without Soul (1915).The film's running time was heavily cut down before its release, as it faced censorship issues. It was allegedly cut down to only 39 minutes. This is now considered a lost film, with only some production stills and promotional material remaining. It is believed the film disappeared soon after its initial release because it was so heavily edited, little of interest to audiences remained.Producer Albertini, also a well-known Italian actor in his day, played the role of Dr. Victor Frankenstein in this version. In 1924, he moved to America and starred in a Hollywood film called The Iron Man, but afterwards moved back to Italy to resume his acting career there. He was confined to a mental institution later in life, where he died in 1945 (the same year Mussolini was killed).
The Revenge of Frankenstein is a 1958 British horror film made by Hammer Film Productions. Directed by Terence Fisher, the film stars Peter Cushing, Francis Matthews, Michael Gwynn and Eunice Gayson. In the US, it was released in June, 1958 on a double bill with Curse of the Demon.The Revenge of Frankenstein was a sequel to The Curse of Frankenstein, the studio's 1957 adaptation of Mary Shelley's novel Frankenstein.
The Superman Monster is a comic book Elseworlds story, published by DC Comics. The story combined the elements of the Superman mythos with Mary Shelley's Frankenstein where that version of Superman is similar to Frankenstein's monster. Written by Dan Abnett and Andy Lanning, with art by Anthony Williams and Tom Palmer. The Superman Monster is the sequel to the DC Comics Elseworlds comic book Batman: Two Faces.
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